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#watery tarts
drconstellation · 6 months
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Once and Future Royalty
Just, stay with me on this one. I know its going to look crazy at the start, but trust me, I know where I'm going.
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It all started with the 537AD scene in Wessex in the opening montage of "Hard Times," S1E3. Yeah, the one where Aziraphale is supposed to be a knight of the Round Table and Crowley is role-playing the Black Knight, and they are both so super-squeaky shiny clean - not a speck of dirt or mud on them. wtf! It looks out of place, unrealistic, and was bugging the crap out of me, like a stone in your shoe. It just didn't fit. I mean, why put a myth, a legend, into that sequence? Oh, OK, yeah, the preceding stories from the Bible, like the Garden of Eden and the Flood, aren't "myths" as well, you say? Hmm. In the context of the Good Omens AU, being a biblical based story, they belong there far more than the legend of King Arthur.
King Arthur, who supposedly united Britain under his rule during the late 5th century and early 6th century, was shown to have the divine right to rule by wielding the mighty sword Excalibur. Some stories tell of Arthur pulling Excalibur from a stone. Some tell of him receiving Excalibur from the Lady of the Lake. Either way, it was bestowed upon him by divine grace. Despite his triumph in battle, he left no heirs, as his queen, the fair Guinevere, was barren. She had a long-running love affair with the greatest knight of the court, Sir Lancelot, but despite this being an open secret in court Arthur would not put her aside. The knights of the Round Table in the court of Camelot were near-paragons of Christian virtue, and there are many tales of their search for the Holy Grail, the cup from the Last Supper of Jesus Christ.
In the end, mortally wounded in battle, Arthur was taken away for healing, and never seen again. It was said he would return when Britain was at it most direst hour to save the day once more. A "messianic" return.
The Once and Future King.
Now, I'm no Arthurian novice; I drank up all of T. H. White as a teenager, read the Dark is Rising multiple times, Marion Zimmer Bradley's interpretation and what ever else I could lay my hands on for a good couple of decades. And there is LOTS of King Arthur stuff around. You are not left wanting for anything new to read or consume. And I'll bet there are a fair few of you also out there who know a quite bit about the legend as well. Oh, and I can't tell you how many times I have watched Monty Python and the Holy Grail. I still walk around quoting it day-to-day, like the good little Gen-Xer I am, having grown up on that stuff. So I really should have listened to my intuition when bits of Monty Python kept popping up in my brain in response to other parts of GO I was thinking about. (Staaay, I said, stay with me here....)
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I kept chewing away furiously on the Wessex problem, growling in feral frustration at it, but also kept reading and sorting out some other ideas and metas at the same time. Eventually I found the key in a tiny little post, about a small detail in the 1941 Blitz episode S2E4, of all places. I wanted to slap myself with how much was staring me in the face so obviously once the door opened. And the damn beauty of it is, that I already written about some it, out of context, without knowing the why.
OK. Where to start this journey...hmmm, back to Monty Python, because, guess what - the Wessex scene is actually riffing off one the more famous skits out the the Holy Grail. The scene is a masterpiece of political satire, from start to finish, but the relevant part here is this sequence:
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In case you missed the salient points: Arthur claims he is king by divine providence, because he was given Excalibur by the Lady of the Lake. Dennis the peasant protests this waterlogged method of determination, mentioning ponds, watery tarts and a moistened... well, I hope you get the idea about where this is going.
Meanwhile, in 537AD, Wessex, as the mist swirls around them:
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"It is a bit damp," complains a shiny silver Aziraphale.
Yes, Excalibur would be a bit damp after it emerged from the Lake. (vidavalor! Get your mind out of the gutter! I'm trying to have a serious discussion here! Please! And I wasn't even going to go anywhere near what the sword in the stone is really meant to be referring to...it's not even relevant to the discussion at hand, I swear! Well, there is going to be sexual relations mentioned but - oh, never mind...)
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Right. Where were we. Lets leave those super-clean elite pretendy knights to swim off through the swirling mist back to their dry homes to write and file reports to head office, along with Patsy and the hired Igors, and Dennis can keep playing in his lovely muddy filth after he finishes protesting being repressed by the divinely-deluded Arthur. I've got a bit more to say about what Aziraphale and Crowley might represent here later but you need some more context first, so lets move on. I just needed to show you the first bit so you can see the Arthurian theme stretches across both S1 and S2, and will likely appear in S3 as well. More about that towards the end.
Ah, before I forget...another ref from the Holy Grail we need to cover:
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This GIF, unfortunately, doesn't have the full exchange between the peasants, which is this:
P1: "Who's that then?" P2: "I don't know. Must be a king." P1: "How can you tell?" P2: "Because he doesn't have any shit on him."
Ah. Er. OH!
Have you made the connection?
Who have I been emphasizing as being unusually clean in their Arthurian setting? That's right, Aziraphale and Crowley.
What's this implying? That they are royalty. Celestial royalty. Maybe not kings, but how about princes? You know how we've been discussing whether Crowley was a once at least an Archangel, and there is even a hint that he was a fallen prince of Heaven given during the replay of Gabriel's trial? (Not the prince, but a prince - a seraphim) And that Aziraphale may have once been Raphael, and may be again in the future? Once and future royalty. To me it adds weight to the past discussion, and helps to explain the assumed authority expressed in these two scenes here: On the left, Aziraphale takes control inside the book shop as the angels and demons argue who is going to punish Gabriel and Beelzebub (finally found it after several months!) and on the right, Crowley is shouting at the assembling demons in the street that they are "out of order."
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Onward, Patsy. (I hope you're still with me.)
1941, the Blitz part 2, minisode.
We've found Excalibur! On to Camelot!
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[Edit note: I've added a few GIFs and screen shots into the sequence of parallels above because I was thinking over a few things since I posted and felt this actually sat better. To try and explain, as they don't exactly match as I would like, in the Holy Grail movie, King Arthur and the knights he has gathered rock up at the foot of Camelot and gaze up in awe at it. "Camelot!" Arthur declares to the party. "Camelot!" Galahad echoes in excitement. And a third "Camelot!" comes from Lancelot. What do we get in GO? Aziraphale leaps out of the Bentley (Crowley's black horse) and declares "The theater! Sophocles! Shakespeare!" I swear, if you put the two side by side, they would match. It's not just a reminder of how much time Aziraphale has seen pass by, or that we are seeing a tragedy play out. But damn it, I could so just see Aziraphale attending a Sophocles performance in Athens back in the day...]
Camelot was King Arthur's castle and home of his court. In S2 of GO the Windmill Theater is established as our court of Camelot where our 1941 Blitz-era Arthurian drama is to play out, involving Furfur and the zombies.
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Yes, poor old Furfur. Two's company, three's a crowd, as they say. Now we know we're in Camelot, we need to be reminded of the central tragedy of the Arthurian story, that ultimately led to the golden kingdom's fall. Lady Guinevere, Arthur's queen, famously loved Sir Lancelot, and the two were passionate lovers. It was essentially a love-triangle at the top, with Arthur being jilted, but he wouldn't/couldn't discard his queen. Where do we see this playing out in 1941?
Furfur, pleased with himself for catching an angel and a demon in the act of consorting together (with the help of the zombies,) barges into the backstage dressing room, and confronts the lovers with their crime. But who is playing who in the Arthurian love triangle? I would say Furfur is clearly caught in the role of Arthur here. Consider the following exchange:
FURFUR: Hmm, well, well, well… What have we here? AZIRAPHALE: Sorry, have we met? FURFUR: Oh, no, you never had the pleasure, but… we have, haven't we? CROWLEY: Have we? FURFUR: What do you mean "have we?" You know we have. We were in the same legion. Just before the Fall. Doing dubious battle on the plains of Heaven. Remember? CROWLEY: I remember going into battle, I don't remember being there with you. Sorry. FURFUR: I was right next to you. We did loads together. You use to jump on me back, little monkey in the waistcoat. Anyway, whether you do or whether you don't, it doesn't matter. I'm here to inform you, as a representative of the Higher Powers of Hell, that you, Crowley, are in breach of the Infernal Code. Consulting and collaborating with an angel, Fell the Marvelous, aka… [opens book] Azirapalala. Azirapapap. Aziphapalala. AZIRAPHALE: [annoyed] Aziraphale
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Furfur claims a past intimate relationship with Crowley, which Crowley spurns offhandedly. Crowley is playing Guinevere here, jilting Furfur/Arthur, which leaves the demon-smiting Aziraphale standing in for the handsome hero Lancelot (with his French connections, no less), and doesn't he make us weak at the knees when he drops his voice an octave in dominating disgust. (Is it suddenly getting hot in here...? Phew!)
Interestingly, looking back in S1 at 537AD Wessex, though, I would say that Crowley was Lancelot as the Black Knight, a role that Lancelot sometimes played in the legends, and Aziraphale would then be the fair maiden Guinevere. It certainly plays into Crowley's long term role of playing the knight who comes to the rescue of Aziraphale's princess in distress. Excalibur was no where in sight, perhaps still beneath the waters of the lake. Nor Arthur. Perhaps it was still too early in the story then...
I had originally suggested in my very first post that Furfur was given a stag as his demon avatar because he was wearing horns for being cuckolded by Crowley. But I wasn't quite thinking about it in context with the Arthurian legend! The stag is also often associated with royalty, plus while wandering around the medieval bestiary website that someone linked to, it interestingly notes that the enemy of the snake is the stag and the stork (Shax's avatar.) Ah ha!
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So how can we extrapolate this knowledge into a possible appearance of the Arthurian theme in S3?
Will we see the love triangle of Arthur/Guinevere/Lancelot come back into play and cause more chaos? I'm wondering if it might have something to do with the Fall.
Or will our lovers bring down a divinely-appointed ruler via their committed behind-the-back defiance of expected propriety?
Will Excalibur appear from beneath the waters, perhaps in another form, to declare a new king?
Could it even be a combination Jesus/Arthur, King of the World, returned? And they turn out to be a very naughty boy, disappearing into the night clubs of Times Square, New York, and that's how they lose him? (Social media viral sensation, anyone?)
I wouldn't be half-surprised if Greasy Johnson's name turns out to be Arthur, actually.
And no, I haven't forgotten that Adam's dad was named Arthur as well.
Bring on S3!
**Bonus**
If you've made it this far and you're thinking:
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Let me leave you with this last connection.
In the back stage change room, remember Furfur delivers these lines:
FURFUR: What do you mean "have we?" You know we have. We were in the same legion. Just before the Fall. Doing dubious battle on the plains of Heaven. Remember?
On the first level, he is referring the Great War in the Good Omens AU.
On the second level, Furfur is paraphrasing Milton's Paradise Lost.
On a third level, I can (and will in a future meta) connect this back to the training initiative paintball fight at Tadfield Manor in S1.
And even deeper on a fourth level, if you do know the Holy Grail movie well, you'll remember there is an odd little subplot in it, that infers that the whole King Arthur and his knights thing is merely a full-on violent cosplay that is murderously rampaging across the countryside in the present day with the police in hot pursuit. It's a strange juxtaposition between reality and dream, and you aren't quite sure what it is real or not. The ending is bizarrely and abruptly surreal as the two story lines collide in the heat of battle, as the police turn up and arrest the combatants. A bit like this:
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yakourinka · 1 year
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these merchandise mumus are great
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spell-fox · 2 months
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you can't put a watery tart in a bucket 😔
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one of my favourite sentences in DAV20, imagine the Tremere testing this empirically. A bunch of Tremere gathered around a pool of water seeing how much of their colleague they can slosh around, while another one just turns into a rock
(from DAV20 Elemental Form discipline)
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sunthroughdarkclouds · 9 months
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Daughter of the River God
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so Mr diggity dog wants to be king of infrastructure, huh? sorry, Mr dog, but watery tarts in monoliths throwing swords is no system for government. I will be supporting the election of Joe Hills in the forthcoming revolution for democratically organised infrastructure control
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katsdndcorner · 1 year
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Art concept for one of the 'entities' for the campaign I run as a DM. This is Nermina, The Voice, The Water Witch, an entity of unknown origins that resides in the deepest parts of the ocean and serves as the patron of one of the PCs. She is weak now, but through her dedicated warlock she is growing in power.
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luminousrider · 2 years
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Watery Tarts Throwing Weapons
There are rumors that one of the students dropped their axe at a nearby lake. Out came an ethereal woman, holding both a golden axe and a silver axe, to ask them which one they had dropped. When they had said it was neither and instead chose their boring old axe, they were rewarded with an axe worthy of a true legendary hero! If there really is a lady handing out axes at the lake, then maybe it’s worth a shot trying to snag yourself something just as great. Or maybe you’ll dive into the lake, searching for it yourself. After all, she has to be getting these axes from SOMEWHERE, right? [Grants Axe +1]
@maligknightsthorns
There really doesn't seem to be an end to the similarities and parallels between the continent of Fódlan and Altena's home of Jugdral. Familial weapons that can only be used by those with the right blood, twelve warriors granted divine favor, a prestigious military academy, and now these rumors of a woman in a lake handing out axes.
It's enough to pique Altena's interest and get her to agree to accompany the professor to investigate the lake at the source of the rumors. And so the two women circle the air above the clear waters on their wyverns. While it's hard for her to imagine the story being completely true, Altena has certainly seen her fair share of strange happenings in her life.
"What do you think?" She calls out to her partner for the mission. "Do you think there's any truth to be found here?"
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hedgehog-moss · 1 day
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My recipe is for blackberry-frangipane tart, though I'm sure it could work with other fruit! (note: I tried with plums and found that the texture wasn't right, so maybe not with very juicy fruit)
For the frangipane filling, whisk in a bowl: white sugar (100g), melted butter (40g), almond powder (125g), and 2 eggs. If it looks a bit grainy rather than smooth that's normal. Spread it over whichever kind of crust you usually use for fruit tart (not sure what the English equivalent of pâte sablée is but that's the one I use)
Add your blackberries over it, enough to more or less cover the tart but only in one layer (you don't want to smother your frangipane). If you use frozen blackberries, do not unfreeze them before! It'll make the tart too watery.
Put in the oven for 20 to 40min at 180°C (depends on how powerful your oven is, but until the frangipane looks golden all over)
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Bon appétit :) It's my favourite fruit tart!
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paso-liati · 2 years
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Bunch of malignant rich bitches bout to go thru some things as they witness the celebrations of another malignant rich bitches death and that there is fuck all they can do to stop people being happy about it
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kcrossvine-art · 1 month
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Hi fellow adventurers!! Welcome to chapter 2! We're going to be attempting a nice lil fruit-focused quiche/frittata/pie thing. And yes, tomatoes are fruits.
Who says you cant eat totally normal things in a dungeon with definitely no monsters in them? 
You know what that means; Man-Eating Plant Tart!
(As always you can find the cooking instructions and full ingredient list under the break-)
MY NAMES CROSS NOW LETS COOK LIKE ANIMALS
SO, “what goes in to a Man-Eating Plant Tart?” YOU MIGHT ASKThe way its prepared in the show is akin to a frittata, but the crust is borrowed from quiche world.
Eggs
Whole milk
Bell peppers
Persimmons
Cherry tomatoes
Pitted green olives
Thinly sliced OR shredded sweet potatos
Salt
Pepper
In the show they use leftover hotpot stock, slime, and mashed up fruit as the batter ingredients. Fruit mush is easy to work with but I couldn't find any stand-in for slime that would cook correctly into what they made in the show, and the hotpot stock is just not thick enough to carry the base. It is too many watery ingredients at once. Needing a thickening agent, both gelatin and agar agar were tried. It was edible but the texture was… gelatinous. Regular egg and milk will serve for our purposes.
The next complication was the crust- so in the show its made with the skins of fruit, straightforward yeah? Well. You see it also has to be 1. Thick enough to bake without burning 2. Harden through cooking to be sliced and held and 3. Inedible. Lotus leaves? Plantain leaves? Really thin gourds? I couldnt find any historical basis for a savory food cooked in this method, or similar method, with an intentionally inedible crust. I could find a few dishes which used leaves as their crust, but none that hardened during cooking and even less that used fruit skin. I chose sweet potato skin for its visual match and texture. It is edible, and it is not a fruit.
I hope youll forgive me for these 2 major deviations as i wanted to keep it looking how it does in the show while also ensuring it tastes good.
AND, “what does a Man-Eating Plant Tart taste like?” YOU MIGHT ASKFluffy, airy, savory, salty.
The density of the eggs is offset by the crisp fruits
And the saltiness doesnt overpower the remnant fruit-sweetness
(If you eat the crust) the sweet potato brings this nice muted, smokey, flavor
Spongecake-esque in consistency
Would pair well with cranberry or strawberry juice
Would also pair well with a mellow hot sauce?
. You can use heavy cream instead of milk for a creamier batter . Roast the fruit longer to remove more liquid if too wet (and vice versa if too dry) . Smoked paprika, pepper flakes, cumin, garlic powder, and onion powder would taste good in the mixture
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"A mixture of mashed up and cut up Man-Eating Plant fruit, slime and scorpion soup is poured into a pan lined with the flattened peel of the fruit and cooked before garnishing with some more fruit. Described as salty by the group."
From start to finish this recipe took 3-ish hours? Shredding the potatoes took the longest, so if you get them bagged itd be cut down. A very filling recipe and a good way to sneak veggies/fruits in if you have a hard time getting enough of those essential nutrients. The best advice i can give is to add salt/seasonings at every stage of the process, to build up layers. It makes a difference flavor-wise (even if its just salt). I advise against reheating if possible. The filling will make the crust soggy over time.
If you want to be closer to the cooking of the show, you could double the fruit amounts and mash them together while halving the amount of egg and milk. I hadnt tried due to budget reasons, but it should work with some finangling. I'll pass the final verdict off to you guys with how todays recipe turned out <333
What would you rate this recipe out of 10? (with 1 being food that makes one physically sick and 10 being food that gives one a lust for life again.) Did you love it, did you hate it? What're your thoughts on what I could do better, and what would you have done instead?
🐁 ORIGINAL RESIPPY TEXT BELOW 🐁
Ingredients:
3 Eggs
13oz whole milk
2 bell peppers
2 small persimmons
140oz cherry tomatoes
12oz pitted green olives
34oz thinly sliced OR shredded sweet potatos
Salt
Pepper
Method:
Heat oven to 420f and grease a 9-inch pie pan.
Thinly slice (or shred) your sweet potatoes and squeeze out any excess moisture. Coat in olive oil, salt and pepper.
Press sweet potato mixture evenly into and up the sides of the pie pan.
Blind bake for roughly 25 minutes or until lightly golden-brown. No worries if the edges get crisp.
Remove pie pan from oven and set aside.
Core and chop up your bell peppers and persimmons. Coat with olive oil, salt, and pepper.
Line out on a baking sheet, evenly spaced, and roast for roughly 20 minutes or until softened. (you can do this at the same time on a separate rack from the pie crust if you have room)
Remove the stems from your cherry tomatoes, and drain/dry your green olives if canned.
Bring a frying pan to medium heat with olive oil. Add the green olives and sautee until their skin texture starts dimpling. Add the cherry tomatoes and continue sauteeing for about 5 minutes or until lightly browned.
Once the bell peppers, persimmons, cherry tomatoes, and green olives are all done, set aside to cool until just above room temp.
Lower the oven temperature to 350f.
In a mixing bowl combine your eggs and milk, add salt to taste. If you want other seasonings nows a good time!
Once uniform in color and texture, add your cooked fruit. Stir until evenly distributed.
Pour mixture into the potato pie crust.
Bake for roughly 40 minutes. The filling should be mostly firm, but wiggle *slightly* when you shake the pan.
Remove from oven and let rest for roughly 15 minutes before serving.
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ms-demeanor · 5 months
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I don't even know what to call this but oh my god.
I had leftover pie crust but not enough for a pie and three apples, which is not enough for a pie, and some honey I accidentally got water in and this isn't a pie and it's weird and it's so good.
It's kind of a take on my caramel apple pie in that the base components are apples, butter, and brown sugar but I also added two teaspoons of cinnamon and a few tablespoons of watery honey and half a teaspoon of almond extract. It was about half a cup of brown sugar and maybe a third of a cup of melted (salted!) butter and 3 tablespoons of potato starch.
Baked at 400 for 45 min.
The edges are covered in this foamy bubbly caramel stuff that like, hardens into candy as you chew it. I used envy apples so it's very sweet and just a tiny bit tart. The water from the apples and honey and the butter soaked into the very thin layer of crust so it's crispy rather than flaky in a very nice way.
It's not a pie, it's kind of a tart? But not. It's just really really good and it's frustrating when something I randomly mixed together to use up ingredients comes out well enough that I want to duplicate the recipe but the recipe includes stuff like "honey I accidentally got some water in when I was trying to decrystallize it."
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ceilidho · 9 months
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omg you’ve got such a massive brain.
knight!ghost taking princess!reader over his knee every time she’s bratty so he can teach her manners, being all callous and (from her perspective) mean while he’s turning her ass red, then standing her up, fixing her hair, wiping her eyes and acting like everything is normal and fine while her head is spinning cuz the lesson is done… he’s just doing it to help her!! little forehead kiss while she tries to stop her hiccups and sniffles. has to teach her how to speak to her husband properly - at the very least in front of his men :( gives her little sweet treats and maybe a pretty gift when she’s pouting later even though he knows he’s spoiling her too much :( she’s just got those big watery eyes and he can’t be too mean to his princess!
She would be so indignant the first time he spanked her. The last time someone hit her bottom would've been back when she was a child and she's a fully grown woman now!
And it's so confusing too because she naturally assumes that it's going to precede him finally deflowering her, but instead he soothes her ass with an ointment afterwards and makes her repeat back to him what she did wrong. And it's so, so embarrassing but she quietly mumbles that she'll hold her tongue in front of his men and then he sends her off with a kiss on the forehead. (The first time he asked her what she did wrong, she got mouthy and that earned her another five swats)
Ghost pulls her onto his lap latter at supper and feeds her sweet little tarts and jellies until she's too full to eat anything more. Winces whenever she squirms in his lap because her bottom still twinges :((
(Ghost's men stare at him like 👁️👄👁️ when they see their terrifying, gruff commander hand feeding his new wife and cooing over her. If someone happens to mention it during training the next morning though, they'll regret it.)
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lazybutsmexy · 7 months
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Tea
Simón "Ghost" Riley X GN!reader
Warnings: ANGST, hurt no comfort, mayor character death(s).
A/N: is... is this what I chose as my comeback? I'm sorry, I hope to be able to write something fluffy soon.
Read on AO3
"...Ghost?"
"...Yeah?"
Your eyes are locked to the sky. The hues of gray that prelude an autumn shower used to comfort you. Strangely enough, what's most comforting to you at this moment is hearing your Lieutenant's voice answer you back, from somewhere to your left.
"...I have a confession to make."
"...Go on."
You inch your head sideways, trying to peek a glance at his face, but the stiffness of your neck prevent you from doing so. Maybe it's for the best. From the corner of your eye you can see part of his hip and his right leg, over a carpet of dark red that you don't need a creative imagination to think about its nature, or its origin.
You saw him get shot.
"I'm the one that took your last tea bag," you offer, "I'm sorry, I didn't know you'd get so grumpy about it."
A low sigh reaches your ears, and you can catch the hint of an almost imperceptible stutter in his breathing.
"...Never suspected you," he hums, every word calculated as if it could be his last -it may as well be, "you don't drink tea."
"No, I don't," you agree, "but you do." Your lower lip gets caught in between your teeth once again, as it has happened for the last few- minutes? Hours? Who knows anymore? "I wanted to surprise you with-... with a cuppa when we got to t-the safehouse..."
You clearly should've followed his example and kept your sentences short, you think as your diaphragm painfully struggles to keep your lungs filled with oxygen.
"...You make shit tea though," he grumbled - now you can clearly hear the wheeze hidden in his breathing.
"... would've made it wi' luv," your tongue feels heavy in your mouth, and you try not to think of the amount of time you've gradually lost sensation in your body. Instead, you try to peek at him again as you hear a slow ruffle of movement, and this time an ungloved hand comes to your field of vision.
Open face up. Inviting.
You don't think twice and muster whatever little strength you have in your body to move your left hand closer to his.
If the struggle makes you tear up, you don't care. If your pained whimpers break his heart, he doesn't comment on it.
He just grasps your hand as soon as there's skin-on-skin contact, thankful that there's still warmth on your fingers.
Fading, but still there.
"...Didn't say... I wouldn't drink it."
"...Yer' too kind, sir..." Your ears feel like padded in cotton, but you can still hear yourself. If you had any energy - or air in your lungs - you would laughed at how much you started sounding like Soap. "...'s an hon'r to be wi' you, Lt..."
Several seconds passed in silence, and you think you won't get any more answers, and mentally prepare yourself to close your eyes one last time.
But there's something happening with your hand in his.
One squeeze.
Pause.
Another squeeze.
And a last one.
"... waited too long to tell you," his voice reaches you again, watery and choked up, " hope tis' works..."
Go figure, you still had tears to shed. Or is it the rain droplets finally landing on your skin? You don't know. You don't care.
You try to reciprocate, but can only apply three soft squeezes with the pads of your thumb on the soft muscle between his thumb and index fingers.
The choked up sob you hear is a good guess that he received your reply.
"...'m sleepy," your whisper reaches him, and he mourns the lost time.
He's never void of regrets, isn't he?
"...g'night, luv," he tries to sound warm to you, always.
"...g'night, Simon..."
Oh, how sweet his name sounds, coming from your lips in a whisper.
Taglist: @warenai @queen-of-hearts-lemon-tarts @embers-of-alluring
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qvrcll · 5 months
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mention of injury, unstated relationship but you love each other dearly, mention of mizu’s past
i haven’t finished the series but wanted to write for her SO BADLY, she might be slightly occ im not sure (breaking into hives because of this) but here you go mizu nation, may u be fed FOREVER ^_^
mizu’s on a formidable path for revenge, and what better pill to choke on than leaving you, her best friend and keeper of her love and devotion, behind?
Mizu, who has known you since the two of you were but little nippers. Kids with enough knowledge of the world to know that it was dense and dark, places lit stem-winding, where she was uninvited and tables filled where she was not welcome. Still, you’d asked her for her name when she’d sat caked in mud on some clammy, piddling day. Still, you’d wrapped your arms around her shivering form during the deluge, taken up on her silent promise to “Be there when you wake up. Promise,” when the Smith’s fire bayed up behind her form, lighting the room in tinges and spills, red and then genially orange.
Still, you gather your things when she leaves in a single swear for revenge, catch her up in the snow and demand an answer, or refusal or something, other than that cold look she gets in her eye more than usual now. Your hands feel cramped, threading desperately within the skin to find warmth (which was once, too, her) but you hold yourself back, enforce bite behind your words. Flit back the tears that threaten to line the edge of your eyes — threaten yourself to bide your time and let her deal her blow with you. Leave you for good.
But it’s unexpected. Cruel. Sweet and smelling of tart, when she softens under your words. Her brows twitch when some breath hitches in your throat, bogged down and she knows it’s her fault. She’s leaving, keeping a place for you in that old, warm house, with its old and warm silence and her old and warm absence. Leaving you in the snow, whilst she leaves for blood, gore and teeth.
There’s no words out of her, just a simple, longer silence than her cruelness. Her kindness knows no curbs with you — so her crumbling hands, bearing your cheeks with patience and shivered judgement — come to surprise you, just as her kiss does. It’s cold, and when you catch her lip slowly, the two of you break into a frisson. She grips you tightly in time, hands that burn against your hips as her kiss comes to tear you at the throat, rips a dirge out of it with full force, so that when she parts from you for the air she needs, she quietens you slowly. In a way you have always done with her when her lips bled or her worth shrunk past her feet.
“Just take me with you,” you snivel against her, a child again, but holding the fraying edges of her apparel like she’d hold the fort here for longer, but Mizu lets you crumple the blue fabric beneath digits of bitter flesh. Looks at you with resignation and a little bit of that old warmth, too.
“It’s dangerous.”
“I know—I know,” a pathetic moan, “But you won’t be here.”
“I can’t.”
“Take me with you,” with a voice so hoarse, you repeat. Your fingers bind with the strings and Mizu grows airy beneath you, this affinity that she’s brewed for you (long when you were kids) coming crumbling down beneath her. She imagines a world on fire, flowers that eat at their own roots. A sky full of a burst of water, your watery eyes, the brutal flesh of her wound festering past her hip, her neck.
“I don’t want to lose you — you, out of all people. Please,” she grips your neck, kissing the skin and gooseflesh that simmers with softness, “I love you. Fuck, I really do.”
You fight with a sob then, because, of course you love her. And she loves you. And she will leave you here, with the snow as a tactile reminder of her departure and the cruel winter nights to wonder if she’s fed, if she’s alive, if she’s cold like the rest of the Earth.
“I love you—too,” a choke, “Mizu—“
And perhaps it’s the way you roll it off your tongue, the way the tenderness messes with her like a faint pair of hands, kills any sense of resolve.
Maybe she remembers your face in the dark, years prior, when you’d let her latch onto you, despite the mud and grime flicking into her own clothes. Your kindness, a friendship and the love she’d borrowed from you and made it her own, with sickly hands. With healthy hands. With growing hands.
And perhaps the blood strips off her own hands, clouds your eyes red where she remembered it not being. And perhaps, she grows a little afraid of being away from you, too.
Because she’s gripping you tight, tighter than life. The cold air no longer bothers the two of you, for there’s a newer, tender heat beneath the limbs that hold onto each other like a promise. One that she spoke of — a quiet utterance of “I’ll be there” — before you depart with her, holding the two of you together as one and the snow beneath your footwear.
© 2023 qvrcll ! do not repost any of my works on any platform.
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ruggiezz · 10 months
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— TU TANTA FALTA DE QUERER : twisted wonderland
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[synopsis] them coping with breaking up with you / angst
[characters] dormleaders (except for vil)
[warnings] mentions of depression symptoms, in basically all of them. wishing to die in a phrase in malleus's part, mentions of food (kalim and idia)
[song] tu falta de querer-mon laferte (i highly recommend listening while reading)
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"¿CÓMO FUE, QUE ME DEJASTE DE AMAR?"/"HOW WAS IT, THAT YOU STOPPED LOVING ME?"
Heartslabyul students are worried about RIDDLE ROSEHEARTS now that he broke up with you. You would expect him to be more irritable than usual, taking out his anger in the first years and taking every opportunity he has to collar someone, but he isn't. He looks like an empty shell of who he once was, barely acknowledging other students, only focusing on his schoolwork. He sees how you look at this new guy you surely have something with. Was he better than him? He must make you happier than he ever did, and he wonders what did he do so wrong for you to stop loving him.
He starts overworking himself; it's the only way of coping he knows. He needs to work harder. He can do better. He needs to stop thinking about you and the way you cried after this particular fight you both had before breaking up. But he can't; your choked sobs come back to haunt him every time he's alone, trying to sleep after a hard day of school. Ace and Deuce barely spend time in Heartslabyul now, only going there to sleep and spending all of their time at Ramshackle. Trey is worried about him, seeing his eyebags and the way his eyes no longer sparkle when he eats tarts. Cater tries to make jokes whenever he can to try and earn a laugh from Riddle, but he just walks away, as if no one but him was there. The only thing Riddle can't ignore, no matter how much he works and works, is the way his heart aches.
"díficil olvidarte estando aquí/hard to forget you being here."
LEONA KINGSCHOLAR barely goes out of his room anymore, having Ruggie fetch things for him whenever he needs to. His missed assignments were piling up on his desk, the curtains closed, and his phone on silent. He just lays all day and night on his bed, not even bothering to go to class anymore. He becomes snappy at Jack when he tells him that Trein told him he was going to have to repeat another year if he didn't attend classes, and he becomes irritated when Ruggie tells him that Falena called, asking to speak to him. Leona doesn't want to see anyone; he just wants to be wrapped around his covers, where no one can reach him.
The bed no longer smells of you; it feels empty and wrong to lay there without you, but he continues to do it. He overheard a second year talking about you dating someone new, and if looks could kill, that student would be dead. It's now an unwritten rule not to mention you in the dorm.
Whenever Leona's not sleeping, he's alone with his thoughts. His mind replays your last words to him, telling him it was for the best for both of you, and he asks himself again and again,How did you stop loving him? He can come up with a lot of answers that make his head hurt and his eyes watery, but he decides to sleep, so he can no longer feel.
"ahora dormiré my profundamente para olvidar/now i will sleep very profoundly to forget."
Everybody in Diasomnia notices how MALLEUS DRACONIA is in a worse mood every day that passes. There are storms almost every day, with thunder striking aggressively at everything it can manage to touch. If nobody dared to approach him before, they certainly don't dare even more now, making him even more lonely. He can't stop thinking about you; he misses you so much it hurts. Malleus finds himself out of Ramshackle dorm, staring at your room's window, hoping to catch a glance of you, but he never does. He can only hear your laughter and other guy laughing with you, which sours his mood even more. That night, nobody could sleep because of how strong the thunder was.
Lilia tries to assure the others that Malleus will be alright if they just give him time. Silver doesn't dare enter his room when he hears Malleus breaking things after he comes back from Ramshackle, knowing he is probably going to make him feel worse. And Sebek is distraught, even resenting you for making his young master feel so miserable, cursing your name under his breath, something that was immediately stopped by Lilia because Malleus could hear him.
Malleus wonders if you have cried as much as he has and if you feel this unbearable pain in your chest too. He longs for you, for your presence to soothe him and tell him you never stopped loving him and that it was all a very cruel joke humans made. But that never comes.
"quisiera hasta la muerte para no pensar/i would even like to die to not think."
"YO AÚN PODÍA SOPORTAR, TU TANTA FALTA DE QUERER"/"I COULD STILL ENDURE IT, YOUR SO MUCH LACK OF LOVE"
AZUL ASHENGROTTO hasn't changed on the surface. He keeps his suave, businessman persona with clients, but he's noticeably quieter when alone with the twins. He works even more than before, staying until late at night in his office filling paperwork. Jade occasionally brings him tea, telling him not to stay up late. Floyd is in a sour mood now that Azul doesn't react how he would like to his antics, even missing work doesn't bother him as much as it used to.
No matter how much chaos or disaster the twins cause, Azul just looks the other way. Eventually, they just stop and continue helping him with his next business scheme, even if he doesn't seem as excited as he should be.
When alone in his room, Azul sits on his bed with his face hidden in his hands so that no one can hear his sobs. He feels so small and useless, wanting you to hold him and calm him down. But you aren't there. He is alone. He misses the way you would tell him words so sweet they were dripping with honey. He wonders if they were empty words you just told him to make him feel better. Please come back; he could endure knowing you didn't love him on the condition you wouldn't leave him.
"me siento mutilada y tan pequeña/i feel mutilated and so small."
No one notices any change in KALIM AL-ASIM, except Jamil, who hears him crying in his room at night while everyone is asleep. His smile is still bright as he greets the Scarabia students after a long day, but it no longer feels genuine. The parties in the dorm happen less and less, until they no longer happen.
Kalim feels as if he has withered inside, his heart broken in a thousand pieces. He misses you so badly, he just wants to hug you and tell you how sorry he is for not being enough. Please come back; he could even beg on his knees for you to be with him, even if you lacked the love you once felt for him.
Jamil brings him his breakfast, silently noticing the eyebags on Kalim's face. 'He must not have slept again' he thinks to himself. Kalim notices Jamil staring at him, and he wipes his face with his pajama sleeve. Neither of them say anything, and Jamil leaves him alone with his emotions and his food. He takes a bite out of it, ignoring how tired he feels after staring all night at the last text message you sent him. He wishes to write back and ask you for a second chance, saying he will do anything for you to come back, but he can't bring himself to do it.
"aún te amo y, creo, que hasta más que ayer/i still love you, and i think, even more than yesterday."
IDIA SHROUD isolates himself even more than before, hiding in his room and Ortho has to bring him food so he doesn't starve. Food no longer tastes good; it feels bland, videogames don't feel enjoyable; and no matter how many mangas and animes he watches, the feeling of wanting to cry that's stuck in his throat doesn't go away.
He barely speaks, answering Ortho with monosyllables when asked how he feels today, what he did all day, and where you were. Eventually, Ortho catches up to what happened and tries speaking with you, but Idia stops him. Even if he wants you to tell him why did you left, to yell at him what's wrong with him, to tell him that he was unloveable, to tell him something, something that explained why you didn't love him anymore, he doesn't want to see you. You left him with no explanation of why, only saying it was for the best, and that infuriated him but depressed him at the same time.
Idia wanted you to come back, to sit on his lap while he played a new game that dropped, but you aren't here with him anymore. His room feels colder than usual, with only the light from the screen accompanying him. He cries and cries, begging you in silence to come back, saying that he would cherish you and would be a better boyfriend now. But you won't come back and neither would your love for him, and he finds himself hoping you would stay here with him even if you didn't love him anymore.
"ven y cuéntame la verdad, ten piedad/come and tell me the truth, have mercy."
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Scents 🌹
How does each and every person in Hogwarts smell?
Slytherin edition 🐍
Plonbraw edition (OCs) • Gryffindor edition • Hufflepuff edition • Ravenclaw edition
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Sebastian 🦊
Its own odour tickles the nose like warm, damp earth on a walk after the first drops of rain have touched the ground. It envelops without being intrusive and awakens an indefinite anticipation of more whenever dark clouds gather in the sky.
He was and is often responsible for the fieldwork at Feldcroft, sometimes voluntarily, sometimes to escape the house and Solomon. To soften the traces of hard labour, he uses a nourishing balm for his hands, the delicate smell of chamomile and marigold accompanies him even into the castle walls at Hogwarts, as his rough hands are often seen by him as very unpleasant. He also takes care of the rest of his appearance, regularly buying hair gel in Hogsmeade to tame his slightly curly hair, the delicate smell of yang-yang is the result, mixed with the rose of his hair soap.
However, the slightly sweet note of his care products does not make the soft woody odour of his skin disappear, but rather embeds it in a sweetish warmth.
Anne 🐈
A field full of flowers in May, surrounded by the light tartness of the strawy grass - the nose can't miss it and makes anyone passing by think of cheeky children's pranks on balmy summer days.
Anne doesn't use perfume per se, but perfumed soap, in memory of her mother, with whom she associates the smell. The delicate scent of violets blends wonderfully with her own floral scent and is more restrained than overpowering. The soap is one of the few luxuries that Solomon allows and eventually buys himself, ignoring the objections of Sebastian, who was previously responsible for buying it and had often helped out in the neighbours' fields in Feldcroft to earn the necessary money.
The moment Anne's spring-like odour was replaced by the stench of medicines and hospitals was the moment when hopelessness sank its claws into the siblings' minds - the delicate smell of violets now strangely alien and a mere, sad reminder of days long forgotten.
Ominis 🐇
Fresh and cool, like the smell on a path that leads through a dense forest, where you have lost your way and yet feel only security. Ominis has a fine nose and therefore refrains from using any perfumed products - they only make him feel woozy or give him a headache. Nevertheless, the smell of cleanliness always clings to him, which seems almost minty. To escape the clammy smell of the Slytherin rooms, he stores his clothes between bags filled with lavender, which adds a hint of flavour to his watery inherent odour. In addition, the purple flower helps him against his restless states, which always afflict him.
Imelda 🐍
She spends most of her time in the air, Quidditch training not only a part of her that is ingrained in her blood, but that also affects her scent.
Leathery like a well-groomed Quaffle, slightly tart and spicy, the smell of the salty coastal wind of her home village never quite fades.
Imelda wears a perfume that her brothers gave her for her birthday - a slightly smoky note with a splash of invigorating lemon and exotic vanilla.
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