Tumgik
#what is god teaching you
transjudas · 7 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
So, I reckon what makes Ed happy is... you.
4K notes · View notes
cryptid-quill · 27 days
Text
Tumblr media
new colorfes cards made me rise from the dead, I give art of gay people as offerings
654 notes · View notes
puppetmaster13u · 5 months
Text
Prompt 84
Amity Park absolutely adores her little ghostling, her little Gatekeeper who was of her own ectoplasm, reborn from her own blood in the center of her new heart. She absolutely adores her baby, practically a newborn, being only a year dead! 
So of course she had to gush and boast about her little phantom to the other city spirits! They all got together to gossip sometimes after all. And both Smallville and Fawcett started to gush about their own little ones back! 
Gosh they should set up a playdate at some point, her little phantom could use some friends in the mortal realm. Well some more friends, three is obviously not enough. Oh, Gotham and Bludhaven have come over as well! It’s a playdate then! 
Now if only each of their world’s timelines were synced up, but at least everyone is around the same age! 
615 notes · View notes
akuma-tenshi · 1 month
Text
Tumblr media
i can't explain it but they have the funniest fucking friendship in my head
202 notes · View notes
radiocrypt-id · 3 months
Text
I got- I can't!
Imagine being 15, you've grown up your whole life with this one belief in this one God and you were told you were Chosen by Him, for Him. And you're 15. You believe so fully in the spirit of your religion, not necessarily the word, that you want to go to a non-religious school to try and help other kids maybe find your God because you genuinely believe that could be helpful to some of them, because it's all you know, and it's helped other strangers (human trafficking victims she helped in the black pit before) so why not other kids her age? You're 15 and all you can think about is helping others. And you start thinking about your religion, and reading books, and asking questions and you come to the conclusion that maybe your God and His Father aren't actually all that great. Maybe the church you're in has done some really bad things that you can't possibly make up for. Maybe that church is still doing bad things. And then you find out your family is actually in a cult for that God, not just part of the normal church, and you suddenly have to undo all the cult shit in your brain you were raised with, while that cult stuff you know about is actually useful to your friends, like having that knowledge is helpful for them! You're 15 and you stop going home. You have no real adult supervision or carer, just your other 15 year old friends.
Imagine you're 16, you're gay and figuring that out on top of navigating your first full romantic relationship and being the sole creator and cleric to a new God that you honestly find to be very two dimensional and empty. You're on a quest to find an evil being and stop them. You nearly die. Your friends nearly die. You're 16. You're 16 and feel something calling out to you, you know it's divine because you've felt that sort of pull before, but you've never felt one like this. You find memories and hints and pieces and you figure out that the evil being you have to stop, isn't evil, she's just hurting. She's hurt and She's a God. She's your God, and she's so happy to see you, and she has so many ideas, and so many hopes.
You're 17. You've spent your rest time (summer vacation) tearing across the world chasing down and defeating another evil thing that you and your friends accidentally released in the first place. Your God is with you, you have no time for Her. No time for anything but trying to survive and stay sane. You know She's disappointed in you, but you're one person -ONE PERSON- and you're 17. You missed your birthday. again. You've saved the world; again. You're so fucking tired -like always. You're Chosen, and alone, and have no idea what to do with your life, let alone your God. You aren't very good at school, but you go to every class. You're drowning as you try to rewrite your understanding of the world from what you grew up with, having no idea how to do anything without a book and godly hand to guide you. You only ever followed before, your new God is demanding you Lead. You don't know how. You're only 17. You see your horrible, abusive parents spitting abuse and racist rhetoric at your baby brother, who you haven't seen in two years, on the front steps to your school and for the first time ever you are filled with righteous fury. Your God answers your call, not knowing what you need but so eager to help, eager for your attention, she starts talking to you but you're busy -why can't she understand that you're fucking busy? trying to not die, trying to be safe, trying to keep your friends alive, trying to navigate a world that hates you, you're 17 and you're busy goddammit just wait!- and she snaps back at you and flees. The next time you see Her, maybe an hour later, She's got a creature with Her that nearly destroyed you and your friends last year sitting in her lap, so smug to see you again.
You're 17- no, 16- no, 15 years old and you're expected to build and carry the world on your shoulders, Chosen from birth, raised a lamb to follow a Shepard, not to be followed behind. You have no one and nothing and everyone expects everything and you can't back up, you can't pause because if you do someone dies and doesn't come back. You have to be a hero, a chosen, a saint. The steps behind you crumble to dust with each step you take forward and the new one is already cracking under your weight. There are only wrong choices. There's no hand reaching for you. God, you were taught, will save and guide you. God knows best. Why is your God looking to you, a mortal human, to be saved, raised and guided? You're a child.
You're just a child.
You just want to go home, wherever that is. You thought it was your God, but She's not exactly helping you out either, is She? She's just disappointed. Like everyone else. Like you.
You're 17. You think it would have been better to never do any of this. It would have been easier to stay, blind and naive. Sometimes you think you should have stayed in heaven. Sometimes you think about the God you killed by not being good enough for it. Sometimes you lay on the floor and stare at the ceiling and pretend you don't exist for awhile. Sometimes you work your body so hard you forget it's there and your mind shuts up and you exist without being you. Sometimes you wish you never asked any questions or read any books. You're 17, but sometimes you wish you were 15, with no idea yet.
You're 17. You wish you were good enough.
277 notes · View notes
poorly-drawn-mdzs · 9 months
Text
Tumblr media
Los Chicos Peleandoooooo
[First] Prev <–-> Next
644 notes · View notes
shutupineedtothink · 7 months
Text
I’m still s h o o k that people do not see exactly what’s going on with Moiraine throughout s2 and people are dragging her and dismissing her without an ounce of empathy for what she’s been through, so I’m bringing the full character analysis for y’all (and my own sanity). So this is a big ol in defense of Moiraine (and Lan) rant, so if that’s not your thing, scroll down now. Here we go.
I just… The AUDACITY some people have to look at Moiraine and be angry and pissed off at how she acts in S2. To not feel any sympathy and empathy for her and the monumental weight she’s under every goddamn day. There’s a reason we start with that bath scene in 2x01 – it shows you everything. How she’s just going through the motions. How she only lets herself cry when she’s alone in the water. How she literally curls into the fetal position and looks reproachfully devastated over her knees as she hugs them to her chest in a futile attempt at comfort. Not to mention the direct comparison/callback with the bath scene in 1x01, where she has both her power and Lan still, and now she’s lost her connection to both of them.
How is it not painfully obvious that every interaction she has after that bath scene is infused with a trauma response? Let’s tally up the devastation she’s been through. At the end of S1, she was 1. banished from the sisterhood of the white tower (they literally turned their backs on her), 2. was separated AGAIN from the love of her life fully expecting to never see her again, 3. was cut off from the other love of her life (that would be Lan, for the record) which is all the worse bc it’s her own fault for masking the bond, 4. was fully made to believe she’s been stilled from the one power aka an integral part of her being, AND 5. she’s “failed” her mission at the eye of the world – the one goal she’s had for the last 20 years, her life’s purpose – because instead of locking away the dark one she’s directly caused Rand to set Ishamael free.
You don’t think it's justified to be a little pissed off and standoffish after all of that? You don’t think the weight of that guilt, grief, pain, and loss is a reasonable cause to be distant, cold, harsh, having a little bit of a death wish? That’s TRAUMA, baby! She is absolutely wrecked, and it’s coming out in the worst way in her interactions with others (especially Lan because we’ve seen how they should be), but it’s absolutely not because she actively wants to hurt the people around her. In fact after almost every moment she lashes out at someone, we see an equally sad/grief-stricken/devastated moment from her and THAT’S the real emotion hiding underneath the anger. This woman needs therapy and understanding and patience, and does not deserve to be judged at the worst time of her life.
Ok fine, you say, but Lan IS patient and understanding with her! And she’s still an asshole to him! You’re right, Lan is absolutely trying his best and doing just about everything he can to be there for her in 2x01/2x02 (with a little help from Verin and Tomas). But 1. It’s STILL not about him, Moiraine is not obligated to respond in a certain way to her grief and pain that makes him feel better, and 2. This is Moiraine goddamn Damodred and even her trauma response is also a front to protect him, to push him away from her and what is now certainly a suicide mission to fight the dark without her powers.
This is SOOO important to really get Moiraine’s character — y’all gotta understand this: Moiraine truly loves only TWO people on the whole fucking planet: Siuan and Lan. They are also the only people who truly love her, unconditionally, with all of her flaws and imperfections. Please please ingrain that into your brain, especially for Lan, in this context. (Siuan is a whole other conversation I won’t get into at the moment.) Moiraine loves Lan, he loves her, deeply. That’s the foundation of everything they go through with each other in this season, despite what’s happening on the surface.
Once you accept that as fundamental truth, everything makes a whole lot more sense. She is a dick to him to push him away. Literally tells him he failed her to put the final nail in the coffin of driving him away, which is his worst nightmare. On the surface it seems egotistic at best, plain cruel at worst. But look underneath. Moiraine always has reasons 2, 3, 6 layers deep for everything she does.
With everyone else she’s mean to this season, namely her sister and her nephew, it’s born out of distrust (and the aforementioned trauma response). She can’t afford to trust anyone because anyone could be a dark friend. (And if they’re not a dark friend, then they become a liability and endangered.) Anything she lets slip could be used to hurt/control Rand and push them all one step closer to eternal darkness. Oh and when we see Barthanes’ true nature that turns out to be fucking justified, by the way. But I digress.
Right so why is she an asshole to Lan then? Because she doesn’t trust him? I don’t believe that for a second. These two have been on the same page, literally sharing the same headspace, for the last 20 years – she knows he’s the best person she’s ever met, the least likely to ever turn to the dark, ever. It’s an actual impossibility. So it’s not that she doesn’t trust him. She literally marvels at how courageous he must be to fight the dark with only a sword.
The true reason is: she does trust him, she does love him, and she KNOWS him. She knows that he will never leave her like this, in her darkest hour. He is both honor-bound to her (which he takes very seriously) and deeply cares for her. The problem is that now his life is in serious danger by staying with her. But there is no calmly explaining to him that he should return to the white tower for his own good and bond to another aes sedai who can actually channel, who can actually hold up her end of the partnership and protect him and heal him in return for his loyalty and sacrifice. Or better yet, find Nynaeve, who is not only ridiculously powerful and has probably the best chance of protecting him out of anyone, but who also loves him.
If Moiraine loves him and wants him safe, the ONLY option she has to protect him, the one good thing left in her life even if their bond is masked, is to drive him away. To make it so that he’ll stay far away from her of his own free will, and never come after her and her suicide mission to defeat the dark. Because she has already lost everything, she has no control over her fate anymore (if she ever had any to begin with), but the ONE thing she can still try to do is keep him safe. And hopefully, maybe he’ll be happy, one day. Her reasoning is directly confirmed for us in the last thing she says to him in 2x02 before she leaves: “Light protect you, al’Lan Mandragoran.” That was her goal all along, to protect him.
That’s the true reason she’s Like That to him. It’s all out of her love for him, and a desperate desire not to drag him down with her when she’s sure she’s destined to die on this mission. Is her strategy misguided? On the one hand yes, because she does need people to help her and she needs to trust someone, as he points out. On the other hand, she’s absolutely fucking right because look what happened with the Fade fight at the end of 2x01. Both her and Lan would have died without Verin and Tomas, and it would have been because she couldn’t channel. He is factually, logically, physically better off without her as long as she’s “stilled.”
This is why it makes sense how Lan eventually responds the way he does. He initially sees right through what she’s trying to do, he literally says he won’t let her push him away. He knows her too, better than anyone, including Siuan at this point. But he isn’t expecting her to go as far as she does, and it shakes him to his core. She tells him he failed her, has his worst fears confirmed, and then hears the words “we were never equals” and hears that she thinks she’s better than him, when she means the exact opposite. Tomas tells him to really listen but he can’t, in that moment.
But then he gets some distance, and some perspective thanks to Ihvon and Maksim, and he remembers: he loves her. He believes in her and he knows her and he knows what she’s doing to push him away (although maybe not why, when it comes to protecting him, because he doesn’t see himself as someone who needs protecting). Even better, he realizes that her situation is actually not what she thinks, that she’s shielded not stilled, and he can do something about that.
I LOVE Lan in 2x07 because he’s got Moiraine’s number now, and he will not be swayed by any further attempts (rather weak attempts at this point) to lash out at him. He just takes all the shit she throws at him, and calmly asks her what he needs to know and tells her what she needs to hear (“hopefully everything we’ve lost” and “that’s what I thought” and “you need to trust someone, Moiraine”), and is truthful with her even if she is still putting on this act with him in her fear and grief. He isn’t having any of it, he sees straight through it to the fear and pain underneath. And he literally DECIDES they are going to be okay, and then he fucking. Follows. Through.
He is not a doormat to her rage, he is not her servant, he’s not going back to her with his tail between his legs. He SHOWS UP for her in her darkest hour, when NO ONE, not even Siuan, can see what’s going on with her. That’s a true friend, a true hero, and absolute king behavior.
In conclusion, Moiraine’s behavior in s2, while not cute, is totally justified given the trauma, circumstances and everything she’s dealing with (jfc the lack of sleep alone) and makes sense in light of her ultimate goal to protect the world, which includes protecting Lan. And Lan’s response, once he figures out what to do, is the absolute correct way to handle the situation and is not weakness at all but strength in the highest order.
I’m so glad we got the payoff of all that with their conversation in 2x08 and reconnecting the bond. It was so beautiful, so earned, and reminded us of the level they’re on with each other — which is a soul connection way beyond what any of us can imagine.
281 notes · View notes
celluloidbroomcloset · 5 months
Text
Ed will absolutely get Stede to tell him what to do to fix up the inn.
Stede: I notice every time I use my captain’s voice, we have sex.
Ed: Yeah, weird coincidence. But, uh, so, what should I do next?
Tumblr media Tumblr media
144 notes · View notes
just-null-cult · 7 months
Text
Tumblr media
i've always wanted to try out this trend! i didnt think i drew him that different. i was wrong. very wrong.
hes so baby girl in my style what the fuck. oh i know, i was just drawing what gege meant to draw. dw, i got his telepathic brainwaves 👍
[time lapse + my headcanons for Noritoshi's appearance under the cut]
some headcanons i have while drawing him are semi obvious while others are bc i like it ahehahhaheha
cupid's bow lips! this was semi inspired by Mizuki Umetsu, the actor for Noritoshi in the jjk stage play! hes so. pretty. perfect guy for the role imo! i was captivated therefore my views changed.
longer hair! the thought that his bangs(? are the same length, or longer, as the rest of his hair is nice.. it also makes his inevitable haircut much more refreshing! i also just like long hair and its a fucking waste not to do whatever the i want.
thicker brows and visible eyelashes! i naturally draw thicker eyebrows because it looks pretty, but the eyelashes is so fucking canon bro. dont even fight me on this, you'll lose. i read a fic about Noritoshi where it said he took good care of himself and his appearance inspired jealousy. that fucked me up man, so now i draw him as beautiful as i can.
monolids! I've looked through the manga and i think its highly implied that Noritoshi has monolids? yk those lines in between the eye and eyebrow, he doesnt have them in the manga. i thought it was because of the expressions he had, but no. the others have them, except geto! so geto also having monolids is so fr in my head. i like that feature abt him.
loose hairs! the hairs that i draw on his face. they make him look so cute and a bit more relaxed. he's not trying to be perfect nor have a single strand out of place. he's just a bit more at ease... though if there's something important he has to go through, he sharpens up. becomes.. stiffer?
I UNINTENTIONALLY MADE HIS CHEST LOOK A BIT BIGGER IN MY STYLE AND I WANT TO APOLOGIZE, BUT I'D BE A LIAR. DOES THIS COUNT AS A HEADCANON??? I JUST THINK... SINCE. YK. HES AN ARCHER. AND DOES TRAINING. AND COMBAT. AND DOES ALL THOSE HIGH JUMPS... HIS CHEST. ITD BE A BIT BIGGER FOR HIS STATURE.. omfg. that'd imply that his legs are fucking insane. and his arms too, since he has to pull back all those arrows so quickly.. oh my fuck. this. this is a revelation. what are you hiding under those robes noritoshi...???? one day.. one day we'll see...
oh my fucking god i forgot that i wrote shit while drawing. please ignore my fucking stupid writings AND THE STUPID ASS THING IN THE MIDDLE I FORGOT ABT WHILE DRAWING..
160 notes · View notes
greenerteacups · 3 months
Note
Hi! I am an ardent fan of your writing, and I hope to be as sorted and planned as you some day in my own writing journey.
My question is: you have a keen eye when it comes to planning character personality, dynamics, and such. I've also been wading through your ask replies, and your insights into how you write people and how you make them play off of each other is so wonderful to read. If it's not too personal a q, how did you learn how to write like this? Did you go to school for writing, does it come from years of observing people, do you have reading list recs for "how to write real people and real interactions"?
Thanks! This is a really flattering question. I'll try to answer it honestly, because I wish someone had been brutally honest about this with me when I was a young writer.
I didn't go to school for writing. I started doing it when I was about nine years old. It sucked very badly. I kept writing throughout high school, and it still mostly sucked, but some of it was occasionally interesting. ("Interesting" here does not mean "good," by the way.) I took a break in college, and then came back. I've been writing ever since. Sometimes, I feel good about it. A lot of the time, I don't!
I hate giving this advice, because I remember how it feels to get it, and it's the most uninspiring, boring-ass, dog shit advice you can get, but it's also the only advice that is 100% unequivocally true: you have to write, and specifically, you have to write things that suck.
I do not mean that you should make things that suck on purpose. I mean that you have to sit down and try your absolute hardest to make something good. You have to put in the hours, the elbow grease, the blood, sweat, and tears, and then you have to read it over and accept that it just totally sucks. There is no way around this, and you should be wary of people who tell you there is. There is no trick, no rule, no book you can buy or article you can read, that will make your writing not suck. The best someone else can do is tell you what good writing looks like, and chances are, you knew that anyway — after all, you love to read. You wouldn't be trying to do this if you didn't. And anyone who says they can teach you to write so good it doesn't suck at first is either lying to you, or they have forgotten how they learned to write in the first place.
So the trick is to sit there in the miserable doldrums of Suck, write a ton, and learn to like it. Because this is the phase of your path as an artist when you find what it is you love about writing, and it cannot be the chance to make "good writing." This will be the thing that bears you through and compels you to keep going when your writing is shit, i.e., the very thing that makes you a writer in the first place. So find that, and you've got a good start.
Some people know this, but assume that perseverance as a writer is about trying to get to the point where you don't suck anymore. This is not true, and it is an actively dangerous lie to tell young writers. You are not aiming to feel like your writing doesn't suck. You are aiming to write. You are aiming to have written. Everything else is dust and rust. And of course, you'll find things you like about your pieces, you'll find things you're proud of, you'll learn to love the things you've made. But that little itch of self-criticism, in the back of your brain — the one that cringes when you read a clunky line, or thinks of a better character beat right after it's far too late to change — that's never going away. That's the Writer part of you. Read Kafka, read Dickens, read Tolstoy, you will find diary entries where they lament how absolutely fucking atrocious their writing was, and how angry they are that they can't do better. A good writer hates their sentences because they can always imagine better ones. And the ability to imagine a better sentence is what's going to make you pick up the pen again tomorrow. And the day after that. And the day after that.
Which is what I mean, and probably what all those other annoying, preachy advice-givers mean, when we say: a good writer is just someone who writes every day. It's that easy, and that hard.
71 notes · View notes
blueskittlesart · 10 months
Note
do u have any navi thoughts from your oot replay
i've been waiting to answer this until I actually beat the game in my current playthrough because navi is another one of those characters that i think of in like a "set" with several other characters who serve relatively the same thematic purpose; in this case that purpose being the "mother" character, and i wanted to have all the characters in that set fresh in my mind. it's notable that while oot shows us very clear and consistent instances of the ways in which the adults of hyrule fail to protect their children, there ARE several adults who DO go out of their way to both oppose ganondorf and protect and nurture the children under their care. All of these characters are adult women, and all of them explicitly help the children out of some sort of parental responsibility or sense of duty towards them. in this group I include link's late mother, impa, nabooru, and navi.
all 4 mother characters, despite being adults or adult-coded, reject the inaction mentality which characterizes other adults in the game. they become either direct supports or shields to their children from the conflict the world has to offer them, and they are always explicitly punished for their interference--link's mother is killed trying to protect her son, impa's village is burned, nabooru is brainwashed. The mother's fatal flaw is that she will protect her child above all else, even in a world in which children cannot truly be protected. however, with the exception of link's mother, these characters manage to persist even in the face of her punishment, and this is where I think navi becomes the exemplary character.
Navi, after a lifetime of being link's only support system, the only adult in his life he could truly, consistently count on, receives her punishment at the hands of ganondorf--in the final battle, she is pushed out. she is unable to reach her child. she cannot protect him. However, BECAUSE link has grown up with her at his side, he is strong enough to take ganondorf down. and when ganon rises again, navi is there to support link, promising not to leave his side, and the intuitive targeting of that battle (a mechanic which navi is inherently tied to!!) makes it a cinch to win. Navi, and the other mothers we meet, are a reminder to the player that the world doesn't HAVE to be the way it is. Their persistence when punished, their insistence that their children ought to be protected, is a reminder that good adults do exist, and that good adults raise good children. link and zelda are able to win in spite of the adults who refused to help them, but also BECAUSE of the adults who DID. It's a reinforcement of the core theme of oot--that childlike idea that the world SHOULD be good and fair and if it isn't, it should be changed until it is. The mothers of oot are examples of what the world COULD be, reminders that it is possible to grow up without losing hope or growing bitter, and they are examples of the next step for the children they've raised to change the word--to continue fighting even in the face of punishment, to refuse inaction, and to foster that same hope and persistence in the generations to come.
#one thing i've really been noticing this time around is the specific way in which navi's targeting works#because even though other 3d games have that targeting mechanic navi's targeting is noticeably different#in two ways. the first being that she specifically targets weak spots in enemies almost as if she is pointing them out to link#and the second being that she is capable of targeting things link himself doesn't see#whether it be invisible enemies or triggers that are out of his reach or scarecrow points or whatever#it's really reminiscent to me of the way you teach problem solving skills to a kid. you see them struggling with something and beginning to#get frustrated and you say 'hey let's look around. do you see any solutions?' and if they can't see the solution themself you might point#and say 'hey what's that?' just to get their attention on it and help facilitate that train of thought for them#because like in most other games targeting is sort of assumed to be link's own intuition in battle#and therefore it will usually allow you to focus on one enemy within a swarm of them but it won't explicitly light up the weak spot for you#navi does that for link because she's essentially the mother teaching her kid how to problem-solve.#and when she's taken away in the final battle link is able to fight anyway BECAUSE she put so much time and effort into raising him#that he no longer needs her to facilitate that problem-solving process. he already knows how to beat ganondorf#because he's done it with her before. and that's exactly the mother's role in her child's life#protect him and raise him as best you can so that when you can no longer be by his side he isn't afraid.#foster that sense of justice and encourage him to keep fighting to change the world even when it seems unchangeable.#god. ocarina of fucking time#zelda analysis#asks
162 notes · View notes
moominpopzz · 11 days
Text
Do y’all think Ashe has sat there and begged the other three to just tell her what being able to go to school was like for them… how it felt to sit in a classroom, how it felt to be able to have lunch around others and what they’d have, how intimidating the hallways were and if there were really cool clubs to join.. what having that party felt like, even. What having those people around to have the ability to have a party was like. Cause I do. Cause I do a lot
34 notes · View notes
frukmerunning · 29 days
Text
people under 21 should not legally be allowed to have opinions sorry
edit because apparently I have to say this: I obviously dont mean EVERY teenager in the world. sometimes things just aren't about you. this post is about the 400 15-18 year olds I see Monday-Friday and sometimes Saturday
50 notes · View notes
Text
i think the diamond dogs should play improv games just bc it would amuse me, an ex theater kid, specifically
#ted and beard ofc are reading each others minds#trent is shockingly good at it but only when he forgets to be self conscious#also see: he does both best and worst with ted (best when he's not being self conscious#worst when somehow the prompt gets too touchy or 'romantic' bc Crush Crush Crush Brain Panic)#(please the image of ted in character hugging him or something and trent just. red. brain crashed. no longer improving just frozen. barely#manages to recover and even then it was not subtle. unclear if ted is a) genuinely oblivious b) teasing him and thinks trent knows that#c) something else(??) )#roy is too stiff most of the time but if he gets really into it he gets REALLY into it.#best way to get this result is to involve phoebe or another child#higgins did community theater at some point and is the one teaching them all the games. beard also seems to have done intense research#but higgins is the one with EXPERIENCE#not that i think beard and ted couldn't have done an improv duo in college or something but in this scenario they did not#nate surprisingly is pretty good at it once he gets into it like it takes him a second but#then he's like. really getting into it and he's very quick on his feet#new way to go mad with power (affectionate): the rush you get when you make the perfect snap back comedic line/acting choice#also while trent is so good paired with so many of them i think he and nate would be a hilarious duo. they're SO funny.#they complement each other well and are both quick & clever#esp if it's about a mutual interest (although one of them taking the lead on something else like nate and music while the other plays off t#em is also good) but like#please i just had the iamge of them basically doing a bit where they're like. those mean old gay muppets in the theater?#like trent and nate improv duoing as some bitchy reviewers just going back and forth and it's so FAST and SO funny#beard records it and posts it somewhere and it goes viral.#god don't even get me started on the idea of some sort of official richmond social media/the gang posting random clips on social media#bc the ideas i have are so funny.#also largely trent centric but what do you want from me okay i'm just a little slut.
25 notes · View notes
itspileofgoodthings · 25 days
Text
so many people have said that as you approach your 30’s things start to fall into place but I don’t feel that at all. the closer I get the more it feels that everything is dissolving and falling apart
25 notes · View notes