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#who knows if i'll write them all
poorly-drawn-mdzs · 6 months
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Smell Check [Easy: Failure]
MDZS Disco Elysium AU part 1 (part 2 - part 3)
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#disco elysium#MDZS Disco Elysium AU#So sad I didn't manage to get this comic out on the 15th (pd-mdzs's 8 month anniversary and DE's 4th year anniversary) but I'm here *now*#I have a very extensive and detailed MDZS Disco Elysium AU that I am Not Normal About.#I've seen a few other people point out the potential in a crossover (true) but they make the mistake in having it be set in 51!#A true crossover would take place closer to The Antecentennial Revolution!#Disco Elysium did not go that hard on its cool lore for people to only make surface level crossovers!!!#One day I'll write the fic or post my notes. I don't know who would read it but it tickles *my* brain and that's enough.#No spoilers for DE (here or in comments (please)) but please consider....Magpie Wei Wuxian B*) On his way to be an innocent.#I do think there is a good chance a chunk of the MDZS readership would enjoy DE but...it's also not a game I easily recommend#It's more of an experience you have to marinate over. It's dark in ways that are off putting to some people.#It makes you feel like a very bad person all the time. It gets extremely personal if you allow yourself to be honest in your answers#and it's also the game that saved my life. My life was truly forever changed after playing disco elysium.#If I recommend it to people it's a badge of the trust I have in you to appreciate something dear to me B'*)#If you decide to play: PLEASE go in as blind as possible. You will regret spoiling yourself.#edit: this is based on real disco elysium dialogue. HDB has many canon kinks but this is not one of them
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doverstar · 1 year
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to be clear, I think Rose Tyler being an often-selfish character is great. I think it's great because real women are selfish. Real women get petty. Real women hear their ex boyfriend say he's going out with a mutual acquaintance and get unfairly jealous and real women then say things like "she's a bit big" when they shouldn't and they have no right. Real women can be monsters, and Rose Tyler is relatable and I love how she is written and I love her, thanks for listening
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solarisfortuneia · 8 months
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here's a silly something that was going to be a thing of its own but i thought it was much better as a blurb <3
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“kaeya,” you call, running your fingers over a midnight blue t-shirt with a cat and the word ‘meowlicious’ embroidered on it in silver. “come take a look at this!” 
hearing no response, you turn, only to find kaeya’s hoodie-clad figure next to the hat section, where a wide variety of them sit on display. the trolley sits to the side, abandoned in favor of a ridiculously colored hat that now sits on his head.
“what?” he asks, a twinkle in his eye. “you don’t think i look handsome like this?” he poses like a model on the runway. with his midnight-colored hoodie, white sneakers, silver earrings, eyepatch and rainbow beach hat, he makes for a comedic sight.
the price tag dangles over his eyes, the cherry atop this absurd cake. a smile spreads across your face and laughter bubbles up in your chest.
“you look very handsome,” you tease. “i’d definitely pay—” you reach for the tag and flip it over. “five ninety nine for you.”
“is that all i’m worth?” one hand flies to the center of his chest in feigned astonishment. he catches your wrist with the other when you begin to move away. “i was under the impression that i’m worth far more than a meagre five ninety nine.” 
“oh, you are.” you flick his forehead playfully. “but the standard rule of department stores is that i pay what’s on the tag.” you stick your tongue out at him, intertwining your fingers with his. 
“touché. it looks like you’ve struck a bargain. take me home, then, my love.” 
“we’ve got to pay for our stuff first, my love.”
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ON THE TOPIC OF BARNABY. as well as his relationship with Wally.
So. To kick this off - Riv (@funonion) and I were Speculating, and they introduced me to the johari window:
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They put Barnaby in the “facade” section, and I entirely agree. To quote them;
“So he’s Wally’s guide, right? He’s the “knowledgeable” one of the two and is always the one teaching him new things. And you know, it’s one thing if you’re just teaching him how to laugh or how to tell a joke. But.
Clown has given us two doors. One says that Barnaby understands Wally in a way the rest of the neighborhood doesn’t, and is willing to do his dirty work so to speak. The other says that their friendship was not a natural occurring thing and had to be enforced repeatedly within the show. HOW THAT’S BEING ENFORCED IS ANOTHER THING ENTIRELY but it is worth it to note.
What is Barnaby willing to keep? What is he willing to bury for his little buddy? I can’t say anything definitively yet, but the fact that I even have to ask is telling. The class clown archetype is usually used as a way to cover up for something else a character might be experiencing”
And my response, (I won’t directly quote because I have little things in the phrasing & elaboration to add / tweak );
Barnaby being a Comic Relief Character immediately raised so many alarms in my head. I love comic relief characters. They���re always so fucked up in one way or another, and Barnaby is almost certainly SO inauthentic. He’s wearing a comedy mask just as opaque as Wally’s own mask. In everything we’ve seen about him so far he’s either Teaching Wally, wisecracking/joking, or… pretty much nothing else. We got that moment of concern in audio 14-14, but that doesn’t reveal anything beyond genuine care for Wally.
Comedic characters have the best disguises. Their poker faces & ability to deflect is always top tier [and practiced], and just look at comedy-focused actors and entertainers - so many of them have severe issues, either with their mental health or life. From what i’ve observed both in that aspect & with fictional characters, they play it off & work hard to entertain/deflect [one in the same] right up until the end. Sometimes it’s a coping mechanism. Usually it’s both. If they laugh loud enough and make people think they’re lighthearted fools w/ nothing underneath, no one will look any deeper and thus they’re “safe”. 
& I’m a little suspicious that Barnaby’s red/orange/yellow spots aren’t naturally those colors. While yes, he could be (in-universe) designed that way to echo Ms. Beagle, there’s a strong possibility that that’s not it. What if he paints them to feel a connection to her, or it’s a physical manifestation of Barnaby covering up his insecurities/issues - what if it’s part of him striving to convince the world that he is what he paints himself as. 
The laidback funnyguy with a loving mom and not a problem in the world. 
And I mean, Barnaby claims to be a natural blue and I believe him! But the other colors? I’m doubtful
(I was going to include the Cast As Lil Kids Designs in this since Barnaby has all blue spots, but given how early in 2021 it was posted and how there seem to be little discrepancies from the ~official~ designs, I don’t want to provide it as evidence.)
& on the topic of Wally and Barnaby’s relationship being both real and not - disclaimer, this conversation happened before my Updated Thoughts On Them post, so there may be some minor rephrasing here from what I originally said - I’m sure that the relationship started out as inauthentic. Wally was assigned Barnaby as a best friend and technically vice versa, but I don’t doubt for a second that it became real to some extent. Clown wouldn’t treat their relationship outside of “canon” WH stuff the way that he does if they weren’t actually friends. They’ve said that Wally & Barnaby would be friends in every universe (which melts my heart <3 platonic soulmates my beloved <3), so then I have to agree with Riv. what WILL Barnaby do for Wally? I touched on this in the Milk Theory, but especially if Barnaby prides himself on “knowing Wally better than anything else”, what would Barn do to preserve that?
This relates to another conversation we had - Barnaby possibly having abandonment issues. It’s such a choice to have him of all characters be explicitly stated as an orphan. That and while every other Neighbor with a mentioned family have a somewhat large one (Howdy and his gajillion relatives, Julie and her three siblings, Poppy and her crowded tree [note: Eddie has a mentioned mother, but that info is tenuous and who knows if there are other Dears]), Barnaby has also explicitly stated that Ms. Beagle is his only family. That’s it. And farm life can’t be a sociable way to grow up, not with all the chores he must have had and how rural he might have grown up. Barnaby jokes that Home is the “Big Apple”, which could just be a joke - but jokes often come from a place of truth, and Home might be the most populated area Barnaby has lived in. Who’s to say!
Either way, Barnaby was orphaned one way or another, and I don’t doubt that it weighs on him. Especially if  his birth parents really did abandon him. That added to a possible life of loneliness… I wonder if he’s latched onto Wally emotionally, which would hit all the painful places if it turns out that my “Barnaby is more attached to Wally than Wally is to Barnaby” theory has merit. Abandonment issues could also strongly back the apparent walls he’s plastered over with circus tent fabric
Back to Barnaby & Wally: the fact that, at present, Barnaby and Wally seem to have the best disguises / strongest masks. That. looking at 14-14, i suspect that Barnaby is excellent at keeping his up, but as soon as Wally’s mask cracks, so does Barnaby’s. 
And then there’s the side of their dynamic that we could look at - it seems to be a very multifaceted relationship. The way that Barnaby genuinely cares yet in the 00 Halloween audio Wally was left off to the side and Barnaby was just “checking on him” while socializing (then again, this could be part of Barnaby understanding Wally & respecting his space / Wally wanting a break from that socialization). Barnaby is patient with Wally and yet he seems to sometimes treat Wally as his sidekick / let him fade into the background and yet Barnaby kept checking in on Wally during the 14 bug audios (this last one I could tie into the abandonment issues theory). 
Then there’s how Barnaby calls Wally kid & can tend to treat him like one despite both of them being in the same age group. The way that all of this could, in a way, relate to the infantilization of autistic people (no matter how well-meaning or unintentional) & internalized ableism. 
Note: Riv pointed out that Barnaby does seem to be doing the best with what he has, and that this can connect to the Johari Window’s blind spot / unknown. 
I do agree with this wholeheartedly! And I have to mention that - and making a Very educated guess here - the interactions we’ve seen take place in the very late 60s / very early 70s, so Barnaby’s behavior towards Wally is actually pretty fucking stellar given the time period. We can’t expect him to be perfect or do everything / say everything right. That would be boring I think! And one thing I deeply appreciate about the Neighbors & their dynamics is that they feel like real layered people, not cardboard cutouts being perfect caricatures of what people are “supposed” to be like.
Riv also presented this:
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We likely are going to reach a point where Wally asks Barnaby something that he can’t / doesn’t want to / won’t answer. And like.. Ok. This is a slight tangent but I swear it’s related! When I first discovered WH and learned the Wally basics, I wondered two things.
Are we going to watch Wally “discover” new emotions? Because he certainly has them. Clown has said that Wally only ever feels happy, and a lot of people took that to mean that Wally can’t feel anything else. I don’t think we should take that answer at face value, because. I mean. Look at the project & creator we’re talking about. Layers, guys. Indirect direct answers. I think that Clown meant that Wally only ever feels happy in the Neighborhood because he has no reason to feel any negative emotion. Everything is as it should be. Until it isn’t - and I think that’s where he’s going to have to struggle with new emotions as he encounters them through new situations/events unfolding as the “story” starts to deteriorate. We’ve actually seen this a little bit - in Wally’s record audios (i believe the chronological second to last?), the way he says “Let Me In” so insistently. That’s definitely not a positive emotion being expressed. 
How will the topic of death be handled - because it will be handled, it’s stated in the project warnings. I was wondering this even before I read the list, because I was presented with a blank slate puppet character and so went “oh fuck, this dude doesn’t know about death, does he?” Obviously I wanted to know how that would go. I want to know how it Will go! 
How would Barnaby explain emotions that Wally doesn’t know how to convey? How would Barnaby explain death in a way that Wally would understand - given that Barnaby (& all the Neighbors sans Wally) knows what death is  - and would Barnaby be willing to explain such a thing? I have a feeling we may find out.
And in a way, I suspect that if none of them know, Wally will find out himself and have to process it without help. But then again, how can something die if it was never really alive in the first place? Unless the death warning relates to human characters… I’m currently assuming it relates to both humans and puppets. 
In conclusion: Barnaby has a carefully fabricated facade, he's doing the best with what he has but it likely won't be enough, and uh. shits fucked!
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taz-writes · 9 months
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here's a hot take for today
the narrative function of sex is the same as the narrative function of fight scenes is the same as the narrative function of songs in a musical
no i will not explain
#taz talks#writing#actually i WILL explain but i'll do it in the tags#these each serve the same function within their respective appropriate genres#each one is a kind of revelation#they heighten the connection between 2+ characters and highlight relationships and feelings and needs#they are out of place in genres where they do not belong and/or as curveballs when the narrative did not provoke them from the start#but they have the same sort of emotional/dramatic build-up#talk -> sing -> dance (talk -> yell -> stab) ((talk -> flirt -> You Know))#and they are all expressions of intense physicality and intimacy through physical gesture and interaction#they are fundamentally empty and boring if there is not a deeper purpose or drive behind them#although they can still occasionally be entertaining on their own if your audience is specifically seeking that experience out#people who do not like them will be very unhappy to encounter one where it isn't supposed to be#it is very easy to ruin the mood with poor word choice#many people have an inherent sense for terrible ones but it's often difficult or complicated to explain precisely why a bad one fails#when executed properly they are a very raw and intimate expression of a character's most fundamental needs and desires#the fluff is stripped away and there is nothing left but a series of needs. conflicting or cooperating.#and even when you're lying during one it's still a form of truth#none of these things are remotely necessary to tell a powerful or compelling story but if you're going to use them you need to do it right#also all 3 of these things are difficult if not impossible to write if you are not both interested in them and personally invested#this post brought to you by me trying to write smut about my dnd characters and failing because i generally hate /reading/ smut#so i have none of the vocabulary or instinct for it that i do for. say. graphic violence (or lyrical poetry)
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possamble · 9 days
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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
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She was as excited for Marcille's milestones as Donato was.
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She didn't tell Marcille much about elven food
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(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
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However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
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Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
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"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
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copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
#asks#she could easily be interpreted as distant or neglectful after Donato's death too#with how little involvement she has in Marcille's life/the fact that Marcille doesn't even mention her when talking about her life prospect#and that's fair! I will argue to hell and back that she was a loving parent when Donato was alive#but there's nothing that suggests she remained a loving parent afterwards#I just think that like... parental relationships are so complicated in dungeon meshi#you cannot deny that the toudens' mother loved them dearly but that she failed them both miserably as a parent#and i think it'd be more compelling if Marcille's mother was a little like that too#not a totally and easily dismissable deadbeat#but someone who truly loves her daughter but was only human herself and couldn't be what Marcille needed at a crucial moment#and regrets it deeply#and that the distance between them is mutually self-imposed by complicated feelings of guilt and fear#and a little resentment from Marcille's side that she hasn't really properly processed#I don't know if I'll ever get around to writing it but i had this idea where Marcille does finally spill the beans to her mom and she just#immediately arrives in Melini#and its awkward for a bit but they do finally have a heart to heart and air it all out#and marcille starts freaking out that her marriage is rocky rn bc her new husband wants her to distance herself from marcille#on account of the crimes and all#marcille's like no you can't blow up your marriage for me and her mother just shuts that shit down#'you didn't choose to be born. i was the one who made that choice for you'#'i brought you into this world and i'll be damned if i don't take responsibility for that the entire way'#'you are entitled to *nothing less* than my unconditional love.'#and obviously that's not a sentiment that's exactly healthy as a universal statement about parenthood#but i think its what her mother would believe and what marcille needs to hear#and dungeon meshi does such a fantastic job at just... letting imperfect things just *be* without having to justify it immediately#it expects the audience to do their own critical thinking#and know that its not trying to make sweeping universal statements in every instance#marcilleposting#marcille donato
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thaliagrayce · 1 year
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y'know what we don't talk about enough? Hazel died. We talk about how she grew up in the 30's and 40's and we talk about how out of place she feels in the modern world, but! She died! She was dead! She has spent more time dead than alive, and not by a close margin!
How does that effect a person??? We got some of it in the flashbacks, but once those caught up with her present timeline and she shared them, they just kind of... disappeared. And she was a regular girl with some weird past experiences. That's one way of doing it, sure!
I think it would have been a lot cooler if she was just a touch creepier. If she felt a little bit Wrong. Yeah, in general she's more approachable than her brother, she's more sociable and less closed off, but. If you actually spend any time with her, it can be difficult to tell which child of the underworld is actually more unsettling.
Hazel is bright of personality and has a dazzling smile, but sometimes she'll just... shut down. She'll go completely blank for like half an hour and nobody knows what to do with it. Sometimes she forgets she's alive. Sometimes she'll spout the grimmest shit you've ever heard like it's nothing, she won't even notice it's weird until the room goes quiet. She spent decades in Asphodel, which is designed to make people forget about themselves and wander around for eternity, only she didn't have the luxury of forgetting! Wild! After she comes back to life, sometimes she forgets that she's allowed to Do Stuff now. She can spend so long sitting and staring at nothing. Sometimes she'll start crying on cloudless days because it hits her again that she can actually feel the warmth of the sun on her skin and she can hear birdsong. Every little mundane experience is a blessing and she will make you remember that in the most foreboding way possible.
#hazel levesque#hoo#mj talks#like. i am fascinated with characters who die and come back different and it JUST hit me that there was so much potential for hazel there#the idea of how death lingers was not explored At All in heroes of olympus#of course there's the obvious part in that there were what. 3 named character deaths total? 4 if you count leo#which i very much don't because it didn't stick! there were no consequences to this gigantic war!#the first series did well with that because we had plenty of named characters who died#even though some of them were introduced only to die like six chapters later. we still knew them on some level#and more importantly percy knew them. he felt their loss in a way that made consequences seem real#heroes of olympus didn't have any of that. hazel could have been a great way to talk about it a little more!#also i just love characters who have obviously gone through death. that has to change a person! tell me how it changed you!#anyway. i think i'll make hazel creepier from now on in my writing#she deserves it <3#nico is creepy in an obvious way. he's got power over death and that clings to him like a second skin. he can't hide it#and he's learned that he doesn't have to. there is power in being othered#hazel seems lovely when you first meet her! none of the death power all of the glitter and gold and riches#and then she'll look you dead in the eye and say 'you really don't know how lucky you are to be able to breathe until you can't anymore'#and move on like it's nothing! what!#underworld siblings
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i bet it takes yaz like 6 months to go back to the support group after the first time and then only after the entire groupchat has been bugging her about it for weeks
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cerise-on-top · 18 days
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Fluff alphabet for Nikolai? You’re one of the few who write for him and he’s my favorite character! Thank you so much!!
Hey there! Really? There aren't many people who write for him? That's such a shame, he's literally such a cool character and I adore him so much! Also, sorry I wrote this relatively late, but life got inbetween! But I wrote it now!
Fluff Alphabet for Nikolai
A ctivities - What do they like to do with their s/o? How do they spend their free time with them?
If it was up to him, then you’d be spending most of your days at home, within the safety of your walls. However, he loves doing whatever it is you love. You wanna go on a hike? You wanna have a boxing match with him? You wanna start a book club? Everything is game for him as long as you’re down for it, or make the suggestion. He is the adaptable sort of person who can do just about anything, especially if he gets to spend time with you and make you happy.
B eauty - What do they admire about their s/o? What do they think is beautiful about them?
The fact that you can stay with someone like him. Nikolai can be a very cocky man, he doesn’t particularly hide his occasional cruelty either. Sure, he is calm and collected as well, but he could see why you would want to leave him for someone more “proper”. You could likely get anyone in the world, and yet you decide to stay with him? He, who has killed the guilty and innocent alike? Who makes fun of the police whenever he can? It takes a special kind of crazy to want to be with someone like that. He can appreciate that. 
C omfort - How would they help their s/o when they feel down/have a panic attack etc.?
Since one of his abilities is that he can stay calm under any circumstance, he would likely calmly talk to you, try to talk some sense into you as well. His voice can be rather calm too when he wants it to be. He’ll be your voice of reason while getting you away from whatever may be upsetting you, shielding you from onlookers. When you’re sad he’ll offer some advice, or maybe some distraction, whichever you say you need more at the moment. His advice is actually pretty solid too, he’s been through a lot and isn’t the youngest anymore either.
D reams - How do they picture their future with their s/o?
He has a small country house in the middle of nowhere in Russia, and he’d love living there with you. No more soldier or mercenary business, just you and him living together there, disturbed by no one aside from the occasional bird chirping here and there. He’d chop the wood while you make him a lovely pie. It doesn’t need to be fancy, as long as he gets to spend his future with you, winding down from all the adrenaline he gets on a regular basis, he’s happy.
E qual - Are they the dominant one in the relationship, or rather passive?
Surprisingly, he tends to be more passive in the relationship. Though, he could go either way, but normally he just goes along with whatever it is you want. Sure, he can and will flirt with you occasionally, and if you’re on the more passive side then he’ll take charge, but other than that he just goes with the flow and lets you decide. If you can’t decide for whatever reason, then he will. But whatever makes you happiest he’ll do.
F ight - Would they be easy to forgive their s/o? How are they fighting?
He would never raise his voice at you. It’s very hard to anger him in general, he usually believes he’s in the right anyway, which he usually is. He’s calm and collected at all times, but will be more factual with everything when he’s starting to get annoyed with you. However, he easily forgives, regardless of whether you apologize or not. Your relationship isn’t so weak that something like this should make it falter.
G ratitude - How grateful are they in general? Are they aware of what their s/o is doing for them?
Generally speaking, he knows what is and isn’t a given, and he knows to appreciate the things that aren’t. So yeah, he’s a pretty grateful man, even if it doesn’t seem like he’d show it very often. Nikolai knows that you cleaning the house from top to bottom, you cooking him a meal and giving him all the love he deserves and so much more isn’t a given, so he likes to show his gratitude through the small things, such as making sure to take in every new detail about you and always complimenting you, getting you the occasional gift as well. Something small but meaningful.
H onesty - Do they have secrets they hide from their s/o? Or do they share everything?
He runs a PMC, so naturally there are things he can’t tell you about. However, he does believe that secrecy kills a relationship. If it’s something he can talk about, he will. Although he won’t go into detail about how he tortured that man, he will give you constructive criticism on how you can improve your knitting. He’s not one for lying, you deserve to know just about everything. Isn’t the most open about his past, though.
I nspiration - Did their s/o change them somehow, or the other way around? Like trying out new things or helped them overcome personal problems?
I think Nikolai changed the most during his youth, so likely long before he met you. By the time you met he had already become who he is today. I don’t think anyone or anything could change him that significantly anymore, unless something truly terrible happened. He knows to take care of himself. However, I feel as though he could have become a bit kinder as a result of meeting you.
J ealousy - Do they get jealous easily? How do they deal with it?
He has faith in you to not leave him. Sure, he gets his spurts of jealousy, but he’s an adult, he doesn’t really act on it all that much. The only thing he really does when he’s jealous is talk over the other person to try and get your attention. He deals with it by either walking away from the situation or trying to get you away from the other person if he can. Again, he trusts you to not stray from him.
K iss - Are they a good kisser? What was the first kiss like?
He’s an attractive man, he likely had his fair share of lovers throughout his life, meaning he’s kissed plenty of times. When he was younger, he wasn’t a very good kisser, but he learned to adapt to the likes and dislikes of people. He could likely satisfy just about anyone with a few kisses these days. However, your first kiss with him would have beena a gentle one. He loved you even back then and was afraid of intimidating you. It was short, it was gentle, it was sweet.
L ove Confession - How would they confess to their s/o?
It wouldn’t be anything too fancy. He’d get you flowers, some chocolate or other sweets you like and invite you to a lake or something. And then he’d confess his feelings to you in a casual manner and ask you if you want to be with him. If you had said no then he would have made the offer of staying friends, at the very least.
M arriage - Do they want to get married? How do they propose? What would the marriage be like?
On the one hand, he does want to get married, on the other he doesn’t want to subject you to all the danger he’s usually part of. I think it would take him an eternity to propose and then it would be something simple as well. He’d test the waters by asking you if you want to marry him first, the ring comes later. Not much changes when you’re married to him. It still feels rather casual, but there’s always the fact you’re bound by your vows now. He’ll make it his goal to relive his honeymoon with you by going on a vacation with you every once in a while.
N icknames - What do they call their s/o?
Милый/милая (my dear, darling), Любимый/любимая (loved one) and Солнышко (sunshine) are his go to. He’s not overly creative, but he sometimes also calls you by the names of cute little animals. Again, he’s more casual when it comes to things like this. More often than not, he calls you by your name. However, he’s not above using terms of endearment in your native language as well. He knows eight languages, and if yours isn’t among them then he’ll simply learn it.
O n Cloud Nine - What are they like when they are in love? Is it obvious for others? How do they express their feelings?
It’s not obvious at all when he’s in love. Sure, he likes to spend more time with you, but he won’t prioritize you when he’s busy. Sometimes he’ll give you an expensive gift. Knowing fully well you’ll want to repay him, he’ll simply ask for your company and that you’ll pay for the coffee on your little date. He knows how to get what he wants, and if he wants a small outing with you then he’ll get it. He doesn’t express his feelings freely at first, but he’ll call and text you more often to check up on you. That’s about it, he has his feelings in check otherwise.
P DA - Are they upfront about their relationship? Do they brag with their s/o in front of others? Or are they rather shy to kiss etc. when others are watching?
He doesn’t really brag about his relationship. He only really mentions you here and there in front of his closest friends. The entire world doesn’t need to know about you, so he keeps you to himself for the most part. However, he doesn’t really mind PDA all that much. Sure, he won’t really initiate it, but if you really wanna kiss him, then you can just go for it. Same if you just wanna cuddle up to him under his jacket. He doesn’t really mind that sort of thing.
Q uirk - Some random ability they have that’s beneficial in a relationship.
The fact that he can stay cool under any circumstance. Even when you’re out to get on his nerves like no other he can stay almost completely neutral. It’s really hard to piss him off, and even then he thinks more rationally than he normally would. He really doesn’t let his emotions get the better of him when he’s in a negative situation. You’ll never have him yell at you, only tell you facts. He can also argue for you in case someone is being mean to you.
R omance - How romantic are they? What would they do to make their s/o happy? Cliché or rather creative?
He’s not really a romantic at heart. Sure, there’s the occasional gesture. He’ll gift you plushies, he’ll take you on a walk where you can watch the sunrise together, he’ll also cuddle you on the couch. However, he will also train you, he will take you to his shooting range, you will be sparring with him from time to time. Although it may not seem like much, that’s also another “romantic” aspect of his. He wants you to be able to defend yourself in an emergency, so he’ll make all of it seem more romantic than it really is. Will take you out for dinner, though. He can make some really mean pirozhki.
S upport - Are they helping their s/o achieve their goals? Do they believe in them?
Naturally. He’s been through so much, he likely has some piece of advice for just about any situation. And even when he can’t give you any advice, he can help you out by either listening to your woes or by paying for whatever it is you need. He’ll always be there for you. Nikolai is a very loyal man once you’ve gotten on his good side. He would never let anyone he’s close with down, be it a friend or a lover. You can bet he’ll do just about anything for you.
T hrill - Do they need to try out new things to spice out your relationship? Or do they prefer a certain routine?
It entirely depends on what you want. He can honestly go either way. Sure, he might not want to spice his love life up by committing a murder with you every day, even if he could, but maybe going on a vacation every once in a while would be nice. While he may be down to try almost everything at least once, he doesn’t mind staying stagnant in that regard either. It’s really up to you. However, he will make you eat certain new foods he thinks you might like. He’s a great cook, his meals are always top notch.
U nderstanding - How good do they know their partner? Are they empathetic?
He’s not a very empathetic person. Sure, he can usually tell what someone is thinking, but that doesn’t mean he cares enough about most people to feel what they’re feeling. Even in a relationship he isn’t the most emphatic person, he barely has any empathy for anyone. However, he can easily take notice of even the smallest of changes in your behavior and act accordingly. To him, life is more logical than anything else, not so much emotional. So he will act in accordance with the signs you give him and do whatever he has learned works for you. Either that or he will listen to his intuition. His intuition is great.
V alue - How important is the relationship to them? What is it’s worth in comparison to other things in their life?
His relationship with you is on par with the friendship he has with Price and Laswell. He knows that you can’t live off of love and air your entire life, so he keeps close contact with both of them as well. While you could not bribe him out of the relationship if you tried, he does sometimes think about cutting ties with you to keep you safe. He wouldn’t go through with it, but he does value a lot of things in life. Any relationship is important to him, whether it be romantic or platonic. So yeah, you wanting him to cut ties with Price or Laswell would immediately raise a red flag with him. He wouldn’t give up either of them either, please understand that. 
W ild Card - A random Fluff Headcanon.
He runs so very hot. Out of all the main characters, he has the highest body temperature. Nikolai is very comfortable to cuddle with in winter. He doesn’t mind cuddling with you either, if that’s what you want. But just so you know, he’s a tall man and could likely wrap himself around you almost entirely. He’s also very strong, so he could make you feel very protected as well. That’s one of his favorite things to do, making you feel safe and secure. The more you melt into him, the more you trust him to protect you, the better. He’s a nightmare to cuddle with in summer, though.
X OXO - Are they very affectionate? Do they love to kiss and cuddle?
On his own accord he’s kind of like a cat. He prefers to watch you and be in the same room as you to show affection. Once he’s figured out your style of affection, he’ll act in accordance to that. You wanna cuddle? Sure. You wanna be together in the same room? Naturally. You wanna be mushy together and exchange loving words? Yeah, he can do that too, even if he isn’t the most emotional person. Generally speaking, he likes kissing and cuddling, but he doesn’t need to be all over you all the time. The occasional kiss and cuddle is alright, but too much skin contact has the potential to annoy him.
Y earning - How will they cope when they’re missing their partner?
Since he knows that being distracted on the battlefield could lead to him never seeing you again, he tends to not think about you. However, once he has some downtime he likes to replay some of the moments he shared with you. The time you accidentally hurt yourself breaking a mug as he patched you up or when you fell asleep in his arms, he thinks about those moments more often than he’d like to admit. He doesn’t really keep a memento of you, you’re not even on his phone’s background, but he remembers you well. Your smiles, your tears, the way you’d hug him so tightly when he’d come home. He just thinks about you and those thoughts lull him to sleep.
Z eal - Are they willing to go to great lengths for the relationship? If so, what kind of?
I honestly wouldn’t be surprised if he has killed for you several times already. To answer the question, yes. He’s killed for you, he’s broken the law several times for you. He runs his own PMC, he could technically go to war for you as well. And he would if someone were to take you away from him. He could likely destroy a small nation for you. While he won’t do it if you ask him to, if someone were to kidnap you, he would not hesitate to fight for you. Your safety is a priority of his, so he will do what he can to make sure you’re by his side, forever and always.
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wikiangela · 3 months
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tease tidbit tuesday💀
tagged by @alliaskisthepossibilityoflove @daffi-990 @fortheloveofbuddie @disasterbuckdiaz @hoodie-buck 💖
hi! so, yesterday I randomly opened the doc with the buddie death cast au - which is a fic I started writing last summer on vacation and never got back to it but then made progress lol it's gonna be MCD, which i know is not everyone's thing so feel free to ignore this 🤣 it's basically buddie in the universe of the "they both die at the end"/"the first to die at the end" books so it's gonna be sad, sorry lol (I never even read mcd, idk why i'm writing this but this idea just wants to be written i guess haha) gotta put this weird mood I've been in lately to good use and finally write this 🤣 not sure if I'm happy with this snippet, but it all needs editing, the first two snippets were written on my phone and haven't been edited yet lol
I posted two snippets so far, gonna link them both snippet 1 | snippet 2
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“Is all of this clear, Eddie?” she asks in the end.
“Yeah, sure, whatever.” he says shortly. He should've just hung up immediately. Or cancel this stupid subscription after Shannon died. Sometimes he wonders if maybe people who get the calls and coincidentally get into accidents, for example, just give up and refuse to fight because they think it’s their time. Not like Shannon could do much, her injuries were too severe when they got there, but the point stands. Maybe they get more reckless, thinking it doesn’t matter anyway. 
There’s a short pause on the line, but then Jane speaks up again, her tone softer, more sympathy seeping through.
“I know it’s not easy to accept, if you’d like some help with that, on out website you can find therapists and grief counselors specializing in-”
“Listen.” Eddie interrupts. He’s spent enough time in therapy. He’s not doing it on his supposedly last day. “I know it’s all bullshit. I don’t care. You said what you had to say, I listened, for whatever reason.” he rolls his eyes. He really should’ve hung up, or not answered at all. “Is this conversation over yet?” he asks and is met with another moment of silence. She’s probably wondering what everyone else always is: why is he even spending money on this if he doesn’t believe. He has an answer ready to go, but that’s not what she asks.
“Can I ask you a question?” she says quieter, whispering, probably not allowed to go too much off-script. 
“Sure, why not.” he shrugs. He’s wide awake now, anyway, he’s not in a hurry. Not like he’s dying anytime soon.
“If it was your last day, how would you spend it? You don’t have to answer, just think about it.” she adds quickly, her tone much softer and gentler now. Eddie’s mind immediately supplies a picture of Christopher and Buck, just a casual hang-out, like usual, maybe going to the movies, or the aquarium, or the planetarium, something fun for his kid. And later a gathering with the rest of their family, maybe a barbecue at Bobby and Athena’s, with Maddie and Chim, and Hen and Karen, all their kids, just everyone having fun together. Yeah, that’d be a perfect day. “There’s no harm in spending today just like this, if possible. Just in case.” Jane adds, still whispering. He doesn’t tell her that’s more or less his plan, anyway, for the evening after his 12-hour shift. During which nothing will happen to him, because Death-Cast doesn’t know shit. “Well, lastly, Eddie,” Jane’s voice is back at normal-volume, tone strictly professional but sympathetic, as she recites the end of her script, “on behalf of everyone here at Death-Cast, we’re so sorry to lose you. Live this day to the fullest.”
Eddie hangs up without a word.
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no pressure tags: @elvensorceress @gaydiaz @diazass @thebravebitch @silentxxsoul @shortsighted-owl @eddiebabygirldiaz @arthursdent @911onabc @housewifebuck @rogerzsteven @watchyourbuck @underwater-ninja-13 @eowon @loserdiaz @evanbegins @ladydorian05 @wildlife4life @nmcggg @diazpatcher @lover-of-mine @king-buckley @monsterrae1 @thewolvesof1998 @puppyboybuckley @weewootruck @buckaroosheart @spagheddiediaz @steadfastsaturnsrings @exhuastedpigeon @jesuisici33 @theotherbuckley @rainbow-nerdss @malewifediaz @giddyupbuck @diazsdimples @jeeyuns @epicbuddieficrecs @pirrusstuff @honestlydarkprincess @hippolotamus @spotsandsocks
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kalofi · 8 months
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zl fic idea
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hii everyone i wrote something yesterday about an au idea i had for zolu and. i thought i'd share it here since its a bit too messy and disjointed in places to post on like. ao3 or something.
4.7k words, warning for temporary major character death but do not worry all will be fixed in due time. i'll put the rest under the cut
ok i have an idea for an au thats like kind of reincarnation but like reality displacement but like. okay just listen.
so we start at laughtale. its a couple years into the future from where we are in canon the strawhats are achieving their dreams luffy is about to find the one piece theres a big battle happening between them and the blackbeard pirates and whoever the fuck else is there idc. the rest of the strawhats are fighting the bb crew while luffy and zoro head off to find the one piece and also end up fighting black beard himself. luffy and zoro atp r like basically a thing but they never talk about it cuz theyre luffy and zoro and they kind of just exist with each other but like. theyre basically in love and everyone knows it. anyway they go off together luffy has the one piece almost in his grasp blackbeard attacks they fight its a big battle blood is shed bones are broken uumm in my mind luffy and zoro are like teaming up against bb bc his devil fruit is lowk broken and op and like ok theres gear5 too but i didnt rly consider that so lets just assume bb’s devil fruit can negate gear5 somehow or luffy exhausts it before bb is fully defeated. 
finally theyre able to knock bb down and hes out and theyre both tired and worn but they DID IT and the one piece is luffys and theyre facing each other grinning ear to ear and zoros saying “you ready, king of the pirates?” and luffy laughs and goes “not just yet zoro, i still gotta-“ and then theres a spear piercing right through his chest. and in the next moment its gone. 
theres a gaping hole through his captain and theres blood, theres so much blood and luffy’s still smiling like he hasnt realized it yet, like it hasnt even registered. zoros ears are ringing and he doesnt know what to make of whats hes seeing because its just not real, it CANT be. 
he looks over luffy’s shoulder and blackbeard is on the ground with his hand outstretched , black energy coiling back into his form and he’s laughing and laughing with bloodstained teeth. hes fucking laughing. one moment zoro is still standing parallel to luffy and the next hes in front of blackbeard and the mans head is rolling through the dirt and gravel, wado dripping crimson, a terrible gap toothed grin still stretching the man’s cheeks. 
zoro is breathing heavy, hes trembling and hes almost mesmerized by the blood pooling around a lacerated neck— then he’s remembering luffy and turning around and calling his name and he can see right through him theres a HOLE right through him and he chokes and stumbles and rushes to his side right as luffy starts to crumple to the floor . catches him and lowers him gently and doesnt know what to say. 
hes still shaking but cant move his mouth and everything is muffled, the sounds from the battle outside are distant and they dont matter but what does he do. what does he do. 
he snaps out of it when luffy gently calls his name. a strong “zoro,” like hes not fazed at all. like there isnt blood soaking into zoros clothes. 
his brain kickstarts and he’s speaking. saying things like “youre ok you’ll be ok” and “choppers right outside i’ll just call him and he’ll fix you right up” and “you always bounce back, right captain?” and hes thinking “dont die please dont fucking die. not now, not when we’re this close please dont fucking die” and hes silently praying to all the gods he doesnt believe in but luffy calls his name again and his mouth clicks shut. luffys saying it’ll be fine, that he had fun. that hes proud to have made it this far with all of them. and those sound a lot like parting words so zoro’s shaking his head no but luffy is still smiling. hes saying that hes glad he had zoro, that he made him happy. hes saying to tell everyone he’s glad they met, that hes glad they all had each other, that he knows theyll be just fine . 
zoro wants to say that luffy should tell that to them himself, when hes wrapped up and recovering and alive but his mouth is glued shut again and he feels that interrupting luffy now would be cursing him to death, like his words are the only thing keeping him tethered here, he just needs to get him to keep talking to stay awake. 
he tries to smile but it comes out ugly and wrong and he feels his lip wobble so he drops it. he settles on rubbing his thumb on luffys shoulder. something to keep him here. 
so he rubs and luffy talks little things until he cant anymore. until his eyes grow dull and his skin loses its warmth and still zoro rubs and he rubs.
thats how law finds them. zoro hunched over a body that should never be as still as it is. and its really no surprise hes there, hes been gunning for the one piece since the time he could captain a ship (or a submarine) but it all feels so wrong. 
zoro either doesnt notice him or doesnt care, but either way the man doesnt acknowledge law until he’s right behind him. its not like law can say anything to announce himself either, not after seeing the state of the body that zoros currently holding. the body that used to be luffy’s. hes still processing it all when the other man(the one whos alive) finally speaks. 
zoro asks if hes got a devil fruit. less of a question and more of a statement, but he should know anyway since theyve spent considerable time together and hes literally seen him use it. law cant unstick his jaw so he hums in affirmation. “and you can switch stuffs’ places?” another hum. “what about time.” 
that makes law pause. “what?” his voice comes out stronger than he feels. 
“what about time? can you switch things in time?” by this point law has awakened his devil fruit or some shit dont sweat the logistics but hes never tried anything of that sort so he kind of stumbles “im not- maybe? ive never attempted-“ zoro interrupts “send me back” 
“what?” 
“send me back so i can fix this. you can do that, right.” it clicks. law would pity zoro if he didnt know any better, instead he just feels mounting despair and resignation. 
he may not be crew, but he knew luffy too, he was allied with the man for fucks sake, and this just feels- wrong. he sighs, a tired, heavy thing. 
“what about your crew?” its useless. zoros as stubborn as his captain, with arguably a handful more screws loose. “it wont matter. they’ll never know because i’ll make sure this doesnt happen.” he still hasnt turned around. law doesnt know what expression hes making and hes sure he never wants to find out. 
hes ready to deny it, cut his losses and head for the one piece himself (hes not heartless, but if he stands here any longer and has to look at. well. he think he might never be able to move again) but then he really thinks about it. could he? would it even be possible? surely this isnt the way things were supposed to go, surely this isnt right. luffys never been one who was supposed to die just like that, like this, law knows that much. he thinks hes going to regret this, but he counts it as one last thank you for everything luffy did for him. 
youre gonna owe me big time strawhat-ya. if i even remember this, that is. 
he puffs a breath “i can try. i cant- promise anything but. i think we both know this,” he makes a vague, weak gesture, “isnt right.” 
zoro doesnt say anything, law didnt expect him to. he just bows his head slightly and law takes that as the acknowledgment it is. 
he brings his hand up, “dont do anything stupid, zoro-ya. or, at least, make it stupid enough to bring him back.” 
he positions his fingers in way so familiar, but the weight of it now is nearly unbearable.
room.
shambles
zoro’s world shatters, differently than before, and then theres nothing.
he wakes up in bed, bleary eyed and a pounding headache assaulting his senses. his alarm clock is going off which only adds to the drumbeat against his eyes. he grumbles and whacks around aimlessly to shut it off. the silence lasts a moment before his eyes fly open and he jolts up, sheets pooling around his waist. luffy. where was he? where was zoro? did the crew find him and take him back to the ship? did law fail? but this didnt look like chopper’s office.
he looks around to find hes in a room hes never seen before in his life, yet he instinctively knows is his. it all feels so wrong, like he doesnt belong in his own skin. he scratches lightly at his arm. he needs to go to work. 
work?
what the fuck is happening. 
its like his mind is at war with itself, one truth trying to dominate over the other. he trained at sensei’s dojo. he aged out of foster care. he was a swordsman, he was the first mate of the strawhat pirates. he didnt go to college, hes working construction. he made a promise, and kuina died. kuina…died. huh. his captain, his luffy, someone he knew so intimately and who knew him in turn. hes never met someone with that name his entire life. he needs to go to work, he needs to find his crew. 
he doesn’t understand what the fuck is happening. 
without his permission his legs stand him right up and he moves confusedly, surely, to the bathroom he didnt know he had. his reflection stares back at him in the mirror and its him, of course it is, he doesnt know why he expected someone else, but hes also…different. he has both function of his eyes, first of all. a scar in the same place as before but its light and healed over and doesnt seem to have blinded him like it once did. his hair is green, sure, but black roots peek out from underneath the familiar shade. hes grown stubble, he should shave. he needs to go to work. 
hes so confused, but his body moves like its been doing this its whole life. as far as zoro knows, it has. 
he continues getting ready, mind still at odds, and makes himself a cup of coffee (in his own kitchen. his own kitchen? the state of it leaves less to be desired. sanji would surely skin him alive) before tucking into his shoes, grabbing his wallet and keys and heading out the door. he seems to live in a single room apartment, and a crummy one at that. his legs move him faster, he has to go to work, he cant be late again (again?).
his car is parked outside the building, he has no fucking clue what it is but he unlocks it all the same and settles in. he feels like he shouldnt be operating this sort of machinery. franky would know better than him how it must work. he starts it up and backs out. trusting his gut to get him where he needs to be. he should be more concerned, he should be frantic and inconsolable, his captain was dead in his arms and now hes? what? going to lay some bricks or some shit? but he finds that part of him dulled in favor of following whatever mundanity this body is pushing him towards. 
uumm whatever whatever he arrives at work eventually i dont know how construction jobs work are there offices or something. idc thats not the point. johnny and yosaku are there and zoro is surprised to see them since, as far as he knows, the last time they were with each other was at arlong park which was years ago for him. but the two greet him like this is a daily occurence, like theyve been working together for years. and zoro thinks, knows, they must have. but this is good, this is great fucking news actually because until now theres been no confirmation if zoro was here alone (wherever “here” is) but now his proof is right in front of him because if johnny and yosaku are here, and they exist the same as from before, then that must mean everyone else is here too right? he clings onto this hope with both hands trembling. 
nami, usopp, the cook and chopper and robin and franky, brook, jinbe and fuck. fuck, luffy. theyve got to be here somewhere, zoro just has to find them. hes not sure if they remember things like he does but hes got to try because they are his as much as he has always been theirs and they should all exist together as it has always been. 
so then yeah he finishes his shift because its what hes ‘supposed’ to do but he doesnt go home. he drives around aimlessly before pulling into a random lot and pulling out his phone (theres no snail attached to it. weird.) he doesnt even know where to begin. hes not usually the one coming up with plans, he just goes where theres blood need to be shed. but no one seems to be in any danger here except for maybe himself, and its not like he has his swords anyway- shit. fuck did he still have wado? he must have right? he knows there was a kuina that existed here too, he knows because he remembers. and she, well she wasnt around anymore so he must have wado. he must. with shaking fingers he pushes that aside for now, though barely. he needs to find luffy, but he wouldnt even know where to start. luffy could probably find the rest of their crew by simply wandering around and happening upon them, thats how he did it before. but zoro has no idea where he’d be, he doesnt even know where he is. nami or robin would be a good bet to at least form a plan, but he wouldnt know how to find them either. 
is there even a coco village here? would robin still be part of baroque works? he needs someone who has a defined location that he could google or something (what the hell is google?). usopp would be at syrup village right? shit. is there even a drum island? these are all too broad, he needs something specific. specific…..a place with an identifiable name, somewhere smaller that would be easier to stake out…
a lightbulb goes off. 
fucking shit he thinks. of course. of fucking course it would come down to the cook. 
he types in “baratie” to his maps and a location pops up, just 27 minutes from where he is now. he hasnt eaten yet either, so he figures thats killing two birds with one stone. he taps the address, backs out of the lot and drives. 
(if it takes him nearly an hour to get there thats nobodys business but his own)
he pulls up to the building about a quarter after 7. it seems packed enough already, but if memory serves him right then that was just par for the course for baratie. he parks, gets out and locks his car, then shoves his hands in his pocket and resigns himself to another oncoming migraine hes sure to get upon interacting with the man hes certain is waiting somewhere inside. 
the tables are full, the host tells him, he slips a 20 from his wallet and suddenly (of course) theyre more than willing to serve him. 
he gets settled in a far and somewhat isolated booth and a waiter comes up to him, but he cuts the man off as hes introducing himself and says “you got a blonde working here? stupid ass side part with a weird eyebrow? goes by sanji” the waiter looks shocked and put off by his rudeness but quickly collects himself and says “we might. depends on whos asking” zoro snorts “just tell him hes got someone who wants to talk to him,” he cringes at this next part, tries to smile but knows it comes off as a sneer. hes not sure if he still has conquerors haki wherever he happens to be now, but he tries to channel that energy the same way he would if he were in battle and says “tell him im a fan.” the waiters eyes widen, in fear or surprise zoros not sure (most likely a mix of both) before he nods and scurries across the floor, weaving in between patrons and coworkers alike until he disappears behind the double doors to the kitchen. 
zoro sits with his arms crossed and skims through the menu out of boredom and impatience. its a couple minutes before he sees a familiar head of blonde hair emerge from across the way. a smile climbs onto his face despite himself. sure, the guy annoyed him to hell and back and their…friendship (if you could really call it that) was a tumultuous one, but it was good to see someone familiar nonetheless. he schools his expression before the blonde can spot him. a few moments pass before hes standing right in front of zoro, his stupid suit primped and pressed as always, and a cautious look on his face. 
“you asked for me?” his tone is the one he only reserves for men who he deems not worth his time. zoro grits his teeth but says “yeah, theres something ive gotta discuss with you.” 
hes never been one for tact, forever blunt unlike his swords. 
sanji quirks a brow “i dont plan on talking about anything with anyone unless theyre a paying customer” zoro feels his eyebrow twitch but grabs his menu nonetheless and points to a random item without looking “i’ll have this then, and whatever booze you got.” sanji leans in to see what hes pointing to before his one visible eye widens and a grin slowly overtakes his previously unaffected face. 
he speaks condescendingly. “wonderful choice sir, coming right up.” before zoro can get another word in he grabs the menu out of his hand, spins on his heel, and marches back to the kitchen. 
zoro clenches his fists and does his best not to grind his teeth into a fine dust. no matter where they are or what displacement in time the fucking curly brow never fails to be absolutely insufferable. at least this way though, zoro knows its him for real. 
its another 20 minutes before the shit cook reemerges from the back with a platter and a mug in his hand. he steps up to zoros table and places the plate and cup down in front of him with a smug look. zoro has no idea what the fuck hes looking at on his plate. he doesnt have time to question it before sanji plops down in the booth seat across from him, disregarding all previous faux-professionale and asking “so what do you want” zoro tears his eyes away from his plate and looks into sanji’s, trying to convey as much emotion, as much urgency as he possibly can. 
“luffy needs us. and we have to find him” whatever the cook was expecting him to say, it definitely wasnt that. the other man regards him more warily now, looking him up and down with a tense frown before replying “i dont know what the hell youre talking about. and i dont appreciate being mocked or having my time wasted” he goes to stand up but zoro grabs his wrist, yanking him back down unceremoniously. 
he blinks before rounding back on zoro, flaring his nostrils in a way zoro knows means hes about to get himself in deep shit “oi, what the fuck do you think youre-“ he doesnt let him finish “im not mocking you. this isnt some stupid prank or whatever youre thinking. and despite how much i would enjoy punching your teeth in right now im not looking for a fight either.” 
the cook still looks affronted but seems to actually be listening. zoro continues “look, i dont know what the fuck is going on. i was at laughtale with you and the others, with luffy, and then i woke up and now im here and i dont know how but this is all wrong. its all wrong but i need to find luffy and fuck, i cant do it alone. i need your help to find him. find everyone.” the blondes eye is wide, but he blinks and its gone. he looks more tired than zoro has ever seen him 
“im not paid enough for this shit. i dont know why i even-“ he looks like hes getting ready to leave again but zoro is desperate at this point so he blurts out whatever he thinks will convince the other man hes not bullshitting.
“we met you here, at the baratie. me and nami and usopp and luffy. luffy busted through one of your walls so your old man punished him by making him wash dishes. i dont, i dont know what luffy said to you, or how he convinced you to join us, but he changed your life like he did mine. we sailed together, and we had each others backs no matter how much we got on each others nerves. you were our cook. i was our swordsman. luffy was our captain and youd do anything to help him, i know you would, same as me. youre a pervert and an asshole and a damn annoyance, but youre strong. i could still kick your ass though” if the cook’s eyebrow could go any higher hes sure itd be clear off his forehead by now. 
“and you- your dream. you wanted to find the all blue.” he stalls there, engine sputtering. zoro doesnt know what else to say, so he snaps his mouth shut. 
the blonde is still gaping at him like a fish, but he mouths the phrase “all blue” like hes been searching for it his whole life, like he always knew but just never had the words. 
he blinks. 
then he blinks again, rapidly. there are tears pooling in his eyes. his mouth flaps for a moment before he seems to finally be able to push out words. 
“you- zoro?” he sounds small. he sounds hopeful. zoro grins. 
“yeah, yeah its me.” sanji stares at him a moment, then looks around, as if hes seeing everything with clear eyes for the very first time. zoro figures he might as well be. 
“holy shit. holy shit.” 
zoro laughs, a rough thing. theres a ball in his throat that he cant seem to dislodge. “nice to have you back, curly brow” sanji’s gaze snaps back to him before he scowls and tries wiping away the tears that are now streaking down his cheeks. its useless though, it seems they cant stop. zoro laughs again at the sorry state of the asshole in front of him, this time more full and genuine. he feels so relieved he doesnt know what to do with himself. 
“yeah yeah, whatever dick head.” sanji grumbles. zoro quiets down, glances away, lets him have his moment. “fuck, mosshead, im still on the clock and you unload all this on me? how the hell am i supposed to finish the rest of my shift?” his words are sharp but he doesnt sound angry at all. in fact, when zoro turns back to look, hes smiling. 
“you remember now though, dont you?” he has to be sure. 
“what does it look like, dumbass? think im tearin’ up cuz of pollen or some shit?” the cook rolls his eye. theyre both silent for a moment, trapped in their own heads, before he speaks up again. “so, what now?” zoro doesnt even have to think before he answers “we find everyone else, obviously.” “well no shit, but how?” zoro glances to the side. “i was hoping youd figure that out” sanji stares before bursting out laughing. zoro scowls and hunches into his shoulders. 
“of course!” sanji cackles “of course your dumbass wouldnt know what to do! you probably just typed in the most recognizable place you could remember and hoped one of us would be there!” zoro doesn’t answer, because yes thats what he fucking did, but it worked didnt it? he doesnt see whats so funny. 
“fuck you.” 
he wants nothing more than to bash that smarmy mouth in, but the familiar egging settles something in his soul. sanji gasps a few breaths before calming down, now wiping tears from his eyes for a completely different reason. 
“alright alright, well lets figure this out then, yeah? we figure out how we got here then we can figure out how to get back right? simple enough” 
zoro nods, “law was-“ he stops. remembers dull eyes and clammy skin and wrong wrong wrong. he shakes his head, “no, no we cant” sanji looks at him confused. 
“we cant go back,” zoro presses, “not until i fix things. i promised i would” the other man seems to pick up on his panic and his mood dampens, becomes more serious. “promised what?” 
zoros never been one to sugarcoat, but now he wishes he could find a way to soften the blow hes about to deal. he inhales, pushes the breath out. says, “luffy died, sanji.” the fact the hes actually using the other mans name seems to fly right over his head in favor of the first part. “what?” zoro huffs, is he really gonna make him say it again? “luffy di-“ sanji interrupts, angry now, fists clenched and whitened from the pressure “i heard what you said. but what do you mean.” 
he doesnt want to have to tell sanji what happened, doesnt want to talk about it at all, wants to slice it up into small enough pieces that it very well may have never existed.
he told law the others wouldn't have to know, that he would make sure of it, but he's realizing now just how unrealistic that is. as much faith as zoro places in his own abilities, he's aware he's only one man.
and, he figures, if there's anyone i can trust enough to share a burden heavy as this with, might as well be the one who's strength i'd count on just as much as my own.
sanji cant help if he doesnt know what went down once they got separated at laughtale, so zoro sets his shoulders, clenches his fists, prepares himself like hes riding into a battle he knows he has no chance of winning—hes the first mate for fucks sake—and resigns himself to filling the other man in on every horrible detail
by the end, the cook looks much the same as zoro feels, pale-faced and shaky. he runs a trembling hand through his hair and clenches his eye shut. “fuck mosshead, thats…” he doesnt bother finishing, and zoro stays silent—already knowing just how much of a shitty situation it is that theyve found themselves in.
(btw the reason sanji was so smug about what zoro randomly chose on the menu is bc its one of their most expensive dishes. even upon regaining his memories he still makes zoro pay it cuz hes an asshole like that. business is business 😁)
uuummm i dont feel like detailing the rest basically my idea is that they work together to try and track down all the members as well as law, since hes also a part of this. i dont know how or when or in what order but i do know finding luffy would come last. so yes its zolu but for a majority of it more in spirit than anything. maybe i can throw in some luffy pov of him living with ace and sabo . he knows something is off but cant place his finger on what. he knows something is missing but hes got his brothers with him so what else could he possibly need? etc etc. you get the idea
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northern-passage · 7 months
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this was one of the first snippets i posted back on patreon in 2021, with Lea and Merry. i've edited it a bit (a lot) before reposting it since it was a few years old, and it was fun to see how much more confident i am now with writing intimate scenes than i was back then.
i imagine this would take place sometime while the gang is in Highfell, maybe the first few nights or right before they're setting out to leave again. enjoy~
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Lea glances back as Merry quietly steps out onto the balcony, a sudden wave of heat washing over them from inside before the door closes and the cold night air chases it back out. They shiver a bit, eyeing the bottle in Merry's hand as she walks over to where they sit balanced on the railing, their back towards the inn, their feet dangling over the long drop down to the beach below. They take a deep inhale from their pipe, tasting it for a long moment before exhaling slowly.
Merry leans against the railing beside them, her arms crossed over the cold, damp wood, clutching the bottle still in her hand, tapping it lightly with her nails.
"You going to stay out here all night?" Merry asks, peering up at Lea, who just shrugs. "You're wasting that expensive bed in there," Merry scoffs, turning out towards the water and taking a quick drink before setting the bottle aside precariously atop the railing.
"I can't sleep," Lea says simply, staring out at the dark water, fidgeting with their pipe in their hand.
"There are plenty of other things you can do in a bed like that than just sleep," Merry smirks.
Lea huffs, rolling their eyes as they raise their pipe to their lips again.
The waves roll gently out across the beach, the black water shimmering as the full moon reflects its light across the choppy surface, with a soft green glow on the distant horizon from the northern lights. Merry and Lea sit in comfortable silence for a few minutes, and Lea finds themself glancing sideways, staring at the woman beside them, the soft light of the inn filtering through the balcony windows and igniting her auburn hair in a dreamy glow, clashing with the dark shadows and white, pale light coming off the water.
"What?" Merry says, giving Lea a coy look out of the corner of her eye.
Lea scowls, shaking their head and turning away, lifting their pipe only for Merry to pluck it from their hand, tilting her head and leaning in close as she takes a deep breath, holding the pipe between her lips. Lea doesn't move away, even as Merry exhales, the smoke curling in the small space between them.
"Smoking is bad for you, you know," she says.
"So is drinking," Lea shoots back, and Merry just smiles, holding the pipe in her mouth, her lips curling around the mouthpiece as her teeth flash white in the dark.
Merry slides closer along the railing, her eye roaming over Lea's face, flicking to their lips, and she can’t suppress the thrill she feels when Lea doesn't move away, a sudden nervous energy pulsing in the air. Slowly, Lea reaches out, gently taking the pipe from Merry's mouth, and she lets them, holding their dark eyes in her gaze as they do it, her lips parting just enough for the mouthpiece to slide free. Lea is the one that looks away first, a slight blush creeping over their face, glancing down and fumbling with the pipe in their lap.
Merry is feeling bold, either from the alcohol or the tobacco or both, and she closes the remaining space between them, her hand gently brushing over Lea's thigh - but they go rigid at the contact, grabbing her by the wrist and pulling her hand away.
Merry quickly steps back, recoiling, and Lea releases her, their eyes widening.
"What are you doing?" Lea asks, their words coming out too fast, clumsily swinging their legs back over the railing and dropping down onto the balcony. They clutch their pipe to their chest, blinking slowly at the captain, their eyes still wide and wary.
"Sorry, I clearly misread the… situation," Merry says, raising her hands, giving Lea an apologetic look. "I thought you were interested."
Lea hesitates, glancing out at the water, before forcing themself to look back at Merry.
"I - I am," they say quickly, grimacing before dropping their hands and setting their pipe down beside Merry's bottle on the railing. They struggle for a moment, scowling at the pipe and wringing their hands, anxiously twisting a thumb ring that Merry has never noticed before.
"I'm sorry. I just… are you sure?" they finally say, and they can't look at her, their face burning, wishing the floor would just swallow them up. Lea just finds it hard to believe that a woman like the captain would be interested in them - after everything. Of course, there's been flirting and teasing between them, but Merry seems to be like that with just about everyone. And even Lea wasn't sure sometimes if they really meant it - but right now, just the two of them, it feels more real. More tangible.
"I'm sure, Lea."
Merry tilts her head at them, studying their face for a moment. Lea is handsome, and their features look even more severe than usual in the unforgiving moonlight, their eyes flashing as they return her stare. Lea takes a step forward then, but stops short, opening their hands, palms-up - waiting for her.
Merry approaches them as if they were a skittish animal - she doesn't want to spook them again. But Lea gives her a little nod, and soon enough they're so close that she can smell nothing but that tobacco on their breath.
Merry takes their hands, guides them to her waist.
"I'm sure," she says again. "I like you, Lea Chen," she whispers, and Lea bows their head, their jaw set. Merry raises a hand and gently presses her palm to Lea's cheek, and they let out a long sigh, melting into the touch, closing their eyes for a moment before turning their head - just enough to brush their lips against Merry's inner wrist, feel her warmth and taste her pulse.
The gesture seems to ignite them both simultaneously, Merry's other hand tangling in their thick hair, cradling the back of their neck and urging them forward while Lea roughly grabs at her hips pulls her close. Their bodies lock together as their lips meet, teeth clicking against each other and lips splitting painfully in their haste.
It's a messy first kiss, both of them hungry for it, enthusiastic, clumsy, and a little bloody - metallic with the sweet spice of tobacco and alcohol making Lea's head spin as they taste Merry's tongue in their mouth. Merry rolls her hips against their thigh, pulling at their hair and sucking on their bottom lip, ignoring the ache in her teeth as they kiss and kiss and kiss.
Eventually they have to break apart, both of them breathing hard, Merry still gripping a handful of Lea's hair, their bun hanging loose with long strands falling across their face and tickling Merry's lips as they pant together over the sound of the waves.
"The bed," Lea says, breathless, and Merry nods, pulling them back towards the door, and they reach around her for the doorknob, throwing it open hard enough that it slams into the wall and makes both of them wince. But Merry just laughs.
"Sorry," Lea says sheepishly, ducking their head as they gently push it close. It's scorching in the room, from the woodstove, or just from the two of them together, hot and heavy hands roaming and groping as the two kiss again, slowly backpedaling towards the bed.
Merry shrugs out of her jacket, letting it drop to the floor before reaching for Lea's belt buckle. She pulls at their shirt, untucking it from their trousers, and Lea watches as Merry pulls their belt free in one quick motion, tossing it over her shoulder with a smirk. Her hands are surprisingly cold now, slipping beneath their shirt, Lea grunting from the touch as she trails her fingers across their stomach.
"Okay?" Merry prompts, looking up to search Lea's face, and they nod quickly, leaning forward to pepper kisses along Merry's jaw, down her neck, all while her hands explore beneath their shirt, tracing the plane of muscle over their ribs before slowly drawing her nails down their back.
Merry tilts her head back, Lea's lips brushing against her pulse, sucking gently, teeth grazing over her flushed skin, their hands reaching around to slide down the curve of her ass, squeezing roughly until she gasps. Merry pushes their shirt up then, fumbling a bit as she tries to unbutton Lea's trousers, and they laugh, the sound reverberating through Merry's chest before they relent, pulling back so Merry can actually see what she's doing. The buttons are no match for her now, and she gives Lea a coy look through her lashes.
"Take off your shirt," Merry says, her fingers curling around the front of Lea's trousers, partly pulling them open, admiring the glimpse of their lower stomach as they raise their arms to tug at their shirt. They jerk it off over their head, tossing it aside with their belt, and Merry drinks in the sight of them, rolling her bottom lip between her teeth as she looks over their exposed torso, their chest and their scars, and all the beauty marks adorning their skin. She releases their trousers to run her hands over their chest, their shoulders, squeezing the swell of muscle in their arms before pulling them back in for more kisses, open-mouthed and still hungry. Lea makes a sound in the back of their throat that sends a spike of want lancing hot up Merry's spine, and she grinds herself against them, her hands tightening around their arms hard enough to bruise. She breaks their kiss then to desperately press her lips to the hollow of their throat, breathing them in and dragging her tongue across their collarbone before blowing cool air over their pulse and making them shiver.
Lea pushes Merry farther into the room, tangled together and nearly tripping over each other until the back of Merry's knees hit the bed.
She drops down, pulling Lea down with her, though they catch themself, a hand on either side of her, palms pressed to the bedspread. They lower themself slowly, sliding their thigh between her legs and flexing it a few times and dragging it up along the length of her until she’s squirming, her fingernails leaving little half-crescents indented in their shoulders.
Lea pushes her shirt up, exposing her stomach, caressing her with a gentle hand before sliding low to kiss her just above her navel. They follow the scattered trail of freckles, their tongue snaking out and leaving its own glistening trail as they slowly make their way down to the waistband of her trousers. Their hands follow close behind, teasing her breasts before sliding down her stomach to her thighs, pushing them apart and opening her legs wide as they take their place on their knees. They pause for a moment, kicking their own shoes off before pulling at Merry's, followed by her trousers, with Merry laughing and wiggling on the bed all the while.
The laughing stops, though, when Lea presses their mouth against her, her breath catching in her throat as they kiss slowly at her inner thighs, sucking on the soft skin and carefully testing her with their teeth. Merry reaches down, fingers twisting through Lea's hair, her body arching back against the bed as Lea drags their tongue over her cock, hot and wet and attentive.
But they stop, pulling back to kiss her some more, on her stomach, her hips, biting at her thighs, all while her hand tightens around their hair until she can't take it anymore. Her thighs clench around Lea's head, breathless and giddy, her long hair starting to stick to the sudden sweat along the back of her neck.
"Lea," she whines, and then she inhales sharply as they finally wrap a hand around her base and press a wet kiss to the tip of her cock, staring up at her as they do, their other hand gripping one of her thighs. They open their mouth, taking a little at a time, bobbing their head as Merry gasps and pulls at their hair. Lea eventually grabs her hips, pressing her back into the bed when she starts to buck reflexively, their movements slow and agonizing as they keep stopping and starting again, kissing her stomach and thighs, reaching up and teasing her nipples through her shirt.
When they wrap their lips around her again, they let her hit the back of their throat, Merry loudly moaning their name, both hands tangled desperately in their hair now as they move up and down a few times and then slowly draw back, their tongue flexing deliciously against her before they let her fall from their mouth with a gasp. Strands of spit and fluid drip from their open mouth, and Merry tugs impatiently at their hair, sitting up then to meet them with a kiss.
Lea holds her face in their hands, their thumb stroking her cheekbone, tentatively touching the fabric of her bandana, still wrapped around her head and hiding her eye from them.
Merry pulls back, Lea's hands still cradling her face, and she reaches up, touching their wrist before taking their hand in her own, guiding their fingers to slide beneath the cloth, giving them a nod when they hesitate, their brow furrowed with concern.
"Take it off," Merry says, though her voice is soft, not a command like earlier - but a request. She nods at Lea again, sliding her hand down their arm and giving it a squeeze. The first time with someone, Merry usually keeps the bandana on - she's protective of it. It's not like it's some big secret - anyone can see the scars beneath the bandana, the way she hides behind it. Maybe they can even tell that she's hiding more than just her damaged eye. But she wants Lea to see. She doesn't know why, but she wants them to see her tonight.
Lea carefully lifts the bandana off, untangling some of Merry's hair twisted through it, setting it atop the blankets. Merry casts her gaze sideways, avoiding Lea as they take in her fully exposed face, her drooping eyelid and her milky white eye. They don't say anything, instead just reaching up again and tracing the scars there, the ghost of a touch along her cheek.
Merry closes her eyes, bowing her head for a moment. When she opens them again, she can't quite meet Lea's stare, so she looks down at their chest, at their own scars, and she mirrors their touch, her thumb caressing the raised skin that runs horizontal just beneath the muscle. Lea takes her in their arms then, pulling her close, humming softly as she touches them there.
"Merry," they breathe, their lips against her neck, and for a moment she just lets them hold her, kissing her throat and cradling her face while she strokes their chest.
Eventually, she slowly pulls back, slipping out of their arms and pressing her hands to their chest, pushing them back onto the mattress, her long hair falling over her shoulders and tickling their face. Sitting between their legs, she touches them with her hands first, caressing their face, the curve of their neck, then feeling the strong muscle of their shoulders, down to the swell of their chest and those long scars. The muscle over their ribs, the soft skin of their stomach, their hips, squeezing their thighs. She stands from the bed and takes off their trousers, dropping back down and starting again, her hands first, slow and deliberate, and then she follows with her mouth, kissing their jaw, the hollow of their throat, trailing along their collarbone before sucking on their chest, massaging and kissing along their scars, drawing a low moan from them before taking one of their nipples in her mouth and teasing them with her teeth. She sucks gently while Lea strokes her hair, pushing it back out of her face, gathering it in one hand and pulling it over her shoulder while their breath quickens with pleasure.
Merry kisses their scars a few more times before sitting back up, licking her lips and running her hands down their stomach and over their thighs again. She slowly draws her hand between their legs, and Lea's hips twitch, longing for her touch, pressing themself against her while they watch her through half-lidded eyes. She pulls back, getting an indignant huff from Lea, licking her fingers before she reaches down to touch them again. She drags her thumb over their growth, moving her hand in a slow circle, Lea's head rolling back against the pillows as she does.
"Fuck," they grunt, gritting their teeth and grabbing at the blankets. Merry stares down at them, pressing a palm to their lower stomach as she strokes their opening, playing with their growth until she's satisfied by their panting and moaning. Lea tries to stay quiet - it embarrasses them, it makes them feel too vulnerable, even more than someone touching them like this - but she doesn't let them. Lea bites their lip, swallowing loudly, sweating and twisting in the sheets until they can't resist it anymore. Her hand works faster and harder, until they finally moan her name, and then she slips a few fingers inside.
Merry pays attention to the spots that make them moan even louder, their body trembling from her touch, her fingers curling slowly inside with delightfully obscene sounds as she thrusts her hand faster and faster, hot and wet. By the time Merry moves her hand away and eases herself inside of them, they're both begging for it, Lea's legs shaking as they lift their hips to accommodate her.
They finish quickly together like that. Skin on skin, grunting together as Lea hooks their legs around her and touches her stomach, lifting her shirt up to grab at her breasts, holding her tight until she has to pull out to come on their stomach. It takes her a moment to recover, Lea pushing her hair back out of her face again, and then she returns her attention to them, working her hand against their growth just like before until they finally come undone completely beneath her. She strokes them gently a few more times before she untangles herself from their legs, standing from the bed and fetching a towel from the washbasin in the corner. She cleans them up, and then collapses on top of them, both of them hot and sweaty and clinging to each other. Lea takes a deep breath, wrapping their arms around her and holding her tightly against their chest.
"Hmm," Merry presses her lips to their flushed skin, giving them a few lazy kisses before tucking her head beneath their chin. "I told you I liked you, Lea Chen."
Lea smiles softly, reaching up to pet her hair, kissing the top of her head and feeling a sudden rush of affection that nearly makes their breath catch in their throat. They gently comb their fingers through her hair, neither of them quite knowing what else to say - until Merry is eventually lulled to sleep by Lea's gentle hands.
They take the chance to study the scars on her face, the slow rise and fall of her breathing, the way her body curls around them with her hands grasping at the blankets, grasping for them, even in her sleep. They notice a few grey hairs this close, and then they start to count her freckles when sleep alludes them.
Eventually they relax, leaning back into the pillows and staring up at the ceiling. They keep brushing their fingers through Merry's hair as they wonder how long it will be until they regret this. Only a few more days left here - only a few more days with her. It will be a clean break, at least.
They glance down at her again, clenching their jaw before turning their head to stare out the windows to the balcony, watching the distant northern lights dance across the water. At least right now, in this moment, they have this. Merry's steady heartbeat pressed against their own, the calming sound of the ocean outside, the heat of the woodstove making their eyes grow heavy - they feel warm and content as they finally pass into sleep, even when Merry slips out of their arms, and out the door.
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orchideae · 3 months
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My apologies for the absence! I feel like a broken record saying this, but I keep entering different phases of 'settling into life' (went through a massive change in my personal life last year), and then every time I get to 'Ah, all is calm now', something else happens. But I'm finally seeing the light at the end of the tunnel, as one huge weight has now finally been lifted off my shoulders. Phew. /munches on my camembert and baguette.
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allisonreader · 6 days
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I don't know how to express what I want to at the moment...
At least not how to start off. How I truly want is to say something like "shoot me now" or "kill me now". Neither of which is what I really mean. Though curling up in a dark hole and crying sounds good about now.
I'm just being overly sensitive and distressed about having received two comments on old stories that I recently cross posted to AO3 that essentially accuse me of using ChatGPT or whatever it is to write them. Since I've seen them, I've been dwelling on them. Which feels so ridiculous, but I am. I don't know if I should have, but I responded to both explaining that the one thing was written like 10 years ago and the other probably about 20 when I was a literal child.
I still might go in a delete the comments on them.
Times like these are when I wonder if I have the right mentality to ever try to get anything professionally published one day.
It definitely makes me not want to post the couple of stories I was uncertain about posting already.
And it's not like the comments are completely unwarranted. The stories are definitely not well written, because they're OLD and I didn't want to rewrite them.
And now I'm kind of regretting posting them at all.
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