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#okay! trigger tags:
ljsarts · 1 year
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"If I was so dead, where was my funeral?! Where’s my headstone?"
I'm haunted by both these quotes and the idea of what would have happened had Timothy Goose found Ylfa after she'd well ...
Quote is by Kristin Chang
now available as a print
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avephelis · 1 month
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reubenisms. skullslayce worst brother award. problematic fave.
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livingdeadhorse · 6 months
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Erm. . . !
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drabsyo · 21 days
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Are you ever going to draw more for your Heather's Murder Mystery AU? I would love to see more art of it! If not, that's okay
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something something obligatory "Veronica and Heather are all alone in the hospital after Heather is trying to recover from her stab wounds and the killer is one of their friends (?)" scene, and oh they've just confessed their feelings for each other earlier because seeing the other one get hurt made them realize how badly they want each other in their lives
welcome to Act Three
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thirteenemeraldcats · 3 months
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in one of your tags you mentioned-
'one of the things that gets chatted about A LOT in teaching is meeting students at their point of need- which ted does NOT do with jamie'
I would love to hear more of your thoughts on this! Both in terms of what that concept entails, and also what you think Jamie's point of need was at the time versus what Ted saw the situation needing
(You have excellent tags btw, don't know if anyone's mentioned that)
I HAVE MANY THOUGHTS ON THIS THAT I LOVE THAT YOU'D LOVE TO HEAR!
(I have more thoughts than I anticipated, this got errr, long. Whoops)
(potentially necessary/relevant background here is I am a high school teacher 👋)
Okie dokie, so, one of the principles of best practice in teaching is the idea I tag-rambled above; meet both the individual students and collective class at their point of need. Essentially this means practising differentiation in teaching and adjusting how content/ideas are communicated to students based on who they are as learners and people. Particularly if a student is performing outside the 'average' (either exceeding or still developing), this means adjusting to their needs by (among other things) curating differentiated resources and adapting delivery style. Differentiation is especially important in an all-abilities classroom, unfortunately public education is perpetually underfunded and overcrowded so everyone's just out here doing their best (the decent people of the world at least). BUT! WHILE I'M ON IT! SPEAKING OF THE THINGS I'VE TAG RAMBLED, the education system's (global) inability to adequately differentiate for students of different-abilities, particularly students with ADHD, ASD and Dyslexia, is perhaps the greatest failing of the whole dang thing and if anyone who ever stumbles across this is neuro-divergent and feels like they were a bad student or couldn't 'keep up' in mainstream education- THAT WAS NOT YOUR FAULT. You don't have to break yourself to 'fit', school is MEANT to bend for you. (Particularly when you're young, ESPECIALLY WHEN YOU'RE YOUNG)
ANYWAY, the fictional football of it all!
We don't see a lot of Ted actually coaching in this show (stick with me). The scenes in which he 'coaches' are typically him and various other coaching staff standing on the sidelines while the team skirmishes or occasionally runs drills, so me saying Ted doesn't differentiate is more based around his patented Ted-talks. NOW, Ted PROBABLY knows the team fairly well as individuals, particularly in season 2 and 3, purely by having spent quite a lot of time with them, despite this the only times we really see him 'adjust' his style with the team are ironically season 1 (examples include conferencing Jamie and Roy in 1x04 For The Children, and allowing/facilitating Nate's speech in 1x07 Make Rebecca Great Again). The moment that always sticks out to me as most significant is when he goes and seeks out Keeley's advice on how to get through to Jamie in 1x02 Biscuits.
Side note: I will be forever obsessed with Keeley jumping straight from 'blowjobs' to one of the four operant conditioning techniques (positive reinforcement) when asked about this. That woman is a very fascinating puzzle of a person.
Ted recognises that his typical perpetual-optimism-style isn't cracking the Jamie-Tartt-nut and seeks out a different opinion. This kind of collaboration and whole-system approach is key in teaching too, either by tapping the knowledge-well of a student's broader school context or the difficult-to-crack student's parents.
SO, having gotten the Jamie-Tartt-cheat-code from Keeley he DOES meet Jamie at his point of need, speaks clearly to him and communicates what he needs from him. AND IT WORKS! Temporarily! During the conversation between the two in Ted's office we see Jamie engage, he even practises self-reflection! Granted it's about his left foot cross, but still! The nut is cracked.
Jamie even maintains the perspective Ted has taught him for about two seconds while talking to Trent, until Jamie's other (definitely not positively-reinforced) behaviours rear up and he reverts to what James others have taught him.
On the other hand.
Multiple times throughout the show we see Jamie be visibly or verbally confused by Ted's communication style. Ted often talks in meandering metaphors that Jamie doesn't seem to be able to follow. We verbally hear him state 'Why doesn't he just say that then, do you know what I mean?' in 2x07 Headspace after Beard has to translate Ted's 'peas and carrots/beefchunks' analogy to 'starters and reserves'. Then there's the infamous 'What the fuck are Denver Broncos?' from 3x09 La Locker Room Aux Folles. The only notable time we really see Jamie 'get' one of these metaphors is the sewer-system-tunnels from 3x01 Smells Like Mean Spirit.
(His understanding of that specific metaphor, along with his use of the magnets to demonstrate total football in 3x07 The Strings That Bind, and a Watsonian-perspective of his near perfect mimicry of movements he saw two years ago when executing the decoy play in 3x12 So Long, Farewell, are actually all examples I use to head-canon Jamie as a primarily visual/physical based learner. For whatever that's worth!)
NOW! Ted's willingness to seek and apply alternate techniques in season 1 when he should know the team as both individuals and a collective the least, coupled with his inability or unwillingness to practise differentiation in later seasons when he DOES KNOW THEM is why I don't think Ted is meeting the team, specifically Jamie at their/his point of need. Any person's ability to differentiate behaviour to meet the needs/requirements/comforts of the individual or group they're talking to is increased the more they know them. (We all do this in life, consciously or subconsciously we typically try and 'match the vibe' of whoever we're communicating with [doubly so for people who're engaging in masking.])
Ted should and does learn more about Jamie as a person and his background as the show progresses. He listens to Jamie vocalise both his internal justifications for his actions and his reflections of those justifications/actions in 1x06 Two Aces, he sees him being explicitly physically abused in 1x10 The Hope That Kills You, he listens to him describe a spiralling mindset in 2x02 Lavender, he sees him being explicitly verbally abused in 2x08 Man City.
Of course, one of the fascinating things about Jamie is how much he learns and grows over the course of the show, and there are instances in which I don't think Ted is recognising that (primarily his dismissal of Jamie in 3x03 4-5-1 and not utilising Jamie's knowledge of total football as a resource from the beginning in 3x07 The Strings That Bind).
Ted understands and has previously applied Jamie responding well to positive reinforcement, yet at multiple times in the series doesn't respond in a way that reflects his perspective being informed by that knowledge. Essentially not practising the appropriate level of care/caution when interacting with/around Jamie.
There's not intervening on Jamie's behalf in 2x03 Do the Right-est Thing or 2x06 The Signal when the team and Roy are targeting or ignoring him respectively. The assumed absence of any follow up to the events of 2x08 Man City, the Zava of it all in season 3, and of course the eternal 'forgiveness' kicker from 3x11 Mom City.
POINT BEING. And to actually answer your inquiry lol, I think Jamie is someone who needs clear communication, ideally bracketed in positive reinforcement based operant conditioning as a learning technique (reward behaviour you want reinforced by offering something desirable [praise in Jamie's case]) and visual/physical aid/references for concepts; as a LEARNER.
AS A PERSON, there's more. Ted can readily infer from all he's heard and seen that Jamie's a victim of child abuse. The long term damage to the adult psyche that abuse during formative years has is astronomical, it literally changes the foundational structures of a person's brain. And yet, again, we never see Ted even acknowledge this. Jamie in 3x11 Mom City, incidentally compares his father to Freddy Krueger, Ted elaborates on the comparison, then Jamie reiterates that Freddy Krueger's 'fucking terrifying'. Ted doesn't reassure Jamie (the requirement of his point of need), he gives him a Ted-talk (and in doing so doesn't differentiate his perspective/communication technique).
As far as what Ted thought the situation needed... search me I've got no idea. I do think Ted projects onto Jamie a hell of a lot. That he gets Jamie's personhood and life experiences all tangled up in the emotions he has about his father's death and his consequent perceived abandonment, his insecurities about his own ability to parent Henry and even in his own inability to clearly communicate with his mother. I do think Ted relies on his own forced optimism to 'get by'. Like how a great white shark dies if it stops swimming, if Ted stops being 'Ted', if he stops swimming, his past and his fears and his feelings will catch up to him and swallow him whole. (For what it's worth, I do think Ted is more unwell than even the show explicitly tells us, much like Jamie experiencing ongoing trauma due to childhood abuse, the effects both short-term and long-term as well as potential causalities of having a parent die by suicide are... grim.)
(Essentially the entire fandom has talked about basically all of this at one point or another, I'm just using slightly different language.)
NOW! These characters are fictional (obviously) and I am judging them based on real-people conventions and the best-principles of my own profession, as well as my background in theoretical psychology (which I think I forgot to mention and is also probably [??] relevant). My Doylist-perspective of Ted and his coaching/communication style is ...kinder, but if I get too sucked into the narrative it results in either brief tag-rambles or... whatever this thing I've just typed is. I think it's been too long since I've written academically, my thoughts have gone circular 🫠
ANYWAY! I hope this made something-approaching sense! Thank you again for asking to hear my thoughts! Always happy to word vomit!
ALSO, thank you for saying my tags are excellent (you are the first and currently only to say so!) - The tags are where I send my thoughts to die (in a 'I must banish them to move on' kind of way rather than a 'I'm strangling them' kind of way) so you saying they're excellent is even MORE flattering than you realise! Makes my brain want to purr 💚🤣
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iphigeniacomplex · 5 months
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My name is Camille. I am a born transgendered woman. When I was a child I said that I was a girl but the world called me a "faggot." Under the sky of pain called psychiatry I was locked away for many years and had the requisite tortures: the terror of electroshock, my bones broken, my body drugged and raped. I was not raised as a gender but as a bug of a child to be smashed. I am nobody's victim. My body belongs to me & so does my holy brain. I am the ghost of the untapped conscience of shrinks, a lurking justice, a part of the gathering truth that is rising with a common voice out of the wake of their evil blue fire. Transsexuals are born into the book of labels. We may be genetic but we are not genetically defective sub-human creatures. By the very nature of our difference, the independence of our alien spirituality, and the passion of the power of our will, we are a threat to the ruling delusions of the mental death profession. No one has our permission to debate the validity of our existence, to define our reality, to dismiss our pain, and to name us. We name ourselves. If you could look into the collective genetic memory of your humanity you would find us in the rivers of your dreams, for we were always here, we were here when Earth was a green spirit. We were a natural occurrence in a singing world. In times of absolute horror and destruction I wish for you all the transformational creativity of an utterly beautiful madness, and I offer you the blessing of a holy human freak.
"Why A Transgendered Woman Calls for Psychiatry's Destruction" by Camille Moran, published in the Fall 1993 issue of Dendron.
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henriiiii-1001old · 1 year
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i need. i need to write this out. its short canon-based fic that's like. basically spoilers but i neeeeeeeEEEEEEEEd to write this
fic/technical spoilers under the cut
He couldn’t believe it. His slumped figure, the uncanny features of what used to be his face, his screams… Adam Murray, one of the most wanted criminals by the FBI to date, was one of them?
Thatcher, body laying on his side on the carpeted floor of the suspect’s bedroom, stared in utter shock and horror at the criminal’s screaming state, his eyes and mouth misshaped to the point he couldn’t be recognized as who he was before. He had witnessed someone’s humanity being stripped away from them. Just like his had in previous years.
Thatcher put down the camera and slid himself to a nearby wall to recover properly. His hands reached for the popcorn texture and pushed himself up, all while trying to think of some way he could calm the boy, or, if needed, neutralize the threat. He didn’t seem like a threat, however. The voice beckoning to this place had certainly not wanted to lure him for the sake of getting killed. Whoever called him here wanted him to witness someone else’s pain, to test him in his willingness to actually help others. And he gladly took that challenge.
“Murray, kid,” Thatcher tried to speak, his voice raspy from having woken up only a mere thirty minutes ago. “I… What the hell’s going on?”
“JUST LET ME DIIIiIiiEeEEE!!!!!!!!!” he screamed, the pain clear as day through his voice. He tried moving his slacked arms, sluggishly grabbing his jaw and hair in his separate hands, pulling on both of them simultaneously. He even began whispering and mumbling for the Lieutenant to “just kill him,” pleading for the sweet release of the pain he had been enduring.
Thatcher swallowed his fears and began approaching the alternate, hands hovering over the gun he had brought for protection. As much as he knew he couldn’t kill those things, it was a good distraction in case things had to get violent. He’d survived one before, what’s another?
He inched his way toward Adam, the suspect trying to crumple himself into a ball as a way to mitigate his suffering. All the while, he was still screaming at the top of his lungs. His footsteps were quiet so as to not alarm the suffering boy in front of him. His limbs had been stretched out to an impossible length as well as being skinny enough that he’d die right there and then if he were truly human. At this point, Thatcher was sure that everything he thought about Adam was a complete lie.
There was one thing on his mind as he stepped ever closer: does Sarah know? Does his ex know? Does anyone else know?
Once Thatcher had felt he had been able to get close enough, he bent down to Adam’s level, hesitating for a moment before reaching out to him. Slowly but surely, he had placed a soft hand against the disfigured kid’s knee. Adam tried lifting his head but decided he didn’t want to due to how much it would hurt for someone else to see him like this. Thatcher knew it too.
Without hesitation, he wrapped his arms around the crying mess, ignoring how liquid the skin felt, how flexible it was now. It became goo in his hands as he tried gripping onto Adam for dear life, not wanting to let him go until he’d calmed himself down. Adam began to shift around a bit before uncurling himself, albeit in a very strained manner. Thatcher noticed this attempt and slightly backed away, still keeping his hands attached to Adam in an attempt of comfort.
“Why… aren’t you running…?” Adam asked, the soft whisper of his voice almost not reaching the officer’s ears. “Did… why? Why are you here?”
“That doesn’t matter right now. What matters is making sure you’re okay,” Thatcher responded in the same tone of voice as to not scare him. He had a gut feeling that him breaking down is why he’s all discombobulated. “Take some breaths with me, and hold on tight if you need to.”
With those remarks, Thatcher softly embraced Adam once more, Adam slowly returning his gesture this time. Thatcher could feel Adam’s melting hands searching for some sort of grip on him, finally setting on holding his hair a little too tight for Thatcher’s comfort. Thatcher decided to ignore the pain in favor of helping Adam in the best way he could. He leaned his head backwards to alleviate some of it at least, but it truly wasn’t his main focus at the present moment.
“Take some breaths, kid. Please,” Thatcher whispered. He began to breathe deeply, in and out, in a stable pattern to model to Adam. Adam struggled at first, the snot being sniffled back up his nose and tears running endlessly down his face - or was it blood -, but eventually finding a pattern that worked for him best. His skin began to solidify in the process - not fully, but it was definitely better than before. Adam finally found more grip in his hands and removed his hands from Thatcher’s hair to settle on his back instead.
“I’m sorry.. I’m so sorry,” Adam repeated quietly, half hoping that Thatcher wouldn't hear. Or at least that’s what he theorized.
“Don’t ever apologize,” Thatcher firmly, but gently, stated, pulling away from the boy softly. “You needed help, and that’s okay. You’re gonna be okay.”
Adam looked up at Thatcher, finally. His eyes and mouth had changed back into a normal, stable state along with the rest of his limbs. His eyes were bloodshot and puffy, his lips quivered, and his entire body simply shook from the mere shock, pain, and horror of it all.
“Am I… Are…” Adam mumbled. He looked at his hands and flexed them a few times, unsure of if he had returned to his former self or not. “Am I real?”
“If that’s supposed to mean ‘are you normal again’ then yes, you are,” Thatcher chuckled. “However, if you’re truly questioning whether or not you’re real, then the answer is still yes. I have tons of records on you back at the station if you need proof.”
Adam chuckled softly, trying to hide his amusement in Thatcher’s words. He stared at the ground for a few moments, and Thatcher joined him. They sat in complete, awkward silence, though that silence might have been necessary.
“You need a place to stay? Or someone to stay here with you for the night? I don’t want you to be by yourself tonight. Maybe not even for the next few days. And we don’t have to talk about this right now. I understand.”
Adam nodded and began tearing up once more, lunging at Thatcher with a more enthusiastic hug. Thatcher immediately complied.
“Thank you… I’m so sorry you had to deal with this-”
“Hey, again, don’t apologize.”
Adam nodded in Thatcher’s shoulder. He had longed for physical contact for a good while, and this was the best chance he’d ever get at it. Thatcher felt it as Adam tried to get even closer to him, pulling on him even harder and even trying to nuzzle his shoulder just to get that extra sense of physical feeling. A sense of comfort and safety. A sense of humanity.
“I don’t wanna stay here,” Adam spoke up, his voice slightly muffled by the officer’s shoulder. “I need to get out of here…”
“I got you covered. Not too comfortable bringing you to my place due to… circumstances, but we can just head over to the station. I should have something there to make us comfortable.”
Adam nodded and gave a verbal indicator through hums. Thatcher slightly separated from Adam to help him stand, walking him out of the house and to his car. He led him to the passenger seat and let himself get comfortable. After he gently closed the door, he walked over to the driver’s seat, got comfortable, started the car, and drove as fast as he could to get them both out of there.
Thatcher wasn’t sure what to do the next morning, but whatever it was it would be taking care of this damn kid. He already lost his parents, and he’s not gonna let it happen again.
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yaboirezzy · 5 months
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FELLAS
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what is going on?
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the-habitat-sysblog · 2 months
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when you see a handful of posts of cult survivors sharing their experiences & you think to yourself (or even fucking SAY to them, sometimes) "there's no statistical way that so many people have been in cults; you're all fakers! stop with the attention-seeking!" instead of "damn, this is a lot more of a serious issue than i thought - i should learn & educate myself because i share a platform with these survivors & i want to be a good ally & source of support to them", then please. log the hell off. or at least leave the CDD & trauma recovery side of tumblr until you can learn that the people here are truly traumatised & trying their goddamn best. fuck you very much.
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goemon-fan · 2 months
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This was easily one of the best Lupin episodes
#there will be a rant in the tags that you can ignore#but it is so upsetting how modern/current lupin took away the depths of these characters and flimsily tries to restore their earlier depth#i'm one of those people who craves depth in what i watch and it's so difficult to like this franchise because it will be so close to doing#something interesting only to abandon it#this episode and part one as a whole was peak lupin in my opinion with each character having emotional depth yet flaws to overcome#yet modern lupin would have you believe that these characters don't desire to improve in any capacity#if we were to just focus on Goemon for example right here he shows depth with revealing hidden emotional maturity and empathy for Lupin by#comforting him and admitting he himself is afraid (which is a big deal for a character like him who is supposed to be unflinching)#but in modern lupin goemon will literally say that he's not afraid of anything and this is written without any hint of irony or depth#i'm okay with mindless entertainment and i understand that this is a series simply about stealing but the character assassination is so#disappointing#and when this series does try to be “deep” they pick the most triggering subject matter possible to depict to the point where it's#practically unwatchable (this is in reference to Part 4 and its constant SA plots as well as the rampant gratuitous child abuse plots#throughout the entire series)#i want so badly to love lupin the 3rd but it's a huge problem when fanfiction understands the characters better than the source material#lupin iii#lupin the third#lupin the 3rd#goemon ishikawa xiii#goemon#arsene lupin iii#jigen daisuke#daisuke jigen#fujiko mine#part 1
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mishapen-dear · 2 years
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There’s a little green something in the cracks of the road. Grian stares at it, and then he looks at Scar, who is humming cheerfully while he rummages in his bag, and then Grian looks back to the little plant.
Grian looks at Scar again. He takes a step closer to the plant. Scar, blissfully, does not notice.
Something fungal bubbles at the back of Grian’s throat.
He crouches, inconspicuous, next to the plant. He knows it isn’t grass, that it’s probably a weed, but he doesn’t know anything more. He doesn’t care to know anything more, really, and it won’t matter in a moment anyway. He reaches and-
A dull pain pings bright on his arm. He startles upright, wings flaring out, and Scar shoots him several more times with the Nerf gun. The little foam darts bounce harmlessly off of Grian’s chest.
“Bad Grian!” Scar scolds him cheerfully. “No plant killing! Bad!”
“But it’s a small one!” Grian protests immediately, startled and indignant at the embarrassment of being caught. Another foam dart hits him.
“Nuh-uh!”
“Ow- Scar, come on, it’s itsy bitsy,” Grian tries, wheedling now. “It won’t hurt anything.”
“Well, you know that’s not true. It’ll hurt the plant,” Scar answers reasonably. He waves his toy gun threateningly at Grian. “You know the deal, G. No pestulating in the Hoe-ly Spaces.” He uses his dramatic voice to say Hoe-ly Spaces. He always uses the dramatic voice to say Hoe-ly Spaces. Grian wants to punt Hoe-ly Spaces and all associated dramatisms into the sun.
“That’s not a word, Scar,” Grian says petulantly. He ruffles his wings and sits on the larger half of a broken concrete barrier. The vines that had been wrapped around the barrier writhe away from the spores that fall from his wings, so Grian vindictively shakes his wings more. This, at least, Scar does not scold him for.
“What? Sure it is.” Scar has gone back to rifling through his bag again. He keeps pulling out strangely shaped bottles of bright colours with baffling smells. Grian would be more alarmed, but he knows Scar has a weird thing with taking labels off of bottles. How the man ever remembers what goes where, though, he has no idea.
(He has some idea. Scar’s tongue is too many different colours, always, and he’s been almost poisoned thrice. By Grian’s count, the man should be dead.)
“Pestulate is not a word,” Grian says, doubling down.
“Then what is it?” Scar asks innocently. He pulls out a jug of blood and lugs it into the centre of the clearing.
“A nonsense.” Grian shakes his wings again. There’s now a full circle of empty asphalt and concrete around him, free of plant matter. His spores won’t root without living tissue, but he feels a little vindicated by every twitch of the green things moving away from him. “Are you done yet?”
“Grian, Grian, Grian, you can’t rush a good blood ritual” Scar exclaims. “Do you know what happened to the last guy to rush a blood ritual?”
“He di-”
“He died!” Scar presses a hand against his heart. “The plants swooped up and ate him! I found his bones, Grian! His bones!”
“We could just leave,” Grian suggests. “This is- what, the fifth blood ritual? We’re fine without them, Scar. I bet the Kingmaker doesn’t even notice.”
“Oh, pish-posh.” Scar holds out the jug and pours the blood straight down over the smallest unbloomed flower in the clearing. The jug makes awful noises as the blood chugs and glugs out of it, because Scar doesn’t care for any silly thing like fluid dynamics. The jug convulses like its gasping for air and it makes sounds that Grian thinks Scar would make if he were ever simultaneously choked and drowned. The red blood splashes across the green, seeps through the cracks in the asphalt, and gets all over Scar’s shoes. Grian draws his own feet up in distaste, but he’s far enough that no blood touches him. “You know that’s not his name.”
“He doesn’t get a name,” Grian says. “I’m mad at him.”
“Careful, Grian!” Scar says cheerfully. “That almost sounds like rebellion.”
Grian scoffs, loud, but he doesn’t say anything. Scar continues with his stupid blood ritual. Which is to say that Scar goes back to his bag, grabs a canteen, and returns to the plant. Without ceremony, Scar upends that jug over the plant too.
“Scar!” Grian squawks, scrabbling to his feet. “Scar, that’s all our water! Scar!”
“Oops!” Scar says cheerful.
“You only used a few drops for the other rituals!” Grian wails. “We just got that!”
“Oops!” Scar says again. He has no remorse. Grian snatches the nerf gun from where Scar had left it on the ground and shoots him with it. “Ow!”
“You’re the worst,” Grian says.
“Love you, too, G,” Scar says. He shakes the canteen to get the last few drops of water out. Grian watches them fall with despair. The water washes away the blood, dilutes it across the asphalt and towards the ring of vines and green things that surround them. Scar gives the little twice-baptised bloom a loving pat, and it opens in his palm. The petals are a different colour in each Hoe-ly Space, and the same holds true for here. These petals are unnaturally white, unsettlingly perfect, and-
“Is there another flower in there?” Grian demands.
Scar doesn’t lift his gaze. “Yeah,” he says. He touches a scarred hand gently to the second bloom, which shivers at the contact but doesn’t open. “Huh.”
“...Huh?” Grian echoes. “Scar?”
“It’s okay, G,” Scar says too fast. “Let’s just go shopping, yeah? All done here.” He steps back from the plant. He sees the look Grian is giving him and tries to give a bright smile in return. “Seriously, Grian, it’s fine.”
Grian has always had a knack for knowing when Scar is lying.
“...If you say so.” Grian watches Scar pack up his bag, holster the nerf gun, and throw the plant a two-fingered salute. He’s too quick. They haven’t been here for even twenty minutes, maybe, and normally Scar stretches the ritual to last an hour. Grian guesses that he’s not surprised that the blood-jug and the water are the only necessary components. The steps for the other rituals had been sporadically changed each time. “Ready to go?”
“Can we get ice cream on the way?” Scar asks, even though he knows that all the ice cream in the world has already melted.
“Sure,” Grian says, even though he knows that the corpses of the ice cream shop workers are ripe in their rot.
Scar steps up onto the concrete barrier, almost loses his balance then helps Grian up and almost sends them both toppling over. Grian doesn’t comment on it. Scar keeps casting glances to the weird plants, but stops when Grian opens his arms. Scar grabs onto him, tightly, and Grian holds tight in return. Grain’s wings start to flap (Scar sneezes at the spraying spores) and they step off the concrete barrier together. Soon, they’re in the air.
(Scar has cracked a Superman joke at least once every time Grian has flown him somewhere. This time he’s nothing but silent, and he keeps trying to peek back at the plant-filled bridge they’d left behind. Grian flies a little faster.)
—---
Scar lets Grian kill whatever he wants, most days. He doesn’t like mushrooms, or fungus, or mycelia-filled goo, but he doesn’t complain too much. It’s a good deal for both of them, Grian figures. Scar helps Grian with his whole ending-an-apocalypse-by-causing-a-different-apocalypse deal, and he’s good company in a world full of decomposing things that used to be people, and he lets Grian know when he’s getting too close to the rebellion line. The plants destroy anything that oppose them, and the last thing Grian wants is to openly oppose them.
Mushrooms are better. They’re kinder. Almost plant, almost animal, and there’s so much for them to eat. Much better than the violence of true plants.
Honestly? Grian shouldn’t even be alive. It’s pure luck that he found the mycelia before the plants could burrow into him, it’s luck that it Chose him, and it’s luck that it wants the world to end again.
(Sometimes, late at night, he wonders if he’d be happier if he’d been the first harbinger of end-times rather than the second. But, then again, mushrooms are components of decay. Scavengers rather than hunters- it makes sense, maybe, that the fungal spread occurs after the flora’s feast.)
Grian thinks he’s almost done. He used to be human, but now mushrooms sprout around him when he sleeps, and spores spread on the wind from his wings. He leaves large fields of fungus in his wake. Soon enough, he’ll have to actively hunt for the green and force it to recede. Soon enough, the old apocalypse will be ended, and the new ending can truly begin. That’s why Grian doesn’t mind carting Scar around to the last green places so much- Scar gets a free travelling companion, and Grian gets lead right to the green sources that Scar doesn’t want him to hurt. Grian doesn’t hurt them because then Scar will stop showing him where they are, and Grian is smart enough to bide his time. One day, maybe, Scar will die, and Grian will be free to kill as many green spaces as he wants.
(Grian shouldn’t have to kill him. The plants should have killed him. The fungus should have rotted him. Grian sometimes wonders what it means that he’s still alive. He licks poison and blood and shiny things that should give him tetanus, but he’s still alive.)
(Grian thinks about leaving, sometimes, but he never does. He’s always been too curious for his own good.)
“What’s that for?” Grian asks.
Scar freezes like a statue, weedkiller clutched tight in his hands. Slowly, as if Grian is a predator with poor eyesight, he hides it behind his back. Grian tries, unsuccessfully, to stifle his laughter.
“Scar. You know I can see you, don’t you?”
Scar deflates, shoulders slumping forwards as he pulls the weedkiller out again. “Okay, okay, you caught me, G,” he says. “I’m just… looking for a drink.”
“That’s weedkiller.”
“So?”
“...Okay, you’re not even trying now,” Grian says. “What’s with the weedkiller, Scar?”
Scar shuffles his feet and bites his lip, then huffs out a breath. “Are we alone?”
Grian, still smiling, raises his brows and looks around the store. Most of the shelves have been raided, several of them knocked over, and the only people in the vicinity haven’t been people in a long time.
“The plants, G,” Scar says impatiently.
“Oh, no, those are gone,” Grian says. “The mycelium works fast, you know that.”
“Right,” Scar says, and he goes quiet.
Grian eyes him, then gestures to a currently-indoor outdoor furniture set that doesn’t even have any blood on it. “Do you want to sit down?” he offers.
Scar makes a beeline for the furniture set, weedkiller still clutched tight in his grasp. Grian has barely figured out how to sit without crushing his wings when Scar blurts out, “The King’s called a meeting.”
Grian almost falls out of his seat. “What?”
“Yeah,” Scar says. “And I have to go, or, you know.” He jerks his head towards the nearest corpse. There are vines wrapped around its neck. “I was hoping you could give me a ride?”
Grian gapes at him. He feels his mental gears spinning frantically, completely tractionless. “Okay- wait.” He runs his hand through his hair and ignores the mushrooms that brush against his hand. “The King called a meeting- why? He hasn’t done that before- do you think he knows you’re working with me? This is probably a trap, Scar. You know this is probably a trap.”
Scar looks at the weedkiller on his lap. “Yeah.”
Grian stares. “Oh.”
Scar grimace-smiles. “I figured- you’ve been a good friend, Grian. I have… loyalty, to the crown, but I won’t let them kill you.”
“Oh.”
Scar shrugs a little self-consciously. “It’s the least I can do, you know?”
Grian doesn’t want to say it. He likes Scar, though, and he would feel guilty if he didn’t point out, “What’s stopping me from killing them, then? You know what my goals are.”
“Rebellion, Grian,” Scar says automatically. Grian winces and raises his hands in apology, and Scar continues. “I figured- well, maybe you won’t if I ask you really nicely?”
“That can’t be it.”
Scar shrugs. “You haven’t touched the spaces,” he explains. “And all I did there is ask you nicely.”
“That’s different.”
“How?”
Grian fumbles for a second. “That’s- it’s- like- chopping off a head will kill a body?” he tries. “Like- the spaces are the hands, and the King is the head, so that’s- yeah.”
“Are you going to chop his head off?”
Grian is quiet.
“Please, Grian, don’t kill him,” Scar says. He holds the weedkiller carefully, and his fingers keep nervously tapping at its sides. “Neither of them. None of them. Just- keep being your mushroomy, birdy self, okay? You don’t even have to talk to them if you don’t want to.”
Grian is silent.
“Please?”
Grian caves. Mournfully, he thinks of the Hoe-ly Spaces, and he thinks of the quiet rule he has to kill those whenever Scar dies. It feels wrong to delegate something like killing the King to that same rule, but- Scar is right. Beheading the King sounds like it comes too close to rebelling, anyway. “Okay.”
Scar lets out a breath, then gives Grian a winning smile. “Okay!” he says. “Okay, perfect! Hey, I think I saw some chocolate earlier, maybe it won’t be expired.”
“It’s definitely expired,” Grian says, but he stands and offers Scar a hand to help him up.
Scar takes the hand and pulls himself up to his feet. “It’s always good to have hope, G,” he says brightly, and they continue to ravage the store.
—---
The place Scar takes him to isn’t green at all. It’s white and red and brown, like old and new blood on white petals. Well, Grian shouldn’t be thinking in similes here- there is literally old and new blood staining old petals almost everywhere he looks.
The border of the Tree’s territory is made of wood, or whatever it is that roots are made of. They drip red onto the white flowers that make up the groundcover. It had been relatively easy to get past the border- it opened up when Scar approached, peacefully allowing him through. The roots shuddered furiously when Grian approached, but they didn’t kill him when he tucked his wings in and pretended to be demure, so he thinks that means he’s basically Scar’s unwelcomely welcomed plus one. He’s not sure if court people even get to have plus ones, but he’s not skewered by evil plant matter so he thinks that he gets to count as a plus one.
He’s maybe a little nervous.
The interior of the Tree’s territory doesn’t make him feel any more at ease, either. This, too, is a place that is blindingly white. The Tree itself sits in the very centre, painfully pale and looming. The King’s Spire sits to its right, a building of previously-white colours that has now been overgrown with green. Moss and vines, Grian thinks, but he can’t distinguish anything else. Beneath the Tree are several small figures that cause something fungal to gurgle in his throat when he looks at them too hard. Grian stays close to Scar and tries to turn his eyes to the ground.
It’s hard not to acknowledge the Tree, though. They approach it together, slowly engulfed by the leaf cover overhead and hidden from the sun. It’s almost dark. Grian feels very small. The last time he’d felt so small was when his human self had accepted the blessings of the mycelium. He’d been welcome, then, but there is no welcome for him here.
Scar, of course, seems unaffected.
“You’re late.” Grian chances a glance upwards to see a woman with dead eyes and red flowers sprouting from her hair. The fungal thing tries to crawl out of his mouth. He swallows hard and ducks his head. He’s suddenly questioning the might of Scar’s weedkiller against all of this. He understands a little, maybe, the might that would have been needed to bring the first apocalypse.
“I’m right on time,” Scar disagrees. “You’re just early.”
“Everyone else has gone.” The woman sounds unimpressed. “And who do you have with you? You know he wants these audiences to be one-on-one.”
“Oh, it’s fine,” Scar dismisses. “Sym- synergy. We’re really synergetic. I couldn’t have gotten here at all without Grian.”
“Your funeral.”
“Ha,” Scar says. “As if.”
Grian is startled enough by this statement to look up at Scar, but Scar grabs him by the arm and ushers him towards the trunk of the Tree. “Hey, wait- what do you mean?” Grian hisses. It occurs to him for the first time that this could be a trap for him.
“Not now, G,” Scar mumbles to him. “Ask me later.”
Grian, ruffled, unruffles a little bit at that. After all, there wouldn’t be a “later” if Scar was going to kill him now, right? Grian is beginning to realize that Scar is wrapped up tighter in whatever- whatever this is a lot more than Grian had first assumed, and he does not like it. Not one bit. He hates this, actually, and he hates it more when Scar knocks on the trunk and the wood creaks as it twists and bends out of their way.
A voice from within calls, “Welcome, Goodtimes, to my most private of areas.” And Grian hates that most of all.
They enter the Tree. The Tree creaks and groans and it closes behind them. Trapping them inside. And Grian hates this so much.
He finds even more to hate as they delve deeper into the almost-room that’s waiting for them. The King sits on a throne in the centre, drooping like a wilted flower. He’s dead. Grian can tell that immediately- he wants to spread his wings and spread the spores, but Scar asked him not to, and-
Wait. What?
Grian looks again. The King continues to be dead. The crown sits golden on his head, shining and perfect. The King is undecayed, unblemished, but his eyes are flat, and he isn’t breathing, and Grian can almost hear the creaking as he scowls.
“What have you brought me?”
“Presents,” Scar promises. “Just as you’ve asked. They’re for you, too, Bdubs.”
Grian again begins to wonder if this is a trap. Before he can continue that train of thought, however, there’s more creaking as the Tree shudders around them. The walls shiver, and lichen sloughs downwards until there’s just a human-shaped lump of green left against the wall. The human lump turns around and looks right at Grian with its impossibly large eyes.
Grian almost bares his teeth. He knows that look. This is competition.
(Competiton for what? There’s so much to fight over, probably, if he really thinks hard about it.)
“Why is the bed made of dirt?” Grian asks.
Scar balks, the King pauses, and the lichen-man stares.
“I mean, not to ruffle any feathers,” Grian rushes, valiantly not ruffling any of his. “I guess I was just expecting…”
“What?” The dead King asks.
“More?” Grian says. “Pillows? Blankets? Uh. More gold, I guess, but I know people don’t really carry that around these days. Didn’t.”
“The crown is gold,” the lichen man says.
“Aye, but tis a tiny crown,” the King concedes.
“And the bed is made of dirt,” Grian says.
“It’s a plant apocalypse,” the lichen-man -Bdubs- says. “Of course the bed is made of dirt. It’s not like he actually needs any sleep.”
“I like to nap,” the dead King protests. “Royal naps are very important, Bdubs.”
“Of course, your highness, of course,” Bdubs says quickly. “But the dirt is fine, right?”
“I mean,” the King says. “A dirt nap is mighty thematic, all considering, but… You there, Goodtimes! Have you brought your king a pillow?”
“Uh- no, no.” Scar laughs a little, startled. “No, I didn’t.”
“Shame,” the King says. The Tree rumbles. “Then you have failed me. Goodbye, Goodtimes. You served me well.”
“Whuh-” Grian starts.
“Woahwoahwoa-” Scar babbles.
“WAIT!” Bdubs shouts.
The Tree stops rumbling.
“Yes?” the King asks.
Bdubs looks at the King, then he looks at Scar, then he looks to Grian, then he looks back to the King. “Scar - Goodtimes has displeased you mightily, my liege,” he hazards. The dead King nods wisely. “Right-right- but he has displayed his loyalty quite mightily, too! The blood sacrifices are always pleasing, aren’t they?”
“You would have me grant mercy?” The King sounds displeased. Grian shuffles. He wonders if it’s even possible to kill a dead guy. He wonders if his mushrooms can kill. He hasn’t had much practice spreading them on purpose, but maybe if he can get them in the eyes?
“No, no, no, no mercy,” Bdubs amends hastily. “Just- inconvenience.” He leans in and whispers loudly. “My lord, he has a friend with him. The oncoming rot? I’m just saying- two birds with one stone here.”
“Oh?” The King looks closer at Grian. Grian lifts his wings a little in a threat display. The King nods slowly. “I see, I see… Goodtimes, I offer you a choice.”
“I don’t want to make a choice,” Scar says, more weakly than Grian has ever heard him.
“Nonetheless you have it!” the King booms. “Goodtimes- you may spare your own life, or the life of the oncoming rot. You have-”
“To give you your gifts first,” Scar says loudly.
The King pauses. “You interrupt me?”
“For presents,” Scar says quickly. He pulls of his bag and rifles through it quickly. Bdubs shuffles over and Scar hands over several unlabelled bottles. Salvation. Hope rises within Grian until, alarmingly, he realizes that none of the jugs are the weedkiller.
“Scar,” Grian says quietly.
“It’s okay, G,” Scar replies quickly.
Bdubs opens each jug and sniffs it in turn, then brings them to the King and pours them at the base of the throne. With each bottle the King’s body twitches, making noises like an ancient rocking chair, and- it takes Grian a moment to notice, but each bottle emptied at his feet brings life back to the King’s features. He grins, wide and sharp-toothed, and Grian wonders if he’s lost his chance to escape.
“Now, the choice,” the King begins.
“No,” Grian says, and he lets loose.
He’s on the ground three seconds later.
Lichen fills his mouth, vines around his wrist and wings, bark already growing quickly over his legs to trap him in place. Bdubs wipes a stray mushroom off of his sleeve in disgust, and Scar stares with wide, despairing eyes.
Do something! Grian tries to yell back with his own eyes. Scar doesn’t do anything except let out a breath, and then start to smile.
Scar says, “Phew! That took you forever, Bdubs.”
“Huh?” Bdubs says.
“I started thinking you weren’t going to stop him at all,” Scar remarks, and Grian’s heart drops into his stomach.
“OH,” Bdubs says loudly. His eyes sparkle. “Oh, so this- oh, phew! You got me worried there, Scar! Really worried! ‘Why is he hanging out with the oncoming rot,’ I said.”
“I said that,” the King argues.
“Of course, of course,” Bdubs says quickly. “Anyway, I said ‘wow, I wonder why Scar is hanging out with the oncoming rot!’ But you just needed a bit of help with this one, didn’t you?”
Scar smiles widely. He rummages through his bag again. “Right on, Bdubs,” he says. “Can’t kill a fungus surrounded by fungus, right? It’ll just grow right back!” The two of them chortle together and Scar brings another jug out of his backpack.
In fragile hope, Grian’s heart begins to beat again because he recognizes that jug. It’s the weedkiller. Label torn off. Scar opens it, takes a sip, and doesn’t flinch.
Grian feels several emotions all at once.
Scar hands the weedkiller over to Bdubs just as the King says, “What are you waiting for, Goodtimes?”
“You still have my bow, King,” Scar says.
“I thought we gave that back…?” The King looks questioningly to Bdubs.
“You took it away again after Scar failed to provide appropriate subservience, my lord.”
“Oh, well have it back, then, Goodtimes.” The King waves his hand and more of the tree creaks and moans. A real and true bow and quiver are revealed when the floor pulls back. Grian wriggles frantically, fear spiking again. Scar still hasn’t wavered. Grian is starting to doubt the contents of the weedkiller jug. He tries to flap his wings but the bark has grown over the edges. He tries to let the fungus out but his throat is clogged by lichen. The wood around him dies and tries to rot but it’s just grown over and living again in less than a second.
Scar strides over, playing with the quiver. He kneels next to Grian, then pulls out an arrow. Grian stares up at him, making his eyes as wide and pleading as he can. Scar doesn’t look at him. “Long live the King,” Scar says, raising his arrow. Bdubs raises the jug to him, but doesn’t drink.
Consternation flashes over Scar’s face, and Grian feels another rush of emotion he doesn’t know how to parse. Then Scar’s expression hardens and he brings the arrow down.
It hurts. Grian yells against the lichen in his mouth. There isn’t any blood- Grian isn’t human anymore. Of course there isn’t blood. There is an arrow in him and there isn’t any blood and Scar raises his fist with a cheer, and the King raises both arms with a cheer, and Bdubs drinks the weedkiller.
The Tree shudders.
The King collapses like a puppet with its strings cut.
Bdubs shrieks. The weedkiller drops. It sprays over the floor. The Tree screams. Grian thinks he’s also screaming. Scar isn’t screaming. Scar is frozen, false smile plastered across his face, and Grian realizes with dizzying clarity that he has no fucking clue when Scar is or isn’t lying. That’s a weird thing to realize in the worst moment of Grian’s after-apocalypse life and it’s so silly he just starts to laugh. He stops laughing when a branch spears through Scar’s chest.
“Traitor!” Bdubs yells. Three more branches strike Scar through. He gasps at each one, but he doesn’t struggle. He doesn’t try to get away. He doesn’t stop smiling. He doesn’t start bleeding. “The King trusted you!”
“The King is dead, Bdubs,” Scar says. “And your apocalypse has been ending. The oncoming rot hasn’t been oncoming for a long time- it’s been here-” he gestures wildly to Grian, who has yet another flurry of unregistered emotions “-the whole time, and you’ve let it!”
“The plants-”
“Kill those who oppose,” Scar says. “But your court has been opposing you since the moment you raised them. You failed your own apocalypse.”
Grian feels dizzy. He isn’t bleeding, but he is dying.
Why isn’t Scar bleeding?
“...What are you?” Bdubs asks. He’s breathing heavily. Grian’s vision is swimming, but he thinks Bdubs has sunk down to the floor. “Why-“ another branch spears Scar through “- aren’t-” another “-you-” another “-dead?”
“I’unno,” Scar says. “It never sticks.” The Tree rumbles overhead. Grain can feel it through the floor. “How about you? Are you dead yet, Bdubs?”
There’s silence. “Bdubs?”
The Tree stops rumbling.
“I don’t think poision is supposed to work like that,” Scar says. Or he says something like it. Grian isn’t sure. He’s really tired.
There’s something warm pressed against his face. “I didn’t lie to you,” Scar says quietly. Grian makes a little noise. “I didn’t. I said I wouldn’t let them kill you. I didn’t say anything about me. Doesn’t that mean something, G?” Grian doesn’t answer. “Yeah, yeah…”
Grian breathes out, slow, through his nose.
“You’d hate it the other way around,” Scar promises quietly. “But you did it, Grian. Bdubs wouldn’t have drank that without you. That was you, alright? You did it, you won. New apocalypse, new you. That’s the way it goes. The King died, and now it’s you, and- and it won’t be like this. It’ll be better. I don’t like mushrooms, but I’ll learn to like them when they’re you, okay?”
Grian can’t reply.
“I’ll see you soon, Grian,” Scar mumbles, and he sounds so far away.
And Grian goes to sleep.
And Mother Spore wakes up.
---
written for the @pinchhitsfromthevoid event and for the @ghastspidergwen person! this got. wildly out of hand basically the second i started to write it. unfortunately i suffer from "cannot write a normal apocalypse au" disease but eyyy that just means its a two-apocalypse package deal, which was really fun to write. hopefully it's just as fun to read!
(also on ao3)
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helium-stims · 4 months
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sediment in perfume
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nite-puff · 9 months
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OKAY! So I checked out the snippets for the thh fan musical that is currently in development and I gotta say that I’m liking what I’m hearing so far.
So in case anyone else wants to hear them too, I made a list of links to each snippet. I also labeled them in case there’s a specific song or character anyone wants to hear about. I’ll also include the titles of the songs if I see that they have them (which doesn’t mean that some songs are actually untitled. The titles might’ve just not be revealed yet, or I haven’t found them).
First off, I’m just gonna put a link to the creator’s tiktok account because there’s still more than what I’m going to be covering here. Stuff like updates, introducing the actors, and songs for other dangan installments.
Alright, now to the songs (in no particular order):
- “A Million Lifetimes Away”: A Byakuya solo song that sounds like it details on his backstory.
- “Killer School Life”: A song sung by Monokuma as he introduces the concept of the killing game to the students.
- “Turn it Around”: The “trial 1” song. It sounds like it’s sung when the class suspects Makoto of killing Sayaka, and other classmates (mainly Kyoko) try to push the suspicion off of him.
- Untitled Kyoko song: Like the Byakuya song, the snippet covers Kyoko’s backstory. It also sounds like it may be a duet with Makoto (who joins in at the end).
- Untitled Celeste song: Sounds like it’s Celeste trying to defend herself during the third class trial. It sounds like the song will go over her breakdown.
- Untitled Sauna Battle song: The Mondo and Kiyotaka duet. The snippet takes place before the actual battle, so it’s the two airing their grievances with each other. It even has a double-entendre that could be seen as a sexual innuendo.
- “Deep End”: An Aoi solo song. Sounds like it’s Aoi expressing her mentality throughout the killing game and how she’s struggling to stay optimistic through it.
- Untitled Chihiro song: Takes place during Chihiro and Mondo’s meetup in the locker room. Chihiro sings about her appearance and identity and how she’s struggled with it.
And while we’re at it-
- Untitled Mondo song/reprise: A reprise of the song above but sung by Mondo. Sounds like it takes place after he’s discovered as the blackened during the class trial. He sings about the night of the race and how he sees himself as weak.
Side Note: I don’t know how exactly the musical is going to approach Chihiro’s identity, but it sounds like they’ll be deviating from the game in that regard. Because it sounds like at least Mondo still refers to her with she/her pronouns after everything is discovered. Just thought I’d share that bit of info for the people wondering.
Back to the list:
- “Soundproof”: A Sayaka and Leon duet. Takes place during the actual attack and murder and illustrates both of their thoughts during it.
- “World Ended”: The Junko villain song. Mainly details Junko’s backstory and explains how she found everything super boring so she destroyed it.
- Untitled opening number: Like it says, it’s the opening number! Everyone sings about how great Hope’s Peak is and how they’re so excited to be attending.
- “My Sacrifice”: The Sakura solo song. Takes place during Sakura’s confrontation with Monokuma, and she sings about how she’ll start to fight back to stop the killing game.
- Untitled Trial 4 song: Like the other trial song, it’s a musical rendition of something like a non-stop debate. The snippet itself goes over the whole “Byakuya, Toko, and Hiro being suspects” thing.
- Another Kyoko song: I don’t think it’s the same as the other Kyoko song mentioned earlier. If I had to guess, I think it takes place when Kyoko and Makoto find Jin’s skeleton in the box.
- Untitled Toko song: Toko sings about needing to repress Syo and not letting her “take the wheel.” The snippet also briefly goes over her backstory.
- Untitled Hiro song: Silly Hiro song that doesn’t have anything to do with the plot. It’s him going on about his conspiracy theories (like how ghosts and aliens are real). There’s also an earlier version of it on the account that has some dialogue at the beginning if people are interested in checking it out.
And lastly, I thought I’d just group these four together. Monokuma sings a little song before each execution. They’re all similar with some lyrical and instrumental changes based on who’s getting executed and what they did:
Trial One- Leon
Trial Two- Mondo
Trial Three- Celeste
Trial Four- Alter Ego
And that should be it! I hope I got them all. By the looks of it, they’ll be going along the lines of the game/anime itself instead of the stageplay in terms of story. And there still should be a few more songs since the gofundme mentioned there will be 24 tracks, and this list only has 21.
The cast album has been recorded and is currently still being edited. I don’t know if any of the songs on this list have changed in the span of time between the snippets being uploaded and the actual recording of the songs. But I’m excited to see how it will turn out.
Until then, if you’re interested in the project, I recommend going over the creator’s account and giving them some support. It sounds like this is coming from a place a passion, and talented creators and performers are working to make this a great product.
Anyways, that’s it from me!
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shreksstepfather · 10 months
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I Go Hungry - Mother Mother
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mizuno-marmalade · 5 months
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guys i love kill la kill. yes in 2023. idc
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freakbullet · 3 months
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when deltarune first came out I bought the OST. I didn't absorb the titles that much because I was basically just listening to the whole thing on repeat. so I'd completely forgotten the name of a certain track, and when I was reminded of it the other day, it hit me like a ton of bricks.
I've never really had a home that truly felt like home, for all sorts of bad reasons. but I find comfort in fantasy, especially undertale and deltarune.
2015 was one of the worst years of my life. when it started, despite struggles with PTSD and depression and more of that ilk, I was physically healthy. when the year ended, I'd nearly died - I'd been in and out of hospitals for months while doctors tried to figure out exactly what the hell was wrong with me.
the hopelessness of learning I had an illness I'd have to live with for the rest of my life, on top of the despair I already wrestled with - it was too much. I decided the only way out was to end it all.
but then I played undertale. there's nothing I can say that would ever do that experience justice, but if you know, you know. the point is, I'm still here. despite everything, it's still me. and that's not a coincidence.
so when I saw that this one beautiful, nostalgic track that wraps me up like a warm blanket every time I hear it, that reminds me of the friends, the family, I first made in these games all those years ago, is called, "You Can Always Come Home"… man, I lost it.
Toby once said about Toriel: "Your mom loves you." maybe it's silly, but I never had a mom who loved me, until her. so thanks, Toby. it means so much more to me than you could ever know, that I can always come home to my friends and family, and my mom. who loves me.
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