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#these are so old by now........ but i figured i may as well post them before i forget to upload these 6 whole drawings forever. lol
amomentsescape · 3 days
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hey there!! just starting reading your content and my god it’s AMAZING. i understand requests are closed right now, but i have a little idea for when they open back up? maybe an after spray (post spray, whatever people call it 😭) jeremiah getting sick with a cold headcanons or an actual sick fic? like perhaps the reader finding it so different because they aren’t really used to seeing him all sneezy, feverish and just overall under the weather? i imagine jeremiah would still keep up his looks whilst being ill, because well.. it’s jeremiah. but the reader can’t really take it seriously seeing him just being himself then two seconds later thinking he’s hiding the fact he’s blowing his nose into his handkerchief when everyone is literally watching him do so. this is just a cool bit of inspo whenever your requests open back up but keep doing what you’re doing! your writing is fucking SICK!! <33
Jeremiah Being Sick
Post-Spray! Jeremiah Valeska x Reader
A/N: Thank you so so much!!!
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Out of the thousands of people that know Jeremiah's name, you were the one that got to see him at his most vulnerable
And even during those specific moments, he had a tough time letting his guard down
So it was really no surprise that even when he was physically weak, nobody would be able to tell
Well, besides you
In the dead of night when he thought you were sleeping, you could hear his fitful coughs and groans of frustration
You could see a few drops of sweat make their way down his face while riding with him in a hidden car throughout the city
And you could feel how clammy his hands were whenever they touched your arm while guiding you around
Even his voice had a slight roughness to it that you weren't used to
He was sick, but there was no way he was ever going to admit that
And this lack of vulnerability only caused his symptoms to worsen
A cold wasn't going to get better when you weren't properly resting and were still acting like your body was fine
It was odd to see Jeremiah stand before hundreds of people, threatening their lives and terrifying them one moment
Only to be quickly hiding himself away in an alley, letting out a wheezing cough and blowing his nose the next
He may have known that you knew what was going on at this point, but if he did, he didn't seem to care
When you two were alone, you found him locking himself in his office more than usual
You figured it was because he didn't want to risk getting you sick
But it was also the fact that he didn't want you to see him so uncomfortable
You did notice that he was a little more cuddly than normal though, pulling you close to him when he finally decided to come to bed
It was after almost two weeks of this behavior that you finally snapped
If he wasn't going to take care of himself and ask for rest, then you were going to force it
You began sneaking cough drops and lozenges in his pockets
He definitely noticed they were there, but he was too prideful to mention anything to you
But you could have sworn you smelt menthol on his breath a few times
You also began laying out extra handkerchiefs by his suits every night so he'd see them in the morning
And whenever he locked himself in his office, he was always met by a gentle knock and a tray of tea outside his door
You knew he'd never give up his old habits, so these small actions seemed like the best way to let him know you wanted to help him feel better
Jeremiah slowly started to accept these changes too
He began to come to bed earlier each night
And he would regularly join you in a warm bath most days whenever he had the time
You could tell he was finally feeling better within a week
Jeremiah isn't really one for words of affirmation or even saying "thank you" for something
So you weren't expecting anything in return
You did notice a gentle smile pull at his lips whenever you asked how he was feeling however
It was only a couple weeks later when you got home to see a brand new outfit and a happy Jeremiah waiting for you that you knew he was thankful
Sirens rang out in the background as he explained he set up a few "inconveniences" for the GCPD so he could take you out for the night
He gave you a big kiss as an explosion sounded throughout the city just a few blocks down
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comradekatara · 1 month
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these suki and yue doodles are really old by now but i just realized i never actually posted them. so here you go (click to enlarge)
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yo9urt · 4 months
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i am the god of gaming
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getvalentined · 10 months
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An open letter to @staff
I already submitted this to Support under "Feedback," but I'm sharing it here too as I don't expect it to get a response, and I feel like putting in out in public may be more effective than sending it off into the void.
The recent post on the Staff blog about changing tumblr to an algorithmic feed features a large amount of misinformation that I feel staff needs to address, openly and honestly, with information on where this data was sourced at the very least.
Claim 1: Algorithms help small creators.
This is false, as algorithms are designed to push content that gets engagement in order to get it more engagement, thereby assuring that the popular remain popular and the small remain small except in instances of extreme luck.
This can already be seen on the tumblr radar, which is a combination of staff picks (usually the same half-dozen fandoms or niche special interests like Lego photography) which already have a ton of engagement, or posts that are getting enough engagement to hit the radar organically. Tumblr has an algorithm that runs like every other socmed algorithm on the planet, and it will decimate the reach of small creators just like every other platform before it.
Claim 2: Only a small portion of users utilize the chronological feed.
You can find a poll by user @darkwood-sleddog here that at the time of writing this, sits at over 40 THOUSAND responses showing that over 96 percent of them use the chronological feed*. Claiming otherwise isn't just a misstatement, it's a lie. You are lying to your core userbase and expecting them to accept it as fact. It's not just unethical, it's insulting to people who have been supporting your platform for over a decade.
Claim 3: Tumblr is not easy to use.
This is also 100% false and you ABSOLUTELY know it. Tumblr is EXTREMELY easy to use, the issue is that the documentation, the explanations of features, and often even the stability of the service is subpar. All of this would be very easy for staff to fix, if they would invest in the creation of walkthroughs and clear explanations of how various site features work, as well as finally fixing the search function. Your inability to explain how your service works should not result in completely ignoring the needs and wants of your core long-term userbase. The fact that you're more willing to invest in the very systems that have made every other form of social media so horrifically toxic than in trying to make it easier for people to use the service AS IT WORKS NOW and fixing the parts that don't work as well speaks volumes toward what tumblr staff actually cares about.
You will not get a paycheck if your platform becomes defunct, and the thing that makes it special right now is that it is the ONLY large-scale socmed platform on THE ENTIRE INTERNET with a true chronological feed and no aggressive algorithmic content serving. The recent post from staff indicates that you are going to kill that, and are insisting that it's what we want. It is not. I'd hazard to guess that most of the dev team knows it isn't what we want, but I assume the money people don't care. The user base isn't relevant, just how much money they can bring in.
The CEO stated he wanted this to remain as sort of the last bastion of the Old Internet, and yet here we are, watching you declare you intend to burn it to the ground.
You can do so much better than this.
Response to the Update
Under the cut for readability, because everything said above still applies.
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I already said this in a reblog on the post itself, but I'm adding it to this one for easy access: people read it that way because that's what you said.
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Staff considers the main feed as it exists to be "outdated," to the point that you literally used that word to describe it, and the main goals expressed in this announcement is to figure out what makes "high-quality content" and serve that to users moving forward.
People read it that way because that is what you said.
*The final results of the poll, after 24 hours:
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136,635 votes breaks down thusly:
An algorithm based feed where I get "the best of tumblr." @ 1.3% (roughly 1,776 votes)
Chronological feed that only features blogs I follow. @ 95.2% (roughly 130,077 votes)
This doesn't affect me personally. @ 3.5% (roughly 4,782 votes)
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jadevine · 4 months
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Preindustrial travel, and long explanations on why different distances are like that
Update March 1, 2024: Hey there folks, here's yet another update! I reposted Part 2a (the "medieval warhorses" tangent) to my writing blog, and I went down MORE of the horse-knowledge rabbit hole! https://www.tumblr.com/jadevine/741423906984951808/my-post-got-cut-off-so-i-added-the-rest-of-it Update Jan 30, 2024: Hey folks, I've posted the updated version of this post on my blog, so I don't have to keep frantically telling everyone "hey, that's the old version of this post!" https://thebalangay.wordpress.com/2024/01/29/preindustrial-travel-times-part-1/
I should get the posts about army travel times and camp followers reformatted and posted to my blog around the end of the week, so I'll filter through my extremely tangled thread for them.
Part 2 - Preindustrial ARMY travel times: https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask
Part 2a - How realistic warhorses look and act, because the myth of "all knights were mounted on huge clunky draft horses" just refuses to die: https://www.tumblr.com/jadevine/732043691180605440/helpful-things-for-action-writers-to-remember
Part 3 - Additional note about camp followers being regular workers AND sex-workers: https://www.tumblr.com/jadevine/740604203134828544/reblogging-the-time-looped-version-of-my
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I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.
I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.
People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.
But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.
The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.
The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.
Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.
If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).
Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance" per day. For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND, so by the time you're done slogging through drier patches of wetlands or squeezing through trees, a deceptively short 10-15 miles in rough terrain might take you a whole day to walk instead of the usual half-day.
If you are traveling in freezing winters or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.
Traveling in TOO-HOT weather is just as bad, because pushing yourself too hard and getting dehydrated at noon in the tropics will literally kill you. It's called heat-STROKE, not "heat-PARTY."
And now for the upper range of "traveling on horseback!"
Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."
This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.
A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.
NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.
If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.
Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.
As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.
Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.
UPDATE January 13: Several people have gotten curious and looked at maps, to find out how a lot of cities are indeed spread out at a nice distance of 20-30 miles apart! I love getting people interested in my hyperfixations, lol.
But remember that this is the space between CITIES AND TOWNS. There should never be a 20-mile stretch of empty wilderness between City A and Town B, unless your world explains why folks are able to build a city in the middle of nowhere, or if something has specifically gone wrong to wipe out its supporting villages!
Period pieces often portray a shining city rising from a sea of picturesque empty land, without a single grain field or cow pasture in sight, but that city would starve to death very quickly in preindustrial times.
Why? Because as Bret Devereaux mentions in his “Lonely Cities” article (https://acoup.blog/2019/07/12/collections-the-lonely-city-part-i-the-ideal-city/), preindustrial cities and towns must have nearby villages (and even smaller towns, if large and prosperous enough!) to grow their food for them.
The settlements around a city will usually be scattered a few miles apart from each other, usually clustered along the roads to the city gates. Those villages and towns at the halfway point between cities (say 10-15 miles) are going to be essential stops for older/sick folks, merchants with cargo, and large groups like noble’s retinues and army forces.
Preindustrial armies and large noble retinues usually can’t make it far past 10-12 miles per day, as denoted in my addition to this post. (https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask )
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elysiantrait · 7 months
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Sims 4 Default Eye Replacements
now with separate non default add-on colors and a heterochromia accessory!
original base: sims3melancholic #101 contacts
I was pleasantly surprised to see so many people interested in these the first time I shared them. As I had mentioned, these were a personal edit I created for myself about a year ago and I haven't gone back since haha. With such a high volume of downloads I of course received some request or criticism, so I have come back to deliver! With the original package, the eyes weren't correctly working as default replacements, resulting in premade townies such as Mortimer Goth to walk around with blue eyes instead of the correct eye swatch intended for them. This was pointed out to me recently, so I wanted to fix this. Along with that, I got quite a few people asking for me to make a version of my defaults that included just the EA colors without all the extras, so to kill two birds with one stone, I have made a new version of the default overrides which makes it so they work correctly on premade sims, and only includes the 18 base game eye colors.
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If you liked all the extra colors, don't worry! I have included them in a separate, non default option for you to download as well if you would like. I would like to add as a warning that any sims you made with the old version of the defaults will likely appear with the wrong swatch with these, so be prepared for that. Moving forward though, you won't have to worry about any new sims you make loading in later on with the wrong color swatch.
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And of course, with a good pare of default eyes, comes a heterochromia optional accessory for your sims! I'm a bit of noob when it comes to cc so it took me a long time to figure out how I could accomplish this for you guys, but with some help from @nyssasims, utilizing the mesh from these lovely heterochromia eyes they converted, I was able to get it done. I didn't want to overwhelm myself too much, so these only come in the 18 base game colors, but I felt that was enough to give you a wide variety of possible combinations. You can find these bad boys in the skin details category under acne. These also do come for all ages, infant through elder, and may conflict with most necklaces due to the placement of the mesh.
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Check out this post to see info on version 2 of the non-default and heterochromia packages.
download @ simsfileshare
download @ patreon
I would again like to extend my thanks to @nyssasims and to @sims3melancholic, who originally made these beautiful contacts that I fell in love with. If you use these, feel free to tag me, I'd love to see your sims! 🤍
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Sims 4 Reemplazos de Ojos
¡ahora con colores complementarios separados y un accesorio de heterocromía!
base original: sims3melancholic #101 contacts
Me sorprendió gratamente ver tanta gente interesada en estos la primera vez que los compartí. Como mencioné, estas fueron una edición personal que creé para mí misma hace aproximadamente un año y no he vuelto desde entonces jaja. Con un volumen tan alto de descargas, por supuesto recibí algunas solicitudes o críticas, ¡así que he vuelto para cumplir! Con el paquete original, los ojos no funcionaban correctamente como reemplazos predeterminados, lo que provocaba que los habitantes prediseñados como Mortimer Goth caminaran con ojos azules en lugar de los ojos correctos predeterminados a ellos. Esto me lo señalaron recientemente, así que quería solucionarlo. Además de eso, muchas personas me pidieron que hiciera una versión de mis ojos predeterminados que incluyera solo los colores de EA sin todos los extras, así que para matar dos pájaros de un tiro, hice una nueva versión que funcionen correctamente en sims prefabricados y solo incluye los 18 colores de ojos del juego base.
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Si te gustaron todos los colores extra, ¡no te preocupes! Los he incluido en una opción separada, no predeterminada, para que usted también los descargue si lo desea. Me gustaría agregar como advertencia que cualquier Sim que hayas creado con la versión anterior de los valores predeterminados probablemente aparecerá con el color de ojos incorrecto, así que prepárate para eso. Sin embargo, en el futuro, no tendrás que preocuparte por los nuevos Sims que creaste te aparescan con la muestra de color incorrecta.
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Y, por supuesto, con un buen par de ojos predeterminados, ¡viene un accesorio opcional de heterocromía para tus Sims! Soy un poco novato cuando se trata de cc, así que me tomó mucho tiempo descubrir cómo podría lograr esto para ustedes, pero con un poco de ayuda de @nyssasims, utilizando la base de estos encantadores ojos de heterocromía que convirtieron, pude lograrlo. No quería abrumarme demasiado, así que estos solo vienen en los 18 colores del juego base, pero sentí que era suficiente para brindarte una amplia variedad de combinaciones posibles. Puedes encontrar al accesorio en la categoría de detalles de la piel en Acné. Estos también vienen para todas las edades, desde bebés hasta mayores, y pueden entrar en conflicto con la mayoría de los collares debido a la ubicación de la base.
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descarga @ simsfileshare
descarga @ patreon
Nuevamente me gustaría extender mi agradecimiento a @nyssasims y a @sims3melancholic, quienes originalmente hicieron estos hermosos contactos de los que me enamoré. Si usas estos, no dudes en etiquetarme, ¡me encantaría ver tus Sims! 🤍
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officialspec · 1 month
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can you pleeeeease post your dm sexuality/gender hcs on here.... 🥺 i don't have a twitter but i wanna know. it's like a pandora's box to me now i'm like scratching at the door. let me in
heres the link 2 the thread (mild spoilers btw) ill post a transcript under the cut for ppl who dont have twitter
first off i think laios relationship to sex is super removed for like 50 reasons without even getting into his actual sexuality
he grew up in a place with very repressed ideas about sex and has a lot of fear about asserting his presence in situations
his special interest takes precedent over any social interactions he has and the level of closeness he feels towards people
he has a hard time figuring out his feelings towards other people both bc hes autistic and bc he has freaky deviantart fetishes that make sex in his mind a very abstract concept <- this one is me projecting mostly
that aside, i feel like gender-wise hes attracted to ppl so infrequently it may as well be entirely case-by-case
the idea of him being gay appeals to me from the 'raised with traditional values he Does Not fit into/hasnt begun to question it yet' perspective, i lauve characters who put a lot of stock into performing a role thats expected of them and fail miserably for unknown (gay) reasons
from his perspective tho i dont think he would ever really label himself anything. hes going to pride parades in the shirt+shorts Ally Fit to clap for his friends
hes also 'cis by indifference' imo... i love tmasc laios hcs it just doesnt mesh w his personal history to me. i do think hes got some kind of therian gender thing going on (not trans or nb but a secret third thing) but i cant see him changing anything abt his appearance/pronouns to accommodate that post-canon. hes just doin his thang
falin is in a similar boat for gender. i LOOVE tfem falin but the village repression thing has been bugging at me so i dont think i subscribe to it anymore (canon purist sorry) BUT if u hold that hc i am clapping and cheering regardless
instead i was propagandised to a while back and i LOVEEE the idea that being fused w a male dragon and the residual traits she has after being revived have given her a type of gender euphoria she didnt realise she was missing. a little boygirl swagger if u will
sexuality-wise i also dont think she would care to label herself, shes a lesbian by virtue of only being interested in One woman and zero other people. without marcille i do think shes still exclusively attracted to women, and i like to imagine she might experiment around a bit during her travels post-canon (pre-relationship). hearing abt it might put marcille on the news though
marcille is very simple That is a transfem lesbian. she cant get pregnant, shes obsessed w being femme and all that combined w her half-tallman struggles to be seen as 'properly feminine' by elf standards reads very transfeminine to Me. also her bookboy crush REEKS of comphet its not subtle
i think a more comfortable marcy might have the space to experiment w being elf butch like her manga boys but thats mainly self indulgence for me. utena could have saved her
senshi is gay his whole thing is abt not being able to perform dwarven masculinity to a proper standard (soft hearted, not as strong or rugged as his peers) which is like gaycoding 101. also hes a bear. homosexuality be damned by boy can work a grill
adding onto this i rly think senshi got some type of euphoria from being an elf in the changeling chapters. he was feeling himself so much i think he was using it as an outlet to have fun being a little fem and fruity without needing to justify it. do u understand
i dont have any particular opinions abt him gender-wise beyond that. his bulge is an essential part of his character design but i also saw a transmasc senshi a couple days ago that made me nod my head thoughtfully so i could go either way
chilchuck is cis and bisexual this is just canon. not even just his old man crush on senshi altho i do think thats very funny but they put his ass on a cover themed like hes in a dating sim with all the men and women in the cast and then slapped it in front of a chapter called "bicorn". i simply cant pass up that kind of overt signaling. its so fucking funny what else is there to say truly
izu to ME is a transmasc aroace lesbian (this one has the least basis in canon i just know it to be true) shes a little genderfluid with it nd uses he/she i think. i like to imagine she consistently uses masculine personal pronouns to refer to herself either way tho (boku, ore)
i think izutsumis gender/sexuality is entirely secondary in priorities to her body dysphoria. she has a lot of learning and acceptance 2 do before that kind of self discovery is on the docket and in my mind eschewing gender on some level is part of that. get sillay
shuro is cishet but at least he feels bad about it. next
kabru is a transmasc bisexual this is also practically text. his whole thing of being treated like a doll by milsiril to put in pretty dresses, plus i think it would be pretty easy for him to stealth in the west since tallmen are seen as inherently more masculine than elves
(i also think changing genders is just more common for elves. theyre androgynous enough that it wouldnt be hard and like who in their right miiiiind would be the same gender for 500 years. dwarves too)
i think he started presenting as male socially in the west but didnt need to consider medical transition until he moved to a more mixed culture where other races might see him as a woman
i dont have to explain the bisexual part. have u seen him
namari is a butch bisexual this is just canon straight up. shes not transmasc but i think the default settings for dwarven women is like 4 years of T regardless. shes a hit at all the local cruising spots despite her renfaire nerdisms i know this
and just bc im thinking abt em kiki and kaka are identical and kiki is tfem :} theyre both attracted to women but kaka is a sub so i forgive him
THATS ALL 4 NOW theres a lot of characters so i cant have thoughts abt all of them at once but i hope this was good. im right about everything forever as per usual
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thesmollestsnek · 11 months
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Death echoes
So a while ago, i found this dp x dc post that had a really interesting lore headcanon for Danny’s ghostly wail. Idk if I’ll be able to find it again, I’ll link it here if I do, but essentially it posited that every ghost has something called a “death echo”, which is an ability unique to them based heavily on their deaths. These echoes are the most powerful move in a ghost’s moveset, but they’re also extremely volatile and draining, typically damaging the ghost in some way when used, with Danny’s being his Wail because he died screaming. The original post then went on to some really cool halfa!Jason ideas based on these death echoes, but for this lil snippet with an extremely long intro I’d like to focus on Danny a bit more.
Edit: Apparently I may have extrapolated a lot of the actual lore behind these death echos myself? The inspiration post was a lot longer in my memories. Or I might've mushed multiple posts into one mental box and then forgot lol. So a lot of the actual detail from this point on is seemingly mostly original material? I think? Idk man, sometimes my brain spits out information without giving me any clues as to where it got that information. Anyway, this post got kinda long and since I'm... decently sure this is where I shifted from summarizing @ailithnight's post to writing all my own thoughts I figured here would be a good place to throw the cut lol.
So! with all of the context-for-the-context out of the way, let’s move on to the actual context for what I’m writing cause I can’t be bothered with writing an intro XD
Essentially, this is an au where Danny is an established member of the Justice League, or maybe one of the teen hero teams? I’m a slut for eternal teenager Danny, but maybe he’s enough of a powerhouse to be on the main team despite him both looking and acting like the dumbass fourteen year old he died as. Either way, he’s on a League/League-sanctioned mission and things go bad. Like, everyone-almost-dies bad. And so as a final desperation attack, Danny uses his Wail, a power he’s never told anyone on the league he even has. And it works, and they make it out, but after the fact everyone has. Questions. And because in this au death echoes are deeply personal, Danny dodges those questions, but the league coughbatmancough isn’t satisfied with that. So they push for answers. Answers Danny’s not willing to give, because. In my mind death echoes aren’t just based on how a person died, but also their experience of that death. What their last thoughts were. When Danny died the only thing that he could process beyond just an all-encompassing painpainpainpainpain was the sound of someone screaming. His screaming. And so his death echo is the sound of a fourteen year old child screaming in deathly pain and terror weaponized, which definitely gave the league Even More Questions than they would’ve had already. Which finally brings us to the actual snippet, which is a conversation between John Constantine, who was brought in for his experience with the supernatural once it became clear Danny wasn’t going to talk, and Danny himself. 
~~~~~~~
“So, kid. Batsy tells me you’ve been hiding some of your abilities, wanna tell me what's up with that? Call it an occultist's intuition, but somethin’ tells me you’re not just being stubborn for the hell of it.”
“It’s... complicated. And not anyone’s business, either!”
“Kid...”
“Why does it even matter?! It’s not something I want to or am even able to do on a regular basis! I saved the mission, can’t they just accept that and move on???”
Sighing, Constantine reached up to start massaging his brow. “Kid, you and I both know that ain’t gonna be enough. Now I know that some things are better left alone, but the rest of these idiots? They can’t accept that, Batsy especially. That man’s never left bloody well enough alone in his life”
He looked up just in time to see the otherworldly teen shrink into himself, looking every bit the child he was. “I know but... why? Why do they need to keep asking questions? And why do they only ask the ones that hurt to answer?”
A sharp glance. “The fuck kinda questions are they asking? Batman was speaking in more grunt than word, so I didn’t really catch all the details of what this power you’re supposedly hiding even is.”
Phantom shrinks even more into himself at that, and responds in a voice so small it’s more sigh than speech. “I... I can scream. And it breaks things and pushes people back. But it, it sounds. Bad. And it brings up bad memories and I don’t like to do it or listentoitoreventhinkaboutitandtheywon’tletmeforgetand-”
“Breathe kid. I know you don’t need to but just take a deep breath with me. Don’t you go getting lost in your own head on me now., Constantine reassured the kid automatically, the sheer hopelessness prompting action long before the words themselves could be understood. Then the rest of him caught up, and he had to pause. Looked up at the kid, saw just how distressed he was. A picture was starting to form in the back of his head, and Constantine didn’t like what he saw one bit. A last-resort power that the normally open Phantom was strangely reticent about. A scream so horrible sounding the rest of the league would not to stop asking questions about it. Terrible memories to match said scream. And one truly miserable child who couldn’t bear to even think about any of it. 
“Phantom... is that your Echo? Screaming?”
A miserable nod is his only response, the tears that had been welling up in the kid’s eyes finally starting to fall. Cursing softly to himself, Constantine stood to leave, bracing himself for the Bat’s inevitable questioning. “Well then you just take all the time you need love, and leave the rest to me. I’ll make sure the rest of those idiots know not to ask you about this ever again.”  And with that Constantine turned and strode towards the door, leaving the quietly sobbing child to collect himself in privacy.
~~~~~
I had a whole-ass lore dump conversation between Constantine and Batman planned here, explaining how death echoes are deeply personal, and asking about one is a taboo on par with, potentially even worse than, asking a ghost about their death outright. Because they are formed from an amalgamation of how a ghost died, their last thoughts, and their final emotions, in some ways asking a ghost about their Echo is like asking them to describe their death in painstaking detail. But uhhh... inspiration bug left. So yea. Side note, I’d like to apologize if my depiction of Constantine’s accent was Bad, I’m but a lowly USAmerican whose only exposure to British accents is through tv ^-^’
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cheerioskid · 5 months
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moon goddess pearl and sun god grian from the moonrise au by @germworms and i!!
more explanation below
basically pearl and grian are siblings and they both control the sun and moon on the world the au takes place on (we called it "square earth" hehe)
their respective prophets are mumbo and bdubs (mumbo stayed up all night anyway working on redstone contraptions so pearl figured he would be the best candidate and bdubs always sleeps through the night and enjoys the day so grian chose him) theres silly sibling beef between them bc mumbo is grians fav human and pearl just had to choose him :)
overtime grian starts to worry that he's falling into the habits of the old sun before him, joel--a collapsed star who turned himself into a black hole and brought the old moon goddess, lizzie, with him into nothingness and obscurity (may make a post about them later)
in an attempt to avoid this or at least postpone it, grian disappears to live life as a "human" in disguise (he's tired of working as a god anyway) and forgoes his duty for an indefinite amount of time. no one else, not even pearl, knows where he's gone
without the sun to warm the land the season remains as winter (called the "red winter" bc of how much death occurs) many humans suffer, leading them to resent pearl for what's going on. pearl is trying desperately to work with the other gods (mainly bigb) to figure out where her brothers gone but to no avail
that's all for now!! stay tuned for more updates and check out Sea (germworms) as well!!!
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ineffable-suffering · 7 months
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Why Aziraphale is an unreliable narrator
Part 1: The Story of Job
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I'm absolutely not the first one to talk about this on here and I probably shan't be the last either. Alas, here's my take on why all of the minisodes in Season 2 should be enjoyed with great care – and taken with a grain of angelic salt.
I'm gonna split this into 3 parts, aka the three minisodes we are shown, since I tend to get a bit waffley in my posts and want to still be able to include all the little details. Once I've written them, I'll link Part 2 & Part 3 here as well!
Alright, let's get into it under the cut of doom.
Episode 2 opens with the Story of Job. Right off the bat, I noticed that it sort of looks like an old film playing. At first I didn't read that much into it, but once we see the cut-away to Aziraphale at the bookshop, currently reading that part of the Bible (presumably), I immediately thought: "Oh! It's because it's his memory. He's remembering how it went down and therefore it plays like a figurative film in his head."
This, I then came to realize, is a very crucial difference to all the flashbacks of S1, which were exclusively told and narrated by God. May her intensions be as ineffable as they are: She did tell us all of these stories from an objective outsider's point of view. Now, however, it's Aziraphale who's re-telling those stories to us from memory.
And if there's one thing that's for certain, it's that a memory is something entirely different to an objective narration of a story. Just think about how you yourself remember things. Especially things that happened years, maybe even decades (or, in an angel's case, millenia) ago. What is it, that you really remember? Can you know for sure, that a conversation was held with those exact words? Are you 100% certain that the clothes someone wore weren't different? Had it really been snowing or would that make very little sense given what you're remembering happened in May? And did it even happen in May? Or does that just happen to be your favourite month, the current weather, your preferred style of clothing and what it was that you would imagine someone would have said to you?
What I'm trying to say is: The further away it is that something happened, the more your brain has to fill in the gaps. This is why, for example, your parents will remember the family summer holiday entirely different when you ask them about it 20 years later.
"No, it was Sarah who puked on the car ride home!" "Nonsense, Sarah never puked as a child. Bobby had that gone-off pizza, he's the one that was sick the whole ride long!"
We've all been there. Bobby made it out alive. Don't buy gas station pizza.
Alright, back to the plot: Naturally, Aziraphale is not actually human, so it is a pure assumption on my part that the way his memory works is similar to ours. However, the whole topic of "memory" is actually quite a recurring one on Good Omens.
Crowley seems to have lost his in the Fall, yet somehow managed to get most of it back. Not all of it, though, he clearly has some major gaps ("You used to jump on me back, little monkey in the waistcoat!"). Beelzebub helps Gabriel store all his memories in their little fly container before they get wiped entirely too, by the Metatron and/or Saraqael. Crowley and Aziraphale (and possibly Jimbriel) perform a miracle together that makes everyone in Heaven and Hell forget who Garbiel is or what he looks like. And we know that the Book of Life apparently has the ability to completely erase someone from existence – ergo also erasing them from everyone's memory and making it is as though the person had never been in them at all.
So, clearly, angels and demons being able to remember, forget, reconstruct and, if you're the Metadork, wipe memories, is very much canon. Apart from that very last one, it does make them quite human-like in a way. We too can forget or (wrongfully and incompletely) reconstruct memories, due to things like trauma, illness or simply a lot of time having passed.
So, just like Crowley remembers going into battle but doesn't remember Furfur being there, or just like Jimbriel has entierly forgotten who he is but still remembers the tune and lyrics to Buddy Holly's song Everyday, and just like archangel Michael was miraculously made to forget Gabriel and yet says "Don't I know you?" when seeing him again – just like that, Aziraphale's memories of the story of Job, the story of wee Morag and the story of the magic show in 1941, might not actually be the whole truth.
So, time to look at where the furniture isn't.
Now, it could very well be that the costume designers of S2 thought: "Fuck it, let's go crazy" – but given that this show has a track record of meticulously making sure to stick to accurate and cohesive character design, doesn't it strike you as odd that Crowley would go from this look at the Flood in Mesopotamia, 3004 BC:
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... to the (very iconic, don't get me wrong) Bildad the Shuhuite drip in 2500 BC:
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... back to this at the crucifixion of Jesus Christ in 33 AD:
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I mean ... I mean– come on, that seems like a bit of a far stretch, even for someone as enthusiastically experimental with fashion as Crowley.
And it's not just that: Where did the sunglasses come from, all of a sudden? And why do they look like some sort of obscure, ancient optometrist's device? It's a known historical fact that the Romans were the ones to have invented sunglasses, somewhere around 50-ish AD. Which actually matches perfectly with when Crowley and Aziraphale meet again in Rome 8 years after the crucifixion (51 AD).
So, where do the weird spectacles come from, over 2000 years too early? Maybe from Aziraphale's brain filling in some gaps? Hasn't Crowley always worn those ridiculous sunglasses? Was it Rome? Or Golgotha? Wessex? Oh, blimey, what does it matter!
And it's not just Crowley: Aziraphale's own clothes, as well as the other angels', seem to be very different from the rather plain linen we see him wear before and after the story of Job.
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They're laced with golden embroidery along the neckline and sleeves. The remind almost of the clothes angels are depicted wearing in biblical and historical drawings. Ornate and decadent. Not at all like we see Aziraphale in the other flashbacks of S1.
Even Bildad the Shuhite's hair within the minisode keeps changing, going from all pouffy and voluminous to rather deflated and straight-looking:
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The costume department either had to fix up two seperate wigs or manually straighten out the volume of the one again to give it a more sleek look. I'm not a professional in this field, but if there's anything I've learned from watching hours of behind-the-scenes material of movies and shows, it's that very little about costume, character, prop and set design is purely coincidental.
You know what it could be, though? An accurate representation of how memories aren't linear, historically correct and objective representations of a certain event, but rather an ever-changing, jumbled mess of impressions, emotions and exaggerations.
More specifically: Aziraphale's impression, emotions and exaggerations.
Like "remembering" Crowley with sunglasses because he's been wearing them for so long.
Like "remembering" himself wearing more luxurious, angelic clothes because that's how he thinks of the difference between Heaven and Hell.
Like "remembering" the permit as a ridiculously long scroll that folded out over an entire valley.
Like "remembering" Job's children to be weirdly sassy in an almost Aziraphale-esque way (Enon: "Don't be silly!") for the fact that Job would have probably taught them to be more humble and obedient in the presence of a literal angel.
Like "remembering" eating an entire fucking Ox after having just one bite of it while Crowley watched him lustfully, sipping on his wine.
Like "remembering" Crowley calling him 'angel', despite them having barely known each other back then.
There's a reason why the flashbacks in S2 seem so much more alive, quirky and, at many points, confusing and all over the place. Because they're not objective stories being told by a third party. They're Aziraphale's. So much of his own thoughts and feelings at the time get projected onto them because that's simply how memory works!
It's subjective. It's unrealiable.
It's not that I'm calling Aziraphale a liar. He's no more a liar than your parents are, mixing up Sarah and Bobby. Or you, remembering snow instead of sunshine. Memories aren't lies. They can simply be faulty, focus on things that you thought were more important and leaving out or changing things that weren't, to you.
The real challenge in all of this, is trying to filter through Aziraphale's stories to see what it actually is they're telling us. Where it is that the furniture isn't. And I think in this case, that's 6 main things (eff you, God, I know you like sevens, but I don't care):
God and Satan (still) talk to each other We see that Aziraphale is quite surprised when Muriel mentions that the whole Job thing is God's bet with Satan. But clearly, despite having made him and the rest fall, God still converses with Her number one traitor about whether or not the humans simply love Her because she gives them nice things or because they truly believe in Her.
God and Satan (and Heaven and Hell) can and do collaborate with each other when they feel like it So much for choosing sides, huh? Truthfully, this is not the first time this is shown to us, but still. It's another piece of evidence on the growing pile.
Aziraphale understands the World and humans way better than any of the other angels "Well, you see ... Citis is 58 ..."
Aziraphale, despite having troubles voicing it, absolutely disagrees and even condemns God's plan of destroying Job's children (and goats and camels and––)
Aziraphale is willing to lie and thwart the will of God Also not the first time we're being shown this but again, piiiile of evidence.
Angels don't automatically Fall simply by doing the above To me, this is one of the most important take aways. It's already hinted in S1 as well that 'Falling' seems to have been a one time even back when the first war broke out in Heaven. And I actually believe that ever since then, no other angels have Fallen again. Aziraphale is the best example for this. He has gone against God's plan numerous times and even lied to her very face (voice?) about it. And yet, nothing ever happened to him. Why exactly that is the case remains a topic for another meta (that I might or might not be working on already, teehee).
Alright, that concludes this first look at the Job minisode! If there's anything I missed, feel free to share it with me. I'll try and add Part 2 (the story of wee Morag) and Part 3 (the magic show of 1941) soon.
Update: Part 2 and Part 3 have officially been written, you can find it them right here:
Part 2: The Story of wee Morag
Part 3: The Story of the Magic Show in 1941
Hugs and kisses, (God)!
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trashiiplant · 6 months
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I don't really ever post my oc stuff here, probably in fear it wont be received that well but ah, here I go anyway.
I finally made a slugcat oc to accompany my iterator oc, Gaze Upon a Borealis HEHE.... they're very good friends
Some notes of both below the cut:
Gaze Upon a Borealis is an iterator located in the arctic region, making her even more isolated than many other iterators. Their communication network isn't all that great. I currently don't have any proper ocs that would be a part of her local group but I DO know that it's small as hell.
She is very gentle and welcoming of any small creatures that find their way to their can. They worry over every single one every time, aware of how cold it must be for them outside. She often times assists starving creatures.
Their puppet is made to be portable in case she needs to fix some outer damage to her structure by herself. (The Beacon likes helping them with this.) There's hardly ever a proper need for that though, so she simply walks around her facility and admires the view. They gaze upon the aurora borealis often. (ayy)
Borealis can even exit their can for a certain period of time with a built in lift. They like to go on walks with Beacon every now and then.
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AND OH BOY.. I rambled a bit while working on The Beacon OOPS
Anyway, here's the text if that's a bit hard to read:
-The Beacon is modified by an iterator, Gaze Upon a Borealis
-Also referred to as "Assistant" by GUB
-Specifically modified to survive the harsh climate of the arctic, where Borealis' can is located.
-Very durable and larger than most slugcats. It is awfully slow but much akin to the Gourmand, it's spear throws are quite deadly.
(2,5 dmg at most, maybe. Depends on the throw)
-Tail is designed to keep it warm, along with the thick fur
-The tail acts as a lantern, it's heat and light may lure in dangerous predators in seek of warmth.
-Rather grumpy and strict in personality. It is extremely wise due to it's old age and has acted as a mentor figure to a few slugcats in it's old colony
-Borealis managed to put it's physical aging to a halt... wont die permanently unless ascended. (screw the logic)
-At night, it's colors change to resemble the northern lights. It's tail even leaves a trail akin to one. Borealis simply thought of it as a pretty feature. Beacon finds it bothersome
-◉◉◉|◉◉◉◉◉◉ Easy peasy food pip req due to the lack of food in the arctic.
The rest is just height comparisons.
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cozycottagetarot · 9 months
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Quick Pick: Messages From Your Person
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Hello, my loves! It's been way too long, but I'm finally back (hopefully for a long time) with a new reading as well as a bit of a rebrand. Today's reading is focused on messages from your person (kind of in the realm of a future spouse but generally a long-term partner) but I think for some of you it may come across as a current partner as well.
This is a pretty experimental reading for me. I want to start including an 'energy check' of sorts to help you better figure out if a pile is for you or not. I've done 'channelled' messages before but I felt weird about them so I've decided to give it a try again. The message aspect of this reading is just a free-flow writing of the cards that were pulled. And of course, I decided to play around a little bit more with my graphics. I'm always open to feedback, so I'd love to gather your thoughts on the set-up and reading itself.
Elle 🌿
P.S. I'm trying to re-do my masterlist but can't locate all my old pacs easily. If you come across one, I wouldn't mind if you send me the link. 🙏
Support My Work | MASTERLIST
Disclaimer: When reading tarot, my aim is to focus on self-reflection and seeking guidance. The readings you'll find here are designed to add a pinch of fun and entertainment to your day. While I might sprinkle in some advice that hopefully vibes with you, please remember that these insights aren't a substitute for any professional advice you might need-- after all, you know your journey best! For any love-related or future-focused readings, consider them captivating musings exploring possibilities. Divination inspired stories even. I can't predict the future but I do hope to add some enjoyment and insights into your everyday. Lastly my darlings, please take from these readings what resonates with you most, be it some, all or none, and leave the rest. 🌟
PILE 1
Note: Pile 1 your pile gave me absolute hell the first time around 😭. I was writing/channelling the message and the energy literally just gave way at one point, I was flabbergasted 🫨. Anyway, the second pull was much clearer, but I included notes I felt were important from the first pull in the post-reading notes section.
Your Energy:
Going through an awakening. A need or call for self-reflection. A new cycle is beginning. You must face what you are running from within, but you must also be patient. Rely on your inner strength. Needing to learn more about yourself before doing/trying something different. Potentially finding yourself in part of a mentorship. Connecting with people similar to yourself. Navigating regrets. Needing to let go of the old you. Needing to ground yourself.  A strong energy of needing to look within yourself. It is time to prepare yourself for your next journey.
The Message:
Can you let the past go? We’ve been through so much, the both of us, on our own and together. Why do you hold on to it when our future is waiting for us? I know I hurt you and I apologize. You didn’t deserve any of the pain I caused you. I don’t blame you [it felt like there was a specific reason but I couldn’t get the specifics] but I feel lost without you. I could tell you why, I want to, but words mean nothing without action. You know my story. My relationship with my mother, how that shaped me. You know I love the attention of it all, having everyone’s eyes on me. Makes me feel good.. makes me feel. But no one else’s attention mattered like yours did. I felt most close to myself with you. Please, please let go of that version of me you’re holding onto in your head. I’m taking space because I need to heal. I need to heal my relationship with me first before I can heal it with us. This isn’t goodbye; just so long for now. I’m taking time to put that me in the past too and find myself and what I want from this life. I mean it’s simple really, I want you, us. I want to give you the good life you deserve, but I need to fix myself first. Give me the self-love I deserve.
Post-Reading Notes:
There’s a mature, sad regretful energy. Someone on a journey of self-exploration. Two hurting souls who met at the wrong time. One of you may be further along in your healing journey or you’ve both healed parts of yourself and your relationship that the other one hasn’t healed yet.
First Pull Notes:
One of the first things that came to mind for me is a dark night of the soul… I haven’t heard that term in so long and I’ve completely forgotten what it means, but for someone in this pile, I feel like that may resonate a lot. Going through a tough time. Blow after blow. Your higher self or inner wisdom is trying to reach you. Introspection before a new beginning. An ending of something you don’t want to let go of?
Big things are happening in your life, and significant changes are taking place even though it might not seem that way right now. Lots of air energy. Gaining mental clarity is super important for you right now. Breakup vibes? You two are like opposite sides or motivations of the same energy. Holding on when you know you should let go. This is definitely your person (one of the cards literally says ‘You’re my person’).
PILE 2
Your Energy:
For some of you are at the end of suffering but lying to yourself about the truth of the outcome, while for others you’re running from the mistakes made along the way. Maybe it's both. You’re still grieving all that is lost, be gentle with yourself. Hard work and consistency may await you but keep at it. Adventure is closer than you think. You’re on the brink of success. Moving forward hurts, but you must. Your person (or something you've been romanticising) is waiting for you. You just have to be brave enough to step through the gate. Opportunities are coming your way. If you're interested in floral hobbies or embroidery go for it.
The Message:
I hear you. I haven’t given up on you. I hear the songs you play for me, I hear the songs of your heart. You’re my love, my soulmate. We were meant to be, you and me. You’re not crazy or insane, or any other term you demean yourself with. You’re my everything. I can feel your soul even though we’re apart. If I close my eyes hard enough, I can feel you there. I can see your sparkling soul mirroring mine... sad eyes, bright smile, you leave me in awe. I know you call to me, and I’m sorry I’m not there. Don’t hate me for it, please. I’m leaving behind all that has been holding me back… the same as you. I’m sorry it’s so lonely. I want to meet. What do you say? Impromptu trip to the tropics? Somewhere cold? I just want to escape the world with you and lie in your arms. You’re my home. I sit in your energy and let it guide me your way. But I do need time. Please be patient with me. I haven’t abandoned you. I’m finding me, for you. I dream about you so often and being the kind of person you’d inspire me to be.
Post-Reading Notes:
"I need you to run to me, run to me, lover." (Run by Hozier, the chorus specifically. I know the song is supposed to be a metaphor but I'm suggesting it at face value). A very healing energy to your person's messages. Your person could also fantasise about you a lot... in a non-x-rated 18+ kind of way. It was mentioned on one of the cards but that part of the card felt awkward in the rest of the cards. They’re possessive, it doesn't seem like in a negative or extreme way but again, that's not something that was strong or clear. There’s something to do with the attention of others. They just want to be yours completely… Honestly, a submissive yet dominant kind of energy. A protector and/or provider (take that as you will) who is absolutely smitten with you and will do anything you say.
I don't typically read for it, but one of the cards had twin flame written on it. It could also be symbolic of mirroring each other in your personal journeys in life.
PILE 3
Your Energy:
Powerful yet solitary energy. A new chapter of your life. Accomplishing a big goal. Moving to a new location. Creating a good foundation for yourself in preparation for what comes next. Balancing your energies. Sleep issues. Struggling with anxiety or managing thoughts after a traumatic event. Celebration. Having security. Authoritarian role or vibes.
The Message:
Okay, I can do this: I can’t get you off of my mind. I’m constantly thinking of you, viewing your content, trying to set myself up to run into you. I know it’s silly, especially since you hurt me. Who pines after the person that hurt them? Well, it wasn't meant to be mean. You’re just so mysterious I can’t ever read you and it or you make me nervous. I’m always worrying about what to say. I want to talk to you but opening up to others is hard. I’m afraid I’ll start crying or you’ll hear my voice crack. You’re my person. I’m sure of it. You’re everything I’ve hoped for in a person, everything I dream about before I go to sleep at night. You’re doing so well for yourself, but I want to spoil you and be there for you. Not always materially. I know you can cover that for yourself. But being there for you and spending time with you… I heard you were seeing someone. I hope it’s not true and even if it is, I hope it doesn't last. No, I’m not sorry. I’m going to work up the courage to reach out to you soon.
Post-Reading Notes:
Oh Pile 3, you’re so intimidating to your person. Secret admirer vibes. I definitely think you’ve got a very serious or professional energy and an intimidating appearance. That may especially be true if you’re taller than average for your demographic/s. The energies here feel very balanced or neutral (not heavily feminine or masculine) on both your end and theirs.
PILE 4
Your Energy:
Such a beautiful light-hearted energy. There’s such a beautiful and hopeful energy in this relationship here but it’s also possible someone or something is working against you right now. A very important decision is being made. Someone could be trying to take something from you, but keep going. You’ve got this incredible power/energy to you. Vows are super important, be it making them with someone else or making a vow to yourself to gain or achieve something. Collaboration. Having everything you need to succeed. There could be challengers coming your way but you're strong enough to overcome them.
The Message:
I’m sorry. I don’t know, that was immature of me. I swear it wasn’t like you thought but don’t worry I’m going to do better. Honest. You know, I dream about us being together and growing old. I dream about our kids. They’re so stinking cute. We’ve still got growing to do, ok, or I’ve still got growing to do. Please talk to me. You know I hate it when you give me the silent treatment. I know I disappeared on you and that wasn’t cool. I just get so… I care about you a lot. I don’t want to see you hurt. I want the best for you. I know I act all big and bad but I’m a softie at heart. That fight was weird. I don’t like it. It wasn’t like us. It meant nothing I know. Would you pack up and run away with me if I asked? I hate the distance between us right now. Im always listening to our playlist. I know I acted like I'm uninterested in something serious but I am. I want you. I miss you. I want to spoil you and give you everything you deserve. Just give me a chance. Please hear me out.
Post-Reading Notes:
The vibes while doing the reading felt like very young vibes? There’s a youthfulness there. Someone who either is actually young in age or hasn’t grown up emotionally in a certain aspect. It felt like they did something prideful that was hurtful to you and you two are in a disconnect during the moment captured in the reading. It didn’t feel like a serious fight. More so when you’re upset with someone and acting like you’re madder than you really are (your vibes) and the other person is sweating and begging you to talk to them again (their vibes).
Also, idk why but Peter Parker kept coming into my head 🕸️. I’m not feeling to analyse it so take it as you will.
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abowlofsourcream · 2 months
Text
⏳💫Switch a Loop: It’s not your Fault…💫⏳
Context: “Memory of Sailing” post!
* Everyone is at the Clock Tower.
*Siffrin seemingly went straight into bed after dinner, Bonnie followed shortly after him.
*However, the other’s stayed behind.
*They were right, Siffrin and the King are from that same island.
*They are one step closer to solving what is going on… But at what cost?
*Him choking on their own blood, being cradled by Odlie, reaching at the ceiling.
*For stars he couldn’t even see.
*Mirabelle is the first to speak…
Mirabelle: I… I shouldn’t have pushed him so much-
Isabeau: Mira, don’t even start.
*Isabeau holds both of her hands in his.
Isabeau: You couldn’t have known… None of us could…
*Odile taps the table, keeping her distance.
Odile: Yes, Mira… There is nothing you could have done.
Mirabelle: No! I should’ve have known! I should’ve known that Siffrin would have pushed themselves that hard! That even if it was killing them, he would do it!
*Tears welling up in her eyes.
Mirabelle: I… I… Just wanted to be able to helped them, like they… helped me…
*Mirabelle quietly begins to cry, Isabeau slowly pulling her into a hug.
*Odile frowns and looks away. She sighs.
Odile: I… I understand how you feel Mira… I really do.
* The two of them look at her, she continues.
Odile: You know… When Isabeau suggested having Siffrin help us with any “Unfinished Business” and how the two of us went on a “secret quest”. Do you know what we were looking for.
*The two of them looked confused, but later spooked their heads.
Odile: We were looking for a Familytale.
Isabeau: Oh yeah, you tried looking for one at the secret library… But, why are you saying this now?
*Odile nodded.
Odile: Well, It was when I figured out that he may have something to do with that disappeared island.
Mirabelle: O-Oh? How?
*Odile took a deep breath… In. And. Out.
Odile: W-well… We were talking about our upbringings… Well, I was at least- And he brought it up to comfort me.
Isabeau: Ha… Yeah, that’s Sif a’lright…
Mirabelle: Comfort you about what? I-If you don’t mind, Madame…
*Odile smiles at her.
Odile: Well, I’m actually Half-Vaugardian… Part of the reason why I’m here is to try to connect with that part of myself.
Odile: Asking you about your culture, your practices, even your food! Mirabelle, the way you were so passionate about your beliefs in the Change god… Isabeau, all of your wonderful insights of the town’s we’ve visited… Bonnie made food that I was interested in trying.
Odile: And Siffrin, knowing nothing about both Vaugarde or their own country, still comforted me.
*The two of them looked at her, quietly listening. She continued.
Odile: Ha! It’s funny… How even an old lady like me can still feel lost, hm? At least I still have Ka Bue I could returned to… A place, while not perfect, I could call home. They had nothing…
Odile: I guess part of the reason why I wanted to help him find more about the island was to repay him for his help… Or maybe the guilt, who knows.
Mirabelle: Madame… I- I never knew! You seemed so wise and sure of yourself. If anything, I thought you would have scolded me…
*Odile rest her hand on her shoulder, still smiling.
Odile: Like Isabeau says, you couldn’t have known. And… You are far more capable than you think you are and I am more than sure that you proved your worth…
*Odile awkwardly looks away.
Odile: Um… I not really good at communicating these kind of things…
*Mirabelle laughs, returning her smile.
Mirabelle: Your fine… Thank you, Odile.
Isabeau: Aww~! Group hug?
Odile: Don’t push it.
*They all laughed together.
*…
*But…
*…
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selfishmachinez · 2 months
Note
this request was inspired by someone else who wrote it with Adam but idk I can’t find the post I think they may have deleted it or smthn😔
anyway- reader x Lucifer , Adam, and mammon (romantic, seperately) who plays that “best brother ever ” prank on them in public? i just think it’s really funny😭 if you don’t know what I’m talking about this is what I mean: https://www.tiktok.com/t/ZTLevxYyu/
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"BEST BROTHER EVER"
notes: STOPP I SAW THIS ITS SO FUNNY😭 this trend kills me everytime omg
also hours after posting this i realised it was flopping cause i didnt add any tags someone bury me😔
warnings: adam and mammon being themselves (assholes😇); mammon being a bitch (kinda nsfw for him? idk you'll be the judge of that); not proofread
word count: 339
ACTUAL POST UNDER CUT
Lucifer 🍎 —
okay so for all 3 lets say your relationship isnt out to the public yet, but people just kinda figured it out already
poor baby was so clueless😭
i dont think hes very up to date with pranks/trends/all that
THOUGHT YOU WERE FRIENDZONING HIM FOR A SECOND????
"well youre not an angel NOT LIKE THAT youre TECHNICALLY not an angel so we cant really be,, siblings,, BUT im glad you think of me like that i just thought we had more going on???"
if you keep the prank going he'll gen be hurt
you had to sit down and explain the joke to him
all you got out of him was a nervous chuckle and a "oooohhhhhhh..."
give my man some time ok hes old as hell (pun intended) 🧍‍♀️
Adam 🪽 —
first of all how DARE you
hes usually the one pulling the pranks on you
bro was flabbergasted 😭
he gives you that stare he gave lucifer after he said "and now i am going to FUCK you >:)"
second of all he kissed you back ok but when you said THAT???
IN FRONT OF EVERYONE????
"dont say that, you crazy bitch."
"i love you big bro, cmon."
he pushed you after that one ok🥰
after you tell him you were jk he was like "fuck was that for??? you wanna ruin MY reputation???? do you know who i am" bla bla bla
hes not gen mad just a little pissed at best
Mammon 🃏 —
"what?????"
"youre the best big bro ever!"
his reaction is fairly close to adam's imo
except hes not mad and actually plays along
"you into that stupid ass roleplay thingy now, eh?"
shit got heated for a second😨
"nononono ITS A PRANK ITS A PRANK"
"is it now?"
had you genuinely panic
that horny bastard istg!!!!!!!
he saw the trend already so he knows youre just playing
the kiss kinda threw him off tbh, he didnt want your relationship being public yet (cause he outed asmodeus and fizz and didnt wanna be seen as a hypocrite etc)
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theygotlost · 7 months
Text
good afternoon here's my big rant on my pet peeves for subtitles in movies and tv
This is a post that I’ve thought about making probably for years now but never got around to. I might add more later if I realize I’ve forgotten any
When it comes down to it, the purpose of subtitles is this: to reflect exactly what the audience can hear, precisely when it can be heard. If you fail to do this, your subtitles are bad and you should feel bad. Although I don’t have concrete examples for most of these off the top of my head, I promise I have experienced them all firsthand at least once.
-> Watch for spelling and typos. Obviously.
-> Syncing issues.
This should go without saying, but the captions should be synced as closely as possible with dialogue and sound effects. Subtitles that are out of sync are worse to me than no subtitles at all. They’re unbearably distracting and I have to turn them off. I’m fortunate enough that I can keep watching without them, so imagine how frustrating this is for someone who needs to keep them on no matter what.
-> Jumping the gun.
This is basically an example of out-of-sync subtitles that are slightly too fast, but it gets its own category because it ruins the viewing experience in its own unique way. In particularly dramatic scenes, actors will often draw out their lines or pause between phrases. Captions sometimes fail to reflect this by displaying the entire sentence all at once, allowing the audience to read what someone is about to say before they actually say it, which deflates all the dramatic tension of the scene.
-> Phantom captions.
This one is less self explanatory, but it’s kind of similar to syncing. Sometimes there will be significant intervals of time between lines of dialogue, especially after a scene ends and a new one begins. The interval may include music, sound effects, or complete silence, but what I’m calling a “phantom” is a caption that stays on the screen after that last line of dialogue is delivered until the next line is spoken. I don’t remember what I was watching, but there was one that was glued to the screen for SEVERAL MINUTES over what was supposed to be an atmospheric break between scenes and it drove me nuts. In my experience this happens more often with older subtitling for DVDs and some old videos and less with modern streaming. 
-> Straight up spoilers.
Sometimes, a character will speak whose true identity has not yet been revealed to the audience. If I’m not supposed to know the character’s name yet, don’t just… tell me right there in the captions whenever they say something. Descriptors like “disembodied voice”, “man”/”woman”, “mysterious figure”, etc. will suffice.
-> Lack of musical descriptors.
It usually helps to describe the genre or emotion of the music that’s playing rather than just writing [music] or 🎵. That being said, if there is a song playing that’s particularly well known in the mainstream, I think it’s useful to actually include the name of the song. This one I do have a concrete example for: in Arrested Development, Gob always blasts The Final Countdown during his acts. But the captions on my DVDs for the show always describe it as [stagy pop]. Like yeah I would say that song is some pretty stagy pop, but I think a lot of the humor comes from knowing that it’s specifically The Final Countdown by Europe because it’s such a perfectly corny selection that Gob would make.
Another musical failure is not transcribing pertinent lyrics. If the song is playing in the background, then that’s understandable and it can be kind of distracting if there’s dialog happening on top of it because the audience isn’t actually meant to be paying close attention to the song. But if the song is front and center, like for a musical number or montage, then the lyrics can be pretty important. Last year when I watched Arcane on Netflix with my family (a recent, high budget production from the biggest streaming platform ever), the show had the nerve to write [man rapping] over a musical sequence. Imagine if all subtitles ever just said [person speaking] for the entire movie.
-> Affectations.
If a character starts using a silly voice or accent, or if the sound of their voice changes in any way, describe that. If the audience can hear the difference, the subtitles should reflect that difference. And they should reflect it informatively and accurately; for example, don’t just say [mock accent], but specify [mock French accent]. 
-> Paraphrasing.
I don’t even know why this is an issue, but it’s alarming how many times the subtitles just… straight up don’t match what the characters are actually saying. It’s like the transcriber was forced to write all the captions from memory, so they kinda sorta say the same thing, but the wording is different and some sentences or phrases are missing. When I brought this up with my mom she theorized that the transcriber was working off the script for the movie because hey, that’s all the dialogue already written down, right? But it completely fails to account for revisions, improvisation, or actors delivering their lines even slightly different than how they were originally written.
And last but certainly not least, one of the biggest offenders in bad subtitling…
-> [Speaks foreign language]
If someone says something in another language, please, for the love of god, do not just write [speaks foreign language]  and call it a day. Specifying the actual language is an improvement, but this descriptor only works if the audience members are truly not meant to know what’s being said (which is sometimes the case). If a character is only saying a single word or phrase in another language, transcribe it. As in, write down the actual words that they said. If you don’t speak that language, find someone who does. You are insane for transcribing a character saying “hola” or “abuela” in an otherwise English sentence as [speaks Spanish] (real examples I saw respectively in Rango and JANE THE VIRGIN. THERE’S SO MUCH SPANISH IN THAT SHOW). 
If the audience is supposed to know what someone is saying in another language, English subtitles will usually be hardcoded. DO NOT, UNDER ANY CIRCUMSTANCES, LET THE CAPTION SAYING [SPEAKS FOREIGN LANGUAGE] COVER THESE UP. This is actively impeding understanding, not helping it. Jesus christ
* Please keep in mind that I’m not deaf or hard of hearing and I don’t have auditory processing disorder; I almost always watch movies and tv with subtitles whenever the option is available because it helps me absorb information better. If I don’t even strictly NEED subtitles and these are issues for me, I can only imagine how much more difficult it is for those who rely on them more heavily. I invite you to add your own perspective!!
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holycryptid · 2 months
Text
Tears of Blood
König x AFAB!reader (no pronouns/gendered language).
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Explicit content (18+)
Word count: 3.0k
Tags/warnings: unprotected sex, light choking, mentions of murder/blood (look who we’re working with), mentions of ghostsoap (yay!), explicit language, some fluff, dry humping, friends with benefits…? (let me know if anything was missed!)
Summary: König reveals a very compelling detail about himself while you prepare him for tomorrow's deployment—also inspired by this post/ask and bluegiragi’s art <3
Notes: this has been posted on AO3 for over a year and i just straight up forgot to post it here, too…oops
The barracks are eerily quiet after curfew. So quiet, in fact, that a ghost couldn’t even float around without being heard. Sometimes there is one, he’s just not of the conventional sort.
You’ve learned that Soap gladly let’s his room be haunted most nights.
König never says a word about it. If he did, he’d be a hypocrite. Especially now, as he drifts to the door of your room: after curfew.
By now, you know to leave it unlocked for him. You don’t know when it started becoming habit, but it did. A mindless gesture that makes his lips quirk under the hood when he turns the knob and feels the door give in with no resistance.
You’ve grown used to seeing his figure loom in the doorway, but sometimes your brain forgets it’s just him, and your heart instinctually stutters a beat out of fear as you see the shadows from the dim lighting hug around his broad, towering form—just as imposing and threatening even without the gear.
You’ve mentally noted that not everyone that casts their gaze, usually a fearful and watery one, upon him lives to do so again. But you are fortunate. You never let yourself forget what he’s been trained to do—what he does. He doesn’t like to indulge in it much, if at all, and his hesitance to do so makes you think it’s better if you don’t know the complicated details anyway.
KorTac has quite a different reputation than the 141. König helped make sure of that.
You finish folding the rest of your civvies, tucking them away in their small drawer, and toss a look over your shoulder to the man lingering in the doorway. “See any ghosts?” you muse, prompting König to step in and lock the door behind him.
A breathy chuckle fills the room. “Didn’t see anything, but I wish these rooms were soundproof.”
“Oh, no.” You hold a cackle, hand slapped over your mouth as you meet his amused eyes through the rough-edged holes of his hood.
“Well, that’s just Soap for you. Not even Ghost can shut him up, I guess.” You plop onto your bed with a sigh to compose yourself.
You know Soap will indulge you later.
“So, how may I be of service to the king?” You offer a playful smile as he stands at the foot of your bed. The unexpected nickname making him more interested in the flooring.
He brings a finger up to the black hood, hooking it in by his jaw and pulling to reveal a sizeable gash in the fabric. A close call with a knife if you ever saw one. “Needle and thread.”
He unhooks his finger and drags the worn material off of his head, then the plain black balaclava that hides him further under it follows. He drops both onto your clean sheets in front of him, rounding the corner of the bed and joining you.
Dark red hair flops over his forehead and hangs in thick, wavy strands. It hasn’t quite reached his shoulders yet, but it’s long enough to have a mind of its own. It’s a colour you don’t come across too often; maybe comparable to a chestnut, or old leaves in autumn before they disappear under a blanket of snow.
“Jeez, you ever gonna cut this?” You turn to face him and run a hand up the back of his neck, tangling your fingers in the dense locks and lightly scratching his scalp on the way down.
Soft blue eyes glance to you, still outlined in black from earlier. “Probably not. Can’t find the time.” His accent gently rounds out the vowels as he leans into your touch.
“Let me braid it for you, then. To hold it back. I know you deploy again tomorrow.” You tuck a strand behind his ear, following with a fleeting kiss right above his cheekbone. A faint blush creeps over his temples and the barely-there freckles scattered across his nose and cheeks.
“I promise it won’t be the worst thing ever,” you gently plead. “You can mend your hood in peace while I do it?”
You’ve definitely done worse together. But worse always seems to be easier.
“Okay.”
Usually these nights don’t go like this.
3 days ago
“Oh, that’s good—right there. Yeah. Yeah,” you nearly sob. König holds you against him, left arm reaching across your chest and hand comfortably gripping your throat as you try to roll your hips back against him harder.
His other hand is between your thighs—on your clit—which are dangling over his own to keep you spread. You’re trapped there; under his arms and over his legs as he jerks his hips up to meet your disjointed riding on the rickety office chair.
An empty briefing room. Not really smart, but Soap passed on that it was “out of service” until next week, not knowing that you’d end up in there sat on König’s cock later that afternoon.
The fabric of König’s hood rubs uncomfortably against your cheek, making you drop your head back onto his shoulder to escape it.
A breathy moan rushes past his lips as you arch your back. “No, no. You’re staying right here.” He tightens and corrects the grip he has across your chest, sliding his gloved fingers up under your jaw to keep you locked in place.
His cock slides itself in and out of you with little resistance, which would usually be slightly embarrassing if it was anyone else inside you, but the way he’s been massaging your clit with such attentiveness and grinding his hips into yours makes you forget anything you could be worried about.
The only thing you can think of right now is how good this orgasm is going to be.
Your hands snake themselves up his arm that’s pinned to your front to grip his wrist, holding on for dear life as his small thrusts become rougher. “You get much, much wetter when you’re close,” he observes. His index finger holds a steady rhythm on your clit as it works counterclockwise over you. “Fuck, I can hear it…can you?”
A whine bubbles in your throat. The zipper of his cargo pants bites against your ass on every downstroke, and you can feel how wet you’ve made the front of his pants. That’s what he gets for only caring enough to pull his cock out while he ripped your cargos off entirely.
“I—fuck. Yes, I’m close, yes,” you choke out, daring to cast your gaze upon where your bodies are connected.
You’re swollen and slick and you can hear it, too. The quick, sharp slaps of his hips against your ass does little to hide the hungry squelching of your cunt. You’ve probably dripped all down his balls at this point. He’s always happier with a big mess in the end anyway.
“Cum when you’ve had enough, Schatzi,” he chirps in your ear, breathless and lost in the wet, suffocating warmth of you—all his doing, of course. The result of far too many minutes spent with his thick cock gently sliding between your folds and nudging itself over your throbbing clit, just to be annoying, before he moved you both to the chair.
You drag in a heavy breath, focusing on the stretch of his cock deep inside your walls as the chair creaks with every desperate drop onto him.
Schatzi. “W-what does that mean?”
You’ve naturally picked up a few German words and phrases here and there from time spent with him, but this one was new. A term of endearment? A degrading nickname? Either could be possible in this moment. The sound and pronunciation couldn’t be more ambiguous to you.
“König?” It came out as a whisper, quickly silenced by the release of your orgasm throughout your body as he forces you down to the base of his cock.
You haven’t brought it up since. Neither has he.
Even now it sits in the back of your mind as you divide his hair down the middle into two parts. You remain on your bed, he sits on the floor between your knees with a needle and black thread in hand that he retrieved from the bedside table (stashed there specifically for him).
He lays the hood over his left arm and begins to stitch it quietly as you wind three generous strands of his hair between your fingers at the front of his scalp, pulling taught at the root. You carefully thread more hair in from the sides to have it lay perfectly against the top of his skull when finished. You’ll do a matching one on the right side.
“Let me know if it hurts at all,” you warn as you begin tugging more hair into place.
“Ha, I’ve faced adversaries far worse than your little hands,” he laughs, adjusting the hood in his hand as he pokes the needle in again.
The long vermillion markings under the eye sockets stare back at you over his shoulder. “Yeah, I don’t doubt that.”
It’s hard to not be curious about all of the parts that make up “König”. The mask is one of them.
“Why the tears?” you ask confidently while you establish the first braid.
“Hm?” He quirks his head to follow your voice, pausing the followthrough with the thread as you give an accidental yank to his hair.
“Your mask…under the eyes. Why tears?” You figured it was either something symbolic or just his personal taste. Everyone’s got a gimmick.
It seems like every aspect of his existence is a test of one’s curiosity, and you may have just failed.
He focuses his attention back on the stitch he was occupied with. “Fear tactic.” Oh.
Short and sweet. Simple and straightforward. It makes sense—
“I make them with the blood of my targets.” Oh.
Your fingers lose their rhythm for a moment, caught off-guard by the admission. Not so much surprised by the fact that he would do something like that, but rather that he confessed such a thing…to you.
“So you do that…presently?” How could you resist following up about that? It’s the perfect snare. This is the most you’ve gotten from him in weeks.
A beat of measured silence, yet it’s not uncomfortable. He likes to think about what to say, how to say it, before speaking his thoughts spontaneously.
“Only if I believe it’s truly deserved,” he explains. His tone doesn’t reveal if he’s displeased with the topic of work. “The blood actually doesn’t hold up against the black on its own, so Horangi suggested using bleach underneath so it will show better. If needed.” He runs a finger over a washed-out tear track. “Less maintenance with the chemical.”
It’s…it’s morbid, obviously, but you’re not sure if you expected anything less from someone in this line of work. And, of course, leave it to Horangi to feed the fantasy. They are nearly inseparable, besides the times that König’s with you.
Sometimes it’s hard to imagine him as murderous or malevolent—König, who has the most gentle, innocent blue eyes that have offered nothing but kindness to you, even in moments of fierce, consuming pleasure. König, who you’ve never seen, or heard, raise his voice at anyone in anger. König, who despises small talk because he can’t stand the awkwardness.
König, who enjoys the vibrant red sunsets on base and thunderstorms. König, who prefers blueberries over strawberries. König, who is obsessed with entomology books.
But there’s still another part of him that can take out entire platoons of enemies and have no more than a rip in his beloved hood afterwards.
The man under the facade of a callsign and reputation is someone who you may never truly meet, no matter how much he reveals. It feels like you’ve only met half of him despite knowing as much as you do about him, and that fact has settled as an ache in your chest.
“I see…I know it’s not really my place to ask about that stuff, but it’s hard to not wonder about you sometimes.” You’ve reached the end of the first braid, leaving the tail to sit at the crown of his head amongst the uneven layers he has going on.
You tie it off with a small black elastic. It’s a little messy considering the awkward length of his hair, but it looks like it’s meant to be there.
“It’s fine. I’m a big boy, I think I can handle it.” He gives a comforting laugh, amused at your timidness.
In every facet, he’s right. You can’t help but nod your head in agreement with a small smile, despite the fact that he can’t see your expression. “Well, I can’t disagree with you there.”
You begin the start of the second, and final, braid, grabbing the three strands at the front and twisting them into place as he speaks again. “I know it was my size that drew you to me in the first place,” he states confidently, shoulders shaking in amusement at the tease.
Your mouth gapes in feigned offence. “Wow, okay. Is that a crime?”
“No, not in my eyes. Look, look,” he brushes past the sarcasm, holding and stretching the now intact hood out in front of him to see the effectiveness of his handiwork. The seam is near invisible in the sea of black fabric (a ratty t-shirt).
It’s definitely better than the last one he did a few weeks ago. “Damn, that’s pretty fucking impressive. I’m almost done, hold on.” You hurry to tie off the hair, gently holding the sides of his head to see how even they came out. “Looks good, from up here at least. Come sit, let me see the front.” You pat one of his shoulders, freeing him from the cage of your legs and scooting further onto your bed.
“Danke. My spine didn’t love that, though,” he says with a theatric exhale.
He folds the hood in his lap, setting it on the bedside table with the needle and roll of thread. He all but tumbles back onto the soft sheets, groaning as he stretches his neck and shoulders out and lays comfortably on his back, long legs hanging over the side of the mattress.
His eyes flutter shut from the homely feeling of being in—or on—your bed. “Mm, I think I’ll stay here tonight.”
You acknowledge his thought with a small hum as you lean over his restful form to quickly assess his hair, dragging your fingertips along each side lightly. The shaggy hair will always suit him. It frames his cheekbones and jaw perfectly.
König opens his eyes at your touch. “So how does it look, doc? Will I survive deployment now?”
Another smile from you with a slight roll of your eyes. “I think it’ll do the job. Now go clean the black off your eyes if you’re staying. I don’t want it all over my pillows again.”
Soap saw the braids in König’s hair the next day before they deployed. An accident or purposefully, you’re not sure yet.
And now, two days later, he still won’t shut the fuck up about it.
“Would ye do that for me?” he asks, playfully quirking a thick brow.
“Probably not, no.”
An arm shoots out accusingly at you in disbelief. “That’s my point! I—”
“Wouldn’t be able to anyway with that fucking landing strip you call a mohawk.” You poorly stifle a laugh with a tight-lipped smirk.
“Away n’ bile yer heid, I’m just trying to help!” He rubs a hand over his eyes, trying to stave off his laughter too. It’s hard to be in his presence and not be overcome with a state of lively energy.
You’re in Soap’s—and sometimes Ghost’s—room, for no real reason other than company while König is at a (delayed) briefing.
Soap’s sitting on his—and sometimes Ghost’s—bed hounding you about the complex being that is König just because he can. You move about the room, finding things to tidy and organize to busy your mind.
“Have ye gone to town on each other yet?”
“Dude!?” You rip a pillow from under him and whack his head. Hard. His infectious cackling now muffled through the thick pillow.
“You’re insufferable. How the fuck does Ghost put up with you?” You try to suppress your giggling as you drop the pillow and join him on the bed in defeat.
A mischievous grin lines his lips at the question. “Well, he t—”
“No! No. Nope. I don’t need to know. It was rhetorical.” You hold up a hand to silence him, bringing it to cover his mouth. His day-old scruff pricks your palm as he tries to talk through your hand.
“Whatever you say next better be insightful or profound or else I’m gonna suffocate you with your own pillow.”
Soap, in fact, didn’t have anything insightful or profound to say about the situation.
— 
König wanders into your room again that night, and he’s filled with a gluttonous desire to consume you in any way that he can. 
It’s the least he can do for you. It’s the most you can do for him.
You rut against his clothed cock, straddling his hips tightly while your hands keep a death-grip on his hair. Once again, you find yourself on your bed with him under you, the clock on the bedside table glaring the angry red 12:56am.
His large hands have found their home on your ass, encouraging your pussy—still covered by your underwear—to rock harder over his length, which is still trapped in his briefs. 
He breaks away from your mouth when you give a rather forceful roll over him, a surprised gasp slipping through his now rosy lips. His grip on your ass slides down to your quivering thighs, rubbing over them soothingly as you work.
A harmony of softs whines and rough groans dance around the room as your pliant bodies move together. “This is somehow better than sex,” König mumbles, mostly to himself. “I don’t want to admit it, but I can cum like this if you don’t stop,” he adds with an overwhelmed huff. “Fuck, I will cum like this if you don’t stop,” he moans.
You let him, and he holds you tight as if you were something other than casual.
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