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alleiwentcrazy · 1 year

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The point is, Steve can’t hear.

A person can get hit in the head only so many times before it takes effect and does permanent damage. Steve’s incessant claims that being in the front row when the fight breaks down does nothing to him, that he’s safe and alright as long as everyone else is, mean very little in the face of cold, evident facts.

His hearing isn’t intact. It takes him a while to adjust to this reality, but with the help of his friends, he eventually does. Thanks to Nancy’s fierce bullying of the government guys who come to Hawkins to assess the situation and cook up some half-assed excuse for everything that’s happened, Steve now has a small army of well-paid doctors that really seem to be eager to help. He also gets state-of-the-art hearing aids that, well—they work, but Steve’s range of possibilities is still quite narrow. Let a few people into the room, let them speak simultaneously and all he can hear is static, rustles and crackling.

But he’s pliant. He listens when Robin tells him they have to get in the car and hit the road to get to his appointment on time. He lets her help with inserting the aids properly on the days he’s just too impatient and too bugged about how they feel and look to even care if they help him hear. He’s not dismissing her enthusiasm when she starts learning sign language before he even gets a chance to discuss it as his option.

He’s doing a lot of things for her, even if they’re supposed to be important to him first. To be honest, these days it’s mostly doing things for Robin that keeps him going. He would have gone completely numb ages ago if it weren’t for her and her unique ways of picking up the severed pieces whenever he crumbles.

He’s also doing it for Dustin. If Robin is his twin sister, Dustin is the little brother he’s never had. And Dustin… It’s just been too rough on him. It’s been rough on everyone; how could it not be if the only thing they seem to be able to do is wait? Wait for the lab guys to figure out a way to end this. Wait for the panic to cease. Wait for Max to wake up.

Wait for the grief to pass.

They wait and wait, but it never stops—on the contrary, it brings fresh, equally unwanted feelings. They’re always there, lurking behind the corner like a kitten that wants to launch itself at an unsuspecting owner – only with them, there won’t be any playtime involved. Steve recognizes this feeling. It’s the same feeling he’d had in that Winnebago when he was dropping off Max, Lucas and Erica at Creel’s doorstep. An awful anticipation of doom waiting to happen.

He doesn’t like it. He’d like to find a way to do something about it, but he can’t seem to get to the core of it.

Maybe that’s why he thinks he’s hearing things when he really can’t be hearing them.

At first, Steve writes it off as him being paranoid. It happens only when he’s home by himself, so it’s the only logical explanation – he takes off his aids, he gets too attentive about his surroundings, right? He thinks he hears something, but it’s only his tired mind playing tricks on him.

Especially because what he hears are mostly usual, non threatening things. The sound of water running in the bathroom (he goes inside, everything is dry and quiet). The sound of kitchen drawers being opened (he goes to the kitchen, the cabinets are exactly the way he left them). The sound of cutlery being dropped on the floor (but he hasn’t even taken anything out in the first place).

He even gets used to it. Things happen, his brain is weird. It’s confusing, sure, but hasn’t he seen worse things? He definitely has.

But it doesn’t keep him away from sleeping with his bat perched on the side of the bed. If he sleeps at all, if a sudden sound of breaking glass doesn’t keep him awake until his morning shift with Robin, when he can finally leave this goddamn house and take his mind off of things.

Steve tries to ignore it. He really tries, but the point is—Steve can’t hear things like running water in the bathroom when his aids are off. Hell, he only makes it out if he focuses on it when they’re in, so why the heck can he hear it so well? Why are the sounds multiplying?

It goes on for weeks. He avoids the topic for as long as possible, trying to shoo away the obvious similarities between his house and the house that made him hate spiders and cringe at fireplaces not too long ago.

It gets a little too real on just some random Tuesday, when his kitchen positively explodes with sounds the second he gets the hearing aids off. Cabinet doors slam left and right, mugs fall to the floor and shatter, forks and spoons seem to be getting thrown around like ragdolls—but Steve sees nothing. He hears it, he hears it so loudly it hurts, the cacophony of noises he’s never even heard before, but his eyes register no proof of it. He curls down on the floor, expecting sharp glass pieces to cut his skin, but nothing happens. Nothing’s here.

He still covers his head, tucked away in the furthest corner of the kitchen, waiting for it to just stop, to leave him alone—

Steve doesn’t know how long it takes, but when it’s finally done, his knees are shaky and his breathing is ragged. He snatches his aids and takes off, straight to Robin’s house. He doesn’t even lock the door, a thing his parents would kill him for if they knew.

It’s the first time he explains everything to her. It would be hard not to, because she sees right through him. His panicked, restless eyes are enough indication of things not being right.

“Maybe, uh—I think I’ve read something about hearing loss and auditory hallucinations? That they happen, sometimes, especially if the loss of hearing is sudden?” she says, already flipping through her notebook where she keeps all Steve-related stuff and pacing around the room with enough force to make a hole in the carpet.

Steve’s not convinced. “It seems pretty real to me,” he mumbles and frowns. “But that’s the point of it, right?”

Robin shrugs. He notices that she has a small set of wrinkles around her eyes. Steve looks at them for a second in total disbelief. They already have some worry wrinkles, and they’re not even well into their twenties.

He’s gonna lose all his precious hair in a span of months if this doesn’t stop.

They decide to bring it up during his next appointment, still hoping that it’ll maybe go away on its own. Robin tries to make him get a consult straight away (what if it is rabies after all, Steve, like a really really really weird, belated presentation of rabies?), but he waves it off. The option of hallucinations doesn’t soothe his nerves, but as long as it’s not a chiming clock, he can avoid confronting it for a while longer.

It doesn’t go away, though. Steve can’t quite pinpoint it, but it almost feels like—well, it obviously doesn’t feel like it’s real enough to be real. But there’s something that accompanies the sounds, the lack of evidence, the missing of this ominous feeling that Creel’s house inflicted on him.

The sounds—it feels like they bear a presence. Steve’s still scared and gets spooked by them whenever they happen, but he’s no longer truly afraid of them.

Some of them are even comforting. The sound of his pillow being fluffed up before he gets to bed, the sound of pen scratching on paper whenever he leaves his journal open on the desk, the whooshing sound of a lighter being opened and closed – they all make this eerie place his parents have left him a little less empty.

He rarely lets himself think about it that way. He may be a little kooky, but admitting that he’s lonely enough to find hallucinations comforting would be way too much to handle at the moment.

So Steve can’t hear, but he learns to accept the fact that, apparently, sometimes he can. He doesn’t know how it works—to be quite honest he doesn’t know a lot about experiencing hearing loss at all, despite now being hard of hearing himself—but it just makes its place in his life.

He thinks about it a lot, but he tries not to overthink it too hard. It just happens. Things fall to the floor in his house, curtains get torn, the fridge gets opened frequently. He just can’t see it. His mind hears it, but his eyes don’t get the memo. He lives for longer than a week. It’s probably a good sign; nothing’s going to make his bones snap in two now, probably. Hopefully.

Things change suddenly.

Steve tries to spend as much time with Dustin as possible. Between work, his appointments and Robin, Dustin, Max and the kids are his top priority. He doesn’t think he would be able to function if he let himself take a breath and step down from his piled up responsibilities that he chose to take on himself. They keep him together. They keep him going.

Besides, Mrs. Henderson gets really worried. Sometimes it’s just better for Dustin to stay with Steve, and Steve is more than happy to be with him, even though it seems that Dustin doesn’t really like his cold house either.

It’s one of Dustin’s quiet days. He gets them, sometimes—Steve knows that trying to get him to talk on one of those days is a lost cause, and his ears are killing him. He was in such a hurry this morning he didn’t take the time to put the aids in properly. Work was overflowing with people, too, so now his temples are throbbing from trying to pick up the chatter from the static. Seriously, how is it possible that people still spend so much time watching movies in the face of almost-apocalypse, Steve doesn’t know.

“Would you mind if I took my aids off for a while?”

“Go ahead,” Dustin mumbles, bending over his new book.

Something flips inside Steve’s chest. He knows it’s not supposed to be like that, it’s unlike Dustin to be so… not himself. But what can Steve do? He can’t make him talk. He can just wait, nothing else.

He gets up to leave his aids on the counter and pour himself some coffee. He should probably start making dinner soon, but he decides to take a few peaceful sips first.

It’s weird. To sit with Dustin Henderson, of all people, without a single word. Steve glances at him every once and again, but Dustin either ignores him or genuinely forgets that he’s there.

Steve’s so deep in his thoughts about Dustin, he doesn’t even look to the side when a sudden sound of kitchen chair toppling over cuts through the silence. His eyes are trained on the kid.

Who flinches. And frowns. Steve can swear that he fights the urge to look around.

Each and every chair Steve keeps in the kitchen is standing where he placed them in the morning after breakfast. Nothing real has happened. But Steve heard it. And, apparently, Dustin did too.

Steve’s brain is working overtime for the rest of the evening, and he desperately tries not to show any of it. He’s jumping into conclusions. It was an accident; dumb luck. It’s nothing. He’s working himself up, nonsensically.

But it doesn’t feel like it’s nothing. It was only one chair, one sound, but the feeling that accompanied it was strong. Too strong to be nothing.

He waits to drop Dustin off at home like he’s on pins and needles, fumbling with his fingers and keys and pacing around. Maybe it’s better that it’s one of Dustin’s quiet days, he mostly gets away with it, getting only a few side glances.

When gets back home, it’s late, but he’s buzzing with anticipation nonetheless. He can finally do something. He discards his aids haphazardly, not nearly as carefully as he should, and starts running around the house. The house his parents built is huge—but the kitchen turns out to be quite small when he’s finally done with arraying at least a dozen lamps there. He has to raid three of his father's garages to get enough extension cords.

When he turns them on all at once, he has to take a step back and shut his eyes, because it’s too much light.

Just the right thing he needs.

His heart is beating so fast he can almost feel it ramming against his ribs. That’s about how far he’d thought this plan through.

“Come on,” he says and clears his throat, trying to gauge how his voice may really sound now. He repeats himself, hoping that it’s louder this time.

Nothing happens for a while, but he knows he’s close. The feeling is here. The presence that hasn’t left him in months. It’s here.

Steve walks around the kitchen, moves the lamps a little, shakes some of them. His hands are clammy and it feels like he’s chewed through his cheek at this point, but he can wait. He’s waited for a long time. He can wait a while longer.

When the microwave beeps, he stops breathing for a second.

Until it beeps again. And again.

“Oh god,” he breathes. He doesn’t know if he speaks clearly or not, he doesn’t even care. “Come on, show me that it’s you. Come on, come on—”

The lamp furthest to the left starts blinking, slowly at first. Then the one next to it, then another one, and another one, like someone’s walking around and making them flicker one by one.

They’re blinking so much one of the bulbs goes out. Steve doesn’t hear it hiss, so he knows it went out here, now. He knows it’s real.

“Oh god,” his hand goes to his mouth. His eyes are weirdly itchy. “Oh god, is it really you, Eddie?”

The lamp directly in front of Steve goes wild. When he reaches out, it’s almost like he can touch the presence that’s here with him.

And it’s Eddie. Eddie’s here with him.

#steve harrington #eddie munson #is he a ghost??? is he a zombie????#a vamp- is he a vampire?!?!?!?!?!?#well he's definitely a creature #robin buckley #dustin henderson #dustin and his dads #!!!!!#steddie #stranger things #st4 #fix it fic #of sorts???? at least a beginning of one #im telling you people.... there are explanations #hard of hearing steve harrington #hoh!steve #platonic stobin #because i love them

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monty-glasses-roxy · 10 months

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I mentioned Chica having a 'true' personality before and didn't elaborate on that did I? Well...

The true personality is formed as the animatronic in question (the animal ones at least) find a balance between their two programmed personalities that works for them. From there, it develops and grows as they do, and over time, it usually contradicts both sides of that programming more and more.

For example, Roxy is programmed to be a feminine hair stylist, but over time, she tries as much as she can to present more masculinely while gradually losing interest in fancy hair techniques. She wants to give little kids cool hairstyles, yeah, but often times neither she nor the child have the patience to sit through the process that long. The hairdressing thing has just gotten a bit boring to her after a year or two of running the salon and she wants to try new things, which she's not programmed to do. The hairdressing has been put on the backburner of her mind for her while Fazbear Ent still sell it as one of her biggest interests

Monty is programmed to love golf but after doing the same golf course for ten plus years, he's bored man. Instead, he likes stacking the golf clubs like a giant jenga tower and building his own little golf courses with playing cards, a cup and whatever random junk he can find. He's only supposed to like the official golf course, but its more fun to make his own little card castles and to glue cardboard into hazards and what not to play around.

Like, their true personality is who they really are after all the programming contradictions and faults, and it's something they grow into over time. When they're introduced to the public, they usually have a small part of that already that's been created from the result of all the contradictions and what they've learned so far.

So when Freddy and Monty made their debuts, Freddy had learned to stay in his lane and a balance between his extroverted character and his introverted bear side that worked for him, while Monty had learned to avoid what will break him and a partial balance of being a loud character and a chill alligator. These things aren't programmed into them, they're what's come about simply be existing and learning by themselves and that's what their true personality is.

#fnaf security breach #at least this is how I'm framing it in my AUs and shit #there's a moment for all of them where they start to act outside of their programming but I haven't decided what it is for everyone yet #I'd call it an 'awakening' of sorts but its more like how a bunch of people I know have this one moment in the childhood #where their memory just seems to begin for some reason #like yeah you know things from before then but that's just like #when the switch is flipped and you're suddenly a person #does that make sense?#I hope so #but its definitely a thing #anyway that's my thoughts on this enjoy

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