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#there is so much potential to use here!!
icycoolslushie · 8 months
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Why have I not seen a single person talking about the fact that Jace is half-French?
There is so much potential to use this fact somewhere!!!!
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intotheelliwoods · 10 months
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them. Take them. The sillies
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ganondoodle · 5 months
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totk made me feel like i got scammed so badly i dont think i want to get any new zelda on release and instead wait until i know its worth it
im afraid zelda will turn into half baked games with flashy imagery to distract you from its shitty writing and superficial references to older games to catch your nostalgia, that the name alone will sell anyway so why try
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chirpsythismorning · 28 days
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S5 opener REAL
#byler#will byers#stranger things#every season besides s4-5 opens with non main characters#for el we got a flashback of the lab followed by her perspective in the scene directly after#and I think for Will we will see something similar#with us getting the flashback of him in castle byers in the UD#followed by him in the present in the scene after#but what exactly would warrant that memory being brought up in association with Will in the present?#mayhaps his connection to the mindflayer and the UD run deeper than we realize…#it’s likely not something he could just rid himself of in s2 and now he’s all good#he literally still feels a connection to everything he is feeling#that means he is still technically at risk of being the spy in some capacity#the massacre at Hawkins lab also was a guiding force for El discovering the ‘truth’ in s4#so it’s likely for Will this instance will operate in a way that re-contextualizes the events in the past up to now#like that time Will suggested they go to the hospital in s3 only for the flayed to be waiting for them#or how flayed Billy knew they were at the cabin…#all while Will was looking cryptic as hell in that scene watching over el#or the fact that he picked Billy in the first place the season after he focused on Will…#you know.. williams#I think the easiest way to introduce the castle Byers flashback is a dream honestly#specifically a dream within a dream#seeing that recent leak and Will looking like either he has a black or hasn’t slept in days#is giving very much ‘I am afraid to sleep bc I’m scared of what will happen’#I think dude is not exactly possessed in the sense that we already saw in s2 with like the particicles#but he’s still vulnerable#the door is still ajar…#no but fr this idea of opening a door in your mind was so blatant in st2 AND s3b of teen wolf#I think a big part of it will be guilting Will over the fact that Will has helped him before without Will telling the others#hence his weird vibe in s3… like he’s already successfully fucked with Will post s2 potentially with us being none the wiser aka here we go
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anendoandfriendo · 4 months
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You've seen "excluding neurodivergent people is ableist" and now understand "neurodivergency is disability" but now get ready for for this one:
Neurodivergency can be disability but not every single neurodivergency is, actually. Yes, even those who technically could qualify for a diagnosis under the DSM or ICD may consider their neurtype to be beneficial to them, actually. And some neurotypes can be adjacent to the DSM and ICD without actually falling into them!
Neurodivergency can be disabled but in the way all squares are rectangles but not all rectangles are squares.
The people seeing themselves as more abled for a neurotype that's disabling to you are not your enemies.
Break free of your chains, stop letting the DSM and ICD, the biggest perpetrators of ableism, define us and our communities.
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baldursghaik · 5 months
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I like the idea of the Emperor being Thyneron's "patron", almost like a warlock. What's more romantic than combining your powers together to take down the Absolute?
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fleshadept · 2 years
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Rocky + magic
Boy (2010) dir. Taika Waititi
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bonebabbles · 1 month
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I remember when I was reading DOTC when I was around 10, and ever since Misty died I had been waiting for the moment where Birch and Alder learned about her murder, how everyone in their lives has kept it a secret. And then it just didn't happen.
I also remember obsessively re-reading the part where Quiet Rain blows up at Clear Sky.
Birch and Alder are two characters that are just so...
I WANT to say they were forgotten about, but that word doesn't feel right for how they're constantly showing up on the screen. Clear Sky occasionally feels guilty about how he murdered their mother, but for the vast majority of the time, that's described in passive voice. So you're not reminded of just HOW cruel he was, and still very much is.
It's like they're not allowed to be characters.
Like, how does Alder feel about Clear Sky, who seemed to be acting as an adoptive father until he beat her as a child? How did Birch respond later, when Clear Sky was so busy thrashing his sister that he was threatened by a dog? How do they feel about the man who took their mother away from them?
They keep getting cited as "Good Examples Of Non-Campborn Cats," dodging around the fact they were stolen and raised by Petal. Like a lot of the other "adoptions" in the series, she quietly stops mattering to them. But even this fact... like, they're being OTHERED when they were functionally raised SkyClan.
How do they feel about THAT? That their earliest memory is SkyClan, and yet, they'll never be considered truly, fully "clanborn."
Their whole life taken from them, by Clear Sky's cruelty, their formative years spent in his violent shadow, and the narrative is just not interested in that.
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lonelym00n · 1 year
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GUYS GUYS GUYS
sam x r (who’s younger and part of tara’s friend group) with the song fucking young/perfect by tyler the creator
—> there’s obvious tension between them from the day they meet
—> r is super flirty with sam who just like pretends to be unbothered by it
—> eventually things build up and BOOM, one thing leads to another and theyre having a heated makeout sesh in the kitchen
—> feelings get involved from there + they sneak around behind the group’s back
—> sam gets guilty after almost being caught so she breaks things off
—> says she’s too damaged and not the one for r, r deserves someone the same age who has their shit together
—> r tells sam its clear theyre meant to be and that sam’s just scared
—> they stop seeing each other even though they both want so badly to be together
—> r keeps showing sam how much she loves her (comes over and cooks meals when sam has a double shift + other cutesy stuff)
—> sam still holds herself back
—> eventually tara (who has known about the relationship the whole time) talks some sense into sam and tells her to go for it
—> yay!! happy ending <3
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Trying to piece together the miscommunication between Link and Normal where they both think the other doesn't know what they want and I think it's that the level of results they're each looking for is different. Link wants to know what to do from moment to moment and every decision in each moment is backed by "which option gets fewer people hurt or killed." Whereas Normal isn't looking for a moment-to-moment goal, he's looking for a long term goal of helping the Doodler, and so what that looks like from moment to moment isn't always going to look the same.
So like, the moment with the pick. To Link, Normal is the one who doesn't know what to do because Normal doesn't know what to do in that moment to resolve the anchor, while Link takes a quick action. But from Normal's point of view it looks like Link has no idea what he's doing because his actions had no thought towards the ongoing Doodler problem.
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antimony-medusa · 1 year
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Okay so inspired by nothing in particular (it's inspired by reading the notes on the ace swag final poll, fun stuff in there), I have been thinking about being Cringe. Cause like, you enter a fandom, and usually, you find out shortly that somebody else hates that fandom. There is no fandom niche enough that it's not Weird to somebody, and there's no fandom mainstream enough that it's not Annoying to somebody else. And given the fact that some people do hatred recreationally, there's often going to be somebody mad enough about your fandom that they're going to go on diatribes about how your fandom is bad and actually harmful and destroying the fabric of civilization, etc. They're gonna pull out anything negative and blow it up until it's the size of the skyline and attack you for liking this negative thing.
Fun times, we've all seen it.
And the thing is, there's an impulse to have this happen and immediately find somebody else to point to and say, yeah, well, I might be weird, but at least I'm not THAT guy. I might read YA, but at least I'm not a Furry— those guys are sexual deviants! I might be into actual play podcasts, but at least I'm not into mcyt— those guys are all harmful and my guy is fine. I might be into danmei, but at least I'm not into bandom— rpf is so gross. I might be a furry, but at least I'm not into mainstream romance novels— senseless drivel aimed at middle class white women. Y'know. Immediately find someone to punch down on.
And boy do I understand why you want to do that, when people are pointing at you, but I don't actually think that it's helpful.
Cause like, every fandom has a logical train of thought and reasonable human impulses behind it. You might not share those impulses— I'm not a furry I don't think, I don't really get true crime— but that doesn't mean I can't have it explained to me by a very patient person in in the writer's workshop common room and go "oh, yeah, kinda pretending to be an animal, but you're gay about it, yeah, makes sense", or "oh yeah, morbid curiosity from the safety of your headphones, it's like a horror movie but real" and nod. Like there isn't a fandom or group out there that doesn't look weird from the outside, and there isn't a fandom or group that can't be explained if someone has thought about the human psyche enough.
And that isn't to say that there isn't sometimes salient critiques for what fandoms are doing or not doing— to grab the two examples above, I have heard people talking about issues with true crime reinforcing the current fucked up justice system, or bigotry at furry cons. But a) most of the time, there is already somebody inside that community that's fighting against those issues, and you just threw them under the bus with the problem they're trying to fix b) you don't usually know the nuances of the actual conversation and problems, you saw a couple callout posts. You saying "Yeah I'm a board game nerd but at least I don't play competitive trading card cames, those guys are doing nothing but feeding the capitalist machine" is not usually helpful towards fixing the ctg scene. It's just a cheap way to score points.
Like, I assure you that the YA scene is aware of the calcification of the genre into a tighter and tighter romantic form and their dependence on going big on tik-tok to sell enough to keep publishing. They know.
You specifically saying that your fandom is better cause it's not [problems you heard about other fandom having] is not actually going to make the person who's hating on you stop hating. They already decided that you're the person they're better than and that they're punching down on, you passing the punching down on to another fandom just makes more people sad on the internet, and potentially starts yet another chain of someone punching down at someone else. The wheel grinds on, everybody gets punched.
I guess this is just kinda turning into a "why hate on the internet, what good does that do" post, which is broader than I meant it to be. But like, there's a difference between thoughtful critique of problems (complicated to do fairly but very necessary) and finding someone new to curbstomp to make yourself feel better/morally superior (look, I'm writing this on a mcyt blog, we've all seen this happen, it does not increase the joy in the world).
Like in MCYT, we all decide to punch down on [other server we hate], or RPF, or people who write kidfic, or people who write e-rated fic/art, or people doing the popular trope of the moment, and sure, it lets you feel morally superior for the moment, at the cost of slapping the guy next to you. Haven't we had enough slapping the guy next to you? There but for the grace of god (got a fun idea/watched the wrong stream/ended up in the wrong brainstorming circle/got fixated on the wrong funny guy) goes I. You're not better than another group just because you saw a couple more callout posts (usually from people inside the community trying to fix things) about them.
We are all Cringe. There is nobody who's not Cringe. Don't say that you're not Cringe because someone else is more Cringe. Stop that.
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weldnas · 3 months
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#Seeing the dune part 2 american centric red carpet and as a devoted aficionado of the books and yk a moroccan person here are my 2 cents#Dune was one of the few Western works inspired by MENA culture that that felt genuine and respectful#But ofc despite the profound symbiosis with Middle Eastern and North African culture evident within the pages of the novels#the movie adaptation lack of substantive representation from these communities both in on-screen portrayals and within production roles was#very much disappointing in part 1 and i doubt there are any change now#While drawing inspiration from the Amazigh peoples of Algeria and Morocco#the film barely skims the surface of its MENA influences leaving substantial potential untapped#Herbert openly acknowledged the profound impact of Islam and MENA culture on his noveIs#from the metaphorical representation of Spice as oil#to the allegorical parallels drawn between the occupation of Arrakis and real-world MENA geopolitics#By marginalizing Arabs from the narrative fabric of Dune the essence of the story is being undermined particularly its anti-colonial core#the irony of this is kiIIing me because this was a direct resuIt of us impérialism on the middIe east#But the reality is that Dune is an American production tailored for an American audience so it makes sense for it to be what it is now#a big production running from its original essence#What adds to my disappointment is the fact that I liked Villeneuve's adaptation of Incendies and I had what you call foolish hope hfhg#Dune feIt Iike a squandered opportunity to authentically depict the cultural milieu that inspired it#Given the narrative's inherent anti-colonial themes#the omission of Arab and North African voices dilute its message if any of it is even left#without representation from Arabs and Amazigh people the cultural essence becomes another appropriated resource watered down to an aestheti#rather than serving as a critique of the destructive actions of colonialists seeking power and dominance#the narrative becomes susceptible to distortion and co-option by the very entities it was intended to condemn and hold accountable
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idk-bruh-20 · 1 year
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Irondad fic ideas #118
Biodad AU where Howard Stark was a tad more reckless when it came to finding the super soldier serum, including and not limited to using himself as a lab rat (or baby Tony for extra angst)
Maybe it didn’t work, maybe the effects were too low level to make much difference (Tony did manage to survive open heart surgery in a cave with limited infection/healing time...). Either way, this is somehow passed down to Peter.
Peter was never meant to survive the spider bite. But for some reason he did, and the effects were a full blown super serum, with a couple arachnid qualities sprinkled in.
Bonus:
For angst: The other Avengers find out Peter is enhanced, and they assume Tony experimented on his own son.
For Fluff: Peter finally recovers from the sickness after getting bit, and both him and Tony find out about his powers because he underestimates his strength and breaks something big and important in the lab. Cue Peter tears and Tony trying to comfort his son while also wondering what the heck is going on
This fic idea was submitted by @knittyninja!
Additional thoughts from idkb:
@knittyninja gave us two options, but why not both!
Tony and Peter figure out that Peter has powers, and after lots of tears and comfort (for and from both of them) they also figure out why
Tony comes clean about his dad, Peter's grandfather, experimenting on him. Lots of complicated trauma and angst, though, because it looks like those experiments also saved his son's life (and possibly his own in Afghanistan)
When the Avengers learn about Peter's powers and assume the worst of Tony, Peter defends him. Because his dad is nothing like Howard
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oatbugs · 1 month
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pls i need to provide updates
#basically yesterday night was chaharshanbe suri . which is a solar new yr tradition where we let go of the past suffering in our year#and like...start the new yr w fresh vigour . anyway so my friend was at the event and we were abt to leap over the fire#and she was like bro im im glad u blocked her (situationship) etc etc . and then. my phone started vibrating. and i look at it. and my f#friend looks at it. and its her. and were both like what the fuck?? i blocked her things r Over and anyway so i pick up the phone and shesl#acting like nothing happened (bc nothing DID happen for her) and she was like ohh ur doing chaharshanbe suri im not doing anything etc what#are ur new yr plans so i jusr .IDK WHY I DID THIS . but ig i didnt wanna come off as like lonely i said probably hanging out w family and#friends maybe reading poetry together . et cetera and she was like wait that sounds so fun why didnt u invite me!#LIKE WDYM YOUVE BEEN CONSISTENTLY MAKING IT CLEAR U DONT WANT TO BE IN MY PRESENCE . and i told her that after#everything i thought she didnt want to see me again and she was like you always think that 😐 . like. ?? ok anyway so she expects me to#invite her . and like. there is an above 0% but sub-5% chance she will actually show up . but the panic that gripped me#i started making calls to my friends asking them if they can come on the 23rd bc there must be an event and also i asked my mother#and she said actually yeah i am doing a thing on the 23rd :D it involves over 16 ppl (we live in a v small flat) of which like...7 are kids#so you wont have space to be in ur own room let alone invite others. which tbh like ...being around a bunch of loud kids doesnt seem fun fo#any of my friends or me etc so i thought maybe i should arrange things so that we all go out together and if she shows up she shows up 🤷‍♀️#but . im so. WHY DID I SAY THAT . i had to panic-call my research partner and ask him to get from oxf to where i live on the 23rd#and when he heard the explanation he like. the light in his voice disappeared 💀 but he potentially agreed so idk#THE ISSUE IS. 23rd im supposed to also have . a date#w this girl that i had a huge crush on when i was 15-16 (posted abt this b4 but id get shitty black coffee in the mornings just to spend a#few more minuted w her each day and she was the cleverest girl in school and she cared abt nothing but her academics but now shes very gay#scraggly homosexual etc etc shes cute) and YEAH IDK#like id have to go there on the date come back fast meet ppl POTENTIALLY (again under 5%) meet situationship girl#like is that even doable#but the thing is it would be so so so funny bc all of my friends dislike her sooo much#.........what if i invited the girl im supposed to have a date w over to hang out w us#god that would be so hilarious and chaotic . i wont do it tho im a mature person x#but it would be soooo funny#I HAVE AN ASSIGNMENT DUE TMRW 12:30PM IT IS 10:49PM RN I HAVENT STARTED IT bc i was rotting sadly in bed#popped a ritalin pill tho so here we go x#i have found myself in a state of such sheer agony and rage and sorrow and grief over this girl that atp i feel like#its just so entertaining . like i feel vaguely over it? ik nothing will come of it so its like just . have fun . vibe
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ikemenomegas · 1 year
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Omega!Gojo Satoru x Alpha!Reader
I believe we are fated to do the things we choose anyway*
gege akutami is the kind of mangaka who makes fun of almost all their characters. with utmost affection, gojo deserves to be bullied a bit. we love that he's a little heartless, a little frivolous, that he's powerful as a fact, that he cares a little bit strangely, so doing him a bit of justice, here's the mirror to Getou's youth story
tw: canon character death, spoilers for the manga, gojo's emotional constipation and egotism
Toji Zenin cut so many threads the day he arrived on the Tokyo school grounds, but the one between you and Satoru survived. It's already a miracle that Riko was the only one who died that day. The miracle of surviving should have been enough, but now you've lived long enough to find out how much you could love someone too. You get to see how afraid someone is of loving you. Gojo Satoru had one friend. Gojo Satoru had one mate. That was it, that was all he could let himself have.
Springtime Tokyo is still cold. Not as cold as up north in the mountains, but the winter uniforms are blessedly warm. An assistant manager drops you off at Tokyo Jujutsu Technical School on a milky March morning where you are met by Yaga-sensei, the first year teacher.
This teacher has some kind of idea about building community, which is why he's clustered the four of you first-years in the same building, around a loud blue-eyed boy who barely takes one look at you, squinting around a pair of blackout sunglasses, at your purposeful non-expression, before he is grinning, far too wide and it feels like he gets even louder, movements expansive to pull you into the range of an argument he's having with a tall slim boy with long hair tied at the back of his head.
Yaga-sensei just shakes his head and introduces you to Ieri Shoko, who is physically leaning away from the noise as if to escape some blast radius and has the most distant smile you've ever seen in your life on her face.
It's unsettling is what it is. The dark haired boy is just rolling his eyes at the one who had somehow both dismissed you and pulled you into his orbit. The automatic response is to try and get that attention back, but you have at least a little more self respect than that. You climb the stairs to take a room on the same floor to Shoko-san's and leave them to their snipping. You don't see Gojo fall silent for half a second before carrying on bickering, Yaga now stepping in to separate them.
School hasn't quite started yet. It's a boarding school so everyone is just around, getting the lay of the school, setting up their rooms, exploring Tokyo, running into one another and trying to figure out how their pieces fit together.
Satoru has already sorted you all into neat little piles of adjectives
Polite: the boy with the long dark hair, Getou Suguru, although this doesn't necessarily mean nice he notes gleefully. Self righteous and reactive, as in he can be baited into a no holds barred fight, which is new for him. He hasn't been able to fight someone who could hold their ground for more than a minute since he was thirteen. Subversively irreverent.
Morbid: the shortie with the short hair, Shoko Ieri. She discovered her abilities somewhere and even Satoru has to admit some of the diagrams she pulls up are admirably disgusting. Neutral. Satoru has never met someone else who sticks so close to their own whims before but she isn't like anything he expected, dismissive, meandering, goading. And she can't explain how she does what she does, which is aggravating because he can't do it.
And you, the new one. The last to arrive. Fresh meat. Quiet, wary.
You catch him not following you, but showing up near where you are a little too frequently to feel coincidental while you're making a point to meet the upperclassmen. He adds opportunistic and watchful to the list when he notices you do this, but some of the older students seem to find it vaguely endearing - the clan ones like a small animal they can toss treats, the recruited students who aren't trying to suck up to the clan kids with the cautious familiarity of greeting another outsider.
He tries tossing you a treat, granting you some offhanded attention in the common space of what is now the first years' block. Suguru laughs at him when you mostly look confused and apologetically tell him you've never seen either of the movies he wants to debate before refilling your water bottle and wandering back out onto the school grounds with your umbrella.
School starts regardless with some tentative unspoken agreement between the four of you to try and be friends, or at least classmates. There is after all, no one else to be friends with.
Class is boring, so Satoru watches his classmates. Where Shoko is passive and watchful and Satoru is staring into the air, you're openly attentive and Suguru more casually mirrors your attention. Which makes him want to call you another boring small-town bumpkin
Except you are in the same the advanced mechanics elective he is, and you and Shoko become animated discussing the curse anatomy lectures. Yaga takes you away to practice hand-to-hand with his dolls while he lets Satoru and Suguru pummel each other, which makes him think you must be too fragile to handle the two of them. Most people are, so he doesn't think much on it.
Satoru sometimes goes out alone to train when he can't sleep. He lashes out at the wooden dummies on the practice field, ducking under wooden arms and lashing out to see sections of it spin faster. On one of these nights, a week or two into the first year, he sees you standing outside the track, leaning on a railing, face buried in a thick scarf. He's aware of your vague attention, watching him without any particular interest, like how one might watch water sliding under a bridge, but when he sneaks a glance around the practice dummy, you're just as often more fixated on the sky. The moon is full and you're watching the clouds chase across the deep blue expanse, listening to Gojo Satoru's knuckles impacting on wood. And then at some point, he looks over and you're gone, your weird cursed energy signature fading in the dark.
Satoru only sees your technique the first time a substitute makes you spar with everyone else during training while Yaga is away. Apparently the teacher is someone you know because you get into the first argument he's ever seen before you send a spear flying so fast it hits the center of a target and topples it over.
The same teacher makes you fight Satoru, to already defeated attempts at appalled refusal. He'd usually help you push back just on principle, but he hasn't gotten to go on a mission with you yet and his sometimes oppressive curiosity has settled on whether you actually can keep up with him after all.
You can't, but this is Gojo Satoru at fifteen, not fully realized, and the first time he fights you he amends how he feels about "opportunistic". He flies right at your face and swears he makes contact, but you step back at the last minute and he feels an impending impact from his left that is almost the same strength as his own attack. He tries again and you twist out of the way much faster than he had expected. He tries to throw you and you end up descending slowly to the ground, trying to get the teacher to end the bout. Eventually Satoru overwhelms you and breaks your arm when you try to block too many hits in rapid succession. Shoko fixes it, and you wince with gritted teeth and tears in your eyes but don't cry or sob or glare at him with the kind of face that is calling him names you can't say out loud. The demonstration has him, fortunately or unfortunately, folding you into the energy of your little first year group like you'd been there all along.
He's a shaman clan kid, so it's interesting to see you now as not necessarily opportunistic but curious about the other sorcerers, about other people. What a novelty, to be inconsequentially curious. If he'd been too curious as a child he would be either lectured on responsibility or nearly drowned in related gifts meant to appease his moods
You don't appease his moods and the attention of him, one of the strongest sorcerer of the generation, doesn't appease you.
Satoru tries to bait you and things go right over your head. He tries to disrupt your silent, invisible schedule and you let him drag you away with minimal fussing, especially when Shoko or Suguru is involved, but will wander to the side on outings and either find some accidental trouble or something that makes him a little surprised at the intensity of your focus.
He forces you into a combat-determined wager that demands you stop using honorifics with his name and Suguru's name and Shoko's name (without asking the other two) and there's no way for you to get out of it or win so that forces some artificial closeness that becomes real. Language is very important for creating distance, for creating hierarchy and Satoru somehow isn't interested in a hierarchy between you.
He is however far more self conscious of his omega status than Suguru is. He won't say it, but it's a relief when none of you make a big deal out of it when you find out and also a surprising comfort when you and Shoko who don't have to suffer through the literal additional headache of heats try and make them comfortable
For Satoru this involves distracting him by playing video games with him, watching movies, or tossing balls of paper at him while he tries to stop it with his technique. Mostly he's with Suguru, especially if they sync up, but Satoru doesn't have the same heat symptoms as him. During first year even though he sleeps more than he does as an adult, it's typically less than the rest of you might want. Where Suguru gets tired, Satoru will get cranky and mean because he's bored and feverish and Suguru is too tired to entertain him. His family also was never very comforting during his heats so he knows what to do as far as nesting, but having people around is new for him.
He likes to call and text you if you're on missions during these times, which is typical given his clan's sensitivity to him being around alphas at these times.
So even when you're on campus, you and Shoko only spend a few hours with him at a time. Sometimes you play games and the heat makes him almost slow enough to beat on a DS link game. Sometimes he makes you do his homework. Sometimes he likes to throw throwing things at you to see how you use your technique to deal with it.
He adds "sentimental" to the list of adjectives when he realizes he can so easily pressure you in these times into revealing more of yourself to him than you usually do. He's bored and there's only so many things to talk about before you start telling him about an encounter with one of the rare cats that will tolerate living around the cursed energy of the campus, when you grimace and tell him about a terrible noodle stand in Yamanashi province that you still crave somehow, when you tell him about saving fallen leaves in a heavy dictionary you use for that purpose, or the one time you reveal that you've kept every pair of shoes your parents bought you to wear on the first day of school. You tell him these things and it makes him feel like maybe, someday, he might want to tell you things too.
It's not soft but there's a softness to it. A genuineness in the four of you together, in Satoru's and Suguru's growing strength and self surety. Satoru tries to make himself the center of the world, because it's fact that is where he has been all along. But he's not so easily the center of your world. You didn't come from his world.
Satoru doesn't fall. He doesn't think hard about why it becomes so. He barely thinks about it all. He just knows at some point that you're one of his. You're one of his and he wants you to pay him the attention he' accustomed to as center of the world (except he doesn't maybe. He'll be able to say it one day that what he loved was you treating him like he was as human as he could be)
He's terrible at acknowledging whether this possessiveness is anything in particular. After a sparring session, you watch Shoko patch a cut on Suguru's arm with so much longing and a pang of something worms its way in Satoru's chest. He crowds in next to Suguru before Shoko's done, draping over Suguru's shoulders. You don't see the way Satoru's eyes flicker from Shoko's steady hands to your wide-eyed gaze.
He's jealous the way a child is jealous of a favorite toy, hooking his arm around your neck if any omegas outside of school talk to you in the street. If you brush him off when he's trying to use you as a tool for self-affirmation, he sulks around until you acknowledge him in some other way and he will not admit to a single soul why it matters. When he's forced to go home for holidays like oban and returns in a terrible pique, you may fight with him if he lashes out in the worst, most personal ways. You push back and talk to instead of around him or through him and you also don't realize that is why he backs off.
He realizes slowly that he has to be careful with you. He forgets sometimes that you're more fragile that Suguru, that you need help Shoko doesn't need. On what you call the "worst school trip in existence" and Shoko calls "lucky we didn't all die" and Suguru smiles and calls "well we all made it out in the end", even Satoru got injured, yet he feels invincible, like he caught a bullet and threw it back.
When Toji nearly kills him and everyone he ever cared about, he awakens with the power to keep it from happening ever again. He thinks he can carry the world for all of you, for everyone, reveling in his power. He doesn't realize that his presence, the gravity well he made in the monster class's lives, doesn't exist the same way while he's not there because he has a tendency to think everything will be easy for him to fit back into when he returns, or not to think on the fact things could change at all.
Then Suguru leaves and the center of Satoru's world, his reference point, collapses
You're there in Shinjuku the day it happens. It's getting cold again. You're there to meet Shoko. Suguru has gone missing, Satoru is... away. Again. Still. He's been absent whenever he is around anyway. The jujutsu world doesn't have the resources to devote to hunting curse users in particular so the effort to find Suguru has been halfhearted at best and even if he's on your minds, you have jobs to do still.
You're there in Shinjuku and when you don't find the person you're looking for, you find someone else, It shouldn't happen, but it does. You run into Satoru, mind reeling at Suguru's betrayal. You nearly don't see him and he nearly doesn't see you except he sees everything and he's been walking around the district like a ghost.
He appears like a ghost too, tall and pale and ridiculous eyes. You'd tried to see if the world reflected in them once, but now it's more obvious to you than ever that it's just him, nothing more and nothing less.
"Let's go back," he says, and for the first time in months, you return to the college, side by side on the train, feeling like there should be more people in the near-empty car. You get as far as you can before you get to a station that's closed where you can no longer transfer and then you get out and walk in silence.
You walk like there's another person jostling for space between you. When you get to the school, Shoko meets you at the red tori gates. When you get to the mostly empty dormitory building, now a little emptier, Satoru looks at you. And looks and looks and looks. This time, he feels like you might disappear in the pre-dawn light casting your faces in blue.
Maybe it's because he's already lost one precious thing long before he noticed it was gone that he grips your shoulders tight, so tight you almost wince, but turn into it instead, tilting your head as though, were you less careful people, you might brush your cheek against his hand. Just for a little bit of comfort, for a little familiarity.
Then Shoko makes a noise at the top of the stairs, the scuff of her foot, the tap of her palm on the banister. What a terrible day it must be if Shoko is interfering. And you step away.
Satoru doesn't go to bed. For the first time in his life he feels like he doesn't know who he is. He watches your light come on and then go off. He doesn't see you stand at the mouth of the hall leading to Suguru's room with a blanket around your shoulders until eventually you turn away and fall asleep on one of the common room couches, near to where a year of his body in the same spot had left an indent. He doesn't think about the world where you aren't here, where he never sees you again, because he can't quite fathom it.
Because even when he was gone, he never felt like he had let any of you go
It makes him feel sick to his stomach, the closeness of someone else, but it feels worse to push you away so you sit shoulder to shoulder with him some time in the morning. He pretends not to see the new dark shadows in your eyes. You sit and watch the mist burn off and pretend his warmth can hide how the world is a little colder.
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*I didn't fall in love with you. I walked into love with you, with my eyes wide open, choosing to take every step along the way. I do believe in fate and destiny, but I also believe we are only fated to do the things that we'd choose anyway. And I'd choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I'd find you and I'd choose you ― Kiersten White, The Chaos of Stars
#gojo satoru x reader#gojo satoru#a/b/o#a/b/o dynamics#omegaverse#alpha!reader#omega!gojo#reader insert#gn#i'm sorry this is so much longer than the getou one#I changed styles to write something else and couldn't get back to the broad strokes style of the getou bit#i want to expand on both#this show is really good and the potential here is too much to resist#the quote came to mind because the six eyes user has a specific kind of fate#but the idea of fate has a lot of interesting discussion around it in between religions#jjk plays a lot with buddhist/shinto/christian imagery including the idea of a fate thread tangled between certain power centers#i was raised in a christian centered culture which has certain beliefs about predetermination that can get incredibly depressing.#fate is generally defined as a predetermined and inescapable path of action or consequences#you can't escape it no matter what choices you make#which seems glum#karma on the other hand has something more to do with tendencies - the things you do to yourself/by yourself that lead to consequence#karma is separate from fate. even if you escape the cycle of karma or samsara you cannot escape fate#little interaction with fate are common - seeking explanations of future fortune or charms to pull you in the direction you want to go#ultimately there is a tension between the human ability to act at will (karma/free will) and fate#How do you justify acting if everything is predetermined? one can trap themselves in ontologic questions about purpose and actions#there is an inevitably and circular in accepting that maybe we can't escape fate but that fate also can't escape us#our actions were always going to matter#io.omegas
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figminxr · 1 year
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I worked overtime so much on this project that I forgot to post it (IT KEEPS HAPPENING) but here’s some screenshots from a video I made about how we might use XR to reduce material waste in the future!
I created most of the 3D models you see in these images, and I also assigned physics to them so that they behave realistically when touched.
for the rest I just downloaded them - because everything published to Figmin XR is creative commons. believe it or not, I’m not the only holographic toymaker out there!! 🤯
on the topic of downloading objects I also made this, because I could not resist the opportunity to meme:
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