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#parrot talking english
tiktokparrot · 1 month
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In this quick video, we delve into the world of avian nutrition, shedding light on the safe and harmful foods for birds. Discover how seemingly innocent choices can pose serious risks to your feathered companions. Learn how to optimize your bird feeding routine for their safety and wellbeing. Watch now to become an expert in bird nutrition and ensure your avian friends lead long, healthy lives!
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cowsaresushi-coral · 2 years
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i finished dialtown because i have no self-control, and i love it, and i have brainrot. specifically last night because it gave me difficulty sleeping. you know, the usual. (true ending. i am missing a couple of the false endings. if i game anymore, my eyes will be blasted out of my head)
whether or not i want to draw dialtown fanart is entirely dependent on if there’s a way for me to draw phonegingi without feeling decrepit. the head? perfectly fine, and i do love me some body-horror. the body? as a person, i do not have the strength to draw 1, let alone 6 nipples.
yipeekiyay, here goes another thing to go into the bucket of which i surreptitiously shake and bestow upon yee with whatever tomfuckery invades my ever battery-acid-filling brain.
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apollos-boyfriend · 2 years
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The fact that your little cousin doesn't speak English and knows what "kill" means reminds me of a friend's mother who could kinda speak English but not well, but God could she swear up a storm.
honestly, considering how his older brother is, it’s frankly a miracle he hasn’t developed that habit yet
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blogjhm · 1 year
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Chhota Bheem Full Episode - Talking Parrot in English | Episode 14 A
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yanderecrazysie · 3 months
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Twisted Zoo: Chapter Three
This is based on the stories of a keeper reader with the octotrio by @ashensgrotto and @merakiui .
Also @twistedcece @cenatour @ursinaw @xiaopleasecomehome @bearshideout @koebishrimpuwu@v-sh @help-whatdoimakemyusername @secret-potion @magmdnv @sunshine-for-serotonin @mel-star636 @silkkorchid @thatpersonuouknow @the-ace-reader @pamv11 and @thisisafish123 wanted to be tagged! Let me know if anyone else wants to be tagged for future chapters. If you no longer want to be tagged, please tell me! (Some of the tags may not have worked, I'm sorry if so.)
Summary: You’re a brand new zookeeper at The Halfling Zoo- a place where half-animals live in captivity. Your job is simple- feed them and study them. Your main worry is that one of the more dangerous halflings might kill you. 
Unfortunately, that may become the least of your worries.
WARNINGS: none for now
Previous Chapter: Chapter Two
Next Chapter: Chapter Four
Note: All characters are aged up, since there will be mature themes in future parts.
Also, I can’t promise I’ll finish this. I suck at finishing stories.
Note 2: I worry that maybe these birds don’t fit their counterparts well, since no one correctly guessed them all ;-; I made Riddle a flamingo only because of the Queen of Hearts’ flamingos, and I thought he’d like to be one, if he had to choose LOL
Note 3: You have probably already guessed that the heart system means how quickly they’re becoming yandere. Please keep in mind some with gain hearts faster or slower than the others.
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Today would be a more relaxed day, as you only had one exhibit to visit. The birds were all separated by wire fences, but they were all part of one big aviary. Tomorrow, you’d be working with the three remaining exhibits all at once, so you were glad to have this day of respite.
The bird keeper was a kind older lady. She gave you a bunch of salads, with notes as to which one belonged to which bird. The salads with shrimp were obviously for the flamingos, but the other salads were a bit harder to remember.
You walked into the aviary, a large plastic container with the separate salads under your arm. The birds were all wide awake, with the exception of the owl, whose green hair was just barely visible from where he had covered his head with one of his wings to sleep.
“Hey! I want to eat first!” A voice cried out to you, “Hey, lady with the food, over here!”
You were surprised to hear such fluent English from a halfling, but when you turned your head to the source of the calls, you immediately understood.
Parrot halflings caught onto human languages quickly. That didn’t necessarily make them smarter than other halflings, it was simply something they were naturally good at. This parrot halfling had mostly-orange wings to match his hair, although the tips of his wings tapered off to yellow and then a vibrant blue. 
The parrot gazed at you curiously for a moment, before his expression became more mischievous, “Guten morgen? Ohayo? Buen día? Zǎoshang hǎo? Dobroye utro?”
“Good morning to you too, show off,” you laughed, walking up to him, “I assume you’re the salad with sunflower seeds?”
He grinned, “That’s me! I’m starving!”
You felt like you were talking with a human, and that fact made you feel a little sick inside. Should an animal with the ability to converse so normally really be confined to a wire cage?
You rummaged through the plastic container, looking for the salad with seeds. The parrot halfling spread his beautiful wings and flew onto a perch closer to you, his talons curling around the wood as he impatiently waited for his meal.
Finally, you found the correct salad and handed it over to him. His eyes lit up and he snatched it from you.
“Thanks!” He said with a grin. Before you could ask him his name, he spread his wings and flew into an enormous birdhouse to eat there. A little disappointed that you couldn’t have a conversation with him, you turned to the raven in the cage next to him.
“Hello! I brought you a salad!” You called out to the raven halfling. He walked over to the edge of the exhibit and tilted his head, looking you over curiously. 
You found his salad fairly quickly, as it was accented with bright red apple slices. The raven drew closer and you admired how his feathers and matching hair color were not black, but a dark blue that seemed to shine in the early sunlight. 
“What’s your name?” You asked as he took the salad from you.
He grabbed the salad and held it close to him, as though someone may steal it. It took him a few moments to process your question before he answered, “Deuce.”
You knew that ravens were normally very intelligent animals. But with the way Deuce took so long to answer and the way he struggled with the plastic packaging, you had a feeling that the same could not be said for the halflings.
Deuce struggled with the packaging a little while more before he handed it back to you and, with a blush settling on his cheeks, muttered a small, “Help.”
You opened it for him with a smile, “No need to be embarrassed, Deuce, it can be tricky to open sometimes.”
He nodded, but you weren’t sure he actually understood you. Either way, he seemed happy enough to have his salad open for him. Similar to the parrot halfling, he retreated to his birdhouse to eat his meal.
You decided to try giving the owl his meal next, although you weren’t sure you would be able to wake him. You would feel bad if you disturbed his rest.
However, you had no need to worry, because the owl halfling was awake and alert when you approached his cage. You rummaged through the salads for the one with grilled chicken chunks in it and found it quickly. The other salads had either shrimp or were plain, saved specifically for the flamingos and peacocks respectively.
You handed over the chicken salad and the owl halfling smiled politely at you, giving you a gentle, “Thank you.” 
Unlike the parrot and raven halflings, he did not open his salad and dig in, but instead put it aside for later. Upon noticing your confused look, he explained, “I’m saving it for nighttime.”
You nodded but secretly wondered why they wouldn’t just feed him at night only. After all, that’s the time owls hunt. But you supposed it made it easier to just feed everyone at the same time instead of making any exceptions. 
Pretty lazy, in your opinion.
Next was the flamingos, and you approached their enclosure in awe. Their feathers were a soft, beautiful pink and, instead of the talons you were used to seeing on bird halflings, they had bare feet much like a human’s, just with webbing between the toes. 
“Shrimp salads, anyone?” You jokingly asked the two flamingos.
One of them, the one with light orange hair, flew over with such excitement that you took a step back, “You’re new!”
“Yes, I’m filling in for the morning meal today!” You said cheerfully.
“How exciting!” The flaming gasped, “That’s exciting, isn’t it, Riddle?”
The other flamingo, a more serious-looking man with red hair, cautiously watched you. He did not respond to the more enthusiastic flamingo.
“Let me just…” the orange-haired flamingo took a salad from you, opened the container, and began methodically arranging the shrimp and lettuce until it looked like it was something out of Chef Ramsey’s kitchen, “Perfect! Hashtag delicious!”
You stared at him, wondering where he’d learned to talk like a teenage girl. Riddle, annoyed by his fellow flamingo’s behavior, snapped at him, “You don’t have a phone. Stop with that ‘hashtag’ nonsense.”
You were shocked to hear a halfling besides a parrot speak so fluently, not to mention so prim and proper sounding. Handing over a salad to Riddle, you asked the other flamingo, “What’s your name?”
“Cater!” He said with a proud smile, as though his name was an accomplishment. You couldn’t help but giggle at his antics, which seemed to deepen Riddle’s frown.
“I have to give the peacocks their salads now,” you told Cater. 
“Bye-bye!” Cater said cheerfully, waving as you walked away.
The peacock enclosure was certainly something to behold. It had a huge fountain and ornate fencing. You tried to wave the three peacocks over, but they refused to come to you. Remembering what Mr. Crowley had said about them being a little cocky, you sighed and opened the gate.
You carried the large plastic container over to them and, with a smile, you held out a salad to the closest one. The tall flamingo gave you a disdainful look, but took the salad all the same. The one with a bowl cut took his with a closed-eyed smile, “Merci, mademoiselle.”
French? You wondered where he had learned French and if he spoke any English. Moving on from that thought, you handed the last salad over to a slightly timid-looking, small and adorable lilac-haired peacock.
All of the peacocks had beautiful white feathers in a fan shape protruding from their backs. You couldn’t help but admire them, despite the way they didn’t seem all too interested in you.
“What are your names?” You asked.
The one with blond-to-lilac hair turned his back on you and walked away with his salad. The one with completely lilac hair merely offered you an “Epel” before following after him.
The one with a bowl cut placed a hand on his chest and, with a large smile, introduced himself, “I am Rook,” He pointed at the retreating back of the first peacock and said, “Vil”.
“Vil is his name?” You clarified. Rook nodded in response. You wondered if he knew more French than English.
Either way, you were done feeding them for the day, so it was on to studying them.
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cat-mentality · 7 months
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Back on with my silly qsmp headcanons with zero evidences in canon!!!
The English version:
Foolish has never once in his life tried to pretend to be human, yet people just genuinely think he is like that(tm) and don't question anything he does
As he has shark dna Foolish doesn't need to blink as often as a human, he is therefore great at staring contests (it freaks the fuck out of everyone)
Foolish and Bad keep an score of how many times they have killed each other just to have bragging rights
They have never give an straight answer when someone asks if they have fucked in the past
Bad sings in the shower
Fit is just a regular human but no one believes him when he says it, they all just think he is hiding his true self and he has received MANY talks about "embracing yourself"
Jaiden trauma dumps by accident. She will be having a perfectly normal conversation and then mention something horrible from her past without even meaning to.
Slime can't read a room to save his life, if embarrassement could kill that would be his main cause of death
He once lost control of his human form and left slime goo all over Wilbur right before a concert
Wilbur cannot handle spice.
Neither can Philza actually.
Niki in other hand has bitten peppers before and snacked on them.
Mouse is very open about the fact that she is a demon and she is very pleased that everyone on the Island just takes it in stride, since usually it freaks people out
Mouse is not saying she has partaken in eating human flesh before, but she is also not denying it.
Lenay has a criminal record. No one knows why and she has never answered either.
Tubbo talks with his machines and it freaked him the fuck out when they started to answer him (It's Arin and he is loving this new kid)
Quackity and Mouse once entered a competition on who could hold their breath for longer (The both passed out)
Philza thinks every sickness can be fixed with avocado toast and he will recomend it as legitimate medical treatment
Jaiden talks with parrots and they keep her on loop of all the gossip on the Island
It took Tina literally invoking the powers of hell to people realize she is a demon and not a rabbit hybrid and Mouse was incredibly excited to have a demon bestie
Foolish is in fact jealous
Niki is such a good baker that she has made people cry by how good her food is
Fit spends a lot of his time running around Tubbo and stopping him from poking where he shouldn't, Philza is just glad he has someone to share the babysitting duty
Slime is a light weight, one glass of wine and the man is gone
Niki is an lynx hybrid and she has hissed at people before. She also can sort of understand cats and they follow her around a lot.
Fit is in fact allergic to cats but every cat on the Island seems to really love him
Slime needs his glasses less than his bitch wife so he will sometimes take them off, but it causes a lot of confusion because people fail to recognize him without them
Lenay has a terrible sense of direction, she is just better at following people and hoping for the best
Philza's crows really like both Fit and Tubbo and will sometimes follow them around but get sometimes annoyed that they wouldn't understand them
Bad and Philza were coworkers for a time
Jaiden can't dance but she sure as hell likes to try
Lenay on the other hand is a good dancer but she doesn't usually do it
Tubbo is actually a duck hybrid but literally no ones believes him when he tells them that because all the ducks on the Island hate him
He falls asleep on the most random spots ever because it's less sleeping and more crashing, he doesn't even know where his bed is
Fit will sometimes thrown his mechanical arm at people. No reason but that he felt like doing it.
Bad uses his tail to hit people when they are being annoying.
Foolish once bite his tail in retaliation.
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a-dinosaur-a-day · 8 months
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can i ask how it feels to work within a parrots social boundaries? i feel like it would be significantly harder and less intuitive than a dog or a pet w no social needs like a snake. do you ever act like a parrot would to make them happy? i know theres stuff to avoid too, like touching them a certain way that makes them attracted to u, are there ways to pet them that dont register that way? like platonic preening?
so thanks to the fact that
a) I'm autistic and had to learn most social interaction/cues from the ground up anyway
b) my weird affinity for sauropsids of any kind (ask @ladyraekingmaker for zoo trip stories)
c) the fact that I study birds for my job
d) I'm a nerd who researches a lot so I read like all the books before bringing birds home
for me birds haven't been that hard. They do their own thing, but after a while it's just like a second language, really. The birds, in turn, know quite a lot about us - how we use tone, body language, and our routines. They also know some English words, and Ellie and Aurora can even talk in appropriate situations. It's all about seeing them as equals, really, and trying to communicate effectively, like how you're supposed to with a baby. So @plokool and I joke that our house mainly uses a pidgin between English/Human/Mammal and Conure/Cockatiel/Parrot/Bird. Which... isn't exactly wrong
So, I often do Birdie behaviors in response to my birds. Eye blinking to indicate safety especially, but many others as well.
As for touchies, you're not supposed to stroke the back. But giving scritchles to the head area is OK, whether preening or not.
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lilyginnyblackv2 · 1 year
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Daughter Daddies - 10-Year Time Skip - Sub vs Dub Comparison
I’m going to make a proper post for both Episodes 11 and 12, but I wanted to make a short, separate post for the Daughter Daddies segment of Buddy Daddies in Episode12. Having watched this scene in both sub and dub, I’m thinking the disconnect that some people are getting from the character interactions here are from a combination of two things:
1. The one degree of separation that comes about from listening to one language but reading the interaction in another. We know which characters are saying what words and we can see the way the characters are emoting and interacting with each other, but there is still a disconnect with the language being spoken and the translation being read.
2. The sub translations for Buddy Daddies have been extremely good. But having watched the series both subbed and dubbed, I feel that the dub translation comes out a bit more on top. I think that comes from the fact that there is a little more freedom and wiggle room to work with and dub translations tend to fit spoken language better/more, while sub translations tend to lean more into written language and direct translations a bit more. In most cases, these differences don’t really matter, but with this 10 Year Time Skip scene in Buddy Daddies, I really do think it makes all the difference.
And I think that disconnect that some people feel from that time skip scene is due to the combination of these two factors. It resulted in the sub not really being able to capture the back-and-forth/play off of each other nature of Kazuki, Rei, and Miri in the scene that the English dub is able to properly capture. There is a flow there between the three characters that you can hear in the Japanese, but can’t quite see happening in the subtitles. 
I’ll try to show that aspect as clearly as I can in this comparison post, but I also highly suggest just giving the Daughter Daddies segment in Ep. 12 a watch in the English dub to really see (and hear) what I mean. 
Anyway, let’s dive in!
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There really isn’t much difference in the scene where Miri is up in her room and Kazuki calls her down, so I’ll start with when Miri is down in the diner area with Kazuki and Rei.
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Sub Miri: Papa Rei! Papa Kazu! Ta-dah! (Rei & Kazu: Oh!) Well?
Sub Rei: A high school student.
Sub Miri: Bingo!
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Dub Miri: Papa Rei! Papa Kazuki! Ta-dah! (Rei: Nice!, Kazu: Hey!) How do I look?
Dub Rei: Like a high school student.
Dub Miri: Ding-ding-ding! (They had her say this with the Santa snow art scene too).
Thoughts: It’s small, but the addition of Kazuki and Rei actually say things like “Nice!” and “Hey!” (a “Hey” like in “Hey! Looking good!”) and having Miri ask specifically how she looks, instead of just “Well” and having that question be connected to Rei’s answer with “Like” instead of just “A high school student” helps with the flow and connectiveness of the scene.
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Sub Kazu: I’m so glad you didn’t break bad! 
Sub Miri: What in the heck?
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Dub Kazu: I’m so relieved that you never ended up breaking bad!
Dub Miri: Huh? Breaking bad...?
Thoughts: It’s small, but by having Miri repeat the “breaking bad” part as a question also helps with that flow I was talking about above and with it feeling like a more connected conversation.
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Sub Kazu: When you’re a parent, there’s so much to worry about. The ten years I spent since opening this diner really paid off!
Dub Kazu: You don’t know what it’s like! Parents have so much to worry about! That’s why I decided to open this diner ten years ago, and devote my life to honest work for your sake.
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Sub Rei: Honest work?
Sub Miri: Didn’t you slip out yesterday to go drinking with a girl again?
Sub Kazu: That doesn’t count!
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Dub Rei: Really?
Dub Miri: I seem to recall someone cutting out early yesterday to go drinking with the ladies.
Dub Kazu: Sorry, what was that?
Thoughts: In the Japanese, Rei does parrot back, “Honest work?” like he does in the sub, but I feel that comes across a bit differently than it does in English. Here the “Really?” sounds a bit more teasing and being more general, and feels less accusatory in nature, more just disbelieving about Kazuki’s statement in general. 
Meanwhile, Miri’s English dub statement clarifies that the doubt that both Rei and Miri express in regards to “honest work” is very specifically about the fact that Kazuki left work early, not that he was drinking with a lady or ladies. Also, Miri saying “drinking with the ladies,” makes it clear that he was likely at a Fairy Lips like establishment and really just out for drinks with them. Not on a date with a lady in particular or anything like that.
The Fairy Lips establishment worked in a similar way as a hostess bar, just with a gambling aspect as well, so nothing sexual (as in sexual acts) are actually allowed (though, I have no doubt that they do sometimes happen at establishments like that). But the true appeal of those places are the illusions of sex and just female company in general. 
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Sub Rei: Miri. Eat.
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Dub Rei: Eat up, Miri. 
Thoughts: By having Rei say, “Eat up, Miri,” instead of just “Miri. Eat,” the feel comes off less like a command and more like a general statement that the food is ready for her to eat. There’s a softness to “Eat up, Miri.” Still a command in some ways, but gentler. I also think that in English, one word verbal commands always come off as could and harsh on some level, while in Japanese having a verb just existing on its own is way more common and therefore doesn’t hold the same sort of feel to it. Of course, since we know Rei as a character, we also know that Rei doesn’t mean anything harsh by “Miri. Eat,” but there is likely still a left over feeling of coldness or distance there.
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The Rei and Miri exchange of her saying thanks for the food, him asking her how it is, and her saying it’s yummy as always is pretty much the same as the sub without any substantial changes or differences. Basically, nothing worth mentioning here.
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Sub Kazu: I’m glad you got a signature dish with that toast, but shouldn’t you expand your repertoire a little?
Sub Rei: But why?
Sub Kazu: Ever the one-trick pony...
Sub Miri: Hey, it’s fine! Since Papa Rei’s the best!
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Dub Kazu: Listen, I know the toast is your signature dish, and that’s great, but shouldn’t you expand your repertoire?
Dub Rei: What for?
Dub Kazu: You are such a one-trick pony.
Dub Miri: Hey! There’s nothing wrong with that. The important thing is that his one-trick pony is yummy!
Thoughts: The use of “listen,” and “that’s great” definitely makes Kazuki’s statement to Rei feel more like general constructive criticism, while Miri’s words in the dub come off more like a warm teasing (like this is possibly a conversation that they’ve had before, lol). Kazuki’s “You are such a one-trick pony” statement also comes off more as more as a warm, sentimental line sort of thing.
The sub translation comes off a bit colder. The way Kazuki’s first line is structured sounds more like just general criticism, as does the “ever” part in his one-trick pony line. Miri’s line as feels less connected, even though it is still on topic, so the comradery feel found in the dub is less present. Of course, tone also matters here and I think the dub really allows for the more teasing and warm tone of the scene to come across than the sub does since, as I mentioned, there is a bit of a disconnect with subs that isn’t as present with dubs.
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Sub Kazu: It’s fine like this, right?
Sub Miri: It’s not! Come on, we’re family!
Sub Rei: Family?
Sub Kazu: Can’t be helped, right?
Sub Rei: Hey-!
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Dub Kazu: Can’t we make it work like this?
Dub Miri: No way! C’mon, we’re family, aren’t we?
Dub Rei: Well, are we?
Dub Kazu: Get over here, you big lug!
Dub Rei: Hey-!
Thoughts: The dub translation makes things a bit clearer by adding more words and context. In the sub, Kazuki just questions, “It’s fine like this” but what is meant by “it”? The dub line makes the “it” easier to figure out. Adding “can’t we,” “make,” and “work” together with the it makes it clear that the “it” here is referring specifically to the photo arrangement that they had going on (Kazuki and Rei on either side of Miri).
Miri’s lines are largely the same, but by adding “aren’t we?” to the end of it, and then having Rei parrot that with a “well” in front of it, gives a feeling of Rei and Miri sort of coming together in solidarity on this, a little teasing on their end. And Kazuki just going all in on it, with the dub giving him a line that implies a lot of sentimentality on Kazuki’s part towards Rei. “Big lug” is a term of endearment, and implies someone (usually a man) with a strong physique, but a gentle personality, which does fit Rei. 
The Japanese does have Kazuki saying the Japanese equivalent of “can’t be helped,” but...A lot of Japanese translators view that translation of the phrase as being overused and not necessarily the best translation all the time based on situation and context. And this would be one situation and context where I think it doesn’t quite work. 
Kazuki is being put on the spot by both Rei and Miri, “we are a family, right,” him saying otherwise wouldn’t be right and they all know that, while Miri has made it clear that they can’t do their usual photo arrangement, they have to try something new. So, yes, in a sense there is “no helping” the situation. But by the way Kazuki latches onto Rei,bringing him into a one-armed hug, and the huge smile on his face, we know this isn’t a sort of ‘-sigh- can’t be helped!’ kind of situation that that phrase often implies in English.
The dub translation of choosing to translate that as “Get over here, you big lug!” easily implies that Kazuki has accepted this new arrangement for their photo and that they are, of course, a family. The dub has Kazuki use a slangy term of endearment, because that is within his personality. He uses slang and overfamiliar grammar and words, so he would say something like that.
I think the dub does a great job of capturing this new change in the Kurusu family! <3 
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da-proti-toku-grem · 6 months
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Spanish slang con Käärijä
I ADORE this video. It's just perfect hsbsksbsis
Let me just tell you those english translations don't do those phrases justice. Like yeah, that's what you mean when you use them, but that's not what they mean yk?
"Te compro un loro" literally means "I buy you a parrot" lmao
Also, is JERE saying that spanish people talk fast??? Boy have you heard yourself? (/j I know we speak fast lol (not everyone tho but I get him jsjsjs))
LOVE that when he said "I think, are they angry?" they translated it as "Pienso, illo, se van a pelear?" which is like "I think, dude, are they going to fight?"
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ofekma · 6 months
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I never planned to end up like this.
I signed into this website for cool art and fandom posts. I learned English and spent years on this platform because I just wanted to vibe here, as one of the millions of users who get to just live their lives and talk about things they like.
I just want to pet cats and post memes.
But unfortunately, as an Israeli person, my mere existance is political and the sentence "I want to keep living here" is radical.
Unfortunately I have to be ready to either block or defend myself against the hundred thousands of people here who don't know the first thing about what's going on here but think that they get to determinate my future.
Because the website that can come up with pages upon pages of nuanced takes on fictional characters and cartoons can't fathom the concept that maybe the real world isn't black and white either.
The people who encourage for tolerance for every gender identity and sexual orientation under the sun because people's expiriance are different and complicated and diversed, think that Israeli people are a monolith.
They think that we are all the same as our dumbest politicians but would be shocked and horrified if anyone dared to compare them to Trump.
Those people who believe that if you are lgbt+ supporter or are anti racism or anti sexism or pro human rights you are automatically anti zionist.
Because you can't be a good person and a zionist, apparently.
As if any of you even know what zionism is! As if any of you know the first thing about this conflict and don't just parrot words you hear on instegram!
And then you pat yourselves on the shoulder and go to sleep self satisfied that you are Good People and then move on with your lives, leaving us to deal with the fallout. Because THIS is our lives. This is MY life. Long after you will all move on I'll stay here, trying to pick back the pieces once you find a shiny new thing to get into.
And if I can't get any care or support or nuance or empathy, at least I can get escapism right?
But I can't even have that, because every single cute and funny blog who talks and draws my blorbos suddenly has to get into the hot new trend of having an uninformed opinion on a conflict that started before they were even born.
You guys get to reblog a "from the river to the sea" post then go back to talking about fashion and crafts and anime. You get to spread misinformation and encourage hate you yourself are blind to, and not going to face the consequences of.
I don't. We don't.
So yeah, I hope you're fucking proud of yourselves, tumblr, because you are not human rights activists or progressive leftists or whatever.
You are just bullies.
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hmshermitcraft · 8 months
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Gridoc 2 :D
Doc only likes people being afraid of him when they deserve it, and Grian doesn't deserve it. He doesn't want Grian to avoid him and he definitely doesn't want him to actively run away. He's seen it out of the corner of his eye, he'll be shopping and catch Grian come around the corner, spot him, and then do an about face and go back from where he came.
So, he invites the buttercups, and Ren, to a nice little picnic at spawn. Neutral ground, neutral people, no reason to be afraid. It works and Doc finally has the chance to talk to the guy, Scar and Mumbo too but they're more accomplices than instigators.
Calmly, and in English this time, Doc explains that pranks are fun, welcome, and expected, as long as both parties are in on the joke. He explains that he felt helpless and unable to defend his territory and why it was so upsetting. Grian understands, parrots also have nests after all and he knows what it's like to have one invaded, and he properly apologizes for taking it too far. Scar does too, Mumbo and Ren are too busy talking about their shared experience living in vans and busses to really care about the conversation at hand.
Things go back to normal, or closer to it, after that meeting. Grain leaves eggs, unhatched, around the hall of goat, like an Easter egg hunt. Doc puts a splash pot of levitation above Grain's door, and the little pranks continue on. They escalate a little bit as both parties grow bolder but it remains a game and not a war.
The only thing that's different is that both Grain and Doc are supporting a surprising, but not unwanted, growing affection for the other. It comes to a head when Doc is heading home one night and his eye fucking dies. Shouldn't have taken that last aerial view. He's under the Rock, Dwayne, currently, he meant to land on the bridge but missed, cause blindness and all that. He's busily squinting at his comm trying to make out the words to call someone and get him when Grian lands and asks if he's ok.
He is ok, as long as someone walks him home, wink wink. It's nice holding Grian's hand again, comforting and soft in his own. He doesn't have any anxieties about being led astray.
They reach the perimeter, lights from the hall of goat glow in the distance, brighter than the moon. "I can go from here, should be able to make it on my own if you want to go to bed."
"are you sure? I don't mind, I- I like...I like holding your hand."
"oh.. actually uh, I think I might need some guidance."
"I wish we would hold hands when you're not blind"
"me too" doc presses closer, Grian indulges him.
They make it all the way to docs room before he has any second thoughts, half of him wants to invite grian inside, show him his most personal space because he trusts and likes Grian. The other half of him is saying No Fucking Way, especially not when he's vulnerable, what if Grian betrays him? Well, shut up other half, he leads Grian through the door.
"I've never seen a creepers nest before.." he says in wonderment.
"they're very well hidden," doc pops out his eye and plugs it in, "usually reserved for special people."
"oh."
"mhm."
Awkward silence stretches on, doc scratches 'absentmindedly' at the base of his horn. Grain shifts his weight from foot to foot.
"can I kiss you?"
"please."
-s
first part!
Doc must really like Grian, because he wakes up the next morning with the bird hybrid tucked up against him. Doc rumbles, pleased, pulling Grian a little closer. Grian sighs, sounding like all is right in the world.
They start holding hands. They start kissing (only when nobody's looking, they know what the hermits are like.) Doc gets to find out what a parrot nest looks like.
And the pranks continue. Except now one is just as likely to lead into a candlelit dinner as it is a mess to clean up.
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luimnigh · 14 days
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Look, while it's nowhere near the worst thing that the Irish Far-Right and Irish Racists do (the worst being the racism, abuse, and violence), but something those fuckers do that pisses me off to ungodly levels is this:
I cannot stand when they demand that people "Speak English".
In Ireland.
They demand people speak English. In Ireland.
It's a hypocritical shotgun blast through the thin veneer of patriotism they paint themselves in . It proves they aren't even fucking nationalists, they're just plain white supremacists parroting the talking points of English and American racists. That they're the useful idiots of malefactors abroad, demanding that people who've come to this country to make a better life for themselves speak the tongue of the nation that forced it's tongue upon us. When they demand people speak English, they are repeating a demand used to oppress the Irish in years gone by.
They're fucking West Brits, trying to say they speak for the people of Ireland.
And while people trying to do evil and claim it in my name is something that angers me tremendously, using the words of the oppressors of my ancestors and claiming it to be in my name drives me fucking berserk.
How fucking dare they.
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atinyniki · 5 months
Text
nap of a star.
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group: tomorrow x together !
pairing: idol bf!choi beomgyu x f!reader
genre: hurt/comfort, angst, fluff
warnings + additional info: reader is referred to as y/n, established relationsips, petnames, crying, insecurities (beomgyu), txt is unknowingly hurting beomgyu, beomgyu teases members, just rlly sad :(
authors note: screaming and crying over this. i thought this would be the perfect title for this little fic. posting to see this if my work is unshadowbanned, and if so ill post my new jisung fic !! this is also not proofread. english is not my first language, so please excuse any grammatical or spelling errors. happy reading :)
wc: 1394
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“name one thing you like most about yeonjun”
the order goes by age, soobin answering first.
“i really love… hm… his butt”
the four of them burst into laughter, disbelief evident on their faces. “his butt?”, taehyun asks incredulously.
“yes! it’s so cute”
“ok. ew. weirdo. next?”, yeonjun moves on quickly from his comment.
beomgyu just giggles, not saying a word. yeonjun rolls his eyes. “nothing? really?”, he smiles.
beomgyu shakes his head no, a smile still on his face. all of them laugh, yells erupting throughout the entire room.
“nothing.”, beomgyu repeats, a matter-of-factly.
“yeah yeah…”, yeonjun knows beomgyu loves him, so there’s no need to push it.
the game goes on, continuing with soobin, and then comes beomgyus turn.
he sits down on the stool, waiting first for yeonjun. yeonjun just giggles, parroting beomgyus actions from earlier. it was no surprise to him, so he just jokes around with yeonjun. 
soobins turn comes next. no answer. just more giggling. beomgyu knew that yeonjun wouldn’t answer, that’s just how they are. they love teasing eachother, but soobin?
beomgyu laughs it off, waiting again for more. no one said anything. they joke around for a long time, instead talking about things they don’t like about him.
they sure can name a lot…
beomgyu just sits back down in his chair, mood deflated and drained of all cheeriness he’s had before. nonetheless, he tries to keep a smile for the camera.
the game continues on again, beomgyus voice has gotten duller, but no one seemed to notice. the shoot ends, and they all finally let loose and begin to laugh about it.
“my butt?! soobin what were you thinking?!”
he giggles, “i was thinking about your butt!”
“oh my gosh. shut up.”, yeonjun fake gags.
they all giggle together. all but beomgyu. they still don’t notice. 
they go out to eat after, beomgyu continuously stuffing his face so he doesn’t have to speak. he just wants to go home. you, he wants to go to you.
his home.
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“baby? i’m home…”, he calls out softly.
no answer.
he closes the door behind him, kicking off his shoes lazily and walking towards the kitchen. he sees you there, making yourself another bag of popcorn.
you turn around, gasping dramatically when you see him. “beomgyu!”
you rush into his arms, a smile erupting on both your faces immediately. “how was your day sweetheart?”
“oh you know… the usual. lots of filming, though”
“yeah i bet, you were there for a while.”
you dump the popcorn into the bowl, taking beomgyu to the bed to watch the remaining half hour of the movie with you.
“what movie is this?”
“uh… home alone? duh. how could you not recognize it? this is one of your favorites…”
you watch as he leans towards the screen again, when it clicks. “oh… yeah. must just be tired.”
you two finish the popcorn together, finishing the movie not too long after. after such a long day, it feels amazing to be in your arms.
he just couldn’t get what they said out of his mind. or… what they didn’t say.
you set the laptop onto the dresser, along with the bowl full of kernels. “hi dorky”
“oh… hey pretty”
you turn to him, smiling and pecking his nose. “you tired?”
“just thinking.”
he looks back up at you, smiling and wrapping his arms tighter around your waist.
“yeah? what’s on your mind?”
the question sits on the tip of his tongue. you’ll be able to answer right?
you love him… right?
“what’s something you love about me?”
so many things came to mind. he’s so caring, so funny, and so incredibly perfect. he makes you and everyone else around him feel so loved and appreciated, even people he isn’t close with. he’s so snarky but it’s in the best way possible, and you just can’t truly express how much you love him in words.
small sniffles pull you out of your thoughts. it’s only felt like seconds, but it’s been an entire minute since he’s asked the question. he buries his head in your chest to muffle the sounds, and you immediately wrap your arms around him. it makes him feel safe.
he looks back up at you again, small sobs escaping his lips as he stares at you with bloodshot eyes. it seems as if your entire world has shattered just at the sight of him. 
“please… can’t you- can’t you think of something? just one thing? you love me… right?”, he begs desperately.
you immediately shut down his thoughts.
“what? no… no sweetheart no! i love you, my star. i promise. don’t ever doubt it for a second. its just… so many things came to mind, i didn’t know which one to say first.”
a sigh of relief leaves his lips again, and he sobs even harder, clutching onto your shirt and drenching it with his tears. “i’m so sorry… i didn’t mean to rush…”, your own eyes tearing up at his words.
“i love you, beomgyu. everything about you. i love how your heart is so incredibly big, and how you seem to make me smile with everything that you do. you’re perfect beomgyu.”
the sincerity in your voice makes him wail, breaths broken up by hiccups and more cries. “th-thank you.”
you hug him closer towards you, but you don’t ask about anything. talking would be too much for him to handle right now. he just needed you.
“you’re so incredibly funny, gyu. i love that about you. you care about everyone, even if you’re not necessarily close. i love that too. i love everything about you. the love i feel for you is just simply… unfathomable.”
his heart swells in his chest, head tilting up to give you a small kiss. “i’m sorry. i didnt mean to break down on you like that.”
you kiss his forehead, pulling him close again so that the two of you are face-to-face. “no need to apologize, i’m always here for you, my star. was there… something that triggered that?”
he frowns, eyes still pouring out tears steadily. he explains the entire thing, how filming went, what they said, and you cant help but feel for him. 
you run your fingers along his spine, “oh baby… why didn’t you tell me?”
“i didn’t wanna worry you. it’s kinda.. dumb… anyways”
“it’s not dumb, it hurt you.”
“it’s okay… i’ll get over it… i know i will. it’s just… sometimes i can’t help but think they mean it.”
you smile, hugging him close into your chest and kissing the top of his head repeatedly. curse his brain for making him think like this.
“they love you beomgyu. don’t worry.”
he laces your fingers together under the sheets, kissing your collarbone and parts of your neck and jawline. no one could ever make you feel more loved. 
you giggle, “that tickles…”
“i know.”, he smiles mischievously. instantly, more kisses are planted onto your neck and the parts of your chest he can reach, playfully nibbling and licking over your skin.
you look back down at him, love and adoration swimming through your eyes. you hold eye contact for a long time, as if your true feelings were passing through just by a look in that moment.
the love you feel for eachother is unexplainable, it’s a true miracle that you are such a perfect match. you lean down to kiss him again, watching as he chases your lips when you pull away.
“i love you, y/n.”
you kiss his forehead again, and you open your mouth to speak. you stop once you look at his face again.
his lips are slightly parted from your kiss earlier, hands loosely placed onto your waist and chest. its becoming difficult to resist the urge to smother him in kisses, but he deserves his sleep.
you bring your hand up, the one that’s still holding beomgyus, and kiss over his knuckles. you run a finger over his cheekbone, admiring his adorable sleepy pout. you could definitely get used to this.
if you aren’t spending the rest of your life with this man, you don’t want to spend it with anyone at all.
smiling, a tear leaves your eye at the sight of your boyfriend. you’re so lucky to have him, you just can’t believe it. do tears of adoration even exist?
“i love you too, my star.”
<3
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charlottesbookclub · 2 months
Text
like real people do (alistair x reader) 💜💜
Summary: honestly there's no real plot, just pure fluff. Alistair tries to adjust to having a human mate, and he's trying really hard 🥹
Warnings/Tags: gn!reader, mention of skipping a meal (not intentionally), mentions of eating, Alistair being awkward and a bit rude lol, basically just pure tooth-rotting fluff, but as always, let me know if I've missed anything!
Words: 1,634
Author’s Note: me, writing a twilight fanfic in the year of our lord 2024? it's more likely than you think. uhhh yeah I have no real explanation for this except that I have stumbled back into my Alistair obsession and I just wanted to write a cute little something for him. I don't think this is my best work, but at least it made me smile, so that's something. honestly I have no idea if there's anyone else out here reading fanfic for an incredibly minor twilight character, but if there is, I hope you enjoy whatever this is! I was thinking of making this a little series of Alistair trying his damndest to figure out human stuff, so do let me know if you have any interest in that. but okay I'll stop rambling now - enjoy! 💖
            A message pinged through on your computer, and you looked away from your work for a moment, pulling up the chatbox. It was Lucy from the front desk: 
hey – someone’s here to see you
who?
hard to describe – and i’m having a hard time getting his name
You chuckled softly to yourself, having a sneaking suspicion you knew exactly who it was. Odd that he would willingly put himself in a situation that forced him to speak with other people though. Your laughter turned into a small frown as you considered the fact that something might be wrong. You and Alistair hadn’t been together long, but you knew about his aversion to others well enough to wonder what could bring him into proximity of the possibility of needing to engage in small talk.
be right there
You pushed back from your desk and hurried down to the lobby. Lucy was obviously waiting for you to arrive, and she met you with a mildly panicked look, gesturing with her head toward the tall man standing awkwardly in the corner of the lobby. Thanks to his heightened senses, he had noticed your arrival long before Lucy, and was already striding across the floor toward you at a pace that was just barely slow enough to be considered human. You made a mental note to ask Carlisle to gently review normal human behaviors with him. You just managed to give Lucy a quick thumbs-up to indicate that you knew the tousled man before he bustled the two of you back toward your office.
“Alistair, what the hell?” you asked as he ushered you inside and closed the door behind him.
“What a truly awful system,” he muttered to himself, clearly continuing a rant he was already halfway through rather than answering your question. “I mean really, how many idiots should I have to go through to see my partner?” You just crossed your arms and leaned back against the edge of your desk, a bemused smile starting to fight its way onto your face. You knew it was no use interrupting him until he had gotten everything out. “’Would you like something do drink?’” He parroted Lucy’s question mockingly. “No I bloody well would not – unless you’ve got a few bags of blood stored away back there,” he retorted to this fictional Lucy sarcastically. “Zounds, how hard is it to just point me in the right direction and leave me in peace?” His words faded into muttering and soft curses in a version of English that hadn’t been spoken for hundreds of years.
“Alistair,” you said quietly, breaking him out of his monologue. His talking to himself had seemed strange at first, but the more you learned about his life before meeting you, the more it made sense. He had been his only company for so long and was only now slowly adjusting to speaking with other people again. You, however, found it incredibly endearing and hoped he didn’t break himself of the habit completely. 
His focus snapped to you instantly when he heard your voice, and he started murmuring apologies that you quickly brushed off.
“Alistair, it’s fine,” you assured him, sending him a warm smile and softly placing your hand on his forearm. Touch was another thing that was coming back to him only slowly. You had learned to proceed cautiously, gently, making sure he knew that you were about to touch him before making contact. The words stilled on his lips as his eyes focused in on the place where your warm palm met his cold skin.
“Alistair,” you said quietly after a moment of letting him adjust to the contact. His eyes traveled back up to your face at the sound of his name on your lips. “Is something wrong?”
“I—no,” the words tumbled out awkwardly, and you could almost see him trying to say three different sentences at the same time. If he still had blood under his skin, you were certain he would be blushing. Knowing that eye contact made conversation even more difficult for him, you flicked your eyes down toward your hand still on his arm, gently pulling it from where it hung limply at his side. You cradled his large hand in both of yours and began tracing mindless patterns on his skin, hoping this would give him enough of a reprieve to gather his thoughts. He took a deep breath and tried again. 
“Nothing is seriously wrong, but I— well I… worried about you.” This instantly caught your attention, and you looked up again almost without thinking, only to find his ruby eyes gazing back down at you with a softness you were just beginning to recognize.
“Alistair, I promise, I’m just fine,” you assure him.
“But… well… I noticed you didn’t eat breakfast this morning.” You tilted your head, wondering why that was such a cause for concern that he would willingly subject himself to the horror of checking in at your work.
“I was just running a little late and didn’t have time to make myself anything,” you explained, hoping that would ease his mind, “there’s always snacks in the break room, so I figured I’d have something when I got here.”
“I understand, but humans in your age group are supposed to eat three balanced meals per day, with the addition of one to three snacks. Lack of nutrients can result in many deficiencies, which in turn can lead to side effects like headache, dizziness, and trouble concentrating.”
You couldn’t stop the smile that was growing on your face as you listened to him recite this knowledge as though he had memorized it straight from a Wikipedia article. However, you seriously doubted Alistair’s ability to navigate the internet, since Carlisle had only recently convinced him to try using a flip phone.
“Where did you hear about this?” you asked, trying to remain serious and stifling the giggles that were rising in your throat.
“I’ve been reading Carlisle’s medical texts,” he responded with a furrowed brow, “I want to make sure I understand all the risks and ensure that I am prepared for every eventuality.”
If you hadn’t been completely in love with him yet, this would have undoubtably sealed the deal. He may be awkward and eccentric and even difficult at times, but he was trying so so hard to care for you in the best way he knew how. Although the whole situation was still incredibly amusing, you simply couldn’t bring yourself to laugh at him, even if it was all in affection. Instead, you raised yourself slowly to your tiptoes and planted a soft kiss on his cheek.
“Thank you for thinking of me,” you said as you lowered yourself back onto your heels. Your chaste kiss seemed to have frozen him for a moment, as he stood there completely still, his soft squeeze of your hand the only indicator that he was still present in the room. You let him recalibrate, and as he came back himself, he made a soft exclamation as though he had just remembered something. Reluctantly releasing your hand, he swung a small backpack off his shoulder. 
“I brought you some breakfast,” he explained as he pulled a jumble of containers out of the bag and placed them on your desk, “I tried to make sure I balanced all the proper nutrients to ensure you wouldn’t suffer any adverse effects from not having eaten this morning.”
You busied yourself with looking at all the containers of food to hide the tears that were welling in your eyes. You had never had someone care for you so completely like this before. Unfortunately, your plan didn’t work, since the awkwardly yet earnestly prepared food only brought more tears to your eyes. You had never expected that strangely cut fruit, mangled pancakes, and soggy cereal sitting in its own milk would make you cry with joy, but the amount of thought and care that had clearly gone into each piece of the meal was about to reduce you to ugly sobs.
You could feel Alistair watching you intently as you opened each of the containers, seemingly trying to gauge your response. When he couldn’t bear it any longer, he finally broke the silence. 
“If you don’t like it, I—I’m happy to go out and buy you something. I haven’t had human food in so long and even—even then I didn’t actually prepare it so I tried reading some of Carlisle’s recipe books but I think I still didn’t get it right—” 
“Alistair,” you didn’t normally like to cut him off, but you refused to let his anxious rambling sew any seeds of doubt in his mind. “It’s absolutely perfect – I can’t wait to taste it all!”
Alistair beamed at you then, a rare sight, but a welcome one.
“I just have one question though,” you said, and he looked at you quizzically, waiting for your inquiry. “Can I give you a hug?”
Confusion turned to elation on his face, and he spread his arms in assent and anticipation. You threw yourself on him, wrapping your arms around his neck as you wiped away a few escaped tears. His arms closed around your back hesitantly, like he wasn’t quite sure what to do with them, but his uncertainty seemed to fade as you melted into his grasp, and he wrapped you even more tightly in his embrace. 
Both of you were smiling when you finally pulled away. You settled into your desk chair and motioned to Alistair to pull up another. He sat just close enough that your knees could touch as you surveyed the feast before you. 
“What do you think I should start with?” you asked him.
“Maybe the pancakes? I’m rather proud of those.”
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positively-mine · 1 year
Note
I saw you write for Sk8 the infinity and decided to request something. Reki with a partner that loves birds and likes to tell him random facts about them
Reki with a s/o that loves birds
Reki with a s/o that loves birds and likes to tell random facts about them
A/n: I just had my fencing try out so I rushed to finish this before i pass out. If any mistakes, lmk so i can fix them tomorrow. Hope you like this :) also not proofread
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He understands that people has all sorts of hobbies
Just not why you love birds a lot
I mean they're tiny
You can't even pet it, only with just a finger
But he likes to see you interact with birds
How gentle you are with them
Bro is enamoured (with you)
If he sees a bird he will try to take it with him
It's 10x worse if you don't have a pet bird
He's keeping an eye out for any bird that seems willing to come with him
Acts like he's been trained like Pavlov's dogs
It's on sight
Also enjoys listening to you talking about your hobby
Even better if you get excited talking about it with him
Sometimes, he will purposely start a conversation about birds just to see the sparkle in your eyes
And your enthusiasm when you speak
Has probably saved your voicemail of you talking about birds to him
He likes to listen to it when he's sad
Sometimes he's caught off guard when you suddenly spill a fact about birds
Like you could be doing english homework together and mention birds and he's
🤔🤔
Where's the paragraph?
He still enjoys listening to you though
I think he's a parroter (get it?)
He will repeat back the facts that you've told him to Langa or the gang
And then they're wondering when did he like birds?
Ends up getting bird themed gifts and giving them to you
Likes to get your opinion on birds
What's your favorite bird species?
Different species mating rituals?
Which ones the best?
Why is this bird this colour?
Is the ivory gull the albino of the bird world?
Your nickname would also be bird related
sanderling/ sandpiper ❤️
He's a weirdo and this is way of showing love
(my personal hc bc sanderlings are so cute)
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inkblackorchid · 9 days
Text
What the hell happened with Crow: an autopsy (Part 4)
*Deep breath* Okay, everybody. Let's do this one more time.
First off, hello, or welcome back. Let's get the introductions and disclaimers out of the way, shall we?
This is the fourth and final instalment in my very, very long-winded attempt to analyse the character writing of Crow over the course of the entirety of yugioh 5Ds. For everyone who hasn't read the previous parts of the analysis, you can find part one here, part two here, and part three here.
This post, and my analysis as a whole, is neither meant as a Crow hate post, nor as a manifesto to convince people who don't like him that they're wrong. It's as genuine an attempt to simply look at and dissect what the show gives us about him as I can make, though I admit to personal bias because I do like Crow. That said, I'm trying to stay as neutral as possible, because the aim of this entire post tetralogy is to look at the writing decisions made for this character and how they impact him—and how they possibly influenced the audience's perception of him.
My previous three posts all reference this as well, but since I still see these things parroted all across the internet to this day: Please don't read this post under the assumption that any of the 5Ds production rumours are true, especially not the ones surrounding Crow. Because, to make this as short as possible, every popular theory as to why certain characters were mishandled during the later parts of the show fails to line up with the production timeline of said show. Chiefly among those theories, the idea that Crow was meant to be a dark signer and that his popularity correlated to his cards, and the idea that Aki, specifically, had to give up her screentime for him because her VA got pregnant, which both lack any basis in reality, as you can read in the posts I linked. (One final shoutout to @mbg159 here, who compiled these incredibly comprehensive posts and can also be found here on tumblr. Huge thanks.) So if you can do me one favour, please just let the 5Ds rumours die already and read this analysis without the hope of seeing any of them confirmed. I'm so sick of these crackpot theories at this point that I can hardly find the words for it. And while we're on the topic, I also don't want to see this post used as a means to pit Aki and Crow against each other in any way—both have good reasons to be well-liked and both deserve their spot in the narrative, all right? All right.
And now, at last, let's get down to business. The last time I got on a virtual soapbox and yelled about Crow, I covered the entire WRGP, murder-duel-robot induced break included. That means that for this, final stretch, we'll be looking at everything from episode 137 onwards—the Ark Cradle arc. (A side not for dub aficionados here: Episode 136 was the last episode that got an English dub. In other words, everything I talk about here never even made it into the English version. Because 4Kids, I guess.) As we've done before, we'll take a look at what exactly Crow gets up to during the final stretch of the show (and, notably, the epilogue), then see whether any of it needed improving, and if so, how it could have been improved.
You'll find all further yelling below the readmore, and I'll leave you with the other, usual warning here, as well: This will be long. Even if the Ark Cradle arc, relative to the rest of the show, isn't, this post most certainly will be. So get some snacks and perhaps don't start reading this late at night unless you're good at knowing when to stop and reading stuff in bursts. (I'm not.)
As I concluded at the end of my last post, the WRGP ended up being a bit of a mixed bag for Crow. He's there, he duels, but at the same time, despite being positioned as an equal third of a protagonist trio, he's notably less important and arguably also weaker than Yusei and Jack. Moreover, where the plot is concerned, he sure didn't get too much to do—not to speak of the fact that the writers didn't grace him with any meaningful interactions with a certain character who'll become very relevant here.
But I'm getting ahead of myself. First, the preamble.
With the end of the Team New World duel, the final arc of the show drops the by this point unexpected arrival of the Ark Cradle right on our heads. So, what does Crow do here, at the start, other than be shocked? Well, not much. A lot of the first episode that introduces the Ark Cradle focusses more on the imminent threat said structure poses to New Domino City, and we flash back to our protagonists mostly to ascertain that things are, in fact, going to shit. Even once that focus on the city evacuating shifts again, the episode concerns itself more with Yusei than with Crow. However, meagre as it is, we do get the first interaction between Crow and Sherry during the Ark Cradle arc in this episode.
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(Uh.... at least they're technically talking to each other?)
And frankly... It's not much. Unfortunately, up until the duel where he faces her, the Ark Cradle arc continues a trend regarding interactions between Crow and Sherry that we already saw in the WRGP: They barely get to interact, and even when they do, they never have anything so much as resembling a meaningful conversation, mostly because Sherry basically never addresses Crow directly, nor seems very interested in him, while Crow is usually there only to react to what she's saying, rather than actually talk to her. While digging through my mountain of screenshots, I found that latter part to be especially interesting, because as it turns out, this is a trend not just in Crow's interactions with Sherry, specifically. Many moments that probably contribute to the nefarious "screentime" (I've explained my gripes with this term in part two) some people like to accuse Crow of hogging have him only be part of a scene so he can react to what happens in it, to the point of him sometimes feeling like a stand-in for the audience reaction the writers might be hoping for. The above is a perfect example, because as far as character writing is concerned, Crow's "interaction" with Sherry here is utterly devoid of meaning. He's just there to communicate his disbelief over the ominous prediction that Yusei is guaranteed to die if he goes to the Ark Cradle, which feels like exactly the kind of reaction the writers probably wanted from the audience. After all, it's a bold, shocking statement to make. The protagonist, dying? In a card game anime geared towards twelve year-olds? It's downright preposterous. And Crow seems to agree with that, if his dialogue is anything to go by.
This one and other scenes (mostly the kind that contain plot elements that Crow doesn't actually interact with) got me thinking, though, and after having gone through so much of the show with a fine-tooth comb now, I think I've come to a conclusion, so permit me a tangent here: I believe the choice to let Crow, specifically, be a character who often only reacts to events or interactions after the DS arc, rather than contributing much himself, is deliberate. Don't get me wrong, I don't think he's the only character who is frequently put in this position—Aki, the twins, and even Bruno, especially when they're on the sidelines in the WRGP, also often only seem to be there to react or comment on things, perhaps partially to remind us viewers that they still exist, despite not being in a position where they contribute anything to the plot. With how much the twins and Aki got pushed to the side after the pre-WRGP and the Unicorn duel, respectively, and with how toned-down Bruno's entire character is until the very end, as not to spoil his tragic antagonist status too much, Crow in particular ending up as an often reactive, rather than active character stands out a bit more, though. And I think this has everything to do with his personality, because it contrasts that of Jack and Yusei. Think of it. Sure, Crow is shown several times to be just as cool and competent as the other two, but what he has that the other two crucially lack is the ability to freak out like a normal person. I'm being hyperbolic here, of course, but I do genuinely believe this, because when I think back to the show, Jack and Yusei, due to their character writing, only ever seem to be allowed to lose their cool during pretty specific circumstances, and only in very specific ways. Jack, for example, only ever gets to freak out either when a scene paints him as the butt of the joke (like during his infamous, dramatic outburst over cup ramen), or when the freakout is caused by—and expressed as—righteous (or not so righteous) fury (like when he storms off angrily after catching everyone watching his old duel with Dragan). Meanwhile, Yusei is played so straight that we barely ever see him lose his composure at all, outside of intensely dramatic, high-stakes situations (think his dark signer duels with Kiryu, his confrontation with Roman, his initial failure to accel synchro). Hell, the closest we get to ever seeing him be mildly upset about something like a normal person, as far as I can recall, is when he gets embarrased by Martha calling him out on his perceived crush on Aki. That's it.
Crow, though. Crow's allowed to do something the other two aren't: He's allowed to react to the world around him like your average guy. Jack blows through their household money for expensive coffee. Crow gets upset. Understandable. Crow gets injured right before his big debut in a turbo duelling tournament and is upset to the point of snapping at his friends over it. Understandable. Seeing Yaeger's kid cheering his dad on and knowing that this kid will cry if his dad loses makes Crow relent and throw the match. Understandable. Sherry predicts Yusei's imminent death due to hocus pocus and Crow calls bullshit. Understandable.
Do you see what I'm driving at? With how the show treats the other two Satellite boys, I'd argue none of the moments above would have worked anywhere near as well if the writers had tried to make Jack or Yusei take Crow's place in any of them. Because while Yusei and Jack, I feel, were certainly written to be the coolest characters (at least to the target audience), Crow seems like he was written to be the most relatable. He's the guy who takes on a delivery job when they need money. He's the guy who complains about his cranky landlady. And he's the guy who reacts to insane nonsense happening around him a little more realistically than his defeated-an-ancient-devil-to-absorb-its-power brother, his shouldering-the-guilt-of-a-cataclysmic-event-decades-ago other brother, their mutual previously-violent-psychic-who-was-part-of-a-cult friend, and the one-of-us-can-see-spirits-and-we-share-a-weird-kind-of-magical-bond twins. As such, it doesn't feel too out there to me to claim that in many situations, they made Crow the stand-in for the audience, because he has a less iron composure than Jack and Yusei, is readily available in many scenes by virtue of living with the other two, and happens to be the guy who has the arguably most normal backstory out of the signers. (Save, perhaps, for Rua, but I've already addressed before why the writers barely ever pulled Rua centre stage for anything. And they certainly wouldn't have pulled him centre stage for this, either.)
Now, as far as character writing is concerned, assuming I'm at least halfway correct with my hunch above, I feel that whether or not this decision is good or a shot in the foot on the writers' part depends largely on every audience member's individual perception of Crow after the DS arc. If you liked seeing this scrappy guy introduced during the DS arc, of course you would have been happy to see more of him! Even if he's only present in scenes to comment on what's going on and doesn't actually get to do anything meaningful. If you didn't like Crow that much, though, I can see how him popping up so often only to yap a bit and contribute essentially nothing could have grated on you. And as I said, I think this is where the "screentime" discussion comes in again, because yeah, Crow is very much on screen in all these little-bit-of-nothing scenes. He doesn't get to do much and his character isn't fleshed out or reinforced in any way, but he sure is there. For better or for worse.
And this—this is where I can finally get back to him and Sherry. Because in his interactions specifically with her, it is for worse, due to the fact that all the scenes that contain both of them before the Ark Cradle duel are pretty much exclusively these kinds of little-bit-of-nothing, reactive scenes. Crow doesn't get to interact with Sherry meaningfully, and he never—and I need to empathise this—, not once gets to interact with her one on one, not until the end-of-series duel both of them take part in happens. What makes Crow's lack of meaningful interactions with Sherry even worse is that his later duelling partner against her is Aki, of all people, who by contrast gets to interact with Sherry a whole bunch, most notably during her duel against Yusei. Not only that, but Sherry is also shown to actually be interested in Aki, which cannot be said for Crow. Yet, still in the same episode I was describing above, while the Ark Cradle begins its descent, it's not Aki, but Crow who is entrusted with this card by Mizoguchi/Elsworth:
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(I'd like to point out that the dialogue following this moment doesn't make it clear whether Crow even knows what Sherry's connection to this card is. For all we know, this could be the first time Crow sees it, without being aware of any of the context surrounding it.)
You know, the card that's essentially a symbol of Sherry's attachment to her parents and her commitment to revenge. The card that basically her entire character revolves around. For a single piece of cardboard, this thing comes with a lot of narrative baggage attached, yet canon doesn't even take the time to assure us that Crow knows what Z-ONE means, other than it being a memento of Sherry's parents, as Mizoguchi explains. And frankly, this all feels like a rather ham-fisted attempt to get some last-minute setup for the later confrontation between Crow and Sherry in. It's like the writers desperately wanted to feel the emotional moment in the duel later to feel earned; they wanted to have their cake and eat it, too. There's only one problem: They didn't even bake the damned thing, the ingredients are just sitting around, untouched, as if staring at them long enough will magically make a cake manifest.
But, well, since I'm already talking about this, I may as well get into the actual meat of the matter, because frankly, it's not like Crow gets much else to do at the start of the arc. Yusei takes off because he at first wants to go to the Ark Cradle alone (like an idiot), leading to the signers coming after him (and telling him he's an idiot). Joining this effort and assuring Yusei that they won't let him die alongside the others is as much as Crow gets to do before the inevitable three-way duel starts.
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(That said, while it doesn't accomplish anything, I've always appreciated this little moment while Yusei still tries to pull his stupid kamikaze plan—Crow would know more shortcuts in the BAD area than he does. After all, he lived there for a good while!)
After that, everyone gets up to the Ark Cradle and, as we all know, the signer group is forcibly split up by Z-ONE before deciding to go to a Yusei gear each in order to shut down Ark Cradle's negative Moment. (Top ten sentences that wouldn't make a lick of sense to anyone who isn't up to their neck in 5Ds lore.) And the very first duel on the menu in this final stretch of episodes is also Crow's final duel in the entire show.
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(Drumroll please.)
Here's the thing. I love this duel, actually. I get extremely hyped every time I rewatch it. BUT. But. I do not love it so blindly that I couldn't see that it has not one, but several issues. Not only that, but those issues don't just rest on Crow's shoulders, they sadly rest on the shoulders of all three participants in this duel, because frankly? Alongside the four-way Jack/Rua/Ruka/Aporia duel, this duel is one of the Ark Cradle arc's desperate attempts to tie up loose ends. Because as much as I enjoy this arc, that's exactly what it is: A race to the finish line, an attempt to tie as many loose ends as possible up in as little time as the show could get away with. To make clear why I think this, let me just list off all the things this arc resolves or at the very least tries to tie up with a neat bow:
It reintroduces Aki's psychic powers, which we were previously led to believe she'd lost. Notably, we didn't get a reason for why they disappeared and don't get a reason for why they reappear, either. It also turns them into healing powers in an attempt to establish a reason for why she later studies medicine.
It explains what happened to Sherry and what actually drives her revenge. Furthermore, it releases her from her narrative fridge-prison in order to actually let her duel Aki (yes, Aki, specifically), which is a confrontation that was subtextually implied several times previously.
It resolves the question of Bruno's identity by revealing him as an antagonist.
It finally reveals Life Stream Dragon, who was at this point teased over seventy episodes ago.
It also finally rewards Rua, who was teased to possibly become a signer during the DS arc, with an actual signer mark. (As short-lived as it may be.)
It actually explains Iliaster's real plan, which is Z-ONE's hope that the 5Ds gang can actually save the future.
Speaking of which, it actually explains who Z-ONE is and why he's a big deal. (Remember, this guy was first teased a good while ago at this point in time.)
Alongside Sherry, it dusts off several protagonists who didn't get an opportunity to duel on-screen and lets them duel one, final time. (Notably, Aki, Rua, and Ruka, who at this point haven't been seen duelling since the early WRGP or even pre-WRGP.)
You may notice that none of these bullet points contain Crow. They do, however, contain Aki and Sherry, both of whom went into this finale with several unanswered questions as to their characters. Crow, not so much. But let's just put a pin in that for now while we actually jump into the duel.
*Cracks knuckles* Aki & Crow VS Sherry. Here we go at last. Fair warning, the character writing of all three participants of this duel overlaps a fair bit here, so expect to hear a bit of a mishmash about our revenge trio.
So, how does this duel start? Firstly, with Sherry waxing poetic about why she's even opposing Team 5Ds now.
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(A dramatic switch of sides that sadly doesn't hold a candle to Bruno turning out to be Antinomy. Which, funnily enough, might be why this duel is front-loaded and Bruno's comes later.)
I won't dig into this too much, but I just want to point out the one thing this moment gives us: It establishes character motivation. Sherry claims she can no longer get revenge and has thus lost her purpose. (The reason why she can no longer get revenge, if you're interested, is because Moment Express, her final lead, vanished in its entirety, as far as canon is concerned.) Thus, she took the bait when Z-ONE offered her a new purpose, and, more importantly, a reward. Now, Aki and Crow at this point in the episode don't get to hear what that reward is, but for our analysis, it's important to keep in mind: Z-ONE promised Sherry he'd alter the timeline so she would get her parents back if she helps him. And I think this is immensely important because this is not only Sherry's goal in the present, I think it's actually the core of her character from the very first moment we meet her. In classic, tragic-avenging-type character fashion, she claims to want revenge when what she's really doing is trying to numb the pain of the awareness that she'll never get her parents back. (Though I'll admit this may also be my generous read of her as a person who likes revenge-obsessed characters.) And then, Z-ONE dangles the actual thing she wanted all along before her. Of course she took the bait.
This brings us to the start of the duel itself. As we know, Sherry employs some tactics that feel quite different from what she previously did in this duel. First and foremost, she messes with the mechanics of the duel itself by using the field spell Ecole de Zone, creating an illusion that confuses Aki and Crow into duelling not her, but each other at first. Sherry, meanwhile, takes a very passive role, clearly intent on letting the two destroy each other while she sporadically activates card effects to accelerate this. What makes all this stand out as even more unusual for her is that she sets this up by lying. At the beginning of the duel, she tells Aki and Crow that there's two of her, and that each duellist will fight one copy of her on a seperate field each, but this is a misdirection to make the two signers duel each other instead of her. And, look. I don't need to tell you this is out of character for Sherry. Canon literally does that for me.
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(Case in point.)
It's only after Crow and Aki catch onto the fact that something's wrong and after Aki destroys the field spell that Sherry uses her "real strategy", switching to Soul Binding Gate, which inflicts real damage every time a monster with less attack points than her life points is summoned, in order to whittle away at both other duellists' life points. This is also the point where she reveals to her opponents that she's doing all this to get her parents back. While she does that, we get a bit more back and forth in terms of cardplay, until Aki sets the field up just right so Crow can land a very high-damage hit with Black-Winged Dragon to end the duel. And that is pretty much the gist of it on the duelling side of things.
So what's going on on the narrative side of things, then? Well. Let me front-load something I've noticed on the narrative end: This duel heavily interacts with Crow's and Sherry's characterisation, but barely at all with Aki's. I'll make clear what I mean by that below. For now, let's just get an overview by going through the character moments as they occur in the duel. Why go through all of them? Because most either interact with Crow in some way, or set up a later interaction in the same duel that he's a part of, that's why. I'll get into the nitty-gritty of what this duel did well and what it didn't after that. (Mostly. You may have noticed I like tangents and rambling excessively.)
So.
The first moment belongs to Aki and Crow in equal measure, and happens just as Ecole de Zone is destroyed—which Aki accomplishes by using Crow's monster to synchro summon Black Rose Dragon, as well as prevent that synchro summon from being negated through the same monster's effect, so she can use her dragon's field wipe to get rid of Sherry's field spell. When Sherry is surprised by this, Aki and Crow explain that they memorised each other's cards as part of a strategic effort as a WRGP team.
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(Friendship is, in fact, magic.)
Not only does this explanation make perfect sense, it's also an excellent little tidbit to tie Aki and Crow together as a tag-team here, as it strengthens the connection between them. The only gripe I could possibly see with this is that it feels like this didn't necessarily need to be a surprise, end-of-the-show reveal. Frankly, it could have been pretty cool to see this much earlier, to have members of Team 5Ds realise what their teammates were getting up to during the WRGP duels, for example. (Instead of so often having the other signers react just as shocked as the announcer to their teammates' plays—I'm side-eyeing the infamous "a trap from the graveyard"-moment in particular. Like, Aki, sweetie, if you memorised Crow's deck, why are you surprised that he has a trap he can activate from the graveyard? I digress.) Moreover, this could have built anticipation for this particular duel, as viewers would have been excited to see what Aki and Crow would come up with to defeat Sherry as a team. So this moment is not bad, really. Just a bit underutilised, at least to me. (The word "underutilised" might become a trend in this post.)
Every other character-driven moment from here on out is shoved into the second duel episode, 140. Speaking of which, this episode starts with Aki and Crow getting the reveal of why Sherry is helping Z-ONE, where she admits that she joined the bad guys because she wants her parents back. She even goes as far as stating that because Z-ONE showed her the future, she has no hope that it can be saved and thus at least wants her lovely past back so she can have some solace before everything goes to hell for humanity. But we already went over that above.
Next up, albeit this moment should probably be considered more of a running theme than just one self-contained thing, we have Crow's struggle with Soul Binding Gate. Remember, the effect of this field spell causes all players to take damage every time a monster with less ATK than Sherry's LP is summoned. And at this point in the duel, Aki is barely above 1000 life points, so Crow worries about triggering the field spell's effect and hurting her, which leads to him playing suboptimally because he's more concerned about his friend than about winning the duel. Notably, Aki calls him out on this.
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(She has a point.)
Outside of providing an internal conflict for Crow to grapple with, this isn't much to write home about. (Side note: I do find it interesting that they introduce the fear of physically hurting someone in a duel specifically in connection to Aki here, though, given that through her psychic powers, she had to grapple with this exact issue many times in the past. I have no idea if this was intentional, though.)
Between this and the next moment, there's a nice bit of interplay between Crow and Aki again, where he activates a card to refill her life points just in time so she doesn't drop to zero through Soul Binding Gate, while Aki uses a defensive trap to protect Crow in return.
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(This is just here because it's a money shot to me. The juxtaposition of their faces and their life points, showing that while Aki may have the lowest life points, she still has the coolest head in this duel, and while Sherry technically has the upper hand, she's beginning to falter because she didn't anticipate the other two to work so well together. It's chef's kiss. Mwah.)
What follows after this, is, of course, the Big Moment. Where Sherry tries to convince Crow to forfeit so she can win and have Z-ONE change the past. And this is the one I really need to dig into.
With Sherry's earlier admission that she's on Iliaster's side because she wants her parents back acting as setup, she begins her attempt to sway Crow by telling him that if he had the opportunity to change the past, he would do it, too. And while Crow initially protests, Sherry challenges this, then proceeds to show him what Z-ONE's power could accomplish, and we get a lengthy sequence where Sherry, through weird cyborg-techno-magic-shenanigans that are never explained, takes Aki and Crow to a dreamlike space where Crow sees the orphans he used to take care of being happily reunited with their parents. Sherry also ominously tells him that this is "what he desires deep in his psyche" before promising him that if he surrenders the duel, Z-ONE can give him a world where Zero Reverse never occurred and all the kids can have happy lives with their real families. (I wanted to post most of this sequence in screenshots, but while I have them, I've realised I'm only a few images short of tumblr's limit already, so forgive me because I will need those remaining image spots.) This moment proceeds to introduce some serious doubt on Crow's end. Aki, meanwhile, remains steadfast, telling him not to fall for Sherry's manipulation, which leads to her giving an almost Yusei-style speech. In a moment where Crow wavers, both because he's genuinely considering whether taking Sherry's offer might be the wiser choice, and because he doesn't want to hurt Aki by triggering Sherry's field spell effect, Aki calls out to him and tells him to snap out of it by reminding him of how Yusei reached out to her during their second duel. This speech is a bit, um. Clunky, I feel. (At least if the translation is correct. If it isn't, then that may be the issue.) See, she tells him that Yusei "saved her from the darkness of her psychic powers", that "he wasn't concerned about his own safety and risked his life to persuade her", that, because her psychic powers are now gone, she's "renewed" and that this somehow brought her to the epiphany that as long as she believes in her own potential, she can change the future. This is lifted almost verbatim from the scene, by the way. Leaving aside the fact that half of this feels like a mild to severe misrepresentation of Aki's character arc during the DS arc (don't talk about it, don't talk about it, I need to make this another post of its own, damn it), I, personally, can't exactly follow how she ended up with that final epiphany from the circumstances she listed. But lucky for us, Crow apparently gets what she's driving at, because he quickly echoes her statement and they both conclude that Crow's kids also believe in the future and fight to live, that they're not sad about their lives the way they are right now, even though they don't have parents. Thus, Crow catches himself, echoing Aki's sentiment and telling Sherry that he, too, believes in the future. And through the power of Friendship and Believing in the Future, he manages to use Aki's cards to land the final hit, nicely mirroring how she used his to destroy Ecole de Zone.
...Phew. Okay, look. First off, that above, large section is basically several character beats stacked on top of one another. On Sherry's end, we have the intriguing fact that she's specifically trying to manipulate Crow, not Aki. In fact, she doesn't so much as try to sway Aki, as though she knows it's no use. Then, on Aki's end, we've got her pulling a real Yusei, staying level-headed almost the entire duel and reaching out to make sure Crow stays on track. This moment also ties back to her own conflict with her powers again. (Which, unfortunately, I will talk about, and yes, I'll be chewing drywall the entire time I do it.) Finally, on Crow's end, we've got a nice, proper moment where he doubts himself and, by his own admission, nearly makes a terrible mistake because he wants nothing more than for the kids he used to take care of to have good lives.
Now, before I go over what worked about this moment and what didn't, let me just chew through the rest of the actual duel itself, too, then circle back too highlight some things. In other words, time for me to chew some drywall.
*Sigh*
At the very end of the duel, there are two more character moments that are noteworthy.
First, right before the final hit, we get Sherry desperately defending herself against Aki and Crow's newly strengthened belief that the future can, in fact, still be saved, which she does by (rather heartbreakingly) asking what's so wrong about wanting her parents back, about wanting their love and warmth back. It's at this point that Crow's allowed to get back at Sherry by challenging her beliefs, telling her that people "work hard to live because they only get one chance at life", and that there's no point in trying to go back to do things differently, that the only way to keep going is to believe in the future, regardless of whatever painful and sad events one has had to live through. I'd say this sentiment certainly fits Crow, character-wise, especially given his rough Satellite background. It does partially fall flat because it feels a bit weird for him, specifically, to now be acting like he knows Sherry inside and out, much like she did with him earlier, but again, this is simply a matter of setup and I'll try not to belabour that point again. The horse is already dead, no sense in beating it. It's after this speech and the final attack that Sherry finally realises her error.
Buuut this leads us right into the next character moment. Because as the duel ends, Sould Binding Gate physically falls apart, pelting all three of our duel participants in debris and threatening to crush them under it. While everyone does briefly fall over (and Sherry gets a moment to realise that her father wanted her to live strong, not accept seemingly inevitable doom and die weak), they soon realise they were not, in fact, buried under rubble, though. Because guess what! Black Rose Dragon to the rescue. Black Rose Dragon, who can suddenly physically affect her surroundings again. You know, that thing we were led to believe Aki could no longer make her monsters do because she lost her powers completely out of nowhere. And there's more! Because not only does Black Rose Dragon take care of the debris for the trio, as she disappears, she also heals all three of them, and in response, Crow gets a line that I unfortunately cannot for the life of me discuss without bias because it kills me every time.
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(Crow. Crow, please. You're killing me. I beg you.)
This line out of Crow's mouth feels extremely weird to me, and in the process of typing up this post, I've been trying to find the reason why. Here's the conclusion I've come to: Firstly, it feels a bit out of place from him, somehow. A line hypothesising about what psychic powers can or can't do—this is something I would have expected out of Aki's mouth, but not out of Crow's. I believe what makes it feel so out of place, though, isn't necessarily that it seems a bit odd for him, specifically, to theorise about this, but that when I hear it, I don't feel like the character is saying it. Instead, in this moment, moreso than in some others that suffer from the same issue, I hear not Crow, but the writers speaking. I hear them telling me "look, we know we made it seem like Aki's powers are super gone and like they were super, irredeemably bad, and like she and you should be happy that they're gone, but here, see, this is what they're really like. Don't you think we came up with something clever here, to set her becoming a doctor later up nicely? No, this isn't because we needed to backpedal on our decision to make her lose them and be happy about it at the last second, why do you ask?". And yes, I concede this might just be me. (So feel free to disregard this in terms of analysis, I just have some weird kind of vendetta against this line.) But still, even without my personal issues hampering me, this line of dialogue out of Crow's mouth is just plain odd. After all, how would he know what "real" psychic powers are? Since when is he the expert, especially considering we've never so much as seen him comment on Aki's powers before? (And for the record, this line would have seemed just as weird had any other character other than Aki said it imo. It just has that unmistakable "writers trying to justify something at the last second"-tang to me.)
And do not. Do Not get me started on the fact that the writers, despite going to such great pains to paint Aki's psychic powers as an exclusively negative thing especially during the WRGP arc, decide to reintroduce them here, suddenly as a good thing that can also heal people, which directly contradicts every choice they've made when it came to Aki's relationship to her powers ever since the Team Catastrophe duel. While crucially also lacking the one thing this entire duel is practically begging for: Fucking. Setup. But at this point, the handling of Aki's powers, specifically, really needs its own post, so I'll hold off on any further comments here and come back to that another time. I feel like I'm beginning to talk in circles, anyhow. Setup. Setup, setup, setup. This duel wishes it had it, because then the ideas presented here—which, in a vacuum, are compelling—might have worked smoothly.
But, with that. We have finally made it through the duel itself. Sherry, at the very end, gets her change of heart and at last cements herself as a good guy, and that concludes the first duel in the finale, and also both Aki and Crow's last duel in the entire show.
And good lord, was this duel all over the place. Though I think my meandering scene-by-scene breakdown of it showed as much. Now, onto the proper evaluation of what worked and what didn't here. First, let's get the good these two episodes do out of the way, shall we. (Because there is a lot of Bad I need to yell about, unfortunately.)
By virtue of being one of the final duels, this is Aki and Crow's last chance to shine, and shine, they do. Both in the duelling department and in the character department. Aki makes two major plays that upend Sherry's strategy and Crow's perfectly in sync with her, showing that the two truly are teammates, and paying off all the character moments they had specifically in the Team Unicorn to Team Catastrophe section of the WRGP. Their friendship and cooperation is believable and entertaining to watch. Then on the character side, Aki's growth is (somewhat) paid off—where she used to be a character that doubted herself and was afraid of hurting people, she is now the one who can keep a level head and help others fight their self-doubt. Meanwhile, Crow gets to show off his unfailing dedication to community and family again, both by watching out for Aki and by selflessly desiring not for himself to have a better life, but for the kids he used to take care of. And Sherry, who was previously removed from the narrative in such an unsatisfactory way, finally gets to duel again, gets to explain why she actually does what she does, and gets to join the heroes at the end, permanently joining the ranks of the good guys instead of the villains. Happy endings all around.
Ehem. And this is where I'm gonna be less nice about this duel. Because the problem is, due to the specific constellation of characters involved in this duel and how they previously interacted in the show, there's a lot of stuff here that doesn't work nearly as well on a second watch as a first watch would like to make you believe.
First, a broader issue on the card game end of things: The way this duel feels, it's very much more Aki's duel than Crow's, which is also kind of confirmed in the card plays being made. Though it's Crow who's first shown to catch onto the fact that a third party is activating additional card effects out of nowhere, it's Aki who fully solves the mystery, uses Crow's monster to synchro summon Black Rose Dragon, then activates her dragon's effect to get rid of the illusion for good. And while Crow gets to land the final hit, it's Aki's setup and her trap, Synchro Stream, that make it possible for him to win for both of them. And yet. On the dialogue- and character-interaction side of things, this duel is made out to be much more Crow's than Aki's. Because, perhaps surprisingly to some, Aki doesn't waver one bit in this duel. She's got her head in the game the entire time. She's here to do business—that business being defeating Sherry—and by god, does she do it. Moreover, unlike Crow, she has much, much better setup to be duelling Sherry than he does. And this comes right back around to the main thing this duel suffers from, which I've already harped on about: Crow and Sherry, up until this point, have not interacted in a way that would make the connection between them seem in any way significant. Unfortunately for this duel, though, Aki and Sherry have.
From the first episode where we're introduced to Sherry, she's shown to be interested in who Aki is and what she can do. During the duel between her and Yusei, she comments on Aki's powers. Later, when Aki is getting her turbo duelling license, Sherry watches on with interest. At some point while Aki's training, Sherry drops by to speak with her and Yusei again. My point here being, of course, that Aki, unlike Crow, got several scenes where she interacted with Sherry or had Sherry meaningfully take note of her existence before this point. Yet, whatever dynamic the writers may or may not have been aiming for between these two is, at best, underutilised in the final duel, if not completely ignored, at worst. Instead, the writers shift their focus to Crow and try to make us believe that Sherry, a character who has barely acknowledged his existence thus far, would know him well enough to consider him the better target for her attempt at manipulation. (And don't get me started on how the hell Z-ONE's weird robot magic is supposed to expose what Crow "desires deep in his psyche". That is simply a chasm the show expects us to suspend our disbelief over.) And look. The thing is, I don't think the Big Moment where Sherry tries to convince Crow to forfeit is terrible in isolation. Like, they could have made this work, had they given these two setup, had they given us, the audience, reason to believe Crow could be swayed like this (which they, notably, also didn't), and had they given us the impression that Sherry knows Crow well enough to pull something like this. What hurts the scene immensely, however, is that it's preceded by everything before, starting from the WRGP, where there is no setup between these two, no reason to believe Crow could be convinced to forfeit a duel against a major antagonist, and no meaningful interactions to support the belief that Sherry knows who Crow really is at all.
What also stands out to me is that Crow really doesn't feel like the best character to parallel Sherry, here, either. Parallel in the sense that she tries to get to him by expressing a desire she believes they both feel—getting a certain, nicer version of the past they never had back. Because the thing is, Sherry and Crow hardly feel like they have very much in common, and there's certainly no previous hints to make anyone believe they would have this in common. (So for all we know, Sherry could have just been taking a shot in the dark by trying to convince Crow.) You know who could have made for an excellent character to mirror Sherry, though? Yeah. The third person in the room during this scene. Aki.
See, here's the thing about these three as characters, in relation to what this scene tries to accomplish (getting a protagonist to waver by having the antagonist appeal to certain emotional similarities between them): While Crow may perhaps be more relatable to the audience, he isn't all that relatable to Sherry. He comes from dirt poor origins, she from rich ones. He doesn't even remember his parents, she defines herself by the memory of hers. She's a lone wolf, he's incredibly community-focussed. The only parallel you could have drawn between these two, up until this duel, is knowing what it feels like to want revenge. (Sherry with her parents, Crow with his kids back in the DS arc.) But guess what, unfortunately, Aki knows that too, what with her past as the Black Rose Witch and wanting to make people pay for ostracising her. And to make matters worse, she has a lot of other things going for her that parallel Sherry much, much better, too. They both come from well-off families, both have had major, traumatising events in their lives revolve around their parents, both left their initial family structure by way of drastic changes in their life, both are intimately familiar with the desire for vengeance, and, most damningly, Aki knows what it's like to stand on the side of the bad guys—like Sherry is doing in that very scene—because you feel like it's the only place that gives you hope/meaning. Not to speak of the fact that Aki, given her turbulent past with her psychic powers, would probably know exactly what it feels like to want a past you never had back. There would have been so much to work with there, and it makes whatever they were gunning for with Crow look... lacklustre, to put it mildly, by comparison.
The worst part is, I think, that the blame lies neither with the characters nor with the scene concept here. Solely with the execution. Because I truly think they could have made this work. They could have made the entire duel work, big character moments and all. But the keyword is and always has been setup. Setup, which the writers, at least in part, strangely gave to Aki, but not to Crow, which is what hurts particularly his portion of this duel, and, arguably, his character writing in general. Because—and this may be a small thing in the grand scheme of things, but permit me this—while Crow wanting a better future for the kids he used to take care of over a better future for himself feels perfectly on brand, the idea of him forfeiting a duel against a major antagonist, while the threat of the entire city being destroyed is hanging above his head... doesn't. Like, yes, I've talked about the fact that Crow is the only character in 5Ds who ever actually loses duels on purpose. What you may remember, though, is that both occasions we've seen him do this—against Lyndon and Yaeger, respectively—were much lower-stakes duels than this. Not to speak of the fact that it also feels a little odd that Crow, of all people, would buy into the idea that Z-ONE's genuinely powerful enough to just give those kids their parents back, given how liberally he called bullshit on pretty much any and all supernatural mumbo-jumbo claiming that fate is inevitable, or that the gods have this-and-that power, or what have you the entire show. (Also, doesn't he strike you as the guy who'd wonder why Z-ONE's not using his fancy powers for better things, if the extent of them is so great? Or is that just me?) It's a moment of character doubt that tries to sell itself as believable, even though we've never been given any hints that this kind of temptation, specifically, could work on Crow.
Ultimately, Crow & Aki VS Sherry feels like a very hot-and-cold duel. On the cardplay side, the teamwork between Aki and Crow is well done, yet the duel does feel like it skews more towards Aki than towards Crow. Sherry, meanwhile, plays tricky and mean like a proper antagonist, but does so at the expense of sacrificing all her previous tactics and monsters (and, arguably, some of her character, though this is probably on purpose, given her transformation into an antagonist). Then, on the character side, we've got Aki in an interestingly Yusei-ish role, which, while it feels like a good way to show how she's matured and learned, wastes her character dynamic with Sherry. On the other side, Crow and Sherry interact in several personal ways throughout the duel that leave you wondering when exactly these two got to know each other so well, because the show certainly didn't give us a visible progression of their dynamic. The only dynamic that leaves nothing to be desired is that between Aki and Crow (stilted speeches aside), because it excellently showcases their friendship and teamwork. Very weird decisions made in the writing here all around.
We'll get into the nitty-gritty of what changes I would have suggested to improve this duel below, but first: What happens after this duel? Well, two more Yusei gear duels, Aporia briefly standing up to Z-ONE, and then, the final, big clash between Yusei and Z-ONE.
Given that Crow isn't even present for two of these duels and then barely gets more to do than stand on the side and react during the final two, I will dare to skip all that, though. Because really, Crow's occasional comments and the play-by-play he sometimes joins the others in giving when spectating a duel don't exactly contribute anything to his character. They're just there so he gets something to do and doesn't fade into the background entirely when a duel that doesn't involve him is going on. This includes the moment where he, much like the other signers, gets to give Yusei Black-Winged Dragon for the final duel, as well as the later moment when Yusei uses it, chanting in tandem with Crow as BWD arrives. And other than that and the tear-jerking moment when he later reacts to Yusei returning despite all odds, he really doesn't get any noteworthy scenes.
In other words, we are skipping straight to the end. So, where do we find Crow there?
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(Oh, y i k e s.)
There's a popular post circulating around this site that goes something like "the worst thing you can do to a character is make them a cop during a timeskip". And, look. I don't think I need to tell anyone that becoming a sector security officer is an extremely jarring character choice for Crow. Crow, of all people! The guy with the face full of markers, who used to be part of a duel gang, who was introduced in the show gleefully stealing from security Robin Hood-style, and who has every reason to despise law enforcement! (Leaving aside the obvious logistical issue that Crow in no country in the world could have completed his police training in the few months between the Ark Cradle debacle and this scene. But given that 5Ds generously brushes realistic concerns like this one aside on multiple occasions, this is, funnily enough, the thing I'm also more willing to overlook here. The character dissonance, however, less so.)
I'll try to be generous and guess that the writers were aiming to convey a message somewhere along the lines of "even someone who's done bad things in the past can become an example for others" or something like it. The problem is just that Crow didn't need any such message because he was already the good guy while he was still actively stealing from security. He was the lovable rogue to a T, damn it! But this, in particular, is a surface scratch hinting at a bigger issue, I think—namely, the issue of the show's complete pivot when it came to the depiction of law enforcement after the DS arc. Because when we think back to that part of 5Ds, good security officers were the exception, rather than the rule. And this is exactly what makes Crow of all characters becoming one even weirder. He would know, would remember how security used to treat him, his kids, his friends, his brothers. And if the idea here was that, well, he's trying to improve sector security by joining it and changing it from the inside, so to speak, then guess what was missing again: Our good, old friend setup. I'm starting to feel like a broken record. So yeah, I don't think a ton of people, whether they like or hate Crow, would disagree that this is a supremely weird position to put his character in.
As we find out through 5Ds' epilogue, however, his sector security job isn't quite what Crow actually wants, though. (And thank god, because that would have been such a bizarre position to leave him in.) Instead, we're shown fairly quickly that several duelling leagues are apparently trying to scout Crow out, and that he's tempted to accept one of the offers and go into pro duelling. This is at first shown in a short scene where something like a league scout follows Crow, then later, when the whole group—sans Jack, at first—is getting together and everyone starts discussing their futures. Aside from complaining a bit about his job and upsetting Aki without meaning to, Crow doesn't get much to do here, either. For what it's worth, at least him feeling tempted to ditch the security job feels more in line with the original Crow we got than with whatever strange twist the writers were going for after this shorter timeskip.
What follows is the very last duel of the show, the long-awaited Yusei VS Jack rematch, of course. And while he doesn't get to participate in this one, Crow, much like Aki and the twins, spectates the duel and ends up having an epiphany about what he wants to do. This epiphany ends up being that he does want to turn to pro duelling, and as a reasoning, canon provides us with this:
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(As is known, intense card games are the only way to make children smile.)
Personally, I wouldn't say this is a terrible or out of character reason for Crow to decide to go pro. But there's more to that I'd like to discuss. First, though, let's take a quick look at where we find Crow after the second, bigger timeskip, which is inserted right in the middle of Yusei and Jack's final duel.
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(Okay, yeah, I'm a sucker for the bullet earrings.)
The quick scene Crow gets here makes it unmistakably clear that he did go into pro duelling, just like he decided during the duel in the past, and not only that, he went into tag-team duelling and apparently managed to reach world champion status with his teammates. The above scene, however, is the exact same moment he decides to leave said team, so he can instead go solo and (presumably) try to beat Jack.
Now, we can discuss this in a bit more detail. Personally, I'm extremely in two minds about Crow being one of three characters, total, who ends up becoming a pro duellist after canon. Jack seems obvious, especially given the pivot back to his more Fortune Cup-esque persona the writers did around the Red Nova episodes. Rua also makes sense, given that Jack was his idol from the start. Crow, though, feels a little more complicated. The thing is, like so many things surrounding Crow in the Ark Cradle arc, the writers gave us no indication pro duelling is something he's really passionate about before this point. Worse, they didn't even really tell us what reason he saw to participate in the WRGP with his brothers beyond "could be fun". So there isn't really a connection here. The same thing goes for the fact that he specifically talks about teaching his teammates above, which is also something he wasn't associated with all that much previously. Though this one is admittedly less egregious, because at least Crow was seen briefly coaching Aki as she prepared to take his spot during the Unicorn duel. Still, while I wouldn't go as far as saying it's an out of character choice for Crow to go pro, it still feels a little odd that he went down the same route as Jack. Personally speaking, it feels like the writers didn't quite know what to do with him. Because as I said, Jack is obvious and Rua also makes sense, and I'd say the same goes for Yusei. Then there's Ruka, who is treated about as in-depth in the epilogue as she was throughout canon, and Aki, whose "setup" for her timeskip self was done extremely hasty and last-minute, but at least it was there. Between all of them, Crow occupies a weird spot where it doesn't so much feel like he ended up on the wrong trajectory for his life, as it simply feels like there were choices the writers could have made that would have fit him much better. What with his theme of legacy and community, trying to make Pearson's dream of a place where disenfranchised children can learn good life skills a reality would have been a good fit, for example. Especially considering his close ties to the Satellite orphans he used to take care of, which, funnily enough, are reinforced one more time as canon flips back to present day and Crow is seen bidding his kids goodbye.
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("Come back"? When, precisely? And what part about "literally saved the world twice" doesn't qualify you as a hero to a bunch of kids ten times over already?)
Considering canon seems hellbent on making sure we know the signers went their separate ways and that they aren't anywhere near each other by the very end of the show, though, my guess is that Crow had to end up doing something like pro duelling, in order to get him out of New Domino City and away from the friend group whose shenanigans we were so accustomed to following by that point. Of course, there's also the argument to be made that Crow staying in NDC and getting a more community-focussed ending would have also been significantly less cool than making him a kickass pro duellist with bullet earrings, which circles back to how the writing interacts with its target audience.
The only thing that follows after this, then, is the big goodbye, and with that, ladies, gentlemen, and other lovely 5ds nerds, we have successfully followed bird boy's path throughout the entire show. And what a ride it was. (I did not think this analysis would end up stretching over a whole four posts.) Time for some closing thoughts before I do my thing and suggest some rewrites that could have made all this feel more coherent one more time.
Crow's character arc, if it can even be called that, feels about as hot and cold as his and Aki's final duel with Sherry over the course of the show. His introduction is fast-paced, he's made to be likable quickly, and his integration into the main protagonist group is as quick as everything else about his narrative. Between the way he shows up out of nowhere, briefly disappears without fanfare, and is then reintroduced with even more importance before slipping into the signer group like he's always been there, it truly feels like his entire inclusion in the narrative was a last-minute decision by the writers to include that one, additional character concept Kazuki Takahashi had originally created after all. If there was one way to describe his whole arc, it would be that it's a rush. At the start, the writers are in a hurry to make him likable, then they're in a hurry to make him a signer, then they're in a hurry to give us a whole backstory for him, then they're in a hurry to give him a believable character dynamic with Aki, and at the end, they're in a hurry to pay off a character dynamic with Sherry they didn't properly set up with him. You may notice that leaves significant gaps, and the lack of balance between those gaps and the rushes surrounding them, I believe, are part of why he's such a polarising character.
Crow is integrated so thoroughly into the signer group at the end of the DS arc that, much like Aki and the twins, he gets stuck in the position of being a character that cannot simply be removed from the narrative for a longer amount of time. And this, I think, ends up biting him in the ass, because in the gaps where the writers don't rush to do something big with him, it often feels like they don't quite know what to do with him at all. So, he instead gets relegated to small side tasks, like inane duels that don't affect the plot, or becomes the person who reacts to unfolding situations in whatever manner wouldn't fit Yusei or Jack. He feels like he's the third portion of the protagonist trifecta only in theory—the status of an equal third player seems to be what the writers had in mind, yet, looking at the show, it feels like an honorary title, at best, because the writing choices made for him don't convey anywhere near the same amount of thought and effort as those of Yusei and Jack. Crow's backstory doesn't intersect significantly with that of his brothers, his dragon is introduced way too late and never given an upgrade, he never gets to clash with Iliaster until the Team New World duel, and throughout the entire WRGP and Ark Cradle arc, there isn't a single duelling victory that's solely his. People who prefer other characters over Crow like to harp on about how much screentime he gets; I argue that this is exactly what showcases how poorly the writers took care of him in many instances. For as much as Crow is plastered onto the screen and given the aesthetics of an equal player in a protagonist trio, his many appearances are as much of a curse as they are a gift, because too many of them aren't spent setting up anything meaningful or developing his character in any way. Speaking of character development: There is none. Crow exits the show pretty much exactly the same as he entered it, brief security stint aside. And, look, this need not necesarily be a bad thing. Static characters exist and they have their place in stories. It's just that in Crow's case, his utter lack of development feels like another damning indicator of the writers' cluelessness when it came to utilising him, given his weird, sort-of-elevated-protagonist. Aki, who is so often weighed against him, gets significantly more development than he does. And though Jack also ends up in almost the same place at the end of the show as he was at the start, at least he had a dip in the middle where his character was somewhat malleable and not set in stone. Crow didn't.
What we end up with, then, is a character whose concept is perfectly fine on paper, but whose execution proceeded to turn him into the one and only favourite for some, and the embodiment of piss poor writing for others. Having now looked at pretty much his entire run in the show with a bloody microscope, I end up somewhere in the middle, myself. He's a good character and much of his writing is confusing at best, utter dogshit at worst. As for what decisions in the writing room led to him turning out like this, I'd still pay good money to know them. For what it's worth, I've tried my very best to make an educated guess as to all of them.
And now, for the final time, allow me to do my very best to suggest how the issues of the Ark Cradle arc could have been addressed in order to make Crow's part in it less messy.
In previous posts, I've split up my rewrite suggestions depending on one circumstance: Whether or not Crow stays a signer. However, this time, I will deliberately forgo this, for one, very simple reason—Crow's status as a signer doesn't matter one bit for the Ark Cradle arc. Regardless of whether he has a mark or not, his duel with Sherry remains unaffected, and so does his later timeskip-self. Thus, pick your favourite, both versions work for the Ark Cradle.
Now. Onto the elephant vengeful Frenchwoman in the room. Let me repeat my favourite word in this post one more time. What the dynamic between Crow and Sherry needed, more than anything else, in order to satisfyingly be paid off during their Ark Cradle duel, was setup. There was so much time Crow spent on screen doing fuck all, and some of that time could have so easily been allocated to him interacting with Sherry in a meaningful manner. (I'm side-eyeing especially his pre-WRGP duels. Those did nothing to add to his character and could have easily been replaced with episodes where he actually gets to talk to Sherry one on one.) And if not that, then the writers could at least have done themselves the favour of letting Aki talk to Crow about Sherry, which would have arguably set up their three-way clash even better. Moreover, show us how the hell these two characters parallel each other and how they differ, damn it! The main issue with the big moment Sherry and Crow had in the duel was that Crow's faltering and his sudden, deep understanding of Sherry came completely out of nowhere. So what if they had shown some of that earlier, then? What if they had shown where the lmits of Crow's resolve lie, what could get him to doubt himself? What if they had drawn the parallel of Sherry and Crow both supposedly being characters that sometimes wistfully think about a past they never had earlier? It would have done so much to make that duel hit exactly the way it was probably meant to. As a bonus, if we had gotten Aki and Crow talking about Sherry, too, the scene of talking Sherry out of helping Z-ONE could have been a team effort, just like their card playing was. Both of them would have reasons to know different aspects of Sherry each, and both could have brought up good arguments. And this is really all this duel woild have needed to be better on the story end, I think: A solid, narrative foundation to make it obvious to us why it has to be these three characters duelling, why it could have only been this setup, why it made the most sense to let these three bounce off each other. Crow only needs that extra step to slot in better with the girls here.
As for the epilogue, I don't think anyone will be surprised to read that I would have never made Crow a cop, not even temporarily. The depiction of law enforcement 5Ds gives us during the DS arc is too damning for that. However, given the way the ending is structured, he does need some sort of occupation that feels like it's not quite the right thing so he can later change his mind about it, of course. Here, though, is where I, purely in service of Crow's character, would suggest a change that probably doesn't work with the ending's final aim of separating the 5Ds gang by hundreds of kilometres each. I would let Crow go into pro duelling first, then let him figure out that's not what he actually wanted. Crow, to me, is a character who is so intrinsically tied to community and family that turning him into a solitary pro duellist—even if he claims to do it to make the kids back home smile—feels off to me. Thus, from a character standpoint, I would let him pivot back to wanting to take care of those kids. Either through what I suggested above, letting him carry on Pearson's dream, or, which also feels fitting to me, by letting him help out Martha again and setting him up as the guy who'll take over when she can no longer run the orphanage. It's not the cool, glamorous end the show gave him, but it's what feels more like the family-focussed guy we first met in the show. It doesn't gel with the idea of permanently separating him from the other signers, though, unfortunately. To do something like that while keeping his community theme, one would probably have to send him away to shack up with Brave or something, to help orphans in other countries. But this, I think, nicely showcases the dissonance between what Crow's character writing would suggest he might do at the end, and what the show demanded he needed to do so he'd no longer be close to the others. Because my focus, as always, is only on character here. And Crow, with his personality and his writing, feels like the character who chafes the most against the idea of striking out solo, abandoning his ties to the community he was so invested in previously. To that extent, the above suggestion is the best I can provide with what we were canonically given. If we wanted to keep the canon ending he gets and actually make it make sense why he suddenly wants to be a lone wolf pro, the only thing I could suggest would be more setup for that. (Ah, there it is again. One final time.) Show Crow having some actual competitive drive, show him enjoying the whole tournament thing more than he thought he would during the WRGP. Just give us something that shows why he would want to go down this path, and why some other things that were previously important to him might not be a priority anymore. It all comes back to setup.
*Deep breath*
So, here we are, then, and this is it. This is all I could make of Crow's character writing in the entire show. To everyone who read this post in its entirety, a heartfelt thank you. To everyone who read the whole series of posts in its entirety, I'm so glad you're as insane about this show as I am, it makes me feel incredibly appreciated. Hope you enjoyed the ride, more meta posts will come eventually, just about different topics. In the meantime, see ya.
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