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franthonyofficial · 11 days
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📸: 229.photo
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autumnrevisited · 2 months
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Thursday performing War All the Time in Austin, TX. 02.13.2024
Photos by Jake Rabin
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runningfreetoday · 7 months
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Quick interest check… I’m thinking of putting together a zine about American post-hardcore band Thursday. Would anyone want to submit to that? Tour photos, collages, mixed media work, paintings, sculptures, most other forms of visual art, poetry, lyric essays, etc. Either totally open-ended or lightly focused on War All The Time for the 20th anniversary. Reblog something resembling a yea/yay/yes/hell yeah in the tags if you’re down so I can keep track of y’all.
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thursdayarchive · 1 year
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Geoff Rickly and Stu Richardson of Thursday at Reggie's Rock Club in Chicago on September 17, 2022. Photo by @jdmara
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m3t4ln3rd · 2 years
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No Devotion announce new album No Oblivion; premiere lead single "Starlings"
Photo by: Liza de Guia Official press release: It’s been seven years since No Devotion––featuring vocalist Geoff Rickly (vocalist of Thursday), bassist Stuart Richardson, and guitarist Lee Gaze ––released their outstanding, Kerrang Album Of The Year-winning debut, Permanence. Following a string of extremely unfortunate events, the members began to reimagine the project as a personal lab of new…
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picspammer · 1 year
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Mad World by Tears For Fears (directed by Clive Richardson)
Feel Good Inc. by Gorillaz feat. De La Soul (directed by Jamie Hewlett and Pete Candeland)
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graphicpolicy · 5 months
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Exclusive Preview: Captain Ginger: The Last Feeder #2
Captain Ginger: The Last Feeder #2 exclusive preview. Under assault, Captain Ginger must choose between his father and the fate of his starship crew #comics #comicbooks
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tudorblogger · 5 months
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Book Review - ‘Tudors and Stuarts on Film: Historical Perspectives’ by Susan Doran and Thomas Freeman
This is a book that I first read while at university while studying for my two history degrees. It’s quite a comprehensive look at the Tudors on film, at least up to 2009 when the book was published. Of course, there have been several new adaptations of the Tudor stories published in the last decade and a half but naturally these are not discussed, so the book does now feel a little outdated, but…
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I listened to Elis James and John Robins on the Comedian’s Comedian podcast, as I somewhat recently passed the point in their radio show when they recorded it. It was a really good episode, even by the standards of that podcast, which are high. Very little messing around with basic explanations of stuff that we could find on their Wikipedia pages anyway, they jump straight in with analysis.
I cut out a few clips as I was listening. I meant to write a paragraph or so about each of them. I am coming back here after finishing the post to say I ended up writing a lot more than that. This one gets out of hand. It mainly stays on the topic of the podcast episode and the radio show, occasionally veers off into some personal stories of my own, makes tenuous connections between the two. That's what's below the cut that I'm adding because not everyone needs to be subjected to that.
I particularly liked this one, from the very beginning:
First of all, Elis James definitely has met another person who will start a radio episode by sighing and just saying whatever's actually in their mind instead of trying for slick broadcasting. Elis knows him very well, the mother of his children is frequently recording lines to put in that other broadcaster's shows. However, there is the key difference that Daniel Kitson's doing that on an obscure radio station (well, two obscure radio stations as he used to do Triple R in Melbourne, but hasn't for a long time, so I mainly mean Resonance FM in London) that doesn't pay him any money, while John Robins is doing it on a commercial radio station that was presumably a significant source of his income and is definitely the main source of his career success. It's definitely more a risk to try in that context.
Anyway, I'd like to put the above clip next to this one:
I'm now three years into following this radio show/listening to various podcasts and other things they've done alongside it, trying to go mostly in chronological order, and I would say they do this in one form or another approximately every six months. Just explicitly state the status dynamic between them, which is that Elis is more successful but John is funnier, this creates a couple of sources of mild tension that can be funny to listen to and give them something to play into as a double act, but it also balances out enough so their entire relationship isn't going to implode like Jon Richardson and Russell Howard. It's always a bit weird when they actually say that out loud, comedians aren't really supposed to tell us what level of status they've decided to assign themselves/each other for any given moment.
Elis James frequently says John Robins is a better comedian than him, which also a bit weird because it's the sort of thing you'd say as a joke, but he never sounds like he's joking, and it's... I mean, I was going to say it's objectively true, I guess it can't be given how subjective comedy is, but it is pretty clear cut. And it seems to genuinely not bother Elis James, which I used to think was odd, but I guess it makes sense. I've been teammates with people whom I know are better athletes than me, and we can still be friends, and if anyone asks who's better I can be honest about that. It sure would make that easier if I also somehow won more medals than they did (to continue the somewhat stretched analogy of Elis James having more TV work so that balances the scales), though sports tend to be more of a meritocracy than arts so that doesn't really happen.
There's also truth in the thing John said about how one of them has to come up with content for the radio show - they're on the same official footing, co-hosts rather than calling anyone a sidekick or whatever, but the vast majority of the funniest stuff gets said by John, and more than that, John drives most of the discussions. He usually comes in with more features and stuff prepared, he establishes a lot of the running jokes and keeps them going, he's the one who will lead most of their offshoots into weird little sketches and characters. His timing is incredible sometimes, every once in a while he'll have an episode where he's got Lee Mack levels of being able to jump on everything that gets said almost immediately and be funny every time. He seems like he can decide, pretty much based on how he's feeling at the moment but possibly also based on a sense for how much potential something has, whether to wrap up a thread in one incisive sentence or to draw it out. And it's almost always John making that decision (if it isn't the producer telling them to get on with it, that is, but it's rarely Elis' decision). Sometimes I can hear John work out the comedic potential in something they're talking about before Elis does, and Elis will start to move on but John will bring it back and guide him toward it, and eventually manage to push Elis into whatever joke John had figure out would be funny but only if Elis said it.
Having said that, and this is a tangent but discussing whether Elis James is funny just made me think of it, I've been wanting to give him credit for something. At some episode sometime in 2016, Elis James was telling a story about someone he admired, and the story was about something fairly serious, and at the end of it, John asked "Is he a laugh?", which was quite a funny thing to say in the context, it's annoying me that I can't remember the exact story but it was something like that. And it was funny to hear John be so efficiently dismissive of the sort of weird story. But later in the episode, John told one of his stories about one of those vaguely depressing things he does, like obsessively do his taxes four months in advance or drink rum alone at 2 AM and get sad while watching Queen documentaries - one of those types of stories - and at the end of it, Elis asked "Are you a laugh?" And after that, for several months, Elis James brought that back the exactly perfect number of times. I don't know how he did it, how he got it so perfect every time. He didn't drop it for long enough for regular listeners to forget that he'd made this a running joke, so it would lose its power as a callback. But he didn't say it often enough for it to start to get overused and less funny (not that those guys would ever try to milk more from one bit than it should be expected to bear... but of course we're all on email). There is such a small sweet spot, such little room for error in the frequency with which you can bring back a joke and not fall into either of those traps, and he got it perfect every time. Every time he'd said it, I'd have a moment of surprise because he'd left it just barely past the point at which it had been long enough since I'd heard it for it to get really funny again, and every time, I'd take a moment to admire his timing. He kept it going for quite a while, occasionally responding to John's depressing anecdotes from his own life with "Are you a laugh?" So, well done to Elis James, he can be funny too. Also, I mean, obviously he is regularly quite funny on the radio show, just not as funny as John Robins. It's fine, most people aren't as funny as John Robins. I'm not as good at underhook setups as my friend I hung out with the other night, but it's fine, we manage to get on with our lives.
Anyway, that was only very tenuously related to the topic of this post, let me see if I can find my way back. John Robins and Elis James having an odd balance of tensions created by John being funnier but Elis being more successful. I'm not sure that's as true now as it was in early 2014 to early 2017, which covers the period of radio episodes I've heard so far. At that time, Elis had recently had major roles in two sitcoms (Crims and Josh). He'd had one Welsh-language stand-up special released on the BBC and I think was working on recording another one. He'd done some panel show spots, more than John I think. I think he's started on his BBC television travel show with Miles Jupp. He'd gone to Europe to do TV and radio things about the Welsh football team. John Robins, meanwhile, had released the audio from a couple of his stand-up shows himself on Bandcamp, had been on Mock the Week twice and one of those times was a fucking disaster, a couple appearances on As Yet Untitled, and I think he occasionally got on things like The News Quiz but less often than Elis James did. I think he had a pretty good stand-up career going by then, but it hadn't really translated to other stuff. And John complained at times that he didn't get as many reviews and publicity as his stand-up profile deserved, though it's hard to tell if that's true or just his bias. He had a job for a while doing TV warm-up gigs, but then he got fired for what sounds like a combination of drinking too much and being too harsh for the "keep it light" atmosphere. The disparity between his profile and Elis' was probably for two main reasons: 1) Elis has the significant USP of being one of the only comedians who's fluent in the Welsh language so that gets him some stuff, and 2) the reasons outlined in that second audio clip about John having pissed everyone off.
I think their positions are different these days, though. I'm into the March 2017 episodes right now, in a few months John Robins is going to win a Perrier Award, so he can't keep complaining about not having a significant enough stand-up profile after that. That turned into a Netflix special, a significantly bigger deal than Elis' Welsh-language BBC iPlayer special. And then in 2018 he hosts a panel show, which I have downloaded but haven't watched yet, I'll wait until I get there chronologically. To be honest I'm slightly dreading getting there because I have a feeling it might be terrible. I don't think it was hugely successful because I'd never heard of it before I started looking up John Robins things this year, and I went really deep down the panel show rabbit hole in the last few years, I watched some quite obscure ones but never came across this. It also only lasted one season. But still, he hosted a panel show on Dave. That's a TV career.
And now, obviously, he's on Taskmaster. And seems to be playing large rooms in his latest stand-up tour. A tour that I'd assumed would get filmed for another TV special, though he's mentioned recently that he's planning to put it on Bandcamp like his earlier shows, and I do appreciate him keeping it real for us despite now being a Taskmaster star with a huge tour (as much as this shouldn't make sense because there can be visual humour in stand-up, I tend to prefer audio-only stand-up that's usually closer to how it actually sounded in the room, over filmed versions that get more edits). On the other hand, Elis had a TV series about Welsh comedy a few years ago. A podcast with some football players. I've just looked it up and apparently he hosts a football-based TV show on Sky, so that's nice. But the gap in TV-based success has probably closed.
But that discussion they had in that second audio clip - about John Robins not getting stuff because he's (rightly and justifiably) reaping the consequences of being a dick with a substance abuse problem, and Elis James valiantly taking on the role of Robins Apologist - that really nails, for me, what I enjoy so much about their dynamic. I think that my favourite dynamic. I fucking love anywhere where two people get that one going. That dynamic that's summed up by this post htat I remember from ages ago and have somehow just managed to find because Tumblr's terrible search function decided to work for me today:
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It was about a year ago that I had the extremely clever idea of adding that Taskmaster screenshot to that other person's text post, but I maintain that it's hilarious. Guy Montgomery and David Correos were so much fun because of this. At the time, I considered instead using a screenshot from Taskmaster UK season 5, with the speech bubble pointing at Mark Watson looking at Nish Kumar. There are so many example of two people whose comedy show interactions have been hilarious because they're based on one person making terrible decisions and the other person looking at them like "I'd follow him to hell and back but I wish he'd just stop going there." And not always a him, it doesn't have to be a him! Danielle Ward and Margaret Cabourn-Smith had some good "I'd follow her to hell and back but I wish she'd just stop going there" energy on Do the Right Thing (with Danielle Ward, of course, in the Correos/Kumar/Robins position).
I'm sure I realized until right now, as I write this, how much this might be my favourite dynamic in comedy because it also characterizes my favourite relationships in my own life. And I am genuinely not sure whether that's a me thing or whether most people can slot most of their relationships into one where someone's the David and someone's the Guy, in terms of who keeps driving things to hell and who follows out of loyalty but also apologizes. When I was in high school, and also for most of my twenties, my nickname among my friends was "loose cannon" because when they were trying to be careful and diplomatic in the political battles within the increasingly high levels that we reached in the sporting world, I was the person who once yelled at my coach in a hallway because I was so angry at the way he treated the athletes, and had a letter in my coaching file by age 22 that accused me of not caring about common courtesy. A letter from a coach who refused to work with me anymore because I was insufficiently courteous, so my best friend had to liaise with him on everything while asking me to please not upset more people and further alienate our team. And I have wonderful friends who tell other people that I don't hate them, really, I just seem standoffish because I'm shy, and later on they tell me that I really need to work on my poker face/ability to be around people I hate without making it incredibly obvious that I hate them. In addition to being genuinely shy. When we tried to get someone from my team elected to the provincial board, we knew from the beginning that 1) I would do all the actual work for both the election campaign and, if successful, the role itself, because I know and care the most about the issues and am good at admin stuff, and 2) I could not be the candidate because I hate most people and everyone I hate knows I hate them because I have no diplomacy skills.
Though I do also have one friend who coaches a team in another city and he knows he can call me pretty much any time and ask me for pretty much any favour and I will do it, and I will edit his emails and do his research for him to help him fight his stupid pointless battles and to try to keep him on top of things even though he can't keep track of anything and keeps making wild badly planned decisions, and people ask me why I don't just let him fail and walk away, and I say I know he seems like a brash asshole with no ability to think ahead, but he's a really good guy, really, once you get to know him. It's got back to me that most people in our sports community assume I am or was sleeping with him, as that seems like the only explanation for why I would stick by a guy who's clearly an idiot. The truth is much weirder, he was my university teammate in 2013 and one time he was in my corner when I had a panic attack in the middle of a match at the university national championships, and he saved me and got me through it and I managed to go back and win, and that's why I had to do things like sleep on a hotel room floor for a week in Atlantic City because he'd talked me into going on a provincial team trip where he hadn't booked enough rooms (or planned anything), because he'd earned my eternal loyalty. Oh God, I just remembered how during that trip he stopped to gamble in front of children, and I ended up yelling at him in the middle of the street in Atlantic City, "You know, I argue with people about you!" And he said, "What people?" And I said "People who think you're not responsible enough to run a provincial team trip! Which is everyone! I get into big arguments with them and you make it hard when you do shit like this!" But a few years later he was the first person I called when our mutual friend died because I realized in that moment, that's the person I trust most in the world.
Anyway. What was I talking about? Elis James and John Robins. I think I was talking about Elis James and John Robins. Okay, turns out listening to people talk about the friendships that you base on blind loyalty and apologism brought some stuff up for me. I think I have, in recent weeks, at times blamed my overly emotional posting - my posts that start out as comedy analysis but then go into oversharing about my person life - on the fact that I'm going through some emotionally difficult stuff as I'm trying to avoid drinking. But that's not the case here, I think I was always going to go on that tangent. I haven't seen my friend from out of town in a while, I'm a bit worried about him. I think he might be ruining his own life again. Something was going to connect to that. Rhod Gilbert reminds me of him.
Anyway. Anyway. Elis James and John Robins. Solid double act dynamic. Weird balance of status and tensions, enjoyable running thread of loyalty and apologism. Amazingly, I'm not done, here's another clip I cut out of that ComCom interview:
This is the second time I've heard John Robins tell this story, and I had the same reaction as the first time, which was: Oh my God oh my God oh my God, how were you ever able to sleep again? The horrible sharp pain of this story keeps me awake at night, just imagining what it would be like if that happened to me, and it didn't even happen to me. How could you ever sleep if it did? John Robins frequently tells stories from what he calls the "shame well", those things that happen where you obsess over how you did something wrong and regret it. John is constantly making jokes (or just statements) about how he lives a life mired in shame and regret. But still, I don't see how he can just casually throw this one out there like it's just another shame well story. It's so much worse. It's the worst one I've heard. I would hide under my bed for the rest of my life.
John Robins went on Adam Buxton's podcast in 2016, I have listened to that episode and it's not great. You want to talk about dynamics created by a differential in status - I think that one went way too far, to the point where nothing could really happen. There was this huge discrepancy of John Robins meeting his hero, which will often make someone sort of adorably giddy but not in this case, he just seemed a bit out of it and subdued. While on the other side, Adam Buxton appeared to have no idea who John Robins was, so not much discussion got generated. It wasn't a complete disaster, but I could understand why John didn't plug that one on his radio show, despite plugging most of his podcast appearances.
Anyway though, if I can manage to get past the sheer horror of the first part of that clip, the second part was sort of nicely validating. Because I am slightly weary of how much my trip down the Elis and John rabbit hole has got quite intense quite quickly, even by my standards of comedy obsession, and possibly taken a turn for the parasocial. I mean, I am currently writing a multi-page post about an interview they gave and it includes several paragraphs about my own life that are only tenuously related, in a way that I can say "Look I do the same thing as these guys I've never met."
The intensity of that has definitely been accelerated by the fact that I happened to, by a genuine coincidence, get into this show at the same time as I decided to try to slow down and/or stop drinking, and God, a lot of the ways in which John Robins talks about alcohol and anxiety resonates. And yep, I'd feel weird admitting it because I know it's sort of inherently creepy to say "they feel like my friends" about some people you've never met, but since John Robins said it first I think I can admit those headphones do make a difference. Might be another reason why I prefer the Bandcamp comedy to a Netflix special.
They touch on this throughout the ComCom interview - not so much in the clips I cut out but throughout the whole thing, it really is worth a listen if you're interested in this - the way their radio show gets so many letters from people who thank them for talking so honestly about mental health issues, people who say they've dealt with their own difficult shit and find this radio show has helped. Probably lots of shows get similar letters, but I think it's safe to say this one gets more than most. The Bugle used to read out their correspondence and Andy Zaltzman wasn't getting people every day saying "Thank you for making me feel less alone in my depression."
They really are good at that, at hitting the exact right balance of honest without being overbearing about it. For a show that spends so much time talking about symptoms of mental health problems, they almost never use the words "mental health". They never sit down and say "let's have a talk about what it's like to live with anxiety." They just describe their week, in more honest detail than you would normally hear on commercial radio. And leave in the parts where they panic about every decision they've ever made and get drunk alone in the middle of the night and cry because they think they've done everything wrong. And by "they", I mostly mean John.
I do like their word, "darkness". I didn't realize, when I first watched The Darkness of Robins in 2022 (a show John first performed in 2017, won a large award for it, released as a Netflix special in 2018, but I watched it in 2022), that that title's been around for ages. Elis James made a joke in an early radio episode, from 2014, about how someday, John should do a show called The Darkness of Robins, where he just lays bare all his anxieties, all his weird toxic quirks and control freak tendencies and oceans of shame and regret and various addictions/self-medication and cynicism and bitterness and anger and deep self-loathing. Elis said this as a joke, the joke being that you can't just put all that in a comedy show. But they kept the joke going for years. John did the Richard Herring podcast, in which he talked a bit about some of the more difficult mental health struggles he's had, and when he plugged it on the radio show, instead of saying "I talk about some of my more difficult mental health struggles", he said, "There's a fair bit of the darkness of Robins in it." And then he started casually referencing it on the show, describing a night when he might have drank too much and had a panic attack with a causal and sort of joke-y "I got overcome by the darkness for a little while." And then they started describing those emails from listeners who say it resonated with "[Person] has emailed in to say they've been afflicted by a touch of the darkness, sorry to hear that." And I just love that word. It's used with enough genuineness to make it clear that they're not making fun of mental health problems, they really do have them and it does feel dark. But also with enough irony - obviously there is irony in using a term as grandiose as "The Darkness of Robins" to describe panicking at 3 AM about something bad you said in school - to make it feel like it's not an after school special. I also like that they found a way to let that word mean no one has to name a diagnosis, to narrow their issue down to a loaded term like "I suffer from clinical depression", when not everyone who has that is diagnosed, not everyone is comfortable naming it, not everyone finds it easy to separate their symptoms into clear-cut causes. They can just use a shorthand like "the darkness".
It has been good, to have this radio show for the last couple of months that have brought some darkness into particularly sharp focus, as I decided to quickly remove the maladaptive self-medication. I've tried to stop writing about it so often the way I did earlier in the year, but as a little update on how that's going, still bad. Not enjoying it. Getting mildly parasocial about some guys on the radio might not be hugely healthy, but it's a healthier coping mechanism than whiskey, I guess. I'd really like some whiskey. Anyway I'm fine.
I do think that's why I find that Adam and Joe story so incredibly painful, though. I get paranoid about whether I get too parasocial about the comedians I like, I try really hard to be self-aware about it and be super clear that I know what I'm getting is a curated public persona and I do not actually know these people, and I am mortified at the thought of being one of those fans who thinks they actually are my friends and therefore they should know something about me. No one should know me. I hang out on Tumblr because it's the one social media platform where I know no famous people are searching their own name or anything, everyone's just an anonymous nerd. The thought of anyone knowing me makes me want to hide under my bed for the rest of my life. Though having said that, John Robins and Elis James are always very nice about people who write in with darkness emails.
Amazingly, I'm still not done this post:
Throwing this in just to say, once again, that I'm sorry for having also thought this but in my defense it's not just me. I am truly sorry that when I first heard John Robins got sober, my first thought was... but he's still going to be bitter and angry and annoying and plagued by regret and self-loathing, right? Because that's kind of the cornerstone of his comedy and is what I love so much about it. I mean obviously I want him to be happy, but could he release a couple more stand-up hours first?
I feel genuinely guilty for having thought that, especially because I do hold the sort of political belief that it's bullshit to say one must suffer to make great art, van Gogh did his best work once his mental illness was being treated, and all that. I do believe it applies to more contemporary things too. Jason Isbell made his best music after getting sober. I think James Acaster's best stand-up show might be his current ones, and it's a "let me tell you how therapy has made me healthier" show. But John Robins did base a lot of his comedy on being bitter and angry and annoying and plagued by regret and self-loathing. That's sort of my favourite thing about it.
I felt slightly better when I re-listened to his 2014 show (recorded in 2015) This Tornado Loves You, and was reminded that he admitted that himself:
That's John Robins talking about how his comedy has suffered because he's too happy in his relationship with Sara Pascoe, a relationship that has ended a 20-year search for happiness. And it goes with the clip I posted before that from the ComCom episode, of Elis James saying it's nice that John's relationship with Sara Pascoe recently ended, because it's given the quality of his comedy a real boost. And maybe they should just ruin John's life regularly to keep it that way. So it's not just me who had that horrible thought.
I'm feeling the need to clarify, once again, that of course I don't genuinely think that's a good thing. Obviously it's good that he got sober, for his sake but also, reports suggest his latest show Howl is excellent. I think Howl was written partly while he was drinking and partly while he wasn't, but performed after he'd quit, and the fact that it's done so well suggests that people can, in fact, make their best stuff after getting their shit together (I haven't actually heard the show, he's said he'll release it on Bandcamp sometime soon-ish, probably). And even if his comedy did get worse, which it clearly hasn't, it would still be best that he quit drinking because suffering wouldn't be worth great art, even if it were required for it. That's how it works. Drinking is bad for you. I definitely don't want to drink any whiskey right now. It's fine.
But. But. I recently re-listened to John Robins' episode of Isy Suttie's podcast, The Things We Do For Love. This is a rare instance that I've heard of a comedian being genuinely drunk while recording something. It's happened before that comedians will claim to be a bit loose and tipsy, but not usually so drunk that they're slurring their words. John Robins on Isy Suttie's podcast was slurring his words. He kept losing track of the question and interrupting at inappropriate moments. It's one of those things that makes me say "Oh, yeah, you really needed to quit drinking. This really was affecting your career, that's just a guy who showed up to work too drunk to effectively do his job."
But it was really funny. It made me laugh so many times. At one point he gets furious because Isy Suttie asked him whether he knows how to drive a car. Later on he threatens to murder her and Elis for their sitcom money, which would have been an okay joke but tbere was a bit of a sense of line crossing when he also threatened their child. (Fun side note that has nothing to do with John being drunk: at one point Isy tells a story about her ex-boyfriend, John Robins asks what the ex's name is but she refuses to say, which is weird because I know. It's weird that I know something about Isy Suttie that John Robins didn't, at least on that day.) It's a mess. It's hilarious. I feel vaguely guilty for finding that so funny, the same way I do about the episodes of No More Jockeys where Mark Watson gets properly drunk - that guy's probably got a problem too, I probably shouldn't laugh at it so much, but I also find those the funniest episodes. I have the say, the episode of Adam Buxton's podcast where John Robins was sort of awkwardly reserved would probably have been funnier if John had gotten drunk before it.
My best defense for that is I would not want John Robins to actually be drunk when he performs stand-up, or certainly when he writes it. Being drunk made him funnier on a podcast interview where he's supposed to tell off-the-cuff stories, because off-the-cuff stories get better when someone's filter has been broken down. But also, in his actual stand-up, or even his actual radio broadcasting, John Robins is doing a thousand little things at once to make what he's saying funnier. He's the master of the well-timed pause and the carefully chosen word. None of that would be any good drunk. So I maintain that you don't need to suffer addiction to make great art. It might help a bit to make funny tangents on an interview podcast, but not the actual substance. Also, however funny I found it, I don't think he was proud of that one. On the radio show, John plugged his appearance on Isy Suttie's podcast before he did it, but not one word about it on the radio after it had been recorded, even though most of those things he'll plug both before and once they're released. Though in a later episode of her podcast, Isy mentioned that the first guest she'd had on was a very drunk John Robins, who called her the next day desperately asking her to cut out the sexually explicit story he'd told using an old girlfriend's real name.
And she did cut it out, it's not in the podcast, as it shouldn't be, because it's not responsible to tell sexually explicit stories in something that's being recorded and will be published, if the audience knows the real name of the person you're talking about. Having said that, I've finally reached the point in the radio show where John's doing WIPs of The Darkness of Robins, where he does just that about Sara Pascoe, and I'm having a bit of trouble morally justifying how much I like the show in spite of that. I think I'll re-watch that show tomorrow, for the first time in nearly a year and a half. I'll see how that goes. I remember it as being very, very good. But also, in the last few weeks, I've had three different people watch it because of my posts about John Robins, and all of them came back to me to point out that the stories about Sara Pascoe are pretty inappropriate to tell on stage. I'm still holding out hope that I'll hear him clarify on the radio show that he did run that stuff by her before saying it publicly, or at least before recording it for Netflix.
Anyway, this post got a bit out of hand. I've tried for the last couple of weeks to slow down on my posting about the Elis/John radio show, and the posting about my personal life, but I seemed to have built up a lot to say and put it all in this one. I'm doing fine.
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franthonyofficial · 6 days
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Stu Richardson Warped Tour 2012
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autumnrevisited · 3 months
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Thursday performing War All the Time in Pittsburgh, Pennsylvania. 01.28.24
Photos by NoFlash Photography
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marcmarcmomarc · 4 months
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Kingdom Hearts IV predictions:
Kairi is the leader of a team consisting of Riku, Terra, Aqua, Ventus, Roxas, Xion, Lea, Naminé, Hayner, Pence, Olette, and Chirithy.
Sora’s mother returns.
While Donald and Goofy revisit the old worlds, Sora visits all of the new ones.
The inhabitants of each world returning from the previous games are, of course, thrilled to see Donald and Goofy again, but are sad to hear about Sora’s sacrifice.
Cast:
Haley Joel Osment as Sora
Lindsay Jones as Strelitzia
James Patrick Stuart as Luxu
Ray Chase as Master of Masters
Tony Anselmo as Donald Duck
Bill Farmer as Goofy Goof
Bret Iwan as King Mickey Mouse
Alyson Stoner as Kairi
David Gallagher as Riku
Jason Dohring as Terra
Willa Holland as Aqua
Jesse McCartney as Ventus
Jesse McCartney as Roxas
Alyson Stoner as Xion
Quinton Flynn as Lea
Meaghan J. Martin as Naminé
Zachary Gordon as Hayner
Tristian Chase as Pence
Ashley Boettcher as Olette
Lara Jill Miller as Chirithy
Susanne Blakeslee as Maleficent
Jim Cummings as Pete
Joe Ochman as Jiminy Cricket
Kaitlyn Robrock as Queen Minnie Mouse
Tress MacNeille as Daisy Duck
Corey Burton as Chip
Tress MacNeille as Dale
Enn Reitel as Scrooge McDuck
Danny Pudi as Huey
Ben Schwartz as Dewey
Bobby Moynihan as Louis
Jeff Bennett as Merlin
Corey Burton as Yen Sid
Bill Farmer as Pluto
Kathryn Beaumont as Kairi’s Grandma
David Dayan Fisher as Dilan
Dave Boat as Aeleus
Robin Atkin Downes as Luxord
Kirk Thornton as Isa
Derek Stephen Prince as Even
Vincent Corazza as Ienzo
Ryan O’Donohue as Demyx
Michael Johnston as Ephemer
Madison Davenport as Nameless Star
Kath Soucie as Sora’s Mother
Isabela Merced as Foreteller Ava
Kevin Quinn as Foreteller Gula
Travis Willingham as Foreteller Aced
Matt Mercer as Foreteller Ira
Karissa Lee Staples as Foreteller Invi
Corey Burton as Ansem the Wise
Dylan Sprouse as Yozora
Square Enix Cast:
Doug Erholtz as Leon
Cody Christian as Cloud Strife
Andrea Bowen as Aerith Gainsborough
Britt Baron as Tifa Lockhart
Mae Whitman as Yuffie Kisaragi
Tyler Hoechlin as Sephiroth
Chris Edgerly as Cid Highwind
Hedy Burress as Yuna
Tara Strong as Rikku
Gwendoline Yeo as Paine
Will Friedle as Seifer Almasy
Brandon Adams as Rai
Jillian Bowen as Fuu
Crispin Freeman as Setzer Gabbiani
Melissa Disney as Vivi Ornitier
Shaun Fleming as Tidus
Molly Keck as Selphie Tilmitt
Dee Bradley Baker as Wakka
Matt McKenzie as Auron
Atlantica (The Little Mermaid)
Takes place after The Little Mermaid II: Return to the Sea.
Cast:
Jodi Benson as Ariel
Christopher Daniel Barnes as Eric
Cam Clarke as Flounder
Philip Lawrence as Horatio Felonious Ignacious Crustaceous Sebastian
Chris Edgerly as Scuttle
Jim Cummings as King Triton
Tara Strong as Melody
Kari Wahlgren as Attina
Jennifer Hale as Alana
Tara Strong as Adella
Grey DeLisle as Aquata
Grey DeLisle as Arista
Tara Strong as Andrina
Michael J. Gough as Grimsby
Grey DeLisle as Carlotta
Ben Diskin as Chef Louis
Max Casella as Tip
Corey Burton as Dash
Jeff Bennett as Benjamin
Kevin Michael Richardson as Ray-Ray
Kevin Michael Richardson as Cheeks
Rob Paulsen as Ink Spot
Jim Cummings as Shelbow
Charlie Adler as Seahorse
Kari Wahlgren, Jennifer Hale, Tara Strong, & Grey DeLisle as Flounder’s Guppies
Frank Welker as Max
Village (Beauty and the Beast)
Takes place after the movie.
Cast:
Julie Nathanson as Belle
Robby Benson as Adam
Corey Burton as Maurice
Jeff Bennett as Lumière
Jane Krakowski as Mrs. Potts
Bob Joles as Henry Cogsworth
Jessica DiCicco as Chip Potts
Jo Anne Worley as Madame de la Grande Bouche
Kimmy Robertson as Fifi
Frank Welker as Philippe
Frank Welker as Sultan
Agrabah (Aladdin)
Takes place after Aladdin and the King of Thieves.
Cast:
Scott Weinger & Brad Kane (singing) as Aladdin
Jim Meskimen as the Genie
Linda Larkin & Liz Callaway (singing) as Jasmine
Jeff Bennett as Sultan Hamed Bobolonius II
Brian Hull as Iago
John Rhys-Davies as Cassim
Jim Cummings as Razoul
Frank Welker as Abu
Frank Welker as Cave of Wonders
Frank Welker as Rajah
Pride Lands (The Lion King)
Takes place between The Lion King and The Lion King II: Simba’s Pride.
Cast:
Cam Clarke as Simba
Vanessa Marshall as Nala
Kevin Schon as Timon
Ernie Sabella as Pumbaa
Khary Payton as Rafiki
Jeff Bennett as Zazu
Gary Anthony Williams as Mufasa
James Horan as Scar
Andy’s Room (Toy Story)
Takes place between Toy Story 2 and Toy Story 3.
Cast:
Jim Hanks as Woody
Mike MacRae as Buzz Lightyear
Kathryn Cressida as Jessie
Wallace Shawn as Rex
John Ratzenberger as Hamm
Blake Clark as Slinky Dog
Patrick Fraley as Mr. Potato Head
Melissa Sternenberg as Mrs. Potato Head
Sawyer Cole as Andy Davis
Laurie Metcalf as Andy’s Mom
Hannah Unkrich as Molly Davis
Jeff Pidgeon as Aliens
Frank Welker as Bullseye
La Cité des Cloches (The Hunchback of Notre Dame)
Takes place after the movie.
Cast:
Ari Rubin as Quasimodo
Renee Faia & Heidi Mollenhauer (singing) as Esmeralda
Phil LaMarr as Captain Phoebus
Jim Cummings as Victor
Jason Alexander as Hugo
Pat Lentz as Laverne
Paul Kandel as Clopin
Corey Burton as Brutish Guard
Bill Fagerbakke as Oafish Guard
Frank Welker as Djali
Thebes/Olympus/Underworld (Hercules)
Takes place after the movie.
Cast:
Tate Donovan as Hercules
Robert Costanzo as Philoctetes
James Woods as Hades
Susan Egan as Megara
Corey Burton as Zeus
Bobcat Goldthwait as Pain
Matt Frewer as Panic
Jim Cummings as Amphitryon
Barbara Barrie as Alcmene
Samantha Eggar as Hera
Wayne Knight as Demetrius
Lillias White as Calliope, Muse of Epics
Cheryl Freeman as Melpomene, Muse of Tragedy
LaChanze as Terpsichore, Muse of Dance
Roz Ryan as Thalia, Muse of Comedy
Vaneese Y. Thomas as Clio, Muse of History
Paul Shaffer as Hermes
Keith David as Apollo
Lisa Kudrow as Aphrodite
Frank Welker as Pegasus
The Land of Dragons (Mulan)
Takes place after the movie.
Cast:
Ming-Na Wen & Lea Salonga (singing) as Fa Mulan
B.D. Wong & Donny Osmond (singing) as Li Shang
Mark Moseley as Mushu
Harvey Fierstein as Yao
Gedde Watanabe & Matthew Wilder (singing) as Ling
Jerry Tondo as Chien-Po
James Hong as Chi-Fu
Jet Li as Fa Zhou
George Takei as First Ancestor
Sandra Oh as Fa Li
Benedict Wong as General Li
Wang Deshun as Emperor of China
Lisa Lu as Grandmother Fa
Frank Welker as Cri-Kee
Frank Welker as Kahn
Ant Island/Bug City (A Bug’s Life)
Takes place during the movie.
Cast:
Dave Foley as Flik
Andrew Stanton as Hopper
Jodi Benson as Princess Atta
Alma Versano as Princess Dot
June Squibb as the Queen
Richard Kind as Molt
David Hyde Pierce as Slim
Flula Borg as Heimlich
Nick Jameson as Francis
Jim Cummings as Manny
Jennifer Hale as Gypsy
Bonnie Hunt as Rosie
Michael McShane as Tuck
Michael McShane as Roll
John Ratzenberger as P.T. Flea
Brad Garrett as Dim
Corey Burton as Mr. Soil
Grey DeLisle as Dr. Flora
Marc Maron as Thorny
David Ossman as Cornelius
Frank Welker as Thumper
Jacob Tremblay as Ant Boy 1
Jessica DiCicco as Ant Boy 2
Andrew Stanton as Fly Brother 1
Jess Harnell as Fly Brother 2
Carlos Alazraqui as Loco
John DiMaggio as Axel
Kevin Schon as Slick
Miles Luna as Bug Zapper Fly
Andrew Stanton as Harry
Sabrina Fest as Daisy
Mariel Sheets as Grub
Ashley Tisdale as Lead Blueberry Scout
Melissa Sternenberg as Bar Waitress
Rodger Bumpass as Mosquito
Jess Harnell as Bus Beetle
Brad Hall as Grasshopper 1
Jeff Pidgeon as Grasshopper 2
Lee Unkrich as Ant 1
Bill Farmer as Ant 2
Dave Fennoy as Thud
J. Michael Tatum as Bouncer Wasp
Debi Derryberry as Baby Maggots
Bob Bergen as Aphie
Deep Jungle (Tarzan)
Takes place after the movie.
Cast:
Tony Goldwyn as Tarzan
Olivia d’Abo as Jane Porter
Susanne Blakeslee as Kala
April Winchell as Terk
Jim Cummings as Tantor
Jeff Bennett as Archimedes Q. Porter
Monstropolis (Monsters, Inc.)
Takes place after the movie.
Cast:
Christopher Swindle as James P. Sullivan
Carlos Alazraqui as Mike Wazowski
Mary Gibbs as Boo
Jennifer Tilly as Celia Mae
John Ratzenberger as Yeti
Bob Peterson as Roz
Christopher Swindle as Jeff Fungus
Stephen Stanton as Needleman
Stephen Stanton as Smitty
Bonnie Hunt as Ms. Flint
Regan Burns as Jerry Slugsworth
Stephen Stanton as George Sanderson
Christopher Swindle as Thaddeus “Phlegm” Bile
Phil Proctor as Charlie Proctor
Gregg Berger as Peter “Claws” Ward
Roger Craig Smith, Pete Docter, & Teddy Newton as Child Detection Agents
Great Barrier Reef/Deep Ocean/Marine Life Institute (Finding Nemo)
Takes place after Finding Dory.
Cast:
Jess Harnell as Marlin
Jennifer Hale as Dory
Tara Strong as Nemo
Ed O’Neill as Hank
Kaitlin Olson as Destiny
J.P. Karliak as Bailey
Eugene Levy as Charlie
Jen Brown as Jenny
Willem Dafoe as Gill
Brad Garrett as Bloat
Allison Janney as Peach
Austin Pendleton as Gurgle
Stephen Root as Bubbles
Vicki Lewis as Deb (& Flo)
Jerome Ranft as Jacques
Andrew Stanton as Crush
Grey DeLisle as Squirt
Idris Elba as Fluke
Dominic West as Rudder
Geoffrey Rush as Nigel
Bob Peterson as Mr. Ray
Jess Harnell as Bruce
Eric Bana as Anchor
Bruce Spence as Chum
Torbin Xan Bullock as Gerald
Katherine Ringgold as Chickenfish
Torbin Xan Bullock as Becky
Andrew Stanton as Seagulls
Metroville/Nomansian Island (The Incredibles)
Takes place during the movie.
Cast:
Craig T. Nelson as Bob Parr/Mr. Incredible
Holly Hunter as Helen Parr/Elastigirl
Jason Lee as Buddy Pine/Syndrome
Norma Maldonado as Mirage
Sarah Vowell as Violet Parr
Gillian Jacobs as Dash Parr
Brad Bird as Edna Mode (E)
Philip Lawrence as Lucius Best/Frozone
Jonathan Banks as Rick Dicker
Mark Andrews, Brad Lewis, Pete Docter, Peter Sohn, Andrew Stanton, & Jeff Pidgeon as Syndrome’s Guards
Eli Fucile, Maeve Andrews, & Nicolas Bird as Jack-Jack Parr
Bret Parker as Kari McKeen
Michael Bird as Tony Rydinger
Kimberly Adair Clark as Honey Best
Teddy Newton as Manta Jet Computer
Frank Thomas as Frank
Ollie Johnston as Ollie
Teddy Newton as Robot Bird
Nicolas Bird as Rusty McCallister
Radiator Springs/Rusteze-Dinoco Racing Center/Fireball Beach/Thunder Hollow/Thomasville/Florida International Speedway (Cars)
Takes place after Cars 3.
It isn’t combat based. Missions include keeping up with McQueen’s top speed by racing down Radiator Springs’ main street, learning how to turn right to go left at Willy’s Butte, keeping up with Cruz’s top speed on Fireball Beach, avoiding pushy competitors with the Thunder Hollow challengers, and practicing with Cruz at Thomasville, culminating in the Piston Cup race at Florida International Speedway, where the objective is to win against Jackson Storm.
Sora enters the world as a custom-made sports coupe mixing a few real-life sports car models before visits to Luigi’s Casa Della Tires and Ramone’s House of Body Art end with him modified into a next-gen race car sponsored by Dinoco (with Tex’s blessing) and with Cruz’s number.
It’s set during Cruz’s first Piston Cup racing season, so McQueen still has Doc’s colors and spends the Florida race as Sora’s crew chief.
As Sora finishes his story, Mater is certainly unhappy with Xehanort’s actions forcing Sora’s hand. “That dad-gum Xehanort”, he says angrily. Extra points if Sora doesn’t get to the part where Xehanort is dead, then Sarge gets in his face and demands him to teach Xehanort a lesson when he gets back in a militaristic manner. “Is that understood,” Sarge yells. Then Sora tries to correct him, but gets cut off and asked again, “Is that understood,” and has to respond, “Sir, yes, sir!”
Of course, during the top speed races, Luigi is the one to signal the race to begin.
In the Radiator Springs race, Sora’s top speed is tracked by Sheriff’s speed radar, and on Fireball Beach, it’s via Cruz’s personal assistant, Hamilton.
If you fail the “Turn Right to go Left” mission, Sora goes flying into the bed of cacti, and Mater fishes him out.
I know I’ll get hate for this, but Cars 2 elements are here. Heck, maybe Mater can’t be present most for the training because he’s busy with Finn and Holley. After all, does he still owe Holley a first date?
I wanted the player character in this world to be Kairi just so Storm can feel the embarrassment of losing to not one, but two “costume girls”.
The Piston Cup race is announced as a 500-lap race, but no game developer is that malicious to force the player to race 500 laps around an oval, so they’d take after the first Cars game and make it twelve laps with the sun slowly lowering throughout the race.
Cast:
Keith Ferguson as Lightning McQueen
Cristela Alonzo as Cruz Ramirez
Larry the Cable Guy as Sir Tow Mater
Chris Cooper as Smokey
Bonnie Hunt as Sally Carrera
Tony Shalhoub as Luigi
Guido Quaroni as Guido
John Ratzenberger as Mack
Lloyd Sherr as Fillmore
Paul Dooley as Sarge
Cheech Marin as Ramone
Jenifer Lewis as Flo
Michael Wallis as Sheriff
Laraine Newman as Lizzie
Jerome Ranft as Red
A.J. Hamilton as Jackson Storm
Kerry Washington as Natalie Certain
Martin Jarvis as Finn McMissile
Emily Mortimer as Holley Shiftwell
Nathan Fillion as Sterling
Wendie Malick as Louise “Barnstormer” Nash
Kevin Michael Richardson as River Scott
Jason Douglas as Junior “Midnight” Moon
Teresa Gallagher as Mater’s Computer
Bob Peterson as Chick Hicks
Lea DeLaria as Miss Fritter
Humpy Wheeler as Tex Dinoco
Lewis Hamilton as Hamilton
Bob Costas as Bob Cutlass
Darrell Waltrip as Darrell Cartrip
Richard Petty as Strip “The King” Weathers
Ray Evernham as Ray Reverham
Madeleine McGraw as Maddy McGear
Shannon Spake as Shannon Spokes
Kyle Petty as Cal Weathers
Corey Burton & Paul Newman (archived recordings) as Doc Hudson
A.J. Riebli III as McQueen’s Biggest Fan
Steve Purcell as Tractors
Lori Alan as Millie
Michel Michelis as Tomber
Jason Isaacs as Siddeley
Vanessa Redgrave as the Queen
Joe MacDonald as Stephenson
Christopher Sabat as Prince Wheeliam
Andra Day as Sweet Tea
Angel Oquendo as Bobby Swift
Will Collyer as Brick Yardley
Jeremy Maxwell as Arvy Motorhome
Bob Peterson as Dr. Damage
Will Collyer as Roscoe
Peter Sohn as Mr. Drippy
Patrick Rodriguez as Taco
Anthony Sardinha as Jimbo
Andrew Stanton as T-Bone
Jessie James Grelle as APB
Jessica Nigri as Blind Spot
Kaiji Tang as Pushover
Jen Taylor as Tailgate
Barbara Dunkelman as Cigalert
Dustin Matthews as Fishtail
Kyle Phillips as Broadside
Maggie Tominey as Patty
Tyler Coe as Bill
Brendan Blaber as Pileup
Lindsay Jones as High Impact
Jason Pace as Faregame
Tiana Camacho as Airborne
Django Craig as Superfly
Jen Brown as Jambalaya Chimichanga
Samantha Ireland as Liability
Gus Sorola as Hit
Christopher Guerrero as Run
Alex Mai as Todd
Daniel Suárez as Danny Swervez
Ryan Blaney as Ryan “Inside” Laney
Bubba Wallace as Bubba Wheelhouse
Chase Elliott as Chase Racelott
Kerry Shawcross as Tim Treadless
Corey Krueger as Rich Mixon
Zeno Robinson as Cam Spinner
Alejandro Saab as H.J. Hollis
Adam Ellis as Ed Truncan
Burnie Burns as Herb Curbler
Miles Luna as Aaron Clocker
Garrett Hunter as Harvey Rodcap
Michael Jones as J.D. McPillar
Yuri Lowenthal as Flip Dover
Kyle Taylor as Barry DePedal
Blaine Gibson as Steve LaPage
Aaron Marquis as Conrad Camber
Gavin Free as Sheldon Shifter
Flynt Flossy as Paul Conrev
Travis Willingham as Michael Rotor
Ben Schwartz as Ritchie Gunzit
Nick Landis as Eric Braker
Neath Oum as Spikey Fillups
Connor Pickens as Chris Roamin’
Clifford Chapin as Dan Carcia
Scott Frerichs as Jonas Carvers
Howard Wang as Jim Reverick
Dustin Matthews as George New-Win
Eric Baudour as Noah Gocek
Aaron Dismuke as Will Rusch
Todd Womack as M. Fast Fong
Mick Lauer as Nick Shift
Richard Norman as J.P. Drive
Christopher Wehkamp as Tom W.
Aaron Dismuke as Sudeep
Grant George as Krzysztof
Bryce Papenbrook as Shiriam
Django Craig as Kurt
Carlos Alazraqui as Ronald
Todd Haberkorn as Junyi
Harvey Guillén as Gabriel
Angel Oquendo as Aiden
Michael Malconian as Jae
Robbie Daymond as Ernesto
Anna Hullum as Melissa Bernabrake
Jason Rose as Pat Traxson
Kara Eberle as Laura Spinwell
Anairis Quiñones as Gale Beaufort
Paris/Gusteau’s Restaurant (Ratatoullie)
Takes place during the movie.
Cast:
Patton Oswalt as Remy
Brian George as Chef Skinner
Lou Romano as Alfredo Linguini
Travis Willingham as Django
Peter Sohn as Emile
Corey Burton as Anton Ego
Brad Garrett as Auguste Gusteau
Janeane Garofalo as Colette Tatou
Will Arnett as Horst
Julius Callahan as Lalo
James Remar as Larousse
John Ratzenberger as Mustafa
Teddy Newton as Talon Labarthe
Tony Fucile as Health Inspector
Julius Callahan as Francois
Tony Fucile as Pompidou
Jake Steinfield as Git
Brad Bird as Ambrister Minion
Brad Lewis, Lindsay Collins, & Lori Richardson as Rats
New Orleans (The Princess and the Frog)
Takes place during the movie.
Cast:
Anika Noni Rose as Tiana
Bruno Campos as Prince Naveen
Keith David as Dr. Facilier
Michael-Leon Wooley as Louis
Jennifer Cody as Charlotte La Bouff
Jim Cummings as Raymond
Peter Bartlett as Lawrence
Jenifer Lewis as Mama Odie
Debra Wilson as Eudora
Brian Cummings as Eli “Big Daddy” La Bouff
Ritchie Montgomery as Reggie
Dave Fouquette as Darnell
Paul Briggs as Two Fingers
Jerry Kernion as Mr. Henry Fenner
Corey Burton as Mr. Harvey Fenner
Michael Colyar as Buford
Emeril Lagasse as Marlon the Gator
Kevin Michael Richardson as Ian the Gator
Randy Newman as Cousin Randy
Danielle Moné Truitt as Georgia
Kelly Hoover as Stella
Kwesi Boakye as Newspaper Boy
Mick Wingert as Travis
Jennifer Kilger as Swooning Girl
Phil Proctor as Cajun Firefly
Seth R. Williamson as Prince Ralphie
Kingdom of Corona (Tangled)
Takes place after the movie.
Can we have a reprise of I’ve Got a Dream, and now Sora gets a chance to share his dream, to return to his friends?
Cast:
Kelsey Lansdowne as Rapunzel Fitzherbert
Zachary Levi as Eugene Fitzherbert
Kari Wahlgren as Queen Ariana
Clancy Brown as King Frederic
M.C. Gainey as Captain of the Guard
Brad Garrett as Hook Hand
Chris Marlow as Big Nose
Paul F. Tompkins as Shorty
Charles Halford as Vladimir
Stephen Stanton as Attila Buckethead
Ron Perlman as Sideburns Stabbington
Brian Hull as Patchy Stabbington
Bob Bergen as Pascal
Nathan Greno as Maximus
DunBroch (Brave)
Takes place during the movie.
Cast:
Kelly Macdonald as Merida
Billy Connolly as Fergus
Emma Thompson as Elinor
Susanne Blakeslee as the Witch
David Tennant as Lord Dingwall
Kevin McKidd as Lord MacGuffin
Craig Ferguson as Lord Macintosh
Michelle Gomez as Maudie
Peigi Barker as Young Merida
Kevin McKidd as Young MacGuffin
Steven Cree as Young Macintosh
Steve Purcell as the Crow
Callum O’Neill as Wee Dingwall
Patrick Doyle as Martin
John Ratzenberger as Gordon
Game Central Station (Wreck-it Ralph)
Takes place after the movie.
Cast:
Brian T. Delaney as Wreck-it Ralph
Sarah Silverman as Vanellope Von Schweetz
Jack McBrayer as Fix-it Felix Jr.
Jane Lynch as Sergeant Tamora Calhoun
Ed O’Neill as Mr. Stan Litwak
Rich Moore as Sour Bill
Maurice LaMarche as Tapper
Dennis Haysbert as General Hologram
Raymond S. Persi as Mayor Gene
Melissa Villaseñor as Taffyta Muttonfudge
Brandon Scott as Kohut
Grey DeLisle as Mary
Skylar Astin as Roy
Don Fullilove as Nolan
Rachael Harris as Deanna
Jess Harnell as Don
Jen Brown as Nell
Jason Douglas as J. Norwood
Pamela Adlon as Lucy
Grey DeLisle as Meg
Katie Lowes as Candlehead
Jamie Elman as Rancis Fluggerbutter
Adam Carolla as Wynnchel
Chris Pratt as Duncan
Josie Trinidad as Jubileena Bing-Bing
Cymbre Walk as Crumbelina Di Caramello
Bella Blanding as Snowanna Rainbeau
Jaeden White as Swizzle “The Swizz” Malarkey
Sawyer Cole as Gloyd Orangeboar
Suzie Yeung as Minty Zaki
Romi Dames as Adorabeezle Winterpop
Josie Trinidad as Citrusella Flugpucker
Suzie Yeung as Torvald Batterbutter
Suzie Yeung as Sticky Whipplesnit
Romi Dames as Nougetsia Brumblestain
Tucker Gilmore as Sugar Rush Announcer
Phil Johnston as Surge Protector
Arendelle (Frozen)
Takes place after the movie.
Cast:
Kristen Bell as Anna
Idina Menzel as Elsa
Jonathan Groff as Kristoff
Josh Gad as Olaf
Frank Welker as Sven
Ciarán Hinds as Grandpabbie
Chris Williams as Oaken
Stephen J. Anderson as Kai
Maia Wilson as Bulda
Rebecca Mader as Gurda
Robert Pine as Bishop
Paul Briggs as Marshmallow
Lewis Cleale as Cliff
Jack Whitehall as Gothi
Annie Lopez as Baby Troll
San Fransokyo (Big Hero 6)
Takes place after the movie.
Cast:
Ryan Potter as Hiro Hamada
Scott Adsit as Baymax
Brooks Wheelan as Fred Fredrickson
Damon Wayans Jr. as Wasabi No Ginger
Jamie Chung as Ethel “Go Go Tomago”
Génesis Rodríguez as Honey Lemon
Maya Rudolph as Cass Hamada
James Cromwell as Robert Callaghan
Alan Tudyk as Allistair Krei
Katie Lowes as Abigail Callaghan
David Shaughnessy as Heathcliff
Daniel Henney as Tadashi Hamada
Riley’s Mind/Mindscape (Inside Out)
Takes place after the movie.
Cast:
Kate Higgins as Joy
Phyllis Smith as Sadness
Lewis Black as Anger
Jason J. Lewis as Fear
Ashley Adler as Disgust
Kaitlyn Dias as Riley Andersen
Diane Lane as Jill Andersen (Mom)
Kyle MacLachlan as Bill Andersen (Dad)
Pete Docter as Dad’s Anger
Carlos Alazraqui as Dad’s Fear
Josh Cooley as Dad’s Fear
Patrick Seitz as Dad’s Joy
J.P. Karliak as Dad’s Disgust
Lori Alan as Mom’s Sadness
Paula Pell as Mom’s Anger
Laraine Newman as Mom’s Fear
Sherry Lynn as Mom’s Joy
Mona Marshall as Mom’s Disgust
Zootopia (Zootopia)
Takes place during the movie.
Cast:
Ginnifer Goodwin as Judy Hopps
Jason Bateman as Nick Wilde
Idris Elba as Chief Bogo
Jenny Slate as Dawn Bellwether
Nate Torrence as Benjamin Clawhauser
Bonnie Hunt as Bonnie Hopps
Don Lake as Stu Hopps
Tommy Chong as Yax
J.K. Simmons as Theodore Lionheart
Octavia Spencer as Mrs. Otterton
Alan Tudyk as Duke Weaselton
Allison Trujillo Strong & Shakira (singing) as Gazelle
Raymond S. Persi as Flash
Maurice LaMarche as Mr. Big
Phil Johnston as Gideon Gray
John DiMaggio as Jerry Jumbeaux Jr.
Katie Lowes as Dr. Madge Honey Badger
Gita Reddy as Nangi
Jesse Corti as Mr. Manchas
Kevin Michael Richardson as Finnick
Josh Dallas as Frantic Pig
Leah Latham as Fru Fru
Rich Moore as Doug
Kath Soucie as Young Nick
Peter Mansbridge as Peter Moosebridge
Byron Howard as Bucky Oryx-Antlerson
Jared Bush as Pronk Oryx-Antlerson
Mark “Rhino” Smith as Officer McHorn
John Lavelle as Mouse Foreman
Kristen Bell as Priscilla
Jackson Stein as Junior Ranger Scout Bully
Rich Moore as Larry
David Thibodeau as Gary
Fabienne Rawley as Fabienne Growley
John DiMaggio as Jesse
John DiMaggio as Woolter
Zach King as Muzzled Wolf
Cissy Jones as Officer Francine
Raymond S. Persi as Officer Higgins
Fabinne Rawley as Jumbeaux Café Customer
John DiMaggio as Parking Ticket Moose
Melissa Goodwin Shepard as Parking Ticket Mouse
Madeleine Curry as Parking Ticket Hippo Daughter
Brendan Blaber as Beaver Reporter
Kaiji Tang as Sheep Reporter
John DiMaggio as Pig Reporter
Bonnie Hunt as Oryx Reporter
Selah Victor as Rabbit Reporter
J. Michael Tatum as Pig Peace Rally Protester
Jen Taylor as Leopard Peach Rally Protester
Tiana Camacho as Carrot Customer
John DiMaggio as Sheep Officer
Motunui/The Great Oceans (Moana)
Takes place during the movie.
Cast:
Auli’i Cravalho as Moana
Dwayne Johnson as Maui
Rachel House as Gramma Tala
Temuera Morrison & Christopher Jackson (singing) as Chief Tui
Jemaine Clement as Tamatoa
Nicole Scherzinger as Sina
Alan Tudyk as Heihei
Oscar Kightley as Fisherman
Troy Polamalu as Villager 1
Puanani Cravalho as Villager 2
Alan Tudyk as Villager 3
Land of the Dead/Santa Cécilia (Coco)
Takes place during the movie.
Cast:
Anthony Gonzalez as Miguel Rivera
Gael García Bernal as Papá Héctor Rivera
Benjamin Bratt & Antonio Sol (singing) as Ernesto de la Cruz
Alanna Ubach as Mamá Imelda Rivera
Renée Victor as Abuelita Elena Rivera
Jaime Camil as Enrique Rivera (Papá)
Alfonso Arau as Papá Julio Rivera
Herbert Sigüenza as Tío Óscar Rivera
Herbert Sigüenza as Tío Felipe Rivera
Gabriel Iglesias as Clerk
Lombardo Boyar as Plaza Mariachi
Lombardo Boyar as Gustavo
Ana Ofelia Murguía as Mamá Coco Rivera
Natalia Cordova-Buckley as Frida Kahlo
Selene Luna as Tía Rosita Rivera
Edward James Olmos as Chicharrón
Sofía Espinosa as Luisa Rivera (Mamá)
Carla Medina as Departures Agent
Dyana Ortelli as Tía Victoria Rivera
Luis Valdez as Tío Berto Rivera
Luis Valdez as Don Hidalgo
Blanca Araceli as Emcee
Salvador Reyes as Security Guard
Cheech Marin as Corrections Officer
Octavio Solís as Arrivals Agent
John Ratzenberger as Juan Ortodoncia
Denise Blasor as Ceci
Libertad García Fonzi as Young Coco
Juan Carlos Tinoco as de la Cruz’s Security Guards
Carla Medina as Tía Gloria Rivera
Montse Hernandez as Rosa Rivera
Polo Rojas as Abel Rivera
Maite Perroni as Arrivals and Departures P.A.
Ricardo Bautista as Battle of the Bands Stagehand
Emilio Fuentes as Sunrise Spectacular Stagehand
Carlos Becerril as Sunrise Spectacular Emcee
Trujo as Policeman
Rosalba Sotelo as Dead Mother
Erica Edwards as Tía Chelo
Miguel Ángel Ruiz as T-Shirt Seller
Emmanuel Bernal as Gustavo’s Band Trumpeter
Lee Unkrich as Skeleton with Corn
Emmanuel Bernal as Héctor’s Cousin
Kumandra (Raya and the Last Dragon)
Takes place after the movie.
Cast:
Kelly Marie Tran as Raya
Awkwafina as Sisu
Gemma Chan as Namaari
Izaac Wang as Boun
Benedict Wong as Tong
Thalia Tran as Noi
Daniel Dae Kim as Chief Benja
Sandra Oh as Chieftess Virana
Alan Tudyk as Tuk Tuk
Lucille Soong as Dang Hu
Dichen Lachman as General Atitãya
Sung Kang as Dang Hai
Ross Butler as Spine Chief
Dumbfoundead as Chai
Dichen Lachman as Spine Warrior
François Chau as Kahn
Sierra Katow as Fang Officer
The Encanto (Encanto)
Takes place after the movie.
Cast:
Stephanie Beatriz as Mirabel Madrigal
María Cecilia Botero & Olga Merediz (singing) as Abuela Alma Madrigal
John Leguizamo as Bruno Madrigal
Jessica Darrow as Luisa Madrigal
Diane Guerrero as Isabela Madrigal
Angie Cepeda as Julieta Madrigal
Demián Bichir as Agustín Madrigal
Carolina Gaitán as Pepa Madrigal
Mauro Castillo as Félix Madrigal
Rhenzy Feliz as Camilo Madrigal
Adassa as Dolores Madrigal
Ravi Cabot-Conyers as Antonio Madrigal
Maluma as Mariano Guzmán
Rose Portillo as Sra. Guzmán
Alyssa Bella Candiani, Noemi Josefina Flores, Paisley Day Herrera, Brooklyn Skylar Rodriguez, & Ezra Rudolph as Town Kids
Alan Tudyk as Pico
Toronto, Canada (Turning Red)
Takes place after the movie.
Cast:
Rosalie Chiang as Meilin Lee
Ava Morse as Miriam Mendelsohn
Hyein Park as Abby Park
Maitreyi Ramakrishnan as Priya Mangal
Tristan Allerick Chen as Tyler Nguyen-Baker
Sandra Oh as Ming Lee
Orion Lee as Jin Lee
Wai Ching Ho as Grandma Wu Lee
Lori Tan Chinn as Auntie Chen
Mia Tagano as Lily
Sherry Cola as Helen
Lillian Lim as Auntie Ping
James Hong as Mr. Gao
Lily Sanfelippo as Stacy Frick
Addie Chandler as Devon
Lauren Tom as Sammy (Goth Girl)
Anna Brisbin as Lauren
Madison Brunoehler as Kat (Stacy’s Second Friend)
Jackson Parfitt as Carter Murphy-Mayhew
Patricia Summersett as Jaiden (Goth Girl with Green Dye)
Jordan Fisher as Robaire
Finneas O’Connell as Jesse
Topher Ngo as Aaron T.
Grayson Villanueva as Tae Young
Josh Levi as Aaron Z.
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knightofchariot · 9 months
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Tarot Books List - part one
1-2-3 Tarot: Answers in an Instant Donald Tyson 101 Tarot Spreads Sheilaa Hite 21 Ways to Read a Tarot Card Mary K. Greer 22 Paths of Inperfection Matt Laws 360 Degrees of Wisdom Lynda Hill 365 Tarot Activities Deanna Anderson 78 Degrees of Wisdom Rachel Pollack 90 Days to Learning the Tarot Lorri Gifford A Guide To Mystic Faerie Tarot Barbara Moore A Guide to Tarot and Relationships Dolores Fitchie & Andrea K. Molina A Guide to the Nomadic Oracle Jon Mallek A Keeper of Words Anna-Marie Ferguson A Sephirothic Odyssey Harry Wendrich & Nicola Wendrich A Wicked Pack of Cards Michael Dummett & Ronald Decker & Thierry Depaulis A Year in the Wildwood Alison Cross Absolute Beginner's Guide to Tarot Mark McElroy Alchemy and the Tarot Robert M. Place All Love Goes Before Me Stewart S. Warren An Introduction to Transformative Tarot Counseling Katrina Wynne Ancient Mysteries Tarot: Keys To Divination And Initiation Roger Calverley Angel Readings for Beginners Elizabeth Foley Animals Divine Companion Lisa Hunt Best Tarot Practices Marcia Masino Beyond the Celtic Cross Paul Hughes-Barlow & Catherine Chapman Book of Thoth Aleister Crowley Brotherhood Tarot Companion Patric Stillman aka Pipa Phalange Buddha Tarot Companion Robert M. Place Chakra Wisdom Oracle Toolkit Tori Hartman Choice Centered Relating and the Tarot Gail Fairfield Chrysalis Tarot Holly Sierra & Toney Brooks Complete Guide to Tarot Illuminati Kim Huggens Confessions of a Tarot Reader Jane Stern Conscious Channeling From the Akashic Rozàlia Horvàth Balàzsi Creator's Tarot Nicole Richardson Daily Spread Tarot & Oracle Journal Alyssa Montalbano Dark Goddess Tarot Companion Ellen Lorenzi-Prince Designing Your Own Tarot Spreads Teresa Michelsen Destiny's Portal Barbara Moore Deviant Moon Tarot Patrick Valenza Discovering Runes Bob Oswald Discovering Your Self Through the Tarot Rose Gwain Easy Tarot Ciro Marchetti & Josephine Ellershaw Easy Tarot Guide Marcia Masino Easy Tarot Reading Josephine Ellershaw Encyclopedia of Tarot Volume IV Stuart Kaplan & Jean Huets Enochian Tarot Betty Schueler & Sally Ann Glassman & Gerald Schueler Essence of the Tarot: Modern Reflections on Ancient Wisdom Megan Skinner Explaining the Tarot Thierry Depaulis & Ross Caldwell & Marco Ponzi Explore the Major Arcana Judyth Sult & Gordana Curgus Exploring the Tarot Carl Japikse Fortune Stellar Christiana Gaudet Fortune's Lover: A Book of Tarot Poems Rachel Pollack Going Beyond the Little White Book Liz Worth Good Cat Spell Book Gillian Kemp Guide to the Sacred Rose Tarot Johanna Gargiulo-Sherman Heart of Tarot Amber K Hieros Gamos: Benediction of the Tarot Stewart S. Warren Holistic Tarot Benebell Wen Integral Tarot: Decoding the Essence Suzanne Wagner It's All in the Cards: Tarot Reading Made Easy John Mangiapane Jung and Tarot Sallie Nichols Kabbalistic Tarot Dovid Krafchow Kaleidoscope Tarot Leisa ReFalo Karmic Tarot William C. Lammey Learning Tarot Reversals Joan Bunning Learning the Tarot Joan Bunning Light-Of-Day: Tarot & Dream Work - A Practical Guide Gigi Miner Magic Words: A Dictionary Craig Conley Meditations on the Tarot Anonymous Messages from the Archetypes Toni Gilbert, RN, MA, HNC Mirror of the Free Nicholas Swift My Tarot Journal Katrina de Witt Mystical Origins of the Tarot: From Ancient Roots to Modern Usage
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gerardpilled · 7 months
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re: msi, lindsey, and how people treat her. that one interview stuart richardson from lostprophets/no devotion did with theprp about what that lead singer did is very illuminating on the way people can hide/veil their abuse and while i'm not going to be the person that goes to bat for anyone in any band it does seem like some people really just do not understand what it's like to be near horrible people who know how to disguise just how horrible they can be
This too… I’ve always thought the lostprophets/no devotion comparison to be very accurate but admittedly don’t know much about the band(s) outside of the crimes committed by the singer. I obviously don’t know what actually happened but I think people view her singular now deleted tweet of support as a definitive thing and viewed it with the worst intentions when there’s usually so much complexity involved.
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justletmeon12 · 4 months
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Books Read in 2023 - If you're curious about any of them, please ask! I love talking about books
Rebecca (Daphne du Maurier)
Introduction to American Deaf Culture (Holcomb)
The Colour of Magic (Pratchett)
The Autistic Trans Guide to Life
Luda (Morrison)
The Moon is a Harsh Mistress
Genderqueer: Voices From Beyond the Sexual Binary
The Mask of Benevolence: Disabling the Deaf Community
Between Two Worlds (Sinclair)
Under the Skin (Faber)
When Time Stopped: A Memoir of My Father’s War and What Remains
Cat on a Hot Tin Roof
Portnoy’s Complaint 
Being Heumann: An Unrepentant Memoir of An Disability Rights Activist (Judith Heumann)
Sex at Dawn: The Prehistoric Origins of Modern Sexuality
This is Moscow Speaking (Arzhak/Yuli Markovich Daniel; tr by Stuart Hood, Harold Shukman, John Richardson)
The Call-Girls (Koestler)
The Essential Dykes to Watch Out For
Homintern
A Scanner Darkly
The Trauma of Caste (Soundararajan)
Shards of Honor (Bujold)
The Origin of Virtue
Odd Girls and Twilight Lovers
Dreadnought
Children of the Arbat (Rybakov; tr by Harold Shukman)
The Gay Metropolis: The Landmark History of Gay Life in America
Janissaries (Jerry Pournelle)
The Disability Studies Reader (Davis)
Fat Off, Fat On: A Big Bitch Manifesto
The Book of Dust: The Secret Commonwealth
Inseparable (de Beauvoir)
World’s End (T. Coraghessan Boyle)
American Melancholy (Joyce Carol Oates)
Transgender Children and Youth (Nealy)
Disgrace (Coetzee)
The Light Around the Body (Bly)
The Hangman’s Daughter (Pötzsch)
Encounters: Two Studies in the Sociology of Interaction (Goffman)
The Trouble with Tink (Thorpe)
Gender Advertisements (Goffman)
And the Band Played On
Fairy Dust and the Quest for the Egg
The Trouble with Normal: Sex, Politics, and the Ethics of Queer Life
Old Norse Poems: The Most Important Non-Skaldic Verse Not Included in the Poetic Edda (tr. by Hollander)
Arts of the Possible: Essays and Conversations (Rich)
Ladies Almanack (Barnes)
Over the Hill (Copper)
Fairy Haven and the Quest for the Wand
The Poetic Edda (tr. by Bellows)
Paris Peasant (Aragon, tr. by Taylor)
Open Borders: The Science and Ethics of Immigration
Stigma (Goffman)
Rubyfruit Jungle
Fairies and the Quest for Never Land
Sight Unseen (Kleege)
The Homosexuality of Men and Women (Hirschfeld, tr. by Lombardi-Nash)
Bea Wolf
New Selected Stories (Thomas Mann, tr. by Searls)
Gay Bar (Jeremy Atherton Lin)
Patsy Walker, AKA Hellcat
Treatise on Style (Aragon, tr. by Waters)
Diana (Frederics)
The World I Live In (Keller)
Christopher and His Kind (Isherwood)
Put Out More Flags (Waugh)
Reflections of a Nonpolitical Man (Mann; tr. and introduced by Morris, Lilla, Rainey)
On Our Own (Judi Chamberlin)
All Boys Aren’t Blue
Artemis (Weir)
Goethe und die Demokratie
Dress Codes (Howey)
Mrs. Stevens Hears the Mermaids Singing
Forms of Talk (Goffman)
Sister Gin
The Decameron (Boccaccio; tr. by Musa and Bondanella)
Elric of Melniboné (Moorcock)
Paradiso (tr. by Hollander and Hollander)
My Mistress’ Eyes are Raven Black
Mademoiselle de Maupin (Gautier)
The Magic Mountain (Mann, tr. by Lowe-Porter)
Home to Harlem (McKay)
The Sailor on the Seas of Fate (Moorcock)
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Some more of Chris Simmons as the utterly batshit crazy Stuart Sumner. I only really focused on this plot line in the show but daaaaayum magnificent stuff. Chris as Stu was so friggin good. The polar opposite of anything he's ever played before. So twisted a character. So magnificent an actor. And everyone else involved in that plot line were just as amazing. What Kieron Richardson especially must have gone through having to take Ste down such a dark path. I know it gets mentioned he's a character already with a dark history, but THIS was just... Overall I'm glad I watched it but it was such a rollercoaster of emotions that I don't think I could commit to watching the show full time. But then I don't watch ANY soap opera based shows any more so it's not just this one. All I can say is I get WHY people watch this show in their millions and how it's continued running on as long as it has. Bravo to everyone on the Hollyoaks team for their dedication to this show and tackling the big issues no matter how difficult it is to deal with.
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