Happy Birthday to the super talented Scottish virtuoso percussionist. Evelyn Glennie who turned 57 today.
Glennie was born and raised in Aberdeenshire. Her father was Herbert Arthur Glennie, a farmer who was also an accordionist in a Scottish country dance band, and the strong, indigenous musical traditions of north-east Scotland were important in the development of the young musician.
She was a promising student of piano and clarinet as a child, and she was blessed with perfect pitch, the ability to identify or sing a note by ear. At age eight, Glennie started complaining of sore ears and hearing loss. Her condition steadily deteriorated, and by age 11 she needed a hearing aid, which she found distracting and later discarded. She continued to play music and found she could perceive the quality of a note by the level of the reverberations she could feel in her hands, wrists, lower body, and feet. Glennie counts as her major influences cellist Jacqueline du Pré and pianist Glenn Gould.
When she was 12, Glennie saw a schoolmate playing percussion. She started taking lessons, and, she told People, “… it felt right.” She graduated with honours from London’s prestigious Royal Academy of Music in 1985. It wasn’t easy for her to get into the academy she explains;
“To pursue my dream, I had to challenge the entry system for the Royal Academy of Music in London after they declined my first audition. They couldn’t quite see how a professional orchestra would hire a deaf person. I insisted on being judged on musical capability alone and not only convinced them to accept my application but help change the admission policy of musical institutions across the UK.”
She claims her deafness kept her from being caught up by social distractions and made her a better student, but she also realized it affected her ability to play in an orchestra, so she set her sights on becoming a soloist. In 1985 she made her professional debut; the following year she left for Japan to study the five-octave marimba for a year. Glennie’s first decade as a professional solo performer was filled with milestones: first performance of a new percussion concerto, first time an orchestra had performed with a solo percussionist, first solo percussion performance at a festival or venue. In 1990 she met Greg Malcagni, a recording engineer, and the two wed four years later.
Glennie tours extensively and exhaustively. She plays more than 100 concerts each year and has appeared across five continents. She plays on 20 to 50 instruments during each performance, “bounding,” as Michael Walsch wrote in Time, “from instrument to instrument with the grace of a natural athlete.” A Washington Post critic was almost as impressed by Glennie’s physical show in concert–which he called the “Evelyn Glennie Workout”–as he was by “the subtle gradations of sound and colour she brings to every phrase.” In addition to the details of her music and instruments, Glennie pays attention to the non-musical details of her shows, performing in colourful, theatrical costumes and with thematically designed sets and lights. Because she feels the music through her feet, she prefers to play barefoot. She says
“I can hear through my whole body”
Evelyn is a supporter of the Aberdeenshire language Doric and a campaigner for people with disabilities for which she says
‘We need to stop boxing up disabilities and trying to roll out one-fits-all measures for widening access”
Glennie also composed some of the music for the excellent film Sound of Metal directed by Darius Marder. She is a prolific composer for the library music company Audio Network.
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What The Greasers Would Play In Highschool Band Class
(Assigned by a band kid 100% ACCURACY!!😱😱)
Ponyboy curtis
Clarinet Player energy
I’ll bet he’s really good at it too
Breaks his reeds so often
Also in the band extracurricular
Johnny Cade
Saxophone.
hates it but is pretty decent at it
Chews on his reed literally all the time
“What measure are we at??”
Sodapop Curtis
Flute player!!
Used to just flirt with his section when he was in school
Just messes around in class but somehow passes music
Dallas Winston
Trombone LMAOO
leaves it at home half the time cuz it doesn’t look too tuff to lug a big ass instrument to school
or he lost it idek
literally a nuisance during music (music teacher’s #1 opp)
Darrel Curris
Unpopular opinion but concert band bassist
He tries!
Squints at his sheet music😭
doesn’t practice (he’s a sports person guys come on)
Two-Bit Matthews
TRUMPET PLAYERR🔥🔥
Doesn’t remember any of his fingerings
obnoxious fart noises with trumpet omgg who did that???
Steve Randle
Percussionist!!
Mostly plays bells but he drums sometimes too
Not the biggest fan of it but gets it done
Tim Shepard
Also a trombone
HATES it with a passion
Doesn’t even show up half the time
Curly Shepard
Clarinet
Only shows up to class to bother Pony
Doesn’t know how to put it together properly
Dry ass reed
anyways!! lmk ur thoughts :-)
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Keiko Abe
Marimba player Keiko Abe was born in 1937 in Tokyo, Japan. Abe is one of the world's best-known solo marimba players. She began playing the marimba at age 12, and started gaining notoriety at 14 after winning an NHK talent competition. Abe has greatly influenced the evolution of marimba music by creating new techniques as well as commissioning and writing compositions. She also worked with the Yamaha Corporation to develop the five-octave marimba, which became the standard size for concert marimba. She has performed in over 60 countries. In 1993, Abe was inducted into the Percussive Arts Society Hall of Fame, becoming the first woman to receive this honor.
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Falling Never Looked So Good | CLEXA AU
The cheers are deafening. The crowd chants Clarke’s name along with ardent shouts of “I love you!” and “Marry me!” As Lexa looks around at the sea of starry-eyed fans, she is taken aback by the sheer intensity of the adoration filling the room. Her eyes return to the stage as Clarke steps into the light, and suddenly, she gets it.
or
Julliard prodigy and classical percussionist Lexa Woods gets her world turned upside down when Anya drags her to a Skaikru concert where she sees Clarke Griffin perform for the first time.
Read Chapter 1 on AO3
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unsure if anyone else has specified what they think leona and idia would play in specifically marchibg band but *I* think that leona is Center Snare Who Doesn’t Wanna Be There and idia is Center Marimba Who Doesn’t Wanna Be There
think abt it
both of them probably joined percussion because it was “the easy way out” they were probably either forced to do band or ended up there because everything else was boring. also i doubt idia can put enough air in a horn to get a sound out of it.
then they accidentally got good and ended up section leader of front ensemble (idia) and section leader of drumline (leona). mind you, neither of them wanted this! but theyre there so oh well.
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