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#redundancy is the devil
prairieprayer · 1 year
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Please do not start randomly trying to use highly specific, brand new tags to tag your Daycare Attendant content-
-in an attempt to make the tag cohesive, it will not work to "unclog" the FNAF tag and will only cause more "clogging," and I will tell you why:
No one is going to agree on the same brand new tag because you already can't agree. First it was Eclipseverse, then DCA fandom, then DCA AU, then Daycare Attendant Au, then Daycare Tower, then dcaverse, then then sammv, then dcamv, then celestialverse...
And if no one agrees, will it be cohesive? No, you are still only contributing to making more tags that have to be blacklisted. Not using the same new tag because no one agrees defeats the purpose and only adds more tags.
If you decided to use Eclipseverse and a dozen others don't and start using DCA Fandom for example, there's two new tags to block on top of everyone else still using previous tags, not one all-encompassing new tag.
You've only caused one more random tag that needs to be blacklisted.
Instead, if you're an anxious person, just don't bother and don't tag it as FNAF at all.
Alternatively cut down on tag usage by avoiding things like 'fnaf sun' or 'moondrop fnaf' and just stick with 'DCA' and 'daycare attendant'.
If your anxiety makes you worried you're annoying everyone, or that you're not good enough/don't deserve to be in the tag (even though you do, and it's shitty for someone to make you feel like a lesser person for being newer to the fandom or only liking DCA/SB), just do not participate with the main FNAF tag instead of making a bunch of unagreed upon new tags that will have to be blacklisted with all the rest (better yet, block others who complain about it so they won't see your DCA content at all).
You will feel better, and you won't cause another extra tag that has to be blacklisted among the 10 other main tags for DCA.
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clarissasbakery · 10 months
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this shipping meme i did on instagram!
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greatwyrmgold · 5 months
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Yoru's feelings for Denji:
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Denji's feelings for Asa:
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Asa's feelings for Chainsaw Man:
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Chainsaw Man's feelings for Yoru:
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Hm. Looks like we'll need more data to finish this "love square" diagram.
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candor-creator · 1 year
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and these plates, they smash like waves
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chamerionwrites · 1 month
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I get it, people gotta pay the bills and all, but search engine optimized descriptions/tags/whatever make for such a vile internet browsing experience. It’s the difference between strolling through the forest and encountering a lovely flower in a sunny glade, and that godawful live-love-laugh type decor where the vase says FLOWERS and the coffee cup says COFFEE and the goddamn dinner plates say EAT in big block letters on a violently inoffensive off-white background as if you are incapable of making your own observations about the world around you probably because you’ve gone numb from having your senses assaulted by so much samey off-white and beige
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laugtherhyena · 9 months
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If devils in chainsaw man exist because humans fear a certain thing and the act of being scared of devils makes all of them stronger does that mean that a devil devil exists? And if so, how strong would this thing be?
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bladesmitten · 7 months
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marcy's version of this, upholding the reputation of bards everywhere
make your own
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orange-artist · 6 months
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Hello it is I. The rabid badger from the other day here with another couple fun idea. (I have a lot of time to daydream at work. So this might not be the last time you see me.)
So, part of me finds the idea that Luffy just forgets to tell people he's a god hilarious. The rest of me finds the idea that he HAS been telling them and they just misunderstand even funnier. Instead of just saying "I'm going to be the Pirate King." in this au. He keeps saying "I'm Going to Raftel." and be the Pirate King." Luffy is actually making two declarations but he just keeps forgetting that the phrase "I'm going to Raftel" no longer means "I'm a god and am going home" so everyone just assumes he's making a slightly redundant statement about finding the One Piece
Also, do you think that the ocean decides that, instead of drowning the devil fruit users under the brother's protection, it just drops them back wherever they fell from A La Moana? So like Chopper falls overboard for one reason or another and, just as Zoro's about to jump in to save him, he just gets shot back onto the Merry/Sunny. Now everyone is confused and Luffy might cough up a lung with how hard he's laughing.
Oh my god that's amazing. All of that.
Yes, Luffy definitely would say something that he thinks is telling people he's a god but no one gets it. "Oh yeah, I met someone like that in [city that doesn't exists anymore]." The boy is just operating under the assumption that everyone already knows.
Yeah definitely later on the ocean starts just yeeting the SH back on deck like that. Luffy is greatly amused by the development.
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thenightling · 2 years
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How Morpheus’s imprisonment worked
I know that there are people watching The Sandman who aren’t well versed in things arcane so I’ll provide a little explanation on how Morpheus’s captivity worked.
1.  Morpheus was weak.  Morpheus was badly weakened from the events of The Sandman: Overture.  That’s why the summoning spell was able to grab him when it probably should have fizzled out and failed.  Imagine being very dizzy after spinning around and someone gives you a light push.  Usually you can stay up right from that light push but he fell because of his weakened state.
2.  The binding circle.  A magical binding circle is how you hold a supernatural entity.  In the TV show Supernatural the concept is used in their “Devil’s snare.”  Sometimes the lore is you have to concentrate for the circle to work (See: The Dresden Files by Jim Butcher).  Sometimes that’s not needed. In any event once you have a magical entity in the circle they cannot use their powers or leave until the circle is broken and only a mortal (or the one who made the circle) can break it.  
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This means Morpheus’s usual psychic link with his subjects (Example: Matthew feeling him in the back of his mind) is severed.  He cannot use his powers, he cannot reach into people’s dreams, and he cannot psychically call to his subjects.
3.   The glass cage.  This is sort of a redundancy but not really.  While the circle holds back his powers, the cage is an extra precaution in case the circle breaks because it physically contains him.  Part of the reason the glass cage works is it is made of quartz crystal (not mentioned in the show). Quartz crystal can contain magick and is used a lot in occult rituals.  Quartz is also made from silica (which is what sand is made of) that has been transformed into something else.  Yes, The Sandman is being held by sand. There’s an irony to this.  It’s also very thick glass and difficult to break even if he jumped up and down or bashed his fists against it (as you can see from Roderick banging his cane against it).  
4.  This part is potentially debatable. Roderick states that he captured him and bound him “by the laws of Magick.” (This is said in the show).  According to traditional folk belief that means Roderick technically “owned” Morpheus (Yes, like a slave) and that only he or his rightful heir or anyone he gives Morpheus to can free him (like Calliope). Yes, Alex inherited him like property (as far as magical beings are concerned and how they see it).  This is why it was a good thing that it was Alex’s wheelchair wheel that breached the circle in both the show and comic.  Also, in the comic, it was Paul who opened the cage after Morpheus stole some sand from the guard’s dream and pretended to collapse in his cage.   As Alex had given Paul that key, that meant that Paul was also his captor, besides Alex.
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 For Morpheus to escape both the binding circle and cage had to be opened by a mortal (And probably specifically his owners).  When the circle was broken he could again use his powers, that’s how he entered the guard’s dream to pilfer some sand.  He did this psychically while his body was still stuck in place because of the glass cage.  Once the cage was destroyed that’s when he could leave.   
Disclaimer: This is not a list of tips on how to best contain your captive Dreamlord. 
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marie-mcd · 2 months
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There's a specific concept from Good Omens that I really like (amongst many others), that I was chuffed to also find in a Sandman and a Discworld story!
I love that in Good Omens (both book and TV), Heaven and Hell are presented as mostly redundant and ineffectual when it comes to human morality - and that Hell in particular find some of the things humans do to be pretty shocking, and/or instructive.
Opportunities for humour aside, this idea flies in the face of the common belief that the world's worst ills are the result of outside forces influencing people to do evil (ie the devil. Or ... lizard people etc? I digress). And it's unlike other stories out there that are like, "World War II was actually caused by xyz characters!" or similar. Good Omens doesn't rewrite history like that, or let us - humanity - off the hook when it comes to the big stuff, when it could so easily have done so in a universe where Heaven and Hell are literally real.
The story, of course, also credits human cleverness to humans, and celebrates the things we should be proud of, like art, music, delicious food, craftmanship, invention, etc. And it credits humans for having a propensity for compassion and goodness.
"[Crowley] did his best to make their short lives miserable, because that was his job, but nothing he could think up was half as bad as the stuff they thought up themselves. […] And just when you'd think they were more malignant than ever Hell could be, they could occasionally show more grace than Heaven ever dreamed of. Often the same individual was involved."
I love this concept because I see it as an uncoupling of religion and morality. They can both exist together, but the former isn't necessary for the latter. (This isn't the only possible interpretation; the more literal reading might be more about free will, but this is where I extrapolated it to).
From Sandman: Season of Mists Episode 2 (plot context stripped out to avoid spoilers, but skip ahead to black text if you want absolutely nothing spoiled if you want to read it).
Lucifer: "And the mortals! I ask you - why? […] Why do they blame me for all their little failings? They use my name as if I spend my entire day sitting on their shoulders, forcing them to commit acts they would otherwise find repulsive. 'The devil made me do it.' I have never made one of them do anything. Never. They live their own tiny lives. I do not live their lives for them."
And from Eric, a Discworld book (this one's related to Hell learning from humans, more than morality/free will... I won't spoil the funny by elaborating!):
"Earl Beezlemoth rubbed one of his three noses.
'And humans somewhere thought this up all by themselves?' he said. 'We didn't give them any, you know, hints?' […]
The earl stared into infinity. 'I thought we were supposed to be the ghastly ones,' he said, his voice filled with awe."
Another commonality between these two stories that isn't directly shared by Good Omens (yet...? still have another season coming …) but that I like enough to point out, is the idea that Hell is a place where people end up if they believe they deserve to go there. I like this because a lot of people are influenced to feel guilty about "sins" that are innocuous parts of normal human behaviour, so it's pretty brutal to fear going to Hell over them. There's comfort in this idea, to me. (granted, the following Sandman quote states this less explicitly but I take the same meaning from it … but lmk if I've done a reading incomprehension; I also haven't read all the books yet).
From Sandman:
Lucifer: "And then [the mortals] die, and they come here (having transgressed against what they believed to be right), and expect us to fulfill their desire for pain and retribution. I don't make them come here."
From Eric (partial footnote near the beginning):
"Interestingly enough, the gods of the Disc have never bothered much about judging the souls of the dead, and so people only go to hell if that's where they believe, in their deepest heart, that they deserve to go."
Eric also really leans into the idea of Hell being a bureaucratic, corporate, boring nightmare, also familiar to Good Omens fans, and the demons are so over it. The tone (you could probably guess) is very different from Sandman, and it's one of the earlier, less-serious Discworld books; it's a very fun, absurd ride of a read!
There are a few other Discworld books I'll talk about in a future post, that may also be of interest to certain Good Omens fans (I'm gearing these posts toward the fans who came to Good Omens from the TV show and haven't had the pleasure of discovering Neil's and Terry's other work yet); the ones I have in mind examine religious extremism, and the uncoupling of religion and morality too. A couple of them also have queer themes, if that is also your jam! (Less shipping opportunities but I assume some fans, like me, like the rest of the material in GO in addition to the love story).
I'll end this with a quote from a footnote from Eric that has nothing to do with anything in this post, but which took me by surprise and had me laughing days later whenever it came to mind. It's referring to books in a section of the library:
"Just erotic. Nothing kinky. It's the difference between using a feather and using a chicken."
And another bonus one that I found while looking for the first:
"Rincewind had been told that death was just like going into another room. The difference is, when you shout, 'Where's my clean socks?', no one answers."
I hope this made sense and is maybe interesting to someone ... I had fun talking about this at least!
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lunarw0rks · 10 months
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Hurt/Comfort Alphabet | Simon Riley
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A/N: I hope this isn't redundant, because I was trying to be realistic based on his past & the way he interacts with other characters. got this template from @thathcwriter
Warning(s): mentions of Ghost's childhood, insecurities, substance abuse, injury, angst | Word Count: 1.6k
꒦꒷ MAIN MASTERLIST ꒷꒦ GHOST MASTERLIST ⋆ ⚘ 🕊 ˚✧ ₊˚ʚ have a request? | ao3 ver. ❀
A: Alleviate - How do they go about relieving persistent physical pain?
·˚ ༘₊· ͟͟͞͞꒰➳ Let’s be honest. He self-medicates with alcohol or cigarettes if it’s a persistent enough injury. Either that, or he’ll just find a way to tune it out—something he’s very skilled at by now.
B: Bedridden - How do they behave when they’re sick?
·˚ ༘₊· ͟͟͞͞꒰➳ Sick, but not “injured”? He wouldn’t even let it show. His voice is deep and raspy enough already (LMAO) so if he had a cold, would anyone even notice?
C: Cling - Whose physical touch is considered most welcome in their minds when they are in need? Is there a specific type of touch they respond well to?
·˚ ༘₊· ͟͟͞͞꒰➳ Being realistic, Simon probably despises physical touch because of his past. Unless it’s someone he’s known or been serious with for a while, physical touch would be null and void. That being said, playing with his hands, or a kiss on his knuckle would probably make him crumble.
D: Deathbed - How would they react if they realized they may not recover from their injuries?
·˚ ༘₊· ͟͟͞͞꒰➳ He’s well acquainted with the prospect of not making it home someday, or sustaining an injury too severe to overcome. He would accept it because he thinks that’s what he deserves :(
▹ He’d fight it as much as he could, and wouldn’t want anyone to see him that way. Conversations would be shorter, coarser, and even more depressive than his usual way of engaging with others.
E: Emergency - What is their gut reaction when someone they care about is hurt?
·˚ ༘₊· ͟͟͞͞꒰➳ He jumps to the worst conclusions if he got wind of something happening to you. Too many of his loved ones/colleagues have ended up dead for him not to.
▹ Remember how he reacted when Soap got shot in the arm? Yeah… multiply that by ten and add some fury to the mix. ▹ Especially if it pertained to his work, he’d think it’s his fault (in the case of Civilian S/O). If you were also a soldier, he’d take a more frustrated/protective route, lecturing you on your “carelessness”.
F: Fight - Are there circumstances under which they would not accept treatment or care? If so, what are they? 
·˚ ༘₊· ͟͟͞͞꒰➳ If it was in the middle of a mission, or minor enough that it felt ridiculous to tend to. If someone on his team/or his S/O was in worse condition, he wouldn’t even let the medic touch him.
G: Ghosts - How has their past shaped the kind of comfort they respond to best? 
·˚ ༘₊· ͟͟͞͞꒰➳ Being mocked and trained to not show vulnerability is his entire being, and he hates himself more for that. He doesn’t want to brood or miss out on things because of his childhood, but the ghost of his father looms heavy on every decision he makes—like a constant, sinister devil on his shoulder.
▹ He’s felt that way so long that he’s grown used to it, and doesn’t know who he is even when he takes the mask off at the end of the day.
H: Home - What things (objects, sensations, or people) remind them they’re safe after a scary situation?
·˚ ༘₊· ͟͟͞͞꒰➳ His colleagues, if anything. Soap being his ride-or-die, and a S/O that knows every reason for why he’s so walled up. If he has a picture of that person tucked away in his wallet, or an object they gave them (bracelet, card, etc.) he’d keep it in his desk drawer for safekeeping.
I: Isolation - How do they soothe themselves when no one is around to soothe them?
·˚ ༘₊· ͟͟͞͞꒰➳ Just like the response on “A” —he self-medicates with substances, or boxing in the training room until his fists are raw.
J: Joy - When was the first time they were truly happy after going through something terrible?
·˚ ༘₊· ͟͟͞͞꒰➳ For many years, he wasn’t “happy” at all, didn’t even know what that felt like. There were moments where he was distracted enough to not be thinking about his past experiences, but not permanent ignorance.
▹ Seeing his S/O after an injury that forced him on medical leave would be the only exception. He hates being away from work, but the silver lining is getting to be home with that person for (X) amount of recovery time.
K: Kindness - Do they believe they deserve the comfort they receive? Why or why not? 
·˚ ༘₊· ͟͟͞͞꒰➳ Hell no. Simon doesn’t for a minute think he deserves comfort, even though deep down he’s craved it for so long. Even if the person he’s with told him a thousand times, he would never believe it. He accepts it as more of a service to his S/O, rather than to soothe himself.
L: Levity - What or who helps them take their mind off of the circumstances? 
·˚ ༘₊· ͟͟͞͞꒰➳ 90% of it is his work because when you’re being shot at, you’re only thinking about not getting shot. The other 10% would be working out, drinking, etc… Not exactly taking his mind off things completely, but enough to do it temporarily.
M: Music - Is there a song that comforts them? Why is it comforting to them?
·˚ ༘₊· ͟͟͞͞꒰➳ He only listens to music to fill his ears when he’s stressed, or doing paperwork. For comfort? Nothing he listens to would give that to him, let’s be real.
N: Nostalgia - What things that comforted them as a kid still work today? Does anyone know that? 
·˚ ༘₊· ͟͟͞͞꒰➳ Much like his adolescent years, his comfort is everyone else’s silence. He doesn’t like being fussed over or poked at. The concept of “comfort” just isn’t something he knows. With the right person, he might find comfort in them—their quirks, their sense of humor, etc.
O: Overworked - Who or what tells them to stop working and take care of themselves?
·˚ ༘₊· ͟͟͞͞꒰➳ Price has probably tried, or has to at least once a week.
▹ Something along the lines of: “Get some rest, Simon”—most likely met with a blank stare as he continues working through the night. Simon only rests when he needs to refuel, or something more important happens.
P: Please - Have they ever begged someone to comfort or stay with them? What was that incident like?
·˚ ༘₊· ͟͟͞͞꒰➳ Before he met his S/O? Never in a million years. After? Probably only when he’s inebriated and needs someone to be with him, just until the problem passes, or you give your attempt at comforting him.
Q: Questions - Are they eager to talk about what or why they’re hurting? Why or why not?
·˚ ༘₊· ͟͟͞͞꒰➳ No - he’d jump off a cliff before he talks about his past with just anyone. It would take years before he tells someone what happened to him. In the back of his mind, he’s expecting the person to laugh at him, or reveal his insecurities :(
R: Relief - How do they react to the realization that they will soon be fully recovered? 
·˚ ༘₊· ͟͟͞͞꒰➳ He’s practically pacing back and forth until his medical leave is lifted—the medical leave he most likely bickered about placing him on at all.
S: Scared - What would it take for them to admit that they’re scared? 
·˚ ༘₊· ͟͟͞͞꒰➳ If something serious enough happened, or a near-death experience with either himself or you that gives him a wakeup call. One of the hardest things for him to do would be to admit he’s frightened, especially with how much loss he’s already experienced.
T: Time - How long does it take for them to feel better after an ordeal or illness? Do they tend to lie about how soon they feel better?
·˚ ༘₊· ͟͟͞͞꒰➳ As soon as he’s mobile, he’s back to work (if it was something disabling). If not, he’d push his way through it and keep working. Surely, to his S/O’s disapproval, but he feels like he’s damned to constant punishment.
U: Ugly - What part of their recovery process are they ashamed of, if any?
·˚ ༘₊· ͟͟͞͞꒰➳ Being reliant on another person physically, if necessary. Injuries come with the job, he knows that, but he would absolutely hate it.
V: Valiant - Has anyone told them they were brave for facing what they did? How would they react if someone did? 
·˚ ༘₊· ͟͟͞͞꒰➳ Let’s be real—most of us want to reassure him and his bravery, as has Price and Soap a million times (although they’re doing it in more of a “that was badass” kinda way). To be able to go through so much, and still be so resilient is almost unsettling. But brave, nonetheless.
▹ He would brush it off and likely change the subject :((
W: Why? - How did they process what happened to them?
·˚ ༘₊· ͟͟͞͞꒰➳ He never fully processes an injury, including physical pain—especially if it’s a stray bullet or knife wound. Unless it was something especially gruesome, he’s got a high pain tolerance.
X: Xenas - Do they see anyone as an inspiration in their recovery? Does their inspiration know about this? 
·˚ ༘₊· ͟͟͞͞꒰➳ (N/A - I don’t think it fits Simon if I’m being honest).
Y: Yearn - What gesture, person, or thing do they desperately want, but would never actually ask for? 
·˚ ༘₊· ͟͟͞͞꒰➳ This will probably hurt some feelings… He wants his mother, more than anything he wants his mom. He only got so much time with her, and those years were the worst of his childhood. She’s probably the only person he knows he truly wants, but can’t have.
▹ As I mentioned before, if he was serious about someone he was dating, he might want some comfort, but he would almost never explicitly ask for it.
Z: Zero - What is the best way to comfort them without touching them?
·˚ ༘₊· ͟͟͞͞꒰➳ Words of affirmation would be your best bet.
▹ Physical touch is iffy, and he’d only allow it if he truly trusted the person. If you give the man praise, he’d hide his feelings until he was alone, and would probably think about it for the rest of the week—even if it was just an offhand compliment.
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the-obnoxious-sibling · 5 months
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“Being a pirate is all about going your own way.” // “Come with me, Buggy!!”
is this post totally redundant after the similar post i made last week? idk. i guess the main difference is that this time i’m looking at the same topic in an unambiguously romantic light? the shipper goggles, as they say, are on, and i want to talk about these scenes in that context. so, if you’ll forgive me for repeating myself a bit, let’s talk about this again:
as much as i enjoy the heartbreak of “they always thought they’d be together but miscommunication tore them apart” takes on shanks/buggy, the very first flashback we get about them—the first things we learn about them at all, really—tells us this isn’t true.
and i think what we get is more romantic.
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Chapter 19, Pages 12-13. i know last time i said they’re at most 12 here, but looking at these lanky-ass teenaged designs that’s nuts. i fully believe oda hadn’t thought through their ages/the timeline at this point, and they were originally supposed to be about luffy’s age when buggy got his devil fruit. which is not relevant to this post in any way, but it’s my post so i get to go off-topic if i want.
Shanks and Buggy have their own goals as pirates, and at this time they understand them to be mutually incompatible. Buggy thinks Shanks’ travel-and-adventure-oriented take on piracy is soft and foolish; Shanks doesn’t care for Buggy’s exclusively treasure-focused take. They’re sometimes friendly, sometimes not, they’ve fought side by side, but they know this time as allies and crewmates is temporary. (Buggy plans on taking his treasure map and the Devil Fruit and leaving the crew immediately.) Maybe they’ll become friendly rivals, ‘fighting to the finish’ when they run into each other like Roger and Whitebeard do, or maybe the next time they see each other they’ll literally fight to the finish. Who knows?
“That’s also what being a pirate is all about.” It’s very sensible behavior. Smart planning for the future.
Which means the contradictory ways they act later—Buggy secretly deciding to follow Shanks, Shanks bluntly asking Buggy to come with him—are not about these characters thoughtlessly clinging to the status quo. They are not in a “we were always together and I never thought that would change” situation. Deciding to stick together is a considered, emotional decision: “I know we don’t make sense together but I don’t care, I want us together anyway.”
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Chapter 1082, Pages 8-9. i was cursed the moment i saw these pages with Unable To Stop Thinking About It disease; only time will tell if seeing it animated makes it worse or cures me.
This argument is a codependent breaking point. Buggy’s pinned all his dreams on Shanks, hoisted that poor boy up on a pedestal, and it all falls apart when Shanks reveals thoughts and plans that don’t match Buggy’s perception of him. He can’t bear to be around him now that the false image has been revealed. (Shanks, poor thing, seems to have had no idea any of this was happening.)
But if Shanks hadn’t said no to Laugh Tale in this moment—or maybe if he’d offered a soft no of, idk, “okay, sure, once we’ve got a strong enough crew”—Buggy would have gone with him, still projecting wildly onto Shanks. He’d convinced himself that being a member of the Pirate King’s crew was enough for him, that he didn’t need to be Pirate King himself if Shanks got the title and he was with Shanks.
…but would he have actually liked being a member of that crew?
Like, looking at the things the Red-Haired Pirates do, would Buggy have enjoyed being one of them? Wandering East Blue, hanging out in friendly port towns, collecting treasure here and there but spending a lot of time getting drunk and making friends with the locals? Eventually becoming famous for having a large, weak fleet of subordinate pirate crews Shanks has to sometimes physically step in and protect?
God, no, he’d’ve been miserable. Just seething with thwarted ambition, furious at the perceived disrespect. A real power hungry first officer stereotype, the kind of character that makes you think, Why’s he working for this guy if he hates him so much?
And Buggy must have suspected it would go something like that. But if Shanks hadn’t rejected Laugh Tale, he would’ve gone with him anyway.
(Better to be miserable with you than a loser on my own.)
Or say Buggy agreed to come with Shanks. Obviously his presence wouldn’t change the crew makeup significantly enough to skew the Red-Haired Pirates towards his way of thinking, but for the sake of argument: if he had convinced Shanks to do things his way, would Shanks have enjoyed the kind of piracy Buggy engages in? Taking over and destroying East Blue port towns, ordering your crew killed on a furious whim, single-mindedly hunting down treasure maps and single-mindedly hunting down treasure chests and paying no attention to anything along the journey? Eventually becoming the boss and administrator for a bunch of bounty hunters and mercenaries?
No way; most of that behavior is totally repellant to Shanks. If he let Buggy do that kind of thing under his banner, you’d be left wondering What happened to his morals? Why does he let this guy walk all over him?
And Shanks knew the kind of pirate Buggy was and wanted to be. But he asked Buggy to come with him anyway.
(Better to be miserable with you than have fun apart.)
It’s hard to see a way to make these very different styles of pirating work together. It’s probably doable… with a lot of compromise and honest conversation. The younger Shanks and Buggy had a point, when they said each going their own way was the obvious choice! It was certainly the easier one. Was it the happier one? Who can say.
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melonteee · 2 months
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Oda is really good at foreshadowing because, while him having always had a clear complete backstory for each character from the get go isn't so sure, he clearly has character sheets for each of them that highlight the themes to be explored through them and what logically leads them to become who they are today (finding family in strangers for robin : why not bio fam? -> neglect. why realization at enies lobby and not jaya? -> betrayal in the past, needed proof of truthfulness. why this found fam and not another one? -> criminal lifestyle and previous experience of constant exploitation)
Then when he sets up a scene between characters, he takes all of those sheets into account and specifically choses what would make sense to be "revealed"/said between those characters (and in turn to the audience) at this specific point in time in the plot and in the overall story
Ex: Robin and Law's talk about the Will of D. It makes complete sense for both of them to have this talk in the story between each other specifically. Why didn't Robin ask any other D before Law ? The D clan aren't that plentiful when you think about it to the point Robin met 3 of them in her entire life. She didn't know how important it was back then so she never asked Saul. She probably asked Luffy but Luff-man doesn't care about those matters to the point he only found out he even had a dad at 17yo ("sorry Robin"). In short, Law is perfect for the job. And while his information fits at that point in the plot for Robin to uncover, we as an audience aren't ready for it yet.
Alternatively, when those character themes sometimes coincide between different characters, he simply ties them together to avoid redundancy
Bonney is a funny case to me because she was created in a week like most of the non-Strawhat supernovas but Oda made sure that her and these new characters wouldn't interfere or create plotholes with what he's already had in mind while leaving enough leeway to tie them more into the plot if needed. Bonney has the biggest leeway of any supernova because of her devil fruit powers. The fact it changes her age and we were only ever given an estimation means you could technically have her be born at nearly any point in time as well as be the daughter, mother or grandmother to anyone you wish.
Yet she fits so well as Kuma's daughter for a very simple reason: It makes the scene of Kuma sending Perona to Mihawk's island gain a layer of sense that was kinda missing and easily glossed over on a first read. Other than giving a demonstration of what Kuma's abilities could do pre-Sabaody and emphasize how much bigger of a threat he was compared to Moria even if they shared the same title, we never really got WHY Perona was spared like the strawhats were at Sabaody. There wasn't some grand vision to it, no tie to something he was part of like the Revolutionaries, ... So why ? Especially at that point in time where he was slowly but surely losing himself and any tie left to his humanity
But then Bonney comes in and their backstory is revealed. And that's when you begin to notice. You notice that Perona is a pink haired adult woman with a rather childish personality. Notice that her devil fruit can easily be underestimated and holds a lot of potential. Notice that Kuma mechanically asked her a really strange question which lacked an important key setup for it. Notice that the spot on Mihawk's island where he sent her to was safe from danger. And you realize
Perona might have reminded Kuma of someone very very close to him to the point his mind couldn't even fathom harming a look alike.
And chronologically at the time of this encounter, he's only seen Bonney as an adult once back at the Sorbet Kingdom where he ended up fainting at the sight alone
In a strange turn of events, things just fit and we're all happy for it
I have nothing to say you're just spot on about everything here. I am so desperate to see Oda's notes on when he makes arcs and characters for how he puts everything together. I can only hope he's kept all of them so, when One Piece ends, he can release a book with all his concept sketches and character/story plots to see exactly how he does it. I need to see how the gears turn u know
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itsbeesknees · 1 year
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The Old Man is Snoring
Any Papa x GN!reader
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Summary: There is a monster in your bed, and it’s making the most decrepit noises.
Warnings: none, just fluff and crack
Word count: 644
A/N: this drabble is dedicated to all the Papas noses
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You are 99.9% certain there is some sort of monster in your bed.
You’re not surprised, of course— why would you be? You spend the majority of your time worshiping the devil at black encrusted altars, and Ghouls prowl the Ministry on the daily, so the probability of a monster being in your bed isn’t too outlandish. Though, last time you checked, monsters are meant to lurk under the bed, not on top of it.
Silk linens are the only thing that’s keeping you safe from this beast. Which is rather unfortunate, since you’re not entirely sure that a thin layer of buttery fabric is a good enough barricade. The duvet would’ve been a much more reliable option, but that had been kicked down onto the floor during your few hours of untroubled sleep. Curse your rotten luck.
The monster breathes sharply through its nose and you freeze up like a half-wit. By Satan is it loud. When you first had woken up you almost mistook it for a chainsaw, with gears and motors rattling. But it was not a chainsaw, and possibly not human either, because nothing skulking this earth should sound like that.
Is this how Theseus felt? Twisting and turning in a maze, haunted by a beast. Was this monstrosity your Minotaur?
You have the good grace to snort at that, because you are not Theseus.
When Theseus was confronted with danger, it was not in a plush mattress cocooned by fancy sheets. When Theseus slayed the beast, he did so bravely and without faltering. Theseus was heroic, Theseus was gifted a fictional magic thread, and you didn’t possess either of those things.
These kinds of thoughts should honestly be completely redundant, as you are an adult now who is perfectly capable of confronting the heaving creature that’s hogging up most of your pillows. Yes, now is the time to be the knight galloping on a horse, charging onwards into battle. You may not be Theseus, but you can surely act like him.
So you whip your body over to face the thunderous beast, squaring your shoulders and sucking in a fierce breath. You have every intention of slaying the fire-spitting, scaley green dragon. Surely confident that they’d hang your title in the great halls of fame after you conquer such a chilling creature..
You didn’t get that far.
Because, when you finally got a look at the monster, the beast, the dragon, the love of your life, you felt the thorns that guarded your heart shrivel and wither away. He was no creature, just an irritating snorer, who was generally well intentioned.
He did fall asleep in his papal paints again, which perhaps made him look a little bit more cryptic than usual, with all that smudged pigment and whatnot. But regardless, he was your papa, not a monster, and he desperately needed the sleep. Way more than you.
So, gallantly, you trade a moment of dragon-slaying for a moment of peace, resting your head on his chest and listening to the pumping of his heart. Occasionally, another snore will trickle out, sometimes even louder than the one before, yet you pay it no mind.
And when he finally wakes, fluttering open his bicolored watery eyes, you greet him with a tired smile and a sweet kiss to his nose; the culprit of your horrors.
“Did I keep you up with my snoring again, amore?” He asks, blinking blearily and tracing shapeless patterns into the sides of your arm.
“No.” You say, flinching at how groggy your voice sounds. “But I think there was a monster in our bed last night, you should’ve heard it. I almost mistook it for a chainsaw.”
Your beloved pauses, processing the meaning of your words, before recoiling in mock offense as if you had sucker punched him straight in the gut. Then, he promptly pulls you closer, and kisses you in all his morning-breath glory.
—o—
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kafukaselect-blog · 1 month
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Is Nail Fiend actually the Curse Devil?
It was awesome to see the Nail Fiend (and Katana Man) return this chapter
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Back when the Nail Fiend was first introduced, a common theory has been that rather than being possessed by the Nail Devil, they are actually the fiend-ified Curse Devil. Opinions on this theory seem to be pretty divided, and since the Nail Fiend is coming back into the spotlight with this latest chapter, I felt it would be worthwhile to make a post re-evaluating this theory in its entirety.
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The main reason for this theory is that the Curse Devils choice of weapon is a nail, just like the fiend's, with both Aki and Santa Claus needing to pierce their victims with a nail to trigger the Curse Devil's attack
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In addition, the Curse Devils attack takes the form of a crucifixion, and when the "Nail Fiend" debuts, they hang up the church schoolkids with nails in a crucifix position.
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There's also the fact that a Nail Devil doesn't really seem like they'd be that powerful at all under CSM's fear based system, and considering that fiends have a further reduction in power compared to devils, the speed and competence that the "Nail fiend" shows could be considered unreasonably powerful for just representing the concept of nails.
You could argue that the Nail Devil also represents the hammer and nail curse ritual (Ushi no toki mari) to give a reason for its power, but the Curse devil already clearly takes inspiration from that. It would be incredibly redundant to make the Nail Devil just represent the exact same thing as the Curse Devil, and it would make more sense to just re-use that devil, it's not like Fujimoto has had a problem with reintroducing devils from Part 1.
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The main counterargument for this theory that I have seen is the fact that the fiend's introduction chapter was named "Guns, Nails, Katana", with people arguing that because the chapter title uses the word "Nail" that the fiend must then must be the Nail Fiend.
I don't think this argument really holds any weight, the chapter had "Nails" in the title because the fiend used a bunch of nails and the chapter title was describing what happened in the chapter. It's like how the "Guns" in the title refers to how the chainsaw church followers used a bunch of guns, not that they were contracted with the Gun Devil. If anything the title "Guns, Curse, Katana" would be really strange and out of place, because it would be revealing something that wasn't actually revealed in the chapter itself.
At the end of the day this theory is still unconfirmed though, and we'll really just have to wait until we see the Nail Fiend show off a bit more of their powers before we can really call it one way or the other. Though I am definitely hoping to see some curse action in the upcoming chapters.
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Also: if they really are the Curse Fiend, then them being paired up with Katana Man is pretty funny, considering they straight up murdered him in Part 1. This fact doesn't really affect the likeliness of the theory, but I think it's pretty neat.
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allgremlinart · 9 months
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the Angle in me is saying "you dont need an animated Kyoshi adaptation it would be redundant" but the Devil in me is saying "you do need an animated Kyoshi adaptation to widen the audience because right now its basically just you thinking about whether or not she could use earthbending and a stone phallus to fuck her lover or if that wouldn't be compliant with the lore and you need more input"
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