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#something about that lineart man
larabar · 2 years
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thinking so hard about older characters
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pk-fyre · 2 years
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Themb 🥺🥰😭
More art based off @twothpaste’s intermission au, this time Hunker Down, Hearken Back flavoured because I want what they have so bad and I love them so much. They heal the deep ache in my heart that was created by mother 3
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rofefetasprite · 1 year
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(ID in alt text)
contemplation
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astranauticus · 8 months
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yknow it is really cool that this is still the most popular rwd drawing on my account considering it's definitely the most i've ever put into one of my fanarts but MAN. the way i draw VR-LA has changed a LOT
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arainmorn-art · 11 months
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Okay, on the topic of artstyle let me say something about Ace Attorney Investigations. Edgey there looks so much prettier than in the original trilogy.
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Take a look at this ugly ass ear in the original and refined pretty ear in AAI, for example, and a more precise lines for neck muscles. Nothing to say about much more competent shading and lineart.
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It's still cool to see how original trilogy's artstyle was clearly influenced by oldschool anime with its expressions and especially proportions.
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And that's where AAI struggles the most.
While I love Edgeworth's face in Investigations, his body proportions are killing me. Original trilogy gave him cupboard wide shoulders and yaoi shovel hands, BUT IT WORKED as Edgeworth's head was also more stylised.
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It DOESN'T WORK when you draw Edgeworth in a semi-realistic style. And as a professional artist myself I guess, that at first Edgworth's shoulders were drawn in normal human proportions until there weren't some artdirection notes to redraw them in this laughably bad way.
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How could I know? Because the gorgeous motherflipping Lang was drawn from scratch with proportions of an athletic wide-shouldered man - and this bs wasn't happening!
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The same goes to Badd. He is very wide, but he doesn't look unnatural.
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Come on, guys, Edgey already gave a flirty bottom energy near this hot mess, wider shoulders woud not help his twinkiness.
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Ahem. Also, jeez, can we appreciate the way how masterful the drawings of hands are?
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And this von Karma. Goddamit. Even if I am very vanilla, this is some hot daddy dom material. The facial structure, the precise shading, the detailes, the wrinkles, the hair, the smirk, the stare, daaaaaaaaaaamn that's a sexy drawing.
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While here he looks like a f*cking toad.
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That was my TED talk, thank you for reading.
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critterbitter · 5 months
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If you don’t mind me asking, what’s your comic making process? I find it hard to make comics that look eye-pleasing to read and yours are like candy.
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Ah, comics! Dig under cut to see some old wips as I attempt to explain my nightmare thought process to you.
For making a comic AESTHETIC and APPROACHABLE:
I've noticed that it's easier for people to be pulled into a comic if I set the environment first and foremost, so people have some vague context for the scene. Of COURSE that's not always necessary ( there are a lot of comics that start out without environmental story telling and it works perfectly) but I've always liked having a lil illustration before digging my rat claws into the meat of the story.
For example! “Emmet and Elesa have a clandestine meeting in the library at 4 am.”
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The sketch was sort of the jumping point to where I wanted to go with the comic. I wanted to a. explain wtf is happening and b. draw a nice conclusion about what the f is happening.
You don't need to make the environment available in every panel too! I'd suggest making your first panel tell all the environment detail you need and then like... slowly removing irrelevant detail from there. And then hit folks with the background again at the end. (So basically, you don't see the library in this comic until the beginning and a bit towards the end. I have tricked you! aha!) So that's one tip i have. For Readability: Anyways, to make a comic easy to read, spacing is super important. Dialogue tends to cramp a shot by a WHOLE lot. For example! Remember the "Lamp is told she's beloved (and has a tsundere moment over it"? That used to be TWO panels. Man. Nightmare fuel. Lemme find it. (This is the rough. I Lined It, realized the pacing is off, and then withered. Please don't look at it too hard.)
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So here's the thing. This READS. But the sheer amount of dialogue in the beginning is fatiguing for me and the "you are beloved, Lampent" NEEDS that oomph of both characters realizing that over the span of years, their relationship stopped being antagonistic and started being family instead. Some folks are fine with blocks of dialogue, but I have the attention span of a patrat on candy. I will not make it. SO! To match the almost moody atmosphere, I stretched the comic out. I stretched that bad boy out a LOT. And I got this out of it.
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Something to keep in mind in comics is there's always going to be one or two iconic lines. Lines that make people FEEL things. Those lines deserve their own panel, their own shot, their whatever. A good story has lulls in its conversation. If you can replicate it, you're winning. Character Blocking:
So basically no, it's not all witchcraft. It's only a bit of witchcraft. Another thing that helps is differentiating characters if they're on the same panel is by solid blocks of color. I have, for the longest time when working on storyboards, blocked characters different tones in order to help differentiate them. Don't be shy! Do that if it helps your comics read! Ingo will always be darker shaded then emmet. The angry nightlight will always have some hint of purple on her (unless I forget). The first goal in a story is to convey information, hehe. Here's an example of color blocking! (This is from a VERY old botw comic I did for linktober in 2021.)
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It's, ah, rather rustic compared to what I do. usually. I know! BUT the primary goal here is to convey where the characters are in relation to each other. And the fact they're color coded makes life easier for both reader and artist. Alright! That's all the tips I can think of off the top of my head. Time to get off that soap box, haha. Overall: Basically, my work process is-- draw a story telling image/ write a funny piece of dialogue. Build the comic around that. Pace it so the important lines stand out. Color code the characters for max visibility. And then four to twelve hours of lineart, but that's neither here or there.
Thanks for coming to my unregulated rambling!
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just-a-drawing-bean · 6 months
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Hey bean!! I absolutely adore your animations nd theyve really inspired me to get back into learning how to animate frame by frame again, smth about your animations really feel spectacular, (amazing key poses nd smooth motions even with a lower frame rate!) I frequently come back to them jus to admire it all! I was wondering if you had any tips on animation, or any progress pics of animating! (No pressure though!! I will continue to enjoy your amazin animations while i try to crack your secret 🔨)
Thank you!! i made a whole post about making an animation smooth from a different ask. but! i do have more to say about animation in general that post doesn't talk about everything. I noticed I didn't talk about follow through. which is basically the continuation of a motion. the natural settle of the body into a pose. so once i've done my in-betweens from one pose to the next. i cant just ease out the movement. i have to make sure things like arms, hair, heads, etc, finish their movements to make sure the weight is correct.
here is a little in progress gif of something i'm working on (ignore the ribbons disappearing i'm not done lol)
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so instead of just easing to a stop he does a rock back and his arms and head also follow through their motions and bounce back on a slight delay to the body. the arms and head follow the body movement but lag behind slightly. think of a tail wagging. uhhh its 3am man so ill leave it here. the linked post has a lot of info. but if you have specific questions id love to talk about it i love explaining my animation process id like to make a breakdown of something one day.
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u3pxx · 5 months
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WHAT DO YOU MEAN IT'S 2024?!?!
next, you're gonna tell me it's gonna be some made-up year like "2025" next. tch, imagine that.
anyways, whoo! 2023! compared to both 2022 and 2021, i gotta say, my art style took a hard swerve in some direction this year. i mean, look at that klavier from january and that butch kim from just this december! (granted, i heavily referenced the portrait of butch kim but still, i didn't use to paint! mama mia!)
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the way i drew faces has definitely changed, that's what i get for getting into something that's live-action and into smth that has realistically proportioned art lol
OH! OH! HOW COULD I FORGET!!! IT WAS (and still will be) THE YEAR OF THE OLD MAN!! i really learned how to draw aged faces this year! ach fraulein, i have not stopped drawing people in their 40's-50's! i would say "send help" but i'm actually having a lot of fun ASKSKS
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i think a funny thing about these art summaries i've done is that they're mostly ace attorney but then there's just a month where i become a different type of ill LMAO this year it was four months for the price of two new interests!
cheers! here's to 2024!!! hope y'all have a fun art year!!!!
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i'm gonna ramble more below about like, other art things i did this year but i'm gonna put it under 'keep reading' bc this baby is getting way too wordy now WHEEZES
1. FAVORITE THINGS I'VE DRAWN THIS YEAR (IN NO PARTICULAR ORDER)
⚖️ mea culpa comic [x]
drawing this one was so time-consuming and ambitious but boy, do i love the end result! i had fun doing the inks for this one but was it a lot! i usually color in lineart and render everything but i had to stop myself from doing it for this one bc man, i'll die asksks
this also has some of my favorite apollos i've drawn, definitely
also! the part about the lineart not being colored and no rendering ended up being a deliberate stylistic choice for this one bc i had like more freedom to do just shadows with inks without it looking too out of place.
💐 my lawfully wedded zine spread [x]
now this one isn't out yet but take my word for when i say that this is one of the most craxy things i've ever drawn for this year, on account of drawing a comic AND group shot all in one!
also literally one of the prettiest things i've rendered this year, lookit that klav...
🎉 aa4 redraw - 2022 anniversary [x]
kind of like my wedding zine piece, group photos are insane, and rendering like uhhh [looks at drawing] 11 CHARACTERS IS ALSO INSANE if i try and draw a group photo again you have to stop me DFGHDJ
🎨 my art fight stuff [x] [x]
was possessed in the month of july or smth bc i pumped out like how many drawings so quickly (before i got burnt out that is pftt)
pace yourselves and don't be like me pls ajshgdghhjk
💥 people park day [x]
my friend told me that it was very obvious i watched across the spiderverse when they saw this FDFGHJD
but yea! this is when i started getting really into like, thought bubbles or just like, panels or drawings within a drawing when coming up with layouts
i still love the colors on this one...
🪩 fem disco portraits
ok so i haven't uploaded these yet but you have to trust me when i say that something was in the water DFGHDJ
who knew that all it took for me to learn how to paint was butches
2. ALSO DID YOU KNOW THAT I SOLD STICKERS THIS YEAR IN OUR UNI'S ART MART?
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THE ONLY GOOD THING ABOUT THAT SCHOOL I SWEAR PFTTT this experience has also awaken the merch beast in me and i need to make more physical things for my brain to be happy, that's just how it be pfttt
hopefully next year i can actually start like a shopee shop or whatever lmao
3. ART FIGHT
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i'm actually quite happy i got to participate in art fight this year! very delighted for all the art i've gotten and very fun to have drawn for others too!!
4. ZINES
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i got invited and joined so many zines from 2022 continuing to 2023 that i kind of got burnt out from participating for now ngl ASKSKSKS not gonna be joining much this year oopsiessss! (unless i lose self-control [very likely])
5. SCHOOL
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i don't actually like a lot of the stuff i draw for art school bc i tend to cram and not have fun pftt <- adhd moment, tragic! but here are some that i actually kind of like lol
6. THAT'S IT!
i think that's it! thanks for reading all the way down here!! o(* ̄▽ ̄*)ブ
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raydays-swap-au · 23 days
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Finally tried my hand at redrawing a screenshot for my swap AU.
I did my best to mimic the style of the show in this one ( cuz, yes, usually I'm not trying to mimic the style of the show. You can tell by my hashing and colored lines. ) Though I can tell the lineweight is definitely off ( especially on Velvette, ) but I'd still say it's pretty good for my first attempt to mimic the show's style as much as I possibly can. The lineweight issue will prob be fixed the more I draw these, idk man.
Either way, I find it so funny that Vox, due to being pretty much entirely blue, just sticks out like a sore thumb. All the while Velvette being all red sorta blends in a lot.
Anyway, original screenshot and more info under the cut + unedited version of my swap!Vox cuz yes
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Honestly, while coloring in swap!Vox I was all like "man, this guy is too blue for this entirely red background" so I looked up the original episode. Turns out that there's a slight red hue put onto the characters ( in some episodes/scenes/locations ) and Cannibaltown is one of those places, with a really noticeable red hue. You can see it really well on Charlie in particular ( who shows up just a few seconds later in this scene due to the camera zooming out. ) Either way, that let me give Vox that same red hue to have him blend in more. With his actual colors he stuck out even more tbh lmao.
Also, Velvette is just so tiny. Like, Vox and Alastor ( and Rosie too ig, though in some scenes she's shorter than Alastor ) are around 7'0, ll the while Velvette goes to around right under Vox's TV head. Idk. I'm just glad I redraw the entire background to account for the stuff not seen, due to Rosie and Alastor blocking it.
Also the lineart in the background is mostly traced to make sure the perspective is accurate, though the characters themselves aren't traced obviously. Just thought I'd mention since I prefer to be transparent about when I trace or not ( even if it is extremely rare that I trace at all )
I also noticed how inconsistent the artist(s) are with Alastor's arm lengths. Idk maybe it's just to emulate perspective in regards to his forearm(s), but even his upperarms are uneven. Not that I mind as it means I can be more lax in that regard, but it's just something I noticed.
And yes, I edited this post cuz the first one had Vox be too red for my taste. Does he stick out more now? Yes. Does him being too red/muddy bother me less now? Also yes.
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Also, just because I really like how swap!Vox looks in this scene, here's a version with no background and red filter of him.
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Drawing swap!Vox like that is honestly the only reason I even decided to do a redraw of this specific screenshot. I just really like how Alastor looks in the original lol :3
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cacaocheri · 5 months
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I NEEDA KNOW what do you use to make art?
OOHHH man anon you're about to learn just inconsistent i am as an artist because i switch back and forth between programs like a madman.
the main three programs i use are magma, procreate, and clip studio paint.
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^^^ these were all drawn in magma. i really like using the default soft brush. tbh ive been using this program a looottt more recently like idk something about it just works for my brain. but yeah for whatever reason i always make my lineart purple when i use it??? so if my art is ever Extra Purple, that's how you know it was drawn in magma
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^^^ THESE were all drawn in procrate. tbh most of my dca comics were done in procreate (I have only recently started using clip studio paint again). i really really like the texture of the HB pencil brush... smth about it tickles the brain
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^^^and then THEEESE were all drawn in clip studio! as you can see a lot of my most recent posts have been in clip studio. i use it when im making a serious piece of art or a comic that's a bit longer than a couple panels
out of all of them, i'd say clip studio is my favorite program to use. but yeah!!! go experiment and have fun <333
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cider-est · 3 months
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The full lineup is almost done!! (just needs some touch ups and a Chunsik design👍) FEEDBACK IS GREATLY APRECIATED!!
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Design process under here (whole lot of yapping)
General thoughts: Ive given them in my previous design sheet (you can find it in my blog)(tldr: designs match characters but still childish, 8-12 years old). Only thing different here, is that these eggs were eggs who I had less of a clear idea of what I wanted to do with them (though I still really liked where I ended up!!)
Empanada: Didnt want to go for the full sweet lolita route, mostly because I thought it'd take away the "little kidness" of it all, but something that still resembles the aesthetic. She's wearing "carneirinhos" (idk the name in english) which is very cute little girl to me, and shes also a demon! Her tail resembles a frying pan!! Though I might change her fringe (it was supposed to be baby hairs but now that I think about it, her type of hair probably wouldnt have them) and put some argyle pattern in her sweater vest. I just forgor💀 to do that...I also wish I had made her shorter, but unfortunetely I drew this before the eggs did the height check (YES ITS BEEN THAT LONG).
Sunny: My beautiful baby girl. She means the world to me. I love this minecraft egg with all my heart. Shes wearing Light up sketchers and some fairy wings like Pomme, and shes actually wearing a swimsuit, she just put a tutu over it. The diamonds they're always holding are rings, they have a "terere" in their hair (idk name in english😭😭) and the beads were inspired by an artist on twt (@\BLUETOMATOSODA). Also if you are wondering why her hair looks like tentacles, its because I had originally made it puffy, but changed my mind after doing the lineart, so i had to get creative with me covering it up. Just pretend she has a fan, shes a star after all!
Pepito: Basically, he is very smoll. Chiquito even. He has strawberry hair and MASSIVE glasses that take up his entire face. Hes wearing a swimsuit aswell (dont ask how it works idk either), and has floaties since he cant swim. Hes got crocs, since flip flops hurt his toes, with a spider man charm on them! Also hes got a sunhat, mostly cause I wanted some other accessorie but didnt want to go with gas mask since it'd kinda kill the whole swimming vibe (since his model is wearing a swimsuit). sorry if its not too accurate to his character. Side note: Him, Em and Sunny all have freckles! Him and Sunny all over their bodies while Em just has on her cheeks.
Leo: Cute sporty vibe, love her shorty spiky hair. Wanted to try to make her face spiky aswell, for the whole shark dad thing. Shes got a necklace with a shark tooth (I guess she got it from Foolish??). He changes tshirts randomly, and opens and closes his attack on titan hoodie depending on the tshirt's expression (basically my version of Leo changing her player heads constantly). His trainers have dragon wings and also: whealies!!
Dapper: Im gonna be honest: did not expect to like his design THIS much. The colouring really elevated, with the long blue hair (the same colour as the ghosties!). Wanted to make them, y'know, dapper, so I had to sacrifice some of the "little kid vibes" unfortunetely, but I think it fits her still. The hat has part of the helmet that they used to wear a lot, demon horn to match Pomme, and a suit that is VERY inspired by Death the Kid from Soul Eater (very fitting for a reaper in training imo). Might be my favourite design!
Ramon: Jesus fuck you'd think designing your fav egg would be easy BUT NO. I struggled long and hard. Again, he doesnt have that much "little kid" vibe whatever man😭😭 Im just happy that I even managed to make SOMETHING. Hes got Create googles, his meathead is a massive hat that completely hides his hair. Very simple, very Ramon, though I will probably end up making a version with an ugly sweater just like he likes instead😔. I still like it but. man...
ANYWAYS IF YOU READ ALL THAT MWAH, YOURE A REAL ONE, THANKS FOR ENTERTAINING MY THOUGHTS🫶🫶🫶
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senei · 4 months
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rambling a little but uhhh something i love a lot about slay the princess(besides like literally everything else about it since i'm kind of latched onto it) is how the artwork is loose.
tldr it's a good way of showing that the 'cleanliness' of art isn't necessary, and you really shouldn't worry your head off about that kind of stuff. but the Entire word vomit is underneath
it's sooo sososo common seeing people make huge deals about their art being 'clean'.
the lineart needs to be nice and sharp, the rendering needs to be perfectly butter smooth, et cetera.. especially with the ai stuff going on, for some reason? it kind of varies from different communities/platforms, but it's always there in some form. hard to miss most of the time
i see so many people getting pressed over that kind of involuntary obligation they put on themself—and not to say i don't do that exact same thing at times myself!!! it really upsets me knowing the kind of toll it can take on motivation to actually just. draw whatever the fuck is bouncing in your head like an rpg slime idle.
ik the fact that the sprites weren't entirely polished wasn't on purpose. that it's just because of the sheer amount of them/the lack of emotional masochism needed to do the Entire Process on Each One as a Single Person. but it still means a lot to me.
it shows how the same exact idea can be communicated completely disregarding whether or not those kinds of little details aren't ironed flat.
in like 99% of people who look at something, they just go "ooouuh!....art coole👍 !!!!!!!!". they're not gonna give two shits on wings about stray lines or an underblended shadow or whatever.
or at least that's what i'd like to think. as an artist with ungodly chicken scratch not yet conceivable to man i haven't been told anything.
just do however much you wanna do it's silly little artworks not your holy purpose to which inaction holds eternal suffering as consequence or something
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omaano · 1 year
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Last one for @bobadinweek's bingo - A Gravity Falls AU for my FREE square! I'll make a whole post to sum up all my contribution to this bingo a bit later (I made 10 artworks for this event in the past year omg!) - but I'm really pleased to end it with this one - just look at how cute they are as babies! There are some musing about this AU (and another variant) under the cut if you're interested ;)
I'll admit that I don't actually know much about Omega (aside from how she appeared in some fics and what I saw of her on this site), but I already felt bad enough for taking her bow and giving it to Boba (if it's up to Grogu he won't be able to keep hold of it for long, lol), so I felt it best to let her keep her hat and give her the journal. She seems more like the type to pour over it, while Boba just jumps headfirst into any and every kind of adventure. (Also imagine Boba with a pig-sized mini rancor. He'd lose a limb to it, but he would also LOVE it!)
I know that it's usually headcanon'd that Din and Boba are about the same-ish age (with usually Boba coming out a year-or-two older), but for the sake of fun here let Din hit puberty and his growth spurt a bit earlier and be just a bit older, and let Boba have his gay little awakening that summer.
(Just imagine that episode where Dipper makes multiple copies of himself (I know the roles don't track perfectly, shush!) to try and ask Wendy out for that dance/date at the party - and make it Boba trying his very awkward best [insert clone joke here], and, say, put an equally teenage Cobb in Robbie's place, except Cobb turns out to be cool, and now Boba is in all kinds of trouble, and surrounded by too many cute boys wow (but Din is still the cutest with his weird frog-eating baby troll). This idea's kept me entertained through the struggles of trying to keep track of my lineart and flat colour layers with the background here lol.)
ALTERNATIVELY I also entertained the idea of Boba and Fennec running a con mystery shack because they try to lie low for some crimes and not get caught (they are just the ideal type of chaotic-dumb-but-secretly-competent combo, who would play super dumb about any supernatural shenanigans going on while casually leaning against a rancor under a way too small sheet in the corner); and Din is the handy man helping out around the shack, trying to cover for his weird slightly green son who should not be allowed near frogs or you will see something you can never unsee after, and baby Rey, Finn and Poe could be the ones to get into all kinds of supernatural trouble (with Hux as Pacifica, and Kylo/Ben as Lil Gideon lol that would even work with Han and Boba having an archnemeses kind of situation going on). Plus Boba has an endless supply of lost competent twins so...
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skitskatdacat63 · 2 months
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Prince Jenson of Somerset
+ process & lore
Yayyyyy omg finally have drawn portraits of the four main characters!!!! I'll show the process of Jenson's first and then them all four together. Though it's a shame the Seb/Fernando ones are older, I think it's hopefully obvious how much I've improved since November?
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Look at him in all his handsome, princely glory 🥹 It's funny, I'm always happy with the second sketch and initial lineart, and then I start coloring it and I absolutely hate it, and it takes a significant amount of time into the painting for me to like it again. And then I reach a certain point and I'm in love with it again. Ugh though I gotta say, I love drawing the curls, it's just so 18th century, but at the same point, man I always will love my original lineart for the hair the best ah. Also yes I absolutely had to give him a big ass hat with feathers, he really is that kinda guy to me. I originally drew a bicorne and then realized that those don't really exist until basically almost a century later oops, so tricorne it is!!
Okay now omg look at them all together 🥹
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Haha wow I have improved a lot! Just like the Seb/Fernando ones, Mark and Jense's were meant to be put together. I think there's a lot of inherent characterization in their poses that highlight the difference between them. Mark is looking up, very wistful, looking up to greater people, greater things. Jenson's head is tilted down, almost looking at the viewer, he is very satisfied with his role and revels in it, he's here to slay!
Okay, yes, lore, characterization, sorry that it is so far down on the post!!
Jense would probably be the fan favorite if this AU was an actual book or show or something. He's the guy you randomly find while browsing Wikipedia and you're like, woah this guy is so cool??? Unlike Sebmarknando, he doesn't really have the same level of angst, he's kinda just chilling. He's a bit harder to write a lore post about, because he's basically that character who is always magically around the corner, ready to witness some crazy thing and just breeze past it.
He is less linked to Seb than people like Mark and Fernando, because he's basically just his personal minister of transportation(read: horse fucker), so he avoids a lot of the relationship complications and drama, but that isn't to say he's completely uninvolved. He really likes Seb, and loves to hang around with him and serve him, but he's not as beholden to him. He's who everyone goes to air their grievances or to get away from the others, and he's very happy with this role. He's generally willing to play any side in an argument, but does tend to have a pretty big soft spot for Seb overall(Seb also gives him cuteness aggression, and he wants to bite him. Especially when Seb puffs himself up and acts super bratty when he gets offended at not being seen as a proper ruler.)
He's royalty from other kingdom, but pledged his loyalty to Seb's kingdom when he was quite young and has served him(his father first) ever since. He started off somewhat low in the military, rose to a pretty high rank, was a renowed war hero, and then ended up retiring pretty early to tend to Seb's horses. That's an oversimplification, but yeah. He liked the military life, was very good at it, but decided he had done enough, and wanted to be involved in more direct service, albeit more laid back. As I mentioned in Mark's post, Mark *really* doesn't understand his choice to do this, because if Mark had been in Jense's position, he can't ever imagine being able to let all that go and living the quiet life.
He is the palace whore, everyone has been with him honestly. It'll be like, some man walks into his bedroom, only to see Jenson in bed with his wife, but instead of being angry, he's like "wow you couldn't even wait for me??" He's just very carefree, and happy to just slut around and tend to Seb's horses.
I think he definitely still advises Seb, and would go to battle if truly need be, but generally seems to be living in a different world than the weird psychosexual homoerotic political drama that the others seem to be living in. But as I said, it's not like he doesn't contribute to it! He loves to goad Fernando, and constantly plays devil's advocate in "debates" between Fernando and Seb. He's also obviously the one that keep "accidentally" locking them in rooms and forgetting where the key is.
Sorry if this isn't very explanatory, I hope it gives a general idea to the type of character he is???? As always, let me know if you have any questions! I kinda struggled on what to write here because I'm finishing this at almost 8 am 😭 so I'm not sure if it's great or not. But basically you need to know: horse fucker who is generally breezy and carefree but also can be a bit of a menace to society every once in a while.
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#YAYAAAAAAA PRETTY HAPPY WITH THIS ONE!!!!#lmfao tho not 100% sure about the lore notes because i wrote this at like 8 am#hope its understandable 😭 and that you love jense as much I do#hes probably the funniest character in the AU#and like if it wasn't centered on seb/nando he would be the favorite#hes just often there as my kinda reaction character#tho both he and Mark are reaction characters but on opposite sides of the scale and they play off each other#jenson walks into a room where sebnando are psychosexually glaring at each other from across the room#and hes like hmmm how can i make this worse#and mark is the type to walk into the room. see whats going on. and briskly walk away#so jense absolutely loves to tease him w this kinda thing and just make any situation 100x worse(aka funnier)#well funnier for him probably not the other people involved#but its okay bcs they love him. hes jense!!! who wouldn't love him!! hes our favorite guy!! our jense!!!#I just love to imagine he gets all the sides of the gossip and is like hmm yes yes interesting#but doesnt use it for scheming or evil but rather just to tease and be annoying and make everyone blush :)#okay well anyways wow im not really discussing the art itslef sorry!!!@#I think he looks so handsome pretty in this 🥺#hes pretty difficult to draw but i think it came together when i gave him freckles tbh#i hope he gives off carefree but seductive but laidback prince 🙏🙏#f1#formula 1#jenson button#catie.art.#boy king au#*not sure about his title officially yet. i mean hes from somerset but yeah idk its okay
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nayialovecat · 8 months
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The Ink Demonth 2023 - Day 21. City
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Day 21. City Crossover: Samurai Jack Aku is like that one uncle who made his fortune by pure luck (e.g. winning the lottery) and now feels entitled to give life advice to everyone around him on what to do to be as successful as he is, lol.
This is probably one of my best and favourite entries in this year's Ink Demonth.
The funny thing is that I originally had a different idea here - it was supposed to be a crossover with the Spiderverse, where in Spider-Men City one of the Spider-Man (probably Milo) asks Bendy if he's Venom, and Bendy replies that he is, but better because he doesn't need a host. However, I decided that I didn't want to draw the city from this movie, or even so many Spider-Men (although I love both the movie and Spider-Man himself in almost every version) - so Titatotrix and I did a brainstorming session, which resulted in my very discovery: "of course, Aku City... it was supposed to be Aku City from the beginning!" And we got it! I've always wanted to draw Aku. I've drawn Samurai Jack and more, there was even a short comics from my favourite episode... but never Aku. And he is such a lovely object to draw...
I love Samurai Jack. This is probably still my favourite cartoon. And I deeply regret the ending of the last series (the one from Swim Adult). Seriously, I was really sad that so many well-thought-out episodes and the entire complex plot were ruined with one stupid decision at the end... what a shame. I still love the show, and Jack was one of my big crushes (along with Hercules from the 1995 series and Chase Young from Shaolin Showdown and only from Shaolin Showdown - we don't talk about Chronicles). Plus Aku was dubbed in the original by Mako, one of my favourite voice actors (he did Splinter in my favourite TMNT movie and Uncle Iroh in Avatar: The Last Airbender) - may he rest in peace.
While making this picture, I had great fun at every stage: sketching, making lineart, colouring... I would love to continue the theme of "uncle" Aku giving good advice to Bendy, but, unfortunately, I don't have time for that anymore. Maybe I'll come back to it someday. By the way, while coming up with this entry - and it was after linearizing the next one, Radio, which you will see in a few hours - Titatotrix and I came to the conclusion that this year's Ink Demonth in my version looks a bit like Bendy's journey through the Multiverse and asking various characters for advice on how to deal with his perpetual depression (and with Joey). Well, it really looks like that. Plus entries where Sammy does something... sammish X"D
Bendy and the Ink Machine (c) Joey Drew Studios Inc. Samurai Jack (c) Genndy Tartakovsky Sammy and the Ink Machine (c) Nayia Lovecat
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Vesuvia Weekly: Fashion Intervention
~ here's another sketch of an afternoon with my fandom self-insert :P ~
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One of the best parts about being the type of person to prefer sitting in corners is needing to worry less about my appearance.
One of the worst parts about being the type of person who doesn't worry much about appearance is having six friends who definitely do.
The part I don't understand is when my fashion sense got so horrifically bad that said six friends actually banded together to stage an intervention. In the marketplace. While I'm writing. With Selasi, that delightful baker, enabling them.
"Ah-ah-ah, don't try to resist! You're a fine young man, my friend, but we all have our weaknesses. Appearances are easy to fix!"
My neck is going to start hurting if I keep having to look up like this. Julian is gesturing enthusiastically, his coat billowing in the breeze as he gets caught up in his monologue on self-improvement. Do I point out the irony, or -
"He doesn't look that bad, he just needs some more ... smrthrgnh." The last word of Asra's sentence is muffled by a mouthful of bread. My bread. Why is he eating my snack?
"Why are your clothes so shapeless anyways? Show off a little something! You should do like I do and get everything tailored. Work that figure!" Lucio takes a few heeled steps and then spins, striking a pose to show off his suit. Muriel frowns.
"It's okay if you don't want to show off." Thank you. "But maybe you could ... pay attention to patterns." I take it back.
"Yeah, what's up the funky looking skeleton? There's no way the fabric it's painted on is going to last longer than a few washes."
"It's merch, Portia." She huffs at my defense and plops down across from me, brushing my parchment out of the way. "I like it because of the pattern, the quality is just ... unfortunate, sometimes."
"I believe we've made our intentions clear." Nadia sails into the discussion and gives me a no-nonsense look. "It would be remiss of us to allow our friend to sit in a public space with so little care for his appearance. Especially when he is one of Vesuvia's aspiring authors."
I try a pleading look, but the only person who starts to look remotely guilty is Julian. Portia's elbow to his ribs makes quick work of that.
"I have shi- I mean, I have stuff to write. And to get done. If you want to look through my wardrobe and help me put together outfits later, we can, but I don't want to leave my corner right now."
"I cannot say this response is unexpected," the Countess gives me a sly but friendly smile, "so I've prepared something for you in advance. When the time comes to return it to me, I expect you to do so with a cleared schedule and an open mind to fresh aesthetics." She holds out her hand, an intricate set of silver chains dripping from her fingers. "From my personal collection - I expect it will suit you nicely."
I sigh. The sooner I accept, the sooner I can go back to not being scrutinized by six pairs of frustratingly kind eyes. "Thank you. I'll take very good care of it."
Nadia moves the jewelry out of the way as I reach for it. "I desire something in exchange."
"What ... what something?"
"I'd like your sweater, please."
"My hoodie? But it's so comfy!"
Her eyelids droop in poorly concealed annoyance. "Your 'hoodie' is in a severe state of disrepair. I can see the threads poking out from the seams, young man, I don't care to see my prized jewelry hidden under such a tired item."
"... okay." I squirm out of my hoodie, handing over the pile of fabric in exchange for the chains. The short sleeves of my undershirt leave my arms exposed, something that I thought I did more often, except -
"You have tattoos?!" Portia's reaching across the table, snatching up my wrist to get a closer look at the slowly growing sleeve. "That's so cool! I've heard that they can really hurt."
"That's a familiar symbol," Asra eyes the lineart on my upper arm where its stretched across the table in front of them. "What do the other ones mean?"
"There's one on your neck, too!" Lucio sounds almost scandalized. "Let me see it!" Before I know it, my freshly exposed neck and arms are being closely examined while a few more sharp eyes focus in on the hints of ink peeking out on my shoulders and chest. This is why I wear hoodies.
Muriel's quick to notice my discomfort when the attention shifts to my neckline and bound chest. "My turn," he grumbles, dropping a navy blue scarf around my collar.
"Thanks."
"Don't mention it. Now give me the second hoodie."
It's hard not to scowl, but I untie the backup hoodie's sleeves from my waist and hand it over. Dang it. "Here."
"You look chilly, my mentally decaying friend!" Good lord, when is Julian going to stop ribbing me over my pen name?
"It's brainrot." He doesn't falter.
"Allow me to rectify your situation! I guarantee you this trusty cloak will protect you from the fiercest of storms." He pulls the massive, dramatic coat from his shoulders in a rehearsed sweep and twirls it to fall behind me. He keeps the armholes open with an excited grin until I push my hands through them.
"This is ..."
"Warm? Comfortable? Touching?"
"Huge." I can barely hold back my laugh. "There's no way even your arms come out the other end of these sleeves! ... but thanks, I'm definitely not cold any more."
"I'll help you roll them up," Portia chirps. Her nimble fingers make quick work of the endless fabric, and I can see my ink stained hands again in no time. "Now give me your socks."
Oh no. My boots are sitting next to the pile of cushions, my socked feet tucked under me for maximum comfort. It's not the stink I'm worried about - for all my poor fashion sense, I never miss my daily shower, or laundry day - but to say that I walk gently would be a blatant lie. I briefly size up the determined look on her face before sighing and shucking them off under the table. "... remember, you asked for this."
Hey jaw drops. "Please tell me you have at least one pair of socks that don't have holes in them."
I shrug. "As long as I can still wear them ..."
"No!" She slams her hand on the table, rattling the now-empty bread bowl sitting in front of a shameless snack thief. "These aren't socks anymore, they're practically cobwebs! I'm knitting at least five more of these."
She shoves a pair of knit orange socks into my hands, lovingly covered with Pepi's cat hair and decorated with little blue bows. "Put these on, I'm burning the rags you gave me."
We both know my pout is just for show. It's not my usual style to wear anything that isn't black (or very, very dark grey), but the bright orange gift is supremely comfortable when I put it on.
"My turn," Asra begins with an innocent smile.
"Where's my bread?"
The dimples deepen. "Give me your head covering, and I'll tell you."
"My beanie?"
"Is that what it's called?" He holds out his hand, taking a closer look at the shabby knit fabric when I pass it to him. "I don't see why, there aren't any beanlike qualities about it. Ooh, unless they're invisible beans ..."
Nadia's sharp cough sets them back on track. "Wear this instead, until we can find a better replacement." Oh god, tell me it's not -
It is. It's his iconic wide brimmed hat, complete with the oversized neon rainbow feather nodding from the band. I don't have time to protest before they're plopping it onto my head and wobbling it into place with a laugh. "Now you're unnoticeable." I highly doubt that. "As to your bread, Selasi's been asked to bring you some of the next hot batch. Can you forgive me?"
Nothing about a smile as smug as his says "guilty", but to be fair, I was never upset. I nod. "So ... can I go back to writing now?"
"What about me?!" I glance from Lucio's outraged pout to the rest of the group. I'm fairly certain that, even if he was invited to the planning for this, he didn't follow through on deciding which offending article of clothing he wanted to replace. "You didn't tell me I had to bring something!"
Portia rolls her eyes. "Well maybe if you had listened when I was talking to you, then you would've known." I don't miss the quiet smile lurking in the corners of Muriel's face as Lucio turns bright red and sputters.
"Well joke's on you, 'cause I'm going to give him something anyways!" He starts taking a hasty inventory of his outfit. "Yeah, that's right! I'm gonna give him ... I'm gonna give himmmmm ... this!"
He unfastens his smallest medal and leans over the table, poking the pin of it through the thick leather of Julian's jacket, disregarding the whimper of protest from the doctor behind him. "It's supposed to be airtight, to keep out the bad humors ..."
"There!" The ex-count grins down at me proudly. "Now your outfit isn't boring. You can give that back to me when you have a better look."
"Thanks," I tell him, and I mean it after noticing the way he glances forlornly at the new empty spot on his sash. "I'll make sure it gets back to you."
"We should go now." Muriel's already half-turned away. "... I'm still not sure this worked."
Asra steps back to his friend, surveying my new look from a distance. "Maybe this will motivate him to let us fix his look sooner."
"It looks better with my medal on it," Lucio announces proudly. Portia lays a firm hand on his shoulder and starts heading away, dragging him with her.
"You'll look better once you make time for us, promise!"
"You should be somewhat protected from the elements, at least." Julian eyes his cuffed coat critically. "If you fasten it correctly, it's airtight, humors proof, water tight, blood proof, pus proof -"
"We'll leave you in peace." Nadia smiles again, amusement dancing in her eyes every time she looks at me. "I suggest you prioritize finishing this project soon."
The six disappear back into the crowd. I lean back against the stone wall behind me, Asra's hat knocking forward over my eyes and giving me a moment of peace. Sure, I may have looked shabby before in my all black-and-grey, well worn clothes, but now -
I'm startled out of my blissful shuteye by a surprised choke. Selasi's standing by my table, a fresh bowl of spiced rolls in one hand and the other clapped over his mouth. "Would you - would you like a mirror, my friend?"
I hold out my hand for the rolls, mentally taking it as a consolation prize for what I've just been lovingly wrangled into.
"Oh, don't think I'm not aware that you let this happen, Selasi."
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