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#the bard coven is the best coven
bronzewool · 2 years
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The non-binary sovereign has arrived and Owl Lady is simping so hard.
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rhpsdys · 1 year
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did i ever tell you guys about the kid at my job last summer who was really into toh && kept talking about it to me because i said i liked it (but i wasn’t caught up on season 2b && it had been a while since i’d watched) && when he asked me what coven I’d be in, i said, && i quote, “the one raine’s in, i don’t remember the name” 🤡
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shadysadie · 1 year
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I love that Raine got to be part of the final battle.
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With as many people as Belos hurt, pretty much all the characters deserved to be there to help deliver the final blow (or final *stompstompstomp*) but short of doing a giant Fullmetal Alchemist Brotherhood style showdown in the middle of the castle (which would not suit this show like it did FMAB) there was just no way that everyone who deserved to see Belos destroyed was going to get that satisfaction. 
I really love that the one extra person that got to join the Owl Family for this was Raine. 
Because Raine has given absolutely everything to the revolution. Idle Scree has a fantastic video on the subject, but to sum it up, Raine went into the bard coven with the explicit goal of working their way up through the ranks and uncovering the truth behind Belos’ plans. It has taken them decades of espionage to get where they are. They cut themself off from all of their relationships, crossed moral boundaries, and even asked the woman they love to give up her life in order to take Belos down. 
So when Belos takes control of them they fight back.
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While Hunter’s possession is a lot more brutal, simply because Belos specifically wanted to make Hunter suffer as much as possible, while mocking Luz and friends, Raine’s struggle is almost harder to watch.
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They’re getting tossed around, their arms are getting dislocated at the very least, they’ve vomiting Belos goop, but they are still fighting with everything they have to regain control because they did not spend their life trying to take Belos down just to end up his play thing. 
Hunter had to crush his best friend with his own hand in order to break free of Belos, Raine is fighting with indignation and fury alone.
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And they keep fighting.
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Even without their weapon, as soon as they have enough control to get their fingers to their mouth, they cast Belos out. And after that, they could have given up. They were free. They must have been exhausted, but they are clever, probably the most clever person on the Boiling Isles, so they realize exactly what’s going to happen and they can not let that happen.
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The way they fall up the stairs here shows just how hurt and tired they are. Think of what their timeline has looked like from their perspective: the Day of Unity happened, they nearly died from the draining spell, they fought through excruciating pain to save Eda as what they thought was their final act, then the eclipse ends and they are still alive, but suddenly these evil stars are attacking them, then they spend months “sequestered in a darkness like onto death” only to be awoken and have their most hated enemy take over their body. 
And through all that THEY KEEP GOING.
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And again, this fight is brutal, they are basically suffocating in Belos’s flesh towards the end, and they still don’t give up.
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They shatter their weapon in one last ditch effort to stop Belos, but it doesn’t work.
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They lost. They were a second too late and now everything they fought for is for nothing. Belos made it to the heart. He can take control of the very Titan itself, and there is nothing Raine can do to stop him.
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But even then, they don’t give up. They keep whistling, even if it’s weak, even if it doesn’t do much, they whistle to keep themself alive, because they are going to keep fighting until their very last breath.
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So after all of that, the fact that they get to be one of the people who actively take Belos down…well, I think they say it best for themself…
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tohisprettyc00l · 11 months
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When you get (badly) injured
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Amity: PANICC. She is calling Emira so fucking fast. Once the initial panic calms down she wraps abomination goo around the wound. Once Emria shows up she majorly calms down. Once Emria is done she makes sure you're fully alright.
Luz: Screaming and crying. I'm joking but she is scared. She quickly gets wrap-around band-aids with normal fun band-aids on top. Makes sure you are healing properly. Will not tolerate you overexerting yourself. She'll help you do anything that requires you to move the part of your body that you hurt.
Willow: Tries her best to be calm. She disinfects and badges you up. Then nearly kills you with a bear hug. She is slightly more protective of you for the next week or two (I.E. any time you fall a bunch of vines sprout up stopping you from falling.)
Hunter: More shaken up than you. He has a lot of knowledge on how to bandage wounds after being in the Emperor's coven. He shakily disinfects the wound and puts wrap-around bandages on it. He keeps asking if you're okay over and over. He is overprotective of you afterward. Overall pretty okay.
Vee: Has no clue what to do. While she was in captivity she rarely got majorly hurt. She quickly fetches Luz and Camila and asks them for advice. Camila is way more helpful than Luz. (also get ready for at least one hour of cuddles.)
Raine: They are so very worried about you :(. Since they led multiple rebel groups they have informed themselves on how to properly patch up a wound. Gives you painkillers when they can. Also helps you rest with a bard spell.
Eda: "Pretends to be all cold-hearted but actually cares a lot!" She has bought potions to help heal people so she gives you one of them. After you fully healed she cuddles with you in her nest. She's in harpy mode and has her wings wrapped around you.
Emira: She can heal you herself. So she isn't really worried at all. She gives you a lot of kisses though. 10/10 would recommend as a caretaker.
Edric: He panics. Hard. He gives you healing potions like Eda. You do heal pretty quickly (especially compared to how much he panicked.) He does baby you even a week after you fully heal-
The Collector: They can just heal you with a snap of their fingers lmao.
Lilith: She is actually pretty calm. In the same vein as Raine and Hunter, she used to basically be second in command of the Emperor's coven. So she calmly patches you up. While lecturing you to be more careful.
Gus: Very sad to see you hurt. He swiftly gets one of his friends. Most likely Willow. Gives you so many hugs. 
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I don’t know if anyone's mentioned this before, but Raine's titan badge after the time skip looks a bit different than the others:
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They have this red piece of cloth attached to their badge that I haven't seen on anybody else.
Now, theorising time: I think they might be part of the new government, maybe even the president of the Boiling Isles. Hear me out, I have good reasons to believe so (and it's not just because they're my favourite character and I'm biased, shush):
1) As the former head of the Bard Coven, they'd certainly be qualified for the job: Raine has been part of the government before (as much as you can be when you're not the monarch in a monarchy lol) and knows how to lead.
2) They're probably more respected/trusted by the population of the Boiling Isles than most other public figures at this point - working together with the wannabe genocidal former emperor tends to ruin your reputation, so someone who led a rebellion against Belos (and fought against him personally in the final fight, though the question is if anyone except the people who were there knows about that) and has ties to other known rebels aka Eda should be quite well-liked.
3) They have already proven that they're able to make sacrifices for the sake of the whole Isles (for example: risking their own life and that of the woman they love to stop the Day of Unity in Eda's Requiem). Most of the other characters, like Eda and Luz, in comparison, have proven again and again that they would never be able to sacrifice someone they care about - which is an admirable trait, don't get me wrong, but you want a political leader to be able to consider what choices are best for everyone and compromise, if necessary.
4) It would be a great conclusion to their character arc: Raine spent half of their life trying to destroy the coven system from the inside and has witnessed its worst sides first-hand, let them be the one to build something new and better for the future of the Boiling Isled.
So in conclusion: Raine has the potential to be a great president....... as long as nobody forces them to make public speeches regularly.
Them being a member of the government would also explain why they are present when that coven sigil was removed: Why would someone who specialises in Bard magic be needed for something that seems to be based on Healing and Abomination magic? Because they're a representative of the government/the Boiling Isles!
Also...........
Give me power couple Raeda as president of the Boiling Isles and Headmistress of the University of Wild Magic!!
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skyrim-forever · 10 months
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What your fav Skyrim Faction says about you!
(This is just for fun!!! It's a joke <3 and this is based off of all joinable factions as listed on the ES wiki)
Thieves Guild: Be gay do crime? No, be bisexual do crime
College of Winterhold: FUCKIN NERD
Bard's College: This is your fav as a meme
Imperial Legion: While you're bringing back the glory of Rome you should also take out that stack of dirty dishes by your computer.
Stormcloaks: You're either the worst type of person or the best
Dark Brotherhood: You use dark humour to cover up the fact you deeply crave connection
The Companions: Team Jacob
Dawnguard: You have a holier than thou attitude
Volkihar Clan: Don't cut yourself on all that edge 😛
Blades: This is no one's favourite
Greybeards: You read once about the existence of professional hermits in the 19th Century and have longed for that life ever since
Coven of Namira: Enjoyers of Cannibal by Ke$ha
Nightingales: You probably think Nocturnal is hot and the armour is sick. You are not wrong
House Telvanni: You are one of the cool nerds 😎
Tribal Orcs: The chillest people you'll ever meet
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abelle25125 · 2 years
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a comprehensive list of all things sus about Adrian Graye
ok so i have been slightly obsessed with the illusion coven head since his introduction in hunting palisman, but now that we’ve had an episode with him as an actual character there are some things about him that feel super suspicious and i’m going to try my best to explain them here
1:Despite being the head of the illusion coven, We never actually see him cast any illusions. 
When we’re first introduced to him when he tries to trick the school into joining coven he mentions that the illusion of him was cast by a different coven scout
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“Tom, that Adrian illusion was lacking a certain, hmm? You get me?”
and given his need to yell for the illusion to end rather than just stopping it himself, we can assume that he wasn’t in control of the illusion in that scene.
 We can probably apply this logic to his later scene with the fake willow and Belos  - as we’ve seen in the past that illusions need a constant focus when cast by a witch, and he seemed a bit too concentrated on bullying his actors and kicking hunter in the back of the head to be casting anything.
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Him snapping his fingers and the Belos illusion vanishing could either be read as him dispelling the illusion or calling of the two Guards behind it, but given the lack of evidence towards the spell belonging to him, im choosing to believe the latter. 
this leads us onto the next few points:
2: He casts spells without drawing a circle and 
3: the only two times he draws a spell circle, he does so while holding/using his magical amplifier  
in his first scene after Gus calls out the fake Adrian, we see him hand off his coffee cup and then in a poof of smoke - appears next to and grabs Gus. you cant touch illusions, so neither of those were fake, which means that, without drawing a spell circle he’s teleported across the room. 
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We only see him draw a spell circle twice in the entire episode, the first time he literally uses the magical amplifier to draw it, and the second time he’s holding it. 
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now these first three points could just be explained by saying “oh he’s the coven head he’s super powerful at illusions he probably doesn't need to concentrate or draw circles or whatever” but then even ignoring all that there’s -
4: this man is waaay to focused on the looking glass ruins 
Graye was sent to Hexside by Belos to brand the children, but the moment the illusion stuff kicks off and he sees the looking glass ruins he abandons that plan to hunt down gus and figure out where the graveyard is. His reasoning is that the galderstones would be good gifts for belos, but are they worth abandoning his mission for? 
the reasoning could just be that he’s figured that the branding mission was a bust and hes in the panic of ‘i need to please my boss so he doesn’t kill me for failing so bad’ and wants to make it up for him, but then why does he seem to be happier when he sees that the galderstones are intangible 
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either way - this is not the face of a super confident person who has everything under control
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The looking glass ruins have come up a few times now in relation to the EC, and based on how good TOH is at setting up plot lines - it feels like they’re building it up to be more important than it seems. 
then of course theres the one that a bunch of people are talking about 
4: He got his ass handed to him by Gus’ memory bubble
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that shit fully incapacitated him, like he was still knocked out , fully catatonic later on, like - not even hunter got knocked down by this and he’s gone through some shit  - and Graye’s comments about bad memories feel way to prominent to just be a passing comment.   
Theres been a fun trend of all the coven heads being ironic in some way , a bard with stage fright, a plant head who loves killing ect; so having an illusionist who’s been lying about something to get where he is today could be really fun 
so whats up with this guy? lets figure it out- yeah he’s a basilisk 
- similar fangs, tail and :3 face
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- similar hair styles
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- same blue teleportation magic 
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- including the inspector from the first day we’ve only seen 4 of the 5 basilisks
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- Basilisk number 4 even has the same hair squiggle as Graye
theres kinda just a weird amount of evidence supporting this theory, it’s probably not true, and if it is, probably wont have a lot of plot relevance, but i cant help but think theres something else going on with this guy. He’s the only coven head who’s showed up by himself in an episode so far, and there’s just a lot of details and potentially foreshadowing stuff happening around him. 
this ended up being way longer than i planned so kudos on reading all the way through
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thebardbullseye · 2 months
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“Philosophical and Personal Musings on the Wizard Stone and the Axiom of Proliferation” – An Essay and Divinations for Arc 3 of “The Wizard, the Witch, and the Wild One”
From the Desk of The Bard Bullseye
Happy Birthday, Worlds Beyond Number!
Spoilers abound! This is an essay discussing the actual-play podcast “The Wizard, the Witch, and the Wild One” from the fine folks at @worldsbeyondpod It is an expression of my analysis of and engagement with the content of the second arc of the show and also contains some speculation about future plot and current themes. These interpretations are my own, include some reflections on my personal philosophy, and are written in a mostly academic style of writing (be warned, it’s around 3,000 words!). If you do read through it, I hope you find my points interesting and thought-provoking regardless of whether or not any of it turns out to be true (and I have done my level best to adhere to the facts of the story thus far, with transcript pages and timestamps cited when available/applicable).
Abstract (TL;DR, or I ain’t reading all that, but I’m happy for you):
The Wizard Stone’s discovery that the Axiom of Proliferation is untrue has major implications for the overarching story and the direction of the next arc. Herein, I explore my reaction to this moment in Episode 19 and how my experience and own philosophy potentially align with Stone’s. Then, I examine the logic of her argument and its implications for the greater worldbuilding in Umora. Specifically, there is a fundamental problem with the way that wizards are using the lingua arcana that is affecting the link between the Spirit and the Mortal worlds (i.e., the “greater binding”), and this is leading to detrimental effects. This, I believe is ultimately what Grandmother Wren (and now Ame) and Coven of Elders (and possibly the Man in Black?) are concerned with, though they have come to vastly different conclusions about who is at fault and how to solve this problem, which are yet to be revealed in the forthcoming third arc (see footnote 5).
Introduction
Something has piqued my interest and scratched a deep philosophical itch for me in the second arc of “The Wizard, the Witch, and the Wild One.” While the first arc introduced the characters, explored ideas of ‘quest fever,’ and masterfully wove in lore and character motivations for reclaiming Eursulon’s sword, Wavebreaker, the second arc has expanded upon the characters and their relationship to the greater philosophy of the Citadel and Umora.
I don’t usually speculate where stories might go next or craft my own fan theories. Especially for ongoing projects (i.e. TV shows, actual plays, books in a series, etc.), I tend to be along for the ride, and I spend time analyzing the story being told and the characters within. And rarely do I put these thoughts to paper, at least not coherently; I am more likely to ramble endlessly to a friend or lurk on Discord for others’ opinions, chiming in occasionally. However, I have noticed some things brewing in this arc that I wish to discuss at-length and even speculate upon: my perspective and analysis of the philosophy of the Wizard Stone, and the possible implications for the forthcoming third arc.
I don’t often see myself in stories. Not to say that I don’t see myself or parts of myself represented in media: i.e. demographically, socially, politically, etc., but rarely do I find a specific character or character motivation that ‘snipes through the duplex door’ where I go “oh shit that’s me” or “I relate to this on a deeper level.” This happened to me in Episode 19, when Suvi is investigating the records of her mother’s early time in the Citadel: her expulsion from the College of Divination and readmittance to the College of Abjuration because she had accused one of her professors of “treason against magic itself.”
Upon her dismissal from the Citadel, Stone wrote a dissenting missive to the Archmagi of the Citadel regarding one of the three metaphysical axioms, the Axiom of Proliferation, and how this particular axiom “does not describe any actual truth of the lingua arcana, nor does it more broadly describe any facet of the greater binding” (Ep. 19, transcript p. 12). She goes on to posit that not only is it “pure intellectual technology,” but that its continued acceptance as fact is a “danger to the future of wizardry” and “[a] stain on the face of magic itself” (Ep. 19, p. 12). An axiom in this context is described as “simple… laws that are given to young wizards about broad truths of spell casting in general… that are true across spells [and], … different schools of magic” (Ep. 19, p. 13). That is, “the Axiom of Proliferation is essentially that the more times a spell is written down … the weaker the spell becomes” (Ep. 19, p. 13).
An axiom as defined in philosophy is a statement that is self-evidently true and serves as a starting point for reasoning. Therefore, any argument against its truth would call into greater question the philosophical foundation of the Citadel itself. If Stone’s claim that this was not a true axiom had not been dismissed swiftly and discredited, it is possible (though highly unlikely, given the power of empire) that this would have led to a redefinition of the philosophy of wizardry in Umora.
This is what struck me like a bolt of lighting while listening to this episode. I did almost this exact thing when I was in grad school!
Stone is… me? Faulty logic and its effects
As part of my master’s degree, I took a philosophy seminar on bioethics, which covered some polarizing subjects and more fringe points of view. Most of these topics cannot be directly studied or supported by scientific evidence, so the conversation and academic debate is largely conceptual or theoretical (i.e., conducting research to investigate these ideas have varying states of legality and moral acceptability) (see footnote 1). This course was excellent and a bit out of my comfort zone, but it challenged me to think critically about fundamental logic and accepted ideas that often go unexamined until they are taken to the extreme. At one point in the semester, we were discussing a particular topic and the current state of debate surrounding it. Immediately, I was perplexed by some of arguments made to justify it, and at first, I didn’t have the language to express why. Much like Stone, I found myself screaming (internally) “you’re all idiots!” or “you’re missing the point/the bigger picture!” or “that’s not how that works!” Essentially, I had arrived at the conclusion that if this idea were to be implemented broadly in society, it would likely have major negative ramifications, and furthermore, not even achieve the desired and purported effect that they were arguing for! 
Eventually, I figured out what the underlying problem was: a logical fallacy inherent and unidentified within the current debate. Since scholars had just accepted the argument at face value and moved on, most of the debate was concerned with its future implementation or theoretical follow-on effects on individuals and society at large. I did find some existing papers that danced around the idea of fallacious reasoning (i.e., that the theoretical benefits were greatly exaggerated, if not a zero-sum game, or that the negative long-term effects may outweigh the short-term benefits), but none named it specifically or even examined the logical argument the entire debate was predicated on. So, for my term paper, I researched and wrote about this fallacy, and in it, I discussed how the discovery and acknowledgment of it would reframe the debate and perhaps even bring about reform to existing systems!
In the process of writing and researching, I felt incredibly isolated intellectually (this was also peak-COVID so that didn’t help either). Now that I had put the pieces together, it seemed quite obvious to me, but it was difficult to find supporting evidence or other similar arguments to mine (even if they weren’t breaking the logic down so specifically). Was this thing I had reasoned actually true? Why had no one pointed this out before? What if I’m wrong? What if they’re right and I’m a fool for daring to challenge them? What does my professor think? They’re an expert and approved the topic, so I know I’m not entirely off-base, but do they agree with me? I knew that if I wrote a strong, supported, and persuasive argument, that I couldn’t fail, but I deeply cared whether or not I was actually right. It was also probably one of the first times that I wrote with passion (and specific planning ahead of time!), rather than churning out yet another good-enough research paper (that I may or may not have written days ahead of the deadline or the night before).
Thankfully, unlike Stone, my fears that I would not be taken seriously, or worse, told that I was flat out wrong (and be silenced) did not come to pass—my professor agreed wholeheartedly with my argument that this fallacy is pervasive in the current literature. (Though I feel must disclaim that I still could be wrong in some other aspect of my argument, and that simply arguing the existence of a fallacy can be treacherous! In philosophy, no one ever has the only or complete answer—if they claim to, they are either lying or ignorant.) As part of the course, we did a mock peer review in class and my professor sent us further feedback on our papers after we submitted our initial draft of the term paper.
One particular piece of feedback stands out to me upon reflection and comparison to Stone’s experience and the philosophy of wizardry. It said something along the lines of ‘We think that is a very admirable and unique take on this subject. No one found any fault in your logic; however, it is important to consider the practical implications of identifying this fallacy.’ Point taken, of course, that the mere identification of a flaw in logic is not the end of the conversation—it is merely the start of a new discussion and opportunity to surface new arguments.  
In my case, the identification of the fallacy was the concrete thing I felt I could verifiably yell about (academically) to explain why I disagreed so vehemently with current literature (and some truly wild propositions made by certain scholars). Of course, one should not commit the ‘fallacy fallacy,’ which is that simply pointing out a fallacy invalidates the argument. Instead, it was a means to discuss practical implications: some less harmful methods, some overlooked existing solutions, and to pull knowledge from other related disciplines that had not yet been considered because this fallacy had yet to be identified (see footnote 2).
The philosophy of Stone’s accusation of ‘treason’ and treatise to the Archmagi
In listening to and reflecting upon this episode and the conclusion of the second arc, I wonder if Stone felt similarly to me: that she had a fundamental disagreement with the way that wizards (and the Empire) conduct magic. I wonder if she learned about the Axioms and something didn't sit right with her, so she dug into the philosophy or history of it. Moreover, I find it particularly striking that her original specialization was divination. Although it has not been stated outright, I think it can be plausibly inferred that Stone divined some kind of knowledge about the fundamental ‘wrongness’ of current wizardry and the disastrous follow-on effects it would have. She may have been unable to fully convey her revelation in the moment, and so just shouted ‘treason against magic’ at her mentor. As was the case with me, the Axiom of Proliferation was just the most concrete thing that Stone could point at to explain herself.
But beyond my own biases and affinity for Stone, it follows that she may well have examined or done a proof on the Axiom of Proliferation which led to her discovery that the premise of the Axiom was false. Let’s examine the argument that Stone may have made (and the one that Suvi may have done a poor proof of, by her own admission). The argument is as follows:
All Axioms of magic describe a truth about the fundamental nature of magic
The Axiom of Proliferation states that the more times a spell is written down (proliferated), the weaker the spell becomes, which is a truth about the fundamental nature of magic.
Therefore, the Axiom of Proliferation is an Axiom of magic.
This can be simplified:
All A’s have property B
C has property B
Therefore, C is A
This does not necessarily lead to a false conclusion, and while the argument may be valid, it may not always be logically sound, see for example:
All people are mortals.
John is a mortal
Therefore, John is a person.
In the Citadel’s view, there is no flaw here, because they teach (and presume) that the Axiom of Proliferation is true in the lingua arcana. Wizards, of course, are known by their secrets, so it follows that in their philosophy of magic, they would have some kind of justification for keeping magic limited to the select few. But, if one of the premises is false (in this case, premise 2), then this justification is in jeopardy. It stands to reason that Stone must have had serious evidence to declare that premise false, and as she was studying divination, it was likely a vision or prophecy of some kind. Presuming she is correct, then it also speaks to her incredible intelligence (although she did not have the social grace at 19 years old to deftly navigate this accusation) (see footnote 3a).
Although (as far as we know), Stone did not make another public ruckus about the Axiom upon returning to the Citadel, I don’t think this caused her to abandon the belief that the axiom was erroneous. Upon her readmission, she joined the College of Abjuration, specifically studying “counterspelling, dispelling magic, [and] sort of metamagic, … the magic of magic itself” (Ep. 19, p. 11). This might seem to be an odd choice for a backup specialization, but Stone’s issue with the Axiom and metamagic are deeply intwined philosophical concepts, as metamagic is essentially the equivalent to metaphysics in our world.
Wizardry and the nature of magic in Umora
Wizards are defined in Umora to be people that can use a “language of magic” the “lingua arcana” to cast magic, and importantly, that “they believe [the lingua arcana] is the language the universe uses to understand itself,” which was only coined about 250 years prior to the present story (Ep. 19, p. 16). At the end of the first arc, Suvi discovers from her father’s notes that the reflexive indicative, which was taught to her as a necessary component of the lingua arcana, is in fact entirely unnecessary for spellcasting. And further, Stone also doesn’t use the reflexive indicative, which is demonstrated through her unique casting of Mending in the very first episode. It is unclear so far in the worldbuilding (to me, at least) if the lingua arcana is the language the universe uses to understand itself, or if it is a construct used by people to explain, communicate, and more importantly cast magic in Umora (much like math and science are ‘constructs’ that describe the nature of our world, though the fact that it is constructed does not mean it is not true). If it is the latter, then there is likely to be forces at work, be it the components of spell casting (such as the reflexive indicative), the casters themselves, or others yet to be revealed, that are manipulating and restricting the nature of magic in Umora (see footnote 3b).
Thus, I would posit that there is some issue in the way that the restriction of the lingua arcana is affecting the “greater binding,” which is “the theory of magic, that magic is the interplay between the Spirit and the Real—or the Spirit and the Mortal” (Ep. 19, p. 14). Essentially, the lingua arcana describes the nature of the relationship between the Spirit and the Mortal world, while the greater binding is the metaphysical link between them. Stone all but confirms this in her letter to the Archmagi, that if the issue is left unresolved, it would endanger the future of wizardry (Ep. 19, p. 12).
Other pertinent wizarding history and context
Stone and Soft were also part of a group called the Acadator, which was dedicated to rooting out corruption and bad actors within the Citadel. We don’t really know too much else about them, the exact specifics of their philosophy, or if they still exist as a group (given that Steel and Eiorghorain were members). There is also some history surrounding two early wizarding groups pre-Citadel, the Antivoli and the Accordati, that had a philosophical disagreement about accepting the help of the Saraz Imperium for building the Citadel (specifically related to the sharing of magic), which led to a civil war called the Cataclysm of Carrow (Ep. 19, p. 16). In terms of timeline, the lingua arcana was coined in 1423, the term ‘wizard’ was coined in 1456, the Cataclysm of Carrow was in 1467, and three years later, in 1470, the Erien (Citadel) was built. The current story with the three protagonists is taking place in 1670, so it has only been 200 years since the Citadel was created, and the lingua arcana coined only 47 years prior to that (in less than a human lifespan).
Further, the creation of the Irulian Desert, the Erien, and the Citadel is a destructive history—wizards razed a verdant forest and turned it into a hot, unlivable desert with a miles high glass tower at the center. Additionally, the Wizards of the Citadel pool their magic beneath the Erien in an ‘Aerith,’ into which they deposit magical reserves and draw upon its combined strength when in crisis (see footnote 4). Mechanically, we see Suvi ‘donate’ unused spell slots at the end of the day.
We do know that Grandmother Wren’s cottage is located on top of a source of great magical power and serves as her sanctum. Wizards also use the towers of the Citadel as their sanctums, and I believe the following is speculation, as I do not think it has been canonized yet, but it is possible that the Aerith serves a similar purpose as a source of great magical power that previously belonged to the Spirits that wizards alone now use and control. This control is the key difference that may be contributing to, or even causing, detrimental effects on the greater binding.
The Witch(es)’s and the Wild One(s)’s perspectives
Additional evidence to support this theory of the Aerith's origins and purpose comes in Episode 23, when Eursulon meets the Man in Black and discusses their opinions on mortals, particularly wizards and their desire for control. Specifically, the Man in Black states, “that tower is the handle of a knife plunged deep into the heart of this world, a heart that is responsible for… a murder to the world of Spirits” (Ep. 23, 0:09:45-0:10:07).
Later, in a flashback with Mirara and Grandmother Wren, Mirara argues that “the world has burned before” (perhaps in reference to the creation of the Irulian Desert), that “[wizards] cannot be allowed to do this thing” (still unclear what that thing is), and the coven must make some kind of decision before it is too late (Ep. 23, 0:58:46-0:59:00). Wren pleas for another option, points this out as a false dichotomy, that they must not “be forced to choose between one slaughter and another,” and they should work to find common ground and coexist (Ep. 23, 0:59:07-0:59:33). Mirara retorts that she could never imagine the day that she would see “the will of wizards debase themselves” (i.e., that wizards would ever lower themselves from their current position of power) (Ep. 23, 0:59:39-0:59:52).
Wren then asserts a key point that correlates directly with Stone’s perspective: “There is nothing I have seen in the world of Mortals or of Spirits that shows me that there is a path that is wrong to tread” or anything that proves the pursuit of wizardry as inherently wrong (i.e., the lingua arcana), only those who “tread paths hurtfully, with cruel intention” (i.e., those abusing the lingua arcana for political purposes and imperial gain) (Ep. 23, 1:00:08-1:00:28). Wren also questions Mirara’s stance of wizardry as “an abomination against the natural order of the world” (Ep. 23, 1:00:40-1:00:47). Mirara then challenges her to consider her point of view and insists that even Wren cannot deny that “the poison of wizards does not spread so quickly as to choke the life from this world” (Ep. 23, 1:01:03-1:01:09).
My pure speculation and fan theory:
From this conversation, I postulate that Mirara and the Coven has taken an extremist and doomed perspective on the harm that is resulting partially from the Axiom of Proliferation (and perhaps the Aerith as well), while Grandmother Wren took a reformist stance. This would put her and her position as the Witch of the World’s Heart at odds with whatever plan the Coven intends to enact. Given what we know of the Witch Class and the other domains of the Coven, their plan is quite possibly violent, retributive, and holds little to no concern for the Mortals or people of Umora.
The third arc will begin with Ame’s meeting with the Coven of Elders at the North Pole, where they will attempt to destroy her station as the Witch of the World’s Heart. For all of the reasons above, I believe this event will connect directly to Stone’s declaration of “treason against magic itself,” but I will just have to (patiently) wait and see (see footnote 5).
Footnotes:
(1) I am well aware that I am being quite vague and obtuse regarding this subject and what specifically I was researching. Mainly because a) that’s not really the point of these musings, this is just some background info and context to explain my philosophy which is already longer than I would like, b) it would be impossible to do justice to an overview of this complex subject in an essay about something that resonated with me in a D&D podcast (and which does not engage with that subject directly, at least not in this context), c) I’ve already written a paper on this subject and am not interested in regurgitating it here, and d) Nunya Binyess (i.e. I could still be wrong about this fallacy and I’d rather discuss WWW than start a tangential IRL philosophical or political argument on this forum).
(2) Though on a deeper level, I partially disagree with the idea that I needed to account for the practical implications of the fallacy within the paper. I disagree that when challenging the fundamental nature of something (e.g., an erroneous argument, a misinformed policy, or an unjust system), there must be an immediate remedy or solution offered up. In my philosophical opinion, once a fallacy like that is identified for something that we hold to be fundamentally true, we need to sit in that revelation and undo the thought processes created by the incorrect assumptions. You cannot flip a switch and suddenly reverse all of the justifications that have gone into supporting a flawed, ingrained argument. To undo a pervasive, incorrect fundamental idea that has been implemented, internalized, or proliferated, first it must be fully examined for all its flaws, rescinded, and only then do we start from square one and think about practical changes (in a perfect world, of course, I am fully aware that the world does not work this way). I do often wonder about this reactive nature in society to demand immediate alternatives and solutions when norms are challenged, though I recognize this is a result of different lived experiences and worldviews. After all, this reactionary nature is true in Umora as well, and the wizards of the Citadel “tend to be a lot more about praxis and practice” (Ep. 19, p. 14).
(3a) Perhaps Stone rolled a nat 20 on some kind of intelligence check for the vision, but rolled a nat 1 on her Persuasion check against Sleep!
(3b) There is another essay I could write here about the history of science and empire (another grad school course) and the reflection of this in the Imperium, its taxonomy, and the (anti)-democratization of knowledge, but perhaps another time.
(4)  Something that occurred to me when piecing together the Erien and the Aerith was the similarity to Morrow’s derrick that harnessed Naram’s power in the first arc. Both serve similar purposes as well, of generating magic and magical items. It makes me wonder if it was intended for the derrick to be Morrow’s poor attempt at recreating the glory of the Citadel, or if this is just a happy coincidence/connection between the arcs.
(5) I do want to briefly acknowledge the nature of improvisational storytelling in this situation, and that anything can change, be clarified, canonized, etc. at any point. This is partly why I don’t like to speculate much myself, because I trust the creators to tell the story the way they want to and follow the paths that appear, without projecting my own hopes or prescriptions when I listen to their wonderful creation that has been crafted with such care. It is also why my theory in the end is limited to the meeting with the coven- truly anything could happen at the beginning of the next arc, and whatever I might come up with is likely less interesting than what will happen. (NB: There is nothing wrong with fan theories or head canons! It’s just not usually something that interests me!) I merely saw a connection and through-line that deeply resonated with me in this second arc and felt compelled to write about it. Also, Worlds Beyond Number and WWW is just so fucking great, and it truly astounds me that this story is so deep that I have somehow written a 12-page essay analyzing essentially a 20-minute segment of one episode. I pray to Enzo that there are no grievous errors or spelling mistakes, but I wanted to post this on WBN’s first birthday! 🧡
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eepersdoesthings · 10 months
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owl house empires au masterpost - this will be edited and updated with new ideas!
hello! i am currently in progress of writing an empires owl house au fic, and i am currently in the planning stage! ive decided to show this off to the hellsite because why not
spoilers to the owl house under the cut so dont read this if u havent finished
the plot will be similar to the main series, with some tweaks and extra adventures to add something to it and not just make it a nameswap fic
the characters!
shelby - luz - 15, lives with her gran (camila noceda character)
katherine - amity - 15 and in the plant track at hexside,
gem - eda - the deer lady
sausage - basically just king but he can speak spanish because gem has some spanish books from the human realm
jimmy - willow - healing track, younger but more mature brother to lizzie, romantic interest is scott
lizzie - gus - oracle (and later potions) track, jimmy's older yet less mature sister, tries scamming people occasionally
mattholomule - joel - construction, rivals with jimmy, tries to help with new hexside during the collector's reign, but joey shuts him down.
emperor xornoth - belos - formerly a full human, now half demonic with the palisman curse, who was transported to the boiling isles with his older twin brother, scott. scott found love in a witch in the isles and xornoth murdered scott after finding out
the golden guard, scott - a grimwalker of the original older twin of xornoth, about the age of 16
fwhip - lilith - the older twin brother to gem, cursed her when they were children so he could enter the emperors coven. is the head of the emperors coven. attains half of gem's curse at the end of arc 1, where he becomes a
pearl - raine - beastkeeping coven head, gem's (former) best friend
joey - boscha - oracle (and later beastkeeping) track, katherine's friend(?)
pix - oracle coven head - a part of the rebellion
false - construction coven head - a part of the rebellion
(false and pix take the place of darius and eber, but would have vastly different personalities and motives from the original characters)
oli - steve - bard oriented emperors coven member who doesnt care anymore, is tasked with scott a lot on missions
i have another post in which i am asking for some help on the cast, but if any of yall have ideas, i will gladly take suggestions for chapters in this series! hopefully i can fully flesh out the story, otherwise i might just do one shots, but nonetheless i hope you enjoyed the idea!
(also all of my posts will have the "owl house empires au" tag so hopefully you can find them easily)
edit: new idea from @litteralflower17: gonna have the original xornoth and scott go by cohnal and alinar when they originally come to the boiling isles (like how philip went by belos and named caleb's clones hunter) so the original brothers would be cohnal major (sounds silly but whatever) and alinar major
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nikos-oneshots · 1 year
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Okay! So the following request I have is strictly parent and child:
Could you do a Raine Whispers and a Child/Baby!reader oneshot where the reader is crying at night and Raine either plays music or sings them to sleep?
(got inspired based on this: link)
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Parent! Raine Whispers & Baby! Reader
Warnings: None Word Count: 0.7k Pronouns: They/Them Notes: Tysm for the request! This was really fun to write! I love writing Parent Raine! I couldn't see the link, so I hope I did this well!
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I haven't gotten to the header yet :(
Raine Whispers. Head of the Bard coven. They were known for being timid and easily unnerved. They struggled socially, their stage fright getting the best of them most of the time. You would never have believed someone like that would be the head of the Bard coven of all things, but there they were. They didn’t like eyes to be on them 24/7, they didn’t like the attention and they didn’t like putting themselves in situations where they would get said attention, but as of late, they have been making an exception.
Y/n. 
Y/n was the child they had alone in a basket in the middle of nowhere a couple of months ago and they decided to take them in. They couldn’t just leave them there. They along with the BATS were taking turns caring for them, as they decided that they were going to raise them as their own. The BATS along with Raine were the only people who knew, nobody else could be trusted with this at the moment, not even Darius or Everwolf.
 If this got out, Raine wouldn’t know what to do or what would happen. But what they were sure of, is that Y/n would be taken away by the Emperor, and they wouldn’t allow that. They hadn’t been taking care of them long, but they just knew that they had to be with them, that with them, is where they belonged and could live their best life.
They had set up a little room for Y/n right in the room over from theirs. It was usually hidden, not to let anybody who decided to snoop get the right idea. They were often out with the BATS during the day but were cared for by Raine during the night. 
Raine awoke to the sound of crying, ear-piercing crying. They stumbled awake, sitting up in their bed, they felt a nervous rush travel through their body as their mind started cycling through worst-case scenarios. They stumbled out of bed and summoned their violin, running to where Y/n resided, holding it like a baseball bat, ready to knock out anybody who happened to be in their room. 
As they came through the door, they soon noticed that nobody was in there. As they looked around, they soon realized that their worrying had been for nothing, as nothing in the room looked out of place or messed with. There was just Y/n crying in their crib. They dropped their Violin as it vanished into thin air to soothe them and hopefully, get them back to sleep.
"Oh no! Y/n? Are you okay sweetie?" Raine fretted as they pick you up and shush you. They bounce you up and down as they rub their back. Y/n continues to cry as they are soothed, not seeming like they would stop crying anytime soon.
Raine doesn't know what's wrong, they were just fed a while ago, and everything else seemed to be okay unless they weren't noticing something. As they continued to bounce them, they continued to think of what may be wrong, what may be causing them to cry like this. Raine looked around the room, trying to see if they could find something to make them feel better when their eyes landed on the harp that made its home on Raine’s wrist, their Coven Sigil.
“Oh, I think I know what you want,” Raine grinned as they summoned their violin back again. “Right Y/n? Do you want the pretty sounds?”
Y/n stared at Raine with their big eyes focused on the harp, their screams not echoing across the room anymore. Raine just chuckled as they began playing. They played a song that Raine was very familiar with, it happened to be their best song. They started singing to Y/n as their eyes grew heavy with every individual strum. Hearing the coos and laughs from Y/n put a smile on Raine’s face, so this is what being a parent is like. They liked it, They loved being able to be a part of Y/n’s life like this. They loved that they were the one to be able to soothe their child like this.
As the song ended, Raine noticed that Y/n had fallen back asleep. Raine just smiled as they tucked them back in, bringing their little stuffie closer to them as they rolled over to grab it. They kissed them on the forehead before leaving the room and heading back to their own.
“Goodnight my little songbird,” Raine said lovingly as they closed the door.
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Tysm for requesting!
Lots of Love -Niko 🥞
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flower-boi16 · 4 months
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My Problems With Raine Whispers
Before I start this post, I just want to say that I'm a big fan of The Owl House. It's my personal favorite cartoon of all time - I think it's one of the best modern Disney cartoons out there. That being said, as much as I love The Owl House, the show isn't perfect, and today I'm going to talk about my problems with a specific character from the show; Raine. I never really cared for Raine, I didn't hate them but I didn't really like them either, they were just kinda meh to me. However, after a while I began to realize my real problems with Raine as a character and how their written. This is probably going to be a pretty big hot take so without further ado, let's begin with this post...
1. Raine doesn't feel that developed
This is something that's just an extension of a much bigger problem with Raine that I'll get to later, but a major issue I've always had with Raine is that they never really felt that developed of a character. Seriously, nothing about them was really that interesting to me, the show doesn't really develop them much. Now, I'm not expecting the show to give a full-length character arc to a side character, however, the show has many side characters like Matholamule, Hooty, Viney, and Boscha.
Raine has waaaay more screen time and plot importance than any of the characters I just mentioned yet they still feel less developed than those characters. Granted, this is probably something that could just be blamed on the shortening, but it's still a major problem nonetheless. But this is something that is just a part of a greater issue, which is the fundamental problem with Raine to me:
2. Raine feels solely defined by Eda
This is my biggest issue with Raine; their character feels like it's solely defined by Eda. Now, having a relationship with another character be a core aspect of a character isn't a bad thing; take Amity for example, Amity's relationship with Luz is definitely an important part of her character, the first thing people think about whenever they think about Amity is that she is Luz's girlfriend.
However, while Amity's relationship with Luz is a core aspect of her character, she isn't just "Luz's girlfriend". There are still many aspects of Amity's character beyond her relationship with Luz, and she gets her own character arc of gradually becoming a better person throughout Season 1. Even in Season 2 where people say that Amity is just reduced to "Luz's girlfriend" she still has some episodes in Season 2 developing her as a character where they explore her relationship with her parents.
And If I'm going to be honest, Raine kinda feels like everything that people say Season 2 Amity is. Like, really think about it, what other aspects are there about Raine's character aside from "Eda's childhood friend/Ex"? The only other things about Raine I can really think of are that their a bard and a Coven Head rebelling against the EC, but that's...kind of it. And these two traits aren't as prominent as their relationship with Eda.
Raine's whole character feels like it's solely defined by Eda. The character they interact the most with is Eda, the character they spend the most screentime with is Eda, and the biggest and most prominent trait is their relationship with Eda. And Eda's awesome, she's one of my favorite characters in the show, but when a character is developed beyond their relationship with another character, that's kind of a problem.
It never feels like the show really develops Raine beyond "Eda's childhood friend/Ex", they do not have many major characters aside from that and the few that they do have are overshadowed by this one trait. The entire concept of Raine's character IS defined by Eda. I'll admit, Raine is a cool idea for a character, but the show really develops them beyond that idea and it ends up being very mediocre in execution.
Again, there's nothing wrong with making a character's relationship to another character a core aspect of them, again Amity is an example of how to do that right, but you need to develop a character and give them more traits beyond just their relationship to another character. Otherwise, you end up with that character becoming solely defined by that other character, and that simply isn't good writing to me. Again, I know these problems were probably caused by the shortening, but they are still major issues that I feel need to be pointed out. Besides, the shortening didn't stop Season 2B and Season 3 from being amazing anyway.
Again, I know that Raine's just a side character, but considering that their the side characters with the most plot importance compared to others, I feel like It isn't unreasonable to expect the show to develop them well.
3. Conclusion
So uh, that's why I don't really care for Raine as a character. If you like Raine, good for you, but I just don't really find them that good of a character. I know this is kind of a hot take (which is why I am very scared of posting this) so uh if everything I just said is objectively wrong then uhhhh please tell me lmao. And that's it so...
...bye
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i really really want a young eda spinoff and i know most people are thinking about the fluffy cute stuff, seeing the old hexsquad as kids and all. i want to see that too but i also hope they use that to play up the dramatic irony and the tragedy of it all
because like. we know where these kids end up. eda and lilith being the grudgeby champions of their school? lilith gives her sister a life-crippling curse in five months and neither of them know this. odalia, alador, and darius goofing around and being best friends? at some point, we know they have a falling out and darius ends up absolutely DESPISING them (or at least alador) for the next thirty years. darius looking up to his cool emperor’s coven mentor, THE golden guard, and thinking he’s the best role model in the world? we know what happens to that golden guard. raine being all excited to show everyone how good bard magic is? we know about their slow disillusionment with the coven system over the next decades, leading them to commit treason against the covens that they-and all their friends-have spent their entire childhoods dreaming of joining.
even if every episode ends with a satisfying conclusion and the characters being happy, knowing where they end up 30 years down the line means we know most of their “victories” are temporary. even if we have an episode where eda and raine have a great time at grom together, we know that eda’s refusal to talk about her problems eventually cause that relationship to deteriorate. even if we have an episode where eda helps lilith gain some confidence, we know that lilith’s envy eventually twists into resentment and causes her to curse her sister. even if we see odalador get together and become a surprisingly sweet couple, we know that odalias’ need for control, alador’s apathy, and both their ambitions eventually warps their romance into a stiff business partnership. and that the perfect happy family they might have wanted initially eventually becomes fake and loveless.
i want to learn about some of the kids’ families as well. i want to see if odalia and alador’s parents made them Like That to amity and the twins. the show is all about generational trauma, after all. it would be sad but understandable to see the blight parents be abused by their parents and know that they ended up repeating the cycle. people say odalia and alador might have broken off their friendship with darius because of family-enforced classism to parallel amity and willow, but are we sure odalia and alador were the rich kids in this scenario? darius was the one who had connections to the golden guard, after all, and this analysis by @yardsards lays out how odalia and alador may not have come from old money. if they lost a friend because they weren’t seen as “high society,” then it could explain why odalia is so obsessed with family image and prestige as an adult. and also, i want to see raine’s parents. why did they insist on sending raine to an expensive school they hated? were they part of why raine was so insecure about the bard magic thing or was that just the other kids? also, i want to see more of gwen and dell. we already know how gwen failed the clawthorne sisters as a mother i want to see how dell did it. (i love both of them so much but it takes both parents to make your kids Like That)
and i would love to see them explore the emperor’s regime through the eyes of kids who have never known anything else. the clawthornes were wild witches, but lilith especially dreamed of joining the emperor’s coven. was this the equivalent of being the first person in your family to go to college? belos had only been ruling for two decades by that point, but he’s had followers for hundreds of years. did some of the other kids have family that were in covens? was that how darius got the golden guard to mentor him?
and why WAS the golden guard from the emperor’s coven darius’s mentor, anyway, if he later joined the abominations coven? did darius originally plan to join the emperor’s coven, but changed his mind after the golden guard’s death? did the golden guard even mentor darius while he was in high school? was his death what caused darius to separate from the friend group? did the other kids have mentors to prepare them for coven tryouts as well? if so, then were the clawthorne sisters at a disadvantage, since they had no family connections to a mentor, and that’s why lilith got desperate? we got a glimpse of the coven indoctrination of children in eda’s flashback episode, so was there more of that at hexside? were there kids other than eda who didn’t want to join a coven, but were pressured into it by society after graduation?
there’s also a bunch of potential friendships between characters that barely interact in the main show. like eda and lilith were in the same track as boscha’s parents. were they friends? rivals? grudgeby teammates? similarly, odalia and perry porter were both in the oracle track. maybe they’re just classmates but it would be really funny if they were actually besties. we get a mention of darius and raine being friends/worsties in hexside but we don’t actually know what they were like! did raine annoy darius with catboy shit like they’re doing as an adult? if they were good friends, that puts raine’s attempt on his life as an adult in a tragic light, since they probably assumed their friend had been indoctrinated by the emperor, and even if they didn’t want to kill him, they had to. it would be a huge betrayal to darius too if that were the case. (but if they were worsties it makes that scene funnier bc raine saw the chance to murder this guy whos been annoying them since age 17 and JUMPED on it)
anyway this started out as speculation on how bittersweet a young eda spinoff would be if the audience already knows the ending of their story but it spiralled into every single headcanon i have about the old hexsquad. go figure
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animationadventures · 10 months
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Could be for aesthetic reasons. Could be because you think you would do the best with that kind of magic. Any reason works.
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averyfineboi · 8 months
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Ok as i said i finished The Owl house and i loved it a lot so heres some random thoughts and opinions on the show i wanna share (spoilers)
-I love it
-i love what they did with Mattholomule in season 3 he's so good <3 they gave this guy an actual kinda character arc even though hes only relevant in like 3 episodes (also his name is actually Matt Tholomule which is so funny)
-ed and em are the best :3 i'm very bummed out they were barely in s3... they're a bunch of goofballs but can also be so thoughtful and sincere, especially to amity. one of my fav scenes ofcourse is in s2e5 when amity gives luz that adorable lil kiss (love them) and for some reason ed saying "bold move, sister" is just the cherry on top <3
-Lumity omg omg everything about them they're so cute <3 <3
-While i'm on the topic of the Blights uhh. Alador. I love that guy he's such a great guy i love him
-all of these so far are just me saying "i love them" but thats how it is so i dont care and i will keep going
-i love the Lulu-Hootsifer duo its so weird but they go so well together <3
-i like how Eberwolf, head of the beastkeeping coven, is just. a lil beastie guy. it's like "yeah this is our leading zoologist and veterinary expert, uhh he's a wolf or something idk"
-Darius is so good, love his dynamics with both Hunter and Eber
-Hunter <3
-Gus and Willow are soo great together <3 we don't see it that often but their friendship is so genuine and they're so supportive of eachother
-and yeah i love both of them so much, who woulda guessed
-speaking of gus s2e18 Labyrinth Runners omggg i love this episode its one of my faves <3 not only the backstories and the character developments are great, the illusions are soo damn cool i really want more of that (also Adrian Graye <3)
-why the heck is s2e8 so important to everyone's story but the episode is about and named after fucken hooty of all people?? i love this episode but why??
-do NOT get me started on s2e12: Elsewhere and Elsewhen i have a very complicated relationship with it
-Hunter had to come up with an alias when meeting Willow and Gus and on the spot he thought of Caleb?? Like, the guy he's like a clone of?? Which he didn't conciously know??? Like that's really fun and clever and i loved it when i realised that but it's just almost rude how they did that tbh (so cool tho)
-Raine Whispers <3 <3 <3 they're so cool and i love them and Eda and i love them in the finale and the bard magic is so cool omg
I should really sleep now but i'm most definitely gonna come up with many more things to say so get ready i guess
(i love toh)
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The Emperor’s Relics: Artifacts Of A Lost Time
Among the many positives of “The Owl House” is its rich setting. Though many - including myself - might say we were not given enough detail about the Boiling Isles, there is no denying that the show’s setting is rich and fascinating. Why else would we want to know more?
One such example of worldbuilding that was established but never elaborated on is the relics in the castle’s Relic Room. The artifacts, said to be incredibly powerful, are only seen in “Agony of a Witch,” in which (HA!) Luz tries to steal one to help Eda and Willow and Gus use a few for fun. Though described by Kikimora as “reminders of our great Emperor’s overwhelming power,” Lilith refers to them as “decrepit” and “useless,” implying that they have vastly declined in power over the years and are now used as propaganda. 
Curiously, though seeming to intend to have a relic for each major coven, only eight are depicted, and only three of them elaborated upon:
The Green-Thumb Gauntlet: A glove carved of wood, the gauntlet is described as allowing the wearer to grow any plant they can imagine. Willow herself uses the glove to grow trees with fists to knock down an armored door. 
The Oracle Sphere: Described by Gus as telling the user how to become their best self, he uses it to conjure a purple-tinted illusion of himself that merely tells him,” You’re always your best self.”
The Healing Hat: Written as able to heal any disease or break any curse, Luz attempts to steal the hat to cure Eda. The hat is destroyed in a confrontation with Lilith, but given her description of the “decrepit” relics and bizarre nature of Eda’s curse as non-native to the Boiling Isles, it is probable that the hat would not have cured her - else Lilith might have tried long ago.
After these, the relics are only shown visually, but it was a fun thought experiment to wonder about each:
Golden Harp: Presumably tied to the Bard Coven. *I like to imagine that the harp intuitively plays music to cast any spell the user might imagine without having to know how to play the harp. 
Globe of Abomination Clay: Presumably tied to the Abomination Coven. I imagine it contains an incredibly ancient and very strong Abomination, likely holding far more clay than it seems. 
Golden Vial: Presumably tied to the Potions Coven. I like to think that the phial can produce large or infinite amounts of any potion that is poured into it. (This was admittedly based on the White Phial from “Skyrim.”)
Silver Mirror: Presumably tied to the Illusion Coven. I imagine the mirror can capture minute details of whatever it sees, and so aid the user in creating far more specific illusions. 
Golden Bell: Presumably tied to the Beastkeeping Coven. I imagine the bell can be rung to influence any beasts within its audible range. Specifically, it can summon them to the user, calm them down and put them to sleep, or enrage them into a frenzy. 
These all seem to exclude the relic of the Construction Coven, though there is a faint possibility we see this relic later. Mason, head of the Constriction Coven, is seen wielding a hammer emblazoned with the fist sigil of the coven. Assuming this is the Construction Reic, I like to think it can break down and then reshape any solid material it strikes, in the image of alchemy from “Fullmetal Alchemist” or Overhaul from “My Hero Academia.”
Even a year after the series’s conclusion, it is beyond evident that the setting of the Boiling Isles, with all of the rich details that often act as a framework with more than enough space for us to fill in the gaps ourselves, continues to be a rich mine of creativity in worldbuilding. Who knows what else is waiting to be conceived of that patchwork of glorious setting?
Thanks for reading! More to come …!
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thestarwarslesbian · 8 months
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Time for an Owl House OC.
May I introduce, Ms. Thunder Whispers!
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Name: Thunder Whispers
Pronouns: She/her
Age: 18
Family: Raine Whispers (Nini, I've seen it quite a few fics), Eda Clawthorne (Mother), Amber, Katya and Derwin (Siblings).
Place of residence: The BATs hideout with the rest of the BATs and Raine.
Type of magic: Bard
Coven: None.
Job: Bard magic teacher at Hexside
Best Friend: Katya
This is Thunder's palicman!
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Name:Alto
Carved by: Thunder and Raine.
My AU with Thunder!
Thunder is the child of Raine Whispers and Eda Clawthorne. Raine breaks up with Eda. About a week later they find out they are pregant with Eda's child. The baby is a blessing from the titan as the titan liked Raine and didn't want them to be alone. Raine pushes back joining the bard coven until their child is born. But Raine found out about the corruption and decided that thye would still join but rebel at the same time. Whren Thunder is born, Raine then starts teaching at the coven.
When Thunder was 5 her and Raine create her Palisman. They carve the peacock and name him Alto. Alto and Fiddlesticks get along very well.
A few years later, Raine adopts Amber (15), Katya (18) and Derwin(19). They all meet a 16 year old Thunder and adore her. Thunder pracisces bard magic but decides she doesn't want to join the bard coven. The children go to Raine with the idea of the BATs. Raine agrees to be the leader while Thunder makes the plans and is their main startagist.
At the age of 17, they graduate and Bump asks her to teach Bard magic at the school. Thunder agrees and decides not to join a coven. Raine is very proud. When Luz joined the bard track she decides to speak to her teacher. Luz tell's Thunder that she looks like the good witch Azura. Luz also sid ementions that she looks like Eda a bit, esspecily the eyes. Now Thunder knows Eda is her mama, Raine didn't want to keep that a secret from her.
Eda doesn't meet Thunder until they CATs rescue her and Luz. Luz would be in shock that her bard teacher is part of a rebellion. Eda is in major shock that the girl looks like both her and Raine. Eda pulls Raine aside and asks about Thunder. Raine explains and says they even sent Eda letters. Eda would be mad at herself becuase she burned the letters.
Thunder fights with the kids and get's chucked in the human realm. Thunder decides to write a paper on how music can mainpulate others. They end up acciently getting a phD. Thunder and Hunter get close and finds out that Hunter is Transfem amd likes to go by Luna (I love that AU and wanted to combine it). Everything else in season 3 happened the same but Thunder is their.
When it is all over, Raine, Thunder and the BATs move into the owl house and Thunder starts to call Eda, Mama.
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And that's all I got so far.
What do you think?
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