母親って (Shibasaki Aizou) English Translation
母親って
Hahaoya tte
A Mother
Character: Aizou from LIP×LIP
HoneyWorks feat. ないこ
Lyrics: Kaoru & shito
Composer: Kaoru
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T/N: Wishing everyone a happiest new year!!
Keep in mind that Japanese and English aren’t my first language. I never claim my translation (attempts) to be error-free. As always, if you’re going to use or reference my translations, please do not claim it as your own and credit me.
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あなたはいつだって
自由に生きていて
気分屋なところ猫みたい
頭を撫でてくるその変わらない癖
ウザがるけど嫌いじゃないんだ
Anata wa itsu datte
Jiyū ni ikiteite
Kibunya na tokoro neko mitai
Atama o nadete kuru sono kawaranai kuse
Uzagaru kedo kirai janain da
You are always
Living freely
You have a moody temperament, like a cat
That unchanging habit of stroking my head
It annoys me but I don’t hate it
友達みたいにケンカして
言いたいこと言い合う関係
Tomodachi mitai ni kenka shite
Iitai koto iiau kankei
We fight like we are friends
A relationship where we can tell each other what we want to say
シワができても大丈夫だから
いつまでも綺麗だから
笑ってくれるだけで強くなる
やっぱりすごいな
あなたの笑顔は
いつまで経っても子供ですよ
幸せですよ
Shiwa ga dekite mo daijobu dakara
Itsumademo kirei dakara
Waratte kureru dake de tsuyoku naru
Yappari sugoi na anata no egao wa
Itsu made tatte wo kodomo desu yo
Shiawase desu yo
It is alright if you wrinkle, because
You will always be beautiful in my eyes
Just by making you smile makes me stronger
And as I thought, your smile is incredible
No matter how much time passes, I will continue to be your child
And that makes me happy
あなたはいつだって
自由に生きていて
空を泳いでる鳥みたい
強がりでそのくせ本当は泣き虫で
もうどちらが子供なんだか…
Anata wa itsu datte
Jiyū ni ikiteite
Sora o oyoideru tori mitai
Tsuyogari de sono kuse hontō wa nakimushi de
Mō dochira ga kodomo nandaka…
You are always
Living freely
Like a bird flying in the sky
That habit of pretending to be tough, but you’re actually a crybaby
Geez, who between the two of us is the child now…
友達みたいにふざけ合って
守りたい大切な存在
Tomodachi mitai ni fuzake atte
Mamoritai taisetsu na sonzai
We joke with each other like we are friends
You are an important existence I want to protect
白髪増えても大丈夫だから
いつまでも綺麗だから
言葉をくれるだけで頑張れる
やっぱりずるいな
母親ってやつは
いつまで経っても見守ってて
約束ですよ
Shiraga fuete mo daijōbu dakara
Itsu made mo kirei dakara
Kotoba o kureru dake de ganbareru
Yappari zurui na
Hahaoya tte yatsu wa
Itsu made tatte mo mimamottete
Yakusoku desu yo
It is alright if your hair turns gray, because
You will always be beautiful in my eyes
Just by giving me your words makes me do my best
As I thought, you are unfair
Someone who is known as a mother
No matter how much time passes, I will watch over you
That I promise you
これからも元気でいて
あなたの“幸せ”が幸せ
Kore kara mo genki de ite
Anata no “shiawase” ga shiawase
Stay happy and well from now on
Your “happiness” is happiness itself
シワができても大丈夫だから
いつまでも綺麗だから
笑ってくれるだけで強くなる
やっぱりすごいな
あなたの笑顔は
いつまで経っても子供ですよ
幸せですよ
Shiwa ga dekite mo daijobu dakara
Itsumademo kirei dakara
Waratte kureru dake de tsuyoku naru
Yappari sugoi na anata no egao wa
Itsu made tatte wo kodomo desu yo
Shiawase desu yo
It is alright if you wrinkle, because
You will always be beautiful in my eyes
Just by making you smile makes me stronger
And as I thought, your smile is incredible
No matter how much time passes, I will continue to be your child
And that makes me happy
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Laughter Leaves the Perfect Opening for Heartbreak
I read this somewhere and I cannot for the life of me remember where now. But I have taken this to heart.
Writing a good, silly, funny character is hard. Sometimes you go too far and they're more irritating than funny. Because laughter is a legitimately hard emotion to evoke in people. A lot of comedians have opening acts because you have to warm up the audience - get them in the mood for laughter. Because to make someone laugh intentionally when you know maybe they're not feeling like it - that's hard. When they know a joke is coming, people guard themselves - so the joke has to be really, truly funny.
And when you get people to laugh - honest and sincerely laugh? Boom. Straight shot to the heart. The walls are down. Move in.
Because when you're dealing with a sad character, you know you're gonna be sad. Going through a sad story that starts sad just becomes an exercise in endurance. Which isn't necessarily "oh this made me sad" but like "Im already sad and Im trying to be different". Tragic is a gut punch when its a status change and not like an ongoing status effect.
There's a thin line between comedy and tragedy, but not just in a comic scene could easily be twisted as a tragic scene. The thin line is also all the ways a comedy sets an audience up for tragedy. When the audience is all warmed up, they're easier to affect - their emotions are loose and for the molding.
Which is why Sam is So Good. His perfectly tragic characters are those that make you really happy - take you up and up and up. So it's a hard fall down.
FCG/Loquacious are perfect tragedies because they're supposed to be shy of ridiculous.
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doomed valentines 🥀
aka what if kel and aubrey took over sweetheart’s castle ?
this is an au where if you interact with the keeper of sweethearts castle as anyone but omori, it unlocks a whole new optional level. you wake up in the picnic area with hero but no kel or aubrey. sweethearts castle is different and basil joins you for this level
the castle's main towers seem to have split into two, but the main building remains one, and smaller from the outside. but it turns out to be unnaturally spacious at times, as if the building was a psychological maze trying to separate... certain people apart
you find aubrey. she looks different, but happier. “it's like a princess' dream come true. it’s everything i could ever want and more.” she says, smiling at you. “now... all i need left is my lovely prince charming—”
“hey, guys !!”
enter kel.
“ugh.”
kel also looks different, if not for the fact hes wearing an obnoxious shade of pink, head to toe. he is happy to see you all. “everyone here LOVES me ! they respect me and trust me and all that kinda stuff. man, i feel so powerful ! im never leaving this place !”
that didnt seem to sit right, so hero intervened. “but.. if you stayed here, wouldn’t you miss everyone else ? omori, basil, me... mari ?”
“well, duh ! that’s why you guys will be staying with me too !”
that broke a new fight between kel and aubrey, but for the wrong reasons
it ends with aubrey dragging basil along with her, hero with kel, and you alone on the bridge connecting the two towers. you have a choice to follow one of them first. lets say, kel.
you head for kels tower and find hero talking with kel, trying to convince his brother.
“didja know ?? the sprout moles here love me so much they made me offerings, like, im a god or something ! pretty cool huh ?”
“..offerings ?”
“yeah ! oh man.. hero, youre not jealous, right ?”
“wh— no. its just.. a bit ridiculous.”
“...ridiculous ?” kels confused expression contorts into a smile, that of understanding. “i see whats going on. its okay, hero, i know its gotta be tough to be put to the side. and overlooked. bet its weird not being in the spotlight for once.”
you caught a quick flash of horror written on heros face. “kel.. are you saying this because—”
“but its ok ! as long as were here, neither of us will ever have to feel that way !”
remaining determined, hero put his foot down. “thats enough, kel. you cant stay here.”
“yea, thats a good one, bro.”
“im... serious. were leaving, kel.”
the younger boy stops laughing. ”...oh. youre— why ?”
“i dont think this place is anything like it seems. i think its a sham.”
kel barks with laughter.
“oh so when it benefits ME is it a sham. man, how selfish can you be ?”
“...what ?”
“you really cant stand it when its not all about you, huh ? but what about me ? what about kel ?”
“i-i think this place is affecting you. please, kel, listen to me.”
“no. if you wanna leave so bad, fine ! the sprout moles can send you out. but im not leaving. im happy here anyway, and you wont get it.”
with that, kel leaves you two in his tower. hero seems distracted, before suggesting you both go find basil
you head for aubreys tower, only to find a scared basil locked in a cell. upon freeing him, he stares over your shoulder.
“o-omori.” he whispers. “...behind you.”
“well, well.. well !”
enter aubrey.
“aubrey! why was basil locked in?” hero asks, perplexed.
“hm? well, he kept trying to leave! i couldnt let that happen, not when i was sharing my happiness with him.” aubrey frowns. “i thought he was my friend.”
basil looks terrified. “aubrey.. i am your friend.”
“hmhm, of course you are. friends dont leave each other behind, right omori?”
hero once again steps in. “aubrey, i think youre taking this too far. of course we want you to be happy, but kidnapping your friends isnt the way. this place is messing with your heads, so we should leave before it gets worse.”
but your path is blocked by kel in the doorway.
“that wont do.” aubrey hums behind you, brandishing her shiny pink bat. “no.. not at all. what do you think, kel ?”
“i think its rude to leave in the middle of a party. right, hero? you taught me that one!”
“kel..”
he then takes a bow as aubrey joins him. “so, friends, may we have this dance?”
“let us sweep the floor !”
boss battle mechanics !
you can not change aubrey or kels emotions even at the start of the battle. the only ones who can change their emotions are each other, so the best strategy is to adapt with your own party’s emotion play
there are 4 phases to this battle. a neutral state, tier one emotion, tier two, and lastly tier three, much like most emotion based bosses. between each phases, aubrey will make kel happier, while kel makes aubrey angrier. they are not made to have the sad emotion, however,
if you end third phase with an attack from hero, kel will start fourth phase with a depressed emotion instead of manic, giving your team good advantage on winning since he relies on speed. aubrey will still be furious, but its still one enemy disadvantaged
once you defeat them they will go snork mimi in your arms and you must carry them out of the castle and back to mari.
“aww, i guess its past their royal nap time !”
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