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#not that I didn't already love her
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Okay so @sothatwassomething made this here post and it made me a little feral, so here is the promised essay.
So, I watched this show when I was really young so I didn’t originally notice, but having rewatched it recently, it’s flagrantly obvious. Buffy’s male characters are fucking terrible.
The original post is about Buffy’s boyfriends but I’m including Xander because he has committed too many crimes to not get a mention.
He’s supposed to be the funny best friend character who’s kind of a dumbass but you love him anyway. That is not what comes forward though, not even close. He has a crush on Buffy from the moment he meets her and he does not hesitate to make it her problem.
He makes every effort to insert himself into her life and constantly oversteps boundaries. Not to mention constantly being at least low grade misogynistic, which is admittedly both a product of the show’s time as well as J*ss Wh*don being on the writing team, but still it’s gross for a show that’s supposed to be all about girl power to have a prominent supporting character that’s like that.
He also constantly devalues Buffy’s feelings (when she tells him she doesn’t like something he or someone else is doing he’ll try to talk around it to change her mind), ignores her misgivings (Literally every time something is afoot she pretty much senses it but he tries to tell her she’s wrong or paranoid more or less), gives her terrible advice (See the whole thing with Riley, just that whole talk when she said she wanted to break up with him the first time which honestly makes so little sense to me since he didn’t even like the guy), interferes with parts of her personal life without telling or asking her (multiple times gatekeeping other people from talking to her without asking if she’d like to talk to them, ie Spike at Joyce’s funeral), won’t listen when she’s upset over something (This happens so often I would just say pick an episode it’ll happen at some point), and worst of all tries to talk her into not believing her own thoughts and feelings.  It’s not isolated to a single episode or season either, he is just consistently this bad throughout the show.
Despite all that, the narrative treats him favorably and clearly tries to frame his actions as justified because he likes Buffy, like he’s looking out for her. He’s treated like the “nice guy” who doesn’t get the girl but probably should have. He gets along with Buffy, sure, but I genuinely think that’s only because the narrative forced them to.
Now juxtapose him with Willow. She’s introduced as the cute quirky girl who’s maybe a little nervous but sweet. That’s true for about the first half of the first season. Willow gets so much character development in a way that Xander never really does. It’s almost like meeting Buffy started her on a journey to line up all the little parts of herself she either hadn’t known were there or hadn’t thought she had room for.
She immediately bonds with Buffy and proceeds to be ride or die with her in a way that triggers personal growth for both of them. She helps her with her homework, makes every oportunity to spend time with her that she can with no strings attached, doesn’t pressure her to do things she doesn’t want to do, including telling them Slayer related things.
Willow is who Buffy goes to for emotional support, she’s who she tells her secrets to, and she proves that her trust is not misplaced over and over. There are a few times when she’s not as good a friend as she could be, but it’s rare, and it makes their relationship feel more realistic. She’s usually very supportive and takes the initiative to help Buffy in whatever situation they find themselves in. She started practicing magic as a way to be more helpful to the group and ended up finding a passion for it.
Willow and Buffy continually build each other up, and there’s a genuine sense of comfort between them. They lived together for an entire season, and almost every scene depicting that had so much domesticity to it. They were the calm, soothing moments in the middle of a season full of chaos and change. They give off comfy cottage lesbian vibes and I will defend that to my GRAVE. (Was lowkey frustrated when they made Willow a lesbian but DIDN’T put her with Buffy like why????)
Then we have Buffy’s relationship with Angel. Which. Oh God where do I start??? Oh, I know where to start, at one of my least favorite aspects!
So their entire relationship is an allegory, we know that. It’s the timeless tale of a girl dating a seemingly nice guy, everything being great, then when she “gives it up” to him, he suddenly turns into an asshole. (Especially with younger girls and older guys as was the case here) Great, thanks I fucking hate it.
But, in addition to that, they made Angel the flattest freakin’ vampire ever. Like if y’all think Edward Cullen wasn’t based on this mo’fo right here, I’m sorry but you’re wrong.
Buffy is great at banter, it’s one of the things the show is known for, but almost every quip she made smacked into Angel like a brick wall. Like yes, he is being eternally tortured for being the most massive douche in a whole species of assholes, but still. He has a lot more chemistry with freaking Cordelia of all people than with Buffy. He and Buffy get along best when they’re tragic and dangerous together, which yeah, is chemistry but it’s not long term, and it once again doesn’t suit the vibe the show is trying to foster.
Angelus had great chemistry with Buffy, but in the villain way which is actually one of the only ways she does get to have decent chemistry with a dude. But you know, he also stalked her, killed her friends, and generally terrorized her that entire time so not real great on the boyfriend vibes there. 
Now contrast him with Faith, who was also an absolute nightmare.
Faith was clearly intended to be a narrative foil to Buffy. But the minute those two got anywhere near each other, holy shit. There’s magnetism there, there’s tension, and most of it is sexual. It feels as if Buffy is being drawn into Faith both by the promise of freedom she’s never gotten to taste, and the allure of Faith herself. She’s dark, she’s dangerous, and she can absolutely keep up with Buffy in every way. She’s who Buffy could be if she weren’t bound by the rules she keeps to. (She’s who Buffy could be if she weren’t so well loved.)
She shows Buffy parts of herself she hadn’t known existed, makes her confront things about being the Slayer that she’d never put to words before. She understands her in a way that no one else really can, and she’s not shy about letting Buffy know that.
She immediately moves in close, and while the plot frames her as trying to get close to Angel because she wants what Buffy has, I think it’s also to do with wanting to be closer to Buffy. It would be easy to argue that’s part of the confusion of being young and queer and not knowing if you want someone or want to be them. Especially for a character as love starved as Faith.
These two got on like a house on fire and they were every bit as dangerous to each other as Buffy and Angel were, but in a way that made me want to watch them for as long as they could draw things out. Honestly they could have dropped everything and made out and I would not have been in the least bit surprised.
There’s bad blood, there’s distrust and hurt and apprehension but there’s still that same magnetism underlying every interaction. I HATE that this show was made in the 90’s-00’s because goddamn would I like to have seen where that could have gone.
Which leads us to my absolute least favorite of the boyfriend bunch, Riley. I wanted to like him. I really really fucking did. He seemed like he was going to be the all american himbo, and honestly Buffy being the girlboss she is could absolute have vibed and thrived with a himbo.
But no. That’s not what they did with him.
Rather than just giving Buffy a pretty, sweet boy to protect, they gave her another asshole with an agenda. First of all, ACAB. (I know he was technically some bullshit sort of special ops, I don’t care, they acted like cops, they’re getting lumped in) Riley was another case of a guy who seemed pretty nice on the surface but just turned straight to suck as they got to know each other better.
He was portrayed as a supportive boyfriend but just about every time it came down to actually supporting Buffy, he either failed to do so or gave her the absolute wrong thing. I don’t know if the writing team just got tired of writing for him or what, but his downward spiral was terrible.
It was entirely centered around Buffy being stronger and more competent than him.
Seriously.
In a show, that’s main selling point is having a heroine who’s literal job it is to kick ass and take names, we’re going to give her a boyfriend who gets his feelings hurt about that very thing?? Riley was the champion of the fragile male ego (I could go on about how his whole character was pretty much just a male power fantasy run wild but that’s a whole other post) and it was a pretty consistent theme throughout their relationship that he felt inferior to her. But at the end it just went off the rails. A vampire blood drinking den hooker?? Really Riley???
Not to mention he had all the personality of a dry biscuit. He wasn’t even Buffy’s type to be honest, which even he knew. Their whole relationship felt like Buffy trying to force herself to be normal, to force herself to be something she isn’t. (Cough Lesbian symbolism, cough cough.)
Which brings me finally to Spike, my beloved trash man.
First, it should be said that he absolutely has some of the flaws outlined above. He started out a villain and did his best to stay that way for quite a long while. That said, he also went through a lot of character development.
One thing that never changed however was his chemistry with Buffy. He plays off of her beautifully, although he has a good rapport with pretty much every character. He's great at their style of banter and his attitude has him fit in pretty nicely with their sass. He’s a great foil to Buffy in a similar way to Faith. He constantly tempts her to live outside her comfort zone, outside of what people think of her and he encourages her to seek out whatever it is she wants. Buffy is more reluctant to latch onto that in Spike (she’s already seen where that leads with Faith, and she has plenty of history with Spike that tells her he’s untrustworthy) but ultimately ends up pursuing him as well.
Spike, for his flaws both in their relationship and as a person does one thing most of the rest of these characters don’t or aren’t able to do for Buffy, which I think ends up drawing her even further in.
He gives her emotional support.
That’s something absent from a lot of Buffy’s relationships in any capacity (JOYCE I’M LOOKIN’ AT YOU HONEY YOU WERE A FUCKING TERRIBLE MOTHER) and I think it adds a lot more depth to their connection than Buffy has with Riley or even Angel.
Spike is shown multiple times to pretty much be one of the girls, it’s played for laughs but it’s still there. He watches soap operas with Joyce and genuinely gets invested in them, he’ll talk about boys with Dawn even though he really has no reason to, and in one of the earlier seasons he kidnapped Willow and pretty much just…vented to her? Talked about his problems and his feelings about them. It’s really rare for any of the characters to do that, much less any of the male ones. Spike for all his mischievousness and villainousness has quite probably the most emotional intelligence in the entire group. (Which I suspect is part of why he gets girlfriend-vibe privileges.) His relationship with Buffy was the shortest and they spend a good chunk of it trying to force it not to become deeper (which is also pretty telling in itself) but I think it settled into one of the best she had, if not the best. Had they gotten time to work through their issues, I think they probably would have been the best canon relationship Buffy had.
But this whole issue is pretty easy to see even in some of Buffy’s more brief interactions.
Kendra the Slayer. She was only around for a few episodes, was wildly different from Buffy, far more rule oriented but just as dedicated to her job and eventually loyal to Buffy. They had a rocky start, but ended up bonding pretty well before Kendra’s death.
That one dude Buffy dated for like three seconds before Riley appeared that broke her heart for literally no reason other than to emphasize that every nice seeming pretty boy is going to be a jackass underneath it all. They barely even spoke before Buffy had a thing for him. He was supposed to come off as charming but pretty much just talked about himself, used a bunch of lines, and was a cheating asshole. Willow verbally incinerated him. 
I don’t know how this show managed to be so utterly bad when it came to it’s hetero relationships, but it sure did. Almost every single male character (with the exception of Giles, Spike, and Oz before they volleyball spiked his character straight into the ground, pretty much) was crap in some capacity which lent itself to the reverse version of the “Every woman in this show is a cardboard standee so we have to ship the guys together” syndrome. Buffy had much more going with the women in this show and it’s a shame she never got to kiss one.
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meggalice · 7 months
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I've actually been meaning to draw @star-sparkler 's Augustine for a while now; I got struck with the urge again today and uh, well I kinda went a little crazy.
She has the most wonderful design, this little lady is just so much fun to draw!
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starry-bi-sky · 12 days
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tales of the passerine - danny fenton being bruce wayne's first kid
okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.
Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.
It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.
(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)
There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.
It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.
Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.
Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.
He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.
At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.
This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.
Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.
Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.
Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.
("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)
Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.
Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.
Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.
Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.
Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".
(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)
Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.
He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.
Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.
Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.
At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.
He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.
Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."
And there it is. There's his out.
Danny, just as quietly, replies; "I'll keep that in mind."
The ball starts rolling.
Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.
He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.
It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.
Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.
He breaks the lock by hand.
Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.
The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.
And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.
I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"
I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.
Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.
But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.
Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.
Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.
Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.
Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.
And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#tales of the passerine au#i dont want to overemphasize how much vlad sucks but also i dont want to downplay it. but also i didn't wanna make this post too long#i didn't emphasize enough on vlad's possessiveness but i wanted to make this post as general enough as possible for the au.#for some more wiggle room in the future if i make more posts about this au.#the consequences for Danny repressing himself was not a concern i was focused on for the post but i am thinking about it and mulling it ove#i'll be blunt my main specific reason for why this occurs shortly after tue is bc it means dani doesn't exist yet and it means i dont have#to include her in the continuation of this au. i love that girl but she's a dead weight. i dont wanna come up with an elaborate reason as#to why she's not in the picture when i can just say 'she never created in the first place' instead. i don't have anything for her to do#I don't want to risk giving her a poor plot line just so that she exists in au.#sometimes i really hate just how long my posts get. i feel like it kills my engagement. but i also don't want to make posts that have#a part 1 and part 2 just because I think it got too long.#i feel kinda bad for having Danny take the spot of 'first partner' from Dick. But that was part of the reason i was inspired to make this a#i've already got the skeleton of a reasoning for danny becoming a vigilante being made in my head.#He can't go by Phantom since that risks drawing Vlad's attention -- a new vigilante showing up in Gotham. a place the visited frequently#who goes by the name Phantom? He'd be on that faster than chickens on meat. and nightingale has familial meaning behind it due to being#part of an ancestral name. it follows robin's theme of using it to honor his parents while still having its own unique enough lore to stand#on its own without feeling like a cheap copy. plus the bonus meta reason that it follows the bird theme. which personally is vital to me#my other alternative to Nightingale is Sparrow. mostly because it has good phonetic structure for a hero name. not too many syllables#a good balance of consonants and vowels. dont want a hero name with too many syllables or unbalanced consonants. or worse; both.#my reasonings is that hero names should be easy for a civ or teammate to yell while still being understood. max amount of syllables before#it threatens to become too wordy is 3. If it goes over 3 it should have a balanced consonant-vowel ratio. Wonder Woman is a good example#some things got cut here that were in the initial oneshot. like danny giving bruce his physical ghost core and showing up bloody.#the first son au
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cyellolemon · 2 months
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Some more Alien Stage super silly drawings
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"At a time when my life felt scattered and incomplete, the fantasy world of The Parent Trap, and the warm and maternal presence of Chessy, provided me with a dream of gluing the pieces of it together. The film, though not explicitly queer, still provides a sort of utopia of queer acceptance, connection and love. [...] Some days I still think that maybe all I need is a hug from Lisa Ann Walter and I will be all right." - Michael Elias (x)
Lisa Ann Walter as Chessy in The Parent Trap (1998)
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tapakah0 · 7 months
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do u know cass personally? or is this a tumblr friendship? cuz its the most wholesome thing ive seen in my life
I don't even know their real name ~ But if I will be told that I have an extra liver, I will know at the exact same second to whom give it.
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becauseplot · 11 months
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Okay so something about the spiderbit wedding has been sitting in the back of my mind for awhile now and I don't know if anyone's talked about it but I just recently figured out the words to articulate it (kind of) so here we go!
Prior to the q!spiderbit wedding, a lot of the fanart/fanfics I saw/read depicted Cellbit waiting at the altar while Roier is walked down the aisle by either Foolish or Vegetta. Which makes sense! It keeps with the idea of the father "giving away" the bride (or in this case, the groom) at the wedding, which wouldn't be possible for Cellbit since he doesn't have any parental figures on the island. So, I was a little surprised when the wedding day came and Cellbit was the one to walk down the aisle while Roier waited at the altar. I was a bit disappointed at first---they missed a chance to do a sweet little spin on a wedding tradition! (Found family* my beloved <3)
But then I kept thinking---something about Cellbit walking down the aisle. Something about Cellbit walking down the aisle. Something about Cellbit walking down the aisle to the altar where Roier, his soon-to-be husband and trusted confidant, stands; where Felps, his best friend whom he just got back from an unknown fate, stands; where Forever, the friend he wronged but never lost faith in and wants to do right by going forward, stands.
Something about Cellbit being alone and walking himself down the aisle towards them like he is making an active choice. After the fear and the isolation, pushing others away and hurting those close to him so he could make himself a martyr because he felt like he had to face the Federation alone and that he could only rely on himself---now choosing to walk towards the altar where they stand---walking towards his happy ending.
Because this is his happy ending. I'm not at all an advocate for the idea of "oh romance/marriage is the only thing that will make you happy in life" but not only is being married to Roier something Cellbit desperately wants, this wedding means so much more than just getting married.
Of course, this isn't really the end, but for someone like Cellbit, it's a start. A new beginning. A brand new chapter of love, friendship, and trust. So yes, Cellbit walks down the aisle at his wedding, and he does it alone, and he does it because he deserves it, and he does it because he wants to, and he does it because he has to, and he does it because he needs this.
*I would just like to note that found family does not have to follow a nuclear formula with parent-child roles and I don't wish to propagate this misconception. That's just how Roier's family is structured in canon. Foolish and Vegetta are boyfriends and Roier calls them (or at least Foolish) "dad" that's just how it is and it is beautiful &lt;3
Also apologies if I get any lore wrong. I'm not a Roier or Cellbit main viewer but I learn a lot through what I do watch of their streams and what I absorb through my dash. Hopefully this still makes sense.
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foxaoxarts · 1 year
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IT'S BEEN 84 YEARS- *EXPLODES*
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clj-art-blog · 8 months
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DFQC and XLH | Somewhere on the shore of Cangyan Sea
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lowpolyshadow · 1 year
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i just wanted draw shadow smiling
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twilight-deviant · 1 year
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h0estar · 28 days
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rogersstevie · 3 months
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really and truly unless it's a discussion about why peggy/steggy fans shouldn't like endgame, at this point idk why people feel the need to continually make the argument about her having a family as if that's the biggest problem about the ending especially when i figure most people are of the belief that it was another timeline or whatever idk what the current consensus on that is in the mcu and i don't care
but what about the fact that it destroyed steve's family? does that not matter because it's not the standard spouse and children but is instead a family he built for himself with sam and nat and bucky? because it's easier to decide steve is a selfish asshole and always has been instead of acknowledging that that storyline did more of a disservice to him than to anyone else? like oh maybe peggy's family was erased and that's horrible but it doesn't matter that steve's family was abandoned in the midst of the kind of trauma he knows very well?
i've said it before but it makes me so sad that so many people just turned on steve and decided a decade of movies don't matter in the face of one shitty desperate attempt of a movie to make him look like a pathetic creep just so they could justify their heterosexual nonsense ending
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dimitrscu · 2 months
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useless piece of information: malenia always follows up with a grab after she breaks your guard with a kick. it is possible to roll out the way as your stamina regens fast enough on it's own, but i still thought it was pretty cool that she can do this
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casasupernovas · 1 year
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the way the doctor lets his true feelings about martha show on his face when his face is not visible to her is so...
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screamingfrenchfries · 5 months
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u can call me crazy all u want but after rewatching bbc sherlock and ignoring basically all outside input, i'm talking i just watched the show w no memory of anything but source material, johnlock was lowkey canon. i mean those bitches were living together raising a kid by the end of the series and ur gonna tell me they weren't gay???? 🤨🤨
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