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lxikobsd · 4 months

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It hurts that it feels like the way Kunikida was created to be a bit more of an important character but the plot constantly shafts him

You're telling me we have a character who was introduced in the very beginning of the story, who is the main mentor to Atsushi our primary protagonist, and current partner of Dazai our secondary protagonist, so important roles to both characters who kinda share the spot of being the main protagonist.

You're also telling me that we are constantly told that he's the person who embodies the values of the ADA the most, the main organization of the manga and is one of the things that we as the audience are supposed to care the most about. So we have the character who is the human embodiment of the beliefs of the ADA, who is the character that is going to be the next leader of the ADA, and is the character that was specifically targeted to be broken first because of these reasons.

so not only all that, but Kunikida's Matchless Poet has arguably some really strong parallels to The Book. We've got:

An ability that allows the user to create anything they want by writing it into a special book.

A special book that allows anybody to create and change reality into anything they want by writing in it.

Obviously there is a massive difference being the scale, The Book being able to change reality, and The Matchless Poet only being able to create notebook sized objects to our current knowledge. I don't genuinely believe there's gonna be any relation between the two but the parallels are still there and we also don't know the full strength of Kunikida's ability due to Fukuzawa's ability and lack of a proper backstory for Kuni showing what it was like before the ADA. There is a very good chance that The Matchless Poet is stronger than what it's shown to be but its purposely kept to such a small size because of practicality.

I'm not saying that he isn't important at all, but it definitely feel's like he's been shafted the most out of the ADA, except for maybe Tanizaki. At least give us a backstory please.

#bsd kunikida #kunikida doppo #bungo stray dogs kunikida #bungou stray dogs kunikida #I need to do a full evaluation of his ability some day bc I feel like there's a bit to unpack there #Also backstory when please #his ideals had to have come from somewhere #nobody comes out the womb being that obsessed with trying to create a perfect world to that extent #the extent of him seeing himself as a tool to achieve his ideals and tries to sacrifice himself for the sake of it and his friends

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dana-chan-the-control-brain · 4 months

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Ngl 'm kinda salty that instead of having Sun, or Solar, or Monty in today's gaming video on Laes, they had Roxanne, someone who is irrelevant to their channels besides being a running gag for teasing Sun. I know that Davis is probably too busy to record with Kat, Reed, and Valentine but I'd rather wait for him to be available for however long it takes than to watch a gaming video with Roxanne in it :/

My only theory as to why the Roxanne Show did this huge collab was because that they have recorded a VR lore collab episode with them as well and they were available.

Which.........

Isn't great.

I don't like their portrayal of Vanny.

That's my woman blorbo and you screwed her up.

Keep her away from me.

Although, I've never been a big fan of their Roxanne portrayal either.

My personal opinion. Take it with a grain of salt.

I thought the Christmas Special was terrible.

youtube

"Did everyone enjoy the Holiday Special?" "No RAGS... only you did." "Oh... well that pretty much my target audience anyway..."

*i watched the whole thing so you don't have to. Honestly, if you have seen the two very short clips of Davis's Sun and Earth/Kat singing, that's all you need. Because they're the only two of this musical that can actually... well... sing.*

The singing made my inner choir kid cringe.... and I just... did not care for the plot.

Roxanne was stressed over the holidays... because of the drama SHE created.... She whined about her estranged on again off again father not liking Christmas, whined when Gregory tried to invite Cassie over, Whined when Gregory was upset and dealing with drama of his only ghost friends potentially leaving the astral plain, Was annoyed when Freddy was trying to be a good boyfriend because she wasn't happy that not EVERYONE was having "the best christmas ever" Cus "Who doesn't like Christmas?" I don't know, Roxanne... people who are busy, people who work retail, people with dead relatives (like Cassie by the way) .... people who don't CELEBrate Christmas???

And I was waiting for the other shoe to drop so much in this special. Because so far, All they've sung about what makes Christmas Great is the Commodification and the Commercialism of Christmas.

That's what makes Christmas great. The cookies, the presents, the colorful lights.....big parties, traditions... etc etc....

Which, come on, I do NOT expect animatronics to get up like the Peanuts Holiday Special and tell me about the Birth of Jesus Christ.

But what I did expect them to do, was talk about the importance of family, and why being with the people you care about is so important... and there was... an attempt at that. But it didn't really land for me.

They didn't even bother to get into how other people celebrate Christmas.

It was all hyping up the commercialism of the Hoilday, and getting excited about that... I understand Gregory, cause he's a literal child... but every single animatronic was either for Christmas or anti Christmas for very commercial reasons.

And what's the crisis.... Roxanne is upset because not everyone likes Christmas and no one is falling into line for her plans for the Holidays... Not everything is about you. Gregory's friends are literally dying and Cassie is mourning her Dad over the holidays.

I thought the special would be about appreciating what you have, even if things don't work out. But no, everything works out and even her estranged father makes up with her for no reason other then because.

Respect for all the voice actors, talent and origination to get the RAGS Christmas Musical together... I just did not care for the plot. And People are free to disagree with me on this... but I found the whole Musical rather shallow and I have seen Hallmark Christmas and Rankinbass Movies with more meat.

I will say.... TSAMS (and MAFS to some extent) did a much better holiday special with far less production... because that's what it's really about, just spending time and exchanging gifts with people who you know care about you. And Earth and Solar experiencing Christmas with others that care about them for the first time and a feeling of warm togetherness and family that wasn't about a big planning or party, while also packing in some of the stressful feeling of the Holidays as well.

And yeah. If Sun was on "Vacation" they could have used this as an opportunity for Solar to be in gaming videos, since Davis himself isn't sick.

We've never seen Solar and Moon play a game together, and I know I'm not the only one asking for it in the official server.

Just involve Solar in more gaming videos. HE ASKED to be in them more. Just DO IT.

#tsams #danachan's asks #danachan's replies #this is so salty #lol I was feeling that salt

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intermundia · 9 months

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Other than the ROTS novel would u mind recommending any books that follow George Lucas’s themes and world building? Cause I’ve heard a lot about how some of the authors kinda end up misrepresenting the Jedi and their beliefs either due to misunderstandings or for the sake of the plot and I’m just starting off reading Star Wars novels so I’d like to stick as close to the og canon as possible before I branch out.

unfortunately the issues with the jedi are a pervasive problem, so i was having trouble coming up with a good answer beyond i guess the other prequels novelizations which are decent to start with bc they're based on the scripts lmao

SO i went up the mountain to consult the sage, and @gffa gave some great advice:

"The High Republic books are actually really pretty good about sticking close to Lucas' worldbuilding and Light of the Jedi is a GREAT place to start, Soule's writing in that book was really good.

Padawan by Kiersten White is the only book that has ever come close to dethroning the Revenge of the Sith novelization by Stover. Good worldbuilding AND Obi-Wan characterization!

If you don't mind a kids' Choose Your Own Adventure book, Choose Your Destiny: An Obi-Wan & Anakin Adventure was actually really great, it had good thematic moments, it had Anakin being an adorable disaster, and Mace Windu: Theater Nerd!

Force Collector only had the briefest of established characters, but the worldbuilding was pretty perfect for me. During the time of the sequels, a Force-sensitive young man is basically set on a quest to discover the truth about the Force and the Jedi and I like the way the Force abilities worked here A LOT.

Brotherhood is a mixed bag. It comes with some serious side-eye of the way it writes Anakin (if he's an unreliable narrator, it's a good book, if you take him seriously, fucking YIKES the way the book treats Mace), it's not actually about Obi-Wan & Anakin that much, but the Obi-Wan half of the book knocks it out of the park."

so give those a shot!! i haven't read the high republic stuff yet (obikin brainrot too strong) but i've heard very good things!! i enjoyed padawan far more than i expected to, so big plug for that.

honestly one of the worst parts about being a star wars fan is dealing with the fact that lots of the novels are unfortunately not that great at delivering the same kind of depth and magic as lucas's films, let alone his values or his worldbuilding.

imho their target audience of the novels is often older and more jaded, their authors are less familiar with or interested in jedi altruism, and the plots aren't significant enough to matter (that's the trouble with writing within a fixed larger continuity).

the result are books that are enjoyable but bland, or ones that are trying to be edgier and almost smarter-than-the-source-material, and thus veer further away from the spirit of lucas's saga. this is NOT to dissuade you from reading them!!!

obviously i enjoy them a lot, but you do kinda have to set your expectations beforehand and understand what you're getting into and what you'll get out of it haha. you're wise to start closer to canon and then branch out, so you'll be able to parse what transformations are happening.

good luck and report back! 🫡

#sw books #book recs #jedi order #sw #i wish there were more good star wars books haha #there simply aren't enough

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inbarfink · 8 months

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A lot of 'Don’t Hug Me I’m Scared' is built upon a sort of inherent surrealism in young children’s edutainment. Because the thing is that for a lot of those shows it’s more important to, well, entertain-slash-educate the target audience of Literal Toddlers than it is to present a coherent world and story. DHMIS just takes this sort of dream-like world that is created as a result of these priorities and reframes it in a serious manner for an adult audience as an element of horror and/or tension. One example is the ages of the characters.

In a lot of those sorts of shows, preschool-and-under-puppet-shows (and sometimes cartoon shows), the ages of the puppet characters are kinda abstract. Again, the main priority isn’t really to make them feel like an accurate representation of a person who could exist in the real world. The ages of a lot of these characters is basically “young enough so that their emotional maturity and worldview is relatable to our preschool target audience, but old enough so that they can go on various misadventures that are also entertaining to our preschool audience without the worry of stuff like parental supervision”.

So these characters have the same presumed understanding of the world as the children in the audience, usually need to be taught basic concepts and live-action adults would generally interact with them in a similar way one would a child - but on the other hand they usually treat themselves as a separate category from the live-action children they might also interact with, and are allowed to do a whole bunch of stuff an actual live-action kid on that same show wouldn’t be allowed to do -

Like drive vehicles -

Or work with heavy machinery -

Or cook -

Or generally just live unsupervised without it being a big deal.

So yeah, the DHMIS trio all kinda live on different points of this spectrum of Ambiguously Childlike Puppets. They primarily interact with ‘teachers’ who explain to them basic concepts most adults would understand, and who generally regard them in a condescending manner (even when these teachers seem like children themselves).

When Yellow Guy meets Lesley, she also addresses him as one would a child. The existence of the Big Boy and Bigger Boy Rooms imply that our protagonist’s floor might be actually called something like the “Little Boys Room”. But they all have some aspects that make this reading a bit complicated, just in different ways.

Yellow Guy feels like the most ‘childlike’ puppet. He has the most simpleminded and naive worldview, the one who is most likely to go along with the ‘lessons’ of the teachers. Even when he becomes fully-charged and thus turns into the most intelligent and emotionally-mature character in the entire show - characters like the Teachers, the Big and Bigger Boys and Lesley all address him like a surprisingly clever kid instead. Plus he dresses in the most obviously childlike way. And possibly the most important factor, he has a father who is significantly taller and bigger than him -

Which definitely implies one is a child and another is an adult.

But… not only is he, urm, ‘recruited’ to a factory job. But he explicitly worked exactly 40 years until his retirement. With the ‘default retirement age’ in the UK being around 66 years, that might instead imply Yellow is in his mid-to-late 20’s instead. Plus, despite the implications that he is a child due to being considerably shorter than Roy - as an old man with a wife and child of his own, he actually remained the exact same size as his younger self.

Which would imply that whatever Yellow Guy is a child or an adult, he is at least adult-sized-enough for his ‘species’.

He is also ‘recruited’ as the ‘Mummy’ in Lily and Todney’s family.

And his fantasy (memory?) of Mulhoven, he sees himself as living on his own.

Red Guy, meanwhile, is on the other end of the spectrum. With his adult-human-like physique and very non-cartoon voice - it’s pretty intuitive to read him as an adult. Continuing the whole Roy Point, Red Guy is consistently shown as being around the same size as other adult ‘Red Guys’ - if not actually on the taller side of things.

And he is seen holding an ‘adult’ job not just in ‘Jobs’ (which you can argue is just some sort of Briefcase-powered pocket dimension where child labor is legal) but also in the ‘real world’ segments of Dreams…. Which, well, has a higher chance of being Actually Real, at the very least.

‘Dreams’ also shows a picture of him graduating from... somewhere?

Plus, he tends to talk back to the teachers more. Which makes him feel more like an adult being condescended to. But then again, the affectations of an adult or a child being condescended too can be quite similar. At the end of the day, the primary things that make his adulthood ambiguous is that he does sometimes need basic concepts explained to him -

And that he does generally regard the other puppets, including the much more childish Yellow Guy as his peers. Even after arguing that he should be the ‘father figure’ of the household, he still ends up calling Yellow his ‘brother’.

And Duck is in sort of an interesting position, on one level he is more ‘adult-y’ than Red Guy, but on another level he is just as childish as Yellow Guy.

Physically he is even shorter than Yellow Guy, and his voice is much too cartoony to peg him as a child or an adult. He ALSO has a graduation photo....

His sense of fashion, his hobbies (reading the newspaper and doing the crossword) and even his chair of choice (a rocking-chair) are all pretty adult, or even old-man-like (compare Yellow Guy’s childish little stool, and Red Guy’s relatively neutral sofa).

But he also likes the same show as the very childish Yellow Guy (although it is a Wallace and Gromit parody and that’s really an all-ages franchise, although it IS notable that it's Red Guy who thinks it's boring and predictable). He is pretty likely to push back against the teachers, although mostly when their lessons clash against his own ego. A behavior that is both mature and immature at the same time. In general with most of what Duck does, it's not necessarily easy to peg his behavior between an insecure grown-up or a child trying to act like an adult.

For example, the ‘Memories’ sequence in ‘Death’ has this memory of Duck ‘telling Yellow Guy about the military’.

Yellow Guy’s words and their positioning is deliberately meant to invoke a specific cultural image of, like, a father or grandfather telling a child about their service. But what Duck is actually ‘telling’ Yellow about is just a very childish and uninformed gushing about military might. ("They're invincible!")

I guess my biggest point is the way this ambiguity can be used as part of DHMIS’ atmosphere of unease. It’s like… no matter how you read the ages of the characters, their situation is utterly fucked up - just in different ways.

If all of the puppets are all adults, then the way they have been robbed of their agency and the absolute lack of control they have over their own life becomes even more disturbing. The condescending and controlling way the teachers tend to treat them becomes even worse. Especially how they have been convinced of their own inability to do anything on their own. See, Yellow and Duck's apprehension about taking the car for a ride in "Transport":

It's just us three! We can't just... do stuff, us three. Can we?

I told you, you shouldn't try and do something without a little... thing telling you how to do it.

This isn’t just about the car - the point is that Duck says “try and do something”. Meaning anything. There is really nothing Duck can imagine the trio can do that they can do alone without the supervision of an ‘authority figure’. This would already be pretty fucked-up if they were kids, but as adults it’s an even darker situation. No wonder their life is so bleak and terrifying.

If one is to read the puppets as kids instead, then it is also pretty disturbing how much they are left to their own devices. I mean, yeah, their life is robbed of all agency - but they lack any sort of real adult emotional support. Kids don’t just need adults to Teach Stuff to them or Stop Them From Doing Wrong Things, they need general advice and help and support and reassurance and role models and adult kindness and the DHMIS Trio doesn’t get any of this.

The characters’ utter isolation from anyone who isn’t a ‘teacher’ is already pretty fucked-up if they’re adults - but if you see them all as kids, it’s even darker. No one can help them mitigate pressures during interpersonal conflicts, no one to comfort and take care of them when things get rough, no positive example they can aspire and emulate. They all basically have to alternate being the ‘responsible adult’ for each other. And if they are all kids, this is really dark. No wonder they and their relationships are so fucked-up.

And if you see only some of them as kids, like for example, I think the most popular fan interpretation is that Yellow Guy’s a kid and the other two are adults? I think it is a valid read of the situation but that also comes with it’s own layer of fucked-upness with the power dynamics now at play. Like, every time Duck or Red Guy mistreat Yellow Guy, it’s not just them being assholes. They’re being assholes to a child, when they are the adults who are - by default of being the only adults consistently around in his life - are responsible for.

And no matter how you’d try and shake it, it’ll always come off pretty fucked-up. Like, if you have Red Guy as a Token Kid then it’s a matter of a child being forced into a Responsible Adult position basically by being the most grounded person in the household. If Duck's the only adult than, like, oh god who put THIS guy in charge of taking care of two children? And so on and so on…

No matter which path you take, it’s always very dark, and very DHMIS…

#don't hug me i'm scared #dont hug me im scared #dhmis #dhmis analysis #dhmis theory #yellow guy #red guy #duck #yellow guy don't hug me i'm scared #dhmis red guy #red guy dhmis #red guy dont hug me im scared #duck dhmis #dhmis duck #yellow guy dhmis #dhmis yellow guy #this post was inspired by me watching DHMIS on Niconico with Japanese fansubs #and noticing the different first-person pronouns the different fans gave to the Three of Them lol

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whencartoonsruletheworld · 1 year

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i feel like we’re finally at the age of information transparency on the internet that studio head execs are showing their own asses in an unprecendented way. like we all knew they were bigoted old farts who hate minorities and animation as a medium BUT now we have the entire hbo max tobacle, and that’s only the most obvious.

recently two tv shows for wings of fire and phoebe and her unicorn were cancelled– the first because of netflix budget cuts and the second because “nobody wants to watch a female-led show.” as for the latter, that’s so obviously not true that it’s laughable, what with basically every disney animated show being female-led and extremely popular incl. owl house and amphibia, legend of korra being revered rightfully for its badass queer woc main, the female-led infinity train seasons being just as popular as the male-led, my little pony getting a terrifying number of fans... i don’t even have to explain this to y’all i don’t know why i am, it’s just obvious that isn’t the case. the reason i lumped it in with wings of fire though is it shows that these execs literally have their heads so far up their own asses they don’t realize that they’re literally throwing away money. both wings of fire and phoebe are EXTREMELY popular with their target demographic– i work at a library and go to bookstores like, once a week, and wings of fire is THE kids’ series right now– every library and bookstore has a dedicated shelf just for it, every kid in the us and canada reads these gay lil dragon books. i don’t know much about phoebe but i do know that i have to shelf her graphic novels every goddamn day so they’re getting checked out constantly. making these shows would give these studios an immediate HUGE audience but they don’t want it because.......... ???? honestly the only thing i can think of is bias against animation, but also i do know that while WoF is very cishet in the first few books, later books add quite a few queer dragons and that could def be a reason.

netflix also recently told craig mccracken, creator of some of the most beloved kids shows of the 2000s, that “original content doesn’t sell anymore” and they need to do reboots and remakes instead. which is funny coming from the company that made stranger things which, while nostalgia-bait for the 80s, is an original fucking story. also the owl house and amphibia are disney’s top shows rn. the most popular kids movie right now is encanto, a completely original story. and that’s just in KIDS MEDIA, do i need to bring up the popularity around everything everywhere all at once, squid game, the knives out franchise, etc? we’re in an age of remakes and reboots yeah but original stories can still make money and gain fans if you make a good fucking product. but netflix doesn’t care about that, as evidenced by how fast they cancelled first kill and also every other show that was good.

and idk what it is but something about the state of the internet right now means that we’re all seeing this in a way we hadn’t before. we’re all seeing how fucking dumb these execs are– well, dumb or actively malicious. or even trying to commit corporate suicide for some reason. it’s just interesting to me that all this is happening now when in the past we were just kinda like. stuck with whatever we got

#mine

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gabessquishytum · 6 months

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Hello Friend,

With US Thanksgiving coming up I’m feeling really very thankful and feel the need to tell you. You, without fail, make my day better everyday. I read your blog like some people might their newspapers and it can often help me relax after a long day. Even when I am not your target audience I can always see how your writing is so thoughtful, excited, and well-rounded. You just care so much and I know it must take so much effort to reply to all these asks but you do it with such compassion and vigor that I read things I never thought I would. I have discovered new tropes and kinks I enjoy and it’s even helped me get desensitized to some of my previous icks which I am grateful for. But it has also brought me countless smiles and expanded my imagination in so few words. I think sometimes we internalize that horny writings™️ are LESS than others but you have helped me truly get over that internalized superiority complex I had.

You have genuinely brought me so much joy that I sometimes think I love you in the way only a fan can love a creator. I love you in the way a stranger can never express to another stranger on the internet but longs to. Please let me know if you ever get a Patreon or a Kofi or a Paypal even because I feel such guilt in never being able to repay you for the joy you have brought me. Truly, you are one of my favorite fandom creators ever like top 3 (Aria is in there with you fyi).

I’m sorry if this is creepy but you have truly made me unhinged and I am grateful for it. You compel me to think of my own words for fandom which has never happened to me before. You compel me to think more and to love more (and be more of a horndog lol) and you are so special for that.

I hope you have an amazing holiday season and know that you are loved and appreciated (hopefully by friends and family) but especially by strangers on this hellsite.

All the best,

🧶

P.S. I am sorry this got weirdly rambley and maybe borderline creepy - I am just like this lol.

Beloved 🧶 anon please know I am having a little cry over your message. I am feeling so so under the weather and sick at the moment and this is just the nicest thing i could have received.

It makes me so happy and proud to know that my blog helps you relax and makes you feel good. I do love making my silly posts and collaborating with you guys, it really does mean the world to me. I try not to talk about it a lot but I am currently very disabled and as a result I can't work, so I've kinda started seeing this blog as my fun little job that brings enrichment into my life. It makes me happy and gives me a sense of accomplishment and community and I'm so grateful for that.

Every time someone writes to me with a kink they enjoy or a prompt or anything really, I DO feel so much enthusiasm and care for each one and I'm so glad that you guys can feel that in the posts.

I'm so thankful to all of you and especially you 🧶 anon, it means the world to get such lovely feedback on my weird little beloved horny passion project. Love you all.

#🧶 anon

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rockanroller · 4 months

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it just two episodes so I’m not really too harsh. Animation looks really good, but man no wonder this took 4-5 years they had 4 animation studios working on it plus bentos joint company princess bento that’s operates Australia. So you got bento+SH+toon city and princess bento yeah their budget got fucked

the writing drag this show and it’s so confusing. there’s 6 fucking minutes of exposition dump and lore in the first episode. This is not welcoming to newcomers, especially adult animation you never exposition the shit out the audience with a bedtime story unless you’re target demographic are kids. Character spend so much sitting on couches and talking about nothing. Adam and Valentino are the absolute worse characters but I think Valentino is more egregious since he was hyped so much and he was the biggest letdown and he’s voice is awful I’m sorry to VA.

So what is Charlie’s goal again? Is to fix overpopulation by redeeming demons and sending them to heaven? Give demons a second chance? Or make her mom proud, and empower demons through song? All of the above? Why send demons to heaven when her mom was all about rising above heaven? She is kinda annoying, I hate how stupidly naive and childish she is but I guess that her flaw and her development will be that she has to grow up, but I don’t want to do the writers job where you’re given nothing and have to fill in the blanks.

So Angel moved out but he still works for Valentino, but the show is making it seem like he quit and is hiding out in the hotel but is gonna return to Valentino soon? Why is so easy for Angel to leave and ignore Valentino? Oh wait I forgot it’s because Valentino is a fucking idiot, literally just Stella 2.0. I just hate everything that come out of Angels mouth I forgot how annoying being sexual doesn’t mean witty or confident and just because he’s a porn star doesn’t mean he has to always sexual harass men, and it’s not even the good flirty, it’s bad flirty, but I know they’re gonna go hard on his musical scenes.

I miss pilot Vaggie she still supported Charlie but was also very cautious and a bit controlling but it made her more interesting and flawed and set up dynamics her instead of just being supportive gf aka Millie 2.0. Husk was barely in the episodes, nifty and that cat thing are just there to be cute.

Vox and Vel are really entertaining but they put up with Valentino when be’s the dumbest and least incompetent out the trio and Vox hates being around him. He’s duet with alastor is really fun and kinda wish he had a show on these two than Charlie.

The music is alright not something I’d listen to on Spotify but it’s alright. Overall it was ok, there’s just no charm to it

yeah i agree with most of these points.

animation- shifts a lot between good and bad for me and i think that's mostly due to the over-designed characters, there have been problems keeping them on-model ever since the pilot, but like you say about it being hot-potatoed between 4-5 studios juggling it, it'd be no surprise the budget got fucked, and to me the studio juggling also checks out with how varied the animation is.

writing- agree, i only ever saw the hazbin pilot and occasionally learned tidbits of lore from the critical community and i was still sitting there clueless, i can only imagine what it's like for newcomers who don't even know a *little* of the lore/history.

Charlie's goal- "Why send demons to heaven when her mom was all about rising above heaven" is such a great point. Charlie's goals and motives were so confusing to me bc i didn't really see a connection. i guess you could say this is Charlie's way of continuing her mom's goal of "protecting our people" even tho Lilith seemed to be against Heaven while Charlie is trying to work with Heaven--but as i said previously Charlie also doesn't really seem to "like" her people, as we see her repeatedly show disgust or awkwardly try to laugh off her discomfort and only shows an endearing adoration when they're showing specific change/potential. It seems like she's just extremely naively optimistic, but bc of her aversion it comes off kinda disingenuous or fake nice? she legit seems to act more like a disillusioned church-goer who thinks they're helping you than a kind princess of hell who loves her subjects despite their "depravity" ig? and like you said maybe that'll be part of her character arc, but it def feels weird so far.

Angel & Valentino- yeah the entire dynamic with them is just weird. they're supposed to be a pimp and his prostitute, but why is Val texting/voicemailing Angel like a mopey ex? Val is allegedly supposed to be this big abusive threat but he's just kind of there, and Vox just calms him down really easily? and showing the affect his verbal abuse has on Angel felt so sudden/forced in (yeah those of us "familiar" w/their dynamic know it's there--this is considering the media as a new watcher, that's stuff you're supposed to write into a show for new audiences.) i'm back-and-forth on Angel's hypersexuality/sexual harassments of other male characters bc it's true some victims can act as he does, and it makes him more believable as an asshole in hell moreso than the others, but i also don't trust Viv to handle the complicated subject of abuse with grace / respect knowing her history, and i'm already worried after she had him say his body was "made for exploiting"

Pilot Vaggie- again with the disclaimer i barely remember the pilot; in the first 2 eps Vaggie was weird. idk how to feel about it. i know you said she seemed like 100% supportive Millie 2.0--but to me i couldn't get a full grip on their dynamic. it felt like it kind of swayed back and forth between full support and skeptical support but it all went by so fast i can't make a clear distinction, so you may be right.

The VVVs- agreed that Vox and Vel were entertaining. Val was just kinda there and seemed like neither Vox or Vel wanted anything to do with him, what do they get out of Val being there? does he bring them money or power or anything?? Vox and Vel are stronger characters on their own w/o Val having to be there imo.

Music- i honestly have like...no real opinion of the music. it didn't "wow" me, but it didn't necessarily make me cringe either. it just kinda was there and was fine. i honestly might've like...unintentionally mentally checked-out for some of them. i think Vox & Al's was *probably* the best--and i say that loosely bc, again, everything went by so fast--but it also had me kind of tilting my head like why does Al even care about dishing out "the tea" about this guy?

i *guess* making your big debut "i'm back" speech after being gone for 7 years right when someone is shit-talking you is a good power move, but it just felt oddly petty or "beneath" someone like Alastor to me--i think it would've made more sense if there was a bit in the song where Alastor took some callers on the radio who asked him what he thought about Vox and *then* he makes some casual remark about how little he means to him. idk, just my impression.

ty for sharing your two cents!

#hazbin hotel first impressions #hazbin hotel critical #vivziepop critical #anon ask #thoughts

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otakween · 5 months

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Digimon Tamers: Digimon Medley - Part 1 Impressions

Another Digimon game for the Wonderswan color. This is probably the most low effort game I've played yet. Super repetitive dialogue and the dungeons are all like 8 screens of boringness with vending machines being the only thing you can interact with. The game has "episodes" and goes through all of Digimon Adventure and Digimon Adventure 02 in a condensed fashion. It feels really similar to .Hack//Link. I wonder if there's a name for this sort of genre...

Anyways, I'm expecting this game to be pretty short, but I thought I'd get my thoughts in at the halfway point.

Notes:

I do enjoy playing as a different digidestined every episode, but they all play relatively the same, so it can only be so exciting.

Every single battle and boss fight have felt equally easy so far, zero challenge. I feel like they couldn't make it too challenging because there's no leveling and no equipment you can use, so everything has to stay pretty much static.

The dialogue is practically the same every episode. "X bad guy controls this area and the digimon are suffering!" and then "Mwahaha as if you could defeat me chosen children!" and then "Yay! We defeated X bad guy! The digimon in this area are free." Ground breaking stuff. If anyone wants a ridiculously easy translation project, it's free real estate lol.

The Japanese text has spaces in it, which suggests to me that the target audience for this was very very young. It kind of feels like I'm playing one of those McDonald's kids toy games at points lol.

The chibi character models are very cute. Seeing the Tamers characters crucified is also kinda hilarious.

Here's a screenshot of Piyomon calling Sora "Mimi." Oops! She calls her Sora shortly after though...

#digimon tamers digimon medley #wonderswan #oswan #video games #games #digimon #digimon tamers #digimon adventure

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mw567152 · 5 months

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Ranking rpgs based on their combat

(this is only ones that i play and i know the older games are hard to compare to the newer games but i just think it’s nice to see the progression)

10: Mass Effect 1-I genuinely love playing this game but the combat really feels clunky and I HATE the overheating mechanic. I understand for lore reasons why it exists but they ditched the idea in the other games so honestly i’m not a fan. Overall it’s fun but the combat feels very annoying to me but i’ll give it grace for being basically as old as me.

9: Diablo 3-So it’s the only diablo game that iv played but honestly i just think the mechanics feel too repetitive. Like genuinely my biggest complaint with it is that i just get too bored with it even with all the powers you eventually can get. It all kinda feels like your doing the same thing over and over again (unless you find some really good combos).

8: Mass Effect 2-it feels a lot better than ME1 and using biotics is a million times better. However the leveling system kinda sucks and i think they should have just stuck with the system they used in ME1. But the fighting feels a lot better, not great but better.

7: Dragon Age Origins-it physically pains me to put it so low but this game is also old. I like the tactics system a lot and the abilities are so fun but basic combat is just very weird and can be super buggy, especially when bigger enemies can still hit you when you move out of the way so it feels like there’s no point at using certain tactics and you just gotta hit it with as much power as you can.

6: Greedfall-I genuinely love the combat in this game but it gets very boring after awhile. You have very limited abilities and honestly bigger fights just get frustrating because it feels like your just waiting for when you can use your abilities again. But it feels very smooth (for the most part).

5: Mass Effect 3-I love that they added being able to jump over certain things and roll away, it makes me feel more engaged in the fights. The biotics in this game are amazing but again, i hate the leveling system. Can they please just bring back the ME1 level system i’m begging them.

4: Dragon Age 2- So i am in fact the da2 combat target audience. I love how fun and flashy it is, i love having big aoes to use on hordes on enemies, i love being able to swing my weapons around and knock over people like bowling pins, it’s so fucking fun. Obviously it’s not like, the best but i genuinely adore it.

3: Mass Effect Andromeda-Unpopular opinion maybe, but i think combat in this game is fantastic. The jumping while fighting is so fucking fun, the biotics are so cool to use and i actually love the leveling system. The weapons are actually really good and overall i really love fighting in this game. If MEA has no fans i’m fucking dead what can i say.

2: Dragon Age Inqusition-I LOVE IT SO MUCH. I love jumping i love all the different abilities different classes get, i’m obsessed with the weapons and armor crafting. It has some of the flashy-ness that i love from DA2 but still has really good combat abilities and tactics.

1: Baldurs Gate 3-It is hard to compare this game to the others because it’s much more recent and it uses a different system than the others, but i think it provides a great example of what an amazing rpg should do. The different classes are so unique and the combat is genuinely so fun and actually makes me think.

#roast me idc #i have a lot of opinions #dragon age #dragon age origins #dragon age 2 #mass effect #mass effect andromeda #diablo #diablo 3 #greedfall #baldurs gate 3

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visualsandvoices · 2 months

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Ok idk if anyone said this re: Greta gerwig’s narnia on here already I only pop in from time to time…

But it seems like Liam Neeson will return to voice Aslan and Tilda Swinton is set to return as the White Witch?

There was also a comment in an interview saying it won’t change people’s conception of narnia, but just make it bigger (I think that was the phrasing, or close to it).

So I’m cautiously optimistic. That makes it sound like they want to get the audience on familiar territory — hopefully it lands! To use the same actors and then depart to dramatically from the 2005 version would be pretty jarring, so maybe they want to recreate that movie relatively closely as a launchpad for the rest of the series? But they still gotta make it their own which makes me nervous lol

Netflix handled the Shadow and Bone adaptation pretty well so maybe I’ll be pleasantly surprised 😬

The only thing is that Greta Gerwig seems emphasize messaging and themes in equal measure as plot. Little Women deals prominently with marriage, expectations of womanhood, wealth/class, etc. Barbie is theme over plot, I’d almost say, given the virality of America Ferrera’s speech, I’m Kenough, and the overall impression of Barbie having an awakening to being a human woman or whatever. I haven’t seen it so maybe there’s plot I’m missing but that seems to be the idea.

This kinda thing doesn’t work for narnia, imo. I don’t want to hear Susan give a speech about womanhood in the war era, or some remark on femininity, firstly because it’s so overdone in movies these days but also bc if you’re going to put any theme/motif/messaging on equal footing to Narnia’s plot it should be faith.

I’m not saying Christianity has to slap you in the face. The Disney adaptations handled it well I think. It was there without the movie overdoing it, and there wasn’t any sort of moral or speech or sound bite to sell to the audience otherwise. It was a fantasy movie.

Susan would make an easy target, and I really hope Gerwig doesn’t fall into the “lipstick and nylons” trap everyone argues about. First of all it should hardly be foregrounded bc it doesn’t really become an issue until after she’s left narnia in which case she’s offscreen. The Last Battle maybe, but again it’s brief. My two cents on it though are that I always took it to be her grief for not being able to return to narnia forced her to try to move on, and maybe the resentment over her loss broke her faith. She’s still a character to sympathize with. People say Lewis couldn’t get past her being female and hence the lipstick and nylons but I think that’s a bad read. She was a queen, an adult woman, and cerebrally mature only to return a boarding school student. Of course she didn’t return to her dolls. I also think that it happened because she’s so logical and calculated and careful (neither good nor bad as a trait on its own) that loosing something she loved only augmented her original doubts and made her stubborn. So again it’s not about womanhood nylons and lipstick, it’s grief and sort of an internal self-defence kinda thing. If Gerwig were to explore anything with Susan as she’s older I would say doubt and logic versus faith and responsibility would both be true to the character and far more original/interesting for audiences.

I would love to see how they handle The Horse and his Boy, the Golden Age and how the kings and queens earn their titles (just, gentle, valiant, magnificent). I would love to see a Jill Pole who is allowed to cry, to be a scared school child, and also brave and stoic and thrust into an underground world on a rescue mission. I will be fascinated to see their concept for The Last Battle, because again it’s very much so a Christian story.

So I really do hope Netflix allows the series to live past the first 3, so we get new material. Caspian and Dawn Treader are gonna be a test for Gerwig’s strengths before she’s allowed into fresh territory with the other books.

I just think that if you’re intending to strip it of the intention behind the story — lost faith, found faith, tested faith, resilience, trust, redemption, all through a Christian lens, then maybe don’t adapt it at all. I’m not saying you have to make Christianity so foregrounded it feels like a sermon, but you cannot have narnia without that being the lens through which the world is understood. They aren’t separable things.

AND going back to the casting hopefully it’s not Timothy chalamet / Saoirse Ronan / Florence Pugh. As much as they’re great actors, I think for narnia as a reboot to land, they need a bunch of unknown, fresh faces and actual kids not people in their twenties/thirties. Even as a background narnia cameo it would honestly be distracting.

#narnia #greta gerwig narnia #netflix narnia #the chronicles of narnia #the problem of susan #c s lewis #greta gerwig #tcon #barbie #barbie movie #little women

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0zeeraa0 · 7 months

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A little Fnaf Movie rant (don't kill me, I also want this movie to be good)

(this post is pretty big, i understand if you don't have the patience for it)

(if you see any typos: no, you did not.)

Am I the only one who thinks that the fnaf movie isn't gonna live up to the hype...? Like I don't think it's gonna be bad, but I doubt it's gonna be as spectacular as we hope it will be.

One of the reasons that I'm a bit worried is the little girl. Michael's sister. Like in the trailer she's shown wondering around the pizzaria, and than in a TAXI with GOLDEN FREDDY, like????? HUH???? I have a feeling that the movie is gonna make her befriend the animatronics and like prove to Mike and Vanessa that "they just misunderstood🥺" Which like... THEY ARE, but that would be a horrible way to go about that plot line. And I kinda feel like they shouldn't be intelligent enough, or self aware enough to make friends y'know?

Also Vanessa. This one's gonna be shorter. I hope to god they're not gonna have a romantic plot line between her and Michael. One thing I really like about the fnaf games (haven't read the books yet, sorry) that there's absolutely no romance. And I feel like it should stay that way.

Now the "horror". I KNOW that the original games didn't have any gore. And I'm not saying the movie has to have it. I just want it to be SCARY. Or creepy at the very least. The games didn't have gore, but they were still HORROR GAMES, y'know. They're 16+. I remember that the movie makers tweeted something like "we're not gonna hold back on the gore" or "I'm not sure if we can even show this". But... The movie is going to be 13+... So that was a fuckin lie. Because what the hell is a pg13 HORROR movie supposed to be??? Like IT 2017 is rated R, but theres a surprisingly little amount of actual gore. And despite the R rating, sooo many teens and preteens love the move. So who is the Fnaf movie's target audience with it's pg13 rating. The same kids who ONLY played/watched Security Breach? Be so FR.

I feel like (based on the trailers) that the movie is going to take a more comedic approach, wich wouldn't be a problem, but it seems that it's going to be more significant then the horror aspect.

You know how Stranger Things stared out in s1 as a mystery/horror, and by s4 it got derailed into... that. I'm just worried that the same will happen to fnaf... Like it ALMOST happened with SB, but that's a game. It's a lot harder to access, so it still mostly stayed within the fnaf community. Like, 'normal' allistic Jessica (this isn't an actual person, just an example) is a lot less likely to watch a SB gameplay, or more so, play the game. But she might watch the movie because it's popular. And I REALLY don't want Michael to get "Eddie Munson-ified", okay??? I don't want the thing that shaped my entire childhood to get the TikTok treatment.

Sorry this post got really out of hand by the end. I just had to get this out of myself, otherwise I just might explode.

If the movie turns out to be a Masterpiece of fiction, that makes all original fnaf fans weep at how absolutely perfect it is, than y'all can come back here and laugh at me in the comments all you want. I will admit that I was wrong, and I'll do so with pure happiness, for having my expectations subverted in a positive way

And if I'm right.... well.... I will not be happy about it, or proud. I will not say "I told you so". I will keep my mouth shut, and I'll wallow in my misery in silence. Mourning what it could've been.

(theres so much more that i could say about this movie that hasn't even come out yet, but i think this is more than enough)

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pokemenlovingmen · 1 year

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YAAAY TRANSMASC ACE MAN BLOG!! (IM THAT TOO!!!)

Speaking of ace(sex repulsed ace) how about an x reader with arven were the reader comes out as ace?(trans+gay reader ofc, he/they/it btw! :D)

Btwwww before anyone claims this,,,,, I’ll be,,,,,,, “🐾🦴 dog bone anon” :3

Hi dog bone anon!! With all the ace transmascs I’ve been getting in my inbox it’s pretty clear I’ve found my target audience—and they’re all just like me fr fr.

I’d love to write this coming out story with our favorite sandwich man! I love writing about the queer experience, at least the experience I can say I’m familiar with. Ace acceptance rules :)

A Bit of News — Coming out as ace to Arven

🥪 — Okay point and laugh, give him the olympic medal for jumping to conclusions, when you said you had something “important you wanted to talk privately about” he automatically assumed the worst.

🥪 — Unbeknownst to you, he might actually be even more nervous than you when you sit down to talk. He doesn’t do well with sudden news.

“So, Arv… uh, I don’t know how else to say this. But I talked it through with some friends, and you’re my boyfriend, so you deserve to know. I’m… asexual. Y’know…? I really hope it’s not too disappointing to hear… I mean, I don’t want this to change anything about our relationship, but if it’s something that makes it harder to stay together because you’re not comfortable with it or it’s too restricting for you, I understand.”

🥪 — He blinks. You stare at him, biting your lip nervously.

🥪 — Oh, wait… that’s all?

🥪 — He lets out a massive sigh of relief and smiles at you.

“Oh, that’s it? Phew! Sorry, I kinda got nervous there that something really bad had happened. That’s a load off my mind.”

“So, wait, you’re… not upset about the asexual thing?”

“Huh? Why would I be upset about it?”

“Well, it kinda interferes with a big part of a lot of relationships and all…”

“S/O? Do you really think we’d be here, having this conversation, if I was just in it to get you in my bed? There’s probably hundreds of guys out there I could look at and go ‘oh man, he’s so hot’, but there’s only one of you. And I’m not saying I don’t find you hot or anything—but ehh, that’s besides the point—it’s just that there are a billion other things that I like about you past your body. And that’s a billion other reasons to stay with you.”

“Arv, Arceus, you’re too good to me… so you really don’t mind?”

“Definitely not. It’s gonna take way more than that to get rid of me!”

🥪 — After your talk, though (and the deep kiss and wonderful cuddle session that followed), he’s probably got some questions. I imagine he’d be the type to repress his own sexuality for a long time to begin with, so be doesn’t exactly know much about the rest of the LGBTQ+ community. He wants to know more, both to be involved more in the queer community, and also to establish and respect a comfort zone for you!

🥪 — He’s always very polite when he does have questions to ask and always reminds you that you don’t have to answer if it makes you uncomfortable. But it’s a lot easier to talk about your sexuality, the way you express it, how you figured it out, how it makes certain things feel, when you have Arven there being so genuinely curious and wanting to learn about these things.

🥪 — You can also tell when he did research because he’ll be confirming some really silly facts about the community with you the next morning (i.e., asking you if you really like cake to confirm the memes he saw online. He sorta conducts himself like a confused grandpa trying to be supportive but not really knowing what to do, and you tell him so. He hates you for saying that. >:| ).

🥪 — So speaking of the classic asexual “I’d rather have cake” meme, you find him baking you cakes with alarming frequency because he thinks he’s being funny.

🥪 — Overall, this really doesn’t alter your relationship with Arven much. You’re still his handsome and perfect boyfriend, which he’ll make known anytime you like. He already loved you so much and like he said, hearing you are ace changes none of that.

“Anyone who would only want you for your body is insane anyway, S/O. Really, only your body? I’m mad at anyone who would think like that and they’re just hypothetical people, like, you’d have to be the dumbest person in the world to get with someone as perfect as you and think your body is the only thing that’s worthwhile. Even if I was disappointed about you being ace, there’s literally hundreds of other things about you to love that mean way more than sex ever could.”

“You’re getting worked up about this.”

“I just—I love you, okay?? And I’m getting upset thinking there’s anyone that would treat you like that!”

“Yeah, you really showed those hypothetical people what for. You tell ‘em, Arven.”

#pokemon x reader #pokemon male reader #arven x male reader #arven x reader #asexual reader #tw sex mention

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qedmirage · 6 days

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Episode 10! This one took me a while. I got distracted by all sorts of things. The stage mechanic is a pain in the butt!! Even having had pre-prep with it from CC events, it is depressingly common for the artillery to switch targeting at the last minute because you missed one enemy in the pile of guys coming at you.

This little scrimblo is the face of evil. Cause of many leaks. If you're kind of sleepy or out of it or tired after a long day of work the Second Defense Artillery mechanic turns into a slot machine that sometimes just kills your clear for no apparent reason (you forgot that this character had 1 higher block than this other one) Story thoughts and unmarked spoilers after the cut!

I'm slow to get to Act 2 of the Arknights story. Over the time I've seen people in various fan communities talk about how they don't like it, how it feels slow to them, or how they think all the Sarkaz are irredeemable bastards. Well now with episode 10 I'm into it proper and while I see the complaints I like the story! I like reading academic works about military history and the history of genocides now and again, so, I'm definitely not the 'normal' audience. But the Kazdel Military Comission is very familiar and 'realistic'.

Theresis and his bros. There's not many...

First off it doesn't have the support of all, or even necessarily most Sarkaz. There's the Confessarius, a small secretive organization that's hung around the crown like ivy; the Sanguinarch of Vampires and the Nachzehrer king, two absolute freak monsters; the Damazti Cluster, who's just One Slime. Certainly Theresis has a lot of soldiers; but of the political leaders that make up Sarkaz politics, he essentially has the trust only of the most violently extreme half of things. Theresis's plan seems to be to simultaneously wage war on the nations of Terra, to restore Sarkaz glory or at least give teeth to their anger at constantly being persecuted. And man I don't think that's gonna work out very well for you! But the nature of the KMC and its job brutally occupying Londinium will drive away any moderates on its own. The KMC is radicalizing itself, from an attempt at governing Kazdel to what is functionally a murder cult, focused on just killing the highest number of non-sarkaz possible. It's not a happy story! And not one that, I think, is going to be 'fixed' by Amiya doing some cool sword magic. Victoria is on a fast track to becoming a failed state, and that's not going to be good for anyone around. Character thoughts! Blunted by having taken months and months to finish this. -Misery, it's cool to see another RI elite and this one's kinda, shifty? Behavior, is fun. Not a pillar of gung-ho courage, but he Gets The Job Done. -Mandragora, poor little meowmew. I do wonder if she'll turn out to have survived, I do feel some sympathy for her after the chapter was her getting kicked in the face repeatedly as everything goes wrong and her one friend dies -Manfred, this is the kinda guy who goes on trial at the Hague, but he's actually trying to like, run a country, so he ends up being one of the more reasonable KMC people. Yikes! -Damazti was very fun, their curiosity in meeting the Eartha crew is neat. Look forward to seeing more of the tricky slime. Closure is a great addition to this chapter, because you have the KMC and all the problems Sarkaz are causing and then RI sends in their Sarkaz and she looks like this:

How could anyone hate that face. Rita is another favorite from this chapter because she is just Not Having A Good Time, and it seems to only be getting worse. Is she coping healthily? Not really!

I think the Glasgow gang wasn't much of a draw. They're dancing around it, but it doesn't really seem like Vina wants to go kickstart the Victorian monarchy again, nor does the game seem to think that would fix things. So they end up kind of spinning their wheels, as the lion gets poked and prodded towards a thing she doesn't want to do.

#qedmirage plays arknights #arknights #arknights episode 10 #shatterpoint

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caparrucia · 2 months

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12, 13, and 17 for the fic writer asks, please?

12. Are there any tropes you used to dislike but have grown on you?

I still don't read it widely, because most of it hits my "but what's the point then?" pickiness for AUs, but a friend recently explained her time travel fix-it AU as a version of an isekai and that sort of made the appeal of it click in my head in a way it'd never had before. I still think the trope itself is not something I'd go as my first choice, because my vibe is more either miscommunication or mystery, and having a POV character that knows everything - and very often has no reason to not share/use that knowledge - makes it very conflict-free for me. The thing that clicked for me is the same way that my favorite isekai stories are ones that either the OP protagonist doesn't know they're OP or their OPness is gated behind world knowledge that they have to acquire first before making use of said OPness. So I think I like time travel fic in theory now, I just haven't read one that hits the spot because it's not a trope I seek out often. But I kinda get it now! I think!

13. Are there any tropes you used to like but don’t anymore?

Modern renditions of enemies-to-lovers are so fucking exhausting in how hard people are trying to sand down any bit of objectionable, problematic aspect of that kind of relationship. I love me a good, brutal actual!enemies to actual!lovers story that wrestles with the history and baggage of that kind of thing. But post!Reylo fandom is more worried about "not romanticizing abuse" than telling a good, compelling story. E2L are supposed to be messy, problematic, dark romance stories full of questionable tropes. That's what makes it fun! But the way any whiff of conflict is constantly smothered away because "We Do Not Condone That Here" messaging is more important than a coherent, IC story is just. Blah. One day, my favorite toxic love trope will come home from the war. One day.

17. What highly specific AU do you want to read or write even though you might be the only person to appreciate it?

Witcher 3 fusion AUs are my personal catnip. I specify Witcher 3 because I understand the Netflix trainwreck was the entry point for a lot of the fandom and that's great, but the writing of the Netflix show is infinitely subpar to the actual books and even the Witcher 3 version of the characters. The Witcher 3 softens a lot of the harsher edges of characters in the books (hi Emhyr, my forever problematique baby girl, how are you today, your imperial colonialist dipshit incestuous majesty?) but it still maintains the tone in a way that makes it so the harsher, more shocking aspects of it don't read like "for shock value" and have actual consequences. It's a rough world with rough edges and it's a setting rife for stories of all sorts, to scratch that nice medieval pseudo-realistic fantasy setting itch, while still allowing space for some hilarious comedy and nuanced politics.

However, somehow, people who played the game somehow come out with the urge to write unironic, mindless colonialism apologia - we all know why - or quirky funny romance because Netflix!Jaskier is so memeable.

Look, I have almost 3K hours in the Witcher 3, I understand I am not the target audience for Witcher fandom which is why I don't really wade into it often, but I want people to write more Witcher 3 fusion stories because it's a fantastic setting to grab your favorite characters and plop them into and see what they do. It's great.

#rie answers #garbria

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it-is-i-zim · 6 months

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hi there! how do you feel about suicide squad: rebirth? i’ve heard a lot of mixed reviews and while i enjoyed it, i can understand a lot of the criticisms.

Suicide Squad: Rebirth the series or Suicide Squad: Rebirth the comic that leads into the series? Either way I feel obligated to say that they're good as a Captain Boomerang fan because it's like... One of very few comics that characterize him alright.

Like... In Suicide Squad: Rebirth (the comic) the burp here was kinda... Unnecessary? I get that he's supposed to be like... The Gross One™ and they're trying to show that but it feels weird because this is the only time it happens in the comic and it didn't happen at all after that in the series.

In the series it was replaced with something... A lot worse... Toilet humor.

This would be fine if this was supposed to be for a much younger audience, but I think the target audience is supposed to be late teens and young adults and it just happens so often in the series that it kinda feels less like toilet humor and more like the writer's barely disguised fetish.

But I did really enjoy Digger referencing to the Alien franchise.

Not only does it confirm the existence of the Alien franchise in the DC universe, but it gives Digger something other than Boomerang Man. You know?

Let's not forget his Uber Autism Moment™

And then there's how Captain Boomerang was characterized with Hack. He shows remorse. Like... Actual, genuine remorse.

He killed her, but as you can see even after he's done it he just feels awful. He felt obligated to do so because he's supposed to be "the bad guy" and he hates himself so much.

And Harley Quinn picks up on his guilt a few issues later.

THIS IS THE GOOD SHIT!!!!! THIS IS WHAT I WANT TO SEE WITH DIGGER MORE OFTEN!!!!!

Give me more of this and less of... Whatever the fuck John Ostrander did to him in the 1987 Suicide Squad comic. If you don't know John Ostrander decided he was racist in that comic and for some reason people still think it's canon when half of the stuff that happened in that comic literally can't even happen anymore as a result of things decided on the current canon such as Sam Scudder being alive and the wrist bombs not being a thing anymore. Not to mention his entire origin is completely different now.

Speaking of his origin... the Secret Agent stuff... exists? I wish they elaborated on it a little more I guess cuz it's an interesting concept. They only ever talked about it in the last 8 pages of issue 2 and then all of issue 47. It felt like it was trying to continue his characterization as a compulsive liar in issue 2 but then the concept was used as filler in issue 47 so it's just canon that he's a former Secret Agent now. And then it hasn't been brought up at all since. And that was 5 years ago.

In all fairness they haven't used him much since, but still. And uh... Seeing how this year's Batman: The Brave and the Bold comic is going with Harcourt's lil story... I think it's going to be a while before he shows up again. Which really sucks for me because it's not like there's a ton of fan content for him, especially not a lot of positive stuff.

Anymore it's Tim Drake fans who haven't seen him at all outside Identity Crisis, that one story from the Red Robin comic where Tim wanted to kill Digger, and Knight Terrors: Robin, as well as people who've literally only seen him in the 1987 Suicide Squad comic and then try to argue with me on what is and isn't canon and then they try to site an Encyclopedia that proves me right more than anything else in an attempt to prove me wrong.

But enough of that. Basically, I like it cuz Captain Boomerang is there and they at least tried to give him something. Unless you're talking about the standalone comic Suicide Squad: Rebirth then I'm neutral about it. Captain Boomerang is there. And that's neat. He's not the biggest douchebag there but he also didn't really do anything so I won't really go out of my way to look for it. Like... I had to pull up a digital copy for the one screenshot all the way at the top.

#long post #captain boomerang #george harkness #digger harkness #Suicide Squad #Suicide Squad Rebirth #Suicide Squad comic #tw blood #cw blood #blood #Sorry about the rant at the end #This also ain't the best review because I literally didn't read the parts that Captain Boomerang wasn't really there for #So I honestly probably missed out on like half the comic #And for that I'm sorry #But it's also not like he's in a whole lot other than this comic and 2 other suicide squad titles that came just before this #Excluding 1987 ofc #God I hate that comic so much #I've literally had to explain to people that he was LESS RACIST in the 60s #The fucking 60s!!!!#LESS RACIST IN THE 60S #WHEN SEGREGATION WAS STILL LEGAL #HE WAS LESS RACIST WHEN SEGREGATION WAS LEGAL MY GUY #THAT'S HOW BAD THE 1987 SUICIDE SQUAD WAS AS A CAPTAIN BOOMERANG FAN

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