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#otp: i'll cut through
aloyslaststand · 3 months
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Since I'm basically new here, and because I have 0.0 spoons to create new art these days have a minidump of dimilix past works for @dimilixweek day 03.
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rossithepixie · 6 months
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Alrighty since people seem interested in this I guess i'll make it an official post with a an open tag!
What JJK polycule would you be a part of?
For me like I said in my original post I took it twice and the common factor was Gojo in both
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satoru gojo and suguru geto this would be a super chill, deep and fun relationship. i think you’d all be best friends. its the kind of relationship where youre all comfortable with and know each other so well that words arent really even needed. gojo loves you and geto, geto loves you and gojo, and you love them both. you would die for each other. people might not even be able to tell if you guys are together or just close friends, but the answer is: both! you have fun together, no matter where you are or what you do. i feel like you and geto have to take turns being the responsible one; if you and gojo are up to something he’ll gently persuade you not to do something that ends with jailtime, and when he and gojo plan an elaborate, sinister prank on nanami you have to tell them to please leave the poor dude alone. gojo is also the clingiest mf in the world, so youre gonna have to let him cling to you or geto like a koala sometimes. geto isnt as clingy, but will want to just rest with you while reading a book. both of them crave stability, but also fun. oh, and i just see them being protective as hell. theyre the strongest, so you never have to worry about anything happening to you. overall this relationship is just very stable and sweet, and you all love each other more than anything.
(the true otp of my self ships. Roruru)
And a bonus below the cut if you wanna see it without getting it yourself is nanago polycule
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satoru gojo and kento nanami this would be a… kinda chaotic but sweet relationship. you are the middle ground that keeps nanami from killing gojo. they bicker pretty often, and disagree on a lot of things — i do think theyd love each other, though. its just in subtext. when nanami tells gojo to fuck off, its said with love. all jokes aside, i think this relationship would work out well, as long as you can balance them out. sometimes gojo needs someone to be a menace with him, sometimes nanami needs someone who ISNT a menace. gojo will steal both your and nanamis clothes, and also cling to you 24/7. nanami usually pushes him off, so youll have to oblige, otherwise he’ll sulk and ask you when the divorce is coming. he’ll buy both of you gifts all the time, and even if hes annoying sometimes, he loves you; and tries to show it, even when it ends up with him audibly saying ”cringe” afterwards. nanami is more lowkey with his affection, but shows it through acts of service and words of affirmation. he wants to make sure youre not feeling overwhelmed, especially considering youre the one who has to ”put up with gojo” most of the time. they argue and bicker, but the relationship is full of love from all sides.
I can see it but I also think I would be more stressed in this dynamic than I am in my roruru one.
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ink4blotches · 1 year
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OTP
(Pavitr Prabhakar x You)
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Synopsis: You like Mumbattan more than New York, so you chill there often. And sometimes help your best friend out as Spider-Woman. But the people of Mumbattan think there's something more to the relationship of the two heroes.
"What does OTP mean?" Pavitr breaks the comfortable silence that had set in as we sat atop the tallest building in Mumbattan, staring down at the -very- busy streets below.
"Uhm..Only Thing Purple?" I guess, scooting over as Pav moves to sit next to me. "No, it means 'One True Pairing', actually." He states, showing me his phone screen and scrolling on Tik Tok.
The video consisted of a fight Pav and I had the other day with an anomaly. Specifically the part where I not so heroically got electrocuted because I stepped in water.
The music filled as Pav landed beside me, reaching out and putting a hand on shoulder. "You oka-" He got cut off as he was shocked as well.
"Okay why would someone edit that?" I ask as I read the caption.
Two dumbasses...literally made for eachother!!
"I know right? I can still feel the lightning in my veins." Pav shivers, pulling his phone away from me. "And there are tons of edits of us saying we're OTP." He concludes.
A second passes in awkward, notedly not comfortable, silence before a loud explosion came from the streets below.
Ah, back to work.
"And Look at That! Our very own heroes have swung by for a quick hello!" The reporter woman smiled at us as I wiped the dirt off my clothed leg.
I smiled back, instantly stopping once I realized she can't see through my mask. "Are you- oh wow, is this live?" Pav asks, waving at the camera.
"Stop you're so embarrassing." I judged his shoulder, to which he threw an arm over my neck and ruffled my hair. "You know you love me." He laughs.
"Oh, wow! That brings me to my only question...the public wanna know! Are you two an item?"
Not this again.
Before I can open my mouth to deny, Pav laughs.
"No, but...might as well do this now. Y- I mean, Spider-Woman. I love everything about you. The way you part your hair, the way you laugh, all the way to your face when you eat really tasty food. And as the months have passed, I realized that I love you. So, will you go out with me?"
I looked between him and the camera, then back at him.
"Nah, I'll pass." I say simply. The lenses on his mask widen.
"I'm kidding! I'm joking! Yes, I'll go out with you Paaaaa...l. Pal." I caught myself. "Oh, my god. Yes!" He tackles me into a hug.
"This is great and all...but can one of you swing this girl to the hospital? The ambulance is backed up..." A paramedic taps me on the shoulder.
I immediately throw myself off Pav. "Yes- of course I'm so sorry come on let's go girl." I grab the citizen, being careful not to touch her...ouch, really nasty arm and swing away.
It takes a lot of focus to swing through Mumbattan with a passenger, but I've done it a billion times. However, it's a little more difficult this time.
Since my heart won't stop beating so fast.
I sat in a chair next to one of the crash victim's hospital bed. The teenage boy hadn't woken up yet, and as much as I'd like to be with Pav right now, my duty as Spider-Woman is to make sure people are safe- even if they're not from my universe.
The boy suddenly stirred in his bed, which caused me to put down my phone. "Hey, you're awake. You got into a car crash. How are you feeling?" I ask the boy, who's hospital bracelet says Aarush. Cute name.
"Ugh...like shit. Who are you?" Oh damn I forgot I took my costume off. "Uh...my names Carly, I'm a med student. It's a whole program- don't even worry about it." I shake my head with a laugh.
"Oh, okay. Hey, look it's Spider-Man." He looks at the TV which had been playing the news. I looked up just in time to catch Pav(Spider-Man) catch my hand with a web after I fell off the bridge trying to keep a car up.
I should probably work out more.
I watch with a warm face as the entire scene from earlier plays out again, Pav wrapping me in a hug and me swinging away with a girl in my arms.
"Damn, Spider-Man and Spider-Woman are totally OTP."
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lokiina · 3 months
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OTP: Low Octave
A moment of soft cuddly sleep time. Safety. Comfort. This came out way better than I was anticipating. 💚🥺
** I'm gonna be hella honest for a sec under a cut as to why I ended up powering through this today, CW: transphobia, death.
When I woke up this morning, I was already really feeling kinda bleh and proceeded to check socials only to be blasted with news articles about Nex Benedict's death. If that name doesn't ring any bells I guess I'll give a brief explanation.
Nex Benedict was a trans masc non-binary victim of extreme bullying and transphobia and recently lost their life to an incident in a school bathroom in the usa. This is a direct result of all of these stupid bathroom laws and fuckery being put forth. The hatred and fear mongering brewing out there is killing people. It really really hurt my heart to read about knowing that this is where we're heading if things keep going the direction they're going.
I needed to do something soft. I needed the comfort in my own way. I'm personally pre-transition. I want nothing more than to be comfortable in my own skin but the world is fucking terrifying. I know the hatred is spilling over into the politics where I am as well, it's not just in the usa. It's scary. So I'm living vicariously through my own characters right now, and trying to find comfort in the fact that I can at least give them some form of safety in their own fucked up little world.
Protect trans kids, fuck the bigots. Rest in Power, Nex. They deserve justice.
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jamtland · 6 months
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It's hard to find densu enjoyers. What's your favorite dynamic? And during which era do you like to imagine them together? Some people who write this pairing in modern settings make Sweden cheating on Finland for instance. It's as if each historical period demands a different reason for this rare pair to be together.
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Thank you Anon for sending this ask about my OTP! I'll write my answer under the cut as I have far too many thoughts about these two.
Please appreciate this new and improved GIGABJÖRN this DenSu Swednesday.
The part of your ask where you said that some people who write DenSu in modern settings make Sweden cheat on Finland surprised me, because I have never seen this before. The only reason why I think someone would write this is because they're a SuFin shipper who uses cheating DenSu to introduce some drama into SuFin's relationship. There's no real-life reason why Sweden has to cheat on Finland to be with Denmark in the modern day, because they're all independent nations. Besides, both Finns and Danes make fun of Swedes. If their personifications shared the attitudes of their people, neither of them would want to be in a relationship with Sweden.
My favorite time period and dynamic for DenSu is the most vanilla one possible: modern era, happy monogamous relationship. I'll admit that I'm very bitter towards the old fandom's dynamic for DenSu where they were only violent towards each other. I like to write DenSu as the ideal relationship, so I want them to live in a time period where their countries don't have an active conflict against each other, where they can be open about their relationship and raise children without facing a lot of discrimination. Also, I write Mathias (Denmark) and Björn (Sweden) as human-like characters with unique personalities and life stories that have lived through their countries' entire history, as opposed to humanized versions of the countries whose personalities and lives are analogies for the country's history. This means that the history of their relationship will be influenced by their countries' mutual history, but it won't be determined by that.
Mathias and Björn are immortal magical personifications in my Nationverse, which is different from Hetalia canon in many ways. One of the differences is that humans aren't aware about the existence of magic and immortal personifications, which means that the personifications are not important figures in human society. They don't have a political role and they're not obligated to participate in every war and historical event that their country experiences, although they will be affected by these events in the same way as their fellow citizens. Another difference is that their health and physical ages represents the "conservation status" of their people and culture. Because their people and culture are not threatened in the modern day, their bodies are frozen at the peak of a human's health and strength, in their mid to late 20s.
Mathias and Björn were born when the ancestors of modern Danes and Swedes began to inhabit the land that would become the modern countries. They lived in their respective countries with their people, and they only started spending time together as children, after they figured out how to use their magical powers to teleport to each others' lands. Björn had an intense crush on Mathias but was terrified of others finding out about it, so he tried to suppress his crush by being an asshole to Mathias. Mathias obviously had to retaliate against this stupid kid who was being an asshole to him (and who he couldn't kill because Björn was immortal too). This was the start of their thousands-of-years rivalry.
As their countries formed kingdoms and started to have more frequent conflicts with each other, they formed a genuine hate for each other and challenged each other to fatal duels (being immortals, the loser would respawn). Björn's crush on Mathias only became more intense as they grew older, and Mathias also became attracted to Björn whose muscles only got bigger with time. Their duels with weapons evolved to fights with a suspicious amount of physical contact, but neither of them were willing to admit their attraction to each other because of the social norms of the time.
DenSu's fights ended in the 19th century when both of their countries lost a lot of their power and territory. As their countries experienced famines and mass emigrations, their health began to decline, and they couldn't stop thinking about the possibility of death if their countries' population and economy wasn't able to recover. Finally, they put their rivalry aside to support each other through their common struggle. I haven't decided exactly when the turning point of their relationship from friends to lovers happened, but I like the idea of Mathias living in Björn's house during WW2 after the annexation of Denmark. Living under the same roof as "friends" with intense mutual crushes led them to explore each others' bodies, and then...
The greatest strength of DenSu's dynamic is the physical attraction and passion they feel for each other. After all, if they can keep up a rivalry for thousands of years, they can turn it into love too. Both of them are the types of people who bond to one person very strongly. That person will receive their full love and attention, but they are expected to reciprocate just as much. This is no problem for DenSu, as both of them feel greatly fulfilled when they make their other half happy. While the term "opposites attract" is usually applied to DenSu, they are only opposites on the surface. They have different - nearly opposing - skills, interests and preferences, but their ethics, values, communication and thinking styles, goals in life and sexual preferences are very similar. This means that there's almost no "resistance" or "wasted energy" when they work together and interact with each other, because they can quickly agree on a common goal, know what their roles are and how to achieve their common goal. Each of them helps to compensate for skills that the other is missing. DenSu operates like a finely tuned machine with all of the parts in perfect synergy.
Scandinavian culture is reserved, so to the casual observer, DenSu doesn't even appear to be a couple, as they don't do PDA or sappy romantic gestures. The way they show love to each other is through silently doing favors for each other, remembering what the other likes, accepting their (few) differences rather than nagging the other to change. They keep the romantic gestures in private, and when nobody's watching, they are very touchy and "filled with desires" (Tumblr may not like the actual word). They're physically frozen in their 20s and have healthy diets and frequent exercise, so they get these "desires" very often. Despite what their physiques and body language would imply, Björn has a higher sex drive than Mathias, and Björn is a bottom. Mathias is vers and Björn will oblige when Mathias asks him to top, but he doesn't get any pleasure from it directly. He only feels the emotional pleasure from seeing Mathias being pleasured.
Finally, something I don't see being talked about often enough is the way Mathias and Björn verbally communicate with each other! Swedish and Danish are mutually intelligible, but the average Swede is not trained to understand Danish and will hardly understand anything. Danish comprehension of Swedish is better, but it's not great either. Mathias and Björn are definitely better than the baseline because of their thousands of years together, but they weren't together for most of those years, and they cannot fluently speak each other's language. Because of this, they modify their normal ways of speaking to understand each other better. They have memorized the most common vocabulary differences and false friends. When they talk to each other, they'll insert these different words from the other person's language, and speak in a more neutral "TV big city" accent without noticing. Björn's natural accent is not a big city one (he's from coastal northern Sweden), and I like the idea of Mathias making a special effort to travel to his hometown and study his dialect early into their relationship (before the invention of the internet).
More DenSu headcanons and essays to come. I'm thinking about creating a wiki dedicated to writing about my OTPs...
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i-did-not-mean-to · 4 months
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YOTP - February
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For V-day, I'll give you the YOTP fic for February.
A reluctant OTP, but an OTP nevertheless...Please, have some Merestor x Glorfindel (with art from @sauroff)
Lots and lots, heaps and heaps, of love for y'all!
Pairing: Glorfindel x Erestor
Prompt: Valentine's Day, Pollen/Fear Gas/Truth Serum, Established Relationship/Long Distance, different, mermaid, "If I kiss you, will you shut up?"
Words: 2 500
Warning: Sacrifice, implied monsterfucking, Merestor is a savage, nudity
(very sexy art and not very sexy fic under the cut!)
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“We are sorry,” the councilman whispered as he stood, outlined by ominous darkness on Glorfindel’s threshold. “You have been chosen. We are hoping—”
“I understand,” Glorfindel replied before the old man could rattle off the perfidious reasons for their cruel decision to send one of their most valued warriors to his death. It made sense, he thought, the threat with which the town had been dealing for quite some time now was not one he or anyone else could fight with swords and arrows.
Thus, he had become superfluous—dead weight, really, and he recognised that much without fail.
“Today is a good day to die,” he added, deep sadness making his voice sound as hollow as if it was already coming from the grave. “I cannot bear the festivities anyway.”
“You must find it heartless—”
“Not at all,” Glorfindel interrupted again. “It’s strangely poetic, don’t you think? Give me an hour to put everything in order, tell the neighbours, and distribute what few riches are left to me, and then I shall be all yours.”
“Very well. I am sorry, please believe me,” the man who had known the condemned for many long years breathed softly.
“I know,” Glorfindel said soothingly. “I appreciate the sentiment, but I am not loath to die. Especially not today!”
As he went through his meagre possessions, the golden-haired hero of another time smiled wistfully to himself.
Outside, maidens and young men were giggling breathlessly as they sang songs of love and hope and waved their elaborate bouquets through the fragrant night air—this was their day, the day of lovers, and Glorfindel felt ashamed of his visceral, asphyxiating resentment of their happiness.
Once upon a time, he had been much like them. Returning from a faraway war covered in glory and illustrious distinctions, he had managed to capture the heart and hand of a beautiful, smart, enchanting young man.
For a few blessed years, he and Erestor—for that had been his beloved’s name—had lived in peace and plenty. Every year, they’d light candles on this hallowed night and sit on the porch of their little dwelling to watch the procession of giddy youths, dancing through the street with elation.
Then, one day, Erestor had disappeared. Glorfindel had waited, searched, and despaired, but no trace of his darling had been found.
Looking back now, he realised that the “deep”—an ominous threat that had transformed the previously merry village into a ghost town of whispered conversations and furtive steps—had first made itself known around the same time.
Nobody knew exactly what it was and what it wanted, but it was generally understood that Erestor—Glorfindel’s very own husband—had been its first victim.
From that fateful spring on, cattle, people, and treasures vanished from the riverbanks and the edges of the underground lake that had always been a highly favoured bathing spot for the villagers. Fear fell like a shadow over the hamlet, stifling all life and laughter.
Soon, people avoided all running water, coming up with complex rituals of superstition and idiocy, but Glorfindel was too heartbroken still to even fear for his life; he wanted to know what had happened to his sweetheart.
At first, the elders had refused that he or anyone else should leave the safety of the village to seek out the mysterious creature that had been glimpsed by a few but never fully seen, and Glorfindel had reluctantly bowed to the pressure of public outrage.
Then, the sacrifices had started. Miscreants and rebels, bound and gagged, were left in the cave to feed and soothe the “deep”—and, to everybody’s horror and delight—they were gone by the time the guards came back in to check on them. As the mouth of the cavern was under perpetual surveillance, it was undeniable that it had to be the sea monster that had taken them.
A part of Glorfindel had always known that, sooner or later, he would be picked to be delivered to the pernicious pestilence haunting their home. His adamant refusal to wear the protective amulets or steer clear of the river had branded him an insurgent and a sceptic, and a community ruled by fear could and would not abide such disruptive, potentially dangerous faithlessness.
Thus, on the night of lovers, he was called upon to do what was necessary to keep a society from which he had almost entirely withdrawn safe. This would be his last act of heroism.
Glorfindel felt relieved and almost happy as he walked, flanked by the mayor and the councilman, down to the cave. Maybe, he thought, he’d be able to find out something about his lost lover; either way, he’d be freed of the torturous half-life he had been leading.
As he entered the cave, he was surprised and more than just a little touched to find countless candles burning in every nook and cranny.
The villagers had carved well-wishes into the melting wax or written down their prayers on little scraps of paper that were now buried under the slow-moving tide of pristine white, dripping off every wall.
“We have to…” the mayor looked up at Glorfindel with undisguised misery as he lifted the length of rope he had been kneading in his sweaty hands. “You can keep the clothes to prevent chafing.”
Chuckling wryly, Glorfindel shook his head slowly. He had promised his last possessions—the garments on his back and the bells in his hair—to the two brave men who stood by him as he set out for his last expedition.
“I hope that you’ll at least get a tankard of ale each for these,” he said as he laid the adornments he had cherished through many a hard year into their unworthy palms. “Now tie me up and leave. For all I’ve done for this village and for you, I think that I deserve the dignity of meeting my fate without having to worry about an audience.”
They complied readily, desperate to get away from the dark water lapping rhythmically against the sloping ground of the cave.
In their furious haste, they were less gentle with this season’s sacrifice than he’d have deserved, but Glorfindel was unfazed by the nails scraping heedlessly across his bare skin and the sharp bite of the rope into his tense flesh.
“Where…”
The councilman pointed at a few worn, discoloured pillows at the far end of the cavern, just a stone’s throw away from the frightening, liquid threat of the purling underground lake.
“Tasteful,” Glorfindel commented as he was heaved, pushed, and dragged to the designated spot. In his mind, images of his first successful attempts at seduction danced as if to taunt him.
He was no stranger to promiscuous poses and elaborate bondage, and—on this lonely night of lost love—he could truly appreciate the irony.
“I am ready,” he declared. “Withdraw and save your lives. Think of me fondly, and don’t let this ruin your evening. Go light a candle in my honour. Maybe, look the other way if you come across a particularly adventurous couple, I don’t know…”
He huffed—it annoyed him that he was still the one trying to comfort and calm the men who had condemned him to an undoubtedly horrid demise, but he couldn’t bear their sad, mournful gazes.
“I am not dead yet,” Glorfindel grunted when nobody moved. “Remember me like this—beautiful, alluring, and very much alive!”
Tensing and squirming against the irregular, badly tied knots, he averted his face which finally convinced his two hangmen to scamper away like the vermin they were.
“Let’s hope this monstrosity makes haste at the very least,” Glorfindel mumbled and leaned back against the smelly cushions as much as he could without cutting off his circulation.
Thankfully for the integrity and safety of his limbs, Glorfindel did not have to wait long until minute ripples on the hitherto perfectly placid surface of the lake heralded the imminent arrival of whatever lethal foe was lurking in the murky depths.
“Ah, a new one,” a voice resounded. To the intended victim’s utter astonishment, it sounded tired and impatient rather than gleefully wicked. “Why do they keep pawning their unwanted villagers off on me?”
Spellbound, Glorfindel twisted as much as his bonds allowed to see a shimmering, mesmerising creature cleave through the water.
“Eh, same as ever,” the aquatic being muttered and launched itself out of its watery habitat, twirling like a falling star and filling the stale, damp air with a fine powder that tasted sweet and cloying on Glorfindel’s tongue as he drew a deep breath. “What is it that you truly desire? Do not even try to lie to me—the spores you’ve just inhaled force you to tell the truth.”
“I want to know what happened to my love,” Glorfindel replied immediately, not even trying to struggle against the sudden heaviness pervading his limbs and befuddling his racing mind. “All I want is to find out where Erestor went.”
With a muted splash, the creature fell back into the arms of the inky lake until only a pair of brightly flashing eyes—as eerily familiar and yet entirely foreign as the accents of that enchanting voice—were visible.
Taking the monster’s silence as an invitation and unable to stem the tide of words that had been unleashed by the potent dust he had ingested, Glorfindel kept babbling about the one he had loved and lost, detailing Erestor’s indescribable beauty and admirable wit and sighing longingly.
“I know that you’ve taken him, and I’d beg you to reunite us!” he finally pleaded.
“You think that I have killed your lover,” the creature mused, its words setting off a flurry of bubbles, dancing over the glassy surface of the water. “And you’d be willing to meet that same fate?”
“Yes. Life itself is worth nothing if it’s to be devoid of all joy and love!”
“You have ever been such a soppy fool! I should have known that my sacrifice would come to nought due to your reckless stubbornness!”
Heaving itself from its fluid realm once more, the creature drew inexorably closer.
“Who made those knots? What a mess! Just look at your beautiful skin!” Razor-sharp claws sliced through the rope without hesitation, and Glorfindel sat up, rubbing the sore spots his writhing had left behind.
“Erestor?” he cried as he now fully faced the well-known and desperately missed frame of the one he had sought for endless months.
There was no doubt about it, that visage—gleaming like mother of pearl and gold in the flickering light of the white candles—was the very one he saw in those terrible nightmares that haunted his every moment of respite.
“How? Why? What has happened? How have you come hither? Have you been enslaved against your will? What can I do? I have missed you so much, you can’t imagine! Oh Erestor, my love! Or…did you leave me of your own accord? Was I not a good husband to you? You should have told me that you were unhappy—I would have done anything to alleviate your dissatisfaction—”
“If I kiss you, will you shut up?” Erestor interrupted, and—not waiting for an answer—pressed his cool, wet lips against Glorfindel’s burning mouth in a gentle caress that grew frantic and heated almost instantly.
“Why?” Glorfindel whispered against the fragrant skin for which he had yearned with every fibre of his being.
“Old enemies came for you—you were out, at the market if I recall correctly—and they spoke terrible threats…” Erestor explained sheepishly. “You were always too rash to heed the warning signs of the deeper, darker secrets of the world.”
“But—”
“I’ve offered myself. What else could I do? The town needed you more than they did me!”
“I needed you! To hell with the accursed village—they’ve left me here, bound and naked, to be eaten by some fearsome monstrosity!” Glorfindel cried passionately.
“So they did,” Erestor agreed, anger and regret turning his eyes into splintered onyx. “It seems that I’ve been mistaken in my assessment, a rarity as you well know. I did not expect you to waste your time bemoaning my loss.”
“How dare you?” Glorfindel roared. Not minding the sharp protrusions on Erestor’s fingers or the dangerously pointy teeth flashing in the semi-darkness, he grabbed his lost husband by the shoulders and shook him vehemently. “I have never stopped looking and waiting for you—loving you—and if that ass of a mayor had not been so laughably terrified, I would have found out the truth much sooner!”
“Do they really think I’ve killed all these people?” Erestor inquired, leaning against the comforting, dry warmth of Glorfindel’s chest.
When the golden-haired sacrificial offering of beauty and valour nodded, he tossed back his head and laughed heartily.
“Believe you me, I did no such thing. It is in my power to grant one wish to those who seek me out in exchange for something they treasure—and what idiotic things they were—and so, I’ve helped every single person you’ve thrown down here escape the prison of paranoia and worry into which you’ve seemingly turned our once peaceful village.”
Glorfindel stared until his eyes overflowed with hot tears, leaving warm streaks of salt and salvation on his sculptural, freckled cheeks.
“I am so happy to see you—have you been well?” he asked breathlessly. “You should not have offered yourself that without consulting me! Of all the things to lose, I’d rather lose a limb than you!”
“I can see that now,” Erestor admitted. “I am sorry for doubting your love and your strength—they were very persuasive, and they tapped into my secret insecurity that someone like me—cerebral, somewhat scrawny, and undeniably mean—could never keep the love of one so glorious, handsome, and popular as you. It was all so new, and they made me believe that you’d soon grow tired of me anyway…This sacrifice was meant to be my parting gift.”
“And you dare call me a fool?” Glorfindel rasped as he bundled his merman husband—long, iridescent tail and webbed hands—onto his bare lap fitfully. As soon as that smooth, cool skin collided with his own heated flesh, he felt his body and all its dormant desires and impulses flare back to life.
“My love,” Erestor said warningly as he felt the testament of Glorfindel’s enduring, evidently unconditional ardour press against his scaly rear, “this is hardly the moment. I still have one wish to grant you—choose wisely!”
“Do you enjoy this life?” Glorfindel asked seriously, cupping Erestor’s soft cheek and searching his petulant gaze for any signs of dishonesty.
“Yes,” Erestor admitted after a moment’s reflexion. “It is strange, certainly, but I like it well! You’d…you couldn’t understand…”
“Then my wish is to join you!” Glorfindel exclaimed. “It is my turn to offer my life for your happiness. Make me what you are!”
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So, that was my contribution to the YOTP for February!
I hope you've enjoyed this! Lots of love!
-> Masterlist
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ckret2 · 11 months
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youve gotten a few asks about billford before, and your plans for ford's relationship with bill in your fic, but im curious if you personally ship it yourself/*like* it. and, just for the hell of it, if you have any opinion on billdip too, since that one's even more controversial.
I'm gonna put most of this under a cut since it's not only long, but also long about two different topics, but the tl;dr is:
Yeah, I'm a fan of billford. I don't think it's canon, inevitable, or necessary to their dynamic, and I'm still on the fence about whether things will tilt toward the romantic in my fic or if it'll stay platonic, but I do enjoy the ship a lot because it has a lot of (obsessive, weird, unhealthy, angsty) elements that interest me to explore in ships. Billdip, on the other hand, does nothing for me. I don't care about how people ship imaginary characters in their fictional fandoms and I'm not gonna block anybody for liking it, so this isn't a moral stance, here—I just don't like it personally.
One of the things that intrigues me most about a ship is the idea of love that's gone so far it isn't even love anymore but punched out the other side into unhealthy obsession, and "I'll spend the next thirty years of my life hunting you to death" versus "What if I turn you into a gold statue and carry you around to stare at you a lot" sure fit right into "unhealthy obsession." On top of that, some of my favorite ship dynamics are:
the worshiper and the person they've picked to revere as their god, either metaphorically or literally—with bonus points if the person they've devoted themself to doesn't deserve that worship and maybe isn't even all that special, and the worship actually reveals more about the mind of the lover than it does about the (un)divine nature of the beloved
the mad scientist and the muse who gives them ideas and inspires their work (one of my all-time OTPs has a line where the mad scientist says to his ex "we were each the muse to the other"), with bonus points if they both get so caught up in "what can we do together? What dreams can we make reality—" that they plunge into full "so preoccupied with whether or not they could, they didn't stop to think if they should" territory—and bonus bonus points if they eventually come out of the haze of SCIENCE and one of them is horrified by what they've done... but maybe the other one isn't.
two people who are wildly compatible with each other (similar hobbies, tastes, worldviews! they fill in the gaps in each other's personalities! they each happen to be the other's type! they understand each other like no one else can! whatever, fill in the blank!), but for some reason one betrayed the other, they've tried to kill each other, and now things are vicious and bloody and painful and raw between them; but if they talk to each other and accidentally let their guards down for even a split second, all that history is still there, they still like the same stupid movies and share the same stupid inside jokes no one else will ever understand and have the same stupid complementary life dreams, they could have been good for each other, but there's no road back to where they were before the betrayal. Their chemistry is like two huge magnets strapped to land mines: the attraction is as powerful as ever but heaven help them both if they ever touch.
or, alternatively, two people that have all that chemistry, but are just really toxic and do bad things when they're together and enable all each other's worst tendencies, even if they don't necessarily do bad things to each other; and they've got to navigate the fact that they might adore each other so much but they are objectively worse people when they're together.
I like ships with inhuman things. As a writer I like waxing romantic about the inhuman things and trying to convince the reader that yes, this too is beautiful and lovable when seen through the eyes of a lover. I will make you take the stupidest love interest seriously for five minutes. I've romanticized a sticky pile of goo, I've romanticized a robot spider, I've romanticized the concept of being a disembodied voice, I've romanticized a pteranodon made out of lava, and I'll romanticize a cyclopic gold-plated corn chip too, don't test me. Who better to adore a sentient triangle than a scientist-artist who sees the beauty in precise angles?
Depending on the headcanons and/or AUs you're working with, you can get all of these pretty darn easily out of Billford.
I like writing Ford as the awed naive intellectual, hungry for knowledge, for the secrets of the universe, for more, who was utterly dazzled and starstruck by this divinity who tantalized him with esoteric secrets—and who's been furious at Bill for thirty years for betraying him, hurting him, threatening his home and everyone he loves, but underneath all that also furious at him for not being what he advertised when he could have been that; and Bill, meanwhile, playing it cool, far too comfortable playing the role of faux god, but privately, secretly distraught that his favorite "student"—the one who takes Bill's "teachings" and gets creative and inventive with them, the one who always wanted to know more, not just about the universe but about Bill personally—his favorite student no longer worships him, doesn't even respect him, doesn't even see him as an equal, but looks at him like he's the scum of the universe, and Bill won't even admit that it bothers him but it's killing him that nothing he does can get his favorite to so much as smile at him again.
That's the dynamic in my head when I write them. You could play it as purely professional, a god disappointed to lose a worshiper like a boss disappointed to lose his best employee or a celebrity disappointed to lose the president of his fan club; or you could play it like platonic friendship, maybe a QPR; or you could play it like a romance. I like the zest added when you toss romance into this already nasty mess of emotions. I like capping off all that heartache with, "—and if things had turned out differently, maybe I would have taken your hand and traveled with you to the ends of eternity, if only you weren't [such a brutal heartless backstabbing piece of shit]/[unable to forgive a few white lies and some light torture]."
Billdip, on the other hand, does absolutely nothing for me. Not even just for the age reason—that does squick me out, but even if I try to look at it like "okay pretend he's aged up" or "stick it in an AU where they're both dumb kids having dumb kid crushes" I just, see nothing there. I don't even see anything there platonically. Like, legitimately—for the fic I'm working on, I've been trying to figure out what kind of dynamic/interactions they'd have beyond just "Dipper scowls at Bill a lot" and even on that level I've been struggling to think of something compelling between them. I look back on the fact that for a good few years billdip was the ship in the fandom and I go, "why? where's the meat? what do they do for each other?"
I'm forced to imagine that the ship must have been based on some combination of "fandoms naturally want to ship the everyman main character with the charismatic fun villain," "a bunch of teens with crushes on Bill were using Dipper as their self-insert stand-in," and "people assumed Bill wasn't lying when he said Dipper impressed him and didn't start revising that opinion until we got to see firsthand that he uses lines like that on everybody." It feels really uncharitable of me to the shippers to assume that their OTP is founded entirely on statistically average fandom trends and character misinterpretations rather than, like, y'know, traits actually present in the characters, so I'm taking it on faith that there's probably more to it than that and I just don't see it because it just ain't my jam.
When I do try to speculate harder on "how would I get them to interact with each other in a compelling way, like, just in a platonic sense?" my brain starts going "well, dipper's a nerd who's into the paranormal, he wants to know about mysterious things? maybe he's fascinated with bill as a mysterious thing? and maybe... idk, why would bill give a hoot about dipper—maybe bill takes advantage of that fascination, tempts him with more information, maybe he's amused by Dipper's curiosity about weird things—?" and that's usually about the point where I go "this is just, the way Bill and Ford met. This is the watered-down junior version of Bill and Ford's first few weeks." In trying to figure out what the heck Bill and Dipper would even talk about I keep accidentally recreating a less interesting version of Bill and Ford's dynamic.
I want and need Bill and Dipper to have an interesting character dynamic in this fic so being unable to come up with something that personally compels me has been actively frustrating me lmfao, but it does serve to illustrate my main point here: man, billdip does nothing for me so hard that I can't even see them platonically interacting.
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schmirius · 6 months
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okay but what if... a different ofmd s2
I tried several times to make a less tl;dr version of this post, but it's not happening. BEHOLD: a season I just like better. It fixes things that I personally didn't like (and I have a strong Ed and Izzy bias). I wanted to do a few major things:
Keep 2x01-2x03, because I love them so damn much. this unfortunately sets the stakes *really high* for the rest of the season, so...
Rework the characters that canon s2 introduced, to be able to focus more tightly on the Revenge's response to the 2x01-2x03 atom bomb.
Give Ed and Stede more focused arcs (individually and as a couple). Ed and Stede were, emotionally, at completely opposite poles in 2x01-2x03, and in canon I think they didn't connect much after that. So in my version, they'll do basic work to understand why their s1 meet-cute failed and how they can move on to having a real relationship.
Address Ed's very vividly depicted violence from 2x01-2x02. I found the amends depicted in canon somewhere between "unsatisfying" and "horrifying." Jesus did I need to fuck around with that!
the three major acts in the season:
ACT 1 (2x01-2x03) – Trauma! These episodes remain largely the same as in canon.
ACT 2 (2x04-2x06) – Recovery I've edited these episodes so Ed + Stede are entirely separated from Izzy + the Crew. This gives the OTP space to work on themselves and their relationship. Likewise, Izzy has space away from Ed to go through his arc of self-discovery and consider if he wants to reconcile with Ed. Izzy and the Crew all get a chance to recover from The Trauma on their own, together as a community. ACT 3 (2x07-2x08) – Reconciliation Act 2 has given everybody time to process Act 1 and how they might come out of it as better versions of themselves and a stronger community. Now the OTP and the Crew reintegrate and, in the 2x08 climax, prove all their work has been worth it by fighting together against an external menace. (It's Hornigold. It's got to be Hornigold. This is so obvious to me.)
* * * THE CHARACTERS:
Each crew member is talented brilliant incredible showstopping spectacular, but in the interest of brevity, the characters in the imaginary episodes are going to be:
Ed and Stede → The OTP – Ed and Stede as a couple. Color-coded red so you can follow their arc.
Izzy
The Crew, who begin in Act 1 as three separate crews:  → the Castaways (everybody Ed marooned/tossed overboard at the end of s1) → the Breakup Boat (everybody from canon s2 on the Revenge with Truly Insane Ed → the Girls (introduced below)
THE BOATS:
Most episodes are going to have two plots running, taking place on two ships:
The Revenge
The Pearl Diver (again, below)
Last terminology note: I'm going to be comparing "canon episodes" vs. "imaginary episodes" or "new episodes" a bunch.
Ready? Alright, let's kick it.
* * *
ACT 1 – 2x01-2x03 – TRAUMAAA
Ed + the Breakup Boat: The action on the Revenge remains basically the same, with the torture and the murder-suicides and all the crimes. Stede + the Castaways: I'd cut the Republic of Pirates in 2x01. Instead, I'd start with everyone at sea on the ship that rescued them (which also creates an atmosphere of everyone still being trapped by the awful shit that happened in 1x10). What ship? I think introducing Zheng the historical pirate is a really cool idea, but I also think it's one idea too many. Zheng's objectively cooler and more successful ship is always, implausibly, overshadowed by the lovable misfits on the Revenge, since the Revenge is the workplace that the show is about. This is annoying to me (and probably Zheng). Instead I'd make the rescue ship one of equal goofiness: Mary and Anne's ship. I'll call it the Pearl Diver, just because I can. We can lift the formula from Ed's ship in s1:
s1: gay men // s2: lesbians!
s1 power couple on the ship is Ed+Izzy // s2 is Mary/Anne
s1 crew members who later join Revenge are The Boys, Fang+Ivan // s2 will have the Girls, a surgeon and her competent sailor girlfriend. one of them is a trans woman, I said so
the set is just the Revenge with different props on, lol
Okay, that's our lesbian ship set up. It'll last five episodes and be a very easy foil for the Revenge. Stede: His 2x01-2x02 bit seemed to be "I love Ed, I'll get back to him no matter." I'd push that harder. New s2 will open with Stede as a brave romantic adventurer sallying forth into true love (the same way he was a brave romantic adventurer sallying forth into piracy in s1). So: "I love Ed, I'll get back to him no matter, and the force of our newfound love will be what straightens this all out." The OTP:  Ed and Stede are both hopeless romantics, of course, but they're coming at it from opposing genres. Ed thinks he's the doomed villain in a big-R Romantic novel. Stede thinks he's the little-r romantic hero in a bodice-ripper. Their job in new s2 is to shift ideas of self & genre to meet somewhere in the middle.
ACT 2 – 2x04-2x06 – RECOVERY
I think a lot of what s2 tried in mid-season succeeded, but it didn't really add up to anything. In order to advance Ed and Stede's arc(s), I'd isolate them from the Crew. This gives everyone space to start clearing up the Act 1 wreckage.
(quick 2x03 note:) The major change I'd make here here would be moving the Breakup Boat crew off of the Revenge sometime mid-episode so they can recuperate on the Pearl Diver instead. They get to leave the trauma boat, which gives them and us the audience some breathing room as we transition out of the murder-suicide portion of the season. In the Pearl's infirmary they meet the Girls – surgeon and girlfriend – and reunite with the Castaways. There's a palpable sense of each group feeling isolated from the others.
2x04 – really intense cleanup
Time skip: The Breakup Boat crew have been declared physically recovered enough to start repairing the Revenge (and therefore prepared to grit their teeth and return to the scene of their trauma). The Castaways offer to help; the Girls come along in solidarity with their new friends. The Revenge: (this is also 2x04 in canon) Izzy never left the wrecked ship, is doing Bad. The three separate crews do ship repairs, but then come together as one Crew to declare Izzy their unicorn.
The Pearl Diver: (this story has no equivalent in canon)
Ed: never leaves the Pearl's infirmary, is doing Bad. He's trying to come to grips with the fact that he did all that shit, the kind that his dad and Hornigold used to. Stede: is focused on telling Ed about their true love rather than trying to understand how awful Ed feels, to the point that he's telling his newfound love~ story super loudly to avoid talking about Ed's pain.
The OTP: They have a moment where they stop talking past each other.
Ed hears Stede when he says that he really does love Ed. (Ed doesn't necessarily believe it, but he's willing to listen.)
Stede hears Ed when Ed says he feels trapped worse than ever (though he's weirded out Ed thinks he's a doomed villain). (Stede, our favorite Ed stan, literally doesn't care what Ed did except as far as how Ed feels about it.)
2x05 – letting loose
Time skip! Again, everyone looks slightly less haggard. The Revenge: (this is 2x06 in canon; I've moved it to 2x05) The Crew: have Calypso's birthday, paid for with the treasure they wouldn't throw overboard in 2x01 because it's their treasure and not Ed's, ffs. Joyful, queer, "we're surviving, we're getting through this together." Izzy+Ed: I'm aiming to untangle the shitty parts of their codependency and eliminate Ed's outright domestic abuse. I read canon s2 as Izzy fully untangling himself from Ed and then presenting Ed as a gift to Stede, and I did not like that for anyone. I'm aiming to conclude new s2 with Izzy+Ed acknowledging how bad it was at the end (with a little more emotional insight than they might have been able to do in s1 – maybe this huge event in their lives leads to self-reflection and growth!) and how they could move forward maybe as very complicated friends. Izzy's going to be taking the lead on this one, because the codependency very much ended in Ed doing violence to him. He gets to decide what the fuck happens. So: Izzy: is finally somewhere without Ed, first time in 30 years. Now that he's been unicorn'd (feels supported), he has room to unwind and start discovering what he might like to do. So he does drag. And also sings about his complicated feelings for Ed, come on, Izzy has love for him. In new s2, Izzy still gets to bloom, but he remains closer in personality to his grumpy cunty s1 self, not quite consciously understanding how he's changing. The Pearl Diver: (this is 2x04 in canon; I've moved it to 2x05) The OTP: have the bonkers Mary/Anne dinner party (their f/f co-captain counterparts). They do their awkward exes bit. In canon s2, they see Mary/Anne as "these guys are so weird, wtf"; in new s2, they're more like "these guys are so weird, omg. remember how weird we were last year? that was so fucking great." Conclusions:
Ed and Stede have more in common than they'd feared (since, like, 1x10)
They see they can be dramatic assholes in love like these bitches and that's great.
But also: maybe they need to be less self-centered than "burn down your ship which is your entire livelihood without considering that this might kill your crew." Maybe Mary/Anne rowing off cackling in a boat together (to, say, China) isn't the W they thought it was.
also also: caught up in the adrenaline of understanding they're mad lads, Ed/Stede do the impulsive "taking it too fast" (canon: 2x06) and BONE.
Lastly: The OTP ask to reboard the Revenge now that there's no Pearl Diver, mentioning hopefully that they've learned a lesson. The Crew are not convinced. They maroon Ed/Stede on land at close of ep.
2x06 – restucturing
The Revenge: (this plot is similar to Izzy+Stede's story in canon's 2x05)
Haven't thought of a frame story I like here, honestly. But the point of the episode is that Izzy helps Crew to be better pirates. This does two things:
Izzy's getting a chance to choose to manage people for himself, rather than as Ed's minder or Ed's goon.
Crew are getting competent advice from someone who genuinely gives a shit (Stede or Ed do not fit the bill). This allows them to keep running things in a fairly democratic structure where they do make decisions based on actually, for real, Talking Things Through.
Crew: consider what they're going to do about Ed and Stede – who maybe have had time to sort themselves out a bit? – replete with silly company restructuring metaphors.
Izzy: probably does shirtless swordplay considers how he wants to deal with Ed. Talking to Crew he decides that he, too, can try airing grievances with Ed in workplace metaphors. (It doesn't take much to convince him. Izzy will always love being a professional.)
On Land: (this episode has no equivalent in canon)
The OTP: in true OFMD style, they attend a modern couples retreat that has 18th c trappings. It is run by the straightest dude ever (Steve Carell levels of Kinsey 1 in 18th c khakis).
This dude is obnoxious, but he does remind them to strike a balance between demonstrating their love by talking through their needs (e.g. 2x04 infirmary, 2x05 dinner party) and by taking action (which will always be bonkers for them, like 1x09 act of grace, 2x05 impulsive boning). I'm thinking of it like: Ed/Stede realize they're whim-prone (as in canon 2x04), and also there's this tool nearby.
They're like, hey, actually I really love you, and make out sappily for a while then wonder, bemusedly, why they didn't do that before fucking a bunch. ("but the fucking was still good?" "oh yeah mate, we should definitely always be fucking")
Unfortunately: The retreat ends abruptly when they spot pirate hunters closing in on the B&B and have to make a run for it.
ACT 3 – 2x07-2x08 – RECONCILIATION
I really couldn't tell what canon was going for at season's end, starting from about "Stede kills Lowe" at the end of 2x06. I found a lot of it contradictory and kind of ass-pull-y. Major divergences to follow.
2x07 – reintegration
(this episode is similar to canon episode 2x05)
The Revenge: Having spent 2x06 thinking about what they want to do next, the Crew decide they can take on Stede + Ed on their flight from pirate hunters. Everyone's back on the boat. I'd probably make the frame story here something silly and light-hearted like the Cursed Red Suit. Everyone can mingle in groups that are different from the ones they started out in during Act 1 – permutations of people from the three distinct crews, Stede and Izzy and Ed thrown together with people they haven't seen in a while. These different groups can brainstorm deeply stupid solutions to this probably fake problem. I'd probably make the frame story here something silly and light-hearted like The Cursed Red Suit. Everybody can mingle in different groups and brainstorm deeply stupid solutions to this probably fake problem. Ed/Stede: Crucially, Stede and Ed aren't together in any of these groups. They separate and see everyone and understand that they're not, actually, in charge of Crew anymore. It's weird but okay. They both have to legitimately listen like they've been practicing all season. Ed doesn't apologize but he at least doesn't fuck with anyone, so that's... fine. Izzy+Ed: They haven't seen each other since the murder-suicide farrago in 2x02.
Izzy: "You can do the big gestures but you're a shit captain, Ed. You can't be there on the everyday stuff." (with subtext: you need to give a shit about me all the time, not just when I can be convenient to you.) It's not any kind of forgiveness, and Ed can't offer an apology because he still doesn't understand them. But this is Izzy saying he'll talk to Ed (with more pushback than canon's 2x06 "oh look it's scowly face").
Lastly: This has been a monster of the week ep where the first five minutes were like, there's a problem which will affect us in the future! and then the middle of the episode is, but it's not affecting us right now so let's do interpersonal stuff! Sadly, whoever they dump the Suit on at the end of the episode reminds them the problem still exists: the pirate hunters are worse than they thought. Hornigold is on their trail.
2x08 – IT'S REAL PERSONAL
(this episode has no equivalent in canon.) And here we reach the locus of all my frustrations!
Nose Guy doesn't exist in new s2, so we don't need to blow up the Republic with no foreshadowing as in canon 2x08
Zheng's awesome fleet doesn't exist in new s2. The foreshadowing that she was planning something incredible doesn't have to come to nothing like it did in canon 2x08, when her fleet also blew up with no foreshadowing. (what was that badass montage from canon 2x02 of her crew portaging ships thru the jungle even for ;_;)
Canon s2's sudden decision to make the stakes of the entire season "oh, uh, everyone wants to destroy piracy?" and completely ignore all the interpersonal problems set up in Act 1 – that doesn't happen!
Probably nothing in imaginary s2 will be as intense as 2x01-2x03 were. But new 2x08 will be a claustrophobic, high-pressure situation where everyone will have the resolutions they made in Act 2 tested, in a situation as dangerous as the worst of Act 1.
HERE WE GOOOOO Cold open on the Revenge:
A scene that looks about as bad as Ed's storm in 2x02: Izzy is dead from a headshot, Crew are panicking, Stede is alone and can only shout to Ed that he loves him from far away.
Ed is kitted out as Blackbeard at his worst – makeup and all – and seems ready to, again, blow the whole ship up. Viewer is perhaps worried that Ed has, again, lost it. We balance on the precipice!!
TITLE CARD!
Chronological start of ep:
Wind back the action!
Time skip from 2x07: The Revenge has been running from Hornigold for weeks, hiding themselves in ever smaller spaces as they get jumpier and jumpier about the pursuit. (Think on deck → main cabin → galley → the secret fucking deathbed under the galley.)
Ed, off by himself, is beside himself at the thought of meeting Hornigold for real once more. He failed to kill him all those years ago – what must he do now to solve the problem for good?
Intercut with Hornigold's ship:
Hornigold is chasing them, being a dick in his sumptious cabin. It's light on the action, heavy on letting us know who he is.
He's cruel and violent, like Act 1 Ed, except (a) he's less concerned about covering up his awfulness with charm and (b) he's perfectly open about "I hate this guy I used to own and I want to kill him" (about Ed) in contrast to Act 1 Ed not being able to say anything of the sort about Stede or Izzy.
We already know what kind of evil shit Hornigold used to pull because mostly-dead Ed told us in 2x03, so, you know, good enough.
Ed has to kill himself and also his dad again, lol, we get it
Climactic stuff on the Revenge!
Hornigold catches up to them; there's some fighting or whatever; it leads us up to the cold open. But then it pushes through to: it was all a fuckery!!
(do not ASK me what kind of fuckery. they are hard to write, they are both deeply psychological and incredibly goofy. This is just an outline of a fake season LEAVE ME ALONE)
Ed was a distraction, acting how Hornigold expected him to act! It works: Stede kills Hornigold!
The OTP: The murder addresses how each wants to deal with violence in their respective genres:
Ed, when he did patricide on behalf of someone he loved (mum) got caught up the cycle of dreadful murder and trauma he wanted to escape. And now he sees that he can – he's not the doomed Romantic villain!
Stede, in doing step-patricide on behalf of someone he loves (Ed), commits in a real way to ruthlessly murdering bullies. He's a swashbuckler! He definitely likes it! Finally, he's found a way to express romantic love in a grounded* way. (*by OFMD standards.)
It's a deranged pirate sitcom way of turning their tentative courtship into a healthy adult relationship.
Ed + Izzy:
During the fuckery: Izzy is playing murdered-by-Ed, so he's "dead" on deck (vulnerable) amidst the chaos.
Ed throws himself over Izzy to save him from getting shot.
This doesn't erase all the shitty things Ed did! It's a big gesture instead of an everyday thing, just like Izzy was complaining about! But it's definitely an indicator that Ed would prefer not to drive Izzy to suicide and Ed does, even, ask if Izzy's okay afterwards, checking him over, before someone else points out that Ed got shot.
Lastly:
With final approval from Izzy – after a lengthy pause where Izzy looks at Edward panting and bleeding on the deck – the Crew decide to journey forth to find Super Good Medicine to save Ed.
THERE ARE HINTS THAT s3 MIGHT SHOW US:
Blackbeard's historic raid on Charleston (who is playing Blackbeard at that point? who knows!)
Ed and Izzy working on being weird-ass friends again, but without so much murder-suicide
Stede and Ed finally talking about how they want to spend their life together: what's between retirement and piracy?
This is all pretty okay because new s2 ends in a hopeful place where nobody FUCKING DIED jfc where everyone's grown a bit but, as always, still has room to grow more.
the end!
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omgkalyppso · 5 months
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I posted this before but deleted it both because I was embarrassed and because I was worried I'd severely fucked up Astarion's age for the nth time, originally referenced from This Post. But I've seen many more analyses and I think it's right. I think it is. Anyway!
EDIT: I DID GET HIS AGE WRONG because that is the post I meant to reference. But I'm not fixing it. 232.
I was tagged by @luinen-bluewater to complete this far simpler ship meme: otp, ot3/4.
Here is the template I actually used: ot3. Here's the otp version.
I'll tag a few people to complete any of the templates referenced: Luinen, @the-eldritch-it-gay, @vlwv, @tadpole-apocalypse, @boghermit, @lemonbronze, @littleplasticrat and YOU.
I'll put the above image chopped up below the cut so it's easier viewing for the curious. And I'll ramble a bit more (bg3 spoilers, discussion of vampirism and character deaths).
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In my headcanons, Astarion neither remains a spawn nor becomes the Vampire Ascendant, he becomes a vampire, and some hundreds of years later he turns Étoile to a vampire as well (this post / these headcanons need reviewing after the epilogue changes with the Crown, but we'll see).
With this in mind, I was thinking of Halsin being the longest of their lovers and how Étoile could possibly handle his death:
Étoile and Astarion occupied on some adventure / business or other, and when they return, an unaffected or perhaps impatient messenger has come to deliver news of Halsin's death. And it is so long after the others of their relevant, initial, adventuring party has passed (or maybe not. Lae'zel is a wild card (no aging on the astral plane)). Still, i can imagine one of them snapping. I think it's more interesting if it's Étoile, saying aloud that the messenger is mistaken, that surely the message is that Halsin's ill and is calling to see them a final time — Astarion's near shouting in embarrassment and worry, telling the messenger to go, calling Étoile's name, grabbing their arm until Étoile says loudly that they heard them. They heard what they said. And also sends the poor messenger away.
But then I started considering an alternative which I felt was ooc for Halsin from the base game but which I think is more possible / within the scope of his character after the addition of the epilogue. Reminder that Étoile is a paladin of the neutral evil goddess Auril, started bg3 as neutral good but whom I consider neutral evil, and is an Oathbreaker by the end of their adventure:
Halsin at like 820 or older, life expectancy 700-1000, veering wildly between peace with the natural order of things and intense discomfort with things that feel unfinished, the way they always do. And sometime with Étoile leaned against his chest he speaks of Silvanus, the Oakfather, of children and elders in all families of creatures have come and gone, of how his druidic order has changed more slowly than a tree spreads its roots, and how never in all that time did Étoile ask him to abandon his god and his (god's) comfort for the sake of vampirism and eternity. Fondly, expecting Halsin to imagine it an irritation after his speech, Étoile recalls that Astarion did, three hundred or so years ago. Étoile points out that they know the comfort they found in their worship, and they would never have sought to steal that from him (Halsin). To be a vampire is unnatural, lost to his Oakfather. Halsin points out that he has felt that Étoile has wanted to ask before, even if it has always remained unsaid, in the emptiness in their chest (lack of heartbeat), in the slant of their mouth when his (Halsin's) movement is broken with age, in how they've (Étoile has) breathed in his silver hair the more it's overcome him, something that felt respectful once, but now he's past where his end should have been, and the temptation of rekindling old strengths, the hope of another thousand years, through vampirism, shames him (Halsin) greatly. The selfishness of an old mind. Why wouldn't it have felt like a possibility a hundred years ago, two hundred, more? How could he dare to think of continuing a protection of his forest, of caring for his kin, if he lost all connection to them, and even fears what makes them the same in their morality so much that he would dare forsake it. If he was going to lose his faith, why wouldn't he have done so when he was younger and different, except that he was stronger then, in body and in mind. And yet what difference would there be, feasting upon the wild in the woods? And Étoile would be blunt about the differences, and about how there are even laws now, that they helped put in place. "They" could punish them both greatly for this, but the transformation itself would be their shared shame. He could be their first spawn, and perhaps their only, but if he wanted this now — that it was no corruption of age, just a changed heart. And they would happily accept him into their home if all beasts and men turned from him as a decree from his Oakfather -- but he would have to be sure, because the fallout could be immeasurable. Étoile would try to do it permissably, but they would turn Halsin in secret, if need be. And what if "they" were like. fucking no???? and to ensure you don't do this thing we're going to keep you sealed, either in an area or in a fucking coffin until your druid has passed. (Astarion would lose his fucking mind.)
Abbreviated:
Halsin: what if i've lived long enough to see myself become the villain. Étoile: well my ship has sailed, and you know, if i meet you in hell then it's not hell
I think though that Halsin's village would have warm, clean shelters under the ground, just below the surface as if to shelter from storms, but well-used and familiar to vampires after years of shared knowledge and resources. They'd be glad to claim him.
OH! And Étoile's birthday is Oct 20th (their date of creation during early access was Oct 20 2020), I gave Astarion Sept 22nd (first day of autumn), and Halsin May 13th (he seems like a Taurus and I figured he'd be worn and irksome about having a birthday that often falls on a day associated with bad luck (Friday the 13th)).
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olderthannetfic · 9 months
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Fanvid anon here again. Sorry for this veeery long ask!
In reply to this: /728290706491375616 Holy shit, thank you for the fandom history lesson and the video recommendations, I will go through all of them! (Not right now yet as I'm currently procrastinating studying for two uni exams that are next week and for which I have done almost nothing yet, oops. Will sit down to watch them this evening though.) I feel you on the "motivated by spite" part. "Oh, you think they aren't cute together and you think it's silly/stupid/nonsensical to ship them? Well, let me gather all my reasons for this being my OTP and smash them in your face then!"
Also thank you for the advice, I'll probably refrain from tagging it as ship manifesto then, heh. And about most fanvids not being on AO3, I sent this ask late at night when I was sleepy and tired, and when I saw your reply, I was like "oh yeah right, the fic itself on AO3 would just be empty if the link were broken due to takedowns, not automatically removed, the fuck was I thinking" XD
In reply to this: /728297732625907712 Thank you very much for the programme recommendations! I recently had a tiny look around at what people use for cutting and editing videos and then spontaneously downloaded Openshot. I'll definitely check out DaVinci Resolve. Btw the reason why I thought about getting into vidding was that I tried to make gifs again after not having done that in years, and my files were over 200mb because I had forgotten how to gif for tumblr, ha! Had wanted to put those gifs on a ship manifesto-ish thingy on tumblr, but then thought that many of those moments go on a little too long to put into one gif each, and thought I might as well try to make a fanvid of their moments together.
--
I don't think anyone will be offended if you tag 'ship manifesto'. I just think they'll be expecting a little essay to go along with your vid. Given how underused the entire manifesto genre of meta is on AO3, I don't think anyone's going to be too bothered by "extra" things in the tag.
Gifsets can be nice, but honestly, the amount of work to really make them tidy and pretty probably isn't any less than to make a basic vid, yeah.
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cinderella-ish · 26 days
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5, 8 through 13, and 18 + 20 for the Furuba asks!
Woohoo! Thank you for sending this! (ask game here)
5. not at all! I was born in the year of the horse, so maybe that's part of why I felt such a disconnect with Rin at first.
8. I have to go with Chapter 88 (the Cinderella-ish play)! I know I already gave the corresponding episode as my favorite, but it's just SO GOOD! It's hilarious and heartbreaking and has beautiful character moments for much of the main cast. It's almost a credo statement for the series. And Hiroshi's brilliant narration is the cherry on top!
Question 9 answered here | Question 10 answered here
11. Yuchi is my OTP ❤️
12. The fabulous Yukeru writers on Ao3 have me shipping them. Same for the YukiKyo (? what's their ship name?) writers. And I've really come to love some of the rarepairs I'm writing for my longfic Bloom Within Us. I'll put them under a cut down below for those curious.
13. Ooh, this is such a good question! Right now, I think my answer would be Momiji & Kyo because of the series I just finished writing. I have a soft spot for Yuki & Kakeru, of course, and Yuki & Haru, as well as Tohru & Arisa & Saki. I also really enjoy Kyo's sibling-esque dynamic with Arisa.
18. Ok, to combine 18 and 20, here are two hot takes that sort of deal with character headcanons. Let me know if you want to hear headcanons for someone else, or more fleshed out hc for these characters.
I think my hottest take is that Tohru needed Kyo more than he needed her. I don't think she had anyone she let her walls down for beyond him; not even her best friends. Kyo at least had Kazuma, and he was pretty candid with Momiji, too. Tohru regularly refused to let people take care of her (except for Kyo), and she would've been trapped in her grief & unable to move forward without him. Kyo would've struggled, and he may not have survived, but while they both would've had friends, he would've at least had a loving parent who would've done anything for him.
While Bloom Within Us ultimately has a positive outcome for Kyo after Tohru dies, I've been thinking about writing a sort of companion piece where Kyo dies and Tohru has to grieve him. I believe that would be a much sadder story, especially with the timing related to her processing her grief for her mother and choosing to move forward with Kyo. We saw in the hospital arc how hard of a time she was having just thinking he rejected her. She'd also struggle with how the other cursed Sohmas - some of her dearest friends - treated/viewed him, and that might create a rift between her and her new found family. If he disappeared, I just don't think she'd be able to cope.
It's also probably a hot take that Shigure only gets as much hate as he does because a) people take aspects of the manga seriously that Takaya never intended us to take seriously (like his "high school girls" song. Creepy, yes, but that's a Takaya problem, not a Shigure problem.) and b) he's so full of self-loathing that he says he's not "kind" and "the worst kind of man" and people take him seriously for some reason. If you actually look at his "unkind" actions, they consist of a) speaking honestly and directly to Akito without first fawning over her, b) actually trying to break the curse (sure, he and Hatori and others refer to it as "using" Tohru, but the way he was "using" her was to try and help the younger Zodiacs form strong bonds outside the curse and to house a lonely, homeless teen), and c) sometimes asking insensitive questions or speaking uncomfortable truths. And yes, he was cold to Mayu, and yes, he slept with Ren (which is maybe the most bananas thing that happens in Furuba), and yes, he fucks with people for his entertainment (especially Mitsuru and Mayu, though, again, Takaya signals we're not supposed to take that seriously). But then we see him trying to cheer Hatori up by bringing him to the lake house, or giving Kyo guidance (and a place to live) from the day he appears, or removing Yuki from Akito's abuse, or using his cunning to get Tohru to relax and have fun, or at least stop stressing so much.
I truly think his speech about kindness came from self-hatred and not from some deeply-held belief about the meaninglessness of things like kindness. I think his speech about being the worst kind of man was again from self-loathing and not something he was proud of. And when he provoked Tohru about Kyo, I also think that was borne of his self-loathing and guilt over how the Zodiac viewed the cat.
Anyway, I know you aren't a Shigure hater, so this probably isn't terribly controversial to you. 😅
Oh, also, I read Arisa as straight. She totally gives me queer vibes, but the fact that she likes Kureno because he reminds her of Tohru, yet she doesn't like Tohru that way... I see that as confirming her straightness, tbh. (I still love AUs where she and Saki are together! They're cute!)
Rarepairs in Bloom Within Us below the cut! (These could be read as answers to 18/20, too!)
Yusuke and Kagura get together in chapter 32, and Hiroshi and Momiji finally get together in chapter 67. In Bloom Within Us, mourners sort of converge around Kyo due to his closeness to Tohru and help him through his initial grieving period. This leads to a situation where Kyo kind of slowly becomes the center of the Sohma family, hosting regular group dinners at the dojo and becoming close (to a degree) with all the formerly cursed Sohmas. Since he always was close with Momiji and Kagura, it made sense to me that he might connect them with Hiroshi and Yusuke. I don't give Yusuke and Kagura a lot of focus, but Hiroshi is basically the second protagonist of my story, and the relationship between him and Momiji (and Hiroshi's development to be ready for a relationship with Momiji) is one of the most important subplots. I've really grown to love them, and might write some more content with them just because I adore them so much. (And Yusuke and Kagura are cute together! But I'm not really interested in exploring them any more.)
I haven't written the chapter where Kyo and Saki get together, but yeah, Kyo ends up with Saki.
I always read Saki as having repressed romantic feelings for Tohru. Due to her extreme loyalty and her powerful wave-reading abilities, I think she'd catch Tohru's message to Kyo (to keep moving forward) and ensure she passed it on first opportunity, thus saving his life. And I think Kyo, with his people skills and unfortunate familiarity with grief, would be the one to figure out how Saki felt about Tohru.
In my story, Kyo has to first decide to live. Once he truly does that, he starts pursuing a future as a karate instructor, realizes blaming himself for everything only hurts the people who care about him, and finally decides to allow himself to fall in love again. He's already in love with Saki by this point, and has been for a while, but he's a dumbass about love and it takes him a while longer to realize how he feels, and even longer to decide to do anything about it.
I think it's possible to read Kyo and Saki as having sexual tension in canon. That plus them playing the prince and Cinderella in Cinderella-ish makes them a fun couple to explore.
Anyway, I think there's a strong case these couples would get together in a universe where Tohru dies, but not in any other universe.
Thank you for asking! This was fun!
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topsyturvy-turtely · 1 year
Text
OTP challenge - day 15
here it is! part 2/2! (because i simply suck at keeping myself short) -> link to part 1
[link to day 14]
TW: detailed description of needles and stitches. knife wound.
15: teaching each other how to do something
(pt. 2/2)
[Last sentence from part 1: But soon this something, that danced in the room to the tone they had played together, was interrupted by the thunder of upstairs-running kid's feet.]
***
That was last week. Tonight John had invited Sherlock over for dinner with him. Rosie had a movies night with her aunt Harry. (John seriously wasn't sure who whorshipped whom more. These two were soulmates, no joking.)
The doctor was determined to make Sherlock a nice proper meal. He didn't cook often, but he ought to get better at it, he can't keep ordering takeout with a kid at home. What if Rosie will never eat anything homemade?! That could end up into an embarrassing situation at a friend's house...
Lost in his thoughts he prepared his 'easy but fancy meal' (no, he hasn't googled this). He had ended up with Lasagna. The bechamél sauce was the difficult part about it, but he was confident it would work out. He heard the bell ring and - wiping his hands on the ridiculous apron Harry got him (it says 'BAMF' in pink, purple and blue colors on it. According to her that means 'bad ass motherfucker', which he thought was absurd, but, well, he didn't wanna get his shirt dirty) - he went to open the door for a very early Sherlock. Who has apparently just been in a massive fight.
"Bloody hell, Sherlock! What happened to you?"
"Idiot brought a knife to a gun fight. Still managed to cut me however, that imbecile."
"They cut you? How deep? Where? Let me see.", John Watson was in immediate doctor mode.
"Not that deep.", Sherlock said waving his hnd dismissively.
"Oh no! We are not doing this! Go sit down somewhere, I'll get my doctor's kit.", John commanded and went into the bathroom to wash his hands and get the kit.
When he came back, Sherlock was sitting on the couch, no coat and jacket on, limps spread out around him, right hand to his side, the blood running through his fingers.
"Jesus. Sherlock.", John was frozen for a second, anxiously staring at his friend, regretting he couldn't protect him anymore whenever he decided to run after a serial killer.
Then the feeling faded and with his usual professional tone he told Sherlock to take his shirt off. The great idiot detective sighed but obeyed. Meanwhile John put on surgical gloves and poured disinfectant onto a cotton ball. When he looked up and stared at his friend's freed stomach he gulped. Not because he hasn't seen worse, but because it was Sherlock who was the injured. What if he wouldn't get away so easily next time? John wasn't sure how he would take another one of Sherlock's funerals. A real one this time. Internally John shook himself and focused on his task.
"I'm gonna clean the wound and see if it needs stitches now.", John told his patient. When he started disinfecting, he heard Sherlock take in a sharp breath. That, and a few seconds of cleaning, made him realize, "Sorry, mate, but the wound is deep enough for sutures. I'm gonna call an amb-"
"No!", Sherlock immediately protested and his face was a mask of pain. "It's you or nothing at all."
John stared at him, he had done that often before, back in the days, but how could Sherlock still insist on John stitching him up? With a resigned sigh, because he knew there was no reason in arguing, he took off his gloves. "Alright, I'll get you some ice. It will help with the pain and the swelling."
When he came back, he sat back down and put on a fresh pair of gloves. "Listen. I hate you getting injured, and I am honored you let me have you stitch up but you will have to learn to do this yourself. I am not available 24/7 and I can't risk you passing out while having a fever dream from the blood loss, simply because you refuse to seek medical attention like a child. So you gonna watch, listen, hell- observe while I am doing this. You got me?"
Sherlock had a neutral facial expression, but stared deep into John's eyes. "Yes, sir."
"You already know who is in charge here, that's a good start.", John smirked. Then their eyes met and just how it always has been, there was a connection between the two men which took actual willpower to break. When they did, John started explaining, "Step one: sanitize and examine the wound. Deeper than half an inch? Sutures are needed.
"Step two: if the wound is swollen, ice it.", John nodded at the ice on Sherlock's stomach, while he disinfected the needle and thread.
"This will provide a numbness as well. Helpful, when there's no local anasthetics available."
"Step three, actually- step zero: wash hands, and wear gloves to prevent infection. Always wash your hands and wear gloves, hear me?", John fixed his gaze on Sherlock. The detective was determined to show no pain but he couldn't fool John. A simple nod satisfied John.
"Good. Step three: Disinfect needle and thread and the rest of the equipment. I use a needle holder, to ensure no infections will occur. Holding it with your hand may easily cause them." John was glad Sherlock had his voice to focus on. That he had given that genius brain something to fixate on, to save into a room or a file or whatever in his mind palace with every little detail. Because the stitches - even with the ice - are gonna add another pain level.
"Step four: with your forceps" - John grabbed them - "check the skin and determine what needs to be done.", John did as he was explaining, wishing he had a mask to further protect Sherlock from a possible infection.
"Step five: punctuate the skin and make sure the needle penetrates the skin up to 0.5cm, exit on the other side of the wound. The needle needs to be held perpendicular to the skin and you rotate your hands clockwise.", when the needle sank into Sherlock's skin, his patient groaned in pain. "For this you'll need to release the needle holder by pulling it right with your ring finger-", John did as he was explainig. "-and pushing it left with your thumb.
"Step six: hold the needle holder and pull the thread. Leave 3-5cm on the side of the wound. Step seven: hold the thread with your right - in your case left - hand and wrap it around the tip of the needle holder. Catch hold of the thread on the left of the wound using the needle holder. Make the wrapped thread pass out of the needle holder and tie it around the loose thread and then cut the excess thread.", John was glad Sherlock was a genius because when he had first learned this, he still had had a million questions.
Satisfied John looked at his work. "This was it - you had made a secure knot. Now, step eight: repeat this process by moving up the wound about 0.6cm to perform the next suture."
Sherlock was making pained noises while John performed step eight. "Do you think you can focus on my hands and describe what I am doing? Might be a good distraction.", the doctor suggested.
Sherlock gritted his teeth, nodded and did as he was told. Indeed, his pained sounds decreased and his observation-mode was turned on.
After a while John said, "There. Sutures are done. Now the final step is putting a sterilized pad and bandage on. Here, sit up."
Sherlock did and John wrapped the bandage around Sherlocks rib cage; tight but not too tight. His breath gave Sherlock's skin, that had broken out into a sweat during the suturing process, goosebumps. John followed them up... over side, arm, chest, nipple. John licked his lips. Then he cleared his throat and stood up. "I'll look for a shirt that will fit you. You hardly can wear that one over there." John pointed at the ripped and blood covered dressing shirt on the ground.
"Your clothing choice is a rather interesting one, too.", Sherlock countered, a hint of a raised eyebrow visible on his carefully controlled face.
For a second John was confused, but when he looked down at himself he remembered his 'BAMF' apron... John's eyes widened.
"Fucking hell!", he swore. John ran into a kitchen and already saw smoke coming through the oven. "THE LASAGNA!"
A bunch of further curses escaped John's mouth while he took the burnt piece of pasta out. Sherlock followed him into the kitchen. He leaned on the door frame crossing his arms over his bare chest. "Apparently bisexual Badass Motherfuckers can't cook.", he stated.
Waving around with a kitchen towel and opening a window to get rid of the smoke, John was busy with other things. But when Sherlock's words sank in he slowly turned around. "I'm sorry- what?", he asked incredulously.
Sherlock nodded at John's garment. "Your apron. It's in the bisexual pride colors."
With oven mittens on, palms up, John stared down at his apron. "Oh. Oh, Harry that absolute-"
"-genius lesbian with her evidently accurate observations regarding sexuality?", Sherlock finished, pushing himself off the wall. He slowly walked over to John.
"Hold on one second! How many times did i say I am not-"
"-Gay? No, but bisexual you are, my dear Watson.", with that Shelock stood in front of him, his upper body only wearing a bandage John had put on him only a moment ago.
The blogger shook his hands in denial. "I- I am not..."
But he didn't get further because Sherlock pressed his lips against his and John forgot what he wanted to say. Soft, cupid bowed lips, rested against chapped, thin lips. Until John pulled back and stared at a rather precarious Sherlock. And without another thought he ripped his oven mittens off and clasped his hands around this face, this familiar beautiful face and kissed Sherlock again. He was moving on pure instinct, none of this was his brain's doing, it was all his body's. It knew what it had wanted for years and now wouldn't let the opportunity slip. They kissed and gasped and pulled and moaned. Until Sherlock hissed in pain, because John had eagerly pulled him close and it hurt his freshly sutured wound.
John loosened his grip and they let air drift between their bodies again. "I- you-", John tried.
"Harry and I might have a point?", Sherlock said with cocky grin.
John sighed, laughed, and let his forehead drop into his hand. "Yeah. I suppose you might."
They caught their eyes and then started giggling, like they did after their first case.
Sherlock's gaze fell on the burnt lasagna behind John. "Takeout?"
"Starving", John replied with a soft but genuine smile on his face.
---
this time i have to thank my lovely friend (lol are we even friends?!) @safedistancefrombeingsmart for 1. telling me that John can't cook and should teach Sherlock how to make proper stitches instead. And 2. for her genius photoshopoed bi-colored BAMF sweatshirt. This oneshot would have been a lot less fun without you. Thank you, smartin'! ;)
this part required a lot of research (as i am an absolute no-hoper at anything medical). i must admit i partly directly quoted from the site. check it out if you're interested!
tag list! (tell me if you wanna be added or removed 💚) @catlock-holmes @justanobsessedpan @helloliriels @boredsushi @fluffbyday-smutbynight @inevitably-johnlocked @hisfavouritejumper @rhasima @forfucksakejohn @ohlooktheresabee @turbulenttrouble @7arantellgrrl @ssmeowl123 @so-youre-unattached-like-me @totallysilvergirl @peanitbear @train-mossman @loki-lock @smulderscobie @timberva @grace-in-the-wilderness @chinike @pansherlock @the-smol-bean-libby-blog @jawnn-watson @whatnext2020 @escapingthereality @missdeliadili @kettykika78 @musingsofmyown @7-percent @speedymoviesbyscience @astudyin221b @francj15 @almosttinycowboy @ladylindaaa @we-r-loonies @mxster-jocale @sherlockcorner @noahspector @our-stars-graveside @jobooksncoffee
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001 dungeon meshi or 002 susahao :3
i sense a long post so this goes under a cut
| dunmeshi |
Favorite character: I can't choose for my mental health. sorry. I love them all too much
Least Favorite character: ughgh Toshiro. next question
5 Favorite ships (canon or non-canon): ooh...5? Okay so Farcille, Labru (it's not a must-have for me but I like it romantically or platonically), Laios x monsters, Chilchuck's messy relationship with his (ex)-wife, and lastly. Cithis x me
Character I find most attractive: goddd there are so many hot people in this manga and I'm aroace. it depends on the day but top contenders in no particular order are Kabru, Marcille, Laios, Cithis (see above), and Falin. and we can't not love Kui sensei for giving us the Senshi fanservice the world needed.
Character I would marry: I would marry no one but...objectively speaking? OF COURSE Senshi
Character I would be best friends with: Chilchuck !!
A random thought: The moment where Mithrun cries because "even vegetable scraps have their uses" made me feel like I'd been revived from the dead. dunmeshi is so good.
An unpopular opinion: hmm I don't really know?
My canon OTP: canonically no one like. "ends up together" in the super official sense and I'm happy with that! however farcille can count...i think anyways. it's not even coding it's plain as day
Non-canon OTP: like i said, any ship qualifies !
Most badass character: Senshi, because truly what is more badass than caring for the dungeon ecosystem and your friends' health and wellbeing by cooking them a balanced diet out of monsters. all with a single cooking pot too
Pairing I am not a fan of: Izutsumi x anyone. that girl doesn't want a romantic interest nor does she need one <3
Character I feel the writers screwed up (in one way or another): ...no one? I'm gonna finish my reread soon but I highly doubt I'll find one that I'll think was screwed up
Favourite friendship: The whole party warmed my heart. that hug healed me. ALSO honorary mention to Mithrun and Kabru because again the feeling of being restored and learning to feel again is so real. honorary honorary mention to Izutsumi and the rest of the party because that is the cutest thing I have ever seen in my life
--
|susahao|
when or if I started shipping it: "when I fall under your intense gaze..." I very nearly pointed at the screen and went "YOU'RE BISEXUAL!!"
my thoughts: they invented sapphism actually
What makes me happy about them: I love how Haori does not fucking hesitate to keep flirting with Ryutaro upon finding out that he is in fact Susato. what a queen
What makes me sad about them: the fact that their reunion in-game occurs when Susato is coming back, rushed, on what she assumes to be a family tragedy; and what she finds instead is Haori having been through a horrifically traumatizing event in her absence. both of these girls trying their best to study and have careers in Meiji Japan. the world makes it so fucking difficult for them.
Things done in fanfic that annoys me: it's not so much a specific thing done in fanfic as like, an overarching trend that people tend to fluffify them a ton. i get it they're cute and lighthearted but they're also sixteen-year-olds in a world that is unfair to them. that being said, i also don't like the idea of making them 'tragic' for the drama of it all. let them be happy, but also give them depth basically!
Things I look for in fanfic: i don't read a ton of dgs fic these days but i look for good Haori background and characterization
Who I’d be comfortable them ending up with, if not each other: Gina, Maria...and that applies to either of them lol
My happily ever after for them: marriage marriage fraud (I can't take credit for this idea, since I first heard it from Seven ofc! but it's so real to me)
[ask game]
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crehador · 2 months
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Do you mind if I ask your top 10 favorite characters (can be male or female) from all of the media that you loved (can be anime/manga, books, movies or tv series)? And why do you love them? Sorry if you've answered this question before.....Thanks...
ahh this is such a fun question, thanks so much for the ask! a difficult question as well lol, i am very indecisive so a top 10 anything is... tough
i'll limit myself to animanga only, aaand lump some characters in under the same banner so there's definitely going to be more than 10 here. i'm also prohibiting myself from giving more than one slot to hpmi characters or that would just be the whole list
anyway:
ICHISAMA (package deal, do not separate)
this is probably obvious (or should be obvious) from my pinned but in first place are of course my forever blorbos (and forever otp) ichiro and samatoki of hypnosis mic
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it's hard to say what i like about them besides "literally everything" which is kind of funny because for like the first year-ish of me being into hpmi neither of them were my top favorites lol
and now i genuinely have to say i like them both equally, and like them both the most. out of any characters of anything ever. i typed a bunch of paragraphs after this but think i'll actually just stop here because nothing really does justice to how they make me feel (unwell, in a good way)
this post is already getting long so everything else will go under a cut! and besides ichisama in first, none of the other characters will be strictly ranked in order. mostly just listed as i think of them
2. bon my beloved, of showa genroku rakugo shinju
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this is my favorite anime of all time, and what i would personally consider the best anime of all time, and bon is perhaps the single most beautiful character with the single most beautiful story i've consumed ever. i never feel any urge to make or consume fanworks of this series because it's just so mind-blowingly perfect and complete to me
i won't spoil too much about the series, but it's a tragedy, and that's something i don't read or watch much of. so it's truly exception for this to be my favorite, but it was just that good
bon is in so many ways a tragic character, and the series allows you to see him through his whole life. he's tragic in such a hauntingly beautiful way, though, and i left the series feeling like he now lives in my bones
this is probably also my favorite ishida akira role ever, which is saying a lot because he's always great. i love the anime because it gives such life to the rakugo performed in the series, and though i'm not an expert on rakugo, i felt like the performances were top-tier. and it always impresses me when voice actors take on roles that require them to perform a whole ass other art form (like rakugo or rap)
3. aomine (knb) AND grimmjow (bleach)
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these are the same goddamn man i'm putting them together no one can stop me. they are a) blue b) panther-coded c) very aggro d) very aggro at a ginger mc specifically e) DEPRESSED and f) voiced by suwabe
(though honestly grimmjow's just here because they're too similar to separate, aomine's the real favorite here)
the thing with aomine is basically—
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—and that paired with his tough guy/badass/fuckface manner is very appealing to me. i don't think it's even remotely possible for me to be brief in why he's so dear to me, but the short version is he's a deeply traumatized asshole and i'm into that
4. KIYOSE HAIJI RUN WITH THE WIND GUY OF ALL TIME (and various other sports guys who are single mothers)
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i may have a lot of guys of all times but haiji is for real. before ichiro he was my favorite character of anything ever for a while, and he is definitely my favorite type of sports guy (so a lot of other sports guys are going to be lumped into this category with him lol)
he has an infectious passion for running and he will infect you. whether you let him or not. it's not negotiable. you will run. no matter what
i think he brings out the best in those around him, sometimes at a detrimental cost to himself. he pushes his team hard but pushes himself even harder. we stan a self-destructive king
and i'm putting natsusa number24 right in this rank with him
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because while number24 is objectively Not a good anime, it's easily one of my favorite sports series and i sincerely love natsusa just as much as i love haiji. natsusa is like if someone made haiji but cranked the bitch factor up to one billion, he is the most gaslit gatekeep girlboss guy in all of sports anime and i love him for that
bonus shoutout to iura kei of shakunetsu kabaddi, usui yuuta of days, and sugawara koushi of haikyuu. gotta be my favorite flavor of sports guy
(ok this is not even fully true because i think my days favorite did ultimately end up being mizuki because he's just so fucking stupid BUT usui i still love you.........)
5. kaworu and all his ridiculously many expies (aka the "and then a weird guy appear" category)
basically i'm talking about these fucks
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they show up, sometimes not even for very long, and all they do is cause problems (ok victor probably doesn't really belong here but he honestly does fit the mold and i'm too lazy to crop him out from this old graphic i made lol) and love another weird guy so catastrophically that it alters the course of the story
the way kaworu loves shinji the way komaeda loves hinata the way zashunina…… obsesses over shindo. like fine wine to me, chef's kiss. tbh that's why victor fits the mold for me, his and yuuri's love is less the "People Will Die" type of catastrophic but it's still life-changing, life-saving, for them both
ironically even though kaworu is a ryo expy himself i'm not. i'm not that big on ryo, i'll be honest. maybe it's because i wasn't the biggest of netflix devilman in general. i should probably read the manga sometime, might change my mind
6. SOFT BOYS natsume and rei
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putting them together in part because lol look at them making the same pose on their anime covers even
these are both (natumse's book of friends and march comes in like a lion) two of my favorite series, and two of my favorite protagonists. they're soft but not weak, hurt but not broken. it just feels comfortable to spend time with them, to follow them even when they're hurting
7. CELTY MY BELOVED, of durarara
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honestly celty is just cool as fuck. there are lots and lots of reasons to love her but i get so incoherent about it. it's really strange because i feel like the way narita writes women is not great in many ways, and yet... he always fucking... writes the hottest fucking women goddamn, i can't be mad about that
i always liked shinra too. because of how relatable he was lmao. i would be a weird little man about celty too i'm sorry
8. sir integra fairbrook wingates hellsing, of hellsing
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god. yet another. she's just so fucking cool. massively obsessed with her. it's been too long since i've watched hellsing (and durarara for that matter) for me to remember a ton of details but her whole personality is just so appealing to me
you know the way people like fma olivier armstrong. sir integra's my armstrong
9. hei, of darker than black
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once again he's just cool as fuck, also i'm chinese and it's rare to see a really good chinese character in anime, much less as a main character. darker than black is an older series at this point, but it remains one of my old favorites. second season was a bit questionable but honestly i didn't hate it. my boy got fuucked uuupppppp (said with delight)
funny story about hei is when i first started watching the show there was this moment where i thought "this is a weird detail to notice but something about his collarbones look really nice to me? they're just two lines but idk they're lovely"
THEN LATER IN THE SERIES on at least two other occasions that i can remember, maybe more, actual characters in canon commented on THIS SPECIFIC THING. HIS COLLARBONES. so what do i like about hei? what does anyone like about hei? apparently it's his collarbones lmao
10. nooooo i'm running out of space now and there are so many more blorbso i would talk about i can't choose who to put here but but but closing my eyes and picking the first name that comes to mind MIKOTO SUOH K PROJECT
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part of me thinks i shouldn't actually put him here because he's, like, red samatoki lmao but no he deserves a spot. i think. idk. that's what i'm going with for now but, you know, indecisive
anyway. love a tragic mfer with one dead boyfriend who haunts the narrative and another ex who [redacted idk if anyone is going to be reading this far but just in case no one wants k spoilers i want say anything but you know this show is old as balls by now]
i actually love both of the factions in k (there are more factions later but i'm focusing on red and blue) because they're both families in different ways, and mikoto and munakata both care about their families in different ways (yes i love that bitch munakata too)
and the way they care for their people while failing to fully let their people care for them in return is sooooo delicious as a character trait to me
so that's the end of this enormous post i guess! there are approximately a billion other characters i love that i didn't get to mention but i will do my best to shut up now lmao
thank you again for the ask, very fun exercise to think about!
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daily-rayless · 7 months
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Asch, for the character rant meme ❤️
Oh, absolutely.
Favorite thing about him:
This feels very hard to narrow down. I like the arc of his story. I like how he both mirrors and contrasts Luke. I like that he's dark and often in the wrong. I like that he's soft and wants to come across as cold and rational, but is fundamentally incapable of burying his feelings. I like that he's a loose cannon who sometimes makes mistakes, but then also comes at his enemies from a direction they never saw coming. I love the character growth we get in things like Tales of the Rays, which show him warming up to Luke and becoming happier and his whole personality expanding into something more mature. I always like long implausibly red hair. But I think what really draws me to his character is the tension between him being angry and depressed and disengaged, but still an idealist. He has the potential for heroism, and he never succeeds in killing it -- arguably, he never even wants to kill it. He might think of himself as worthless, and he might say awful things to his loved ones, and he might frown all the way through it, but he keeps doing what he thinks is the right thing. Not the right thing for himself, the right thing.
Least favorite thing about him:
I think there's a reason Abyss adaptations keeping cutting out the scene where Asch controls Luke's body in order to make him attack Tear. Yes, it's a dramatic scene, but when you look at the rest of Asch's personality, it feels jarringly sadistic.
Favorite line:
I'll go with Asch's closing line during Natalia's escape from Baticul: "Luke! One mistake and I will kill you." First off, he does it while standing over an evil general he's just struck down for the sake of his people, check him out, he would actually be a decent royal. Secondly, look at him revealing his love for Natalia, right then and there, in front of a crowd of witnesses. A lot of his lines in that scene do that, and it's great -- a rare moment of Asch being emotionally honest. And tied in with that, he unthinkingly, seriously calls Luke "Luke" -- not replica, but using their shared name. Yes, he's threatening to kill him, but he's not only trusting Luke with his most precious person (Natalia), he's using his own name for Luke -- I feel like, in that moment, Asch trusts and respects Luke in a way he usually doesn't allow himself to -- he finds reasons not to. This is the real Asch in this moment, and this is what his relationship with Luke could really be.
brOTP:
Ginji! I feel like Asch and Ginji seriously bond over the course of the game. Asch doesn't often express it (of course), but by the end of the game, I think they're as close as Luke is to any of his party members. I see Ginji as having a softer, more emotionally open personality, but he's also thick-skinned enough not to take Asch's angry posturing too seriously; he sees past Asch's pretenses to the real him, and I imagine he misses him terribly and has a lot of regrets after the game.
OTP:
Asch and Natalia, it's always Asch and Natalia. I remember my first time playing Abyss, being in Ortion cavern when Natalia thanked Asch for protecting her from the boss monster, and Asch very coldly brushed her off. And my brain just went, Oh wait, hold on...? Does he still...? Is it not just her? Are they both...? And then a few minutes later there was an earthquake and he protectively grabbed her and I haven't looked back once.
nOTP:
This is sort of a yes and no. No, there are no (major) Asch ships that I consider so out there that I can't believe anyone would ship it. (I had to add the "major" because maybe out there there's someone who ships AschMieu.) But at the same time, while I acknowledge that Asch and Natalia can have very interesting ships with other characters, I love them so much together that I tend to never even entertain the possibility. I think for me, one of the most significant things that bothers me in an AschNot-Natalia ship is when writers use it to denigrate Natalia's character. Write her off as unimportant, or even unlikable to Asch. By all means, pair him with someone else, but I don't think you can believably write him as not caring at all about Natalia and finding her awful.
Random headcanon:
He (and Luke) are naturally very musically gifted. Asch is particularly good at the piano and used to play it for his mother when he was a child.
Unpopular opinion:
Hm, I think there are potentially some controversial takes with Asch. I think some fanwriters sometimes err too far on the side of making Asch cool and composed and mature, always in control and aloof compared to the more emotional Luke. This makes him very suave and alpha and unflappable, a bit more of a conventional brooding hero. That's not really the Asch I see. To me, Asch is overflowing with emotions and often not good at hiding it. There's footage of the stage play rehearsals showing their Asch actor releasing a primal scream, and I don't know why he's doing that, but whatever his reasons, that feels closer to Asch.
Song I associate with them:
Something edgy and forceful would be right, but let's go with his softer side and say "Lonely Lullaby" by Owl City. It's always made me think of Asch, and all through writing The Stars Are Fire, I had my eye out for an opportunity for Asch to sing Natalia to sleep -- never happened though.
Favorite picture of them:
Excuse me, let me go search my files.
Okay, I limited this to art that's just of Asch, no one else, and while a lot of his official art is unintentionally hilarious (I have a dedicated tag), I've always liked this shot from the anime:
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Hair is down, he's super moody, and having him leap onto the side of the moving Tartarus is a much more dynamic way to end the scene than in the original game.
Thanks for the ask! I always love talking about Asch.
Meme taken from here.
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voxofthevoid · 1 year
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your thoughts on the other (popular) yuuji pairings? 👀
How many hours do you have 👀
I love too many Yuuji ships for my own good, honestly. But I'm not much of a multishipper, so everything else comes secondary to goyuu. Buuuut JJK is also the first fandom for which I've liked multiple ships enough to try and write more than just my OTP, so it's safe to say I like these Yuuji ships a hell of a lot.
Putting it under a cut because concision and I are arch-enemies. Also, I don't want to clog up the ship tags with my ramblings, so before you click through, know that this talks about nanayuu, chosoita, itafushi, and sukuita.
Caveat that I've read very, very few JJK fics, so I'll be talking mostly in relation to canon and my own writing.
Here goes, in order of adoration:
Nanami/Yuuji
Their canon dynamic is so good; I love how Yuuji's exuberance contrasts with Nanami's reticence, and more than that, I love how they're both intrinsically kind in a really similar way, even if Nanami's version has been tempered by the harsh realities of their world. Plus, it never gets old just how much Nanami lets Yuuji get away with—I mean, Nanamin, seriously. He protests once and then goes "well, guess I'm Nanamin now." Amazing. Predictably, Shibuya did unholy things to my poor heart. When the "You've got it from here" scene gets animated, I will lose my entire goddamn mind.
That said, I started out liking them platonically, but well, other than vertical incest, there's no relationship dynamic that's safe from my gremlin hands, so I wound up shipping them sooner than later. Specifically, I wrote a goyuu fic with a heavy focus on platonic Nanami&Yuuji and plummeted headfirst into shipping them, so now I've got like three different ideas that's a mix of nanayuu and goyuu. If I don't write at least one of them, someone should punch me.
Chōsō/Yuuji
Listen, brocon just comes very naturally when Chōsō is involved, and it doesn't help that sibling incest with fuckery potential has always lit up my brain (Sam/Dean from SPN, Vash/Knives from Trigun, etc.). What I like about their canon relationship is the...imbalance that's kind of there, especially at the beginning. Chōsō has family revelations after hallucinating one near-death-experience-induced (and Yuuji's NDE at that) picnic scene and is immediately ride or die, while Yuuji's just there going "???" He's treated complete strangers with more delicacy than he affords Chōsō when they're alone in Shibuya, which makes perfect sense given the circumstances and Yuuji's mental state at the time. And even once Yuuji seems to remember his "mum" and realize Chōsō is his brother, there's the distinct sense that Chōsō's attachment is a hell of a lot more intense and more explicitly connected to the blood relation, as opposed to Yuuji's usual warmth to an ally and friend. And that contrast of complete, immediate devotion and cautious, burgeoning affection makes me want to do unholy things to them both.
Which is why Chōsō is currently getting enthusiastically eaten and eaten out by Yuuji in my Word document. It's not even subtle as far as metaphors go.
Megumi/Yuuji
A friend described my thing for this as a "tiny, doting crush," and it's pretty accurate. Canon sells this pretty hard from the get-go, and something that struck me is that, a lot of the time when you have a shonen hero who's dragged into a new world, it's a female character, usually the future love interest/main heroine/first girl, that does it. In JJK, you have Megumi in that role—fun all over. Also, the narrative is highly consistent about highlighting both of their complicated feelings about their involvement in the other's current predicament. Their interactions are also interesting from the beginning, both the lighthearted moments and the heavier stuff. And the manga panel split between a freshly Sukunafied Megumi and a very horrified Yuuji remains one of my favorites.
Thing is, since canon feeds me pretty well in terms of this ship, I don't feel much of an urge to read or write it. I have one(1) idea that's a mix of goyuu+gofushi+itafushi+goitafushi (it's...complicated), but it's pretty low on the priority list.
Sukuna/Yuuji
I'll be frank: I want to like this ship a lot more than I actually do. And that's mostly because Sukuna is a bit hit-and-miss for me. There are parts in the story where I've loved him and parts where I wanted to step on his face—not in the fun way either. And ever since he took over Megumi, I've been in "step on his face" mode. Their canon relationship appeals to me mostly because Sukuna brings out a side of Yuuji that only Mahito has managed, and their scant interactions while sharing a mind and body were pretty interesting. The blend of hostility and humor was nice, and I kind of like that there's pretty much zero chance of it getting resolved like with, say, Kurama and Naruto.
Anyway, I do see a lot of potential in this ship for hate sex, except what I'd like to see is a very specific dynamic that I haven't been able to find—and one that's complicated enough that I'm not sure I could write it either. I might try some day, especially if inspiration strikes.
Thanks for asking, anon ❤
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