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#need to let it out
mellotchi · 1 year
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I know
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n0quart3r · 1 year
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im always ruining everything with my fucked up brain
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ambrosiagourmet · 3 months
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I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.
This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.
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But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.
Or this little bit from one of the flashbacks:
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This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.
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And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.
Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.
Like him needing to leave. And leaving her behind.
He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.
She was 9 when he left for school, and he was 11.
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Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.
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Both of these kids deserved so much better from the world.
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ultravioletness · 1 year
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I’ve been making gay knights (and ladies) collages on my phone at work
(Part two)
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stromblessed · 5 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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time-woods · 8 months
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you cant tell me he wasnt holding back any comments
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wombywoo · 2 months
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retired 🩶
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saltoru · 8 months
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being a jujutsu sorcerer and a parent rarely ends well. sorcerers who have to fight for their lives everyday barely have any time and energy even for themselves. adding babies to the picture is hard to imagine.
but gojo was determined to balance his work and personal life when you entered his life, which is why he has a baby girl strapped to his chest as he holds up his hand and crosses his fingers, already to send a special grade curse into his domain.
"daddy~" his baby babbles, cheek squished against his purple uniform.
"yes, baby?" gojo smiles down at his baby and gently sweeps her hair out of her eyes. he pays little to no attention to the curse, who had already spread out their domain and is currently sending wave after wave of attacks, all of which gojo repels with a touch. "this is domain expansion," he gently explains to her, smirking at the curse who is obviously offended that he wasn't taking them seriously. "in a second, you're gonna see daddy's domain."
his baby blinks and shuffles around in the strap, whining a bit as she tries to get comfortable. for all she knows, it's too dark and hot and she misses mommy's smell.
before she knows it, the space around her begins to look like the night sky, and she can't see the curse anymore.
"this is my domain," her daddy says, but she misses seeing the sun. why is it nighttime all of the sudden?
"nooo" she whines as she kicks around. where's the ice cream he promised her earlier? and where is mommy? she doesn't want to go to sleep yet!
"not easily impressed, hm?" he laughs, protectively holding his baby's head against his chest as he closes up his domain after finishing off the curse.
"let's go get ice cream, yeah?" he ruffles her hair and holds up her hands, dancing them up in the air with a huge grin. the sunlight hits her face again and a smile quickly reappears. "you did so good today. did you learn a lot about jujutsu fights today? did'ja enjoy our little adventure together?"
"ice cweam" she smiles, doing a few happy kicks. and that's how the tradition of getting ice cream after missions started for the daddy-daughter pair.
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whetstonefires · 11 months
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You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.
Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.
The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.
She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.
I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.
But, crucially, she has absolute faith in Jane.
The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.
(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)
And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.
And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.
Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.
But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.
That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.
She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.
This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.
Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.
Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.
Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.
😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.
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pseudopigeons · 9 months
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started watching the silly little pirate show
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nerdpoe · 3 months
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Dick gets his drink mixed up with another persons in the library while visiting Barbara.
He was drinking some kale smoothie thing, for health and stuff, and he set it down to grab a book from the shelf. There was another guy next to him, who also had a smoothie in the same kind of shake-n-go bottle.
They swapped by accident.
Dick checked out his book, said goodbye to Barbara, and took a sip of his smoothie.
That's the last thing he remembers.
He wakes up two days later pinned down by a practically feral Jason, who's eyes are glowing a sickly Lazarus green, with Bruce, Tim, Cass, and Duke all showing signs of losing a fight. He's sore everywhere, and Damian is nowhere to be seen.
"Uh...." his voice cracks, and he's suddenly aware of how fucking painful his throat is. "Hi? What's going on?"
"...Is it really you, Dickwing? I swear to God if it isn't and this is another-"
"Jay I really don't know what's going on, man."
Jason doesn't believe him. Dick is cuffed with anti-meta cuffs and escorted to the cave, where Bruce demands test after test and Dick tells them the last thing he remembers.
Apparently, after taking that sip, his eyes had turned to Lazarus green, and he had beelined for the mansion. Along the way there, he had run into the Riddler.
He had broken most of the Riddler's bones.
That was when everyone had been called in to subdue Dick, who for some strange reason kept gunning for Damian. Hence, Damian was upstairs and not allowed down until they were sure Dick was okay again.
It's concluded that Dick drank some alternate form of Lazarus Water, lost his mind, proceeded to take everyone out with enhanced strength and speed except Jason, who had entered a Pit episode just to keep up, and worked through it two days after consumption.
But who the fuck transported a material as dangerous as modified Lazarus Water in a fucking shake-n-go bottle?
Danny, however, is a little sad that his ecto-shake was stolen by some rando at the library.
Their kale smoothie was pretty good though.
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erabu-san · 3 months
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cruelsister-moved2 · 2 years
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for real! (from kadji amin)
[Image description: Screenshot of text:
What I've realized is that I believe that the matter of gender is practical and relational. It's not about who you are inside, it's more about how you would feel most comfortable in the world. It's not 'Who are you?' but 'How do you want to live?'
Had that been the discourse when I was coming up, I would have breathed a sigh of relief. I don't have to figure out who I am on the inside, I just have to figure out how I want to live.
end of ID]
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wardingshout · 4 months
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Zelda goes mushroom girl
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captainmera · 4 months
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A gallant in distress!
idk, I'm just having fun with these two. :''')
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