#parts of the turn contest

[inventors-fair]

“Two Part of the Turn” Commentary: Time Warpin’

Well, for the first contest of the year from me, there aren’t going to be judge picks—because with this number of entries on this strong a level with this amount of specific critique I can talk about, there’s really no point, is there? Besides the standouts in the winners, I had something I really liked about everyone’s entries this week. Is “You’re all judge picks!” a copout? I don’t think so when there’s so much condensed talent.

I’m surprised that a lot of these cards were...conservative in their weirdness? Yeah, some of them were super weird, but I kind of expected new ground to be broken. The ground that was broken was really strong and fertile earth, don’t get me wrong. Ah well, maybe examples would’ve been helpful, but I’m never sure if they are. Next time I’ll consider some aspects of the contest with what I’m looking for beforehand.

That’s the rub, innit. You are all so creative in your works that sometimes it feels as if examples are a hindrance. Regardless, let’s go through and talk about some cards.

@bergdg​ — Rush of the Bloodrage

Conceptually, love it. Pragmatically, love it too. The base of this card, a multiplayer-oriented enchantment that throws combat into the foreground, is vitally important to the flavor of this card and the feeling of its impact on the battlefield. I can feel both the strength of double-combat that benefits from doubling your tokens as well, the eventual leadup that ensures the bloodshed, and the weirdness that comes from it. Now, you don’t get bonus points for mentioning four steps, but I think it’s really neat that you did.

Your wording needs a lot of work on this one. Based on my skimming, I believe this card should be worded:

“At the beginning of your upkeep, you may skip each of your main phases this turn. If you do, after your first combat phase, there’s an additional combat phase. At the beginning of that combat, untap all creatures you control. // At the beginning of combat on your turn, for each opponent, create a 3/2 red Berserker creature token. Each token created this way gains haste and attacks this combat if able.”

Using: Frontier Siege, World at War, Veteran Soldier, Determined Iteration.

~

@bread-into-toast​ — Ovalchase Stalwart

This one was super close, but there’s a single frustrating flaw: the second ability. If your opponents don’t have any legal targets, you’d be forced to smack down on one of your own things, which actively discourages attacking the way you want to. All it needed was “up to one target” or “target creature or planeswalker you don’t control.” As it stands, the card can lead to unintuitive gameplay. Everything else, though? Love it.

I get this guy! And he’s doing amazing things smacking down the Phyrexian invasion with vehicles. I love how you incorporated the vehicles into the art because it ties mechanically into the fact that tapping creatures will increase the eventual damage and that even revving your car will mean this guy can throw it into an offender. Great combat trick, great way to make your vehicles and creatures in general stronger. Is there a reason it would be postcombat and not end step? Not that there’s a huge difference, I suppose. Maybe you have a reason; I’d love to hear.

~

@fractured-infinity​ — Ancient Chronomancer

This card read weird to me for a number of reasons that I couldn’t place—that second ability, anyway—so I just did some digging. And wouldn’t you know, there IS simple precedent! Well, “simple.” The card is Fasting, from The Dark, of all places. I believe that, based on that, you card should have a replacement ability that reads: “If you would begin your combat phase, skip that phase and begin an additional draw step instead.” The most egregious part is you saying “draw phase” instead of “draw step” but that’s small potatoes when you’re swinging for the fences.

Conceptually? Hell freakin’ yeah, control fun. Draw step manipulation is really cool and I especially love the way that you ensures this card could net you some time to set up combat when you need it. I’m not sure about the defender, cost, or stats, but I want to still have this card see play for the hell of it. The flavor text is a little odd to me. Frankly, we all make way more than five choices before breakfast, that’s humanity. “Live five lifetimes” might be a little grander, perhaps? Or at least actually surprising. Stew on that.

~

@hypexion​ — Eater of Hours

I was going to say that the flying and ward should be on the same line, but you’re right, they’re actually on different lines on cards that care about that! Interesting. I mean, flying should come first, and the “You” in the third line is extraneous, but those are all minor nitpicks on this really cool, weird card. I think your flavor text this week is one of the strongest I’ve seen from you. Shame that the card looks a little packed in because of all the abilities, but that’s what it has to be to get it all in. Maybe a different ward cost could have expanded it—and these are, again, all presentation weirdnesses.

I wonder if there’s precedent for the second ability? Lemme look... It’s hard, and I don’t know if this is correct, but Wake the Dead and Najal, the Storm Runner might make that card say “You may cast sorcery spells as though they had flash during combat on your turn.” Whether or not that would be weird with contest eligibility is besides the point, because a strong beater with build-around craziness is...pretty cool! I hope your sorceries are strong, because you sure as heck aren’t playing the lands to get there. This set CANNOT have Pacifism effects, that’s for sure.

~

@reaperfromtheabyss​ — Battleblaze Belcher

I love temporary mana dorks, even though they are few and far between, and, well, the fact that most mana dorks are temporary in a format with sweepers... I’ve been playing too much Pioneer. Anyway. This card’s great! I think it does exactly what it says on the tin, it’s a strong body, and looking at the typing plus the name, I can imagine this either being a walking barrel/cannon-like card that’s spitting out mini-flames, or a monstrous Lorwyninan beast that’s barfing out things from every orifice. Mainly the mouth.

The thing is, that second trigger doesn’t actually reference the combat step. Geist of Saint Traft helps you there; the token is created, and then it’s “at end of combat.” Why would it be “the next combat” here? That’s potentially specific wording, but it doesn’t grok with me, and I feel that the specificities are a bit too weird. If it was EACH upkeep, well... Also, my compatriot, where is thine flavor text? This card neeeeeds it.

~

@snugz​ — Collective Stupor

Huh. Weird. This card’s pretty...weird, that’s where my brain stops. I think the inherent problem is that I never, ever want to have a rare sorcery that skips a single phase for four mana, no matter how much that phase means, because at that point I’m only trying not to die. To spend eight face-down cards I can never realistically get back in order to have them skip everything? I don’t foresee a situation in which this card would be played in either limited or constructed.

What could we do to fix this and make it stronger/weirder? My gut says to reduce the cost to 1UU and change the escalate to, say, exile the top two. Face-up or face-down, doesn’t matter. There’s some strategic elements that come into play when you do that that don’t feel as crazy. There’s the card Diminishing Returns that this reminds me of, at least in terms of how it feels to play. An odd controlly duck, this one. Very interesting name; I can envision the abstract art.

~

@squeezyboi — Dilema

Firstly: was this supposed to be Portuguese, or did you misspell “Dilemma?” I really tried to dig into it and I couldn’t find a secondary meaning. Anywhosits: neat little limited trick! I think that one-mana draw spells are good enough, and with the right kind of abilities, you can do some crazy stuff with them. Might even be a return to Inspired in the right shells. Why weren’t there more ways to untap creatures in BNG? Hmph. I would play this card for sure, though.

Hold that thought. I would play this card for sure with a couple tweaks. You know where we might get our wording? The freakin’ book promo Sewers of Estark. “Choose target creature. If you cast this spell during your precombat main phase, tap it. If you cast this spell during your postcombat main phase, untap it.” Or even just “If it’s your precombat” etc. etc. without the cast wording could work. As for the art, I love the creative art direction. I don’t think I can quite visualize it in a serious manner without going mmm shield tapenade, but it’s unique for sure. The flavor text reads well but doesn’t have the depth the art’s asking for. I’m not sure precisely what the dilemma is, really, because dilemmas are chosen by characters; are we making this choice? We’re already attacking, because that’s what Magic is about. Perhaps a different image might be more appropriate.

~ 

@wolkemesser​ — Agent of Aminatou

Take out the flavor text of this one and we have a weird, weird, weird card that I think is supremely cool. Now based on how turns are made, I believe that these abilities should read “After your first ~, there’s an additional ~,” but World at War’s been mentioned too many times here. This really is the kind of card that people want to build around, and I’m sure that upkeep stacking is going to be useful for someone.

Besides, a one-mana 1/2 flier is pretty darn cool, isn’t it! I also just really saw the creature type, and whoah, that’s messed up. Off the top of my head, I can’t think of a super-specific card that I’d want this in, but I want to use it regardless. Maybe it’s a time thing. I also feel that this card’s flavor text was made after you found art to fit the concept. This card doesn’t need flavor text. I can see how it works regardless, and honestly, I’m ignoring the art to focus on the coolness of the rest of the card.

~

@yd12k — Daf of Fleeting Dreams

I feel that we run into an inherent issue here with the way these phases are worded and the way you’re asking for this card to work. Daf wants you, clearly, to play land cards. Okay, so is this a land-based commander? Maybe, but what other cards do you play here? The upkeep trigger getting rid of your whole hand is... You know what, this card is simply weird, and there’s a deck to be made from it. It’s a graveyard deck, probably, and I’m sure someone will build around it, but who is this card for? Let me think of the best-case scenario. I’mma push aside the “issue” I mentioned earlier as I try to wrack my mind.

So: you’re playing a deck that wants to dump cards in the graveyard not related to lands, that’s okay with a more-or-less empty hand. I guess...Sultai dredge? But what does this add that Sultai Dredge doesn’t already have, what does it replace? In limited especially, this card is NOT playable, that’s for darn sure; Dredge is the only mechanic that I can see this card interacting with well. The cards that care about lands already have their draw engines without the downside of discarding your entire hand. If you can fully explain, please do so. I’ll read whenever I can.

Thank you all for your entries once again! New contest next turn. - @abelzumi​

#mtg #magic the gathering #custom magic card #commentary #parts of the turn contest #inventor's fair

[pankiepoo]

how do you feel about the new ep? :D

fan

#pankie ask #i expected the fan and bot meeting to be way worse than it turned out. I was pleasantly surprised hashtag win #also his little rant to mephone is so funny Ive been rewatching that part so many times i love mephone and fan #and now youre gonna yell i said not a peep! I SAID NOT A PEEP! #fan understands mephone the most out of all contestants methinks. him and floory both know him the best

[lincolnlogsnfrogs]

Pajama Party Contest Entry! :333

@bonniecupcake

asdfklalkdslflkslksadkf congrats bonnie on 100 amazing pages!! :333

everyone's entries are so pretty and this was really fun to do! X33

#hopefully this isn't too late lmao #aaaalskllkdf i don't know what to say meowmeow #the gayssss #invader zim #contest entry #zadr #tagr #messed up on some parts but i kinda like how it turned out X33 #i love your comic so much dude aklsdlflasdlkfklslkdlkfsld #pajama party

[tomee--bear]

👀

#tomee talks #cooking up smth for the contest aaaaaaa #looking okay for now despite barely starting but i have faith that it'll turn out good #i'm making things harder on myself by including a huge crowd in this but all part of da plan baybee B)

[confetti-cat]

Each, All, Everything

Words: 6.5k

Rating: PG

Themes: Friendship, Self-Giving Love, Romantic Love

(Written for the Four Loves Fairytale Retelling challenge over at the @inklings-challenge! A retelling of Nix, Nought, Nothing.)

The giant’s daughter weeps, and remembers.

—

She remembers the day her father first brought him home.

It was a bit like the times he’d brought home creatures to amuse her while he was on his journeys, away on something he called “business” but she knew was “gathering whatever good of the land he wanted”. Her father had brought back a beautiful pony, once—a small one he could nearly carry in one huge hand. One for her, and not another for his collection of horses he kept in the long stables. She wasn’t as tall as the hills and broad as the cliffs like he was, so she couldn’t carry it easily, but she heaved it up in both arms and tried nonetheless. (And—she thought this was important—stopped trying when it showed fear.) She was gentle to it, and in time, she would only need speak to it and it would come eat from her hand like a tame bird. She’d never been happier.

(The pony had grown fearful of her father. Her father grew angry with anything that wasted his time by cowering or trying to flee him. There was a terrible commotion in the stables one day, and when she sought her pony afterward, she couldn’t find him. Her father told her it was gone, back to the forest, and he’d hear no more of it if she didn’t want beaten.)

(There was a sinking little pit in her stomach that knew. But when she didn’t look for the best in her father, it angered him and saddened her, so she made herself believe him.)

The final little creature he brought one day was so peculiar. It was a human boy, small as the bushes she would sometime uproot for paintbrushes, dressed in fine green like the trees and gold like her mother’s vine-ring she wore. He seemed young, like her. His tuft of brown hair was mussed by the wind, and his dark eyes watched everything around him, wide and unsure and curious.

When he first looked at her from his perch on her father’s shoulder, he stared for a long moment—then lifted a tiny hand in a wave. Suddenly overwhelmed with hope and possibilities (a friend! Surely her father had blessed her with a small friend they could keep and not just a pet!), she lifted her own hand in a little wave and tried to smile welcomingly.

The boy stared for another long moment, then seemed to try a hesitant smile back.

“This,” boomed her father, stooping down in the mist of the morning as he waved away a low cloud with one hand, “is what I rightly bargained for. A prince, very valuable. The King of the South—curse his deceitful aims!—promised him to me.”

“He looks very fancy,” she’d said, eyes wide in wonder. “How did the king come to give him to you, Father?”

“How indeed!” the giant growled, so loud it sent leaves rattling and birds rushing to fly from their trees. He slowly lowered himself to be seated on the weathered cliff behind him and picked up his spark-stone, tossing a few felled trees into their fire-basin and beginning to work at lighting them. “Through lies and deceit from him. When he asked me to carry him across the waters I asked him for Nix, Nought, Nothing in return.”

The little boy shifted, clearly uncomfortable but afraid to move much. Her father scowled, though he meant it as a smile, and bared his yellowed teeth as he laughed.

“Imagine his countenance when he returned to find the son he’d not known he’d had was called Nix, Nought, Nothing! He tried to send servant boys, but I am too keen for such trickery. Their blood is on the hands of the liar who sent them to me.”

Such talk from her father had always unsettled her, even if he said it so forcefully she couldn’t imagine just how it wasn’t right. Judging from the way the boy curled in on himself a little, clinging meekly to her father’s tattered shirt-shoulder, he thought similarly.

“Nix, Nought, Nothing?” She observed the small prince, unsure why disappointment arose in her at the way he seemed hesitant to look at her now. “That is a strange name.”

Her father struck the rocks, the sound of it so loud it echoed down the valley in an odd, uneven manner. He shook his head as he worked, a stained tooth poking out of his lips as he struck it again and again until large sparks began alighting on the wood.

“His mother tarried christening him until the father returned, calling him such instead.” He huffed a chuckle that sounded more like a sneer, seeming to opt to ignore the creature on his shoulder for the time being. “You know the feeling, eh, Bonny girl?”

The boy tentatively looked up at her again.

The fire crackled and began to eat away at the bark and dry pine needles. A soft orange glow began to creep over it, leaving black char as it went. With a sudden, sharp breath by her father, a large flame leapt into the air.

“It is good that she did so. He is Nix, Nought, Nothing—and that he will remain.”

—

Nix Nought Nothing grew to be a fine boy. Her father treated him as well as he did the prized horses he’d taken from knights and heroes—which was to say that the boy was given decent food and a dry place to sleep and the richest-looking clothes a tailor could be terrified into giving them, which was as well as her father treated anything.

Never a day went by that she was not thankful and with joy in her heart at having a friend so near.

They spent many days while her father was away exploring the forest—Nix would collect small rocks and unusual leaves and robin’s-eggs and butterflies, and she would lift him into high trees to look for nests, and sometimes stand in the rivers and splash the waterfalls at him just to laugh brightly at his gawking and laughing and sputtering.

Some days she wished she was more of a proper giant. She wasn’t large enough for it to be very comfortable giving him rides on her shoulder once he’d grown. She was hesitant to look any less strong, however, so she braided her golden curls to keep them from brushing him off and simply kept her head tilted away from him as they walked through the forests together.

He could sit quite easily and talk by her ear as they adventured. Perhaps she would never admit it, but she liked that. Most of the time.

“I’m getting your shoulder wet,” he protested, still sopping wet from the waterfall. He kept shifting around, trying to sit differently and avoid blotching her blue dress with more water than he already had. “I hope you’re noticing this inconveniences you too?”

“Yes,” Bonny laughed. “You’re right. I hope there’s still enough sun to dry us along the way back. Father won’t be pleased otherwise.”

“Exactly. Perhaps you should have thought that through before drenching me!” he huffed, but she could hear the grin in his tone even if she couldn’t quite turn her head to see it. He flicked his arm toward her and sent little droplets of water scattering across the side of her face.

Her shoulders jerked up involuntarily as the eye closest to him shut and she tried to crane her neck even further away, chuckling. Nix made a noise like he’d swallowed whatever words were on his tongue, clutching to her shoulder and hair to steady himself.

“You’d probably be best not trying to get me while I’m giving you a ride?” Bonny suggested, unable to help a wry smile.

“Yes. Agreed. Apologies.” His words came so stilted and readily that she had to purse her lips to keep in a laugh. As soon as he relaxed, his voice grew a tad incredulous. “Though—wait, I can’t exactly do anything once I’m down. Are you trying to escape my well-earned retaliation?”

“I would never,” she assured him, no longer trying to hide her smile. “I’ll put you in a tree when we get back and you can splash me all you like.”

Somehow, his voice was amused and skeptical and unimpressed by the notion all at once.

“Really? You’d do that?” he asked, sounding as if he were stifling a smirk.

She shrugged—gently, of course, but with a little inward sense of mischievousness—and he yelped again at the movement.

“Well, it would take a lot of water to get a giant wet,” she reasoned. “I doubt you’ll do much. But yes, for you, I would brave it.”

He chuckled, and she ventured a glance at him out of the corner of her eye.

“Bonny and brave,” he said, looking up at her with a little smile and those dark eyes glimmering with light. “You are a marvel.”

It would probably be very noticeable to him if she swallowed awkwardly and glanced away a bit in embarrassment. She tried not to do that, and instead gave him a crooked little smile in return.

“Hm,” was all she could say. “And what about you?”

“Me? Oh, I’m Nothing.” The jest was terrible, and would still be terrible even if she hadn’t heard it numerous times. “But you are truly a gem among girls.”

If by gem he meant a giantess who still had to enlist his help disentangling birds from her hair, then perhaps. She snorted.

“I don’t know how you would know. You don’t know any other girls.”

“Why would I need to?” His face was innocent, but his eyes were sparkling with mirth and mischief. “You’re the size of forty of them.”

The noise that erupted from her was so abrupt and embarrassingly like a snort it sent the branches trembling. She plucked him off her shoulder and set him gently on the ground so she could swat at him as gently as she could—careful not to strike him with the leaf-motifs on her ring—though it still knocked him off his feet and into the grass. He was laughing too hard to seem to mind, and she couldn’t stifle her laughs either.

“Well, you are really something,” she teased, unable to help her wide smile as she tried futilely to cast him a disapproving look.

That quieted him. He pushed himself to sit upright in the grass, and looked out at the woods ahead for a long moment.

“You think?” Nix asked quietly.

She smiled down at him.

“Yes,” she laughed softly. “Of course.” When he looked up at her, brown eyes curious, she held his gaze and hoped he could see just how glad she was to know him. “Everything, even.”

A small smile grew on his own face, lopsided and warm. He ducked his head a bit and looked away from her again, and embarrassment started to fill her—but it was worth it.

It often weighed on her heart to say that more than she did. She supposed she was the type of person who liked to show such things rather than say them.

She had a cramp in one of her shoulders from trying to carry him smoothly, but the weight on the other one—and on his—seemed far lighter.

—

She remembered the day her father came home livid.

She couldn’t figure out what had happened. Had he been wounded? Insulted? Tricked? He wouldn’t say.

He just raged. The trees bent under his wrath as he stamped them down, carving a new path through the forest. He picked up boulders and flung them at cliffsides, the noise of the impacts like thunder as showers of shattered stone flew in all directions.

She was tending to the garden a ways off—huge vines and stalks entwined their ways up poles and hill-high arbors made from towering pines, where she liked to work and admire how the sunset made the leaves glow gold—and suddenly had a sharp, sinking feeling.

Nix was still at his little shelter-house at their encampment. Her father was there.

Dread washed over her.

“Riddle me this, boy,” her father boomed, in the voice he only used when he wanted an excuse to strike something. “What is thick like glass and thin as air, cold but warm, ugly but fair? Fills the air yet never fills it, never exists but that all things will it?”

There was silence for a long moment.

...Silence. The answer was silence. Her father was trying to trick him into speaking.

Her hands curled around the bucket handle so weakly it was a surprise she didn’t drop it. Her father could crush him if he felt he had the slightest excuse.

Hush, hush, hush, her mind pleaded. Her hands shook. For your life and mine, hush—

There continued to be silence for a moment—and then, Nix must have answered. (Perhaps in jest. He tended to joke when uncertain. That would have been a mistake.)

There came the indescribable sound of a tree being ripped from its roots, and the deafening thunder of it being thrown and smashing down trees and structures.

Her whole body tensed horribly, and all she could see in her mind’s eye was nightmares.

No, she thought weakly.

Her father kept shouting. But not just shouting, addressing. Asking scathing rhetorical questions. She felt faint with relief, because her father had never wasted words on the dead.

I should have brought him with me. The thought flooded her body and left room for nothing else but dread and regret. I could have prevented this.

The stables were long and broad and old. Once, they had housed armies’ steeds and chariots. Now, they were run-down and reinforced so nothing could escape out the doors. The roof was broken off like a lid on hinges at intervals so her father could reach in to arrange and feed his horses.

Her father had seen no reason to keep the stalls clean. When one was so packed with bedding it had decomposed to soil at the floor level, the horse was moved to the next unused stall. There were so many stalls that she barely remembered, sometimes, that there were other ways of addressing the problem.

“The stable has not been cleaned in seven years,” her father boomed. “You will clean it tomorrow, or I will eat you in my stew.”

She couldn’t hear Nix’s response, but she could feel his dread.

Her father stormed away, more violently than any storm, and slowly, after the echoes of his steps faded, silence again began to hang in the air.

That night, it was hard to sleep. The next morning, it was hard to think.

She did the only thing she could think to do in such a nervous state. She brought her friend breakfast. His favorite breakfast—a roast leg of venison and a little knife he could use to cut off what he wanted of it, and fried turkey-eggs, and a modest chunk of soft brown bread.

When she arrived with it, he was still mucking out the first stall. There were hundreds ahead of him. He was only halfway to the floor of the first.

“I can’t eat,” Nix murmured, almost too quietly to hear and with too much misery to bear. “I can’t stop. But thank you.”

The pile outside the door he’d opened up was already growing too large. Of every pitchfork-full he threw out, some began to tumble back in. He was growing frustrated, and out of breath.

Why would her father raise a boy, a prince, only to eat him now? Her father was cunning; surely he’d had other plans for him. Or perhaps he really was kept like the horses, as a trophy or prize taken from the human kingdoms that giants so hated.

Was this his fate? Worked beyond reason, only to be killed?

Pity—or something stronger, perhaps, that she couldn’t name—stirred in her heart. A heat filled her veins, burning with sadness and a desire to set right. Would the world be worthwhile without this one small person in it?

No.

This wouldn’t end this way.

She called to the birds of the air and all the creatures of the forest. Her heart-song was sad and pure—so when she pleaded with them, to please hear, please come and carry away straw and earth and care for what has been neglected, they listened.

The stable was clean by the time the first stars appeared. When she set Nix gently on her shoulder afterward, he hugged the side of her head and laughed in weary relief for a long while.

—

She remembered the lake, and the tree.

“Shame on the wit who helped you,” her father had boomed. He’d inspected the stable by the light of his torch—a ship’s mast he’d wrapped the sails around the top of and drenched in oil—and found every last piece of dirt and straw gone. Had he known it was her, that she could do such a thing? She couldn’t tell. “But I have a worse task for you tomorrow.”

The lake nearest them was miles long, and miles wide, and so deep that even her father could not ford it.

“You will drain it dry by nightfall, or I will have you in my stew.”

The next morning, soon as her father had gone away past the hills, she came to the edge of the lake. She could hear the splashing before she saw it.

Nix stood knee-deep in the water, a large wooden bucket in his hands, struggling to heave the water out and into a trench he’d dug beside the shore.

When she neared him and knelt down in the sand, scanning the water and the trench and the distant, distant shoreline opposite them, Nix fell still for a moment. She looked at him, hoping he could see the apology in her eyes.

“Can I help?” she asked.

He shook his head miserably.

“Thank you. But even if we both worked all day, we couldn’t get it dry before nightfall.” He gave her a wry, sad smile, full of pain. “The birds and the creatures can’t carry buckets, I’m afraid.”

It was true. They could not take away the water.

But perhaps other things could.

She stood and drew a deep breath, and called to the fish of the rivers and lake, and to the deep places of the earth to please hear, please open your mouths and drain the lake dry.

With a tumult that shook the earth beneath them all, they did. The chasm it left in the land was great and terrible, but it was dry.

Her father was livid to see it.

“I’ve a worse job for you tomorrow,” he’d thundered at Nix as the twilight began to darken. “There is a tree that has grown from before your kind walked this land. It is many miles high, with no branches until you reach the top. Fetch me the seven eggs from the bird’s nest in its boughs, and break none, or I will eat you before the day is out.”

She found Nix at dawn the next day at the foot of the tree, staring up it with an expression more wearied than she’d ever seen before. She looked up the tree as well. It seemed to stretch up nearly to the clouds, its trunk wide and strong with not a foothold in sight. At the top, its leaves shone a faint gold in the sunlight.

“He is wrong to ask you these things,” Bonny said softly. Her words hung in the air like the sunbeams seemed to hang about the tree. There was something special about this place, some old power with roots that ran deep. “I’m very sorry for it.”

“You needn’t be,” Nix assured her. His countenance was grey, but he tried to smile. “But thank you. You’re very kind.”

She looked up the tree again. Uncertainty filled her, because this was an old tree—a strong one. Even if it could hear her, it had no obligation to listen. “Will you try?”

He laughed humorlessly. “What choice do I have?”

None. He had none.

He could not escape for long on his own—he could not be gone fast enough or hide safely enough for her father not to sniff him out. The destruction that would follow him would be far more than he would wish on the forests and villages and cities about them.

She, however, bit her lip.

She slipped the gold vine-ring off her hand, and rolled it so that it spiraled between her fingers. It was finely crafted, made to look like it was a young vine wrapping its way partly up her finger.

“This is all I have of my mother,” she said quietly. “But it will serve you better.”

Before he could speak—she knew him well enough to know that he would bid her to stop, to not lose something precious on his account (as if he weren’t?)—she whispered a birdlike song, and pleaded with the gold and the tree and the old good in the world to help them.

When she tossed the ring at the base of the tree (was it shameful that she had to quell a sadness that tried to creep into her heart?), it writhed. One end of it rooted into the ground, and suddenly it was no longer gold, but yellow-green—and the vine grew, and grew, curling around the tree as it stretched upward until it was nearly out of sight.

Nix stared at her with wide eyes and an emotion she couldn’t quite place. Whatever it was, it made her ears warm.

She smiled slightly and stepped back, tilting her head at the vine.

“Well?” she said. He was still staring at her with that look—some mix of awestruck and like he was trying to draw together words—and it made her fold her arms lightly and smile as she looked away. She quickly looked back to him, hoping faintly that her embarrassment wasn’t obvious. “You’d best hurry. That’s still a long way up.”

He seemed to give up finding words for the moment. Nix glanced up the tree, now decked with a spiral of thick, knobby vine that looked nearby like uneven stairs.

“Give me a boost?” he asked with a bright grin. “To speed it up.”

She laughed and gently scooped him up in both hands. “A boost, or just a boost?”

He beamed at her. “As high as you can get me,” he declared, waving an arm dramatically.

She laughed and shook her head. ”Absolutely not. Ready?”

Nix nodded, and she smiled thinly and poured all her focus into a spot a good distance up the tree. With a very gentle but swift motion, she tossed him upward a bit—and he landed on his feet on the vine, one shoulder against the bark, clutching to the tree for support as he laughed.

“A marvel!” he shouted down to her as he climbed. “Never forget that!”

The sun was nearly setting when he descended with the eggs bundled in his handkerchief. He was glowing.

He triumphantly hopped down the last few feet to the ground.

A moment after he landed, a soft crack sounded. He froze.

Slowly, he drew the bundle more securely into his arms against him and looked down. There, by his foot, was a little speckled egg, half-broken in the grass.

She put a hand over her mouth. Nix clutched the rest and stared.

A grievous pain and numbness slowly filled her heart, and she knew it was filling his too.

His shoulders began to shake, and his eyes were glassy.

“Well,” he laughed weakly. ”...That’s it. That’s... that was my chance.” The distress that overtook him was like a dark wave, and it threatened to cover her too. He only shook his head. “I’m so sorry. Thank you for—for helping me.”

For everything, she didn’t give him a chance to add. He was looking at her with the eyes of one who might say that. She couldn’t afford to be overcome with the notion of saying goodbye now.

“No,” she said. Her voice was quiet, at first, but it grew more resolute. “It won’t end this way.”

He blinked up at her, still clutching the other eggs to his chest. She looked down at him, then across the stretch of forest to their home.

Without a word, she gently picked him up and set him on her shoulder. Her jaw tensed as she strode quickly through well-worn paths of the forest, walking as fast as a horse could run.

Once home, she set him down. He was still looking at her questioningly. Her heart beat faster in her chest, and she hoped he couldn’t see the anxiousness rising in her and battling with the excitement.

“I will not let him have you,” she announced firmly. The trees and hills all around were witness to her promise. “Grab what you need. We’ll leave together in the hour.”

—

She‘d barely had time to fix her hair, grab her water flask, and decide it would be best this time of year to go south.

Her father’s footsteps boomed closer across the land.

—

They fled.

They ran, and ran, and struggled and strove, and she called for the help of anything she could think of that would have mercy on them.

Her comb grew into thorns, her hairpin into a hedge of jagged spires. Neither stopped him. Her dress’s hem was in tatters and sweat poured from her brow when they were finally safe.

Her flask lay behind them, cast down and broken, its magic used up.

Her father—her father—lay stretched out motionless in the flooded plain behind them, never to rise again.

—

There was a tiny spark of hope they had that they clung to. A hope of a future, of restoration, of amending the past and pursuing peace—of a life worth living, perhaps far, far away from things worth leaving behind.

(“I’ll go to the castle,” he’d said, his voice brimming with nerves and hope and uncertainty and sadness and an eager warmth. It made her heart try to mirror all those emotions alongside him. “I can tell my mother and father who I am. I’d still recognize them, even if they don’t know me. They’ll take us in, I’m sure of it.”)

He set out into the maze of village streets, assuring her he’d ask for directions and be back promptly. She stayed back by the well at the edge of the town so not to alarm anyone, too exhausted to go another step, but full of hope for him. She would wait until he returned.

(And wait. And wait. And wait and wait and wait and dread—)

The castle gardener came to draw water, and—as if she weren’t as tall as the small trees under the huge one she sat against—struck up a conversation with her about the mysterious boy who’d fallen unconscious across the threshold of the castle, asleep as if cursed to never wake up.

(The spark didn’t last long.)

—

She remembered when he could move.

“Please,” she whispered, as soft as her voice would go. “Please, if you can hear me. Wake up.”

(“Oh, dearest,” the gardener’s frail wife had murmured to her when the kind gardener brought her home to partake of a bit of supper. “I’m afraid they won’t let you in as you are. Would you let me sing you a catch as you eat?”)

The gardener’s wife was frailer by the end of it, but her heart-song could change things, like her own. Instead of towering at the heights of the houses, she was now six feet tall by human reckoning, and still thankful the castle had high halls and tall doors.

(Their daughter, a fair maiden with a shadow about her, had watched from the doorway.)

Nix Nought Nothing lay nearly motionless in the cushioned chair the castle servants had placed him in. His chest rose and fell slowly, like he was in a deep sleep.

He was still smaller than she was, but not by much. He seemed so large, or close. She could see details she’d never noticed before—his freckles, the definition of his eyelashes, the scuffs and loose threads in his tunic.

The way his head hung as if he could no longer support it.

She held him gently—oddly, now, with both her hands so small on his arms and an uncertainty of what to do now—and wept over him. She sung through her tears, her heart pleading with his very soul, but to no avail. He did not wake up.

He didn’t hear her—likely couldn’t hear her. All around him, the air was sharp and still and dead. Cursed.

Still, her heart pleaded with her, now. Try, try. Don’t stop speaking to him. Remember? He never stopped trying.

“You joke that you are nothing," she said, with every drop of earnestness in her being. "But I tell you, you are all I had, and all I had ever wished for.”

There was power in names. She knew that. But was his even a proper name? It really wasn’t—though it was all he had.

It was all she had as well. She had exhausted everything else close to her. There was nothing left to call on, to plead with, but him.

“Nix Nought Nothing,” she said softly. “Awaken, please.”

Her voice, no longer so resonant and deep with giant’s-breath, sounded foreign in her ears. It was mournful and soft like the doves of the rocks, and grieved like the groan of the earth when it split.

“I cleaned the stable, I lave the lake, and clomb the tree, all for the love of thee,” she said, her voice thickening with tears. A drop of saltwater fell and landed on his tunic, creating another of many small blotches. “And will you not awaken and speak to me?”

Nothing.

—

She didn’t remember being shown out of the room. Her vision was too blurred, and her mind was too distraught and overwhelmed. The next thing she could focus on enough to recall was that she was now seated on a stiff chair in the hall. Someone had been kind enough to set a cup of water on the little table beside her.

The towering doors creaked softly behind her, and at last, someone new entered. She looked over her shoulder, barely able to see through the dry burning left behind by her tears.

A man and a woman stood in the door. They were dressed in fine robes, and looked like nobles.

"What is the matter, dear?" the woman asked, looking over her appearance with eyes soft with pity. She came close, and her presence was like cool balm, gentle and comforting. "Why do you weep?"

The gold roses woven in the green of the woman's dress swam in her vision as she dropped her gaze, unsure what to say. These people seemed kind. But were they? Would they send her out from here, unable to return to him?

They would be right to do so. She was a stranger here, and Nix could not vouch for her like he'd planned.

"No matter what I do," she finally said softly, "I cannot get Nix Nought Nothing to awaken and speak to me."

In one moment, only the woman stood there—in the next, the man was beside her. The air was suddenly still and heavy like glass, and it felt as though there was a thread drawn taut between them all for a moment.

"Nix Nought Nothing?" they asked in unison, their voices full of something tense and heavy and sharp. When she looked up, nearly fearful at the sudden change in their tone, their faces were slack and pale.

Something stirred in her heart. Look. What do you see?

Green and gold. Their wide eyes were a familiar warm brown.

—

Now, things are changing.

According to the servant who'd been keeping an eye on him, all from the kingdom had been offered reward if they could wake the sleeping stranger, and the the gardener's daughter had succeeded. It was a mystery how it had happened—by whom had he been cursed? Her father? Then why could she not wake him, but a maiden from the castle-town here could?—but now, with the King and Queen hovering beside her and unable to stay still for anticipation, no one cared.

The gardener's daughter was fetched, and bid to sing the unspelling catch for the prince. (Prince. He was a prince, while she was a ruffian's daughter. She kept forgetting, when she was with him.) It was a haunting one that grated on her ears, as selfishly-written magics often did—and as if bitterness still crept at the girl's heart at the sight of all who were here, she left as soon as it was finished.

Nix Nought Nothing awoke—he awoke! He opened his eyes and sat up and looked at her as if seeing the sunrise after a year of darkness, and how her heart leaps high into her throat at the sight—and true to form, only blinks a few times at her as he seems to take her in before coming to terms with it.

"You look a bit different," he remarks, tilting his head slightly. "Or did I grow?"

She chokes on a snort.

"Hush," is all she can say. What had been an attempt at an unimpressed expression melts into a wavering smile. "Are you done napping now?"

He opens his mouth to retort, but a grin creeps onto his face before he can. He snickers. "Have I slept that long?"

"Nigh a week," the Queen says—and when Nix turns his head and sees her, his eyes grow wide. The Queen's smile grows broad and wavers with emotion, and the King's eyes are crinkled at the edges, and shining. "It has been a long time."

Her own father had never shown love like this—like the way Nix tries to leap from his chair at the same moment his parents rush to hold him, all of them laughing and sobbing and shouting exclamations of love and excitement and I-thought-I-would-never-see-you-agains. So much joy rolls off of them that she thinks she could have stood there watching forever and been content.

The first thing he does, after the first surge of this, is turn and introduce her to his parents, who had barely finished hugging him and kissing him and calling him their own dear son.

"This is the one who helped me," Nix says, already gesturing to her in excitement as he looks from her to his parents. "She sacrificed much to save me from the giant. Her kindness is brilliant and she blesses all who know her."

She tries not to look embarrassed at the glowing praise as Nix comes and stands beside her as he recounts their blur of a tale to his parents.

"Ah! She is bonny and brave," says the King. By the end of Nix's stories of their escapes, they're smiling warmly at her with such pride that she dips her head and smiles.

Nix Nought Nothing glances sideways up at her and raises a brow, a knowing smirk tugging at his lips.

"I've tried to tell her that," he agrees. "I don't think she's ever believed me."

She purses her lips and glances down at him. "I'll believe it the day you believe you are not nothing."

"Alright." Simple as that, he folds his arms and raises a brow at her. "I believe it. Fair trade?"

"Fair enough," she decides, with a crooked little smile. He beams, as if she's done something worth being proud of, and looks to his parents, who indeed look proud of them both.

"We would welcome you as our daughter," the King declares heartily, and both the Queen and Nix brighten, which makes her too embarrassedly fixated on the thought of family? Starting anew? to register what comes next. "Surely, you should be married!"

Nix looks at her, arms still folded, his eyes twinkling. There's something hopeful in his eyes that makes her certain this diminutive new heart of hers has skipped a few beats.

"Should we? Surely?" he asks, as if this is a normal thing to be discussing.

She works her jaw and swallows a few times, unable to help how obviously awkward she still likely looks. A flush tickles her face, and the queen seems to put a hand over her mouth to smile behind it.

"I... don't... suppose... I would mind," she manages, and—with those bright eyes so affectionate, and on her—Nix starts snickering at her expression. It's rude, but so, so warm she can't mind. She only discovers how broadly she's smiling when she tries to purse her lips and glare at him but is unable to. "Oh, go back to sleep!" she chides, too gleeful inside to truly mind, even as she makes a motion as if throwing one of the chair-cushions at him.

"Never!" he declares, pretending to dodge the invisible pillow. He makes broad gestures that she presumes are meant to emphasize how serious he is about this. When he stands straight and tall and sets his shoulders, she thinks that the boy she's explored the forest with really does look like a prince. "I have my family and my love all together in safety at last. We have much to speak of, and much time yet to spend with each other." He's a prince, but of course, he's also still himself. He immediately gets a mischievous glimmer in his eyes and puts a hand to his chest nobly as he does what he's done for as long as she's known him—jokes, when his emotions rise. "I shall never adhere to a bedtime as long as I live!"

My love, her heart still repeats every time it beats—as payback, likely, for her calling it diminutive. My love, my love, my love.

She doesn't let it out, for she doesn't know what it will do. But the words weave a song within her, so vibrant and effervescent and strong, brighter and clearer than any she's had before.

"I am glad to see you are certainly still my dear son," the Queen says, her own eyes twinkling. "I'm certain you both need fed well after such a journey. Come, perhaps you both can tell us more of it as supper is prepared."

They fall into an easy tumble of conversation and rejoicing and genial planning, and her heart is so light she thinks it must be plotting to escape her chest.

On the week's end from when she brought him here, Nix Nought Nothing and his family welcomes her into their home. It feels natural. It feels warm, and homey, and so pleasant and right that she often has to stop tears of weary joy from welling up as she considers it all.

Once upon a time, she thought she'd known happiness well enough without him. She had known what it was like to be without a friend, and without love.

Now, it’s hard to remember it.

#inklingschallenge #four loves fairy tale retelling challenge #each all everything #theme: philia #theme: eros #story: complete #Nix Nought Nothing #fairy tale retelling #And there we have it!! A THING that is now FINISHED #Some changes have been made from the original fairytale #such as: no one’s losing their toes like that on my watch!! #please note that having everyone keep their toes actually improves the story #by letting the characters be happier thanks to having toes #you’re welcome #edit: I forgot it was fingers AND toes #oof?? #this is an extremities-safe zone #Bonny and Nix #There are some parts of this I’m not sure are the best they could be BUT it’s FINISHED and that was my main goal! #(I don't finish things I start writing near often enough; so whoo! Small victory!) #wait a minute did I include all four types of love?? #I DID #that's hilarious that was not intentional #at the discretion of the contest runner to include; as doing all four sounds a bit extra: #theme: storge #theme: agape #This was supposed to be a friendship/romantic love combination that would surprise no one who has read my writing #imagine my own (retrospectively unwarranted) surprise when it turned into an excuse for me to write all the kinds of love?? #Anyway this was so much fun to write! I hope you enjoy! <3 #salt and light

[ultravioart]

Oh no I just thought of the most unhinged deathglare concept I'm cackling I don't know whether to save it for a comic or type it out in full but the idea of Peepers wanting to be THE REASON Lord Hater rules the galaxy makes me think Peepers would also take pride in anything he managed to teach Lord Hater. Like being proud he's the reason Hater knows fancy fork etiquette, superior uno strats, paddle ball, etc. ...Smooching. Okay okay okay so hear me out. One day Lord Hater admits he's nervous about smooching girls because of his whole skull-for-a-face no-lips McGee situation (CPeeps can understand that, right?), and so Peepers being Peepers jumps at the chance "TO BE THE REASON" and boldly whips out and slams down a HUGE encyclopedia of galactic code PDA (the dos and don'ts for seasoned greetings and goodbyes) and in the most determined and impersonal voice, Peepers promises he'll be sure to prepare Lord Hater for any scenario, any girl will be begging for another smooch by the time he is done teaching Hater about intergalactic intimacy protocol. And Hater agrees. LOL (The reason why Peepers even has this book in the first place is because he has a freakin' giant eyeball for a head. How does an eyeball head even begin to know how to read the expressions of faces that have freaky mouths and ears and noses and eyes, emphasis on the plural EYES???)

#death glare #lord hater #commander peepers #deathglare #woy #'for research purposes' #they are both touch starved idiots #making holding hands a science experiment to justify the exchange #bahahaha #sneaking into the smooching room at odd hours of the day like movie spies #bc if they are going to practice makeout with eachother #they might as well do it in the most boyish humored way possible #turns out what is considered intimate PDA in many parts of the galaxy isn't much of a kiss #instead it's silly alien nonsense #so it becomes this near weekly met up of learning silly handshakes and ET GO HOME finger boops and making sock puppets make out #lmafo #*meet up #its a bonding experience regardless #it's only when they get to the page of butterfly kisses that it gets sus #bc grob help him Peepers thought the staring contest PDA was intense already #text #silly posting hours

[eryanlainfa]

I just realised Aiden's entourage isn't the only one I have to design- because I also made up Nuru and Yong's families and friends despite them not being my OCs, since they're.. not real either... ya know.. 💀 for story and plot purpose

#does this sentence make sense- #anyway you understand what I mean right- #eryanbles #and I gave all of them big ass families... help- #i have to design the rest of the veneficas 🙃 #.... and I was happy with the 6 ones I managed to do- *stares at the 50 others waiting for their turn* .... imma kill some of them off- #at least Hugo has two connections already made. cyrus and donella. but nuru and yong have nothing as far as Im aware #except. i mean I suppose nuru's family appears in canon for the princess contest thing (i forgot the name) #a part of it at least. kinda. #i kept them anyway.

[frankbelloriley]

Oscar Monday Twitter would be 4000% less annoying if EEAAO lost either the directing or writing categories, both of which it won over better nominees.

#shouldn't have won writing because the emotional turn in the 3rd act hinges on is not on the page but is sold by yeoh's and hsu's acting #i'd give the screenwriting oscar to banshees over it without batting an eye #directing should've either gone to spielberg or field but it was such a weird field of candidates #but what is to be expected in an industry that cares less and less about the individual craft and more of a popularity contest! #even eeaao fans can agree that last part is the only way you can explain jlc winning over stephanie hsu

[inventors-fair]

Extra Turns: Runners-Up ~

Our runners-up this week are @hiygamer, @nine-effing-hells and @spooky-bard!

@hiygamer​ — Raging Maelstrom

Would mono-red players like this? For sure. Would they play it? Not my business. I think the Izzet Phoenix-like body does it good! It’s strong enough to be repeatable in the right shell and I’m sure there would be ways to cheese it out—like, an enchantment that pinged everyone at upkeep or something. I like how it’s specifically damage. Life loss getting half-phased-out shows where Magic is going, making these kinds of effects more, well, effective. Not bad overall.

I don’t think we need to worry about flavor on this one. It’s not the strongest contender for emotional impact in the world, but it doesn’t want to be and it doesn’t have to be. It’s a storm and it smacks things! No further questions. Big, fast, and a decent enough card to make work in constructed; I don’t think it would see much draft play unless someone’s doing a lot of work to make burn happen.

NOTES: Trample comes before haste in almost every instance, including Ball Lightning, of which this card has direct lineage. C’mon!

~

@nine-effing-hells​ — Chimera of Brief Insights

Well this is a weird little rapscallion, innit. I’m uncertain if a three-color Theros set will coem to fruition, and then I remember that Neon Dynasty had a cycle of three-color legends in an ostensibly two-color archetypical format, and I scratch my head, and then I sigh because I miss drafting Kamigawa and getting my rear end handed to me. Anyway, this card. It’s good! It’s really good, actually, if you can land it. For four mana, you’re not getting the absolute most for your body, but you’re getting good enough card advantage to probably make it work. Great idea making it optional, allowing you to get into a position of hand-dumping when you need it rather than when it’s a mistake.

I would have loved to see some art direction, but I can imagine the sun-dappled beast leaping across the polis, sowing inspiration and chaos in equal measure, and that’s really cool. The image of a chimera on Theros with the three abilities of  “I’m coming for you!” “I’m gonna run you over,” and “it’s hard to stop an errant thought” is interesting. You could have benefitted from flavor text as well. ‘As fast as lightning and twice as bright.’ That’s a first draft, but you get the picture.

~

@spooky-bard​ — Safehold Warmaster

I want this card to be hybrid, and I want it to be without flavor text. Yeah, I’m serious. The rest of this card’s really damn good! The timing especially is the kind of weirdness that I liked; I’m noticing that you were one of the few cards that referenced opponents’ turns as triggers, and that’s a good way to prepare for the turn, which feels like it’s got that specific flavor aspect of its own. I appreciate that. Shadowmoor elves are... Well, I don’t have the time to research them, but they’re really cool, and I like the darkly non-humorous juxtaposition you got here.

Getting the creatures back and then throwing counters on them is pretty awesome, and the fact that it can’t buff itself is probably for the best. I like the higher toughness over power to keep it out of range of your opponents 1-3 drop creatures and burn spells, probably. The fact that it might be at the top of your curve and can recur the aggro cards with an additional mana use is well-designed. Good show.

Commentary as soon as I get back. Be well, folks. `- @abelzumi​

#mtg #magic the gathering #custom magic card #runners up #commentary #parts of the turn contest #inventor's fair

[zapsoda]

i dont think the issue with ai art is that it simply exists, or that its made by scrambling preexisting works of art, the issue is that it does so without 99% of the artists' consent or even crediting them. its the equivalent of making a collage

#it should take from pools of art found in the public domain or some shit #also it has no fucking place in human art contests #i dont like art contests or whatever but putting key words into an ai is nowhere near on par with actually making a piece of art. #its like claiming you made a piece you commissioned just because you told the actual artist what to make #and then rubbing salt in the wound because it turns out the artist just cut and paste different parts of other peoples art to make it

[tender-rosiey]

“KEEP THE PRIEST! WEDDING NO.2 STARTS!”

— gojo, sukuna, nanami, geto & toji when you catch the bouquet at a wedding (f!reader)

a/n: if you don't have a cousin then now you do and thanks for being patient with me everyone! <3

GOJO SATORU:

 a family member of yours was finally getting married—something you never thought would happen since she was always complaining about all her boyfriends, but hey at least someone finally did it.

anyway, naturally, you took your dear boyfriend as your date.

the wedding was going smoothly, drinks were exchanged, food was distributed, and cakes were eaten—much to your lover’s delight.

another thing that kept happening is people trying to introduce their daughters to satoru.

his instant response was to wrap an arm around your shoulder and pull you close to him, kissing your cheek and chirping a “sorry, but I am happily taken!”

now it was time for the part that a lot of people wait for: the bouquet throw.

your cousin was already crazy, so she has been waiting for it so she can throw the bouquet with all her might. on the other hand ,you and the other ladies were lined up and patiently waited.

one swing, two swings, one faint throw, and finally the bouquet was thrown into the air, heading towards its next owner.

a chorus of ‘its mine! mine!’ filled the room, but relentless, you maneuvered your way into finally catching the bouquet in your hands.

you’ve won the battle.

but wait. it seems like there is a contestant that won’t back down.

“let go of that bouquet, young lady!”

you look behind you and gasps, it is—“satoru?!”

“yes, satoru!” your boyfriend huffs, making his way towards you.

he firmly takes a stance in front of you, contrasting his intimidating position with his infamous pout, “it’s not fair for you to take the bouquet!”

you sway your hip to the side sassily, “does it make a difference? we’re getting married either way!”

your boyfriend shakes his head, “no, babe!” he places his hands on his chest, pushing his theatrics till the top, “I need to be the star!”

he crumbles to the floor and you merely stare at him in silence.

you see your cousin approach you and your boyfriend, “first of all, I am the star, and second, if you don’t stop fighting, I am taking the bouquet back.”

your boyfriend gasps clinging to your legs, “babe, your cousin is super mean!”

you pat his head with a sigh and he happily presses a kiss to your thigh. what a taxing man to be with.

“sweets, I wanna pee.”

taxing child.

RYOMEN SUKUNA:

your boyfriend was—surprisingly—invited to a friend’s wedding, which he hated as he was planning on taking you to a stargazing sight because you’ve been talking about it ever since you saw it multiple times on tiktok.

so, here you are with your boyfriend put into a suit by force.

you’re pretty sure that he is going to rip it any moment, but you would rather he does that when you’re both alone: you don’t necessarily mind a show.

anyway, you are sat with your dear lover who hasn’t stopped frowning since you’ve entered the darn hall.

the only good social thing he has done so far is greeting the groom and the bride. other than that, his hand never left yours and he stuck by you.

it’s cute, though, even if he argues that he is anything but.

you hear them announce that they’re finally throwing the bouquet so you give sukuna a quick peck then run to reserve your space.

now, you get very competitive in certain things, and this is certainly one of them. you will be going home with that bouquet.

and true to your goal, the moment the bouquet is at a height you can reach, you jump at it, holding on for dear life.

your feet reach the ground once again, and you raise your hand in victory, “I did it!”

you don’t see sukuna rolling his eyes fondly and with a proud grin that screams ‘that’s my girl’.

after a bit of applause, you quickly turn to your boyfriend and walk towards his table, radiating with confidence.

you place the bouquet on the table then you lean on your elbows, “I caught the bouquet,” you wink, “what do you think?”

“of course, you would get it,” he hums, “you’re mine, and I don’t settle for less than the best.”

you roll your eyes and lean towards him, swirling the drink that you stole from him, “it’s quite the commitment that we’re getting into,” you then look and lock eyes with him, “think you can handle that?”

“there’s nothing I can’t handle, loser.”

you giggle before cooing, “aww, you love me so much,” he gently shoves you, before his arm is wrapped around your waist, pulling you back towards him.

“I tolerate you.”

“so love!”

“no.”

NANAMI KENTO:

jingling bells, clicking heels, steaming food, and loving couples including you and your dear boyfriend fill today’s wedding hall.

a mutual friend of yours and nanami finally tied the knot with their lover, and you were happily invited.

it was a never ending party of laughter and happy tears—that you efficiently hid by burying your face in your boyfriend’s chest.

things calmed down a bit, leaving you to fangirl about how cute your friend is to nanami.

“but kento, she looked so cute! she is so pretty! he better not hurt her!”

nanami keeps munching on his bread, “I think she is capable of handling that herself.”

you cross your arms with a huff, “what do you mean?”

“she is carrying a shotgun.”

“oh, you right,” you acknowledge, before running towards the dance floor when you see your friend about to throw the bouquet, “f/n, you better not throw that until I tell you!”

“if you don’t get then you just have a major skill issue!”

you gasp, taking a battle stance in the middle of the of the dance floor. you hear your friend giggle, before she finally throws the bouquet into the air.

from then, it’s a cat fight between you and the rest of the people.

however, you come out as victorious then excitedly running towards nanami, “kento! kento! did you see me?”

“mhm, you looked lovely as always,” he chuckles, giving you his full attention.

you giggle, taking a seat beside him. you start talking about your fight(?) to get the bouquet while nanami stealthily takes a plate of your favourite snacks from the buffet and slides it to you.

you gasp, pressing a quick kiss to his cheek, “thank you, love!”

he hums, eyeing the bouquet, “you know,” then he says, fidgeting with his watch a little, “I can get you a better bouquet if you want—with a side of a ring, of course.”

you were about to finally dig in, but your brain quickly short circuits at his comment, “oh.”

slowly, you turn to him, feeling your face get warmer by the second.

he laughs lightly, hand coming to rest on yours, “I am not joking,” he pulls your hand up for a small peck, “I am just waiting for the right time so please be patient with me.”

GETO SUGURU:

the moment the vows were exchanged, music was blasted to the roof, and everyone was partying to the max.

your cousin, the bride, is dancing to the beat with vigor and excitement you’ve never seen before.

you would like to join her, but geto just won’t let you since he knows that you will somehow end up drunk off your mind and dancing on one of the tables.

so you’re sat with him right now, sulking and glaring at him.

“babe, don’t be so sad now, please? I am only doing this so you don’t accidentally hurt yourself.”

you huff and turn your back on him, “I am a full-functioning adult; thank you very much!”

his hand slowly inches towards yours, “the prettiest full-functioning adult,” he smiles, pulling his chair closer to you. “and the smartest too, did you know that?”

you almost give into his advances—his charming smile is far too lethal—but you’ve developed a bit of immunity to his actions.

so instead, you face him with a teasing smile, “I would love if you tell me more—after I successfully steal the bouquet.”

“steal?”

you roll your eyes, “acquire.”

he laughs lightly, and you take it as your cue to run towards the group of women huddled behind your cousin.

you stand proudly, “c/n, throw your bouquet!”

“no!”

“what?!”

“just kidding!”

and so the bouquet flies and ‘accidentally’ lands in your hands—it’s no accident; you’ve been training your entire life for this moment.

people whoop and applaud, and you bow to audience, before scurrying to your darling boyfriend.

you wave the bouquet in your hand, and he nods knowingly, “guess you’re never get rid of me,” you muse, hugging the bouquet to your chest, “what a pity, right?”

he looks at you confused then sighs with a smile, “I never planned to, but okay.”

you beam at him and throw your arms around him, and he laughs, hugging you closer.

you trace shapes on his back and murmur, “you’re way too cute for your own good.”

“I need to charm you one way or another, you know,” he replies, motioning for the waiter to get you two more drinks.

he stays silent for a moment, “you can go get hammered—“

“not!”

“okay, not hammered with your cousin.”

“yay!” you scream joyously and run away.

guess who ended up drunk and dancing on a table.

FUSHIGURO TOJI:

toji and a wedding?

it’s a combination most would not expect, but it isn’t his wedding anyway, so he can’t complain about it being too much commitment right now.

the only thing he can complain about is being put into this ‘suffocating’ suit—a sight you love.

“do we really have to stay till the end?”

you turn towards him, mortified, “this is literally your best friend’s wedding.”

he shrugs, “so?”

with a shake of your head, you drag him further down the hall to your assigned seats. at least, holding your hand is enough to pacify him.

the wedding goes as you would expect, aside from toji almost falling asleep.

you are now just standing beside the clearly expensive and delicious buffet—your true love.

toji is happily indulging in the food laid out in front of him, and you are about to do the same, but you notice that the bouquet throw is about to happen.

so you dash out of your seat just in time to catch that rogue bouquet. you raise your hand, announcing yourself as the now rightful owner of this bouquet.

that’s why you excitedly search for toji to show him your new prize.

you rush towards the table that you left your boyfriend at, “toji, I got it!—toji?”

a look left, a look right, your eyes widen. did the darn guy leave the moment you caught the bouquet? no way his fear of commitment is this intense.

you take note of the groom—toji’s bestie—shaking his head.

feeling embarrassed, you frown and yell for him, “toji fushiguro!”

suddenly, you feel a presence behind your back. you feel the person lean towards your ear a bit, and they whisper a small, “hey.”

you gasp, spinning to smack him square on the shoulder, “I hate you!”

he teases, almost like your hit was never there in the first place, “now now, that isn’t something you say to your future husband,” he grins and you scrunch your face in disgust.

you turn on your heel to walk away from him, “kill yourself.”

“what a foul mouth,” he whistles, following you until you finally give up and are given the chance to punch him in the stomach to make for the scare he gave you.

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copyright © tender-rosiey

do not copy or plagiarize or you will be reported

#gojo satoru x reader #gojo x reader #sukuna x reader #sukuna x you #geto x reader #geto suguru x reader #nanami x reader #nanami kento x reader #toji x reader #toji fushiguro x reader #jjk x reader #jjk x you #gojo x you #jjk x y/n #geto x you #nanami x you #sukuna x y/n #ryomen sukuna x reader #toji x you #gojo x y/n

[libbyfandom]

Drunk Modern!Mizu with a Breeding Kink

(((Yup. I don't know what to title this short fic other than that. I let the demons win.)))

(((This turned out to have a bit of spice, a bit of fluff, a bit of my sense of humor. I will say it doesn't get smutty smutty but Mizu sure has a mouth on her. And she's determined.)))

You’re shooing Taigen and Akemi out of your apartment with a tipsy giggle at 2 am. Akemi turns and squeezes you in a warm hug. “Good night, doll! See you later!”

Taigen flashes you a peace sign before Akemi leads him, swaying and all, toward their Uber to take them away.

You watch them climb inside the car before closing the door and locking up for the night. You head into the kitchen, picking up the last of the beer bottles and tossing them in the trash.

You head into the living room where you last left Mizu, only to find her sprawled out on the floor with an arm thrown across her eyes. There’s a pink flush across the middle of her face.

“Too much whiskey, sweetheart?” you chuckle as you approach her.

“Fucking Taigen,” she mumbled, trying to angrily growl but it just sounds slurred and tired. “Fucking…drinking contest.”

You crawl over her, sitting on her hips. You do have to move carefully though, you’re just a wee bit unsteady from the amount of alcohol in your own system. “You could’ve just said no,” you hum.

Mizu remains silent. She’s probably telling herself she won’t grace your soft snark with an answer, but it’s actually cause she really doesn’t have a comeback for that.

Her arm lifts slightly higher, and she squints down at you. Her eyes drift to where you’re sitting atop her hips. Her legs shift under you.

She’s… really staring intensely at how you’re sitting on her.

You start to lift yourself up on your knees. “You good? Does it hurt?”

Mizu frowns as your weight leaves her. “No,” she says, and grabs your hips to pull you back down. “...It’s nothing.”

But you know that look. She gets it every time Taigen got under her skin about something.

“Nothing? Like a “just thinking” nothing or a “Taigen pissed in your metaphorical thinking cereal” nothing?”

Mizu’s nose scrunches up in disgust. “What?”

You press your hands to Mizu’s chest, bouncing a little for emphasis. “What. Did. He. Saaaaay?”

Your tone and actions were meant to be lighthearted, but something flashes in Mizu’s eyes when you bounce yourself on her hips. Her eyes flash back down to where you’re sitting. Her hands instinctively grab your hips to still your movement. The pink flush across her cheeks and nose seem to darken. “Fuck,” slips out from between her lips. She shakes her head. “S’ just being stupid and gross.”

You noted that little change in her voice. “Like what?”

Her thumbs run over the jut of your hips. “Some girl he hooked up with. Talking about how she had an IUD and let him cum inside.”

You sigh, “Jesus Christ, of course.”

“He’s gross.”

She keeps shifting her hips under you. “Are you sure you don’t need me to get up-?” You start lifting yourself again.

“Stop moving,” she says, and the flush on her cheeks doesn’t die down. She tries to look annoyed, but you can tell the minuscule differences in her expressions. That’s a pout more than a scowl.

You laugh breathlessly. “What’s got you so worked up?” You tap her totally not pouting lip.

She grunts, grumbling a little as her hands massage where they’re gripping your hips.

“Don’t be all huffy with me. Tell me,” you coax with a grin, your own tipsy flush complimenting your wide smile.

She rolls her head back against the carpet and is silent for a minute.

The amount of whiskey currently killing her liver is the only reason her inhibitions are loose enough to say it.

She mumbles something.

“Mizu-“

“I wanna do that.”

Your eyebrows raise into your hairline, lips parting with surprise. You need to clarify just in case you're misunderstanding. “You want to-?”

“I want to cum inside you.”

The raspiness of her voice is even grittier from the whiskey.

Holy shit.

Her irises are darker than normal, the bright blue having more the tint of stormy waters.

And whether it’s the liquid courage or Mizu’s determination to barrel through things to push through her fears, she keeps going.

Her hands are heavy as the slide up your sides. “I want to have something that I can slip inside you-“

Your heart is pounding harder in your chest from her words, her actions, the heat of her frustrated gaze. “You have several strap ons-“ you joke, but your voice is weak and airy.

“I want to feel you from the inside.” She makes a frustrated grunt, “I don’t want plastic. I want to feel you wrapped around something other than my fingers. I want to stretch you out-“

Her palms dig into your stomach. Her blue eyes flick up and meet yours, and you almost fall back away from her with how much unfiltered desire is in them. Her own breath is shallow, you can see how silently but rapidly her chest is rising and falling.

“I want there to be risk that I forget to pull out.”

Holy shIT-

“Mizu-MIZU-!”

Her hips bucked, throwing you higher up her waist with her strength. Your hands fly out to catch yourself, and your fingers hit her shoulders as she’s suddenly sitting up, face inches from yours. She’s supporting your weight in this position, hands and feet flat on the floor as you’re the unsteady one in so many ways. She looks irritated, like when she can’t bend something to her will no matter how much work she pours into it. But she also looks slightly mournful. Genuinely upset.

And very, VERY drunk.

She looks up at you with furrowed eyebrows. “I wanna see it dripping out.”

You gasp loudly as her teeth snap into your neck. It’s not a love bite, it’s possessive. It’s stinging.

But Mizu, being the complex and non one-note person she is, does let go and licks at the reddened skin in apology. “I want to leave myself behind. Inside you.” She nuzzles her nose below your ear, huffing.

Your brain is just on lag, taking several moments to catch up with each of her revealed desires. “And…” you swallow the saliva pooling in your mouth. “And if you got me knocked up on accident?”

Her arms squeeze tightly around you, burying her face in your shoulder. She’s silent for a heart pounding moment, you can actually FEEL her heart pounding with yours.

Her lips drag along the skin behind your ear. Her voice is low, dark. “Wouldn’t be an accident.”

Someone needs to take whiskey away from this woman. Or give it to her more. You’ll decide if you survive this encounter.

“Mizu-“ you don’t even know how to finish that sentence. You’re just… you don’t even know. You think you hear a faint ringing in your ears.

Her left hand dig into your side, gripping the fabric of your shirt. “Would you keep it?” she asks so softly.

“I-“ your brain is still on that fucking LAG.

Her breathing is slow, shuddering against your ear. “I wouldn’t make you, if you didn’t want to-“ she sounds so pained to say it your heart squeezes. You actually forget for a moment that that’s never gonna be an issue for you two.

Her grip on your shirt relaxes, before curling the fabric between her fingers tighter, clinging to you. “I’d just… beg for you to think about it,” she makes a wounded sound.

You swallow again, throat clicking. You’re becoming aware of a heat low in your abdomen growing warmer and warmer.

She holds you tighter against her, and her hips start rhythmically rolling up against yours like she’s mimicking how far she’d push inside to get what she wants. She’d work so hard for it, putting in all her time and energy and her unwavering determination-

“It’s selfish,” she’s murmuring against your skin, warm lips having traveling down to your neck. “But I’m selfish. I want it. I want it so much. I want to know there’s a little us-“ one hand goes between your bodies, fingertips pressed up under your naval like she’s obsessed. Her voice is strained. “I want to know it’s inside you. They’re inside you. I want to know they’re safe and warm. You’d keep them so warm. You’re always warm-“

You have never, in your life, ever heard Mizu babbling like this.

SHE’S STILL ROLLING HER HIPS UNDER YOU.

You finally grab her face with both hands in a rare moment of clarity to still her, forcing her head up to look at you in this haze of body heat radiating from her, from you, radiating everywhere between your bodies.

“Baby.”

Her head lolls back, looking up at you and oh my god. She is just gone. Her red cheek flush has spread to her whole face. Her lips are wet and parted, breath now audibly heavy. Her eyes, her eyes, her gorgeous blue eyes are now a storm. A dark, hot storm.

“Let me put a baby in you, dove,” her voice is strangled, slurred worse than you’ve ever heard as her half lidded eyes gaze at you.

Jesus, she’s bringing out the rare pet nickname she’s so desperate.

And just when you think Mizu is done shocking your system with this new side of her, her expression crumbles into the saddest thing you’ve ever seen.

“Please?”

She’s pleading.

What the fuck was in her whiskey?!

“I’ll-I’ll take care of the two of you. Keep you safe. Just let me- just let me-“ she lifts her hips up under you again, as if trying to tempt you into it. She hiccups. “Just spread your legs and I’ll do all the work.”

With strength she should not have while she’s absolutely smashed, she lunges forward, shoving you to the carpet with your legs spread around her waist. Her hot breath fans over your face, tinted with whiskey. She wets her lips. “Have my baby. Say yes.” Her hips press down into yours again. She whispers your name.

You’re tempted to say yes, despite still being sober enough to remember the logistics of this. She makes a very persuasive case. And it’s not just cause she’s grinding into you like she’s warming up to do it.

"Say yes..."

Click!

You both slowly look up (you more tilting your head back) as the front door opens and Mizu’s roommate Ringo comes in. He freezes in the doorway, seeing Mizu crouched over you in a very interesting position with your legs still spread by her thighs.

She scowls at him. “You said you weren’t coming back tonight!” She sways over you.

Ringo blinks. “Mom has Bingo in the morning,” he says innocently. “… did something happen?”

“She’s pregnant,” Mizu hiccups, before passing out atop you without warning, shoving a strangled noise out of your chest as you yell for Ringo’s help.

“Oh? Congratulations!”

“….Wait…?”

“RINGO HELP!”

In the morning, Mizu drags herself into the living room looking like she was just brought back from the dead, face drained of color and eyes squinting at the light behind her tinted glasses.

“Hi baby,” you greet her softly, cautiously as you watch her head to the kitchen, aiming for the coffee pot.

“Hi,” she groans. “I’m never fucking doing a drinking contest with that bastard again.”

You nod, “That sounds good."

You pause, "Do you remember anything from last night?”

She shrugs as she passes you. “Barely.” She disappears into the kitchen.

“Oh,” you turn toward her retreating back, propping your chin in your hand as you lean against the back of the couch. You wait until she’s out of sight to oh so innocent call out “I wanted to ask about how you were begging to impregnate me.”

Several loud crashes in the kitchen.

#mizu x reader #blue eye samurai x reader #mizu #blueeyesamurai #mizu blue eye samurai #mizu smut

[twistedwonderlandimaginesblog]

Mc accidently got splashed with a (obsessive) "love potion" and she falls in giddy love with first person she lays her eyes on.

All she wants to do is give them kisses and hugs...and yea she also is clingy and she follows them around even duuring class. She is ready to do anything for her "love" ( like whatever they ask of her) she wants them to be happy . She is convinced that they are dating and it's honestly pointless to try and explain things to her.

How would Azul, Jamil, Malleus, Duece and Floyd hanndle the situation/what's their reaction? ( they were not dating before ) 

Azul Ashengrotto:

Azul was doomed by yet another situation he couldn’t see himself out of. He hardly knows how to handle you normally, or rather how to handle his feelings for you, but you’re much harder when you’re like this. Having you clinging to his side and demanding his attention made it impossible for him to concentrate, and feelings be damned he wasn’t going to let his business suffer. Since Jade and Floyd refused to escort you from his office (finding Azul’s flustered face and inability to actually push you away the best comedy bit they’d seen in years) he ordered them to instead find a cure for the nightmarish love potion that ailed you. They do agree but take longer than they need to, wanting Azul to endure his torturous thoughts a bit longer.

Deuce Spade:

You have poor Deuce stressed OUT. He’s too worried about your well-being to hear any of Ace’s teasing, also focused on keeping his lips covered in case of another surprise attack. He wouldn’t mind under normal circumstances but this doesn’t feel genuine (and he had a much more romantic first kiss in mind for the two of you). He boldly confided in his seniors about you in hopes of them helping with a solution, tightly holding your hand to keep you at bay. He’s willing to go to any length to cure you, even if he’d miss the closeness.

Floyd Leech:

Floyd is willing to milk this situation for all that it’s worth. He particularly enjoyed the squeezing contest you had, and how tightly you clung to him even after he clearly won. He would have loved to keep you all to himself, using your condition to get out of working at Mostro Lounge as it would be hard to cook with you attached to him like you were. Jade is surprised with how long Floyd indulged your clingy behavior, even when he seemed fed up, he knew if he really wanted to push you away and lock you up so you’d leave him alone, he would do it.

Jamil Viper:

Jamil would have used you for all you were worth if he didn’t have feelings for you. He’s frustrated that yet another responsibility was thrust upon him, but turning his back on you was not a choice under these circumstances. It makes it hard to go about his day when he has two different people bothering him all day, but you proved to be the bigger challenge (for now). If he could concentrate he’d have an easier time of finding a solution but there was a part of him that longed for you to continue to worship him, curious how much of this might mirror your relationship if you ended up dating.

Malleus Draconia:

You had always been more honest with Malleus than others, but this was certainly new. As much as he enjoyed your emboldened behavior it didn’t take him long to detect something was off, leaving him conflicted. He wouldn’t mind having a close relationship like this with you, maybe some more boundaries discussed for the sake of Sebek’s heart and everyone else's eardrums, but he was disappointed to know this wasn’t you acting on ‘real’ feelings. He’s even more suspicious about how and why you were splashed with such a potion to begin with, growing rather possessive at the concept of someone trying to steal your heart away from him.

#Twisted Wonderland #TWST #Twisted Wonderland Imagines #Twisted Wonderland x Reader #TWST Imagines #TWST x Reader #Azul Ashengrotto #Deuce Spade #Floyd Leech #Jamil Viper #Malleus Draconia #azul ashengrotto x reader #deuce spade x reader #floyd leech x reader #jamil viper x reader #malleus draconia x reader

[moondirti]

𝐂𝐀𝐁𝐈𝐍 𝐅𝐄𝐕𝐄𝐑 [18+]

familiar! ghost × witch! reader

you are a witch trapped at home by a devastating blizzard. ghost is the demon that answers your call. ( PART 1 of 2 )

DEAD DOVE. RATED R. HORROR/SMUT. 6k. – AO3

please please please read the warnings under the cut before reading. this is leagues darker than my usual work. it is a dark fic, and you know your limits better than i do.

warnings: discussed cannibalism. graphic depictions of gore. vomiting. killing/butchering animals. violent thoughts. malnutrition. alienation/isolation. manipulation. corruption. mentions of somnophilia. dark!ghost – i.e. simon does not conform to human morality. afab reader using she/her pronouns.

inclusivity note: the reader is described as smaller than simon, but he stands at 250 cm in his true form (8"2), so i assumed everyone – if not, most – would fit that category. she's also malnourished/sick at the start and so there are some references to unhealthy weight loss

Situated between a dense network of ancient oaks, a lesser demon would have mistaken the cottage for a boulder had they spawned further than ten metres away. Save for the warm orange glow illuminating its arched windows, the home married perfectly to its surroundings – disfigured and hideous, walls warped by unevenly stacked stone and a roof bowed under a thick blanket of snow. Overgrown bushes stick out from under its gnarled fence, dead branches desperately reaching, and the ivy he assumes was once adhered to its front has since been ripped out by the storm, whipping in the howling wind. 

But Ghost is no lesser demon; in fact, he’s far above this whole affair. Something of his rank answering the summons of a novice who could offer no more than sheep’s liver buried in their front yard was an occurrence practically unheard of. For good reason, too. He’s dangerous in the right hands, willing to resort to lengths that even the devil wouldn’t dream of so long as he receives proper payment. Most power-hungry neophytes would slaughter, have slaughtered, to have him as their familiar. Even then, he is above their grovelling. 

So, to be lured out of respite by sheep’s liver, of all things… 

He supposes he has no excuse for it, not that he has to explain himself to anyone. Perhaps he’s here only to satisfy his curiosity. The call hadn’t come from the lips of someone who’d been practising – sharp and sure, roused by a brand of audacity special to cocksure practitioners – but from someone softer. More sceptical. It’s unusual that an occultist would have both knowledge and skill to summon a familiar, yet still be suspicious as to whether they even exist at all. He’s not so much offended, then, as he is morbidly interested in what reaction his appearance would incur.

Disgust. Terror. Reverence. 

Warmth pools in his belly, blood oozing in fat globs to fuel the flame that compels him to head into the small home. It’s hard to make out what’s inside merely by looking through the windows; the glass has glazed over from the contesting temperatures on either side of it, painting a bleary picture of a fire silhouetting vague shapes. The doorstep creaks under his heavy foot, but nothing – from what he can see – moves in response to the disturbance. It’s late, he knows. If it weren’t for the thick clouds shrouding the sky, he would see the moon sinking towards the west horizon. Anyone with any sense in this world knows to be asleep during witching hour.

The doorknob is round. Brass. Worn by a hand that’s gotten very good at grasping it in the same manner every time. Ghost takes a moment to digest what that tells him about his new client before turning it and ducking inside. He was right to assume it’d be unlocked. While he’d have been able to find a way in otherwise, the silly little oversight manages to elicit more excitement in him than necessary. Their mistake is added to his quickly growing character evaluation. A routineer. Garden-variety mortal, too naive for their own good. Someone isolated. Someone– 

Small. 

Size has always been relative for something of his stature. At two and a half metres, he’s able to tower over even his own. But it truly hits him, right there, how long it’s been since he last encountered a human. He tries to tally the decades in his head, only to fail and fail again by fault of distraction. It shouldn’t hit him as hard as it does. She fulfils every bit of what he expected, after all; plain, though younger than the typical practitioner of familiar-summoning ability. Fast asleep on a threadbare couch. Drowned in clothing, skin dewy with sweat. A book abandoned, open on her chest, stuffed with spare pieces of parchment and illegible annotations. Ink-stained fingertips.

But his hand could crush her head if he was truly compelled to do so. He could scoop the bare ankles currently peeking out of her quilt and throw her over his shoulder like wild game, skinned and simple to carry back to hell. He remembers the fallow deer he’d feasted on just last week, belly soft as he sunk his teeth into it, and considers letting his appetite get the best of him with the one that’s unwittingly made herself available tonight. Crack open her ribcage to gorge on the gooey insides that no doubt taste like honey to a monster with his appetite. Bury his snout into her sweet-scented neck and get a sense for prey that can fight back, if just barely. 

But the moment passes. In her slumber, she shifts to lay on her side, spooning the grimoire closer. The minor hint of life reawakens another, more primaeval urge in him, last felt aeons ago when he was a younger fiend and the world had been a much more vulnerable place.

(The urge to take, to bend and break to fit his fancy. Chewing on cartilage until it smacks like gum between his maw, flossing the foul curl of his canines. To sink his claws into tender calves and carve an irreversible Ghost-shaped hole in her home, a haunting so stubborn she’ll turn to a fake God to try and expel him.)

And it’s violent. A rather restive longing. But placed next to the patience he’s learnt in the centuries since, he makes his choice. A natural conclusion to a creature who’s always gotten what he’s wanted.

Yes, he’ll stay. Be here when she wakes and revel when those eyes widen at the sight of him, darkening the corner of her room. He’ll stay; trail around and observe as she tries to make sense of her routine in light of the beast looming over her shoulder. He’ll stay, maybe ravage what's between her legs, devastate her sense of preservation and instead make her beg for the damage. Fall short on his duties as a familiar. Stay until he gets bored, when he’s had his fill of the crying and the quaint box she calls home. When playing with his food any more will lay the morsel to waste. Only then will he finally tear into the temptingly delicious meal in front of him.

For now, though, his neck aches from having to stoop under such a low roof. He resorts to a bygone human form instead, one he consumed ages ago – bones snapping, flesh dimpling, folding, morphing into a much smaller thing, a man – and waits.

Morning finds you doubling over the side of your couch to retch up what little food you had scavenged the previous evening. 

The loss is sore. Your stomach protests as the stale bread and water emulsion punches up your throat, emptying out onto the hardwood floor. Acrid. Bitter on the back of your tongue, sharp like the cramps that erupt in your abdomen once you lay back down. Sweat plasters baby hairs to your forehead, crawling down your back and pooling underneath your bandaged breasts. You wipe it off with trembling hands, kicking the suffocating quilt until it slouches off the armrest on which your feet lay. 

Last night’s fire is little more than smouldering ash. Still, the cottage maintains a pervasive heat, the air buzzing with an unnamed vigour. It’s unlikely that the blizzard has ceased long enough for the snow blanketing your home to melt – and given the walls’ remarkable ability to release warmth faster than they absorb it, the current temperature is enough to confound you. 

Likely a fever, you think, pressing knuckles to your temple. The timing is unfortunate enough, though something about your conclusion falls apart when tested against the churning of your gut. You’re clearly unwell, that much is apparent by the bile spoiling your floor, but you’d be a fool to miss the supernatural root of it. Like a perpetual tremor, never waning despite the way your muscles flare. A delirium that unfurls from your nape to slowly embrace your ears. You blink, trying to make sense of the queasiness that continues to wrack you. 

You’d run out of herbs two days after the blizzard snowed you in, the remaining potions lining your pantry ones best left untouched. It couldn’t have been anything you took, then. Nor was it a spell; the last one you’d cast was an ignition charm you’ve performed so often you know its effects like the planes of your cheeks. You cycle through yesterday's happenings with febrile imprecision, sipping long gulps of oxygen to tame the queasiness lapping up your chest. Like bailing water out of a quickly sinking raft. Cupping it in your palms and throwing what you can overboard. You get nowhere, and your nausea only worsens.

You’d gone to sleep with your grimoire in hand. Had you cast something while in a hypnagogic state? Possible, though rather uncharacteristic. Your fingers dig into the cushion gutters, poking for any sign of the thick book. As a migraine begins to tear at your skull, your search borders on unhinged. Pillows fly across the room, cushions following suit. The quilt billows as you air it several times over, providing some fleeting – yet much needed – airflow. 

You’re so focused on finding it that you almost miss the fact that the charred voice behind you is not your panic made material. Not the voice inside your head.

“Under the couch.”

This one is hoarse. Deep. It almost instantaneously shatters the heavy atmosphere cloaked over your shoulders, breaking your pyrexia with a sharp shiver down your spine. Pure ozone injected into the bubble you’ve made for yourself, the one you thought was so secure. Where the knife you taped to the underside of your table has remained untouched in the years since you moved in, unneeded. Hunched the way you are now, you can see it. Glinting as a mocking smile does; all teeth. Too far for you to retrieve without alerting your intruder. Too far for it to be an option. Your instincts rear.

Slowly, you crouch lower, hand skimming under the couch. Your pinkie grazes the well-loved leather of your grimoire’s cover. It manages to ground you to the situation at hand, though the reality is far more horrifying than what you could’ve conjured on your own. Distorted still, rippling with the impact of your fear. Paralysis battles adrenaline – your mind freezes with the shock of drowning, your body championing for survival. It doesn’t give you time to catch up.

Wood splinters under your heel as you twist, springing in the general direction of the voice. Heavy book in both hands. Your shoulders square, steadying as hinges to your attack. The figure is just visible; you barely make out the silhouette of its head before you aim for it.

But it grabs your wrist and flings your grimoire across the room in a fraction of the time, the spine splaying open onto an adjacent wall. Your stomach capsizes. The raft tips, flips, sends you crashing into frothing waves. Migraine blinding you for a brief, horrifying moment; one where you can’t see the thing shackling your wrist, or anticipate the hard kick it gives to your ankles. You buckle with the pain, held up by one heavy paw. A low whine syphons from your chest.

“Enough of tha’, now.”

Your vision comes into focus several seconds later. Still watery, brine spooling over your eyes, readying them for pruning, but clear enough to make out the depth of this ravine you’ve shipwrecked over. And it’s–

Uncanny. Teetering the thread between jarring and inhumane. Nothing about it – you’ve a hard time believing the moniker of ‘man’ – strikes you as superficial. Nothing skin-deep. Like a mountain seen breaking the horizon line from continents away, its rocks humming a song too closely resembling a banshee’s shriek for it to be alluring. Something concealed within its caves; underground, bubbling, molten. An impetus for myths, undiluted by tired parents using it to scare their children into bed. Still crowned by its original savagery, conceptualised centuries ago by a peasant who made the mistake of getting too close.

But it isn’t a concept, you quiver. It’s here – fleshly, corporeal. And it's even made an attempt to look human. As if you wouldn’t feel it itching to burst out of this skin, suffocated by too small constraints. Over six feet and then some, shoulders doubling yours and fingers that stretch a bit too long, a bit too thick. No face: everything but its eyes covered in knitted headwear, framing the pair of pale pupils, shadowed by a heavy brow.

 Some suicidal, hare-brained part of you wonders what would happen if you were to lift the bottom of its mask. (What you would see. How it would react.) But the compulsion is quickly stifled by another wave of gagging, empty stomach looking for anything to regurgitate. The thing masquerading as a man catches on fast, flipping you so your back tucks against its chest. You end up projecting water over the carpet, coughing until your head pounds like a ripe bruise. It’s then that you realise your condition has everything to do with its presence, souring now that you’re practically nestled against its abdomen.

“What…” You question between dry heaves. “What are– What do y-you want with me?”

“Better question ‘s, wha’ do you want?” It murmurs back, rumbling too close to your ear. Rot thickens its breath, potent enough that it draws the tears already dotting your lash line. No doubt a corpse remains stuck somewhere down its gullet, stored away for later. No doubt you’ll join it soon, gnawed on until your flesh falls off the bone. The perfect victim; all alone, the town pariah. A witch by the common man’s standards. Cast out to a dismal forest to die.

“I don- I don’t–”

“Summoned me, didn’ you? Dug a nice little hole and all. Well,” His hand shifts, clasping tighter around your struggling arms. “I’m ‘ere now. ‘Bout wha’ you expected?”

You use your retching as an excuse to play a game of catch up, squeezing the last of your tears out. Your memories bleed into one another, ink on wet parchment. Summoned. Dug a… hole, to call on this thing of supernatural proportions currently occupying your home. Why would you want that? What have you done? The past year has been marked by loneliness of a drastic degree, certainly, yet–

And then it comes flooding back to you.

(Washing the salt off of preserved sheep’s liver. Fastening it to a bouquet garni with twine. Folding the modest sacrifice under layers of earth. Pouring milk onto the upturned dirt.)

“Aren’t you supposed to be an– an animal… Or something.” You choke.

(You never thought it’d work: this magic amateurishly scribbled onto the back of your book by a hand long necrotized. The runes had been difficult to fathom on their own. And the way the spell had sounded on your clumsy tongue made you sure you’d done it wrong. It was purely a pursuit of curiosity. Something to keep you occupied, for lack of anything else to do.)

“Or something.” It answers.

A familiar. Yours, to be precise. In service to you since it took the offering you fashioned. Or, of greater import, one that can’t do anything to you lest you ask for it.

(Foolish to think you can clamp a collar on a feral beast and expect it to heel.)

The girl has a harder time adjusting than his original estimate.

Of course, there’s the illness. The affliction that plagues all mortals who come in contact with a demon for the first time. She’s violently sick for days, verging on the full first week of his arrival. Constantly bent over herself, holding a metal pail close for the inevitable purge of bile, that which her liver overproduces to compensate for a lack of food. Her under eyes blacken five shades darker. Her cheekbones grow more pronounced. Ghost watches it all with a macabre sort of interest, unable to take much satisfaction in the affair as his meal withers away before his very eyes. Wrists thinning into willow branches. Lips flaking like dead bark.

He's almost tempted to do something before she begins to recover herself. Gets more used to his unnatural presence, it seems. Gradually. Slow.

It starts when she wakes up one morning, having slept in later than he’s known her to, hiccupping but otherwise solid. After laying on the couch for an hour, she limps off with dwindling energy to fry a batch of velvet shank for breakfast. The meal is hardly enough for one, yet she plates two-thirds of it for Ghost and places the dish on the table he’s commandeered for his own. It’s a kind gesture; he doesn’t have it in him to be kind about it, though. Yet before he can criticise her efforts, she waddles off to pry a window open. Frigid winds encroach on her sheltered home at once, snow flurrying in, but she braves the cold until a crow lands on the windowsill. 

“Hello.” She croons, smoothing a knuckle across its crown. “Sorry I’ve been away. Here,” Digging into her breast pocket, she pulls out a handful of chokecherries and feeds them to the bird. “make them last. Supply is low.” 

The crow merely picks them off her palm, coos lost in the roaring storm that batters at the door. For the first time since his arrival, Ghost is tempted to bleed into the shadows. The affair he’s made voyeur to is delicate, an understated glimpse into a life entirely foreign to him. It aches when he can’t piece together why she would give up her food for nothing in return, or why she treats him the same way she does a feral bird. He thinks it must be ego, this snarling anger in his chest. 

So when the crow flies off with a final farewell pet down its back, he hardens into a nastier version of himself. Ghost still hasn’t touched the paltry breakfast when she turns her attention back to him, a fact she meets with a gingerly raised eyebrow. 

“’Fraid I won’t eat tha’, pet.”

She takes a moment to process his epithet of choice, eyes narrowing in an almost comical turnaround of her previous gentle expression.

“Wouldn’t it be the other way around?” She scoffs.

The indignation alone should be enough to incense him further, never mind the apathy she adopts when she shucks the contents of his plate onto her own and marches back to the couch. It doesn’t. If anything, he calms a little at her willingness to take away what she so graciously offered. The cat does have claws, then. Albeit petty, piddling little claws – like the runt of a litter who’s learnt to bite back at anything that gets too close – but a fire, nonetheless. He appreciates that, perhaps more than he assumed he would. 

Her sickness, he finds, is not the only issue.

Ghost lacks context for her situation – why she lives alone when the closest towns are just bordering the forest, or why no one ever seeks her out – but it does not escape him that the girl isn’t properly socialised.

In the centuries since they first emerged, he’s absorbed a keen sense for mortal behaviour. Credit to their alarming predictability, pattern recognition has halved the effort needed for his hunts. Not that he pretends to be at one with their psychology, but it’s easy to pin just where exactly she deviates from the norm when his strategy for ravaging her depends on it. More than once, he finds himself inexplicably engrossed in her habits.

Given her home is limited to the living room, kitchen, and washroom, she struggles to find a space where she can escape his oppressive presence. Ghost does not make it easy for her, either. He could choose to blend into the darker corners of her cottage, embodying the moniker he’d been given all those years ago and disappear almost completely – or enough to give her a mental break. But the mood strikes him more often than not, and he’ll loom over her like a spectral shadow, looking to provoke the grave mood swings that seize her like Satan does his miscreants. By far the most entertaining outcome had been when overstimulation trounced her usual level of tolerance and she pulled a knife on him, zeroed in on his jugular. He’d managed to scruff her by the nape until she wore herself out – which isn’t to say she didn’t put up quite a fuss. 

Since then, she has yet to lash out to such an extreme, instead locking herself in the washroom when her temper skyrockets. Ghost is almost disappointed. 

That’s his pet at her worst. At her best, she opts for quiet coexistence, either whispering to the crow who visits daily and appears to be her only friend, or cradling that ugly book in both hands. The back of the couch where she lounges most often obscures his view of her, but he’ll get the occasional vision when she pokes her eyes above the top to check on him. He maintains eye-contact – the heavy, uncomfortable kind that engenders pure humiliation and pummels her back into place, eyebrows furrowed and contentment spoiled – until the boredom gets to him.

The next time she sneaks a peek, then, he effects a gruff “Still ‘ere.”

She keeps to herself after that, nose buried in her grimoire like a chastened fawn. 

It takes three weeks for her to settle into normalcy. By that time, Ghost’s patience has already started to wear thin.  

The girl operates under the impression that he can’t do anything unless she orders it of him. He doesn’t blame her, credulous thing that she is. The notion is generally accepted by most of her grade, propagated by some text meant for beginners, written by a man who lacked the subtlety to discern between rules and good form. It’s true that familiar’s tend to only perform feats their counterparts ask for, but only because to do otherwise is bad practice. What else motivates a symbiotic relationship if not trust? Dependency? 

Of course, that’s if a demon has anything to gain that a human can provide. He’s always found it to be a little more than pathetic. Reared to hunt, formidable in his thaumaturgic ability – Ghost has lasted centuries by remaining self-sufficient, unwilling to lean on the inferior class of rational beings. Unwilling to do their dirty work in exchange for blood he could obtain very well on his own. At least, that had been the conviction when he’d answered her graceless summons, bent on killing both his curiosity and hunger with one stone. 

But something about her had made him glad to abide by the niceties. Had soothed the spring of his haunches as he prepared to pounce, or otherwise convinced him to play passive until golden opportunity struck. He’d wanted her to have as much a hand in her own unravelling, like a frog brought to a boil, entirely oblivious of its impending death until much too late. Her erroneous understanding of their dynamic, then, had paired nicely with his purposes. So he led her on to believe it, wasted most of his days amenable at the dining table as if waiting for instruction. As if she was the one in control, buzzing to shatter the perception when she inevitably asks something of him. 

What he’s found, unsurprisingly, is that she’s blossomed under the reassurance. The initial fear that gripped her once she realised he wouldn’t be going away has since watered down to a weak, background agitation. He tastes it in the air; the mild unease as she flits about her cottage, the first thing to go when something else captures her attention. The way she hardly takes note of him anymore, waking up or retiring to sleep with nothing but covert glances to where he monopolises space. 

So that feeling of frothing irritation returns at her docility, only more powerful than it had been when she’d offered her last chokecherries to the crow. No witch or wizard of her acumen has ever been so lacking in spite – and from what little she’s allowed him to see of her outbursts, he knows she isn’t short of it either. Yet she’d given up so quickly. Forfeited her home and comfort to a monster she hasn’t attempted to make any use of. And fuck– if that isn’t what he’d wanted. He needed her secure in him, pretty and soft enough that she’d be tempted to trade him for favours, for little feats of magic or the completion of chores she no longer has to worry about now that she doesn’t live alone. 

Nevermind the detail that she refuses to ask anything of him; it still claws at him the wrong way, razor-sharp and deadly as it tears up his throat. This anger on her behalf. A compensation for the response she should be having. It stirs him when he realises that, for all intents and purposes, what he feels is pity. Perilous, committed sympathy. 

There’s a reason he steers clear of it, too. Quick to snowball. He already feels it growing, avalanching into the hollow recess where he’d suppressed the soul of his first meal. Something shifts, then. He can’t place it. Just knows that the outcome he’d envisioned – where her bones serve to pick his teeth of the soft flesh from her thigh – is no longer a viable option. Just knows that his intentions with her mutate into something perhaps more dangerous, a little more unhinged. To weed out the wickedness he’s only seen in flashes. To see her corrupted into a far worse version of herself. 

It’s late into his twentieth night when Ghost decides to do something about it. 

He wedges back into her cottage when dawn splinters over the virgin snow. If he were a passionate man – not this hellhound trailing blood behind him like breadcrumbs – he’d remark on the way the tepid sunlight stains the forest in shades of peach and lurid blue. But the crow between his teeth hangs limp, and he’s hurried for the best way to present his gift, too absorbed in the task at hand to pay much mind to scenery. 

The house is as tranquil as it always is at this time. Suspended in amber, a fossilised quaintness he’s grown used to. Golden, almost sticky slow. She’s still fast asleep on the couch, soft snores whistling from underneath a patchwork quilt (which smells so much like her that, to his mutt senses, they’re one-in-the-same form.) Despite the precarity of the moment, he makes no effort to keep quiet. His natural disposition isn’t prone to making any unintentional noise though, and so the only thing he disturbs are the dust motes bobbing in suspended animation. 

Ghost places the dead bird on the table. It won’t be long before the blood drains from the punctures in its neck, and he prefers his meat iron-rich and wet, so he makes quick work of morphing back into his human form and washing his muzzle clean. There’s a sick thrill that curls in his gut; something like adrenaline, ozone-rich. Ruthless. He holds a crystalline picture of her reaction to the slaughtered friend he dragged into her home; angry, doe eyes glazed with tears as she yells at him for acting against her best wishes. Bad dog. Perhaps she’ll pull the dagger she keeps taped to the bottom of the table to indulge a sense of security. Perhaps she’ll drive it into his chest. That’s for hoping. 

Standing over her now, he imagines the way her serene face morphs into something foul when she’s pushed to her limits. His cock twitches at the mental picture, aching behind the confines of his pants. A heavy hand moves to adjust it, stilling once it cups his balls to consider whether it’d be overkill to tug it over her face while she remains nice and still like this. It would be – not anything he’s above, granted, but excessive nonetheless. Besides, she’ll have plenty of time to accept the attention. Learn to love it, even.

When she wakes, Ghost has already plucked the crow. The feathers pile in the centre of her round dining table – distinctive even when detached from a body, meant for her to draw parallels to the game he currently masticates. Yet she hardly notes his presence at all. Instead, the unsuspecting thing merely clears the sleep from her bleary eyes, weighed down by a heavy cloak of sloth, more focused on wiping the drool off her chin than him. If she had been, perhaps the pieces would fall that much faster; at least, that’s what the quick-tick rap of his pulse insists upon. 

But he’s no over-eager brute. He can wait. 

Yet he is tense when she shuffles to and from the bathroom, bare feet padding along hardwood. Like a flood, his body grapples against the tidal urge to grab her jaw and force her gaze upon his bloody teeth, sharpened and marred behind the mouth of his true form.  Look at me. Have you no survival instinct? There is a threat in your home and you parade in front of it, blind as a mole. You’ll get eaten like this. You’ll be condemned to hell between the jowls of horrible men.

(More monster than ever, really. Even like this, bound by his approximation of what a mortal man looks like, his face remains stuck to its original construction. The knitted mask he wears is more for her sake than his; he’s never been able to replicate the particulars of humanity. The delicate planes of their lips or the angles their noses protrude at. Better not to try, then. Better to hide it all away.)

It’s as she scrounges for breakfast that she finally heeds the pinpricks of blood dotting the floor. Fat, dark splotches draw a clear line from the doorway to a very calm Ghost, sat with his thighs spread over her too-tiny chair. He’s yet to finish his meagre meal – each bite seasoned with a satisfaction that bloats heavy in his stomach – hence the evidence of his crime still paints the corner red. A violent picture. Distressing, if he were to interpret the way her brows knit tight. 

Crimson meat marbled ivory. Wings pried off a picked apart ribcage, shanks sucked clean of slightly tougher muscle. Still intact are the heart, tongue, liver – their membranes dissolving to soak into the table. The smell of death will be hard to rid of, he’s sure, much like the inedible parts of the bird that scatter carefully in front of him. Its glossy black talons. That tell-tale beak. Feathers on which her eyes linger, like she recognises the sheen but is too upset to connect it to the crow she fed daily. Her only friend. 

She steps closer. Ghost devours every minute expression that flits upon her face. For the expressiveness of her pupils – contracted, small like organic pearls – she doesn’t portray much externally. Her fingers wring her skirt, twisting and twisting until it wrinkles in the impression of her thumb. Her lips purse into a thin line. But as far as his sharp observation goes; no tears. No ugly rage rippling her cheeks. 

“What is this?” She asks in a small voice. 

“Breakfast.” He says. It isn’t the response she’s looking for, and a frown tugs at her mouth. Not necessarily sad. Her hands release to clench at her sides. He smiles behind the mask. He can’t help himself. 

“I didn’t tell you to do this.” 

The smile breaks into a low chuckle. “No?” 

“No.” Shaking her head, emotion surges up her throat. It bubbles thick and forces her to adopt a higher pitch to overpower it. “You brute. I-If you could’ve done whatever… whatever you wanted t-the whole time–”

“C’mere.” His hand snakes around her wrist, using it to wrench her closer. He consciously keeps his grip light – too much force and he could easily shatter bone – but the girl does not share his concern. She pulls and fights and stubbornly protests his direction.

“No! Get the fuck off! Get out!” She heaves. Seethes. Spittle launches from her tirade, her nails digging into his palm. She looks for blood but he won’t give it to her. She’s doing well, but not well enough. Eventually, he is able to pull her onto his lap, locking thick arms around her squirming form. “You bastard. You monster! I’ll fucking kill you. I’ll murder you in your sleep and feed your rotten insides to the maggots. Let me go!” 

He’s blood-filled in his trousers. The hefty bulge knocks the small of her back and of all things, that’s what gets her to suddenly slacken. Though her chin tips to rest between her collarbones, lashes deliberately cast down. Refusing to meet his eye for all she’s worth. Good, he thinks, a warmth blossoming in his chest. 

“You ough’ to know your friend didn’ put up a fight.” He starts, nosing the part in her hair. Despite his knitted mask serving as a direct barrier between them, he can smell the pine and juniper berry soap she uses to wash up. Sharp. Sweet. Particularly potent behind her ear, where he considers her lobes like low-hanging fruit. 

“Shut up.” 

“Need to hear this, pet.” She doesn’t listen, naturally, hips bucking wildly the instant he loosens his hold. His fingers bruise when he readjusts her on his thighs. “Need to know it was your fault as much as i’ was mine. Yeah? Y’let it grow too comfortable. Fed it daily and robbed i’ of its ingrained fear of strangers. In the end, it got much too friendly. Didn’ have the sense to fly away when I approached it.” Her breath pinches into a piercing whine. Ghost likens it to the kettle she keeps over her stove, waiting for steam to burst out of her ears. 

It does not come. Instead, she cries. Beads of brine break her waterline, streaking miserable paths down her cheeks. He’ll grant her this: she does not sob unreasonably. Her hiccups are limited to if and when the air hardens in her lungs. He lets her have a moment before continuing. 

“S’what happens, see. You get complacent, ‘n’ next thing you know, you’re meeting your God. Tell me, pet: do you think the afterlife would be pleasant to a witch?” 

When she doesn’t respond, he bounces a knee to knock some sense back into her. Her weeping starts anew, only this time accompanied by a stuttered acknowledgement. 

“Hm?” 

“N-No.” 

“No. ‘Course I could ‘ave told you that much, but it’s importan’ you come to the moral of the story yourself. Fight, or die.” Ghost strokes the goosepocked flesh of her upper arm, voice softening to deliver the final part of speech. It’s treacherously low, ultimatum like powdered ash cushioning the roughness in his throat. “And believe me when I say, dying ain’ the better option. There are far worse fates than me in Hell.” 

He does not know whether it lands like he wants it to. If it accomplishes anything at all. But she doesn’t attempt to peel herself off him in the aftermath. Instead, she mourns herself dry for the next hour, snivelling wretchedly on his lap. 

When her crying stops, the air is still laden with something. Hesitation rolls off her in waves, dense with the renewal of fear. He supposes it must be hypocritical of him, to both strike her with terror and expect her to overcome it, but he hums anyway, nudging her temple off his shoulder in an appeal to state what’s on her mind.  

What comes instead is a deceptively simple question. 

“What’s your name?” She asks. Doesn’t demand of him to tell her. Doesn’t set up grounds for him to ask for something in return. He can either answer, or not. She leaves the choice up to him. Clever girl. 

He grapples with it a moment too long. A long dead man beats at his ribcage and demands to be heard. A meal he never managed to digest. Hissing. Snarling. S-Si-Si–

“Ghost.”

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[redgoldsparks]

I wrote a 12 page epilogue to my 2019 comic "Harry Potter and The Problematic Author" because I found, in 2023, that I had more to say. You can also find this comic on my website, and I have PDF copies available on etsy. I may sell print copies at some point in the future.

instagram / patreon / portfolio / etsy / my book / redbubble

Full transcript below the cut.

PAGE 1

Part one: Ruddy Owls!

I was in fourth grade when the first Harry Potter Book was released in the US.

Panel 1: Sometimes our teacher would read it aloud in class. “Mr and Mrs Dursley of number 4 Privat Drive were proud to say they were perfectly normal, thank you very much…”

Panel 2: I was 11 years old when Harry Potter finally broke through my dyslexia and turned me into a reader.

Panel 3: Every night in the summer before sixth grade I waited for the owl carrying my Hogwarts Letter. I cried when it didn’t come. “I have to go to Muggle school!”

PAGE 2

Part Two: Hats

I dedicated myself to being a fan.

Panel 1: I began collecting Harry Potter News article.

Panel 2: I asked my relatives to mail me ones from their local papers. I filled a thick binder with clippings.

Panel 3: I wrote my own trivia quiz

Panel 4: and participated in the one held annually at the county fair. “Next contestant!”

Panel 5: I usually got into one of. the top five spots. I won boxes of candy, posters, stationary, and once a baseball cap. (Hat reads: I survived the battle of Hogwarts).

Panel 6: In high school I sewed a black velvet cape and knitted many stripped scarves.

PAGE 3

Part Three: Double Trouble

Watching the last film in 2011 felt like the final note of my childhood. 

Panel 1: I remember driving home from the midnight showing thinking about the end of 13 years of waiting; wondering what would define the next chapter of my life. 

Panel 2: That same month I heard of something called Pottermore. “Okay, so there’s a sorting quiz… I already know my house! Patronus assignment? Mine’s a barn owl. Duh!" 

Panel 3: You can read the books again but with GIFs? Why? 

Panel 4: I lived in a place with very slow and limited internet at the time. Pottermore sounded inaccessible, but also boring. I never joined. 

Panel 5: "I’ll just read the actual books again, thanks." 

PAGE 4

Part Four: Sweets

In 2016, a series of short stories titled "History of Magic in North America” were released on Pottermore to pave the way for the first Fantastic Beasts Film. These stories display an extreme ignorance of American history, culture, and geography, but the worst parts are the casual misuse of indigenous beliefs and stories. Fans and critics immediately spoke up against this appropriation. Some of the most quoted voices included Nambe Pueblo scholar Dr. Debbie Reese who runs the site “American Indians In Children’s Literature”; Navajo writer Brian Young; Johnnie Jae (Otoe-Missouria and Choctaw), founder of A Tribe Called Geek; Dr Adrienne Keene (Cherokee Nation), a Professor at Brown University who runs the blog “Native Appropriations”, and writers N.K. Jemison and Paula Young Lee.

PAGE 5

Rowling is famous for responding to fans directly on twitter, yet she did not respond to anyone calling out the damaging aspects of “Magic in North America.” Her representatives refused to comment for March 9 2016 article in the Guardian. She has never apologized. All of this, plus the casting of Johnny Depp and the specific declarations of support by JKR, Warner Brothers, and director David Yates left a sour taste in my mouth.

For further thoughts on the new films read The Crimes of Grindelwald is a Mess by Alanna Bennett for Buzzfeed News, November 16, 2018.

PAGE 6

Excerpt from Colonialism in Wizarding American: JK Rowling’s History of Magic in North America Through an Indigenous Lens by Allison Mills, MFA, MAS/MLIS (Cree and Settler French Canadian)

Although Rowling is certainly not the first white author to misstep in her treatment of Indigenous cultures, she has an unprecedented level of visibility and fame, […] One of the most glaring problems with Rowling’s story is her treatment of the many Indigenous nations in North America as one monolithic group. […It] flattens out the diversity of languages, belief systems, and cultures that exist in Indigenous communities, allowing stereotyping to persist. […] It continues a long history of colonial texts which ignore that Indigenous peoples still exist. […] In the Wizarding world, as in the real world, Indigenous histories have been over-written and our cultures erased.

from The Looking Glass: New Perspectives in Children’s Literature Volumn 19, Issue 1

PAGE 7

Part 5: Music

Panel 1: Also in 2016 I discovered two podcasts which radically altered my experience of being an HP fan. The first was Witch Please created by two Canadian feminist literary scholars Hannah McGregor and Marcelle Kosman.

Panel 2: “If it’s not in the text it doesn’t count!” “Close reading ONLY!”

Panel 3: They talk about Harry Potter at the level you’d expect in a college class with particular focus on gender, race, class, and the troubling fatphobia, fear of othered and queer coded bodies, violence against women, white feminism, gaslighting and failed pedagogy in the books. They bring up these issues not because they hate the series, but because they LOVE it.

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These passionate, joyful conversations went off like fireworks in my mind. I had never taken a feminist class before. I gained a whole new vocabulary to talk about the books- and the world.

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Panel 1: The second podcast I started that year was Harry Potter and the Sacred Text, created by two graduates of the Harvard Divinity School, Vanessa Zoltan and Casper Ter Kuile.

Panel 2: They read one chapter per episode through a theme such as love, control, curiosity, shame, responsibility, hospitality, destruction, or mystery. Like Witch Please, they are interested only in the information on the page, not thoughts from the author. The delights and failures of the text are examined in the context of the present day, and new meanings constantly arise.

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What does it mean to treat a text as sacred?

Trusting that the more time we give to it, the more blessings it has to give us.

Reading the text repeatedly with concentrated attention. Our effort is part of what makes it sacred. The text is not in and of itself sacred, but is made so by rigorously engaging in the ritual of reading.

Experiencing it in community.

“To me, the goal of treating the text as sacred is that we learn to treat each other as sacred.” -Vanessa Zoltan

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Part 6: Tooth and Claw

In October 2017, Rowling liked a tweet linking to an article arguing that trans women should be kept out of women’s bathrooms because of cisgender women’s fears. In March 2018, she liked a tweet about the problem of misogyny in the UK Labour Party which included the line “Men in dresses get brosocialist solidarity I never had.” The author of the tweet had previously posted many blatantly anti-trans statements.

Rowlings publicist claimed she had liked the posted by accident in a “clumsy and middle-aged moment.” Yet, in September 2018 she liked a link posted by Janice Turner to her column in the Times UK titled “Trans Rapists Are A Danger In Women’s Jails.”

Screencaps of these tweets can be found in the article “The Mysterious Case of JK Rowling and her Transphobic Twitter History”, January 10 2019 by Gwendolyn Smith (a trans journalist), LGBTQNation.com

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Excerpt from: Is JK Rowling Transphobic? A Trans Woman Investigates by Katelyn Burns

Ultimately, the answer is yes, she is transphobic […] I think it’s fair that she receives criticism from trans people, especially given her advocacy on behalf of queer people in general, but also because she has a huge platform. Many people look up to her for creating a singular piece of popular culture that holds deep meaning for fans from different walks of life, and she has a responsibility to handle that platform wisely. (Published on them.us March 28, 2018)

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Part 7: Home

At age 30, I’m still not over Harry Potter.

Panel 1: I’ve recently found a local bar that does HP trivia nights. “Poppy or Pomona?” “Poppy!”

Panel 2: I currently own an annual pass to Universal Studios so I can visit Hogsmeade.

Panel 3: I love talking to kids who are reading the books for the first time. “Who’s your favorite character?” “Ginny!”

Panel 4: And I’m planning a relisten to the audio books to next year to help me get through the election cycle. “Jim Dale, I’m going to need you more than ever…”

Spoiler from 2023: I did not do this. By mid-2020 JKR had posted her transphobic essay; we were in covid; I never visited Universal Studios again.

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But I do want to learn from her mistakes. I never want to repeat “Magic in North America.” As I write, I will do my research. I will consult experts and compensate them. If a reader from a different culture/background than me speaks up about my work, I will listen and apologize. I KNOW I WILL MAKE MISTAKES. But I will own up to them and I will do better.

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Excerpt from Diversity Is Not Enough: Race, Power and Publishing by Daniel José Older

We can love a thing and still critique it. In fact, that’s the only way to really love a thing. Let’s be critical lovers and loving critics and open ourselves to the truth about where we are and where we’ve been. Instead of holding tight to the same old, failed patriarchies, let’s walk a new road, speak new languages. Today, let’s imagine a literature, a literary world, that carries this struggle for equity in its very essence, so that tomorrow it can cease to be necessary, and disappear. (Buzzfeed, April 14, 2017) 

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Harry Potter is flawed, & JK Rowling is problematic. But the books helped me learn a lot: 

*One of the greatest dangers facing the modern world is the rise of fascism 

*The government cannot be trusted 

*Read and think critically

*Question the news: who paid the journalist? Who owns the paper? 

*Trust and support your friends through good times and bad

*Organize for resistance

*Educate and share resources with peers

*The revolution must be diverse and intersectional

* We are only as strong as we are united

*The weapon we have is love 

MK 2019

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PART 8: EPILOGUE

In 2021 I removed a Harry Potter patch I sewed to my book bag over a decade ago. I took 15 pieces of Harry Potter fanart off my walls. I got rid of my paperback book set, 2 board games, and 8 t-shirt. [images: a Hogwarts a patch with loose threads, a pair of scissors and a seam ripper]

Panel 1: Maia holding up a shirt with the Deathly Hallows logo on it. Maia thinks: “Damn, this really used to be my entire personality.”

Panel 2: The t-shirt gets thrown into the Goodwill box.

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I wrote my zine wrestling with JKR’s legacy in 2019, after her dismissive and racist reaction to indigenous fans and critics of “Magic in North America” and after she had liked a couple transphobic tweets. Since then, she has gotten so much worse.

A Brief Timeline (mostly from this Vox article)

June 2020- JKR posts a 3600 word essay making her anti-trans position clear

August 2020- The Robert F Kennedy Human Rights Org issues a statement about her transphobia, JKR doubles down on her position and returns an award they gave her

December 2020- JKR claims 90% of HP fans secretly agree with her anti-trans views

December 2021- JKR mocks Scottish Police for recognizing transgender identities

March 2022- JKR criticizes gender-inclusive language and legislation

December 2022- JKR retweets trans youtuber Jessie Earl’s critical review of Hogwarts Legacy, starting an onslaught of transphobic harassment towards Earl

December 2022- JKR removes her support from an Edinburgh center for survivors of sexual violence with a trans-inclusive policy and funds her own center which explicitly excludes trans sexual assault survivors

January 2023- JKR tweets “Deeply amused by those telling me I’ve lost their admiration due to disrespect I show violent, duplicitous rapists.” It got nearly 300K likes

March 2023- One the podcast “The Witch Trials of JK Rowling”, hosted by a former Westboro Baptist Church Member, JKR compares the trans rights movement to Death Eaters.

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What are The Witch Trials of JK Rowling?

Panel 1: Maia speaking. “It’s a 7 episode documentary style podcast hosted by Megan Phelps-Roper. Nearly every episode contains interviews with JKR as well as critics, journalists, historians, protestors and fans.

Panel 2: Maia speaking. “In episode 1, JKR speaks more candidly than she has previously about being in an abusive marriage. Her ex-husband hit her, stalked her, broke into her house overlapping with the time she was writing the first three HP books.”

Panel 3: Maia speaking. “What she went through genuinely sounds horrific. I have a lot of sympathy for the kind of life-long traumas those experiences leave.”

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HOWEVER.

It is clear from reading the June 2020 essay on her blog and listening to the podcast, that JKR still to this day feels unsafe. Despite her wealth and privilege she moves through the world with the mindset of a victim. And the group of people she finds most threatening are trans women.

Or rather, she is afraid that allowing trans women in women’s spaces invites the possibility of male predators entering those spaces.

Here’s a direct quote: The problem is male violence. All a predator wants is access and to open the doors of changing rooms, rape centers, domestic violence centers [...] to any male who says “I’m a woman and I have a right to be here” will constitute a risk to women and girls. - from The Witch Trials episode 4 as transcribed by therowlinglibrary.com, March 2023

Image: A stem of Belladonna with flowers and berries.

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Let me introduce here the term: TRANSMISOGYNY. The intersection of transphobia and misogyny, this term was coined by Julia Serano in 2007. Scout Tran, on tiktok as Queersneverdie said: “Transmisogyny occurs in people who have been previously hurt by traditional misogyny. Who have been driven to hate men or at the very least to be scared of men. They will sometimes take out that rage on trans women. (March 2023)

JKR claims to care for trans women and understand they are extremely vulnerable to assault and violence. In her 2020 Essay she wrote: “I want trans women to be safe. At the same time, I do not want to make natal girls and women less safe.”

So she cares about trans women… just less than cis women, and she’s willing to throw all trans women under the bus because of her unfounded, prejudice fears.

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Panel 1: Maia speaking. “JKR claims to have seen data that proves trans women have presented physical threats to other women in intimate spaces, but never cites sources. She also uses “producer of the large gametes” as a definition of “woman”.

What about transmen and nonbinary folks?

Panel 2: Maia leaning on a stack of all seven HP books, the first four Cormorant Strike books and The Casual Vacancy, gesturing to a series of quotes with a tired and disgusted expression.

I’m concerned about the huge explosion of young women wishing to transition and also about the increasing numbers who seem to be detransitioning. * [...] If I’d been born 30 years later, I too might have tried to transition. The allure of escaping womanhood would have been huge. -June 10 2020 essay

I don’t believe a 14 year old can truly understand what the loss of their fertility is.

-Witch Trials episode 4

I haven’t yet found a study that hasn’t found that the majority of young people experiencing gender dysphoria grow out of it*. -Witch Trials episode 7

*No sources cited

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It’s hard to over emphasize how fixated JKR has become on these topics. As of the date I’m writing this, 14 out of her 20 most recent tweets (70%) are in some way anti-trans. She tweets against Mermaids (a UK based trans youth charity), against trans athletes, against gender neutral bathrooms, and in support of LBG Alliance- a UK org that denies trans rights while upholding gay rights. Here are some gems from her archive:

“People who menstruate.” I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud? -June 2020

War is Peace. Freedom is Slavery. Ignorance is Strength. The Penised Individual Who Raped You Is a Woman. - December 2021

And in response to someone asking “How do you sleep at night knowing you lost a whole audience?”

I read my most recent royalty cheques and find the pain goes away pretty quickly. -October 2022

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Hashtag Ruthless Productions a queer nerd podcast company created a great guide on ethical engagement with HP. Image: the two hosts of Hashtag Ruthless productions, Jessie (They/she) and Lark (he/him).

Stop buying all official HP Products: books, movies, games, toys, etc, Universal Studios tickets, food, merch.* Boycott any new TV series or movies. Instead: buy the books and DVDs used. If you still want to wear HP merch, buy fan-made. Engage only with fan content: fic, podcasts, fanart, wizard rock, etc. Show transphobia is bad for business. None of this will change JKR’s mind. But the Fantastic Beast series was canceled and after record Pottermore sales in 2020, they fell in 2022 by 40%.

*She gets a portion of ALL tickets. In 2019, this was her largest income source. Read the full guide: hashtagruthless.com/resourceguide

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As late as 2019, I was still reading JKR’s murder mystery series. But by the fourth book my experience began to sour.

Panel 1: Maia holding a copy of Lethal White. “The only gay character in this book is a government official who gropes his staff?”

Panel 2: “The only genderqueer character is misgendered and portrayed as a whiny faker?”

Panel 3: “The only Muslim character is disowned by his family over gay rumors?”

Panel 4: “Even the women aren’t portrayed very well…”

Panel 5: “Why is the main female character defined by the rape in her past?”

Panel 6: “Wait, what happens in the rest of this series…?” Maia scrolls on eir phone.

Panel 7: “Is the series heading towards an employee/boss relationship?”

Panel 8: “And has a man wearing women’s clothes to commit assault?”

Panel 9: “Yeah, I’m done. I’m never reading a new JKR book ever again.”

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And as for JKR herself?

As tempting as it might be to tweet your frustrations at her, I don’t recommend it. In 2021, she tweeted, “Hundreds of trans activists have threatened to beat, rape, assassinate and bomb me.” Getting hate online feeds her sense of victimhood and she waves it as proof of her moral high ground. Instead I suggest you block her on twitter, then delete twitter, go to the library and try to find a new book that feels magical.

Stack of books: In Other Lands by Sarah Rees Brennan, The Scorpio Races by Maggie Stiefvater, Gifts by Ursula K Le Guin, Deep Wizardry by Diane Duane, A Deadly Education by Naomi Novik and Gideon the Ninth by Tamsin Muir.

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In “Emergent Strategy” adrienne maree brown writes: You do not have the right to traumatize abusive people, to attack them, personally or publicly, or to sabotage anyone else’s health. The behaviors of abuse are also survival-based, learned behaviors rooted in pain. If you can look through the lens of compassion, you will find hurt and trauma there. If you are the abused party, healing that hurt is not your responsibility and exacerbating that pain is not your justified right.

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Seeing anyone over age 12 wearing HP merch now makes me uncomfortable. Are they ignorant or actively a TERF? I hate wondering how much money JKR has probably poured into anti-trans legislation… This zine is a culmination of my slow breakup with a story that once brought me joy. Now it just makes me angry, tired and sad.

Image: Candle in a fancy holder burned down to less than an inch.

Maia Kobabe, 2023

#harry potter #harry potter and the problematic author #jk rowling #transphobia #jk rowling transphobic

[inventors-fair]

The Winning Phase ~

Congratulations to @evscfa1​, @helloijustreadyourpost​ and @i-am-the-one-who-wololoes​ for winning this week’s contest!

@evscfa1​ — Teferi, Chronal Master

It’s rare that a planeswalker makes it into this spot. Well, congratulations on the double, then! This card’s pretty darn good. I like the complex use of that Commander sphinx’s rules text in the emblem for sure; it’s not hard to get to and it’s really neat to see. I have the feeling that that -4 is going to be really annoying, to the point of, in commander, a control player being able to go “Nobody gets combat for the rest of the game”—except that it targets, so that’s nice, and getting a proliferate engine is hard enough, so maybe it’s not so bad!

Overall, a well-rounder defensive planeswalker who doesn’t generate card advantage but who is sufficiently controlly for the kind of game plan that the most annoying U/W players want to have. Honestly, the fact that there isn’t any card advantage really is a weight, but that’s modern Magic for you. Why do I feel the need to make that comparison? Ah well. 

NOTE: “Non-land” should be “nonland.” See earlier post.

@helloijustreadyourpost​ — Motion to Dismiss

Firstly: card’s good, you’re in the winner’s circle, feel good about that. We cool? Okay. I’m still not 100% feeling the impact of the flavor text and I’m trying to figure out immediately why. Ordinarily, I wouldn’t start out like that, but I think it says something that the rest of the card is so strong in the right matchup and/or format, that it’s a fascinating little slice of life that I’m on board with, and I guess overall it’s a lesson in impact. I want just a little more context for this, and perhaps art direction could have pushed it over, because the flavor text relies on a moment for pithiness that’s aiming for specificity, and I feel we’re so close! It’s the strength of the rest of the card that makes me want to get my instruments out and tune this lil’ thing.

This is an absolute banger of a card, though, and I wonder how many people are going to be mad with it. The way that you can formulate a limited game so that, knowing your opponents’ responses, you’ll have all the means of getting to a point where it lands solidly—that’s kinda raw. It’s in the courts, which I feel is awesome, and I’m a fan of the way that you used a common name and turned it magical with the watermark/worldbuilding. Perhaps a little bit of distinguishing from Cancel would’ve been nice in the base ability, but there’s nothing wrong with how it is now. It’s definitely Cool with a capital C, and not a capital offense.

@i-am-the-one-who-wololoes​ — Sympathetic Torturer

I have no notes. Seriously! No places I can find significant places to improve this card! It’s a balance-happy beast of a flier, balanced by the pips and the tax, a classic black card that still abides by the swinginess expected of creatures. Land this on turn three, and you’ll be getting this back and forth with a little extra to go around. In limited, you’ll have an extra race each turn, adjusting your opponent’s interaction with your board each and every one of your turns. In constructed and especially Commander, you’ll be making friends and enemies alike. I especially like how the upkeep trigger is enough to make your combat step so much more pressuring; it creates a feeling of dread whenever they pass the turn.

Flavor’s simple enough to make the irony of the name and art direction stand out perfectly. The name adds a degree of dark humor, the art shows the irony in action, the abilities exemplify the way the art’s motions are carried out tangibly, and the flavor text ties back to the name to tie a nice little loop. Simplicity in context makes all the difference.

Runners and general nonsense will be soon enough! Depends on how late I get up, considering that this is a queued post. Regardless, thank you all.

- @abelzumi​

#mtg #magic the gathering #custom magic card #parts of the turn contest #winners #commentary #inventor's fair