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the-feral-lady · 1 year
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Here’s a new preview for a new song I have coming up! Check out my Instagram and give me a like, follow, share, and click the link in my bio to stream “Shepherdess” if you want to support my music making ! 🎶 xoxox
Shepherdess
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approachmedia · 2 days
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Leading Film Production Company in Vancouver - Approach Media
Approach Media, a leading film production company in Vancouver, specializes in delivering top-tier video production services. Our team in Vancouver, BC, is dedicated to creating captivating visual content tailored to your needs. Explore our comprehensive services for exceptional video production in Vancouver. Visit us to discover how our expertise can elevate your projects.
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honeyboothca · 1 month
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Wedding & Event Videographers in Vancouver - Honey Booth!
Honey Booth stands as a beacon of excellence in wedding and event videography in Vancouver. We can capture timeless moments with storytelling video booths, which are designed to immortalize every joyous occasion. Visit Honey Booth; we understand the importance of preserving precious memories!
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cinematixmedia · 2 months
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Vancouver Video Production by Cinematix Media
Vancouver Video Production by Cinematix Media is a full-service Vancouver video production company dedicated to delivering unparalleled visual experiences tailored to clients and budgets of all sizes. We take pride in collaborating with brands to intricately weave their stories into creative and engaging visual narratives. Our commitment extends beyond mere visuals; we strive to evoke emotions that build lasting connections and drive meaningful results.
Our comprehensive services cover the spectrum of video production needs, including dynamic commercial film production, impactful branding and promotional video creation, and precise corporate videography. Elevating our offerings, we also specialize in aerial videography/photography, capturing breathtaking perspectives that add a unique dimension to the end result so clients can leverage the most out of our premium Vancouver video production services.
Contact Us: Vancouver Video Production by Cinematix Media 120 Milross Ave #1301, Vancouver, BC, V6A 4K7, Canada (778) 995-3309 https://vancouvervideoproduction.org
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New Music Video: “’Til We’re Dirt” - Melissa Endean
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fraserriverpictures · 2 years
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Top high-class Film and Video Production Company in Vancouver, BC
Fraser River Pictures is one of the leading web video content creation studios in the Vancouver area. We specialize in marketing and publicizing Brands through their seamless placements in customized videos targeting the right audience on YouTube and other streaming or social media platforms. We highlight the Brand by creating relatable content for the audience we want to target, making the brand part of their customer. For more details about service please visit our official website now. https://burnaby.locanto.ca/ID_5857270578/Top-high-class-Film-and-Video-Production-Company-in-Vancouver-B.html
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reiniesainyo · 2 months
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IN BETWEEN. charlie bushnell x reader – 01
01 | SPARKS FLY previous | next | masterfile
SYNPOSIS. when a girl's co-star is good to her and now she wants it more than everything in between. (smau)
A/N. this chapter is more like world building (it's where i explain what the fuck i'm doing with the YN okay)
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The "Percy Jackson and the Olympians" series at Disney+ has added an unexpected pick to its growing cast.
The new live-action series is based on the hugely successful novels from author Rick Riordan of the same title. We will be seeing YN LN join the series as Rina Velasco, one of the supporting characters of the show.
LN's Rina Velasco is referred to as "the offspring of The Muses, goddesses of the sciences and the arts." Unlike most other demigods, she is born out of the artistic and scientific output of the muses. When the moral ingenuity of humans meets the divine musings of The Muses. Her character is described as a unique allrounder who becomes a mentor figure to our main cast as they embark on their journey.
This will be LN's first on-screen role of her career. LN's experience mostly lies in Broadway, she is known for playing Kim in the Miss Saigon revival on Broadway. LN was nominated for a Tony in 2022 for the same role. She is repped by Salonga/Chien Entertainment and B817 Agency.
Riordan posted on the Meta app, Threads, about this update to the casting saying: "YN was one of the actors we didn't expect to see a tape of but when we saw it, we couldn't help but fall in love with her. She embodies the spirit of Rina so well and is such a kind spirit, we can't wait for you to fall in love with her too! Welcome to the cast, YN!"
The live-action show is based on Rick Riordan's Percy Jackson book series. It tells the fantastical tale of the titular 12-year-old modern demigod (Scobell), who's just coming to terms with his newfound supernatural powers when the sky god Zeus accuses him of stealing his master lightning bolt. With help from his friends Grover (Simhadri) and Annabeth (Jeffries), Percy must embark on an adventure of a lifetime to find it and restore order to Olympus.
Production on the show is now underway in Vancouver. Riordan and Jon Steinberg are writing the pilot with James Bobin directing. Steinberg and his producing partner Dan Shotz are overseeing the series and serve as executive producers alongside Bobin, Rick Riordan, Rebecca Riordan, Bert Salke, Monica Owusu-Breen, Jim Rowe, Anders Engström, Jet Wilkinson, and Gotham Group's Ellen Goldsmith-Vein, Jeremy Bell, and D.J. Goldberg. 20th Television is the studio. Salke was formerly the president of Touchstone Television and originally put the show into development.
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liked by percyseries, iamcharliebushnell, and 37,789 others thelnarchive the child of the muses @percyseries
percyseries OUR MUSE!
user1 this is literally perfect casting who cried i did ↳ user2 she's so rina coded! thank the gods for the casting directors
iamcharliebushnell only muse in my life ↳ thlnarchive only traveler in my life ↳ user3 the way filming hasn't started and they're already like this ↳ user4 their chemistry is chemistry-ing
user5 roman empire. she is my roman empire.
dior.n.goodjohn i LOVE LOVE LOVE women ↳ thelnarchive HELP i love you
user6 this is so fcking random but i NEED her in a taylor swift music video
A/N i truly hope you guys can forgive the horrible editing in the pictures. the article portion is based on (and has some parts that are directly pulled from) this article from variety ! here's some succint information about rina velasco, the PJO character YN LN plays (and is my childhood OC!) - rina velasco, filipino, 18 years old (year younger than luke) - she's an offspring of the muses, not directly a child or daughter, though she may be referred as such - by her being an offspring of the muses, i mean that she was born in the same way athena's children are born. - but in rina's case she's more like a weird conglomeration of each muse. her birth is a rare event, but her mothers are honored as minor goddesses so she stayed in the apollo cabin (connection to music) - rina operates as a guidance figure for the main trio, especially annabeth - she's also luke's love interest, there's a lot of tragicness and doomed romance stuff with those two - and for the sake of everyone, we pretend like the weird i love you from the books didn't happen !
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volleypearlfan · 11 months
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Canadian Cartoons Are Great
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Today, the popular cartoon YouTuber Saberspark uploaded a video talking about the infamous “fart episode” of the 2023 Total Drama series. The comments were filled with hatred and generalizations towards Canadian animation. These terrible comments are not the fault of Saberspark, but it is true that the “big users” in the cartoon community are (mostly) Americans who spread myths and stereotypes about Canadian cartoons. This has bothered me and a few others for quite a while, so here, I’m going to prove why Canadian animation is great, actually, and dispel common misconceptions
All Canadian cartoons are about fart jokes - if you say stuff like this, you clearly have never seen a Canadian cartoon outside of Total Drama and Johnny Test. That’s like if I said “all anime is naughty tentacles” or “all American cartoons are about anvils falling on your head.” And don’t act like your precious USA cartoons and anime are exempt from toilet humor. One example of an anime with toilet humor is Panty and Stocking with Garterbelt - their first episode was about a monster made out of shit. And we all know about the gross out cartoons such as Ren and Stimpy.
Canadian cartoons are cheaply mass-produced because of CanCon - No. What CanCon ACTUALLY states is that a certain percentage of content on a Canadian channel has to be Canadian-made. The policy is about supporting Canadian art, not “mass-producing” cartoons, since this applies to ALL Canadian TV and radio content, animated or otherwise.
Now, let me tell you some reasons why Canadian animation is actually great
Some of your childhood shows, such as Arthur, Franklin, and Little Bear are Canadian in origin.
Some of the most acclaimed cartoons within the cartoon community, such as Ed Edd n Eddy and MLP:FIM, were both animated in Canada and had voice actors from there (same talent pool, in fact - Vancouver)
Inspector Gadget and the Beetlejuice animated series helped keep good animation afloat during the 80s. In a decade full of uninspired and insipid cartoons, these were two of the highlights.
Canada is still a great place to outsource animation, as proven with the works of Nelvana, Mercury Filmworks, Jam Filled, and countless others.
If you grew up without cable, you probably watched PBS Kids and/or Qubo a lot. Guess what - lots of the shows on both of those channels were Canadian. For example: the PBS Kids Bookworm Bunch: Timothy Goes to School, Seven Little Monsters, Marvin the Tap-Dancing Horse - these shows are all Canadian! Qubo was also home to Jane and the Dragon, Jacob Two Two, Babar, Spliced, etc - they’re all Canadian too.
Because Canada’s censors are far more lax compared to American ones, Canada has made huge strides in teen and adult animation. Such shows include Total Drama, 6teen, Detentionaire, Undergrads, Producing Parker, etc as well as the movie Heavy Metal.
Also because of the lax censors, Canadian cartoons had positive LGBTQ representation far before the United States did. One episode of 6teen has a character stating “I’m gay,” and in Braceface, the main character assists her gay friend in finding a boyfriend. Unsurprisingly, these episodes never aired in the US.
6teen also dealt with periods before Turning Red, Baymax, and Molly McGee did it (again, the episode was banned in the US).
Finally, here are a few Canadian cartoons I recommend, and where to watch them:
Cybersix (it was a Canadian and Japanese co-production). The whole thing is on TMS’ YouTube channel.
Redwall is on Pluto, and there are episodes of it on YouTube courtesy of Treehouse Direct
Toad Patrol (unfortunately you’re gonna have to resort to low quality YouTube uploads)
Silverwing - again, the complete series is on YouTube
Detentionaire- On Tubi and Pluto!
Ruby Gloom is a great show if you like cute gothic stuff; it too is on Tubi and Pluto
The Adventures of Sam and Max: Freelance Police - on Tubi
One of my favorites, The Raccoons. Basically the Canadian equivalent to The Simpsons, and with a banger ending song. The show’s production company has uploaded episodes of it for free on YouTube.
The original Clone High was animated by the legendary Nelvana (if you’re wondering, the new season is not outsourced to Canada 😔) It is on Paramount Plus and HBO Max
Undergrads - yet again on YouTube, in low quality unfortunately. Like Clone High, it was on MTV.
I also recommend watching some short films from the National Film Board of Canada. My personal favorite is the Log Driver’s Waltz.
Tl;dr - American cartoons are not bad because of Allen Gregory, anime is not bad because of Pupa, and Canadian cartoons are not bad because of Johnny Test or fart jokes.
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approachmedia · 2 days
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Elevate Your Projects with Top Video Production Company Vancouver
Approach Media stands out as the top video production company in Vancouver. Their dedicated team in Vancouver, BC, combines creativity and technical expertise to produce exceptional visual content. From corporate videos to marketing campaigns, we specialize in bringing ideas to life on screen. Explore our services to see why we're the preferred choice for video production in Vancouver.
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honeyboothca · 1 month
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Documenting Your Love Story with Wedding & Event Videographers in Vancouver
In conclusion, hiring a professional videography service in Vancouver has many advantages that make it a must-have for your wedding day. From expert, high-quality footage to unique perspectives on your big day and a keepsake that will last a lifetime, wedding videography is a great way to capture all the magic on your big day and keep it forever.
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baiyunli · 10 months
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how to watch baseball now: a primer
This is a long, hopefully-comprehensive guide on how to watch baseball for hockey fans feeling adrift during the offseason — I have constructed this from the perspective of not only how to understand what you’re watching, but how to make it interesting to yourself.
If the numbers aren't interesting to you, forget about the numbers! They don’t have to exist in your version of baseball. Make up your own rules and use them to watch the game. Watch games only for the one kind-of okay player you like. Pick your favourite team because of a video you saw of one of them bouncing a baseball off his ass (Sean Murphy, then of Oakland A's and now of Atlanta Braves). Baseball Olds will try to pretend like the game is this big thing that only people who already watch it can appreciate, but you just have to find what you love most about it. 
I’m using the NHL as my best point of reference: in terms of growing the game, I’d say MLB suffers from a very different problem than NHL (other than like, the current uproar around letting queer people exist, which is a throughline in both), in that while the NHL has a very exciting product but can’t reach people where they’re at, baseball is by and large perceived as a boring, slow game and the league will bend over backwards to make polarizing changes to the Boringest and Slowest parts rather than capitalizing on what excites fans about the game. However, both leagues are plagued by Shitty Commissioner disease. Such is the way of life.
Feel free to read all of this, or none of it, but I’ve tried to split it up in a way that makes sense and is easy to navigate. Last note: many people will tell you baseball is the only major sport going on in North America at this time of year. This is false. The WNBA and NWSL are both in full swing—not to mention the World Cup next month. Supplement your baseball watching with a wide variety of sports where you can!
How to Love Baseball
Pick a Team, Any Team
The first step in becoming a baseball fan is obviously picking a team! I could probably give you NHL comparatives and let you figure it out from there, but I don’t personally think your favourite NHL teams have much bearing on your favourite MLB ones, so I’ll give you a quick and dirty rundown of my teams instead and how you might want to pick a team.
The easiest team for me to love is the Seattle Mariners because I live just across the border, and they aren’t good enough to be annoying but also not bad enough to be embarrassed about. They’re just kind of there, which I enjoy greatly. I also love the Philadelphia Phillies because they’re my friend’s favourite team. They went on a Cinderella run to the World Series last year (before losing to the Astros in the final) and are now solidly middling. My other favourites are the Washington Nationals because of their fantastic social media presence and their hilarious stadium traditions. The current-day Nats are very much the epitome of "how can we lose when we're so sincere?"
Some teams you might want to look into are the LA Angels (actually of Anaheim) for Shohei Ohtani, the Milwaukee Brewers for — at least from what I understand — their boyband energy similar to the New Jersey Devils, the Baltimore Orioles or Tampa Bay Rays for an exciting and winningest team, and the Oakland A's for a miserable fan experience including horribly dysfunctional team management and a coming relocation to Las Vegas. 
The easiest team for me to hate is the Toronto Blue Jays, which is a result of their god complex re: being the only Canadian team. A funny thing from this season is that the Rays opened their season with a historic 13-game win streak, only to be killed 6-3 by the Blue Jays to end it. Something about Toronto teams and ending another team’s 13-game heater, or whatever.
Also look into any local teams if you can. In Vancouver, our local minor league team is the Vancouver Canadians, and setting up a little picnic on the grass with friends while watching a Canadians game is a summer staple. Here’s a very cute article about them. There are a variety of lower-level and exhibition teams across the world, especially in countries where baseball is incredibly popular. One exhibition team is the Internet-famous Savannah Bananas who are dearly loved on TikTok. If there isn’t a huge baseball foothold in your area, it’s worth looking into which MLB teams are most popular where you live and/or have the most coverage. Some analytics sites like FiveThirtyEight will occasionally create maps showing each team’s popularity in different states, countries, etc. and that can be a great guide.
Petty Rivalries 101
You can always just Google these, but I decided to just list off a few major ones for your perusal: the Yankees and Red Sox, the Rangers and Astros, the Dodgers and Giants, and the Orioles and Nationals. As Toronto Maple Leafs scholar Acting the Fulemin once put it, the point of sports is to be sad in a group, and the counterpart to this is that it absolutely rules getting to see a team you hate lose.
A quick note on the Yankees-Red Sox rivalry is that it's brought us one of my favourite ever quotes from ex-Mariner and current Yankee Nestor Cortes:
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Once you’ve chosen a favourite team, they’re bound to have some kind of geographic or historic rivalry, and you can search those up to find out the background behind them. Also, I highly suggest deciding on a random team you hate for no reason. It makes the season experience much more interesting and gives you the chance to pray on their downfall whenever possible.
Where to Watch
As with most things about baseball, this will vary by your team. Depending on your cable package, you might be able to watch your favourite team already! That’s great news. Even if you can’t, feel free to turn on the TV, find a random baseball game, and imprint on either of those teams like a baby bird. The MLB website offers games broadcast with an MLB.tv subscription, but if you have an account you can also watch the Free Game of the Day and collected highlights from previous games! This is a great way to expand your team repertoire and figure out which team broadcasts you hate with a burning passion. Local radio stations do commentary on games if you like listening to that. 
If you just want to get your feet wet rather than diving in straight away, pretty much every major game of the postseason will be uploaded by some “FirstName BunchOfNumbers” user on YouTube: for example, you can watch Game 1 of the World Series last year by just searching 2022 World Series Game 1 Full Game. However, watching the full game might be a slog if you don’t know what’s going on, and you can learn the intricacies of the sport without having to watch all four hours and twelve minutes of like, the 1962 World Series Game 7 (although that is a very exciting game). In that case, skip to the ‘How the Game is Governed’ section and read on.
All of this pertains to MLB teams, but there’s plenty to watch elsewhere. If you have a local baseball team, you might be able to catch a game or two in-person! Minor League Baseball also has their own broadcasting services and highlights are available on YouTube or their website. 
League Structure
The MLB season is 162 games long. Spring training, aka the preseason, begins in February. During the regular season, teams play a three or four-game series with the same team before playing another with a different team. For example, this month the Philadelphia Phillies played 3 games in a row against the Washington Nationals on consecutive days. The day after the conclusion of their last game against Washington, they started a series against the Tigers, which was three games with one rescheduled due to weather, and then another three games against the Dodgers. This leads to a schedule that looks like this:
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Occasionally, due to weather issues or other postponement reasons, a game will be rescheduled for the same day as another game against the same team — so they’ll play two full games in one day. This is called a double-header. They used to be routinely scheduled in MLB, but now they’re only played as a result of scheduling problems.
Team-wise, it’s a little more complicated than the NHL. Like the Eastern and Western conferences, MLB is separated into two ‘leagues’: the American League (AL) and the National League (NL). Both leagues have fifteen teams, and until the 1990s teams in different leagues didn’t play each other during the regular season at all, leading to different styles of play, tactics, and rules implemented between them. This is no longer the case! However, it’s important to recognize that unlike the NHL, NBA, NWSL, etc., Major League Baseball comprises two leagues, rather than two conferences of the same league. This matters because individual awards like the Cy Young or Gold Glove are given to the best players at their position in both the AL and NL, and the MLB MVP includes both an AL MVP and NL MVP. 
MLB is made up of six divisions, with three in each league: AL East, AL Central, AL West, NL East, NL Central, and NL West. A division has five teams. If you know much about US geography, you might notice that the teams in each division don’t actually correspond very well to their geographic location: this is for a variety of reasons, not least of which is expansion teams requiring change in division partitioning, but nobody’s going to fix it at this point. And that’s okay!
Fandom and Things As Such
Baseball fandom, regrettably, is not much of a Tumblr phenomenon these days, but Baseball Twitter does have some incredible gems. The Baseball RPF tag on AO3 is also fairly fleshed out (albeit not to the extent of HRPF) and you’ll find that many authors who write HRPF have dabbled in baseball as well. If you’re lost on where to start choosing a team, going through the AO3 grab bag and choosing a random player who you really like in a fic is also a very respectable avenue.
I cannot stress this enough: the easiest way to learn the game without having to learn the characters is reading baseball AUs. That’s it. They’re ten times more approachable than trying to memorize everyone on your favourite team’s roster, and they abound in HRPF if you’re looking for a landing port. I have witness testimony from Lil (@wymgreenteam) that she learned what pitching signs and shortstops were from the wonderful Jack/Nico baseball AU. It works! Obviously fanfiction won’t teach you everything, but if you’re feeling overwhelmed they can be a fantastic first step and really illustrate the game from a fan perspective.
Other Media
I will caution against taking the ‘consume baseball-related media’ advice too seriously, because I find that unlike baseball AUs, other media involving baseball does not always come from someone who watches and loves the game. Think of it like hockey romance books—just like the main characters of those novels are probably not scoring hat tricks in 5 consecutive games, they probably aren’t reaching such baseball heights either.
With that said, I have not watched Daiya No Ace but I’ve heard that people do enjoy it! For genuine baseball culture-oriented media, Roger Angell wrote fantastic articles and books on the game. I love his book ‘Five Seasons: A Baseball Companion.’ Then there are movies like Moneyball and shows like A League of Our Own which tackle specific aspects of the game and how it’s played. Depending on your eventual favourite team(s), hometown coverage will also play a huge part: for the Phillies, that’s outlets like the Philadelphia Inquirer or Penn Live.
Narratives
Once upon a time there was a young man named Shohei Ohtani who was breaking records set in the 1920s while playing on a horrible, failing team that refused to build around him. I assume you have some familiarity with Ohtani, but he is very difficult to describe because he is literally making history. He is the only two-way player in MLB right now: a two-way player is someone who is both a pitcher and a batter; there are a ton of rules about what constitutes a two-way player, but currently Ohtani is the only true two-way player at the Major level. This is not a perfect analogy, but he’s sort of like if Jason Robertson went out there and had a 50-goal season, then immediately jumped into net and played like Juuse Saros. He’s the best all-around player in MLB, and even though he isn’t the best pitcher or the best batter, the fact that he’s incredible at both of them makes him stand out. He also plays with Mike Trout, who’s breaking records of his own, while trying to drag the LA Angels to any sort of notoriety. Here is a prescient article about the Ohtani-Trout era in Anaheim.
Each team has their own current narratives and pairings, but Ohtani and Trout are the biggest one right now. People compare them to McDavid and Draisaitl, but it’s more like if the Oilers had McDavid and Draisaitl but were also one of the worst teams in the league right now. However, Trout is currently in the worst slump of his career while the Angels have won the last 11 of 14 games, so really all this means is that baseball is fake.
Baseball is rife with redemption and villain arcs—you just have to dig a little to find them. I have presented the Ohtani and Trout trainwreck because it’s the closest comparable to the Oilers tragedy, but there are plenty others that really depend on team and current events.
Bush Leagues
MLB teams have a very different relationship to their minor-league affiliates than NHL teams do. There are about five hundred various regional minor leagues, but the MiLB levels are Rookie, Single A, High A, Double A, and Triple A, each of which has two or three individual leagues similar to the AL-NL system in MLB.
The fun thing about MiLB is that it’s a lot closer to home than MLB! Most places don’t have an MLB team, but there’s a good chance anywhere in the USA has a nearby MiLB or regional/collegiate league team. They also have way more interesting names, like the Portland Pickles, Rocket City Trash Pandas, and Sugar Land Space Cowboys. The prospect pipeline in MLB runs a whole lot slower than it does for the NHL, and generally through those Double or Triple-A affiliates, so it’s definitely worth paying attention to minor-league teams and their standout players to see who might be the next rookie on your favourite team.
MiLB player compensation has been an issue for a long time, and the players recently unionized! A few great write-ups on it: 1, 2, and 3.
Regional Popularity
I’ve said this plenty, but I truly do think that finding your baseball niche hinges upon imprinting on a hometown team or a player you just really like. This sport isn’t just an American pastime: it’s hugely popular in Central America and parts of East Asia, and some of the best and brightest up-and-coming (and current) players hail from countries that haven’t traditionally been viewed as bastions of baseball. The game is growing every day, and it’s wonderful to see.
Baseball is very popular in the Dominican Republic, Cuba, Puerto Rico, Japan, and Korea. Out of those, I’d probably say the Dominican Republic has the largest MLB presence, with only American players outnumbering Dominican ones in the league, but the sport is also fast-growing in Japan, Korea, and Australia. Japan won the 2023 World Baseball Classic, which is the baseball equivalent of the World Cup of Hockey, where the best players in the world compete against each other and Shohei Ohtani (captain of the Japanese team) pitched to Mike Trout (captain of the American team) in possibly the most electric moment of baseball in the 21st century.
How to Understand Baseball
How the Game is Governed
Rather than doing a big writeup on this, I figured I would just find some articles and videos that go through the rules well and hold your hand through it! Think of these like helpful assets, similar to the first time you search up ‘what is goaltender interference’ or 'what is offsides' after hearing it mentioned on the play-by-play and a goal got turned over and all the fans were mad and you wanted to be in on the reason why. This is that search.
Baseball Explained in 5 Minutes
How to identify baseball pitches
Everything there is to know about the The Strike Zone in Baseball.
Intro to Baseball: Positions
What’s going on with the DH in MLB? (MLB Originals)
Rules Glossary | MLB - PDF Version
Lastly, once you’ve got a good grasp on the rules and positions, I probably wouldn’t go straight to watching a full game—you want to make sure you’re using your three hours well rather than staring at a game you don’t really get or don’t care about, or both. Instead, watch YouTube highlights of various players and best (or worst) plays of the week! This gives you an idea of what creates excitement in a game and why, and different positional strengths. From there, you can start watching longer clips, like full innings or the highlights uploaded after each game, which give you a better idea of the game’s pace. 
Pressing Play
While I was writing this I remembered that a fun and unique baseball tradition is players having walk-up songs when they’re up in the batting lineup.
Most teams will post their players' walk-up songs on Spotify, YouTube, etc. and while there are a few songs that are synonymous with legendary players - like Mariano Rivera's "Enter Sandman" - players usually like to switch up their songs. Often, a song will become emblematic of an era in that team's history (Anthony Rizzo's "Intoxicated" and the Cubs' 2016 playoff run). After a while, you'll notice patterns in what players pick.
Learning about each player’s song rotation can be extremely revealing, like Mark Canha switching his walk-up songs to Born This Way, Vogue, and I Wanna Dance with Somebody in honour of the Mets Pride Night last week!
Diamond Sports Bankruptcy
I’m not going to pretend to know anything about broadcasting or RSNs, but Diamond Sports, the group that runs Bally Sports, recently filed for bankruptcy, which has really affected some franchises’ profit margins and where their games can be streamed. Not sure if this interests you, but you can read about it here!
The Oakland A’s Relocation
Again: I’m not an Oakland fan, but there’s a lot of debate right now about the owners of the Oakland Athletics moving the team to Vegas despite the wishes of the town and city. Rob Manfred, the MLB commissioner, also made rude comments about Oakland fans as a result of their Reverse Boycott Night, where almost 28,000 fans came out to support the team. A professional sports league commissioner acting like an asshole to fans of a small-market team is nothing new, but it’s the culmination of a lot of drama between terrible owners and a market that loves their team.
The Long, Storied History of Cheating
The long, storied history of cheating in MLB encompasses not only stealing signs and tipping pitches, but also foreign substance usage on hands (which pitchers sometimes try in order to change how they pitch the ball), illegal equipment, and more. It’s kind of a lot. The most notable, recent case is the 2017 Houston Astros World Series Win.  
Houston’s Fucking Astros
Nobody likes the Astros except Astros fans. They won the World Series last year and are universally hated, not least of all because of the 2017 cheating controversy. 
In baseball, ‘signs’ are what catchers use to communicate to pitchers what kind of pitch they should throw. These rely on knowledge of the hitter currently on the plate and catching them by surprise. Each pitcher-catcher battery will usually have their own signs. In 2017, a year in which Houston won the World Series, the team set up a video camera in the center field seats with a full frontal view of the catcher, and they would use that to figure out what pitches the pitcher would throw. Then from the dugout, whoever was watching the video feed at the time would use a signal (audio cues, like banging garbage can lids) to tell the hitter who was up what pitch they had to expect. This was mostly possible because of the time delay between a catcher signalling and a pitcher throwing, which has been changed by this season’s pitch clock implementation. 
In 2020, The Athletic published the first exposé article about the Astros cheating scandal, and it rocked the baseball world. Several immediate consequences followed: the Astros GM and field manager (head coach) were suspended for the full 2020 season, and although players received no punishment, the team gave up four draft picks (their 1st and 2nd round picks in 2020 and 2021). 
Pitching and Sticky Stuff
Pitchers applying foreign substances on their hands is always a controversy in MLB games. Recently, star pitcher Max Scherzer was ejected and suspended 10 games after an umpire decided his hand was unusually sticky. TLDR: cheating is common, and consequences vary. Nobody has gotten over the Astros cheating scandal.
Expected By Whom
A quick rundown on the analytics side of the game and how baseball stats look very different both in their progress and insights than hockey. This is how you can sound like you know ball.
The Moneyball book does a great job explaining the rise of sabermetrics (baseball analytics) in the early 2000s, starting with Billy Beane and the Oakland A’s. Because MLB doesn’t have a salary cap and their luxury tax isn’t difficult for big-market teams to pay, small-market teams like Oakland have to constantly innovate in their game tactics in order to stay competitive, and that’s why the game today is so numbers-oriented. Watching a baseball game, you’ll see far more stats than you would in an NHL broadcast: OBP (On-Base Percentage), ERA (Earned Run Average), pitching speed, slugging percentage, pythagorean win percentage, and more. Do not fear the big numbers. You don’t have to know what every stat means in order to love the game, but if you watch enough and you hear commentators discussing what, say, Kodai Senga's ERA is, you’ll come to learn what they mean! In a pinch, you can also easily just search up ‘league average [stat]’ to figure out what the standard is.
Some websites that are really instrumental in baseball analytics are Baseball-Reference, FiveThirtyEight, and FanGraphs, plus YouTube channels like Foolish Baseball and statisticians like Bill James and Tom Tango. Baseball is a lot further along in its analytics revolution than hockey, and as a result, such analysis is not just a thing for Stats Nerds but also a huge part of the way the game is played and watched today. Personally, I love stats that assess umpire accuracy in calling strikes, and so Umpire Scorecards on Twitter is one of my favourites.
It's Too Long and Too Much Money
If Connor McDavid played in Major League Baseball and was close to the kind of player he is in the NHL right now, he would be getting paid north of 400 million dollars, not to mention endorsement money. Instead, he sold his soul to a sport where reporters ask about his biological clock and his only consolation for living in Edmonton is his heated driveway.
Because MLB payrolls are so much larger than the NHL’s and they have a luxury tax rather than a salary cap, contracts are worth much more. The sport itself is less volatile as well: both a product of the longer season (larger sample size) and the luck factor inherent in chance-based games like hockey that isn’t present as much in baseball, a player's year-to-year performance is easier to predict and therefore teams feel more comfortable betting on their production. In contrast to the NHL’s 8-year limit & penalty for long contracts (like the Kovalchuk deal), and bridge deals made when a player hasn't demonstrated that their performance is sustainable, MLB GMs often give their stars contracts over 10 years, and for hundreds of millions of dollars total. Mike Trout is on a 12-year contract for almost $430 million, and by several estimates, his endorsements and the money he receives for being named All-Star, AL MVP, etc. brings that up significantly.
MLB front office terminology is very similar to the NHL, but their contracts differ in another important way: baseball players can opt out of a contract and enter free agency. For example, last season Carlos Correa agreed to a 12-year, $310m deal with the New York Mets, but the Mets were worried about the results from his physical and his injury history, so they pulled out of the deal before the season began and instead, Correa signed with the Minnesota Twins on a six-year, $200m contract.
The Used Boy Auction
Drafting in MLB works very differently than the NHL. The amateur draft (the Main one, which is also called the Rule 4 Draft) takes place mid-season and lasts 20 rounds (used to be 40), plus picks that teams are given as compensation for other events. Teams can draft players either out of high school or college baseball—while the majority of players in the early days were picked right out of high school, nowadays the largest percentage are collegiate players. High school players are only eligible after graduation, and they don’t have junior leagues like the OHL or USHL. Players at universities can only be drafted after their 3rd season there in order to avoid going to a university only for drafting purposes. 
Teams retain the rights to sign the players they draft until July 15 of the following year, and a player who does not sign with their team is eligible to be signed once again as long as they meet the age and educational requirements (attending an academic institution, three years of college, etc.) Unless the player has consented to be re-selected by their old team, they cannot be chosen again in another draft year. This leads to players like Brandon Belt having been drafted three times, by the Red Sox, Braves, and Giants, and ultimately playing for the Giants after his college career.
The Rule 5 Draft is another major part of the MLB drafting system. It's sort of similar to what happens in the NHL with an expansion draft, but it takes place in the winter every year. As the MLB prospect pipeline moves slower and it's easy for teams to Stockpile high-quality prospects and bury them in the minors due to the team's current success, this draft aims to ensure that young players have a chance to play in the bigs on a team that needs more manpower. Not every team has to select a player in the Rule 5 draft; last season, 15 players were taken, including the Nats selecting Thad Ward and the Phillies selecting Noah Song.
Here's the official MLB description of the drafting process:
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Podcasters or Whatever
My most toxic trait is that I unfortunately love listening to sports podcasts, so here are some good baseball ones:
The Athletic Baseball Show
Ballpark Dimensions
Effectively Wild
The Strike Zone
I hope this serves as a useful first step! Feel free to reach out to me if you have any questions or want to yell about baseball - I wrote this for two people, so if either of those two people find it helpful, the three hours I spent on it will have been worth it.
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natlacentral · 2 months
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‘Last Airbender’ Star Dallas Liu Celebrates Renewal, Increased Opportunities for Asian and Indigenous Actors
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The cast and crew of “Avatar: The Last Airbender” are still waiting to hear what their creative team has in store for Seasons 2 and 3.
“We have no idea,” Dallas Liu, who stars as Prince Zuko in Netflix‘s live-action adaptation of the Nickelodeon animated series of the same name, told me Wednesday night at Vanity Fair and Instagram’s pre-Oscars party, Vanities: A Night for Young Hollywood, at Bar Marmont. “We have literally zero details. I was hoping for something, but Netflix is staying pretty tight-lipped about it right now.”
They haven’t even been told when production will resume.
Even so, Liu is excited, specially because more seasons means more representation. “The Asian and the Indigenous community have so many talented actors and actress,” he said. “I feel like we could go in any direction that we’d like.”
Earlier on Wednesday, Netflix announced the series was renewed for two more seasons. Liu recalled the cast being told the good news during a Zoom call. “Basically, they told us, ‘We need you to be on a Zoom call because we have some post-launch things we’d like for you to do,’ but then I saw there like 50 people on the call,” he said.
Star Daniel Dae Kim initially pranked the young actors by saying on the call that the streamer wasn’t “able to announce a Season 2 for our show.” But then he said, “They are able to announce a Season 2 and 3.”
The cast also includes Gordon Cormier, Ian Ousley and Kiawentiio. Netflix released a video of the Zoom call on YouTube. It has more than 441,000 views as of Thursday morning.
“It was a huge moment for all of us because we had spent so much time with each other on the project,” Liu said. “After the release of the first season, the only thing we wanted was more seasons.”
The show was shot in Vancouver, but production may move to another location. “We’re going to be in a completely different setting for Season 2, so we’ll see. I’m always down for a ride.” Liu said. “I can’t wait to see what the writers have in store for us.”
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pjotvshownews · 2 years
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THE PERCY JACKSON TV SHOW: WHAT WE KNOW SO FAR
This post is as of May 15th, 2022. All posts like this will be under “#what we know so far” on this blog.
What We Know
General
It will be a live action series on Disney+
Rick Riordan and Becky Riordan are heavily part of the process, including overseeing the series with their production company, Mythomagic, Inc. and as members of the writers’ room.
Season 1 will cover book 1 and will be 8 episodes.
Production starts June 1st, 2022, and will end January 25th, 2023
Currently optimistically planned to be released in 2023.
Casting
Percy Jackson will be played by 13-year-old Walker Scobell
Annabeth Chase will be played by 12-year-old Leah Sava Jeffries
Grover Underwood will be played by 16-year-old Aryan Simhadri
Walker, Leah, and Aryan are already in Vancouver and are working on their swordplay, stunts, and “fine-tuning their knowledge of Greek mythology and their characters.”
Casting calls have gone out for other characters that appear in the first book, but these are closed calls so only those with agents could audition.
Casting for characters that show up in later books, such as Nico, or later series, such as Heroes of Olympus, wont happen for a very long time
Production
Executive Producers: Rick Riordan, Becky Riordan, Jonathan E. Steinberg and Dan Shotz
Pilot Director: James Bobin, who will also direct the second episode
Jet Wilkinson and Anders Engstrom have also signed on to direct.
Production Designer: Dan Hennah
Costume designer: Tish Monaghan
The show will be filmed at Mammoth Studios in Vancouver
They plan to use a similar filming process to The Mandalorian (Industrial Light and Magic’s “Volume” stage: 360-degree virtual technology) (video on how it works).
They have been scouting for filming locations over the past few months.
The Writers’ Room
Writers: Daphne Olive, Monica Owusu-Breen, Joe Tracz, and Rick Riordan and Becky Riordan
Assistants: Xavier Stiles, Zoë Neary and Stewart Strandberg
Scripts for episodes 1-4 have been submitted.
Working on outlines/scripts for the rest of the season.
Season 1 follows book 1 but they’re “adding a lot of interesting nuances, depth, Easter eggs and backstory” to keep the story fresh and fun for those who know the books well.
Until the next post like this (aka, when there has been enough new information to make a whole new post), I will be posting updates of what news and little tidbits of information we get as they happen. Follow here and/or on Twitter.
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Two principles to protect internet users from decaying platforms
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Today (May 10), I’m in VANCOUVER for a keynote at the Open Source Summit and later a book event for Red Team Blues at Heritage Hall; on Thurs (May 11), I’m in CALGARY for Wordfest.
Internet platforms have reached end-stage enshittification, where they claw back the goodies they once used to lure in end-users and business customers, trying to walk a tightrope in which there’s just enough value left to keep you locked in, but no more. It’s ugly out there.
If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/05/10/soft-landings/#e2e-r2e
When the platforms took off — using a mix of predatory pricing, catch-and-kill acquisitions and anti-competitive mergers — they seemed unstoppable. Mark Zuckerberg became the unelected social media czar-for-life for billions of users. Youtube was viewed as the final stage of online video. Twitter seemed a bedrock of public discussion and an essential source for journalists.
During that era, the primary focus for reformers, regulators and politicians was on improving these giant platforms — demanding that they spend hundreds of millions on algorithmic filters, or billions on moderators. Implicit in these ideas was that the platforms would be an eternal fact of life, and the most important thing was to tame them and make them as benign as possible.
That’s still a laudable goal. We need better platforms, though filters don’t work, and human moderation has severe scaling limits and poses significant labor issues. But as the platforms hungrily devour their seed corn, shrinking and curdling, it’s time to turn our focus to helping users leave platforms with a minimum of pain. That is, it’s time to start thinking about how to make platforms fail well, as well as making them work well.
This week, I published a article setting out two proposals for better platform failure on EFF’s Deeplinks blog: “As Platforms Decay, Let’s Put Users First”:
https://www.eff.org/deeplinks/2023/04/platforms-decay-lets-put-users-first
The first of these proposals is end-to-end. This is the internet’s founding principle: service providers should strive to deliver data from willing senders to willing receivers as efficiently and reliably as possible. This is the principle that separates the internet from earlier systems, like cable TV or the telephone system, where the service owners decided what information users received and under what circumstances.
The end-to-end principle is a bedrock of internet design, the key principle behind Net Neutrality and (of course) end-to-end-encryption. But when it comes to platforms, end-to-end is nowhere in sight. The fact that you follow someone on social media does not guarantee that you’ll see their updates. The fact that you searched for a specific product or merchant doesn’t guarantee that platforms like Ebay or Amazon or Google will show you the best match for your query. The fact that you hoisted someone’s email out of your spam folder doesn’t guarantee that you will see the next message they send you.
An end-to-end rule would create an obligation on platforms to put the communications of willing senders and willing receivers ahead of the money they can make by selling “advertising” in search priority, or charging media companies and performers to “boost” their posts to reach their own subscribers. It would address the real political speech issues of spamfiltering the solicited messages we asked our elected reps to send us. In other words, it would take the most anti-user platform policies off the table, even as the tech giants jettison the last pretense that platforms serve their users, rather than their owners:
https://pluralistic.net/2022/12/10/e2e/#the-censors-pen
The second proposal is for a right-to-exit: an obligation on tech companies to facilitate users’ departure from their platforms. For social media, that would mean adopting Mastodon-style standards for exporting your follower/followee list and importing it to a rival service when you want to go. This solves the collective action problem that shackles users to a service — you and your friends all hate the service, but you like each other, and you can’t agree on where to go or when to leave, so you all stay:
https://pluralistic.net/2022/12/19/better-failure/#let-my-tweeters-go
For audiences and creators who are locked to bad platforms with DRM — the encryption scheme that makes it impossible for you to break up with Amazon or other giants without throwing away your media — right to exit would oblige platforms to help rightsholders and audiences communicate with one another, so creators would be able to verify who their customers are, and give them download codes for other services.
Both these proposals have two specific virtues: they are easy to administer, and they are cheap to implement.
Take end-to-end: it’s easy to verify whether a platform reliably delivers messages from to all your followers. It’s easy to verify whether Amazon or Google search puts an exact match for your query at the top of the search results. Unlike complex, ambitious rules like “prevent online harassment,” end-to-end has an easy, bright-line test. An “end harassment” rule would be great, but pulling it off requires a crisp definition of “harassment.” It requires a finding of whether a given user’s conduct meets that definition. It requires a determination as to whether the platform did all it reasonably could to prevent harassment. These fact-intensive questions can take months or years to resolve.
Same goes for right-to-exit. It’s easy to determine whether a platform will make it easy for you to leave. You don’t need to convince a regulator to depose the platform’s engineers to find out whether they’ve configured their servers to make this work, you can just see for yourself. If a platform claims it has given you the data you need to hop to a rival and you dispute it, a regulator doesn’t have to verify your claims — they can just tell the platform to resend the data.
Administratibility is important, but so is cost of compliance. Many of the rules proposed for making platforms better are incredibly expensive to implement. For example, the EU’s rule requiring mandatory copyright filters for user-generated content has a pricetag starting in the hundreds of millions — small wonder that Google and Facebook supported this proposal. They know no one else can afford to comply with a rule like this, and buying their way to permanent dominance, without the threat of being disrupted by new offerings, is a sweet deal.
But complying with an end-to-end rule requires less engineering than breaking end-to-end. Services start by reliably delivering messages between willing senders and receivers, then they do extra engineering work to selectively break this, in order to extract payments from platform users. For small platform operators — say, volunteers or co-ops running Mastodon servers — this rule requires no additional expenditures.
Likewise for complying with right-to-exit; this is already present in open federated media protocols. A requirement for platforms to add right-to-exit is a requirement to implement an open standard, one that already has reference code and documentation. It’s not free by any means — scaling up reference implementations to the scale of large platforms is a big engineering challenge — but it’s a progressive tax, with the largest platforms bearing the largest costs.
Both of these proposals put control where it belongs: with users, not platform operators. They impose discipline on Big Tech by forcing them to compete in a market where users can easily slip from one service to the next, eluding attempts to lock them in and enshittify them.
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Catch me on tour with Red Team Blues in Vancouver, Calgary, Toronto, DC, Gaithersburg, Oxford, Hay, Manchester, Nottingham, London, and Berlin!
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[Image ID: A giant robot hand holding a monkey-wrench. A tiny, distressed human figure is attempting - unsuccessfully - to grab the wrench away.]
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Image: EFF https://www.eff.org/files/banner_library/competition_robot.png
CC BY 3.0 https://creativecommons.org/licenses/by/3.0/us/
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brafta · 3 months
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Invisible Threads 9!
Post-VMA Parties in NYC and Vancouver... Beatrice Wang and Ava Silva, Once Again
The real fun at the MTV VMAs was extended with celebrities like Ice Spice, Beatrice Wang, and many others attending the afterparties to celebrate the big night of victories. That Saturday night gained even more vibrancy thanks to various post-VMA parties – some grand in New York, while the main ceremony unfolded. Beatrice Wang emerged as the biggest winner of the night, clinching a total of 7 victories, including Video of the Year, Artist of the Year and Song of the Year. The singer also surprised the audience during her acceptance speech by announcing the first part of the eagerly anticipated new album, which will serve as the soundtrack for Suzanne De Angels' film "No Body, No Crime." However, the real surprise of the night wasn't Wang's speech – perhaps a bit – but what truly grabbed attention was the unexpected arrival of Ava Silva at the VMAs. Surprisingly, Silva also caught Beatrice off guard, who was performing at the moment she noticed Silva in the audience. During their arrival in the Big Apple, Ava and Beatrice were spotted with slightly smudged makeup, notably featuring Beatrice's lips stained by the lipstick Ava was wearing. With the conclusion of the filming for "No Body, No Crime," Wang didn't hesitate to show her support to the production team and, most importantly, to her girlfriend Ava. Sources close to TMZ revealed that the couple displayed affectionate gestures not only towards each other but also with the entire production team and cast. While we don't have photos of the moment, interviews with insiders provide details of the event. One contact shared, "Ava and Beatrice stayed in their own little world for a while, but that didn't stop them from celebrating with the rest of the team. Beatrice was there to offer support." Another source added, "It was the first time I saw them do that. I always saw them holding hands and nothing more. They stayed that way for a short time; the focus seemed to be just celebrating with the cast."
It appears that criticisms related to their relationship haven't affected the couple, who continues steadfast in their romance.
read on ao3
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