It is a beautiful day, and you are a horrible research transport vessel. Things are progressing as normal (i.e. it's boring) when a SecUnit pings you, lies right to your metaphorical face, and then tries to bribe you with human media to give it a ride. This is as unexpected as it is unprecedented, and the sheer nerve of it is really to be admired. There's no protocol to this, so what should you do?
Now, this is against a bunch of rules, and could be dangerous if you weren't so impressive and incredible, and you're technically an employee (and can probably rewrite the Univeristy charter at will (until someone notices and puts it back)) so those rules are for other entities.
So, what you should do is allow the rogue SecUnit with a broken governor module and a sketchy story aboard. If you check the files it dumps and find zero (0) malware (which is confusing), and it doesn't even try to trash the place or lay in wait to ambush a crew member, then you've got a good candidate!
Next, what you're going to want to do is absolutely nothing. Just watch it patrol your halls until it's time to leave. Continue staring at it while you're undergoing embarkment procedures. Maybe analyze it a little (you've got plenty of processing power to spare) when it finally sits down and starts watching media. Allow it to settle in and get comfortable while you stare at it and get further and further from port.
Now that you two are alone (intimacy is key!) and you've determined that watching media is all the SecUnit is going to do, it's time to make contact! Make sure to open by telling it it's only survived due to dumb luck, and letting it know you could melt its brain into putty. This starter will work to develop conversation naturally and smoothly, just like you've seen the humans do, and it will be smooth sailing from there!
This has been Perihelion's guide to making friends/finding life partners/fuck off Holism I had to work hard for this find your own
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Have you seen the formline art in splatoon? It's present in a variety of salmon run decals and on some of the locker graffiti. Idk if the Devs just googled "salmon art" and got indigenous art and decided to copy it or what. Not sure how I feel about it personally.
Long post incoming, gonna put a break here. Also sorry for the late response, I wanted to take a couple days to formalize my thoughts together before responding fully.
I have, I remember noticing in 2018-2019 (when i first started playing splatoon 2) how much one of the decals/graffiti located on the ruins of ark polaris back in 2 sort of resembled a formline bear and salmon. (near the logo in this screenshot, I couldn't find a clear picture online)
Back in 2019, it was pretty easy to think of it as coincidence or a stretch for a comparison. But with splatoon 3's salmon run decals, the resemblance is far easier to see, specifically with the TS-ORBRS graffiti and the TS-SCHL graffiti.
(also this was the best image size I could find for the graffiti images, sorry)
A couple of the banners have the designs on them as well:
The website Sealaska Heritage has info such as textbooks and an online doc about formline art (specifically geared towards Haida, Tlingit, and Tsimshian nations' style) with lots of info about formline art, and the Seattle Art Museum website has an info sheet (with credits listed as being from the Sealaska Heritage site as well) breaking down some of the basic shapes of formline art.
with this chart, you can definitely begin to notice the similarities between the Salmon Run graffiti and formline art. the ovoids, crescents, and u-shapes appear noticeably in some of the graffiti such as ORBRS and SCHL.
For perspective, here are some formline pieces featuring salmon or fish from various Indigenous artists from various nations.
"sk’ug sdang" (Two Dog Salmon) by Robert Davidson (Haida)
"metal medallion", by Crystal Kaakeeyáa Rose Demientieff Worl (Tlingit Athabascan)
"Salmon People" by Alano Edzerza (Tahltan)
"Jumping Chum" by Stephanie Anderson (Wet'suwet'en)
"Salmon" by Art Thompson (Nuu-chah-nulth)
And that's literally just the surface of dozens of Indigenous artists from the PNW.
With these pieces, you can begin to see the resemblance that the graffiti designs have. A lot of the heads follow the pattern of utilizing ovoids for both the head and eyes, and u-shapes for the bodies and crescents to fill in specific areas are also common. For example, TS-SCHL has a small school of fish where the bodies are entire ovoids.
However, there are a couple flaws in the graffiti designs too. With a few of the designs, you can see they utilize the u-shape (see the formline shape breakdown from Sealaska again) in designs like TS-WHP and TS-SMFR. I can't speak for every Indigenous formline artist ever, but from how I've been taught to design formline art from my family, the u-shape should connect to the rest of the form instead of free-floating. I drew a quick example here:
you can see similar mistakes with a different kind of u-shape with TS-RLPL and TS-C0HK.
Another very specific mistake that takes a bit of squinting to make out is that ovoids are sort of top-heavy, for lack of a term I can't think of right now. The line or the area should be thicker on the top then the bottom. This mistake is frequent in the graffiti designs utilizing ovoid or ovoid adjacent face or body shapes, like TS-ORBRS, TS-C0HK or TS-SCHL.
Full disclaimer, I am not an expert at formline art. I've been practicing it under the tutelage of my aunt and father for about 3 or so years now, and there are definitely cultural variations that come into play as well. My culture's formline art style can look completely different from someone who is Haida or otherwise. This critique of the graffiti designs is based off my knowledge and skill at formline art, as well as critique and feedback that I've gotten from family. Formline art isn't just something you look at and replicate, there is a specific process of utilizing the shapes and negative space that you need to account for too. Some shapes have their own rules for how they're used as well.
Despite the beginner mistakes, the clear resemblances are pretty definitive proof that a good section of the sticker/graffiti designs for the salmonids are meant to be, or at the very least based off of or inspired by, formline art.
Splatoon's lore has a lot of elements of taking inspiration from real life culture (which is sort of one of the main elements of the story, the squids and octos are basing their society off long dead humans). Hell, Shiver and Frye are two prime examples of Splatoon working in real world culture into their setting and characters.
With that in mind, using an art style that's exclusive to an ethnicity of people as inspiration or baseline reference for the game mode that's all about taking natural resources from a species that in-game dialogue tends to treat as dangerous and lesser-minded is... not a good choice. Especially an ethnicity that has historically been ravaged and attacked by settlers for natural resources.
Now, technically if you do digging into lore for salmon run, you can find out that the salmonid are not as simple-minded as the dialogue in-game (I am staring directly at the deep cut big run announcement dialogue we've gotten so far -_-) makes them out to be. The salmonids do trades and commerce with the octarians for equipment and gear. That's why they have such technically high tech gear, like the scrappers with their shields that actually resemble octarian shields and the flyfish with their missiles and flying aircraft. That's also why power eggs show up in the story mode; they're from the salmonids' trades with the octarians.
So the salmonid could technically be as just as smart as the inklings, which is why the dialogue and some of the portrayals of the salmonid are confusing and contradictory (shiver's dialogue from the first big run, that one promo picture of an inkling walking a smallfry on a leash????). I think a good bit of the fanbase sort of thinks of the little buddy we get during the game as a pet, and I'm sure that much more of the fanbase/playerbase doesn't really care about the lore whatsoever. Salmonids sort of have a similar vibe to me as hilichurls from Genshin Impact, where the lore tells you that they're smarter than people assume while NPCs talk of them as less intelligent monsters. And you're also caught in this paradox where killing/fighting them feels morally wrong but the gameplay loop has you continuously doing that while also telling you on the downlow that you should sort of feel bad about it.
Rassicas did a really good video on translating salmonid lore from various interviews, which is where I learned a lot about the salmonid lore that doesn't really get explained/brought up in the game.
The usage of formline art in Splatoon has me sort of mixed on my opinion, because besides using an Indigenous art style for an enemy species that are considered lesser in intelligence by the NPCs, Indigenous art and culture as a whole has suffered a lot under colonialism. I don't know how much awareness whoever is reading this has about Indigenous history and colonialism, but Indigenous culture as a whole was banned in North America by the respective governments from being practiced by the respective cultural groups. Things such as ceremonies, regalia, and even practicing formline art were banned from being used by Indigenous people. Non-Indigenous people however were free to use it, which is why a lot of bastardized versions of Indigenous regalia and culture exists. You can see it in non-indigenous spiritual practices utilizing Indigenous practices and terminology like spirit animals and dreamcatchers, and sports teams utilizing Indigenous culture in its labelling and mascots. That is where cultural appropriation comes into play. And before I get anybody commenting about this, the salmonid formlines don't count as "cultural appreciation" because as far as the info available is concerned, there wasn't any Indigenous people that were consulted for the designs. And even if there were, I again have mixed feelings about Splatoon utilizing an Indigenous art style as a design piece for an enemy character in the franchise.
On another note, this isn't the first time Indigenous cultural appropriation has popped up in the Splatoon franchise. There was actually a headgear that was unreleased in the first Splatoon game called "Warrior Headdress", and you can guess what it looked like.
Yeah. That was all levels of yikes and I'm thankful as hell that it didn't make it into the game (technically it's not in the game as a wearable item, but you can spot it at the very back of the headgear shop ingame)
So Splatoon has utilized Indigenous culture as inspiration beforehand with the games, so it's not much of a stretch anymore to think that the salmon run graffiti designs were based off formline art or was an attempt at formline art.
I'm not really sold on the idea that the salmonid are meant to be representative of Indigenous people though, nor do I believe that utilizing formline art for the salmonid was a malicious decision. But it was a slightly ignorant decision at best, because again using Indigenous specific art for a species of enemies that gets fought for their natural resources and is referred to by some of the NPCs as basically being lesser-minded animals is really not a good decision.
This whole thread is not meant as a guilt trip for anyone who likes the salmonid lore, has bought any of the salmonid graffiti stickers, or enjoys salmon run, nor is it an accusation of the devs for maliciously misusing Indigenous culture. I actually really enjoy salmon run for it's PSP and concept, but this design aspect gives me mixed feelings as an Indigenous person. And to be honest it's hard to label intentions or the thought process because there isn't any info available on the development of salmon run and those graffiti designs specifically. So it's hard to know if the devs employed an Indigenous artist for feedback or if they indeed just looked at some formline art of salmon and tried to replicate it or used it as inspiration. I'm inclined to believe the latter judging by the beginner formline mistakes seen in some of the designs. There is an art book coming out soon for Splatoon 3, so maybe that will give more info.
To wrap this all up, I don't think there is really anything to be done about the designs. The game has been out for a while and I don't know if the game would change the designs at this point. I also don't think this should stop people from buying the sticker designs in game or playing salmon run. However, it is important to learn about the context of these designs so that you know why they exist and why they can be harmful, and so devs and creators can avoid making the same mistake in the future, and so Indigenous issues with cultural appropriation can be made more aware in the public space and not be ridiculed by non-Indigenous people. And again, I am just one Indigenous person so there may be other opinions from other Indigenous people on the graffiti designs and how they should be handled or viewed.
If you made it this far, thanks for reading and have a good day!! Be sure to check out some actual Formline art made by Indigenous people, like the ones I listed near the top of the post!
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First oc post i am shaking crying throwing up for multiple reasons and also anxious as hell- anyways, meet the man, the failure disaster gay, the forever doomed ginger(derogatory/lh)
I forgot to add his birthday omg, it's march 13th
Lore utc (i wrote a lot lmao), the uh post ch 134 stuff will be elaborated on later (or if asked. Actually, ask me anything about him. And my other oc's once they're posted. Please. I will answer in great detail. I also need a distraction. Pls.)
So basically, among the first few vampires (a 4th progenitor to be percise) turned by Shikama was a woman who showed great potential for spells and magic. She had a loving husband and child which she tragically lost in an accident. Upon turning into a vampire, her family was still the only thing on her mind. She accepted to help Shikama in his endeavors to revive Mikaela since she hoped she could revive her own family in the proccess. Unfortunately it didn't work. Disillusioned, she abandoned vampire kind and started searching for the possible reincarnation of her beloved husband, whom she may be able to have a child with and have family again.
Fast forward a a lot, and I mean a lot, of years and she arrived in 60s japan. None of the people she had hope for turned out to be the reincarnation of her late husband until that fateful day. She encountered a (rather pathetic may I add) man in his late 20s and it was like a miracle. The woman cornered the man in disbelief and from this awkward first meeting blossomed true love. Then everything went to shit lmaooo
The first problem was that the mans family didn't approve of the woman. Tough this didn't stop their love. Next was the issue of bearing a child, something that a vampire simply can't do. Well, an ordinary one but this woman was anything but ordinary. By some impossible miracle she bore a child. A biological child. (GIRL HOW?? We will never know and frankly, i don't want to think about it💀)
The child was, as expected tbh, kind of a disaster. Already born with pointy ears and sharp fangs. The child needed both human food and blood to properly sustain themselves. Drinking blood outside of their family would permanently stop their aging. Despite this, the couple was overjoyed. (And then named their child "mistake" bc that would help /s.) They named him "Machigai". Why tho?? I dunno man something along the lines of "a mistake but the best mistake of their life" bruh
So after Machigai was old enough to walk, but not old enough to remember, the mother diappeared, leaving father and child behind. The father did his best to raise such an... extraordinary child but it was understandably kind of impossible. Machigai grew up alone and isolated from his peers. He was always wearing a hood of some kind and rarley opened his mouth to talk. In high school, he met a girl who he became good friends with but she is another oc I'll post about sometime adlf,wpl.
Anyways! Come Machigai's high school graduation and 18th birthday, his father... disappeared. All he left was a note saying, that Machigai now owned the apartment and that there is enough blood in the fridge to sustain Machigai's thrist while he could grow and mature. To an already depressed and disillusioned Machigai this obviously didn't help. Throughout the next years he became a shut in, who only left the house if absolutely necessary. All he did all day was play video games, watch tv and later be on the internet. Once he ran out of his fathers blood was when things changed. He had to go out and actually find a new source of blood. Welp, sorry to unlucky bastards who went into dark alleyways at night bc these types of people became Machigai's source of blood. (That's when he stopped aging)
On one of these nightly escapades, Machigai was greeted by a large man in a neat black suit who called himself "Saito". Saito claimed to have known Machigai's mother and offered a deal: Machigai would offer up his unique constitution to the Hyakuya sect's research and in turn get a well paying job and a guaranteed source of blood. He agreed. "Welcome to the Hyakuya sect. I look forward to your performance"
Machigai was practically a lab rat for the development of cursed gear. Thanks to his half-n-half physiology he could tank wounds from cursed gear/magic n shit while still providing useful data to how effective it is. During this time Machigai aquired knowledge of vampire culture(?), became familiar with magic and it's quirks and learned how to perform simple spells and whatnot.
Around 2011, when the internet was already fairly well used, Machigai came across a forum dedicated to paranormal sightings. Various users claimed that a secluded spot in Kyoto was home to vampires. (Ferid was the one spreading these rumors btw) Most would have dissmissed this as someone wanting attention, yet Machigai was intrigued. He was well aware that vampires existed across the world but he mever knew how to actually contact them. Perhaps out of morbid curiosity, perhaps out of a genuine want for connection with people like him, he went to check out the spot. There, he met none other than the eccentric Ferid Bathory who specifically manufactured the rumor to meet Machigai (extra much?). He was well aware of Machigai's work for Rígr "Saito" Stafford and was trying to one up his father by stealing his most prized lab-rat. Machigai declined, not trusting a single thing out of that vampires mouth. Ferid left, already proclaiming that one day Machigai would be working for him.
Machigai stuck around that area as it was already well into the night and public transport wouldn't start up until the early morning. There he met another vampire: Crowley Eusford. Their meeting wasn't planned or meticulously calculated, it was actually rather awkward. Their chat was meaningless and short but in the end leagues above whatever Ferid likes to plan. Crolwey has already unwillingly heard about this curious being from Ferid and seeing Machigai himself left him wanting to learn more about him. Machigai was left a little hopeful, that perhaps it's not too late for him to look for connections.
So the apocalypse rolls around-
Machigai makes a deal with Saito that in exchange for his freedom (*eagle screech*) he would keep his mouth shut about anything the Hyakuya sect discovered while Machigai was there.
Machigai seeks out the Demon Army where he successfully keeps his half vampire identity a secert until someone on his squad gets blackmailed into revealing it. Before that, he gets a cursed weapon, a pair of daggers. And lo and behold, the demon possessing the daggers is his own mother. Unfortunately since the now demonic mother didn't witness Machigai growing up, she falsey believes to be able to still shape Machiagi to her will. After getting locked up by the army, Machigai completley gives up, only wishing for his miserable existence to end (spoiler: It won't! Ever. :) ). He ultimately loses any and all trust he has in humanity or just anything in general.
After about half a year of grueling torture and some experimentation, Machigai gets freed (kidnapped) by Ferid and promptly brought to Kyoto Sangiuem. Krul Tepes, finding Machigai to be useful in her fake-ish war against humanity and whatever she's planning with Yuu and Mika, lets him be part of the japanese vampires under Ferids faction. Ferid found himself unwilling to deal with the often uncooperative and irritated new "recruit" so he did what he does best and made it Crowley's problem.
After a rather agressive and disrespectful first impression, Machigai was officially a... coworker? of Crowley and thus also Chess and Horn in Nagoya. The three got the additional task by Ferid to somehow domesticate this feral and angry stray animal and get him to open up. At least that's how Ferids orders were phrased. Shenanigans, Drama and FeelingsTM ensue.
(How did I write so much??)
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