Was just talking about this with a friend but I adore Tallulah’s hat options and how she’s started using them to reflect her emotions/how she’s feeling. I think it’s such good story telling for her because she’s very much an egg that wears her emotions on her sleeve. Before she would just tell people how she’s feeling, communicate it fully with those around her to show that.
This is Minecraft roleplay thus we do not have facial expressions or complete body moments with the egg models so having the hats adds that layer. I’ve always seen Tallulah as the kid who you can read her face like a book. When she’s frustrated and angry she puffs out her cheeks and crosses her arms. When she’s happy she wears a smile so happy and wide and when she’s sad you can physically see it on her face. How her eyebrows down turn and her frown lays there like a permanent mark. Tallulah’s emotions pour out of her like a river into the sea. She feels everything and anything, it’s also how she’s able to somewhat communicate with her dead siblings.
I think the hat thing is good for Tallulah too in general, just so she doesn’t have to talk when she doesn’t feel like it. It helps q!Phil (and others) catch on to how she’s feeling quicker. She uses them for comedic effect as well, which exemplifies how her emotions on her face range so widely. She’ll over dramatize her sadness and anger to get a laugh out of q!Phil, and the hats add that extra layer of drama. It exemplifies who she is as a kid.
I’d also like to talk about Chayanne in this regard because same friend (hi Kash ily Kash) brought up that for him it would be SOO beneficial for him to have som sort of way to display how he is feeling as an aid sort of? With Tallulah I see it more as her physically features changing or her acting a certain way but with Chayanne it’s a physical object he has that tells others how he is feeling. Both of them having a similar gimmick but used/come off in different ways because they’re different kids.
Chayanne is a kid that always has trouble wording things and speaking his mind. He’s quiet and his emotions are locked away. Some things you can notice, like how he moves slower or zones out more when he’s sad. But he never speaks up about it until he can’t hold it in anymore. Not only would it benefit him but it would benefit q!Phil as well.
q!Phil CANNOT tell when Chayanne is sad unless there is a specific or drastic change in his character, and there usually isn’t. It’s easier for him to tell with Tallulah, he’s usually good at understanding when she’s sad or off but that’s also because Tallulah is much more expressive. So when she’s quiet even for 5 minutes, he knows something is off. You can’t follow that logic with Chayanne.
And it’s not that q!Phil doesn’t care, let’s make that clear. In fact, he’s beaten himself up over it, he’s felt horrible in the past for not being able to tell when his son was feeling bad. And it’s exemplified by how for the first time Tallulah hid her feelings from q!Phil too and that’s the only time he couldn’t tell something was wrong.
q!Phil’s emotional intelligence is not high, he struggles a lot with understanding how someone else might feel. He goes off of assumptions (which can be very dangerous) or what he’s told.
So, with Chayanne, having a little symbol or object that shows when he’s sad or angry or scared, it would benefit them both. Chayanne who doesn’t know how to say how he’s feeling and q!Phil who can’t grasp emotions that well unless told directly.
geeky kid gets super powers from his parents' weird inventions! now he has to fight a rogue gallery of ghosts... but uh-oh! he still has to keep his grades up, deal with his embarrassing parents, and navigate girl troubles! rap theme song!
Danny Phantom, the Fandom, After 19 Years of Fermentation:
a child dies. but not quite. the inherent tension between life and death. the obsession of the dead for faded remnants of the living. warped green shadows on the walls of a dark laboratory. having to hide your true nature from those who should be your greatest allies. the fear of the monster you could become if you let yourself. being a ghost as a metaphor for the trans experience. a cold breath on the back of your neck in the dead of the night. rap theme song!
i can't wait to be 30+ and still in fandom and i can't wait to be 40+ and still in fandom and i can't wait to be 50+ and still in fandom and i can't wait to be 60+ and still in fandom and i can't wait to be 70+ and still in fandom and i can't wait to be 80+ and still in fandom and i can't wait to be 90+ and still in fandom and i can't wait to look back on my life and know that i loved things deeply and passionately and was inspired to create and was part of communities with incredible people from all over the world brought together by the stories that touched us
AU where Leo is trapped in the Prison Dimension for months instead of minutes and the only way he gets by with his sanity intact is through recording himself talking to his wrist comm.
When they finally manage to get Leo back and make him rest up to heal, Donnie can’t help but listen to the recordings left behind.
He’s not sure what exactly he’s expecting, only that his subconscious is screaming at him that it has to be heartbreaking, that it has to be torturous.
Instead, what Donnie is subject to is a full thousand hours’ worth of Jupiter Jim and Lou Jitsu crossover fanfiction. More than one part in the series. Spanning well over a million words.
dungeon meshi is soooo fucking great especially when it hits its stride and all characters have come into play bc it's just like
laios: I want to eat all the fucking monsters i want the monsters carnally
marcille: EATING MOSNTERS???? UNHOLY. UNCOUTH. DISGUSTING. anyway here's all the dark magic and necromancy i've got on the backburner to bring back my dragon-digested gf and also i plan to find a way for everyone to live forever at the cost of my very soul if need be
kabru, normally, in a normal tone he's rehearsed 42000 times in front of a mirror: I'M NORMAL. I'M SOOOO FUCKING NORMAL. I'M THE MOST NORMAL GUY AROUND AND I'M NOT CONSTANTLY PLOTTING ASSASSINATIONS FOR THE GREATER GOOD
senshi: I have all this trauma abt being the sole survivor of the fantasy equivalent of the franklin expedition but that's not important what really matters here is eat yer goddamn veggies or so help me
and the best part is that none of them are straight
Listen to me. If you want your media literacy to improve, you have to consume a variety of media. And I don't just mean a variety of genres or a variety of writers or a variety of target demographics (though absolutely those as well), I mean a variety of mediums. Read books. Watch TV. Watch films. Listen to radio plays. Watch theatre productions. Watch documentaries. Read comics and graphic novels. Goddammit read fanfic and watch youtube videos as well, just for the love of god have variety. Learn to recognise how different mediums convey themes and information in different ways. It's like food groups, you need a little bit of all of them to be healthy.
a house is a home but a house is alive but a house is a prison but a house is a graveyard but a house is a caregiver but a house is an emancipation but a house is a monster but the house loves you and the house will not let you go
I find it incredibly funny seeing some fans complain that the movie wasn't "lore accurate" as if FNAF has ever been consistent with its lore, like
Wow, the movie changes a lot of stuff and is not accurate to what we thought we knew? *looks at The Silver Eyes trilogy* I can't believe that, how horrible *looks at The Silver Eyes trilogy* Who would've thought they'd change stuff that makes us doubt what we know about the series *looks at the fourth fucking closet*
Me: hm, I want something to put on the TV as background noise... Huh. Looks like YouTube is recommending something called The Last Unicorn. That's perfect, it's probably some old shitty animation that has aged poorly! I can watch it ironically!
Me, 2 hours later as the credits roll: *crying, cheering, buying the book, composing the songs*
Me, 2 weeks later: So I have compiled all of the quotes from the book that I think could make good tattoos, and also, HOW HAVE I NEVER LEARNED ABOUT HOW THE LAST UNICORN FUCKING SLAPS??? This gay-ass little fairytale fed my soul! Watered my crops! Transed my gender! Can't believe I heard of this story from youtube recommendations, of all places!!
FFXIV players who want their WoL to kill the Elementals: "My WoL would be applauded for freeing the Shroud of their evil and their death will fix Gridania's shortcomings, prejudices, and xenophobia."
I’ve seen a few posts dunking on glass onion for being “cringe” because of the Among Us scene and a few praising it for accurately reflecting the fact that this is all everyone was playing in 2020, but I haven’t seen anyone really talk about how brilliantly Among Us works as a foreshadowing/storytelling device.
On the surface - as the film itself points out! - the game is a neat little parallel of the island: one murderer hidden among us, with the objective being to find them out. But this comparison goes far deeper than the basic premise of the film.
Firstly, Benoit appears as the game’s imposter, and then, it is later revealed, is literally an imposter, arriving on the island uninvited under false pretences - one of the first major twists of the film spelled out to the audience in the opening act. And he isn’t alone - just as two imposters generally work together to deceive the other players, so Benoit and Helen work together to infiltrate the group.
BUT, and this is the bit that really drives me wild, the endgame format of Among Us perfectly reflects the endgame of the film. The way to win Among Us isn’t necessarily a case of killing everyone or surviving every round - the way to win is by convincing your fellow players to believe you, and to vote accordingly.
During the trial Andi loses because the imposter - the billionaire impersonating a genius - convinces the other players that she should be voted out; she is as effectively thrown out of the airlock as she is the business, and then literally killed to protect the [fortune of] the “crew.”
But, Andi was not the imposter, and so the game continues.
The imposter kills again, and when Miles confesses to causing the lights to go out, this is another excellent hint - only the imposter can sabotage the lights!
Then, with all the characters assembled much like an “Emergency Meeting,” we reach the climax of the film: Miles burns the napkin evidence, and immediately the ensemble is back to the voting booth as Helen, like her sister, fights for the players’ support in voting out the imposter. Any Among Us player will recognise the infuriating feeling when you literally just saw them vent for the love of god you were all there vote them OFF- and that frustration - of speaking the truth and not being believed - is evident in this scene.
But these players don’t care about the truth; they care about surviving (ie staying rich), and so they will vote off an innocent person to placate the shark. Which is absolutely not how you win the game.
Then, then, the game’s final round: the imposter has lost his tools, is revealed for the useless fraud he is, and it’s when he has nothing left to offer the other players that one more vote is held - the characters literally raise their hands as they pledge their support to Helen, in part to give the appearance of swearing in upon the witness stand, but also in part to give the visual of a literal vote... such as that of an Among Us emergency meeting vote.
And it’s when Miles is finally, rightfully ejected that at last, the game is won.
Among Us is a game of social engineering, of lying and convincing others of your lies to prolong your survival, deception, and the malleability of truth. Presenting this game in the opening of the film is more than a gimmick or scene-setter: it illustrates the social structures at the heart of the story.
TLDR: Among Us foreshadows the film’s premise, but also plot twists, character choices, and significantly the film’s resolution by way of group vote.