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#tiara thief
zackmartin · 27 days
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surprise gift for @ciara-knightly 🎁 (★☆★)
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partiallypearl · 27 days
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happy birthday @ciara-knightly i'm so glad that i've gotten to know you because of tiara thief, so here's a knight squad gifset!
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ciara-knightly · 6 days
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red sky morning
a knight squad AU fanfic
🗡️ relationship: ciara and arc, with minor friendship feels on the side for phoenix squad 🗡️ rating: G 🗡️ words: 2073 🗡️ summary: It’s not that Ciara doesn’t like Arc. He is the new guy, after all, and she hardly knows him. But Arc is a Kraken, and she doesn't trust anyone on Kraken Squad.
🔗 link: https://archiveofourown.org/works/55354852
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soni-dragon · 2 years
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Off to a new adventure!!
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find-y0ur-j0y · 2 years
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Back on my knight squad kick 😂
I just finished writing 3 chapters of a Tiara Thief fic... does this fandom still exist?
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artist-issues · 5 months
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I Saw Wish
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And it was the worst animated Disney movie I’ve ever seen. I have to watch it again before I can get into the nitty gritty details. But I don’t need details to sum it up, because my dad actually said it perfectly as we left the theater:
“It was like someone who didn’t really understand Disney movies tried to make a Disney movie.”
Both the form (the technical arts of filmmaking) and the content (the morals, values, and themes of the movie) were totally horrible.
I don’t know who’s fault it was. Jeremy Spears was in the storyboard room and Mark Henn and Eric Goldberg did some 2D animation. But they must have gotten outvoted, or they must not care anymore.
Because holy cow. Here’s some stuff that’s just off the top of my head.
SPOILERS. Not that it matters, because nothing interesting happens in this movie.
The writing? Terrible. Ninety percent of it feels like the characters are filling time with quirky one-liners that are trying too hard to be appealing, then failing, then taking you out of the movie. The jokes aren’t funny. The characters just respond to each other in conversation to check a one-liner box. The other twenty percent is whole conversations repeating tell-don’t-show exposition that has already been covered, usually twice, in previous scenes. Like if in Tangled, every scene had included some variation of Rapunzel saying to friends and enemies alike, “I have to see the floating lights so I’m sneaking to the castle with this thief who wants a mysterious tiara I hid from him. Don’t tell my mother, she’s a bit overprotective!” Over. And over. And over.
The character motivations are way too broad. Asha? Her dream is just “that everybody around me gets to be happy.” That’s it, in a nutshell. No deeper exploration of that. Nobody asks, “why do you care so much?” Nobody tries to convince her she should look out for herself, and then she proves she was right all along. The King? We are told (not shown) that he doesn’t want anyone else’s dreams to be “destroyed.” But he in no believable way expresses that that motivation is still what’s driving him during the movie—what’s driving him is just a plain old lust for power, no nuance.
By the way, the whole premise of the movie? Undercooked. Half-baked concepts strung together with no definitive meaning. Therefore, it’s not believable. Example: The characters act like the wishes are beautiful—well, actually, no, this movie doesn’t know how to show, so there’s not a lot of meaningful acting—the characters just tell us that wishes are “the most beautiful part of someone,” and that’s why it’s worth going through this adventure to give their wishes back to them. But there’s no proof of that in the movie. In fact, it directly kicks it’s own legs out from under that idea, because it has every character who gives up their wish forget that part of themselves. Asha’s grandfather has forgotten his wish, but that doesn’t make him any less “beautiful.” She, and everyone, still treats him like he’s this wonderful old man who deserves the world, who everyone loves…but why is he so appealing? If he “gave up the most beautiful part of him?” The only character who is changed by their lack-of-wish is the Sleepy-analogue character…who is just sleepy, which is described as “boring.” But nobody else who’s given up their wish in the whole kingdom acts like that. It’s just him. Also, the King acts like it’s so important to protect the wishes from destruction. But what does destroying a wish look like? That actually happens to Asha’s mom. Her wish-bubble is broken, literally, and she just says she feels grief. But like. Why? She never remembered it in the first place; it had been missing from her life for years. Also, what the heck is a wish?! It seems to range from broad concepts like “inspire people” to “fly.” Just “fly,” like a bird. The desire to levitate off the ground is the most important, beautiful essence of one background character. Like, what?! But no character ever has the why behind their wish to make us care.
I could go on and on about that point. Like, think about Disney movies that wrote the book on how to make movies about characters with wishes. If Ariel were in Wish, her bubble would look like “dancing and learning and exploring on the Surface with someone who understands her.” But we believe that that is her real, genuine wish, and that it matters to her, because we are shown why being understood is so important to her. Because it’s missing from her life. There’s a scene where she explores a boat alone, and even her best friend doesn’t get excited about it with her. Her dad won’t listen to her point of view. Her siblings don’t ask her about her life even when they think she’s in love. She wants what she wants because of pieces of her life that we are shown.
We are never shown why Asha’s grandfather is obsessed with inspiring people, so we have no reason to believe it, or care whether he gets it or not. We can’t feel disappointed when his wish is said to “never come true,” like we did when Quasimodo was abused by the people he wished to join. We can’t feel elated when he finally “gets” his wish, like we did when Simba smiles on Pride Rock remembering the same way he used to as a cub and claims the crown with a roar. We don’t have anything to hang on to, nothing to relate to, nothing to grasp and feel with the characters. So we don’t feel, because they didn’t put the work in to help us feel. They just say, “the mom’s feeling grief. Feel grief.” And expect us to do the work ourselves. I have to stop harping on this point and move on.
But The main point of the movie is very broad because of that lazy premise, and it’s barely reinforced by any kind of appealing storytelling. If I had to guess, the point would be “Keep wishing for more even when it’s hard.” But the story they told to communicate that meaning was so unimpactful. Asha doesn’t have a dream of her own that’s such hard work to accomplish! (Neither does her grandfather; his wish is “to inspire people.” And at the end, we’re supposed to see him strumming a guitar and believe it’s inspiring? We were never shown how he worked hard to learn how to play the instrument. Or that he carved it with his own hands, or anything like that. So there’s no meaningful demonstration of working hard for it or achieving your wish even if it’s far out of reach.) And nobody except the king is trying to take wishes away from anyone, and he just does it literally, after they voluntarily give them to him, so there’s not even any impactful demonstration of “don’t let anyone tell you your wishes are dumb or unachievable, or stop you from reaching them.” Even when he takes them away, it’s just because they…could, someday, be used to threaten his kingdom in a vague, really unlikely way. There are so many things you could do with “keep wishing for more even when it’s hard.” For instance; you could say the main character has always been afraid to dream (wish for more), because maybe when she was a kid something wonderful almost happened but ended in tragedy, so she keeps her head down and doesn’t want much because if you don’t dream you’ll never be disappointed. She takes no risks, and has to learn that sometimes trying and failing is worth more than slogging through life all self-protective. I mean, the pieces were right there. She has this line about her dad, and how she wished he would get better but then he died. She has lines about how nobody should have to live with grief?? Then that’s never addressed again! It’s just a throwaway emotion-moment with no buildup or follow-through to tie it to and support that main theme.
The compositions of too many shots were so terrible. Characters got cut off in weird places. One shot has Asha dead center, with her grandfather on the left side of the table and her mother on the right, having a family dinner with a super exposition-heavy conversation that is meant to be emotionally charged. But despite everything else being perfectly centered, half of her mother’s body is chopped off. The movie’s shot like someone’s mom who doesn’t understand technology tried to take a video with her phone.
The charm of the art “style” wears off basically immediately. I know what they were going for. I see the sketch lines and watercolor textures. This is maybe the first time Disney ever failed to accomplish a visual “look” that turned out good. Everything looks dull. Muted. De-saturated. Slightly out of focus, but not in a cool Spider-Verse way. The sets or backgrounds are lazy; at no point does the scenery look complete; big, empty, boring spaces that do not create any kind of “stage” for impactful moments. The rendering looks unfinished. When Asha’s hair moves during her belting of the “I Make This Wish” song, it’s bad. It’s unnatural. It flops in a way that doesn’t make sense for the weight of her hair. The most impactful visual moments come from the villain, and they’re moments when he looks way too unhinged for the kind of line he’s saying.
There is no interesting character development. Asha goes from believing everyone is basically good and their wishes deserve the chance to come true , to….that, again. That would be fine, she could be a static character, if she proved contrast-characters wrong, in a believable way. But she never does. Because no other characters argue with her except the King. And it goes no deeper than “everyone’s wishes are basically good and they deserve the chance to make them true” vs. “nuh-uh, because I get to decide what makes them deserving.” The King doesn’t have any kind of interesting development, either. They don’t expand on his tragic backstory—it consists of one drawing of him near a broken boat, and a few images of the corner burned off of his family taoestry. They never say “King Magnifico wished for _____ and it was taken away!” They literally never tell you what his wish or dreams were, or what motivated him to create the whole kingdom that the movie’s premise sits on. So there’s no convincing sense of progression, how he got this way, why he’ll keep going “so far.”
The pacing is weird. It undercuts every moment that could have any kind of emotion behind it. One minute Valentino is suavely bouncing around, then he’s given a two-second beat to blubber with badly-animated tears that he’ll miss Star—then he instantly gets to have another funny one-liner so we forget he might’ve been sad a second ago. We’re clearly supposed to believe that the King and his wife are devoted to each other, and his turning evil was such a big betrayal, but there’s no time and no impactful evidence for us to believe either of those things. And even if we did, the moment he’s defeated and trapped in a mirror, and begs to be let free, the Queen kind of shrugs it off, makes a forgettable one-liner, and tells them to throw him in the dungeon. And he doesn’t look remorseful. And we don’t even get to assume he’s embarrassed or emotionally devastated that he’s come to this—because the last thing he says is “nooo, the dungeon is so smellyyy!” Like this is a half-baked LEGO short that can’t get emotionally deeper than what an actual 3 year-old’s parents might be okay with.
And that’s the worst offense: The movie is not genuine. It works hard for nothing, and it has no vulnerability. It just uses old Disney standbys to pretend to be vulnerable. Have the music swell and the characters gasp and the songs drip emotion when characters are meant to be saying or doing something emotional.
But truthfully, think of all the Disney movies you’ve ever seen with the hardest emotional moments. The sheer joy of Genie when he realizes he’s free. The anguish when Elsa thinks Anna’s been frozen forever, or when Anna thinks she’s dead. The trauma when Simba loses Mufasa. The longing and dreaming of Ariel when she reaches up out of her grotto. The sense of foreboding when Mother Gothel says “fine, now I’m the bad guy” or the heartbreak in Rapunzel’s eyes when she thinks Flynn has abandoned her, or the shame on Aladdin’s face when Jafar reveals he’s a street-rat, or the horror of cruelty when the stepsisters rip up Cinderella’s dress, or Kala’s tears when Tarzan leaves her in the treehouse, or Sarabi’s tears when Simba comes back, or Mulan’s father tossing aside the sword and token of the Emperor to embrace Mulan, or heck, even just Lilo pushing Stitch in the woods and telling him “get out of here.” This movie has no moments like that. It has moments you can tell that the filmmakers wanted to hit like that—but they don’t.
Because no work is put into building them up. You know how much Simba loves Mufasa, because you’ve been watching their chemistry more than any other character all the way up till he dies. You know how much Mulan wants to please her family because she spends all of Act I desperately attempting to do that. You know Quasimodo believes the world below is beautiful and wants them to accept him because he has interesting things like—talking to gargoyles, convincing us that he’s lonely; building a scale model of the townspeople, convincing us that he sees them in a beautiful way and wishes he were beautiful in more ways than one like them, too.
Right down to the facial expressions, none of them are as anguished, happy, sad, excited, silly, in any convincing way like all of Disney’s other movies. Asha’s “low moment” when she’s afraid her “wish” hurt everyone else (still vague on what that wish ever was) lasts two seconds, she’s not crying, she’s barely sitting with slumped shoulders, and her family barely spend two seconds comforting her. They basically just say, “aw, no, it’s not y fault, it’s the king’s.” And she’s like, “yeah okay” and that’s that. It’s like the animators we’re afraid to animate really intimate emotions on the characters’ faces. The voice actors, too.
And the whole movie is peppered with Easter eggs to past Disney movies. But all that does, if you really know Disney beyond the visuals, is make you think of how hollow this movie is in comparison. How much you wish you were watching Cinderella or The Little Mermaid or something with depth and vulnerability instead of Wish.
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oepionie · 1 year
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OEPIONIE PRESENTS...
" THE CROWNED PRINCESS OF RAMSHACKLE. "
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↳ ONCE UPON A TIME IN TWISTED WONDERLAND, Buried under towering stacks of papers, the Ramshackle prefect is stuck at her decrepit dorm, mulling over homework and magical textbooks. However, it seems that a strange magical tiara found in the depths of her attic might just change her plans for the night.
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BOOK  I : DOWN THE RABBIT HOLE. riddle rosehearts
RIDDLE ROSEHEARTS x TWISTED! ALICE! Reader
SYNOPSIS: A dispute with Riddle prompts the prefect to flee into the forest where she falls into a rabbit hole and finds herself in a mad fantastical realm of her imagination. Here, she meets her friends who are acting somewhat strangely… odd. They all treat her as royalty and whisk her away to a castle where her husband, the Red Queen, eagerly awaits her return. How curious.
W.K : 9K+
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BOOK  II : HERE COMES THE PUMPKIN CARRIAGE. vil schoenheit
VIL SCHOENHEIT x TWISTED! CINDERELLA! Reader
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BOOK  II : THE DIAMOND IN THE ROUGH. jamil viper
JAMIL VIPER x TWISTED! JASMINE! Reader
SYNOPSIS: After Kalim escapes the palace undetected, a shady beggar girl offers her assistance for a tour in the city. However, the poor boy is unaware that she's secretly planning to steal from him. Coming to his rescue, Jamil appears by his side to stop her before she could succeed. It's then revealed to Kalim that the beggar girl is Jamil's bride-to-be. The thief was none other than the lost princess of Ramshackle, Y/N Dire.
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BOOK  IV : THE COTTAGE IN THE WOODS. malleus draconia
MALLEUS DRACONIA x TWISTED! AURORA! Reader
Coming soon...
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BOOK  V : LA VOCE TO ME. azul ashengrotto
AZUL ASHENGROTTO x TWISTED! ARIEL! Reader
Coming soon...
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—TAGLIST:
꒰ ♡🧷: just comment to be added! if you can't see your name on the taglist, that means i can't @ you!
@keedas @spadecentral @crypticbibliophile @pastellepastary @cassidycampfire @cocomollo @poisonioushearts @kawaiipotatoghost @ramvuda @sweeneyblue1 @the-lost-anime-dad @kyraxiyn @mayaaaeo @tbhyknow  @eeveelutiontrainerr  @jelsah27 @as-the-moon-blooms  @bonleyweeb  @ch0c0shortiie @siphoklansan
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landoffreaksandfrogs · 6 months
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vriska/vrisrezi in the bloodswap? is this a thing?
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no one expected some dirty nobody gutterblood and the heiress to be the best of friends, but when the plucky thief somehow robbed her of her tiara right under her nose, terezi recognized that vriska had unique potential that shouldnt be wasted on being a janitor
vriska skyrocketed to being terezis right hand troll, and as a result, got plenty of privileges that most trolls like her werent granted. protection from the future empress left you virtually above the law. naturally, this went to her head.
it all came crashing down when she actually killed aradia, a purpleblood. terezi chose to save face and abandoned her, declaring vriska a wanted criminal.
in retaliation, vriska attempted to usher in the literal actual apocalypse by trying to use her telekinesis to hatch pyralspites egg, which will usher in the end of the world.
she only managed a single crack, but while terezi stared into the tiny black hole, she saw unfathomable depths of chaos and darkness of the pure unfiltered FURTHEST RING and gouged out her own eyes. fun!
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astrovenomous · 20 days
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thank you everyone so much for your likes and re blogs on my last picrew post!!!!!!!!!!!!!!! (very very happy)
here's some stuff that's already ...uh ready! (pics here and boring words under the cut)
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all godtier outfits!!!! (heir, seer, knight, thief, prince, page, bard, rogue, mage, maid, sylph, witch *and* including lord & muse!!!!)
prince's tiara (nah i *am* calling it that, it sounds fancier that way) and rogue's mask are now done with all recolours! (i was delaying it all the damn time for like a week or so lol)
bard's codpiece is an option!! so you can choose to have it on or not going anywhere near it; as your heart pleases
OH YEAH i added eyes! now working on hairs/mouths/horns
btw if you have any ideas for hairs/horns or literally anything else, i would be very happy if you could submit them in my ask!!! (/nf, if you want ofc)
yeah im running low on ideas T~T EITHER WAY!!!! thank you and now i will go thinking about some not generic bangs long hair combos *siiiiighhhh*
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zackmartin · 6 days
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KNIGHT SQUAD FIFTH ANNIVERSARY ☆ texts posts | part two
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partiallypearl · 9 months
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“Thanks for helping.” 
“I know you’d do the same for me.” 
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ciara-knightly · 1 year
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best laid plans
a knight squad fanfic
⚔️ relationship: arc x ciara/tiara thief
⚔️ rating: T
⚔️ word count: 5881
⚔️ summary: Four times Arc and Ciara kiss, and one time they decide to stop keeping count.
🔗 link: https://archiveofourown.org/works/45829666
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soni-dragon · 2 years
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If that’s not a face of being absolutely in love, I don’t know what is
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find-y0ur-j0y · 2 years
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A Knights Tale
Summary: Rewind the clock and reset to a time when our lovely squad are still in Knight School. Settle in for a tale of friendship, romance, adventure and goofy hijinks. Ride along with the Princess of Astoria as she learns to juggle what growing up is really about!
The first chapter of my new tiara thief Knight Squad fic is now up, Read it here on AO3: Link
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gabithefanwriter · 1 year
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Crash the Wedding, Kidnap the Bride, Simple Plan
Edgin x Female Reader
I watched this movie back in April okay? Don’t hate me lmao
I shook my head, feeling the emotions overwhelm me. I wanted to cry so badly, but I had to stand strong.
I made a promise. I couldn’t break it, but still...
I wanted to be with my real family, not this one that makes plans for me. I am a Princess, and I could never be a free soul, even as I learned the ways of becoming a cleric. I still had to say goodbye to Doric, to Simon, Holga, Kira and Edgin.
Edgin.
I hated myself for it. The heartbroken yet surprised looks they had all given me for revealing who I was, who I truly was.
The large white gown stood like a creampuff around me. I anted to tear it all off, but I stood still as my handmaidens placed on my tiara and my veil, handing me the bouquet full of daisies. I looked in the mirror and saw the necklace that I had to hide soon.
A necklace in the shape of a forget-me-not. My favourite flower.
I still hated myself for falling for the bard. The thief, the father of the little girl who I began to consider as my own. 
Why did I have to fall for Edgin of all people?
“Your Majesty,” I turned to a guard who nodded his head, “It’s time.”
My time as a maiden was almost up. Soon, I was to be wed to the Prince of another nearby kingdom. One I despised.
I felt my heart ache as I slowly made my way towards the great hall. I had to fight the urge to cry. I was doing this for my kingdom. For my people. I would lose my happiness for everyone I held dear, doing everything they wanted. 
But for now, I could only smile as I gently touch the necklace before going, taking in the feeling of freedom for only a little bit longer before it completely slips through my fingers.
***************
I was walking down the aisle, my veil hiding my look of defeat. I could see him there, smiling as if I were a prize to be won. I bit my lip as I finally made my way towards him, gently stepping on the podium. The priest was there, and I felt my freedom slowly slip away. I couldn’t hear the priest, I couldn’t focus on the prince before me, all I thought about was Edgin. His sweet, bright colourful and full of mischief eyes. Edgin, the bard who sang to me when I needed it, the man who showed me true freedom, who I had chased away after I revealed my identity to protect them. 
Edgin, the man I wanted to actually marry.
“If anyone objects to this union, speak now or forever hold your peace...”
“I OBJECT!”
My eyes turned and I saw him there, the doors falling closed behind him, throwing him forward. I swore I heard him mutter something along the lines of “that wasn’t how I planned it but sure I guess”. He then looked up to me, and I felt my heart race at the look he gave me. “I object to this wedding.”
I didn’t dare fight the smile that slowly creeped up on my lips, even as my eyes held worry as I stared, “Edgin, what are you-?”
“I don’t want you to marry anyone, Y/n,” he began softly, making his way to me as I slowly got down to meet him halfway, holding his face in my hands. He continued, “I only want you to marry me, because you’ve made me so happy in ways I thought I’d never feel again. I want to be by your side, and I want you by mine, because I love you, Y/n/n. You matter so much to me.”
I smiled, a stray tear falling down my cheek, “I love you too, Edgin.”
I wanted to kiss him, but I felt myself get ripped away from his hold. “Edgin - NO! EDGIN!”
He outstretched a hand to reach me, but the guards pulled us away from each other, and I couldn’t help but thrash against them. I was brought to stand with my betrothed as Edgin was held by the guards, looking at my father. “You - YOU BARD! I told you to leave my daughter alone!”
“You are a thief!” The prince cried out, “Trying to steal my bride!”
Edgin only smirked, “I confess: I am a bard, a talented, good-looking one, and I confess that yes, I am a thief, but I didn’t try to steal your bride. I already stole her heart,” his eyes met mine with a mischievous glint, “So it’s only fair I steal the rest of her from you.”
I looked up and saw Simon and Holga and before I knew it, chaos was everywhere. My hand was caught and then dragged away, and I only saw the giant distractions they added, including smoke and thievery of jewels. I looked up to see who held my hand, smiling as I realised it was Edgin. I paused only to rip off the giant skirt and continued running with him. Keeping a fair distance, I saw the horses and quickly jumped up, grabbing the reins as I settled into the seat and galloped away from the church. I saw Simon and Holga catching up, and I laughed, letting out a yell of delight. 
I was free. 
I turned to look at Edgin with a giant grin on my face after we slowed to a walk. His smile mirrored mine. 
We soon reached the house where I saw Doric and Kira. I happily jumped off the horse and ran to an already sprinting Kira, throwing herself in my arms. I smiled and picked her up. “Hey kiddo.”
She squeezed me even tighter, and I felt tears running down her face, dripping onto my neck. “I thought you left for good.”
I didn't fight to remove the smile from my face, my own tears slipping as I just embraced her. "I'm here, Kira, I'm here to stay."
She slowly pulled away, "Good, because as much as I missed you, dad missed you even more."
I felt my cheeks warm up, along with the ends of my ears, nervously biting my lip as I turned to see everyone going in the house.
****
Dinner had ended hours ago, stars beginning to shine through as I stayed there, on the roof of the house.
I was finally free.
My mind wavered back to my wedding, when Edgin told me he loved me.
"Enjoying the view?"
I turned my head to see him, smiling as he sat beside me. I looked back at the stars, smiling. "Yes, I really am."
We sat there, just staring until I decided to finally break the tension. "Did you mean what you said?"
Edgin turned to face me, "Huh? You mean back at the church?"
I nodded, and I saw a smile break onto his lips. He caressed my cheek, my heart beginning to race as I felt him get closer. "I do. I love you, Y/n. I never thought I could love again after..."
After Kira's mother. His wife.
I went to cup his cheeks, smiling at him reassuringly. "I love you too, Edgin. Really, I do."
I finally let our lips connect, and it felt perfect, as cheesy as it sounded. Fireworks erupted in my chest as I brought myself closer and closer, until there was barely any room left. I was free, I was with my family, I was with the love of my life.
Nothing could ruin this moment for me.
After we separated, his eyes were full of love, until he asked a question, a look of worry.
"Will the guards be after you?"
I thought about it, "Possibly. I'm unsure, but there is a possibility."
I heard Edgin groan, and I couldn't help but laugh. "That's what happens when you rescue a princess-cleric and steal her from a wedding."
"Are you complaining though?" He asked, quirking an eyebrow with a smirk. I shook my head. "Not one bit."
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kujakumai · 1 year
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citron/thief being a combination "guy whose preferred fashion items include a tiara" + "guy who considers himself the king of all thieves but has never figured out how to express affection normally" means the first three months of this relationship are a serious test of how much you can overstuff Marik Ishtar's jewelry box before it just stops closing and how long he can pretend not to notice you're silently leaving him shiny things the same way a cat leaves dead birds on the back porch
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