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wellntruly · 2 years
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M*A*S*H - Viewguide, S3
Are you interested in the long-running anti-war situation tragicomedy M*A*S*H (1972-1983), but there are simply so many asterisks and so many episodes?
Well I can’t help you with the asterisks, but nor can I help myself: I started watching all 11 seasons of M*A*S*H, and bringing back for you my viewing selections, chosen for The Qualities.
— — —
You should have seen me at Movie Madness pulling out the drawer for “TV: 1970s” and finding this complete stack of covers for all 11 seasons of M*A*S*H. Lost in the saaauuce.
But, amazing news: not only did I make the surprising discovery that what's on Hulu is clearly a restored and remastered version of the far crunchier material on the DVDs, but also that I DEEPLY prefer the original laugh track! It turns out, the laughter is the score. They’d cut to it like music. Without that melody it was built around everything felt so off, so eerily quiet.
Incidentally, over the recent holiday weekend I sang all of 1.75 non-chorus lines of ‘Suicide Is Painless’ in the kitchen and my dad just said, “MASH.” We then talked about all our faves while playing solitaire and drinking maple whiskey sours by the woodstove. Cannot believe I’m getting such a fond memory with my father from M*A*S*H but I’m not sure why, that seems right.
Here are my own suggested favorites from the third season, the last of an era!!! /weeping
M*A*S*H - Season 3 Recommended sequence
3x02 ‘Rainbow Bridge’ - It is amazing that the first episode of this season that aired was the first episode of this season that aired, as everything about the second episode, ‘Rainbow Bridge’, feels like the premiere of the third season of a service comedy (slowly turning dramedy). The 4077th get a message from the Chinese that they have nine wounded American GIs that need more medical help than they can offer, and give their coordinates 50 miles behind the line. “Could be a trap, Trap.” GREAT STUFF. And hey, Season 3? Someone’s upgraded the photography department! She’s moving, folks (the camera). They also keep cutting to Loudon Wainwright perched above the camp with his guitar singing some absurd song about Tokyo like every third scene transition. Why? Couldn’t tell ya. Except to repeat the first line.
3x03 ‘Officer of the Day’ - Henry’s away and Frank makes Hawkeye be Officer of the Day. I love that when he’s backed into a management position, Captain Pierce is actually rather good at it. Tired and clever and humane. It’s gonna sound odd, but he’s almost Lawful, just his code is nothing Army regulation, simply Do The Least Harm. He is a stickler on that. Also contains the best visual punchline I've seen yet. Simply burst out laughing.
3x04 'Iron Guts Kelly' - Margaret kills a general and is like, who would help me hide this body, and doesn’t even have to think about it. Cordially, [throwing a pillow in the face of me of the past] YOU DIDN’T KNOW WHAT YOU HAD, YOU DOSED UP LUNATIC.
3x05 ‘O.R.’ - Ha ha I COULD EAT MY OWN HAND.
100% in surgery, zero laugh track, which does forever prove The Power of Editing (!) as it runs so beautifully, no weird stilted silence like when you take it out later, and also I’m changed as a person. 10/10 I am gnawing.
3x06 'Springtime' - Update ‘Springtime’ an essential episode as writer & actor Mary Kay Place’s literal-literal self-insert M*A*S*H script in which she plays a hot nurse in glasses getting seduced by Radar O’Reilly. I am….obsessed with her. Also Klinger gets married!!!
3x08 ‘Life With Father’ - This one is ultimately a lil' silly sure, but I think I’m powerless to resist Radar, Father Mulcahy, and this young Korean mom moving Heaven & Earth to get a rabbi on the radio to walk them through performing a bris for her Jewish-Korean infant son. And that’s the A-plot, the B-plot is Hawkeye and Trapper are trying to complete a Hidden Picture to win a pony.
3x09 ‘Alcoholics Unanimous’ - I wasn’t going to include both alcoholism episodes, but this is such a good Margaret ep I couldn’t kick it out of bed. Loretta Swit is just so, so funny in this one. I was losing it. Even our impossible miscreants are like lol hang out with us! Favorite drunken scene yet, for sure for sure for sure for sure.
3x11 ‘Adam’s Rib’ - The fact that my dad spontaneously quoted a line from this episode to me, and not even one I would have thought particularly memorable, should alone earn it a spot on any recommendation list. But I too still find myself recalling multiple moments from this one. 'Adam's Rib'—it's gotta be on here!
3x13 ‘Mad Dogs and Servicemen’ - Oh you know I’m here for an episode where in the first minutes Trapper is going, “Frank, that’s straight out of World War I, no one thinks ‘shellshock’ anymore!” Tragically we don’t actually get to see psychiatrist Sidney Freedman, their one-time comedic antagonist turned professional pal and poker buddy (I love this...so much), but I did send a plot synopsis to my own pal Jen, doctor of psychology and practicing therapist, for the psych eval, and her full report is pending but the abstract indicates that hey, Sid’s c. 1950s therapy for their phantom paralysis case (currently probably called a conversion disorder) might be a plausible approach! Remains to be seen if it would be strictly necessary for Hawkeye to have to role-play as Betsy Tough Love to this kid and feel chewed up about it, but it does make for good TV.
3x15 'Bombed' - Everyone’s emotions are running VERY high in this episode, which just straight up opens with the camp being bombed all to hell. With ‘O.R.’ and ‘Aid Station’ as well this season, this fellow dramatic one ended up just missing the first edition of this list, but it’s important to be able to admit when you were wrong. Margaret & Trapper trapped in the supply shed…the bombs are not the only thing shaking me.
3x17 ‘The Consultant’ - This episode rules so, so hard. Love a sneaky cautionary taaaale! Definitely a far finer crafted story than ‘Alcoholics Anonymous’, but we’re including both for their various other appealing elements. Such as, here: a sublimely absurd interlude to a British camp where everyone is like “..Quite,” heavy bombardment, a scene with the trio in incredible swimming get-ups for the water tank pool Henry has made, tensely breathtaking surgery, and just a steady course of Alan Alda being rampantly bisexual in front of, across, and at one point directly to his own real life father. You love to can't believe you're seeing it.
3x18 ‘House Arrest’ - This one is sheer chaos and with an ending I don’t care for much, but the primary plot is Hawkeye & Trapper have possibly never been more dating. Really some peak absurd & precious ne'er-do-well pair behavior, and I just can’t keep this one from you, not here, not now..(!) I also quite like the bit with Radar & Klinger, and ultimately Hawkeye, having a moment of critical self-reflection on his own teasing. Damn Frank storyline, get out of here! Just give us more of the gang watching the new Gene Tierney picture.
3x19 ‘Aid Station’ - Literally cheered at the end of a Margaret monologue in this, a stand-out even before she and Hawkeye and Klinger are in the midst of actual hell together at the front, and work so hard & desperately and get so dear. Not to bandy about the term mutual respect, but Hawkeye bandies about the term mutual respect. Haha, [softly] help. Meanwhile, Trapper & Radar :’) & Henry :’) Second of two episodes this season, both of which I have very much included, where Colonel Blake has to make the decision to send some of his people to the front where they very much might die, and his heart just won’t rest until they’re back, which is always *primo.* Henryyy..!
This episode is M*A*S*H being funny and harrowing and sincere and really, really aware of humor as a way to try to shore against the loss of people you care about all in 25 minutes, which is why, in probably an even more dramatic move than any episode I’ve skipped yet: this is my Season 3 finale for you. This does goodbyes in wartime best this season, goofy, glorious, gutting, the whole cocktail. The ingredients are there in ‘Check-up’ and ‘Abyssinia, Henry’, but they haven’t been balanced in the shaker by as steady a hand as the ones that crafted ‘Aid Station’.
And you’ll learn what happened in the actual season finale at the beginning of Season 4, and as you should: just a few careful sentences with a pit beneath them, and in a moment when the loss has gotten even ❤️ worse.
Season 1 • Season 2 • Season 3 • To be continued
#M*A*S*H hours
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skitskatdacat63 · 1 month
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I've decided to do myself what the cowards at Aston won't. Behold.
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lovesickeros · 6 months
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can.. can I ask for an affectionate reader with characters who aren’t normally like… used to the love? like, not just through words but physical affection like hand-holding, kisses, hugs, all that shebang. probably with a few people like yelan, ei, basically any character that is either cut-off from society or seems socially distant or isolated. 😞
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☆ affectionate reader with yelan, ei, & furina
[ 4.2 Archon Quest spoilers ]
× yelan
Varies between how you display your affection, to be honest. Just like being affectionate with people? She's cool with it as long as you don't pop by while she's working (mostly because she'll end up dragging you into it for a bit of fun). I don't think she's all that touchy feely herself, but she'll absolutely get you gifts instead– like pretty knick nacks? She'll make sure to snag any she thinks you might like. Like a good meal? Sure, she'll take you out to one of the restaurants in the city, doesn't matter how expensive. Her treat. If you do prefer physical gifts rather then being taken out, you'll eventually get used to the random unmarked letters and packages showing up where your staying pretty often. It's obvious to know who it came from even if she never signs anything.
Flirty reader, though? Whole nother can of worms and now it's a challenge. The more confident you are the more interested she is. The other acolytes would absolutely seethe at the idea but she has no hesitation at just straight up flirting back– she's as charismatic as they come and she's got a poker face that's basically impenetrable. She'll probably also make a bet to see who cracks first (she always wins, unsurprisingly). Probably won't get dragged into any of her schemes this way but if you ask politely maybe she'll consider it, anyway.
The smell of freshly brewed tea and the clatter of dice across wood was a common sight at the Yanshang Teahouse– less common was the woman secluded in the far corner, her lips pulled into a grin that flashed fangs and a look that would scare off the most confident of men.
She'd normally try to scope out any new blood that'd made the mistake of stepping into her teahouse and was equally stupid enough to accept a gamble against her just for the thrill of it, but she was far too absorbed in the warm body at her side, one of her die clasped tightly in their hand as she guided them through the motions– they had a knack for it, she had to admit. The thought made her preen, the clatter of the die as it rolled across the table giving her that subtle, familiar rush.
Even if she knew exactly where it'd land.
"Six. Hm, maybe you're just lucky," She muses, plucking the die from the table and holding it up to her eye like a prized jewel, "Or maybe you're not as innocent as you'd have us believe." There's a sharp glint in her eyes at the prospect, but everyone else has the sense to keep their heads down and their words to themselves as she tosses the die herself.
"So why don't we find out and make a bet, just between you and me?"
× ei
Varies between Ei and the Shogun, because you'll probably be seeing either as much as the other. Sometimes you gotta really squint to tell who it is sometimes, but you get used to it. Both are fairly similar, though, in that their first instinct (especially in public) is to tense up like you're about to attack them or something. Difference is Ei eventually relaxes after a solid minute of trying to process your sudden affection and, if no one else is around, she might even reciprocate. Just don't tease her for being a little stiff and awkward about it, she's trying. That's what happens when your only company is a robot and uh. Nothing. For like 500 years. She's trying. Raiden, on the other hand, is just about as awkward as you can imagine. She's polite (blunt) about it because Ei is fond of you and also you are. The Creator. But she's not really built to deal with personal relationships and so she doesn't know how to deal with affection.
..Depending on what you do you may or may not blue screen Ei hard enough that she retreats back to PoE
Ei usually isn't fond of sitting still, unless it's to meditate. At least then she goes in with a purpose, something to achieve– but now, she's just focused on trying not to make a fool of herself. Her muscles are starting to ache from how hard she's tensing, though, in an effort to sit as straight and still as possible as their hands glide through her hair, weaving it into a single braid.
She can just barely hear the subtle lilt of their voice as they hum– and though it is soothing, it is also..very distracting. She can't focus long enough to try and meditate, too lost in the gentle rise and fall of their voice and the care they take to braid her hair. If she'd had a heart, she'd sure it'd be beating so wildly against her ribcage they could hear it.
But then it stops– their hands fall back to their sides and their humming falters. She freezes, too, racking her brain for any slights she must have committed. Instead, she is met with a calm, tender touch on the back of her neck, making her inhale sharply.
"Am I making you uncomfortable, Ei? You're so tense.." She has to grit her teeth to stop herself from bowing so low her head presses against the ground, her hands folded in her lap, clenching instinctively. "..No, Divine One." She answers simply, trying to contain the adoration swelling in her chest.
Yet as much as she tries to relax, to ease their worries, she finds that she cannot.
"Hm." That small murmur, a simple sound that nearly made her jump, was the only warning she got before they scooted closer, wrapping their arms around her stomach and resting their chin on her shoulder with a grin she would liken to Miko's, if she dared to make such a comparison. "Really?"
She swears she must've been feverish at the affection, lightheaded and dazed until she thought she might simply perish at the brush of their hands against her own.
Much to her embarrassment, however, she doesn't realize she's instinctively pulled back into Plane of Euthymia until she sees the familiar dull purples engulf her vision once again.
Though only a small solace, it seemed a little..brighter, this time.
× furina
Varies between pre 4.2 and post 4.2 archon quests to be honest.
Pre 4.2 she comes off as very vain– of course the most Divine would see fit to spoil her with affection! She deserves it, and is obviously their favorite! Just don't look too hard because she's terrible at hiding how flustered she actually is. Absolutely goes home right after and screams into her pillow for at least thirty minutes minimum.
Post 4.2 she's a lot more openly bashful and flustered. She's really not used to affection and even the smallest show of it has her folding immediately. Now that she doesn't need to worry about being found out she's a lot more receptive to affection. Cup her cheeks and compliment her and her knees are buckling. Like. Especially weak for compliments and praise (she deserves it. please spoil her).
She swears she must be hallucinating– she had been having trouble sleeping recently. But..no. The visage of the Creator was as real as the sweat beading on her brow as she stared at them for a long, awkward moment. Should..she let them in? But then they'd see the pathetic state she was in, and the last thing she wanted to do was make a fool of herself in front of them-!
Her choice was quickly made for her, anyway, as she let out an undignified squeak of surprise when they suddenly tugged her forward into their chest, enclosing her in a hug.
Her first reaction was to freeze– her second was becoming absolutely flustered, her cheeks flushing a soft pink and her mouth closing and opening as she tried to find her words.
"I– ah..um." She stumbled over her words instead, floundering like a fish out of water. Yet she felt a distinct sense of emptiness wash over her when they finally pulled back, looking a touch sheepish. "Sorry, sorry– you just looked like you needed a hug."
The silence spoke for itself, her shoulders tensing slightly. But the way the concern and affection bled through their voice made her waver, her hands trembling as she let out a shaky breath that almost sounded like a sigh.
"It's..It's fine! Fine, I'm fine." She repeated, trying desperately to ignored the way her voice cracked and how hot her face felt– though it was more an attempt to affirm herself that she was not thinking about how warm they felt, how much she..actually enjoyed the hug. She wasn't thinking about it all! Absolutely not!
..Maybe a little.
"Just warn me next time, please?"
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to everyone doing their finals right now, remember: GRADES ARE TEMPORARY, SOUP IS ETERNAL
do whatever you can and treat yourself to some soup after :)
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nguyenfinity · 3 months
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Switch is back after their Valentine's event for White Day to bring you Magic for your special someone(s)! Show your friends and fans a little appreciation in return, whether you're sailing for a Romancing Cruise or just for lifting their spirits A little bit UP!!
art-only below the cut!
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jenna-louise-jamie · 3 months
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thinking about yassen gregorovich instead of sleeping (because i love him) and how he is a catalyst. yassen stabbs ash -> ash kills john rider -> ian rider raises alex -> yassen kills ian rider -> mi6 blackmails alex into becoming a teenage spy.
i have so many thoughts that i can't properly articulate. obviously this is a simplified chain of events, but yassen and his choices set off a chain reaction of the world's most unfortunate dominos. especially when you read russian roulette. to be clear im not necessarily trying to blame him for everything because that feels very mean. he was also just a 14 year old kid when everything in his life went wrong, just like alex. only difference being yassen literally had no one.
i think i should write an essay about this because i haven't even gotten into my thoughts about what yassen and alex's dynamic would look like past eagle strike. i would imagine it'd be similar to ellie and joel from the last of us part 2.
where obviously yassen loves alex and alex on some level cares for yassen back but struggles to reconcile that with the fact that yassen is responsible for his uncle's death. a very unforgivable act. it would be so messy and complicated and angsty, because on one hand here is an adult who truly cares about him and has a connection with him through his father. yassen could tell alex about john, and trust that yassen truly wants whats best for him. but he killed ian, and he cannot take that back.
while alex reels from those feelings, yassen is also trying to reconcile his love of alex with the knowledge that he on some level is responsible for the suffering alex endured at the hands of mi6. and possibly even the fact that alex's godfather is the one who killed john and helen.
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felizusnavidad · 7 months
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"i don't think i'll ever understand musicals the way you do" is something i've heard from one of my friends a couple of days ago when i told him i'm about to cross the whole country just to see one of those (my favourite one!) live in theatre. and i can't blame him. if you'd have told me a year ago that i would do something like that, i'd probably have laughed in your face. life is so unpredictable. i guess i have changed a lot. and i could write thousands of essays about how musicals helped me get through the shittiest period of my life, but we are not going to talk about this today. today we are talking about in the heights, the first musical i got a chance to experience live in theatre, hopefully not last. so grab a cup of coffee and make yourself comfortable, this is going to be the longest essay you've ever seen, friends.
a little warning: spoilers. a lot of them actually. so if, by any chance, you haven't seen/heard it yet and you are going to, don't read it.
first thing i feel like i need to mention is that they had this mini bar inside the theatre and you could order a lot of different drinks there and one of them was called abuela's coffee. i heard one lady explaining to someone that it's actually coffee with condensed milk. my jaw dropped and i was like CAN I STAY HERE FOREVER, PLEASE? for those who don't understand why, here's a quote from the first song:
USNAVI: abuela, my fridge broke, i got café but no con leche ABUELA CLAUDIA: try my mother's old recipe: one can of condensed milk
so this was my first "OH! THEY GET IT!" moment (a little note here: i had a lot of oh, they get it moments, mostly because i don't have any people around me who understand musicals the way i do... honestly, you'd have to live inside my brain). that was the first time ever when i could actually be in the room where it happens with all those people who get it and care about it as much as i do (mostly actors and people responsible for the whole show tho, but we will get to this later).
let's get to the show. so when i finally went inside and i saw the stage, i already had tears in my eyes (don't judge me please). usnavi's store, abuela's door, daniela and carla's salon, all those puerto rican, cuban and dominican flags (one couple behind me was trying to figure out which one is which and it was funny because i knew and i wanted to scream)... listening and memorizing the whole soundtrack is one thing. being able to experience it all live is something else. all those things around me were so familiar and this was the first time in months (MONTHS! OR EVEN YEARS!) i felt really understood. after all, it was all like a little celebration of lin's story (the one i love with all my heart) and i truly felt like home. so that was another OH! THEY GET IT! moment.
i don't think i'm going to talk about every single song here, that's not the point. i will talk about my favourite moments, but also about things that didn't work very well in my opinion (again: this was a polish version so all the songs were translated into polish. and they did a really great job here, surprisingly. but it wasn't perfect, more about that later).
one thing you need to understand is that i will never be normal about musicals so of course i had to burst into tears at the very first song (i don't even know why, i think i was a little bit too excited). i was actually crying in the most random moments like when i first saw nina or at the end of carnaval del barrio because I KNEW WHAT WAS GOING TO HAPPEN NEXT (who the hell cries at carnaval del barrio when everyone is having the time of their lives lol, me apparently).
ok, so the first song. the choreography, oh my god. it was everything. the translation was also pretty good here, i need to say this was probably one of my favourite moments. imagine me leaving today giggling like a child when usnavi came on that stage and started rapping, i was in heaven. also, i have to admit, the cast was amazing. i could never imagine anyone better for this role (and again, i am talking about polish actors because everyone knows who's the best usnavi of them all). he was cute and charming and awkward and so adorkable and also really handsome. he was actually perfect in my opinion.
i kinda lost my mind when i saw nina for the first time. first of all: i already knew who was going to play her and let's just say i fell in love with this actress before i even saw her live on that stage. this was important to me, because (as some of you know) nina rosario is my favourite character. and oh my god, she was an absolute perfection. what a voice, sweet jesus. i'm being serious, this girl is so talented, give her every award (i honestly hope i will have a chance to see her again one day, i'm just crazy about her). and breathe was so good! polish version was amazing, i was so scared they would screw it up, but they didn't, so all's good (this song is very important to me, ok?). also, she's a phenomenal actress, i could feel all her emotions for real. and of course i cried, what did you expect?
i don't have that much to say about benny, except that he was really cute and he had amazing chemistry with nina, so once again, the casting was really good. i mean, he is not chris jackson of course, but i have decided i'm not going to compare all those actors because everyone knows at this point how much i love OBC, i was trying to have an open mind. vanessa was also pretty great, amazing voice and her dancing skills, wow, just wow. i could talk about all those actors for days actually, but i'm not going to do that, so i will just quickly mention that i absolutely loved daniela and carla, abuela claudia made me cry, sonny was the funniest character in the whole play and i don't think i will ever recover after piragua guy's performance (i was the only person in the audience who was laughing when he came on that stage, they don't get it, ok? polish people have no sense of humour and that's a fact). actually, there were a lot of funny moments (obviously) and i was the only person who was laughing, god help me.
so let's get to the first thing that was a little disappointing for me. you will not believe it, but it was actually... 96,000 (this is one of my favourite songs and i seriously can't live like this). it's not the translation tho (it was honestly fine), it's the voice overlapping part at the end (again, the best thing ever, just listen to we don't talk about bruno from encanto and non-stop from hamilton and you will understand why it works so well in every lmm's song). the thing is, you could actually only hear vanessa's part and i wanted to die, because EXCUSE ME. i always sing usnavi's part and you could barely hear a word from it. but apart from that, the rest was fine, the choreography was amazing and it's just something i needed to mention because i had thoughts about it.
paciencia y fe! ok besties, i have thoughts, again. abuela claudia was absolutely incredible, also, her relationship with usnavi is something that you can't see in the movie version (they were so sweet i wanted to curl up and die. i knew about it before, i saw slime tutorial with obc on yt, ok? i'm pretty sure lin would be mad at me for watching bootlegs lol. i just wanted to say this). the translation didn't work out at the very end of the song tho, because when in the og version abuela sings about the "winning ticket", everyone knows already she won the lottery. i don't remember polish translation exactly, but it was something with double meaning, depends on how you interpret it, and i'm 100% sure people who didn't know the plot just didn't catch it. the rest of the song was absolutely beautiful tho.
when you're home. i was so afraid of this one, because i am totally crazy about this song (did i ever mention lin wrote this one after one of his first dates with vanessa? no? yes? ok i'll shut up about this now). oh, they did a really great job with it and it's a relief. i have nothing else to say, except that i was crying like a baby, but this song always makes me cry so what did you expect exactly? one of the best moments for sure. again, nina and benny's chemistry was absolutely incredible.
as much as i loved the club, i was actually really disappointed with one part, which is usnavi's famous "jealous i ain't jealous, i can take all these fellas, wHaTeVaaaaa". i've been waiting so long for this! and they messed it up with their stupid cringy translation which i don't even remember at the moment but usnavi was actually mad at benny and he cursed? ANYWAY. the rest of the song was great and the choreography was absolutely phenomenal, oh vanessa! let me get the next one! (i love her so much, she was amazing here). a little note from me: no one was laughing at the "no hablo ingles" part, NO ONE BUT ME!!! THEY DON'T GET IT! WTF! i was so mad (i am aware of the fact that most people probably didn't even know this story before and they just wanted to see a musical, not THE MUSICAL, which is totally fine. but sweet jesus, where is their sense of humour? they left it at home or what?).
and blackout was that part where the voice overlapping effect worked very well, so all's good. actually, one of the best moments for me as well. people were actually so confused when all the lights went down, but that was just so amazing. all the panic! everybody was screaming, crying! WE ARE POWERLESS! THE END OF ACT I!!! oh, i had the time of my life.
i had this weird feeling that they didn't exactly know how to translate most of hundreds of stories so they just made this song shorter than it actually is. which is fine i guess. honestly, it's better than bad translation, so i can forgive them. what i absolutely can't forgive tho is that the audience wasn't laughing at US NAVY. polish people, you have no fucking taste. i said what i said. and then again, usnavi and abuela's relationship was so sweet this song actually made me cry (mostly because i knew what was coming but also, i was just this weird girl who was sitting there in the second row and was crying at the most random moments).
ok, guys, honestly. carnaval del barrio was the best moment from the entire musical. oh, how much i want to experience it again! daniela was absolutely incredible, carla was so sweet, piragua guy stole the whole fucking show for me (seriously guys! he was just so amazing!). also, those little details i have never noticed before? i can't even tell if the same thing happened in the original version (the quality of that bootleg is actually terrible), but benny dancing with american flag somewhere in the background was so fucking funny and i don't think i will ever get over that part where at the end they were all still dancing and celebrating and nina and usnavi just ran away as fast as they could because... because you guys know what just happened. also, this is the moment i started crying.
i was so scared of it. let me tell you one thing, i experienced abuela's death at least fifty times and i still cry every single time. so atención is something i have to mention, because all the emotions and kevin's shaky voice made me burst into tears right away, and this time i wasn't the only one because i saw a lot of people crying when they realized what happened (i also heard a lot of OHs when he said abuela passed away, so yes, most of them didn't know this story and they were surprised). and alabanza was something else. believe me when i tell you i am writing this with tears in my eyes, i have never cried so much in public. this was the moment i was the most scared of and i was absolutely right because holy fuck. i was a mess. all the actors with those candles singing alabanza a doña claudia! (yes, they didn't translate it, all the spanish parts were left like in the original version and i am so grateful for that), it was just so sad and so beautiful. and this time i was actually like oh, they get it now (everyone was speechless and people were crying).
everyone must know at this point how much i adore champagne and i wasn't disappointed (thank god!). once again, usnavi was absolutely adorable here and people were actually laughing this time (also thank god!). how do you get this gold shit off? (my favourite line from the whole musical) was translated really well and the moment when usnavi and vanessa kissed! with all lights on them! this was so emotional and the audience reacted so well! we were all clapping (it was so funny to pretend like i didn't know it was gonna happen haha i was just as excited as all of them and once again i was like OH! THEY GET IT!). 10/10, would recommend.
if you think i wasn't crying during the last song, think again. one thing i absolutely hate about the movie version is that they actually changed the graffiti that made usnavi stay in washington heights, but i'm not gonna talk about that and i'm not gonna talk about vanessa also being there in the movie. in the original version it was a portrait of abuela claudia made by graffiti pete and oh boy, i lost my mind (i knew about it but i still lost my mind because it was absolutely beautiful). i got the feeling it was a little rushed in our polish version, but i can forgive them because it still made me cry. also, at the very end, usnavi did not only finally acknowledge he's home, when the song was over he pretty much told the audience that we are all home right now and may i just say... i felt that. i was home. they made me believe for the first time in my life i was where i belong, and somehow that was everything.
one thing about me is that this is actually all new to me. this was my first musical i saw live in theatre (and also lin's first child, which is exactly how it was supposed to be i think), and believe me when i tell you i've never had this much fun in my entire life, not even at all the concerts of my favourite artists. it was worth every money. it was worth spending 11 hours on the train and 11 more on my way back home, which by the way we should normalize (people are doing crazy things just to see their favourite artists on the stage and it's considered normal, so why can't we consider THIS normal?). anyway, i don't expect anyone around me to understand it the way i do, but i feel like i really found my thing, and it's all because of lin-manuel miranda, our beautiful puerto rican genius. he made me believe musicals can be cool and i truly wish i could thank him for that one day.
and like i said, in the heights is my favourite story with my favourite characters and i listened to it so many times i have memorized all the little details. experiencing it live is something completely different tho and i think it's safe to say this was the best night of my entire life. even tho most of the people in the audience didn't really get it, i finally felt like i was a part of this world created by my favourite genius and for the first time ever i felt understood. so i think i can say that now: i found my island, guys, i'm there, i'm home!
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brookheimer · 1 year
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honestly, if the shiv pregnancy plotline is done well, i feel like it would end up being kind of, like, revolutionary for female characters in prestige television? 'revolutionary' is a strong word, but even so! just... prestige television is obsessed with the whole Strong Femininity-Rejecting Career Woman archetype and it's a trope that's often been lauded as empowering, as allowing women to be complex like male characters. except... often they're not complex like male characters, they're complex as male characters in that they're treated basically like a 'complex male character' stuck into a female body. the explanation is a legitimate one: the female character rejects classical femininity. sure. the better shows will depict the lengths these women will go to be perceived as 'masculine' in order to survive, to thrive in their patriarchal world. but regardless of the show, the vast majority of Strong Female Characters are never allowed a lot of things that their male equivalents would: namely, love and sometimes family. it's like we think that if a Strong Complex Female Character falls in love or wants a relationship/a family, she's no longer a Strong Complex Female Character, she's just a Female Character. that is so incredibly detrimental! it reifies the belief that love/family/etc are inherently 'feminine' things and that inherently 'feminine' things are inherently weak, and any woman who displays 'femininity' is no more Strong or Complex than a 1950s housewife.
so for shiv, a Strong Complex Female Character who admittedly has spent the majority of the series surrounded solely by men (she's had maybe three conversations without a man present?), ensconced in the 'masculine' defense she's created for herself... for that shiv, girlboss shiv, Strong Complex Femininity-Rejecting Career Woman shiv, to get pregnant and have to reconcile the version of herself she needs to present to the world with whatever she actually is or actually wants (because frankly, we as an audience have no fucking clue what shiv wants in life outside of logan and waystar royco) and her own fear of anything remotely approximating 'femininity'... well, assuming shiv remains shiv, remains manipulative and calculating and angry and machiavellian and 'masculine' and everything else she's inherited from her last name -- everything else that makes men on the internet call her a sociopath -- while also being allowed to explore her relationship with femininity, to maybe want kids or a family because that isn't just a Woman Trope that's also just a natural human desire for connection that many people experience, to be not just the woman or the anti-woman but a fully fleshed out person... i mean. that would kind of be huge, i think.
[more under the cut! like, a lot more. be fucking warned]
really, Strong Career Women were created as the antithesis of the television housewife. the housewife displays every emotion except for anger and deeply desires love and family. therefore, the Strong Woman will display no emotion but anger or pride (because those are the only masculine emotions) and have no interest whatsoever in love and family (because men don't have interest in love and family). and that, obviously, is horseshit -- men experience the entire human spectrum of emotions and desire love and family and all of that, because that's literally just part of being a fucking human. but while prestige television frequently explores the interiority, humanity, desires and dreams, etc etc etc of their complex male characters, they very rarely do the same for their women, at least not outside of the bounds of career and/or other areas where the woman in question demonstrates her power and masculinity (such as relationship power plays). we can't explore the humanity of Strong Female Characters because then they'd show emotion and desire love and connection, which would out them as women, as housewives, not Strong Female Characters.
we think emotion and yearning deepens male characters and lessens female characters, because we 'expect' that from women but not from men. when a woman cries on television, we think 'here they go again.' when a man cries, we think it's a shocking and meaningful display of vulnerability. both in-universe of the shows and in real life, in the writer's room and beyond, Strong Complex Women are only taken seriously so long as they reject 'femininity' as much as humanly possible. Strong Complex Female Characters have to be one-note, because if they show any other notes, they stop being seen as strong or complex. their lives begin and end in the office, in the presence of men, in the persona they've created for themselves. if there is a self beyond those boundaries, we never see it. we're not allowed to. Strong Women are uniquely forbidden from those basic aspects of human life, even more so than men, i'd argue, because to display any of those qualities would be to out yourself as A Woman and prove everyone right, to lose any and all credibility you've ever gained in your entire career because now they now you've been A Woman all along. but that's not realistic, that's not human. yet because they are still women and on some level do still want to be seen as women, but that's impossible to balance with the need to be seen as a man. there are almost no female characters that are allowed to simultaneously embrace 'femininity' and desire 'feminine' things such as love and family while still prioritizing their careers, being cold and manipulative and calculating, and presenting 'masculine' in the way they handle themselves.
i'm not saying shiv has been poorly written so far, or that succession has been, like, enormously sexist by keeping a lot of her interior life private. i think in large part this has been purposeful and makes a lot of sense -- after all, shiv is notoriously most resistant when it comes to self-reflection, possibly more than anyone else; kendall obsessively introspects, roman hates it and deflects but that's largely because he already knows what he is and can't bear to be reminded of it, but shiv is... well, a little delusional at times. forcibly delusional. she has to delude not only herself but everyone else around her in order to survive as a woman in a man's world, a liberal in a conservative company, a hardcore capitalist in a bernie sanders campaign. kendall wants to be a good person but knows he isn't, roman doesn't believe it's possible for him to be a normal person let alone a good one, but shiv clings onto these label of Good Person and, i don't know, Essentially A Man, with such intensity and desperation that any actual self-reflection would literally be suicide. it would burst that bubble entirely and then what's left?
well. what IS left? because, i mean, something would be. she's still a person. she's not a robot programmed to imitate men and show no emotion or desire (god knows she's not even good at pretending). but shiv would never take that step of her own volition. she'd never just sit down and think "hm, let's actually dig into what i really want from life and from myself" -- and even if she did, she wouldn't be honest about it.
then boom. pregnancy. "oh fuck i am a woman. oh fuck what if i do want a kid and this is my only chance. oh fuck" etc etc etc. it's not reducing shiv to being a womb (crazy take, by the way) but it's actually expanding her from being the lack of one. rather than simply being a Woman with a distinct set of qualities and no contradicting ones or an Anti-Woman with the opposite set of qualities and not a hint of anything that could be construed as a former, she'd become a person. obviously, you can be a person and a woman without being pregnant or wanting kids or a family, but we don't even know what shiv wants! she hasn't allowed herself to consider it seriously, because that would be betraying her Anti-Woman Survival Method! it's not saying that pregnancy/family/etc are necessary for a full and happy life, but rather, spending your entire life terrified of showing interest in anything perceived as 'feminine' and thus weak, of showing emotion or desire or love because you know how the men in the room will receive it -- that isn't satisfying! that isn't a happy life! that's a life lived in fear, denial, and repression masked as Masculine Self-Sufficiency to such an extreme extent that men don't even do that. the only thing worse than a man displaying 'feminine' characteristics is a woman displaying 'feminine' characteristics -- the feeling men talk about when displaying emotion is the disgust, judgment, and dismissal women (particularly those trying to perform masculinity/live in masculine spheres) experience on a day-to-day basis. while a man displaying emotion is met with shame in the moment, a woman displaying emotion is seen as a confirmation of what the men around her have been thinking all along: she's weak, she's not up to it, she's a 'woman.' men can shake it off. women can't. the reason displaying emotion feels uniquely hard for men is because it's their first time being treated like a woman.
anyways. i digress. succession has been hinting at things all along -- moments that show she genuinely loves tom, the conversations with her mother, etc -- and now that throughline can actually, y'know, follow through, and it might be fucking great, guys. that's what i'm hoping for with the shiv arc -- her trying to reconcile with the fact that she's a woman, and the show using it as a way to explore the bizarre and arbitrary way we assign 'femininity' to natural aspects of human life and desire, making those things impossible for women to ever even consider wanting or earnestly caring about if they want to be seen as people rather than as capital-w Women (and what is a capital-w Woman anyways?), and just, like, idk. i think it's idiotic to act like women like shiv aren't allowed to want kids and families -- and that narrative is so deeply ingrained in society that the presumably largely female/feminist/progressive online succession fanbase has been constantly reiterating that same trope as a genuine criticism levied against the writers' decision to make shiv pregnancy!
i said in another post that this plotline feels to me like... high risk, high reward. yeah, it's high risk, it could go terribly in so many ways, but to me personally as someone who has been endlessly endlessly fascinated with the internalized misogyny within so many 'feminist' narratives and the apparent belief that strong women aren't allowed to 'act like women' if they want to continue being seen as strong, as someone who has unironically written a multitude of papers and articles on this topic for college and for journals, the reward is just SO fucking high. like, this could be a fucking GAME CHANGER. if they pull this off it might genuinely alter the way prestige media writes 'strong female characters' which is something that has been needed for years. there will always be risk in storylines as historically ridden with misogyny as pregnancy/abortion/etc narratives are, but if there's any show right now i trust to approach this with care and deftness and real thought, it's succession. if it flops, it flops, and that will genuinely suck. a lot. but even if there's only 1% chance for success, that's still, like, 0.9% more than any other show i can think of. so fuck it. full speed ahead, baby. do this shit right
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theflyingfeeling · 6 months
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fic talk in the tags 💝
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moregraceful · 11 months
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Heavenly father, can I call you daddy?
#behaving normally abt arkells coming to san francisco!!!!!#i was gonna fly to VANCOUVER last year to see them at rogers arena and then my passport got fucked due to the name change#so i just gave away my ticket for free on twitter lol. they should play ''all roads'' for me specifically for being nice#big conversation in the leafs gc about what to wear. ''i have a hyman leafs jersey and dermott leafs shirsey. which do i wear?''#''does he even like the leafs anymore? max was a traitor at the asg. dermott shirsey''#''HYMAN JERSEY!!''#''too bad i don't have a raptors his jersey'' ''I MEAN THEY FIRED HIS BOYFRIEND THERE TOO''#''mlse hates max''#''the fact that his boyfriends were fired in the offseason ;(''#are you normal or do you and your friends have an intricate au in which max from arkells is dating kyle dubas and nick nurse#''intricate au'' it's not an au it's just a fact#the running joke is that is bc nick nurse ended up with the 76ers and kyle is in pitt bro is just moving to pennslyvania#is it a joke....we don't know....#the amount of kyle dubas/max arkells twt fic i've written should get me put in a home i think. there was more than one#dark days...i think my friends are glad i am off twitter frankly#i'm missing the cuda homeopener which sucks but i see the cuda 500 times a year. this is the first time the arkells have come to sf#in like. SEVERAL years. they never come to the usa west coast they only ever go to new york when they come to the us#biggest band in canada that no one has ever heard of in the usa lol. i'm not missing this shit#posting too much bc i. do not want to edit my fic#beryl gave me their beta edit notes and i melted into a puddle and rolled into the sewer drain and floated out to sea#me: ''this fic SUCKS i need HELP'' beryl: ''here are my beta notes so you can edit'' me: 😨😨😨😨#fuck around (write a bad fic and send it to your trusted beta for help) find out (receive beta notes and now i have to edit)#(in two days)(help)(it needs so much editing)#they said i could go up tot 12-15k if i needed. small mercies. ''10k limit was so you don't write 30k again'' ok fair!!!!#fresno oilers.txt
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miallurk · 6 months
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In these days i realized i like art and writing and creating and shopping and taking walks and talking to people and cleaning and helping and studying and doing things but i'm just. too stressed, tired and burned out to do them. How great!
#i am losing my sanity day by day#drowning myself in the nearby lake seems better and better every day#why am i even writing this i have literally no mutuals or even people who'd care about#don't mind me crying myself to sleep haha#ooooh look at this pathetic baby. sitting in their little bed crying stupid tears. i should at least get tissues now while my crying isn't#fuck history fuck school and fuck me i quess#am i gonna start treating this as an actual blog and make a sideblog for reblogs? who knows! certainly not me; stay tuned for the story!#i'm gonna go and just let it all out into a pillow#vent ig#my mom is blasting holiday music in the other room lol#nice to have a whatever the fuck im having while “jingle bells” plays#at least i'm not hearing mariah carey ig#anyway i've probably hadn't been taking care of myself lately it has been worse despite me promoting it to everyone who needs#when i vented last time and it wasn't taken seriously so woop#anyway imma go try to calm myself and back to my notes i go#please gods what did i do to deserve thi s shit. fuck you#i hate it here i really do. i hate when these people talk to me i hate them. i at least can be sorta accquaitances with one but they just.#all stare and laugh? i actually can't. like i'm some fucking clown and laughing stock. just kill me at this point. i have been enduring this#for YEARS and suddenly i'm being a little bitch about it?? what the fuck. why am i so mushy all of a sudden. being shown an ounce of respect#and care made me expect it more? fuck#i'm just setting myself up for failure. i am just a giant loser and failure of a person.#everything seems so fucking hard. and pointless. i am tearing my rotten little heart apart with this. i am once again grieving things#long ago and things i never had. my everything has to be pleasing to an outsider#my value is my suffering. am i breaking enough? is this beautiful to look at#at my self destruction? i hate myself. i treat others so cruelly. i am a horrible fucking person.#my problems are not their burden - i forced it on them. wept like a baby because she left me. and what happened in the end? my paranoia got#to me. i left them. i fucking. i fid the thing i was afraid of being done to me.#this is showing so many issues.#so many things wrong with me. i shouldn't even be alive by this point - i wasn't supposed to survive past 12#i am being forced to do this every day. someone please just end my fu king suffering
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oscill4te · 8 months
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damn the family event i was supposed to go to today was canceled and it is bittersweet. Like I really didn't wanna go bc i am still not over everything, and seeing them always sets me back really bad. but damn, this family is so dysfunctional. everyone single family member just bailed or ghosted for different reasons. its kinda sad. I always feel as if I am the person who broke the family facade too. I bailed the last 2 years on this event too. so it is double ouch.
#gonna go uh. process things I guess.#like ;-; i was kinda hoping to see my sisters and aunt. moms okay. i mostly just didnt want to see my dad...#i scare my dad. he is scared of me. he turns all red and avoidant. i dont know why.#okay i do know why but its so complicated. he read through my diary when i was at work once#i fucking hate him for being such a control freak but i am just like him i guess#and lets just say; what he read probably has changed his view of me forever#i should be allowed to uncover repressed memories in privacy without family members reading it...#and i am allowed to have whatever pain i have about those things that happened...#i hate him for reading through my things#i am allowed to stumble and make mistakes and it was confirmed by my sister that it did happen so...#i am allowed to have feelings about it even if it is over reacting in others eyes and express it privately in my diary#i dont remember what i said in the note bc he took it. he wildly misinterpreted it too#he thinks i think he is a predator. no!!!! i dont think that!!!! im just hurt by weird things he has done#this stupid entry i wrote ruined our relationship but he shouldn't have read it#that note was only for me and potentially my therapist#and he never even talked to me about it. thats the worst thing. he sent my mom to talk to me about it#and he misinterpreted it so badly. bc theh both speak different languages and#the things my mom was telling me.. i was like.. i did not say those things... wtf#horrible game of telephone#txt
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jemmo · 1 year
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i can’t tell you how much i usually hate these ignoring, distancing plots in shows and how much i absolutely adore everything about these 2 episodes of the eighth sense. like im not having a good time, and it’s fantastic.
bc the thing is, in all of this, i can’t see the right way to go, i can’t find the person to blame, i can’t find the way to make it better. I can’t single out a single moment or a thing someone did and say “this is why everything went wrong”. it’s just this coming together and rise and swell of things happening and people feeling things that has us ending up here and it feels beautifully and horribly organic bc we can’t find that point where it all went wrong. was it on that rooftop? was it at the beach? was it when they first met? was it when his brother died? was it when he was born into this family? there is no single point. it’s all of them and it’s none of them. there is truly nothing and no one to blame. and there are bad characters in the show, people you can hate, eunji and taehyung, but neither of them are to blame for any of the bad stuff that happens in the show. you’re not waiting for them to be taken down bc that doesn’t solve anything. instead, it’s just two people hurting, and not knowing how to make it better.
bc you take jaewon, and after what he says at the end of ep 8, you want to hate him, you want to be so angry at him for what he says, for how he acts, how dismissive and hurtful he is, and yet you’ve been made to understand 100% why, and not just in a “i get it but that wasn’t the right thing to do” way, in a “that was horrible and yet i know he doesn’t see any other way to handle this” way. like you don’t see this as a misstep, or a step to far, bc you know for him, in his state of mind, it is completely justified, it’s necessary. bc it not only punishes the person he blames for all of this, himself, but he sees it as a way to protect jihyun. and not even in a cliche “bad things happen when people around me, the people I love always get hurt” kinda way, but more so in that he sees that he is a scared, messy, struggling person that doesn’t know how to handle himself, and doesn’t want to inflict that on anyone, let alone the person he cares about. so what’s worse, a quick, swift blow that hurts but cuts everything off cleanly, or this prolonged relationship where he inevitably continues to weigh jihyun down with the weight of his trauma, and take it out on him. what’s the point of having a place of refuge when you ruin it more and more every time you depend on it, until it eventually can’t offer you comfort. it’s a lesser of two evils, jaewon’s choice is obvious to him.
but then you take jihyun. and we talk about masks and fronts but we never once question whether jihyun wears a mask bc he appears so sweet and innocent and naive, what can this boy possibly be putting up a front for. but i see it, this almost fake it till you make it confidence front that yes is becoming more natural. but my god just think about what he’s gone through for a second. think about it. left home for the first time in his life, moved to an unfamiliar and intimidating city with only one other person he knows, started a new job, started university, tried to build relationships, met a man that intrigues him, and perused him only to be kissed and then ignored, then maybe establish something tentative, only to then see him spiral, go on a trip where he shared his trauma, you have an intimate night together only to almost die, and then be not only ignored, but plain and simple rejected and pushed away. like… you can say all you want about jihyun growing as a person and having more courage, but no amount of growth for however many months this has been going on for can prepare you for that. for the mixed messages on steroids. for the back and forth, not knowing. to give yourself to someone like that and go through something traumatic and then be abandoned by that person. we get it, bc we see all of jaewon’s story. but apart from what jaewon shared at the beach, jihyun doesn’t know any more than that. he doesn’t know about therapy, about how his father acts towards him, about the extent of his trauma and how it manifests and affects his mental health, and how he is struggling every single day. and you can’t expect him to know the depths of that no matter how empathetic and connected he is, how much he cares about jaewon, he can’t be superhuman. and so you get why he pushes and fights for jaewon. like… he is in love. it’s clear. he’s fallen in love with him. he is this wide-eyed, open kid that fell in love with a senior. and jaewon has just messed with his head, he’s never been clear, and you can’t expect jihyun to just get past that bc he knows something is up with jaewon. he can’t know the full story, but even if he did, that can’t be a reason or a justification to be treated the way jaewon treats him. bc we’re all about jaewon putting himself first and doing what he wants and respecting himself like that, but jihyun deserves that too. and it’s such a fine line to tread when you know someone is going through something, bc again you understand why, but you’re still the one being treated that way. like we talk about jaewon’s trauma, but here jihyun was part of it, he went through that traumatic experience. he’s the one that nearly lost his life. and yes, he appears to handle it well, and no matter to what extent that’s true or not, you can’t not look at jaewon struggling and understand it and then not look at jihyun with that same understanding. it’s not about comparing trauma and pain and deciding who is suffering more, it’s seeing that there are two people in this, and they’ve both been affected, so we should give them the same level of understanding.
and that’s something jaewon has to see. that his self-preservation is selfish. that his destructive behavior doesn’t just affect jihyun, instead it feels pointed and directed, bc every way jaewon hurts himself hurts jihyun. and it comes bc jihyun was so much of what was good about jaewon’s life for a second, so attacking that is his only form of self-sabotage. he can’t mess up his relationship with his friends or parents bc they were broken in the first place, and he can’t sabotage his future bc it’s already been ruined the moment he didn’t pursue his photography major. him nearly getting kicked out of school affected him so little not just bc he wanted that punishment, but bc even that punishment meant so little to him. all these things are established and they already contribute to his suffering. removing jihyun from his life is the only active thing he can do to make himself feel worse, and he can veil it in an act of protection, and even feel like he’s doing the right thing, but that deceives them both into believing this is done from a good place, when no good can actually come of it. in trying to protect jihyun, you hurt him more. in trying to hurt yourself, you hurt him too. and when someone is in a headspace like jaewon is, you look for that thing that’ll break through. bc he is so distant, he’s trying to remove himself from reality, and jihyun needs to act as this person that can anchor him to it. when you’re trying to isolate and separate yourself, sometimes seeing that you still affect things, that there’s a persons that exists that is affected and hurt by your actions, and no matter how you try to cut yourself off, you cannot stop that, separating yourself still hurts them, maybe that’s a thing that can get through. but that’s something that depends on jaewon. ultimately, he’s the only one that can get himself out of this place, and that’s what makes it so hard, that no matter how much jihyun cares and how much he fights for him, nothing can come of that effort is jaewon doesn’t meet him there. and it’d be so easy for jihyun to give in, to take the hurt, but over the course of this show we’ve seen the strength jihyun has developed, which has only seemed to increase more so after the accident, call it a renewed vigor for life or something. he has the strength that jaewon doesn’t, to not let his pain consume him. and in a beautiful full-circle moment, it’s because of jaewon, bc when they first spoke he sparked in jihyun a want to be stronger, to be more than the country mouse, and he’s done it. and it’s that courage that means he can fight for jaewon, even in the face of rejection. he trusts himself and that he knows jaewon, the real jaewon, to see past words that are intended to hurt them both, and go after the person that’s still inside jaewon somewhere. no, he can’t do it for him, and no them being together is not some magical cure for jaewon, but it’s what can put him on a path of caring for himself again, and sometimes that has to start with caring about someone else (and suddenly I’m reminded of my beautiful man 2 and how kiyoi tries to break hira out of his worthless mindset by making him care about him, and how ultimately that can’t be enough, and that hira has to take those first steps of seeing his self worth by himself). what jihyun can do by fighting is again act as that tether to reality and try to be this representation of the good jaewon can be and do. bc look at jihyun, look at how confident and strong he has become, and look at how he got there, bc you saw that country mouse and gave him the time of day and helped him grow and gave him new experiences. you jaewon, you. and that shift in mindset, from jihyun representing hurt and the accident and the trauma of his brother and everything he can’t do, to being that light and refuge and everything he can do is again something that might breaks through. and the fact it has such narrative strength and satisfaction makes me hopeful that that’s what we might actually get.
#I did a rant#I’ve done a lot of rants actually they’re all just sitting in my notes bc they all got a little too much#my thoughts are a literal mess and I am still struggling to put them in all the right words#mostly bc the way jaewon is behaving and not to be too overinvolved is very reminiscent of *me*#and so watching him shut down and remove himself knowing it’s something i do is hard and frustrating#and I did a whole rant about it but I realised I need to separate myself from the character to be able to talk about it#so yeah#I really wanted to bring up jihyun tho#bc he presents as so strong in these two eps but you cannot argue against what he’s been through and the effect that would have on anyone#and try to see it from a perspective where we don’t know what jaewon is going through and just see his actions and realise how much he has#messed with jihyun again not at all on purpose but that 1000 to nothing jihyun went through from the trip to the accident and it’s aftermath#that’s a fucking lot#and it’s interesting that we talk so much about people putting themselves first and not putting up with shit#like I think of simon from young royals and how we celebrate him saying no to being willhelms secret as an act of self-respect#but bc we understand and empathise so much with what jaewon is going through it’s hard to make yourself even consider jihyun#but when you do see it from his side you realise it’s a lot for him too#and that you wouldn’t hate him or misunderstand him if he was mad at jaewon#and with *spoliers* is there only so much he can take of jaewon’s self sabotage hurting him until even he and his developed strength and#confidence is broken by it#he can only keep fighting for jaewon for so long and idk if it’s gonna be a case of jaewon coming round too little too late#but I just hope this isn’t easy which sounds mean I don’t want either of them to suffer more#but this isn’t a kiss and get back together and all is good#I think jaewon needs to see the bad he’s caused#bc it’s only by owning up to that that he can ground himself in the moment and see that he’s part of this world and can’t separate himself#from it and jihyun also needs to realise that no matter his headspace jaewon does want space and when someone is self sabotaging you still#have to listen and respect what they’re saying distance means distance and as much as you want to fight against it you can’t be responsible#for making it work#agh I need to stop rambling bc it’s so messy and complex and I just absolutely ADORE the level to which this situation has so many emotional#moving parts and how ultimately blameless they both are and how it makes it so much harder to see a way out it’s fantastic#the eighth sense
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opens-up-4-nobody · 1 year
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Being high energy while sick feels insane. Like my brain is telling me I should lay down and rest but is also telling me I should run around in circles and break things.
#i think im getting better tho. i mean i still can feel my warped sickyness but idk my hormones maybe have me all fucked up#but like i told my mum i get these insane little hypomanic-esque episodes and she was immediately like could b ur hormones#i know a number of ppl like that. and i was like YES. thats obviously what it is but nothing comes up when i try to google things abt it#so there must b others out there. and it also implies that theres sometimes fucked up about my serotonin receptors bc when im like kinda#positively disregard i feel happy and i never feel happy. my typical emotional state is indifferent and apathetic#and then dips into light misery and very miserable but not like clinically depressed. but i was even like that while on vacation so even#removed from the stresses in my life i still am not happy. which is y its so hard when ppl r like do what makes up happy. relax#and im like. ok but like nothing works??? its either fucked up hormones or my lantent anxiety just keeps me from being happy#but whatever. im gathering so much data. when i go see a doctor im gonna pull out a spreadsheet and graphs and notes like a lunatic#bwahhh i wanna run. i have too much energy. fuck being sick. fuck having to work on a day off. fuck this#also fuck my menstrual cycle for being so short. like so short its sometimes not listed with the healthy range but only sometimes#just to make me think. i should probably talk to a doctor but. like its probably fine. its consistent so its fine#annoying. annoying. got u can tell when out of wack bc i post too much and cant shut thr fuck up lol#unrelated
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arcaneyouth · 11 months
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i do kind of like the bigender label. im probably not going to use it but i do hold it and toss it around in my brain sometimes. that's a lot like me fr fr
#the reason im probably not gonna use it is the same kind of reason i dont identify as trans:#while the meaning in my head isnt technically correct it is MY meaning for ME and it doesnt match me#bigender is 2 whole genders. 200% gender. maybe even more. thats the definition in my head whether or not its accurate to everyone isnt#important. *i* have only 100% gender. but that gender is split between like 40% girl and 60% something else#and that something isnt even on the scale of normal genders. there isnt a label for that part of my gender#bigender in the community from what ive seen tends to be people who identify on both sides of the boy-girl spectrum#maybe not exactly on that scale but like. aligned generally with it#and my gender. is girl. and a tree and the sound of birdsong. which. uhhhhhhhhhhhhhhh. is not on that scale#i still think i could use bigender if i want because i can do anything i want forever but because my experiences dont exactly align with#bigender is in my head i dont think i will#(note: these tags are MY definition of bigender. it absolutely isnt the actual definition. my definition in regards to how it relates to ME)#(you do not have to tell me thats not how bigender works trust me i know ADGSFHSHGD)#demigirls a better fit anyways. like yeah theres some girl in there. the rest of it? heh... well.... use your imagination#i just sometimes want to recognize i do have 2 different types of gender in me#i am a girl! and im also something else entirely!#and its fun. i like the way my gender works#and bigender does catch some parts of my experience i dont think demigirl and nonbinary do#but not enough for me to use it i think#absolute ramble of a tag set it is 4:30 am i need to sleep
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lyxchen · 4 months
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Look I love drawing kisses, I really do but... cuddles are even better!!! Why kiss when you can softly hold on to each other like you're never going to let go again <3
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