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wasabe777 · 2 years

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burlveneer-music · 4 months

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Psychic Temple - A Universe Regards Itself - Chris Schlarb, producer of the Maria Elena Silva album below, has a recent album from his own ensemble with guest musician synth whiz Lisa Bella Donna

The 8th full length album from Psychic Temple is an epic, two song, all instrumental collaboration with synthesist Lisa Bella Donna. The full ensemble includes Dave Easley on pedal steel guitar, Mike Baggetta on 12-string acoustic guitar, Steph Richards on trumpet, bassist Steuart Liebig, alto saxophonist Isaiah Morfin, and drummers Tabor Allen and Danny Frankel. The band is joined by a choir led by Ann Thaiss and featuring Heather Sommerhauser, Alicia Walter, Alyssandra Nighswonger and Adriana Schlarb. Composed, produced, and mixed by Chris Schlarb. Tabor Allen - drums, percussion Mike Baggetta - 12-string acoustic guitar Lisa Bella Donna - Arp 2600 & String Ensemble, MiniMoog, Mellotron, Hammond organ, Oberheim Digital Sequencer Dave Easley - pedal steel guitar Danny Frankel - drums, percussion Steuart Liebig - electric bass Isaiah Morfin - alto saxophone Steph Richards - trumpet Chris Schlarb - guitars, tapes Alyssandra Nighswonger - voice Adriana Schlarb - voice Heather Sommerhauser - voice Ann Thaiss - voice, choir direction Alicia Walter - voice Produced by Chris Schlarb Cover artwork by Eric Thompson Layout and design by David J. Woodruff Written by Chris Schlarb Published by Interstellar Music Holdings of the Psychic Temple (ASCAP)

#Bandcamp #Psychic Temple #jazz #ambient #electronic #lisa bella donna #rock #chris schlarb #2023

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charleshaddonspurgeon · 8 months

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Nabij De Zon | Een verzoening voor onze zonden Maar God bevestigt Zijn liefde jegens ons, dat Christus voor ons gestorven is, als wij nog zondaars waren... Want indien wij, vijanden zijnde, met God verzoend zijn door de dood Zijns Zoons, veel meer zullen wij, verzoend zijnde, behouden worden door Zijn leven. Romeinen 5:8, 10 Dit is precies wat de grote Vader voor ons deed; en toch waren we Zijn vijanden; we waren van Hem vervreemd en leefden in openlijke opstand tegen Hem. Hoor, o hemelen en verwonder u, o aarde! Hij spaarde Zijn eigen Zoon niet, maar gaf Hem voor ons allen over! ‘Hierin is de liefde, niet dat wij God liefgehad hebben, maar dat Hij ons liefheeft gehad, en Zijn Zoon gezonden heeft tot een verzoening van onze zonden’ (1 Joh. 4:10). Wat een dankbaarheid zou dit scheppen! Wat een toewijding zou dit brengen! ‘Deze is Mijn geliefde Zoon’ (Matth. 17:5). Als u Jezus op Tabor of op Golgotha ziet, ziet u God, Die Zichzelf aan ons overgaf opdat wij niet verloren zouden gaan, maar het eeuwige leven zouden hebben. Zegt de Vader niet: ‘Dit is Mijn Zoon’? Wat een Zaligmaker moet Hij wezen! U en ik kunnen Hem dan ook volkomen vertrouwen. Als de Heere Jezus Christus niet zomaar een gewoon persoon is, maar niet minder dan God Zelf, wie zal dan nog twijfelen aan Zijn macht om te behouden? Als Hij Gods Eniggeboren Zoon is, hoe veilig kunnen we dan de zaak van onze ziel aan Zijn almachtige handen toevertrouwen!

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buzzdixonwriter · 11 months

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Voyage To The Bottom Of The Sea “The Cyborg”

Among the many things that fascinated little Buzzy boy, submarines ranked high on the list.

So it’s no surprise that I eagerly glommed onto Voyage To The Bottom Of The Sea, Irwin Allen’s first TV series.

I was aware of Voyage To The Bottom Of The Sea from the comic book based on the original movie long before I saw the feature film.

Trust me, the comic book is a lot better.

Arguably the best of Allen’s four TV series (Lost In Space, The Time Tunnel, and Land Of The Giants fill out the list), Voyage To The Bottom Of The Sea nonetheless was a woefully uneven show, vacillating between reasonably well executed straight forward adventure and Allen’s particular / peculiar blend of sci-fi goofiness.

Most of the first season episodes (shot in black and white) were cold war thrillers ala Tom Clancy, though a few loopy sci-fi stories slipped through.*

The remaining seasons were shot in color, rapidly moving deeper and deeper into science fiction territory. Even as an 11 year old I rapidly grew disappointed with the series but did appreciate the better episodes they produced.

For me at that early age, their best episode ever was “The Cyborg,” written by William Read Woodfield & Allan Balter, directed by Leo Penn, co-starring Victor Buono as Prof. Tabor Ulrich.

When the episode turned up on YouTube, I decided to rewatch it, curious if memory and nostalgia cast it in a rosy glow.

To my delight, no they didn’t. “The Cyborg” stands up remarkably well.

Oh, it has a full measure of Allen TV flaws -- black limbo sets more suitable for an off-off-Broadway production as well as heavy reliance on stock footage and lots of it -- but Woodfield & Balter managed to use those in support of their story, not undermine it. Granted, Buono is over the top as the villain (feh! When did he ever turn in a performance that wasn’t over the top?), but he’s colorful and amusing as the megalomaniacal (but not mad; oh, no, he’s perfectly sane and rational) Prof. Ulrich, chewing the scant scenery and prop turkey legs with uproarious glee.

Best of all, he has a motive that more than one real world political or military leader has used to justify their crimes against humanity, and while his means are far-fetched, hey, the story is set in the far off future year of 1972 so maybe they would have working cyborgs by then.**

Ulrich’s scheme is to replace the Seaview’s Admiral Nelson (Richard Basehart) with a cyborg double who will mislead the super-sub’s crew into starting World War Three, which Ulrich plans to ride out in his bomb shelter with his cyborg retinue.

To accomplish this he lures Nelson to his lab in stock footage Switzerland where he downloads the admiral’s knowledge and personality into a cyborg double who then returns to the Seaview with a computer program that will trick the crew into thinking World War Three just broke out and they must launch their nuclear weapons.

There is a chilling scene where Captain Crane (David Hedison) and the faux Nelson talk via proto-Zoom to the admiral’s secretary back at the base, telling her to get to a bomb shelter, only for the audience to see the secretary is actually another cyborg double controlled by Ulrich.

Nelson, of course, finally figures out an ingenious way of warning his crew, the cyborg admiral is destroyed, and Ulrich and his lab blow up real good. In order to achieve this, Nelson must persuade Ulrich’s assistant, Gundi (Brooke Bundy), to help him escape only to realize as the lab melts down that she, too, is a cyborg.

So let’s pause a moment and look at what Woodfield & Balter put on the table on October 17, 1965:

How do we determine what is / is not real, especially when it comes to us electronically?

Can we download knowledge from a human brain and store it electronically?

Can we create Artificial Intelligence that can pass for a real human being?

Can Artificial Intelligence develop a moral and ethical code all on its own?

These are topics of pressing interest today, but Woodfield & Balter articulated them fully almost 60 years ago.

And on an Irwin Allen TV show, to boot.

. . .

As much as I enjoyed “The Cyborg” there was something about it that gnawed at me, something I knew I’d seen elsewhere.

Not the cyborg double; that’s straight out of Fritz Lang’s Metropolis and has been used countless times since then in sci-fi movies / pulps / comic books.

No, there was another TV series with an episode where a villainous scientist replaces a ship’s commanding officer with a duplicate and the hero must figure out how to warn his crew about the imposter.

I’m talking “What Are Little Girls Made Of?” on Star Trek, written by Robert Bloch, directed by James Goldstone, broadcast almost a year to the day later on NBC-TV on Oct. 20, 1966.

This is not one of my favorite Star Trek episodes, despite Bloch having written it. At first blush it seems close enough to “The Cyborg” for Bloch to have lifted the plot, but it also bears a strong resemblance to Shakespeare’s The Tempest right down to a Caliban-like creature (Ted Cassidy as Ruk) and a female android that serves as a combination Ariel / Miranda (Sherry Jackson as Andrea).

Which of course means it’s only a hop-skip-and-a-“Beam me down, Scotty” from Forbidden Planet, including a vast underground laboratory left by the original inhabitants of the planet.

“What Are Little Girls Made Of?” tries too hard and falls short as a result.

It strives to be Important and Say Important Things and present A Real Grown Up Drama but it lacks all the virtues that serve ”The Cyborg” so well.

Yeah, “The Cyborg” is a comic book story type of episode, but it’s a smart comic book story and the makers knew enough to embrace the absurdity and just plow ahead, letting the smart bits surprise and delight us. Basehart and Hedison played their parts absolutely straight, but Buono displays such unparalleled exuberance as the misguided scientist that he generates enough audience goodwill to glide the story effortlessly along.

“The Cyborg” offers enough meat on its bones to support a feature length film, and it keeps things moving at a rapid pace without every losing sight of what the story is about.

And dammit, Woodfield & Balter simply wrote a much better script than Bloch did. Nelson’s ingenious warning is to trigger hand twitches in his cyborg double that tap out a Morse code warning to Crane and the crew; Kirk’s solution is to think of anti-Vulcan racial slurs to imprint on his android double’s mind, alerting Spock by hurling insults at him.***

Voyage To The Bottom Of The Sea wasn’t an exceptional TV show, but they did knock one out of the ballpark with “The Cyborg.”

* Harlan Ellison wrote “The Price Of Doom” for Voyage To The Bottom Of The Sea under his Cordwainer Bird pseudonym, breaking an ABC-TV executive’s hip in the process, but that’s another story for another day.

** Technically Ulrich’s creations are androids, not cyborgs, as they are wholly constructed via artificial means while cyborgs are cybernetic organisms, living beings augmented by hi-tech add-ons and plug-ins.

*** On the other hand, “What Are Little Girls Made Of?” does offer William Shatner lurking in ambush to assault Ted Cassidy with a stalacmite dildo, so there’s that…

#William Read Woodfield #Allan Balter #Voyage To The Bottom Of The Sea #Irwin Allen #sci-fi #Star Trek #Robert Bloch #Victor Buono

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mitchbeck · 1 year

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UCONN HUSKIES TOPS UNIVERSITY OF ALASKA-ANCHORAGE IN OT

By: Sam Zis, Howlings STORRS, CT – Propelled by two goals from Hudson Schandor, the University of Connecticut Huskies defeated the Alaska Anchorage Seawolves in overtime, 4-3, in front of 2,691 at the first-ever students-only hockey game at Tuscano Family Ice Forum Thursday night. At 2:37 of overtime, Ryan Tverberg found Schandor open and hit him with a tape-to-tape pass. Schandor then beat Seawolves goalie Jared Whale for the game-winner and his second goal of the game. Despite the need for overtime, the Huskies controlled the contest throughout. The Seawolves were dominant early, coming out of the gate quickly about building a 7-1 lead in shots in the first five of the game. After a lot of back-and-forth play, the Huskies broke through first with 8:39 left in the period. Schandor tallied his first of the game off a sparkling pass from Justin Pearson. The puck hit Whale but found a way to squeeze into the net. The Huskies had a power play opportunity at 15:17, Seawolves forward Connor Marrit took a tripping penalty, but despite some solid scoring chances, the Huskies still went to the locker room up 1-0 and managed to even up the shots at ten. If there were any nerves on either bench to start the game, they were a distant memory by the time the second period started. The game was much more fluid, and both teams established flow and some consistency in their respective game. UConn doubled their lead at 9:48 and broke the silence of the second frame off a slick deflection goal by Tristan Frase and assisted by Harrison Rees and Tabor Heaslip The Seawolves would finally break through and cut the lead in half with just over 4 minutes left to play in the period. Jared White Buried a rebound on the power play. The assist was given to Dylan Findlay. To start the third period, the Huskies were put on a power play when Seawolves defenseman Carson Kosobud took a cross-checking penalty at 2:00. The Huskies capitalized as Connecticut native Nick Capone whizzed a one-timer past Whale to make it 3-1 in favor of the home team. But the Seawolves refused to quietly and again cut the Huskies' two-goal advantage in half just 35 seconds later when freshman forward Conor Cole found Matt Allen in front of the net for a point-blank shot, and it was 3-2. Despite the Huskies' dominant play, the Seawolves found the equalizer at 13:04 when Alex Gomez finished off a rebound surrendered by UConn netminder Logan Terness (28 saves) of a Maximilion Helgeson shot. The Huskies pressed for the game-winner in regulation; however, they couldn’t beat the skilled Seawolves netminder. After two unanswered goals to end regulation, it might have seemed to some that the Seawolves were in control with momentum, but the Huskies came out to OT on a mission. No underestimating the fantastic effort from Whale (36 saves) that gave the Seawolves life in the game. The University of Connecticut Huskies are set to face off against the University of New Hampshire Wildcats at home Saturday at 3:05 PM. UConn improves to 18-10-3 on the season and 6-2-3 in overtime. UCONN HOCKEY HOME Read the full article

#AlaskaAnchorageSeawolvesmen'sicehockey #ÀlexGómez #Connecticut #HudsonSchandor #Huskies #IceHockey #JustinPearson #NickCapone #Overtime #RyanTverberg #Storrs #UCONNHuskies #UniversityofAlaska-Anchorage #UniversityofConnecticut

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nwdsc · 2 years

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(▶︎ Desert / Canyon | Jeremiah Lloyd Harmonから)

Desert / Canyon by Jeremiah Lloyd Harmon

2022年9月23日リリース Desert Tabor Allen - drums Danny Frankel - percussion Davin Givhan - electric bass Jeremiah Lloyd Harmon - acoustic guitar, electric piano, Hammond organ, vocals Canyon Tabor Allen - drums Danny Frankel - percussion Max Knouse - acoustic and electric guitar Anthony Shadduck - double bass Jeremiah Lloyd Harmon - acoustic guitar, acoustic piano, Hammond organ, vocals Produced, mixed, and engineered by Chris Schlarb 1 - 7 recorded at Time Machine, Joshua Tree, CA. February 8th - 12th, 2020 8 - 13 recorded at The Homestead, Topanga Canyon, CA. July 14th - 20th, 2021 14 recorded at BIG EGO on July 21st, 2021 Mastered by JJ Golden @ Golden Mastering, Ventura, CA. Cover Photography by Olivia Hemaratanatorn Inner Photography by Chris Schlarb Layout by David J. Woodruff All songs written by Jeremiah Lloyd Harmon Published by Jeremiah Lloyd Harmon (ASCAP)

#2209 #RC

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nofatclips · 3 years

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Rabbit Hole by Cherry Glazerr

#music #cherry glazerr #clem creevy #clementine creevy #tabor allen #jennifer decilveo #jenn decilveo #sam kaufman #patrick kelly #visualizer

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in-a-blue-mood-today · 5 years

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I SEE MYSELF IN YOU AND THAT'S WHY I FUCKING HATE YOU

#cherry glazerr #clementine creevy #devin o'brien #tabor allen #rock #punk rock #female guitarist #stupid fish #clem creevy #denver #gothic theatre #live music #female musician

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ameri-cunt · 6 years

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my wig is scorched

#cherry glazerr #clementine creevy #tabor allen #devin o'brien #juicy #socks #juicy socks #new #song

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velostl · 5 years

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Cherry Glazerr performs in St. Louis May 1, 2019 at The Pageant. Originally photographed for St. Louis Magazine.

#2019 #cherry glazerr #tabor allen #in concert #concert photography #concert photographer #st. louis #st. louis magazine

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thepermanentrainpress · 5 years

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CONCERT REVIEW: CHERRY GLAZERR W/ PALEHOUND AND MILK AT RICKSHAW THEATRE - MARCH 8TH, 2019

Cherry Glazerr owned the stage at The Rickshaw on Friday night. Now with four albums to her name, frontperson and founder Clementine Creevy was vibrant onstage, working in tandem with drummer Tabor Allen and bassist Devin O’Brien to deliver a satisfying and mosh-filled set.

Locals MILK opened the show to a buzzing room, joining the evening’s bill as a hometown addition. Their deep, mellow sound filled the venue and warmed it up, but their set was unfortunately cut short by a busted guitar string, the band’s newly-added bassist valiantly filling time as the guitar was being re-stringed and re-tuned onstage. The band, however, went out on a high note, the band finding their stride with some solid guitar solos.

Joining Cherry Glazerr on their tour was Boston-based band Palehound, the trio bringing a clean sound and heavy beats to the room. The band was in high spirits, having been greeted to Vancouver earlier in the day by a stranger approaching them on the streets with a “Happy International Women’s Day, motherfuckers.” With a new album on the way, the band previewed some incredible new songs, the fast pace getting the crowd primed and ready for the next set.

The crowd knew what they were there for, and unlike at Cherry Glazerr’s last show at The Cobalt, there was ample room for them to mosh along to the aptly mosh-able tunes from the band’s latest release, Stuffed & Ready. With giant inflatable cherries behind them, the band was ready to deliver, custom graphics for each song filling the screen behind the band.

Highlights of the set were singles “Wasted Nun,” “Juicy Socks,” and “Daddi,” many in the crowd squeezing their way in through the sides to the pit in the middle to knock into each other, Creevy owning the stage, hair obscuring her face and doling out hooks with precision. With crowd surfing having started one song into the set, by the end of the night it was impossible to tell just how many had been hoisted above the heads of those in the crowd.

The band still had a lot to give for the encore, Allen and O’Brien getting a drum and bass beat going, priming the stage for Creevy to emerge and groove her way up to the mic. It didn’t take long for the pace to change, the flaming-with-energy “Told You I’d Be With The Guys” closing up the show, the crowd going along with the start and stop thrashing guitars with their last dregs of energy.

Creevy’s growth as an artist and performer was evident, as she dripped confidence and was as vicious as the audience, lighting a match and igniting the crowd below with a scream or guitar solo as necessary, the room humid with sweat by the end of the night as Creevy bowed down to the room.

Written by: Natalie Dee Photographed by: Ray Maichin

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soapimpression · 7 years

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#cherry glazerr #clementine creevy #sasami ashworth #tabor allen

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aroundfortwayne · 3 years

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Governor's Public Health Commission appointees

New Post has been published on https://aroundfortwayne.com/news/2021/09/14/governors-public-health-commission-appointees/

Governor's Public Health Commission appointees

Today the Indiana Department of Health announced the appointment of 12 new members to Governor Eric Holcomb’s Public Health Commission.

#ACDH Administrator Mindy Waldron #ACDH Allen County Department of Health #Bowen Center for Health Workforce Research and Policy #Brian Tabor #Brownsburg Indiana #Carl Ellison #Carmel Indiana #Claire Fiddian-Green #COVID-19 vaccine #Dr. Cara Veale #Dr. Hannah Maxey #Dr. Kim Irwin #Dr. Paul Halverson #Fishers Indiana #Grant County Commissioner Mark Bardsley #Hannah Maxey #Hendricks County Commissioner Dennis Dawes #Indiana Government Center South #Indiana Governor Eric Holcomb #Indiana Health Commissioner Dr. Judy Monroe #Indiana Health Commissioner Dr. Kris Box #Indiana Hospital Association #Indiana Minority Health Coalition #Indiana Public Health Association #Indiana Public Health Commission #Indiana Rural Health Association #Indiana University Richard M. Fairbanks School of Public Health at IUPUI #Indianapolis Indiana #ISDH Indiana State Department of Health #IU School of Medicine

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nofatclips · 4 years

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Daddi by Cherry Glazerr, live on SiriusXMU Sessions

#music #live music #live #cherry glazerr #clementine creevy #clem creevy #carlos de la garza #devin o'brien #tabor allen #video #live video #session #siriusxmu sessions #siriusxm #siriusxm studios

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nellygwyn · 3 years

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The Glorious Little Nelly: A Playlist in Five Acts

from the brothels of Coal Yard Alley, to the glittering Restoration stage, to the arms of rogues and rakes and finally, to the bed and heart of a king: Nell Gwynn, mistress of King Charles II, was an everyman's Cinderella with a razor sharp wit and a timeless story.

Act I: Madam Gwynn's Angel-Faced Chit

LDN // Lily Allen

Momma Was An Opium Smoker // Rasputina

The Game of Cards // Maddy Prior & June Tabor

Suck It and See // Arctic Monkeys

Act II: To The Stage!

Comme Des Garçons // Rina Sawayama

If Music Be The Food of Love // Henry Purcell (performed by Emma Kirkby)

Boys // Charli XCX

5 Dollars // Christine and the Queens

Act III: Oh, Gentlemen Just Aren't Nice

Thank God I'm Pretty // Emilie Autumn

Starring Role // Marina and the Diamonds

Let Me Down // Jorja Smith feat. Stormzy

Tears Dry On Their Own // Amy Winehouse

Act IV: King Takes Damsel

Greedy // Ariana Grande

So Hot You're Hurting My Feelings // Caroline Polachek

Off to the Races // Lana del Rey

I Drove All Night // Celine Dion

Epilogue

And Dream of Sheep // Kate Bush

When I Am Laid in Earth (Dido's Lament) // Henry Purcell (performed by Elin Manahan Thomas)

The Parting Glass // Karliene

#i made this same playlist about 5 years ago #but i've updated it!!!#with some new songs that not only reflect my changing tastes #but my changing appreciation for her story #nell gwyn #nell gwynn #playlist

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