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#yeah. something to think about i guess.
liquidstar · 6 months
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If my mom sees a significant amount of blood she gets lightheaded, and has fainted on some occasions. Once it happened when we were kids, I wasn't there to witness it but I heard the story from my dad. Basically my brothers, around 7 or 8 at the time, were playing outside while my mom was making their lunch, and she accidentally cut her finger. It wasn't anything serious, but it drew a fair bit of blood and she passed out. My dad saw this and rushed over, but he didn't really know what to do so he just sort of started slapping her to wake her up (not recommended, but he had no idea and panicked)
At that exact moment my brothers both came in from playing, and all they saw was our mom unconscious on the floor and our dad slapping her. So, like, without even saying a word to each other they both just INSTANTLY start whaling on him, like, full blown attack mode to defend our mom. Which obviously didn't help the situation, but she did wake up and everything was fine.
Now our dad says that he's actually really glad they attacked him over what they thought was going on, because it means he raised good boys. And I still think that's true, they're very good boys.
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egophiliac · 11 days
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Serious question.
Do you think we’ll see the parents/family of each of the guys???
Like, We’ve been TEASED with Ace’s brother, that I’m starting to think it’s just a reference to that Alice in Wonderland park character in Japan and nothing else….
Jack’s family, Ruggie’s grandma, Falena, Maleficia, Ms.Rosehearts, Just now Vil’s dad is in the picture which I am really happy but now I’m wondering about his mom, and so Deuce’s mom.
I mean, some HAVE a silhouette!! It could mean they do have a design in the making/ready to show. They could’ve shown us Falena in the Tamashina (hope I said that correctly) event, but didn’t (prolly to make Leona not so σ(▼□▼メ) and it’s understandable)
Anyhow, any idea/headcannon about this? Who do you want to see first?
I'm wondering if everyone might eventually get a travel event? like they've now introduced with Vil's that it doesn't have to be specifically hometowns, so that opens things up a lot! (especially if they have to figure out how to do three separate Coral Sea visits) (how would that even work otherwise)
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but yeah, I hope everyone gets a chance! there's a lot of backstory characters I would LOVE to meet. :D :D :D though I do think some of them don't really suit the more light-hearted tone of the events (pretty sure you're right about that being why Falena wasn't in Tamashina-Mina, that would've just been. too much for Leona.) so like...we're probably not ever going to meet the Rosehearts. or Maleficia (although I maintain that this would be THE funniest possible way to introduce her outside of the main story, and actually I would love this a lot, can we please Twst) (I need to see her to put Malleus in a froofy little outfit and tell him what a handsome boy he is). but they've sprung surprises like Kifaji on us, and honestly anyone who shows up and tells embarrassing stories about characters' childhoods is good in my book!
characters off the top of my head who I most want to meet: literally any of the Zigvolts, Azul's mom, Ace's brother, Che'nya's grandfather (<- I think he would be a good one for Riddle) (please just any non-terrible adult in his life), any member of Rook's family because I need to see how they managed to produce him, and...really just whoever they can come up with for Silver.
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inkskinned · 9 months
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it just sucks because nothing is ever fucking made for you, and if it is made for you like 75% of the time it gets chopped into little pieces by every person alive because this is the one thing you have, so it has to prove itself to you.
like, a thing can't just be for women. men need to assign it to women. women have to experience "must" or "should" before their hobbies and passions - women are allowed to do silly, passive things like tuck our ankles and titter behind a fan, or something. women are allowed to, they are welcomed to. like the world is a house and we are supposed to be in the kitchen and now we are being given the divine right to enter the living room if we bring chips
because when it becomes for you, or about you, that is when the thing is vile. you should/must wear makeup so you can appear beautiful to men. once you wear makeup for yourself, or because you yourself enjoy putting it on, then you are no longer doing the right thing. there is a reason men hate certain fashion trends. there is a reason men hate things like the pumpkin spice latte - because it's not about them. you are buying it because it is good for you. they degrade your passions and interests. there is a reason women-led fields are largely seen as being "not a real" profession. when you are a good cook, that is because you can provide for him. close your eyes. you're not going to be a chef, be honest. that is a man making food for himself.
bras are made so breasts will be appealing to men. they are rarely about comfort or support. you have given up entirely on the idea of pockets. young girls have to worry about a shorter inseam on their shorts. a girl on instagram gets her septum pierced, and men in the comments are rabid about it - i just want to rip it out of her face. she'd be beautiful without it.
and fucking everything is for them. even the media that is "for you" is for them, eventually. remember "my little pony"? remember how hard it is to convince any executive to believe that little girls are worth selling to? in the media that is for you, you see little ways that you still need to make it accessible for them - the man is always powerful, smart, masculine. he is a man's man. the media usually forgives him. it usually says okay, some men are awful, but hey! gotta love 'em. because if you don't hold their hands and say "this is literally just a story about my lived reality", they shit their pants about it. they demand you put them into the media that's for you.
these are people who are so used to glutting themselves on the world. they are used to having every corner and every dollar and every place of leadership. so you say can i please have one slice of cake, just for myself, please, holy shit. and they fucking weep about it. they say you're being unfair, because some of their one-thousand-slices aren't beautiful, and your singular cake slice doesn't have their name on it. and aren't you being rude by not offering to share?
and honestly. fucking - yeah, man. you were kind of surprised, because the cake is a little basic (you bake at home, you're way past this stuff). but holy shit, it was nice just to be offered cake in the first place. you're used to having to starve. you're used to getting nothing, but going to the party anyway, because you're expected (professionally) to show up. you liked that it is a simple cake, and that it is warm, and mostly: you like that there is, for once, a cake-for-you.
in the real world, outside of metaphor, it feels like fucking being slapped. barbie didn't even say anything particularly unusual; it literally just made factually evident points. there are less women in leadership than men. we can look at that fact objectively. that is a real thing that is happening. and the movie is aware that it has to defend itself! that it has to spend like half an hour just turning to the camera and saying: i know this is hard for you to understand, but this is a real thing that women experience.
it's just - this is that one kid on the playground who thinks its allowed to hog all the toys. he builds this hoard that nobody else is allowed to even look at, or he'll get aggressive. everyone's a little scared of him, so they let it slide, because his daddy gave him the golden touch. he hates when people cry and thinks bullying is cool. he writes boys only! on a big sign and makes all his friends take "alpha male" classes.
and then girls pick up barbies, because there was nothing left for them. and in the void they've been given, with their scraps: they make long, spiraling narratives about how barbie is actually descended from snakes and has given her righteous followers magical (if concerning) powers and can speak 32 languages (2 of which are animal related) and has big plans for infrastructure (beginning with the local interstate). and the boy comes over, and he has a huge fit about how the girls aren't "including" him. he wants to know why the girls aren't making the story about ken.
"we didn't like your story." the girls blink at him. they point to his war stories and the gi joes and the millions of male-led narratives and how still in the modern day men get two-thirds of the speaking roles in movies and they point to men making mediocre shows that don't get lambasted and they point to men encouraging toxic masculinity and they point to men everywhere, men and men and men. and they say: "how is this our fault? you had ken."
"no!" he is already back to screaming and stomping his feet and tearing at his hair and intentionally reminding them that men are holding back thinly concealed violence and he says: "if it's not for me, it's actually sexism."
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fortheloveofexy · 4 months
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it's a pet peeve of mine when ppl frame Andrew as hating Aaron and being needlessly cruel to him... bc while yes, their relationship is fractured and strained, Andrew genuinely cares about his brother and wants the best for him, he just doesn't know how to show that in a normal way.
like he might not know how to express it in a healthy manner but Andrew LOVES Aaron, like he truly just wants Aaron to be healthy and safe. It's like, his whole Thing. Aaron is one of the most important people in his life. Andrew wants him around. He'd do anything to protect him.
I guarantee Andrew wants to be emotionally close to Aaron too, he just doesn't have the tools to do that and the thought of letting someone in terrifies him. He also has no concept of what a healthy sibling relationship looks like, so he has no frame of reference to work from.
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beaulesbian · 18 days
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I was once again thinking about this goofy Luffy moment after his Lucci punch™ and i had to see it frame by frame.
first the force of it throws them both away, and while Lucci is seen on screen tumbling for a long moment, Luffy is just away in a blink of an eye.
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and then his funny scene - his legs are like jelly that he tries to get under control,
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he stumbles, falls, rolls into a mix of all his limbs and eyes,
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and then only the cloud behind him cushions his fall
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- which would be interesting if he can subconsciously control that while he tries to regain the control over his movements - that the environment around him still adapts to his awakened Devil Fruit abilities and morphs to help him. Where others would probably fall through that cloud, for Luffy that cloud backs him up like a trampoline.
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It's just fascinating!
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zer0point5ive · 5 months
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adam and lawrence standing opposite one another for the first time once they’ve both recovered enough and adam losing his mind a little ‘cause yeah, he’s seen lawrence, he’s stalked him, camera in hand and spent what felt like a lifetime chained up across the room from him, he’s had hours in his darkroom, music blaring as photo after photo of lawrence stares back at him, he’s been up close and personal as lawrence promised to come back, as adam begged him not to leave and he’s sat next to lawrence’s hospital bed during their joint recovery. he’s seen lawrence, sure. but only from a distance, only lying down. so when he’s suddenly stood a few feet in front of the guy? when lawrence moves closer, still, and adam realises that he has to tilt his head up to look at him? when he realises that lawrence has to bend a little when he wants to murmur something to adam, just low enough that no one else will hear? when lawrence comments on their height difference for the first time, teasing but not mean, well .. yeah. maybe adam realises he has a little thing for it. or whatever
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r0semultiverse · 6 months
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Digital Circus AMA Notes
Digital Circus is getting a season 1 at some point!!!!
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#webcore aesthetic board for the series design
Pomni was going to be a frog originally. 🐸
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90s toys Zooble inspo
Caine is an antagonist, but not by active choice, he doesn't know he's not helping. He doesn't feel a whole spectrum of human emotions (he's an AI).
"Caine canonically just lets things happen if he thinks it's funny."
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Characters eat like Chao in Chao garden in Sonic. The characters can eat the food, but they can't digest it.
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Jax's favorite food is spaghetti.
Pomni likes salmon.
Q "Was the ending a 'Last Supper' reference?" A "in a very superficial kinda way yeah." Religious stuff is sometimes just used for the funny.
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Gooseworx tumblr sketches MAY or MAY NOT be canon to the series, so it's up in the air for every single one.
People can abstract from feeling too much pain if it breaks their mind from it being too much. Characters feel pain from things, but not as intensely as they would in real life.
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Zooble is gonna swap parts every episode (implying they have spare parts) except their body & head.
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Jax chose his own name & gooseworx likes to think he chose Gangle's name.
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Ragatha was named "Emmy" originally.
They (the cast of characters trapped in the circus) can't change their clothes but Caine can. It's part of their skin sorta kinda.
There's empty space under Pomni's hat because video game model physics.
Spamton was partially inspo for Caine, Caine's VA did Spamton dubs.
Gangle only has 2 masks. Why's it (her hapiness mask) break all the time? Mental state, but the "real her" is "harder to break."
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Kaumfo was gonna be part of the main cast originally before Jax.
Kaufmo's model has nothing below the waist at this time, but was made for that promotional image on twitter.
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Q "What kinda person was Kaufmo?" A "He was the same as Ragatha in a sense, goofy & cheery, sometimes toxic levels of positivity."
I'm paraphrasing for the sake of note taking in real time, go watch the stream playback for more context & details if you want.
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cometblaster2070 · 3 days
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i've spoken before on raven and darling and how they're such good foils to each other, but i really, really just want to emphasize this scene right here because it makes me LOSE it.
(also please don't mind maddie and her expressions)
i personally love the way darling looks at raven in the first panel, because you can see her confusion there. everyone knows that apple and raven are best friends forever despite all their differences, and everyone knows just how much apple and raven care for each other, and how they would do anything for each other.
but i really love how this is framed because you can see darling looking at the way raven looks at apple; with so much longing, with so much sorrow, so much hurt, and so much love, and you can just see it click for her in the next panel.
the way she's questioning it at first, the way she's thinking for a second that that is not the way you would look at someone who's 'just a friend'.
and then the resignation and the sadness in the next moment, where i think darling realizes 'oh, we're both in the same boat; we're both in love with apple white'.
and i love that look of mixed pity and camaraderie; that look that shows that darling knows what raven's going through and what she's feeling (even if raven herself may not understand it right now) because she's also in love with apple.
of course there's just plain sadness because she feels bad for raven, whose best friend is currently in her magical coma, and it makes sense why she would sympathize with raven for that.
but i personally like to see it in the light that darling's heart is torn realizing that they're both stuck here, next to the girl they love, a love that will probably remain unrequited because (at this point yk) daring's supposed to be apple's prince, and apple herself will never know about how they feel, and apple will never return either of their feelings.
to cut it short, it's darling looking at raven looking at apple and thinking "oh my god i thought i was the only gay bitch in love with apple white".
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ok wait i need to hear more of your thoughts on peeta owning a bakery....
This is one of those rare times where I’m pretty sure this anon isn’t someone I know personally bc I’ve subjected anyone who will listen to my rant about the Peeta Bakery Headcanon. Anyway, you’re gonna regret asking this anon bc there are fucking Layers here.
I know this is probably a controversial take based on the number of fics where I’ve seen it, but I simply do not think that Peeta would open a commercial bakery after Mockingjay!! Like on a metatextual level, I don’t think it really fits with the point of the ending of the series. It actually sort of fascinates me that it’s just such a common headcanon because the ending of Mockingjay is exceedingly vague. I think that vagueness invites us, as readers, to imagine a better world post-revolution. A world where Katniss would feel confident that her children would be safe from injustice, where she’d feel confident that her children would never know want the way she did as a child. A just world. A kinder world. Can a capitalist society ever be just? Is a capitalist society where a disabled teenager has no other means to subsist himself (or feels like there’s no other way he can be a contributing member of his community) really the post-revolution world we dream of? Is that really the best we can imagine?
(This got so insanely long I’m adding a read more lmao)
I get that showing a better world is not always the point of post-mockingjay headcanons/fics. Like there are plenty of really great post-mockingjay fics I’ve seen where, yeah, part of the fic is that society like ISN’T all that different or all that much better. I’ve seen that really well done! Hell, I’ve written them myself! It’s easy to imagine how a lot of aspects of society would not get an overhaul, a lot of the same structural inequalities would continue to exist. One headcanon that really stuck with me (I can’t remember which fic it was from) was that Peeta sells basically mail order baked goods to people on the Capitol, sending them iced cakes and pastries by train, because there are still people who were “fans” of theirs during the Games. And idk this doesn’t actually have much to do with my point lol but I liked it because it’s kind of fucked up and like! Yeah! It makes sense! If he needed money that would be a good way to make it! War often makes people rich, often for horrible reasons, and often it’s people who already have capital in the first place.
Anyway, more about the hypothetical bakery because alright. I bring up the fact that “yeah society not being all that different post-revolution and still being an unjust capitalist hellscape” could be a reason why Peeta re-opens a bakery because that’s actually never the types of fics where I see the bakery headcanon. Fics where Peeta opens a bakery are usually trying to make the exact opposite point. Like. Things are getting better, now he can open a bakery! Look at how much better the world is now, plus he’s got a bakery! Peeta is healing, that’s why he can open a bakery now! And I am so, so sorry to inform everyone who’s never had the grave misfortune of owning a family business, but there is truly nothing further from the truth lmao. Like just putting aside the immense amount of emotional baggage that Peeta has about his family, running a small business is an insane amount of work in any context and being a baker especially is physically grueling and involves early hours (and long hours) that aren’t really the best fit with the multiple ways that Peeta is disabled now. (I could go into this more because I have a lot of thoughts. But I will spare you.). I also think it’s seen throughout the books that Peeta is someone who needs time to pursue creative outlets to process his feelings and someone who values leisure and values quality time with his loved ones. And having grown up in his family’s bakery, I think he’d understand the reality that running a bakery wouldn’t leave much space of those pursuits and wouldn’t leave much space for him to have the things that keep him healthy and stable. I think he’d know that the way he is now— after two Games and the war and unspeakable torture at the hands of a dictator—isn’t compatible with the lifestyle necessary for running a commercial bakery.
And tbh with that in mind, I don’t think he’d push himself to re-open a business (one that would be a constant reminder of his dead family and his complicated relationships with them that got no closure) that would require him to sacrifice his physical and emotional well-being. Like I think he might look into the possibility, I think he might even start trying to open a bakery out of a sense of obligation/duty, maybe harboring some idea that this is who he was supposed to be, who he would've been without the Games, or that it’s this last piece of his family that can live on, or that it’s this last connection to his family so he can’t let it die too. But ultimately, I think any attempt to open a bakery wouldn’t get very far. Maybe he'd start wading into the logistical nightmare that is small business ownership and realize it's not for him (because it's probably also true that as much as him and his brothers were involved in the business, there's almost certainly parts they weren't involved with and didn't see, i.e., filing taxes). Or maybe looking into opening a bakery— how triggering it is, the stress of it— causes a downward spiral. Maybe he hates how much he's worrying everyone by unraveling. Maybe having a breakdown from the stress of just trying to open a bakery makes him realize, yeah, maybe in another life he would have ran his family’s bakery but the way he is now just doesn’t work with running a bakery, not without great sacrifices he's not willing to make. I just can’t see a bakery coming to fruition.
I know a lot of fics include Peeta deciding to reopen a bakery as a big step in his healing or include him rebuilding a bakery as part of his healing process but honestly, I think the opposite would be more true: I think Peeta either trying/failing to open a bakery or ultimately deciding not to open a bakery would be hugely healing for him. I think it would be a huge part of him accepting the way he is now as a person, his new limitations but also his strengths. I think it would be a huge part of him accepting the way his life his now and accepting that he likes his life the way it is, that he’s satisfied with his life without needing to own a bakery. I think it would be an important part of him coming to terms with the loss of his family. I think he knows he can never have things back as they were and I don’t think he would try to recreate them, especially because his family’s legacy isn’t a business. I think he’s emotionally intelligent enough and self reflective enough to realize that what mattered to him about the bakery— taking care of others by feeding them, being integrated into his community and being actively involved in it, brightening people’s days with delightful things whether that’s beautiful cakes or hearty food or delicious treats— and the things he learned from his family through the bakery, are things that he can carry on in other meaningful ways.
(Do you regret sending this ask yet, anon? Because if not, you will soon. I’m not done yet. There’s more.)
I wasn’t really sure where to put this next part in what is rapidly becoming an essay because it sort of combines the points about like “what do we imagine a post-mockingjay society to look like” with the practical difficulties of starting this bakery but here’s another thing: do people really think that the Mellarks owned the land the bakery was on?? Like, sure, the merchants are the petit bourgeois of Twelve but I still don’t imagine they really own anything. In a society where houses are assigned to people upon marriage, where property ownership and capital are so closely interconnected with citizenship (as shown by the Plinths who, by having immense capital, are able to leave their District and become citizens of the Capitol) do people really think the Mellarks would be allowed to own the land their bakery is on?? I always imagined it sort of like a tenant farming situation: the Capitol gives them the raw materials for the bakery and in return the bakery give them some absurdly high portion of their profits, or the Capitol sells them a year’s supply of raw materials at a premium on credit and at the end of the year the Mellarks have to use the money they made with those materials to pay it back, except it’s never enough to turn a profit so they always have to buy next year’s materials on credit and the cycle continues.
We (understandably) get a really skewed view of the merchant class through Katniss’s perspective so I can see why people come to the conclusion that his family owned the property and, as the last surviving member, he would’ve inherited it. I’ve seen the inheritance thing in fics a lot or a hand wavey “well Twelve was decimated to no one owns anything anymore so it can be his” or even like an almost sort of reparations type situation where he’s entitled to the land as a surviving refugee of Twelve. But I don’t know. I guess I don’t think it fits with everything else we know about Panem that the Mellarks would’ve owned that land and I think the question of whether the government would’ve let him take ownership of the land post-revolution brings up a lot of issues about the structure of society post-Mockingjay that I find more interesting to explore in other ways, especially when, from an emotional perspective, 1) I find the idea of Peeta not opening a bakery more compelling and 2) I don’t think it really fits his character arc by the end of Mockingjay to reopen a bakery, as I went on about at length above lol.
On the flip side: literally who cares!! Do whatever you want!! Headcanon whatever you want!! I get why people go for the bakery!! It’s fun, it’s wholesome, it’s a built in bakery AU that isn’t even an AU. It doesn’t matter if it’s practical or realistic!! It doesn’t need to be practical or realistic!! It’s fanfic of a dystopian YA series!! My unfortunate affliction is that I grew up in a family that owned a restaurant and that I have multiple degrees in the social sciences so I can’t see the bakery without being like “What about the overheard? What about the start up costs? Who’s spending long nights balancing the books? Is Peeta covering shifts when an employee calls in sick? Is Peeta the sole person working there until the bakery is open long enough (often a year or more) to start turning a profit? How does that sleep schedule work with his nightmares? How does that work with Katniss’s nightmares? What happens when he has an episode and suddenly needs to take the day off before he has any employees? Does the bakery just remain closed for the day? Can the profit margins withstand regular unexpected closures? Can the supplies withstand regular unexpected closures?” And if the answer is “Elliott none of those things matter he’s not doing the bakery because he needs the money but because he wants to”, then my question is why does he want to? Does he not get the same sort of satisfaction out of feeding his loved ones? Doesn’t Peeta seem like someone who would rather give away baked goods than sell them?? Doesn’t Peeta seem like someone who would prefer to make cakes for people’s special occasions upon and then when they insist on paying him for it, he only lets them “pay for the ingredients” which actually cost significantly more than he says they did??
So yeah my point is that it’s a matter of personal taste! It doesn’t fit the way I see the series but that doesn’t mean it’s like wrong, I’m not an authority on Peeta lmao.
It’s also a matter of personal taste in the sense that I find the themes that most resonate with me at the end of Mockingjay (and the end of Peeta’s arc specifically) more interesting to explore in other ways. Grief, living with loss, relearning yourself, finding hope, figuring out your place in a dramatically different world when you don’t even know who you are anymore, healing, building a new life after such complete and total destruction of your old life— those are all things I find compelling about the end of Mockingjay but for me the bakery isn’t the most compelling way to explore them.
Not to say I find the concept of the bakery totally uninteresting. I have this fic about Johanna that I’ll probably never finish where the point sort of is that, yeah, her life really isn’t all that much better after the war. It’s been years at this point and she’s still miserable and she doesn’t know how to be a person but by the end she’s trying to figure it out. And towards the end, Peeta tells her that he’s spent years sort of passively, half-heartedly trying to figure out how to inherit the land his family’s bakery was on, only to find out it was never theirs in the first place. They’d been renting it the whole time and he’d never even known as a kid. So he sort of passively, half-heartedly went on another wild goose chase to find the owner and now, finally, after years of writing to various government agencies and being sent in circles and things being barely functional, he’s managed to track down the owner. Now it’s owned by the daughter of the man who owned it when he was a kid because the original owner (who was likely up to some sketchy war crime shit) died during the war and she inherited it (the irony…). He got in contact with her and asked how much it would take for her to sell it and she told him she’s not interested in selling but in light of the situation, in light of the fact that he’d have to build a new building in order to operate a bakery, that she’d cut him a deal— she’d only require 50% of the bakery’s profits as rent instead of the 80% his family used to pay. And of course Johanna is outraged, that’s not right, the owner shouldn’t be allowed to do that, they should do something about it, they should fight back. And Peeta is like. Not interested. He was actually sort of relieved that opening wasn’t very feasible. Getting the answer was a lightbulb moment where he saw that over the years of trying to look into this, he’s built a life that he likes— one where he’s stable, where his loved ones are stable, where he’s cared for and can care for others— and he doesn’t really want to change it drastically by opening a bakery anyway. He just needed an answer, one way or another, before he could get some closure and move on. (And the point of the conversation is Johanna is having her own lightbulb moment that it’s okay to move on, it’s okay to change, it’s not a betrayal of the people and things she’s lost but that’s not my point here!!).
But anyway. That’s obviously not about running the bakery— it’s about the choice to not run one.
Anyway!! Anyway… are you satisfied anon? Is this what you wanted?
Lastly, here is my most important qualm with the bakery headcanon: must Peeta be gainfully employed? Is it not enough for him to be Katniss’s boytoy? Can’t he just paint and garden and bake and hang out with his girlfriend all day? Is that really too much to ask?
#peeta mellark#thg#the hunger games#the hunger games meta#anyway wow this got so long and I literally read it through one (1) time so uhhh sorry if this makes no sense!!#as I was doing my one read through and realized that one of my other thoughts on this is that yeah I can much more easily see the#headcanon that peeta like sells baked goods (probably at cost with no profit) out of his kitchen because that’s much more flexible#and I think that would work a lot better with what like I guess I’d call his psychiatric disability post mockingjay#and how he’d certainly want to take care of Katniss too#like that sort of flexibility makes a lot more sense for him and it’s like. if he doesn’t bake for a few days or however long then it’s fin#it’s not a formal brick and mortar business#it’s just something he’s doing because it’s a way to be involved with people and a way to do something he’s passionate about#without there being waste and while covering some of the costs#and he doesn’t have to like keep books or do payroll or any of the things I can’t see him being very passionate about#as far as like bakery management goes Lmao he can just bake!!#but then I started getting into this whole thing about how that quote-unquote ‘running a business’ like that (informally from your house)#is actually a really common practice for people living in poverty so probably something that Katniss and peeta would’ve been familiar wirh#anyway and then this whole rant about how the emphasis on the brick and mortar bakery often goes hand in hand with#this widespread fandom thing of having a fundamental misunderstanding of how rural poverty works and what it looks like#but then I was too deep into it and said you know what? never mind! and deleted it lmao
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ryssbelle · 1 month
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Have you heard about a new ship between John Dory Delta Dawn? Though I find it kind of weird
It is on TikTok and Tumblr, If You want to check it out?
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I’ve heard of it, I think their ship is as old as tbt at this point XD
I think their dynamic is really funny
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sergle · 9 months
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sergle i thought you didn't like ppl objectifying you :/
god okay this gave me whiplash. make sure you remember how to read before proceeding. sound words out for a friend or family member if you need to. People Being Thirsty in my general direction is different from people like. seeing me only as JO material. I Don't Like people thinking they're smooth as hell trying to dm me what they assume women want to hear. Describing some cringe ass shit. I Do Like a compliment. I even like a compliment that is clearly thirsty. I don't think "I've jacked off to you" is a compliment. not from yall anyway. super controversial, I know. a fat fetish blog following me and reblogging my selfies Is objectification. someone being vaguely horny can be good, or bad, or funny and I show it to ppl on discord and laugh- depends on the specifics. Most of the people following me are too uwu to even get close to the line. they've backed so far away from the line out of fear that they tripped over something while they were backing up and it was embarrassing for them. People trying to push me into sex work specifically while I'm fundraising, because they know I'm more vulnerable at that time and they want to take advantage of me needing money, is definitely sexual harassment, that's definitely me being objectified. the ask I just got, though, was not that. 😭 just telling me that some girls think I'm hot? that is tepid as hell. thinking someone is attractive isn't objectifying them. all attraction is not objectification. please. work with me here
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firefly464 · 6 months
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Two souls. Both given a second chance. Both waiting for a third.
Some bonus versions under the cut :D
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also shoutout to @fishcop for listening to me ramble about this idea and then showing up with a beautiful drawing like. an hour later :D
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youngyoo-apologist · 20 days
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When it comes to OG!Cale ships I like both OG!AlCale and OG!ChoiHan but it really depends on the scenario
For example, I like OG!AlCale in both regression aus and TBoaH adjacent timeline things because I think a huge thing I like in their dynamic is how mysterious they both are to the other party. The fun of their dynamic is them discovering more about each other and the various miscommunications they have cause of their own personalities, and I think that works very well no matter the universe.
But with OG!ChoiCale, I feel like I can really only enjoy it in TBoaH adjacent things or if they both have the memories of the first life.
To me, a big thing about OG!ChoiCale is about the life they lived together, how they hated eachother, how they both didn’t know eachother for years, how they could have spent time together during the war due to unfortunate circumstances(there not being enough people left)
Like, I think OG!ChoiCale can be such a cool dynamic, such a sad, but comforting one at the same time. It’s a little bitter how the man you thought you would hate forever became a close companion, how he’s more similar to you than your younger self woild have ever thought, but do you really hate it?
Can you really hate having a person who understands you, when so many people have died? When so many are gone?
Something about the sadness of it all, how it was tragedy that brought them against each other at first, but now it brings them together. How they could only ever grow to understand eachother because of the pain they face, the pain that they shared. At some point, can you really hate him, even until the end? After all those years? After coming to understand him? No, you cannot.
Like, it adds in extra layers when they both care about each other at some point mid-way through the war, but they still can’t really talk to eachother properly. They care, but they frustrate one another, anger each other. Choi Han doing increasingly more risky and self sacrificial things because ‘I’m a hero’ ‘I have to do it.’ ‘It is justice to save people’, despite the fact that it’s at the expense of himself
And Cale’s frustration at Choi Han’s attitude. He can never wrap his head around the fact that Choi Han destroys himself for the sake of other people, and believes it’s heroic(He knows Choi Han doesnt, he know Choi Han hates it too, but he doesn’t know what else to say to himself other than the fact that ‘it’s for the greater good’, because he will go crazy if he doesn’t)
He’s mad, but there’s some twisted sense of understanding in there too. Cale understands, because he became trash for his family, he became trash to protect them, he had to do it.
But that’s only what he thought.
He was older now, he had lost them all, and he had seen how his trash act hadn’t done anything to protect them. It only distanced him from them, and now they were gone, and he could never see them again, he could never make amends.
Cale is mad at Choi Han for sacrificing himself because while Choi Han is hurting himself, the people who he loves, and the people who love him, watch him do it over and over again and he doesn’t listen to their worried cries.
He’s mad, but he understands. It was frustrating to be on the other side, watching someone destroy themselves for the sake of others when the people who cared about them wanted the exact opposite. The only difference between him and Choi Han was that Choi Han was never a good liar, he could never hide how much pain he went through.
In a way, Cale thought it was better that way.
At some point, there is love that is there. Love that follows them, and it’s so painful because they both know the tragedy edy to it that is how they are doomed, how they can never be happy in the first time line where they knew each other.
Because as Cale and Choi Han, they can’t be happy. Not when so much has been lost, not when the world is falling apart, they may love each other, but loving each other as they are means being in a world where everything else they love is gone.
It is a cruel kind of love.
Like let’s say they do pursue these feelings, even though knowing those two I don’t think they’d ever say anything in that scenario. If they did it would probably be Cale going like:
“Choi Han, do you love me?”
Choi Han doesn’t say anything, but his silence in place of adamant refusal is enough of an answer.
“Do you love me, Cale?”
Cale doesn’t say anything either, only smiling at Choi Han with his signature, cynical and bitter smile.
He didn’t deny it either.
It was a confirmation of feelings, but unlike the confessions from romance novels and stories, the main character and lead do not end up together and live happily ever after.
They stay together, but the world around them is not happy, not at all. They are together, but not as partners or as lovers, but two people who live in their suffering because all they can do is live.
I feel like anything they do together would always have an air of melancholy to it. Maybe they kiss, once, and no more, because there is no point in making it a regular thing. Not when everything in their world will end, even if they keep on fighting for it to not be that way.
They kiss, and it’s short, but in that short moment, the world is nothing but Cale and Choi Han.
Isn’t that selfish? If it’s like this, then they could ignore how everything has gone so badly. But that is exactly why they cannot be together, there is no ignoring the reality of their situation, no matter how sweet it would be to live in a false dream and never wake up.
I like my OG!ChoiCale a little doomed.
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lollytea · 2 years
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I'm never shutting up about this
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astranauticus · 5 months
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stultifera navis rerun AKA thinking about Iberia hours again because a lot of the Iberians have such fascinating relationships with the concept of home but specifically Thorns and Lumen are eating at my brain. like where do you call home when the place that is your home Just Fucking Hates You? Elysium's rewinding breeze specifically makes a point to hammers home how differently Iberia treats its Liberi and its Aegir
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(which is especially interesting since this comes right after a conversation where Purestream commented on how despite Leizi being a high ranking government official, there are still some experiences that are universal for all Yanese people - because the experience of what Iberia itself is like isnt universal for all Iberians)
But all that being said, Thorns also straight up states that Aegir is not his home, and yeah, how could it be? How could a place you've never been to, never truly known, ever be your home? How could it ever feel like a home?
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so where do you go when the place that you are from hates your people and the place your people are from is completely unfamiliar and alien to you? Thorns' answer at the end of the conversation with Aya is: my home is where i chose it to be. my home is where there are people I care about and people who care about me
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in the complete opposite direction, Lumen's oprec asks: why do you still stay in a place that wants you gone? because the people of Gran Faro like Jordi well enough but when push comes to shove, they will want the only Aegir in town gone
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and yet, when Rald the messenger offers him a chance to leave Jordi turns him down and when he's forced to escape Gran Faro after the people there literally try to send him to his death (or worse) at the hands of the Inquisitors he keeps trying to go back because like everyone in stultifera navis, Jordi is clinging to his own dreams of a golden age
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but the shape of that dream is unique to every character and for Jordi, his dreams are deeply, inseparably bound to the Eye of Iberia, the legacy his parents left behind
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and it's this dream of becoming someone great, of bringing about that golden age that his parents devoted their lives to help create that ties Jordi to this nothing town because despite everything, despite the mistrust of the townsfolk and the hostility of the Inquisition and the danger from the ocean, he simply cannot leave it behind
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(or, because i personally dislike the official translation,)
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"I just see this place as my home"
so yeah. not sure what overall point i was trying to make here i'm just. deeply in love with these stories about chosing what is and isn't your home, of saying you will not call a place your home because it has given you no reason to or saying you consider a place your home even though it has given you every reason not to. deeply unwell about them <3
#arknights#asto speaks#not much of an essay writer i just keep thinking about them and i need to force other people to think about them too#thorns story fucks me up bc like. this whole almost found family adjacent idea of like#maybe home isnt something decided by your birth but something you can chose based on what truly matters to you#it just gets to me. i guess.#jordi gets to me in a completely different direction there's nothing personal about it i just find his story *fascinating*#just a guy. a completely normal guy. an absolute nobody caught up in these dreams of greatness while also fully aware of his own normalcy#but never letting either of those overshadow the other. never losing that self awareness or that fuckin obsessive determination#god. what a Character#i love jordi so much like genuinely#i joke a lot about him being just a Guy but thats also kinda like the best thing about him#the fact that he is the way that he is and does all the things he does despite being just a Guy#gently holds#for context i was so hyped about new iberia lore when sn was announced i read the whole thing as soon as it dropped on cn server#cuz someone uploaded all the story sections to bilibili right after it came out#and '我只是把这里当作自己的故乡啊' fucking hit me SO HARD#in like the greater context of elysium demanding to know why hes risking his life in like 5 different ways to return to gran faro#because yeah jordi just doesnt want to leave his home but like we the audience knows the full *weight* of what that home means to him#and the weight of the dreams that made him chose to see Gran Faro as his home and to refuse to let go of that#thats why i like the original a lot more than the translation i think like it really emphasises that active *choice*.#this is the place jordi has *decided* to see as his home and he knows what that means and what it means to him#side note the part on thorns might not actually age well depending on whether hg decides to ever release more aulus lore#i mean i'll gladly take the L if it means more aulus and/or thorns lore like#i just wanna know what (if anything) is tying him to iberia yknow#ak#iberiaposting
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hitrone · 4 months
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i love her if u haven’t figured it out yet
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