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broke-on-books · 10 months

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The live action Scooby-Doo movies?

I did not see this ask until RIGHT now (first time on desktop since crab day, second time since Nov 5 2020 [which was DOUBLY experience since I got my phone taken the same day]) so I'm going to assume this ask got eaten on mobile because tumblr, HOWEVER you poked a bear with this ask anon (as I'm sure you knew when asking) SO without further ado: my Scooby Doo live action opinions

So when you say 'live action Scooby-Doo movies' I'm assuming you're talking about the James Gunn films, starting with Scooby-Doo (2002) followed by Scooby-Doo 2: Monsters Unleashed, just due to like, generally popularity and also the fact that I have actually seen those films. However shoot another ask if you wanted me to include Curse of the Lake Monster in this (because I will if anyone cares and turn this into a live-action scooby dissertation, i'd just need to like. watch the movie first) But anyways where I'm going with this is that this post is about the Gunn movies aka the ones with SMG, Freddie Prinze Jr., Linda Cardellini, and ofc our #1 man, Matthew Lilliard.

Okay so my take on these movies is... complicated. I wouldn't say it's as complicated as my feelings towards SDMI, because I watched the live actions way less as a kid and generally care less about them, but still no matter how much shit I throw at these two movies there are parts that I generally like (even love) that stops me from totally condemning them wholesale. Like the fact that these movies are FUNNY! There's so many moments from this duology that are just beyond iconic "like, that's one of my favorite names!" the whole thing with Scooby in the dress at the airport, ET. CETERA (like I can go on!)

The Gunn movies are genuinely SO fun and I can 100% see and understand how they've stood so well in the public view as a representation of Scooby. HOWEVER, this is where you start to see my problems with them. For the general American, (because that is the audience I'm familiar with) ESPECIALLY millennials and younger, who happen to make up the majority of both people on this site AND people I talk about Scooby with in real life, these movies, and the elements they introduced as "quintessential scooby tropes" are the base of their understanding of the Scooby franchise, along with likely some miscellaneous WAY episodes and maybe SDMI.

Which is where I get pissed off. In the pushing of the narrative of "breaking away" from the Scooby norm, Gunn basically invents (aka totally makes up) an idea of what classic era Scooby was like, cementing an idea of classic Scooby into the public mind that is totally disingenuous and just straight up false. For example, in attempting to portray Daphne as having taken strides to be seen more seriously in solving mysteries and defending herself, it pushes the narrative that in the classic era she WASN'T taken seriously, and only existed as a damsel-in-distress prop of a character, which is just not true??? Like yes, Daphne is clumsy, that's a part of her character, and her friends (because, fun fact, the gang ARE friends) joke about it sometimes because that's what friends DO. Framing that in some kind of sexist "that's all she does" lens is just total bull, especially as gang members fall into secret passageways/get lost etc. in WAY ALL THE DAMN TIME because that's how the plot functions! Like are we calling Velma ditzy for losing her glasses every other episode? Of course not, and Fred falls into passageways all the time, not to MENTION Shaggy and Scooby and all they get up to. Also one last thing on the topic of Daphne, like this idea of her mystery solving skills not being respected by the gang is just so supremely bullshit it amazes me sometimes, especially when she was the LEADER (or leader adjacent) through pretty much all of her appearances in the 1980s [Not that James Gunn could look at '80s era Scooby without spitting on it, but I digress]

AND THIS IS JUST DAPHNE! Like the perceptions pushed towards Fred (and Velma, but mostly Fred) through these movies are just as bad! Like okay, with Fred---In these movies Fred is just an asshole. I hate Gunn Movies!Fred. I mean yeah he can be funny but it's almost always so mean! Almost nothing makes me madder than a mean Fred by the way. If he's putting other gang members down (even halfway, like with his whole "dorky chicks like you turn me on too" line, which... ew) then to me something has gone very, very, VERY, wrong in your basic understanding of Frederick Herman Jones as a character. Like he's the cheerleader! He puts himself in between his friends and danger! He loves nets, and traps, and Elvis impressions, and wrestling, and the trapeze, and cars, and most of all he LOVES sharing the things he loves with his friends! (Sometimes to a bit of an extreme. No one wants to hear about your net facts, Fred) And the live action movies just don't understand that at all. And I know there's maybe something to say I suppose in that some of those aspects of his characterization hadn't been "established yet" by the time "Scooby-Doo" came out in 2002. But it's there if you look. For Fred Jones, being the leader means being the caretaker, (he's the Mom friend what can I say) and any version where he's cruel and arrogant and just DOESN'T CARE about his friends in the way he's shown to in the Gunn movies is just so far from Fred to me it's not even funny. And what makes it even worse for me is that this (or at least something similar) is the idea of Fred that has really spread to the popular culture. Just the "leader", the jock that makes the rules, the one that [insert X adaptation here] finally gave a personality and made interesting (something that has been said more times than I can count for pretty much every gang member, save Shaggy and Scooby).

And I haven't even touched on Velma, and how they gave her a bit of a early 2000s smart superiority girl complex against Daphne, plus the whole makeover thing and etc. etc. The Gunn Movies are pretty much what would happen if you took someone who hadn't seen Scooby since they were 7 years old (and honestly had a pretty negative outlook against it then) and tried to "fix" it, only his memory was so bad he just made up problems (and threw in a good helping of early 2000s style sexism with it) convincing pretty much the entirety of the popular culture that said problems exist and that Gunn was absolutely brilliant for fixing them (and then bringing up said "problems" whenever anyone wants to talk about Scooby) and this entire rant has been without even fucking MENTIONING what is probably the reason you, anonymous tumblr user sent this ask in the first place, to I, Swishy "Scrappy Doo Redemption Arc" Broke-on-books (dot tumblr dot com), which is his HIGHLY SUCESSFUL and utterly sadistic character assassination of my number one man, Scrappy Doo.

And I am going to try my damnedest here not to get totally into my highly passionate opinions over what James Gunn did to Scrappy in the first of his Scooby movies and how thoroughly it has pissed me the fuck off because I have been writing this post for over an hour now and if we start to really get into my feelings on this topic it will certainly be a couple of hours more but like. That Fucking Bitch. I give James Gunn personally a solid eighty-five percent of the blame for making my life as a Scrappy Doo fan UTTERLY unbearable with this stupid fucking movie alone, and just his Scrappy crimes would honestly be enough for me to say that I hate this movie, not even considering the numerous Scooby crimes I've been talking about here for the past million paragraphs, but the part about this movie that makes me the MOST mad the most pissed off is that it's actually a good fucking movie. James Gunn wrote two hilarious and entertaining movies that have become beloved in the popular culture for their successes in that arena, while at the same time pissing all over the core themes and messages of the franchise of which it was based, that of friendship.

TLDR; The Live Action Scooby Doo movies (written by James Gunn) are highly entertaining and fun pieces of media to watch, and are widely loved by the general public and looked at with fondness and nostalgia because of that. However, as a hardcore Scooby Doo fan (writing that phrase sounds so ridiculous but oh well) the existence of these movies and their impact on the popular culture can be extremely frustrating (despite any personal nostalgia said fan may have) due to their spreading of a misinformed picture of what "typical Scooby Doo" looks like. This picture is especially frustrating due to the fabrication or exaggeration of problems present in classic Scooby (such as sexism in regards to the girls), as well as giving more ammunition to other problems in Scooby fandom (such as oversexualization, and sexualization in general, which no one wants to see in regards to their children's cartoons, like HONESTLY.) Discussions of sexism and sexualization in Scooby (both of which ARE present and are issues, although not at their worst in WAY) can often lead to an overlooking of the issues that are very present and clear in WAY and have continued since then with far too little resistance (I'm 100% talking about the racism here) HOWEVER that topic deserves at least a dozen posts of its own that I am no way informed or qualified enough to even begin to think about writing. The Gunn Movies are frustrating to many longtime Scooby fans because of these reasons, but for me, and fellow Scrappy Doo fans there is also the added aspect of the demonization of Scrappy Doo in the live action movies and the affects that has had on the popular culture as well, making it uniquely inhospitable to like or enjoy the character of Scrappy. End post.

#that last sentence is such a weird tone jump btw but its because the topic flowed one way and i had to jump it back to a summary to actually #finish this monster of a post #SO anon i hope you're happy with this and this makes my opinion make some more sense. and you or anyone else is more than welcome to ask me #questions about anything i said here or my opinion on any and everything scooby related (and not) so if theres a specific aspect of this yo #would like expanded on i can definitely 100% do that for you or anyone who cares #also there are many complexities towards my feelings on these movies that i didnt get to hit on despite the monstrous size of this rant (il #check word count later but im not gonna fuck with it now because im terrified of deleting this post by accident) one of which is my lasting #fondness towards all of the actors in this movie. YES including freddie prinze jr. i may have major issues with his fred but hes also playe #characters i really really like. for example hes the va in this tv show i LOVE and havent watched in like 10 months despite the fact im on #the last season because freddie's character dies in like 7 episodes and i am NOT AT ALL emotionally prepared for that on any level because #that is my fictional father goddamnit!!!!!#also every buffy the vampire slayer gifset that crosses my dash gets me closer and closer to watching it because oh my god daphne!!!!! that #sarah michelle gellar thats daphne oh my god!!!! also i went and saw guardians of the galaxy 3 with my friend (despite not having seen a #marvel movie in 2+ years AND holding a grudge over james gunn's scooby doo crimes)[the things you do for {platonic} love amirite?]#and the title sequence SAID linda cardellini was in it and i got SO excited i was looking everywhere for her it was like wheres waldo in th #discount movie theatre FOR REAL and i just could NOT for the life of me find her (turns out she was VAing the ferret) so in a way linda mad #me cry with that role. whatever. istg i get so off topic i forget what i was even talking about but ANYWAYS <<<1 of my fave english words b #dubs (my favorite spanish word is el amanacer btw. it means sunrise. also burbujas because its bubbles and saying it sounds like bubbles #popping) BUT. AS I WAS SAYING. SEND ME ASKS IF YOU WANT SCOOBY DOO OPINIONS. DEAR GOD I GET SCATTERBRAINED SOMETIMES.#scooby doo #answered #anonymous #blah

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semercury · 19 hours

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#stuff sarah says #predictable i miss my therapist post #i miss being able to tell him my worries and know i was 100% safe #bc he knew how my brain worked like. clinically #he knew how to talk me down from the ledges bc he knew exactly what the angle and type of rock the ledges were made of #no one else can do it like he did #i want to tell him the things im worried about that i can barely put into words #bc im afraid if i tried with other people it would just be A Bad Look #and they wouldnt get where im coming from or the nearly 30 years of history that led me to be Like This #i can only grapple so much with it in my own head #theres too many layers. its so messy. and thats just the internal stuff. forget the external or how other people would react #bc thats a big part of it too. im so so so scared of others #i just would like to know everything will be okay in the end and that ill be secure #my hands tremble around everything bc im so afraid itll break in my palms. but i think the shaking causes them to break more often than not #but you know like 🤪🤙 😗✌️ and all that

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highlifeboat · 2 months

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I think Sarah has sort of biase, when it comes to her sisters. They can tolerate a lot from them, but they will not be as tolerable to they partner.

And if they partner try to push it, Sarah will call Winnie. And you know that despite how badly she treats Sarah Winnifred will trow her hands and lightning at anyone who dares to treat her baby sister poorly :p

That's a very good point, actually.

Like "Only my sisters can treat me like shit" which... Again, kinda sad, but shows that they do have some idea of self worth and the knowledge that being treated like that isn't good.

And that they know that Winnie would protect them if they needed her to.

I love their sisterly relationship it's so bad but so interesting.

#also completely unrelated but you remember when we talked about sarah forming a coven and max not being able to join #and i just realized that's probably more a thing of ''men cant be part of covens'' than ''men can't be witches''#because in the movie they 100% believed that max (dennison) created fire in his hand and made it rain indoors #which shows they know men CAN have magic #and they probably thought max was a witch like winnie up until they realized it was plain water #and i think maximus should be allowed to partake in witchcraft is what i'm saying #asks #horror lady00

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amazinglyscarydonut · 10 months

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I’m just thinking about how the McElroy brothers were absolutely worshipped on this website as cornerstones of internet culture, and then all of a sudden a few years ago everyone did that thing that they always do to random dudes they used to worship, and decided that they were the devil (for reasons I was never clear on), and then Sarah Z made this long-ass video called something like “The History of the Decline and Fall of the McElroy Fandom” like some huge Voltron-esque fandom dropoff had happened. But like nothing had actually occurred and everyone who had been listening to their podcast just kept listening to their podcast and they’re still very prevalent in meme culture. What the fuck was all that about

#I thiiiink people were saying that Travis had made some comment that was apparently cancel-worthy #but it must not have been that big of a deal because I never ever found out what it was. And I very much moved in those circles.#I was into TAZ and MBMBAM and Monster Factory and like five other things of theirs #Anyway if you went and listened to the first ≈100 eps of MBMBAM you could come up with 500 cancellable offenses I am sure of it #Also I do not like Sarah Z. Don’t know if my animosity came through #It always seems like she comes up with a thesis for her videos and then does her darndest to find whatever evidence fits that thesis.#Which is what we call in academic circles a ‘no-no’#Also she did this video years ago about ‘Bad Faith Media Criticism’ where she extensively criticized someone else’s video about #Steven Universe but I had seen the video she was talking about Sarah straight up just lied about what was in that video. Multiple times.#In a video about bad faith criticism. I stopped watching her vids after that.#mbmbam

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yazthebookish · 1 year

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Sometimes you just have to remember there's no point in arguing much because the inevitable is going to happen and no one has control over what the author writes.

And that often brings me a sense of peace more than it stresses me. Maybe because I always find joy in whatever Sarah writes.

#weird statement since I'm hardcore about certain things #but it's true #I think personally as a reader who reread Sarah's books a million times #I can see where she is going with certain things for the future #but she also can surprise us #not that I'm saying my experience is 100% the same as others #but these are my random thoughts #this is also a reminder that helps me avoid getting into arguments that have happened a million times

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arielmagicesi · 10 months

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ugggghhh ok so I’m reading some books to prep for my student teaching in the fall, the ones that my host teacher knows are likely to be in the curriculum, and first of all why is it a thing that high schoolers are made to read Contemporary Lit Fic that can be summed up as “how many gory explicit descriptions of traumatic abuse can we fit into one book”, like every year it’s just One Standard Shakespeare Play, One Twentieth-Century American Classic, throw in some other shit, and Somebody’s Fucked-Up Memoir From A Decade Or So Ago. Are there any contemporary books that are good but NOT traumatizing? If not, I’m happy to stick to classic lit personally

ANYWAY so I’m reading this book to prep for the fall and I ended up skimming the whole latter 3/4 or so of the book to spoil it for myself so the suspense wouldn’t kill me, and now I’m up late despite being super tired because my brain is just cycling through every horrific thing in the book, plus the reviews I read online, some of which are insanely saying shit like “wah wah, get over it, stop whining, we all had rough times in our childhood” and I’m like... Am I the softest, most naive baby on the planet for reacting to this horrific memoir by feeling bad for the author and thinking that maybe we don’t need to be making high schoolers read this? I’m not saying it’s not well-written- it is well-written, and well-structured, but Jesus Christ.

(also why are we allowed to make students read horrifying memoirs of abuse but god forbid they know that slavery happened in this country, but that’s a different issue altogether)

so yeah I now have managed to make my entire evening about Trying And Failing To Get Some Images Out of My Head, which sucks because I had a LOVELY day and was looking forward to some well-earned sleep, and also I’m gonna have to go back and read the entire book so that I’m able to teach it properly and know all the literary devices in it and shit. Cool cool cool

#this is the same classroom where i did my student observing and their 'holocaust book' was this book called sarah's key #which is also unnecessarily traumatizing but doesn't even have the decency to be written well #and i asked my host teacher like 'hey. do we provide any like... emotional support to the students when they read That Scene'#and she was like 'yeah i have them write a response paper about their emotions reading the scene'#and idk i'm not 100% sure that's enough?#i know high schoolers put on a big song and dance about how edgy they are and how they can handle seeing any fucked-up shit #and some of them really do unfortunately have to live with fucked-up shit for real #but like. they're still humans? who are growing and developing? let's maybe give them breathing room with these things?#i love my host teacher she's great but i'm not confident she's gonna provide a lot of emotional support re: this memoir to the students #she's also way tougher and more resilient than i am. and so are most of the students tbh. i'm a tiny baby kitten and i know this #still i feel like we should probably allow some room for acknowledging Yeah That Was Fucked Up Huh #It's Normal To Feel Sad Now Actually #ANY THE FUCKING WAY. wish i'd gone to sleep early like i planned #at least it's the weekend tomorrow and all i have to do is go prove i don't have tuberculosis. again!!!!#(not that i had tuberculosis before. i just got tested before but it was over 6 months ago so not good enough)#that's also for student teaching!#i feel like my personal posts on this blog are just a psa on why not to become a teacher #i swear i love teaching lol but i love kvetching more #written by me

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americanmoths · 1 year

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is there anything worse than good art with lukewarm liberal politics

this is a subtweet of the american theatre

#theatre #theater #biggest fucking disappointment of my life realizing that sarah ruhl has fucking shallow white women feminist politics #motherfucking sarah ruhl !!!#anyways no 2016 wouldn't have turned out different if people had more empathy for hillary clinton #and while we're at it the salem witch trials would not have turned out different if people had more empathy for women #those women were killed because they had land #it's about power and money not people not imagining women complexly or w/e #and like .... what EVEN was going on with the connections to the opioid epidemic i wasn't following that line at all #and ur gonna bring up Tituba and cast a mixed girl as essentially abigail and not go into race #like jesus this play could've benefited from a lil intersectional thinking #also a good dramaturg #i LOVE sarah ruhl #but dear god playing audio of people comparing what happened in 2016 to a witch hunt is top 5 worst things I've seen in a play this year #anyways i hated this play and i hate it more the more i think about it #becky nurse of salem #100 moths rambling

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doctorwhoisadhd · 7 days

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auauguaughgh assignmence

#i have a thing due tonight that i am nowhere near done with AUGH #literally dont wanna do anything all i want is to sit on my floor and do my cross stitch and listen to rani takes on the world the first 2 #were SO GOOD esp the first one the first one was literally Made In A Lab SPECIFICALLY For Me i hope they make more of them please god bc i #want sky to be in it so bad i wanna see what shes up to but idk if anyone ever will bc the webcast is very much considered canon by these #(farewell sarah jane i mean) and that implies that the events of the 3 unmade stories from sja s5 100% still happened and therefore theres #stuff about sky and what her whole Deal is / how it all works that unfortunately exist pretty much exclusively in RTDs head. MADDENING.#like they could be turned into a novel!!! and they havent been!!!! which is GRRR TEARING AND BITING AND RIPPING. WHY ISNT IT A NOVEL 😭#PLEASE IM BEGGING YOU esp cause the trickster was in it and its like god..... obviously makes sense why they didnt make those episodes but #they could have at least done a novel or something with them & its like AUGH bc idk if anyone is gonna write sky now which is SUCH a shame #i liked sky its so sad that we never got more of her and luke together and its really not clear what shes supposed to be doing Now and its #like nooooooooo. anyway i forgor what was the point of this post. oh right. assignment AUAUUAGHUGHHHH #ari opinion hour #also i forgot my headphones bc i use the cord from them to connect my cd player to a speaker so i took them out of my backpack and NOOOO #need those to actually do work efficiently

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yamujiburo · 4 months

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Some of this might sound intentionally hostile in text and I apologize.

I'm saying this as an abuse survivor mind you - don't throw "abusive ships" under the bus so easily - at least, so long as they're not actually glamorizing the abuse. I lived that irl and I personally find someone overcoming it, slowly having enough of that bullshit and getting out over time, and the other person having to wipe their own butt for once after they've made the damn mess, very refreshing. Maybe that's not a ship in the traditional sense. It's no happily ever after bc it shouldn't be, but I find stories like mine shyed away from so often because even the portrayal gets considered a "canon ship". ... that's just how media works now, I guess? I very rarely See a fictional relationship not called a ship in literally any context now so that's the definition I'm running on.

I wish more people were willing to portray the hardships of finding acceptance outside of "whoever you can find will accept you" very much, and finding the better things after. I wish people weren't terrified out of portrayimg situations like mine.

Jessie.. is not a good person in canon. You expect me to believe she moved into to hanamusa seamlessly, without falling on her ass? I never see you talk about Jessie's abusive tendencies in canon. You never talk about the inherent meanness she needed to get over to get there. She's quite aml lot like my ex in canon, actually.

What do you mean you're going to just remove from the character that she is abusive to those around her. Jessie hits people. She takes her own junk out on others all the time. Do you even like the character then, are you actually invested in her growing, or are you just making an OC at this point?

Idk. Do you, boo. But you are posting about a character who, whether you like it or not, is canonically abusive. I just don't buy that dating Ash's mom alone fixed her. That isn't... How that works. It would be excellent if it did. Part of my love of hanamusa is that it signals Jessie's change - but she could have changed for anyone before now.

What makes Delia different? How is she specifically a turning point for Jessie? Because Jessie's flaws go well beyond just bossing people around.

I would love if my abuser had the same outcome as your Jessie. I adore your portayals of hanamusa, where she's still flawed but still strives to do better. That's all I ever wanted from my ex.

What the fuck got her there tho.

Anyways I've been watching a lot of Bojack Horseman lately -

I agree with you! I don't think abusive relationships (or any tough subject matter in general) should be shied away from in media. It can be powerful when executed well and written by folks who are equipped to tell those kinds of stories. I do think it's sad when people treat it as off limits. But the ask I got was definitely more about which ships I have where I actually like the relationship between the characters. I think the semantics of the word "ship" are kind of vague or rather, over time, got so specific to only mean "absolutely love together and want them as endgame" (for most people anyways). So that's usually what I take the word to mean when people ask me about it.

I can 100% appreciate how an abusive relationship is written and handled, but that doesn't mean I'm gonna ship an abuser with their victim (that falls into the glorifying you're talking about). Love Bojack Horseman! Big fan! I think the way they handled Bojack and Sarah Lynn was beautifully and tragically well written. But does that mean I ship Bojack and Sarah Lynn? Absolutely fucking not.

I've talked about Jessie's character plenty on this blog and the way she's handled in earlier seasons specifically. This is kind of a summary: If we look at it on surface level, yes we can say she was abusive. But I think it's important to acknowledge and take into account the medium, time period and culture. Slapstick and cartoon violence was HUGE in anime and animation in the 90s (and prior to that too). Characters were always cartoonishly slapping each other around with giant mallets, folding fans, etc. Looney Tunes style. These slapstick bits were always distinct from real abuse and hurt (for Pokémon, Jessiebelle comes to mind). Mean slapstick wasn't a character trait exclusive to Jessie either. We saw it in Misty, James, Meowth, characters of the day and pretty much any character who got mad. It was a visual shortcut to show anger.

This type of slapstick has since (thankfully) died out and it hasn't really been a part of the Pokémon franchise since the early 2000s. However, Jessie was a notably special case. One of my favorite fun facts about the Pokémon anime is that there was a point in the series where Megumi Hayashibara (Jessie/Musashi's seiyuu) told the writers that moving forward, she no longer wanted Jessie to be violent or to be shown hitting James or Meowth (source: her memoir "The Characters Taught Me Everything"). She thought it directly went against the vision Takeshi Shudo had for Jessie, James and Meowth, when he created them, which was that they are good natured villains. If you watch from DP and on, Jessie never lays a hand on either of them. I think it was a such a good move on Pokémon's part to change her character like that and I'm forever grateful that Hayashibara said something! Whenever I write Jessie now, I always keep that in mind. She's mean, shouty and stupid but would never genuinely hurt those she cares about.

From then, her character becomes much more bearable. She's still bossy, mean and vain (typical cartoon villainess attributes) but I'd hesitate to say abusive. She'll still yell at James and Meowth, they all yell at each other, but in more of a sibling way (imo) rather than a "i'm actively trying to hurt your feelings way". The show makes a point especially in later seasons to show that Jessie, James and Meowth are not beyond being redeemed. From conception the whole POINT of the Team Rocket trio was that they are redeemable but their persistence and obsession keeps getting in the way of them seeing that there's a better life for them out there.

I won't deny that Jessie was unsavory in earlier seasons, but when I write her, I choose to write the version that Takeshi Shudo and Megumi Hayashibara had envisioned from the get go. She's still incredibly flawed and makes plenty missteps but wants to be better as you stated! My favorite part about Jessie is that she's a piece of shit LOL and I enjoy writing the changes she goes through to be better (but then still showing her default so some of her evil tendencies). In this AU, Delia doesn't fix Jessie. Jessie fixes Jessie because she is with someone makes her want to be a better person. She's already in the middle of turning over a new leaf before even meeting Delia, after leaving Team Rocket. Writing Jessie as legitimately abusive I think could work, but that's not my story to tell and if someone who were more equipped to tell that story did, I'd be very interested to take a listen!

I hope this doesn't come off as trying to deny or invalidate your experience. If you see that in Jessie, I hear you! This is just how I've interpreted her character over the years, having watched every episode of Pokémon and reading Japanese interviews from the cast and crew. She's such a compelling character and I love how messy she is

#ask yam #long post #tw abuse

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ineffable-suffering · 7 months

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Why Aziraphale is an unreliable narrator

Part 1: The Story of Job

I'm absolutely not the first one to talk about this on here and I probably shan't be the last either. Alas, here's my take on why all of the minisodes in Season 2 should be enjoyed with great care – and taken with a grain of angelic salt.

I'm gonna split this into 3 parts, aka the three minisodes we are shown, since I tend to get a bit waffley in my posts and want to still be able to include all the little details. Once I've written them, I'll link Part 2 & Part 3 here as well!

Alright, let's get into it under the cut of doom.

Episode 2 opens with the Story of Job. Right off the bat, I noticed that it sort of looks like an old film playing. At first I didn't read that much into it, but once we see the cut-away to Aziraphale at the bookshop, currently reading that part of the Bible (presumably), I immediately thought: "Oh! It's because it's his memory. He's remembering how it went down and therefore it plays like a figurative film in his head."

This, I then came to realize, is a very crucial difference to all the flashbacks of S1, which were exclusively told and narrated by God. May her intensions be as ineffable as they are: She did tell us all of these stories from an objective outsider's point of view. Now, however, it's Aziraphale who's re-telling those stories to us from memory.

And if there's one thing that's for certain, it's that a memory is something entirely different to an objective narration of a story. Just think about how you yourself remember things. Especially things that happened years, maybe even decades (or, in an angel's case, millenia) ago. What is it, that you really remember? Can you know for sure, that a conversation was held with those exact words? Are you 100% certain that the clothes someone wore weren't different? Had it really been snowing or would that make very little sense given what you're remembering happened in May? And did it even happen in May? Or does that just happen to be your favourite month, the current weather, your preferred style of clothing and what it was that you would imagine someone would have said to you?

What I'm trying to say is: The further away it is that something happened, the more your brain has to fill in the gaps. This is why, for example, your parents will remember the family summer holiday entirely different when you ask them about it 20 years later.

"No, it was Sarah who puked on the car ride home!" "Nonsense, Sarah never puked as a child. Bobby had that gone-off pizza, he's the one that was sick the whole ride long!"

We've all been there. Bobby made it out alive. Don't buy gas station pizza.

Alright, back to the plot: Naturally, Aziraphale is not actually human, so it is a pure assumption on my part that the way his memory works is similar to ours. However, the whole topic of "memory" is actually quite a recurring one on Good Omens.

Crowley seems to have lost his in the Fall, yet somehow managed to get most of it back. Not all of it, though, he clearly has some major gaps ("You used to jump on me back, little monkey in the waistcoat!"). Beelzebub helps Gabriel store all his memories in their little fly container before they get wiped entirely too, by the Metatron and/or Saraqael. Crowley and Aziraphale (and possibly Jimbriel) perform a miracle together that makes everyone in Heaven and Hell forget who Garbiel is or what he looks like. And we know that the Book of Life apparently has the ability to completely erase someone from existence – ergo also erasing them from everyone's memory and making it is as though the person had never been in them at all.

So, clearly, angels and demons being able to remember, forget, reconstruct and, if you're the Metadork, wipe memories, is very much canon. Apart from that very last one, it does make them quite human-like in a way. We too can forget or (wrongfully and incompletely) reconstruct memories, due to things like trauma, illness or simply a lot of time having passed.

So, just like Crowley remembers going into battle but doesn't remember Furfur being there, or just like Jimbriel has entierly forgotten who he is but still remembers the tune and lyrics to Buddy Holly's song Everyday, and just like archangel Michael was miraculously made to forget Gabriel and yet says "Don't I know you?" when seeing him again – just like that, Aziraphale's memories of the story of Job, the story of wee Morag and the story of the magic show in 1941, might not actually be the whole truth.

So, time to look at where the furniture isn't.

Now, it could very well be that the costume designers of S2 thought: "Fuck it, let's go crazy" – but given that this show has a track record of meticulously making sure to stick to accurate and cohesive character design, doesn't it strike you as odd that Crowley would go from this look at the Flood in Mesopotamia, 3004 BC:

... to the (very iconic, don't get me wrong) Bildad the Shuhuite drip in 2500 BC:

... back to this at the crucifixion of Jesus Christ in 33 AD:

I mean ... I mean– come on, that seems like a bit of a far stretch, even for someone as enthusiastically experimental with fashion as Crowley.

And it's not just that: Where did the sunglasses come from, all of a sudden? And why do they look like some sort of obscure, ancient optometrist's device? It's a known historical fact that the Romans were the ones to have invented sunglasses, somewhere around 50-ish AD. Which actually matches perfectly with when Crowley and Aziraphale meet again in Rome 8 years after the crucifixion (51 AD).

So, where do the weird spectacles come from, over 2000 years too early? Maybe from Aziraphale's brain filling in some gaps? Hasn't Crowley always worn those ridiculous sunglasses? Was it Rome? Or Golgotha? Wessex? Oh, blimey, what does it matter!

And it's not just Crowley: Aziraphale's own clothes, as well as the other angels', seem to be very different from the rather plain linen we see him wear before and after the story of Job.

They're laced with golden embroidery along the neckline and sleeves. The remind almost of the clothes angels are depicted wearing in biblical and historical drawings. Ornate and decadent. Not at all like we see Aziraphale in the other flashbacks of S1.

Even Bildad the Shuhite's hair within the minisode keeps changing, going from all pouffy and voluminous to rather deflated and straight-looking:

The costume department either had to fix up two seperate wigs or manually straighten out the volume of the one again to give it a more sleek look. I'm not a professional in this field, but if there's anything I've learned from watching hours of behind-the-scenes material of movies and shows, it's that very little about costume, character, prop and set design is purely coincidental.

You know what it could be, though? An accurate representation of how memories aren't linear, historically correct and objective representations of a certain event, but rather an ever-changing, jumbled mess of impressions, emotions and exaggerations.

More specifically: Aziraphale's impression, emotions and exaggerations.

Like "remembering" Crowley with sunglasses because he's been wearing them for so long.

Like "remembering" himself wearing more luxurious, angelic clothes because that's how he thinks of the difference between Heaven and Hell.

Like "remembering" the permit as a ridiculously long scroll that folded out over an entire valley.

Like "remembering" Job's children to be weirdly sassy in an almost Aziraphale-esque way (Enon: "Don't be silly!") for the fact that Job would have probably taught them to be more humble and obedient in the presence of a literal angel.

Like "remembering" eating an entire fucking Ox after having just one bite of it while Crowley watched him lustfully, sipping on his wine.

Like "remembering" Crowley calling him 'angel', despite them having barely known each other back then.

There's a reason why the flashbacks in S2 seem so much more alive, quirky and, at many points, confusing and all over the place. Because they're not objective stories being told by a third party. They're Aziraphale's. So much of his own thoughts and feelings at the time get projected onto them because that's simply how memory works!

It's subjective. It's unrealiable.

It's not that I'm calling Aziraphale a liar. He's no more a liar than your parents are, mixing up Sarah and Bobby. Or you, remembering snow instead of sunshine. Memories aren't lies. They can simply be faulty, focus on things that you thought were more important and leaving out or changing things that weren't, to you.

The real challenge in all of this, is trying to filter through Aziraphale's stories to see what it actually is they're telling us. Where it is that the furniture isn't. And I think in this case, that's 6 main things (eff you, God, I know you like sevens, but I don't care):

God and Satan (still) talk to each other We see that Aziraphale is quite surprised when Muriel mentions that the whole Job thing is God's bet with Satan. But clearly, despite having made him and the rest fall, God still converses with Her number one traitor about whether or not the humans simply love Her because she gives them nice things or because they truly believe in Her.

God and Satan (and Heaven and Hell) can and do collaborate with each other when they feel like it So much for choosing sides, huh? Truthfully, this is not the first time this is shown to us, but still. It's another piece of evidence on the growing pile.

Aziraphale understands the World and humans way better than any of the other angels "Well, you see ... Citis is 58 ..."

Aziraphale, despite having troubles voicing it, absolutely disagrees and even condemns God's plan of destroying Job's children (and goats and camels and––)

Aziraphale is willing to lie and thwart the will of God Also not the first time we're being shown this but again, piiiile of evidence.

Angels don't automatically Fall simply by doing the above To me, this is one of the most important take aways. It's already hinted in S1 as well that 'Falling' seems to have been a one time even back when the first war broke out in Heaven. And I actually believe that ever since then, no other angels have Fallen again. Aziraphale is the best example for this. He has gone against God's plan numerous times and even lied to her very face (voice?) about it. And yet, nothing ever happened to him. Why exactly that is the case remains a topic for another meta (that I might or might not be working on already, teehee).

Alright, that concludes this first look at the Job minisode! If there's anything I missed, feel free to share it with me. I'll try and add Part 2 (the story of wee Morag) and Part 3 (the magic show of 1941) soon.

Update: Part 2 and Part 3 have officially been written, you can find it them right here:

Part 2: The Story of wee Morag

Part 3: The Story of the Magic Show in 1941

Hugs and kisses, (God)!

#good omens #good omens season 2 #gos2 #go2 #good omens 2 #good omens meta #ineffable husbands #aziraphale #crowley #story of job #job minisode #good omens analysis #aziraphale is a storyteller #but not a very accurate one #my own meta

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thetriumphantpanda · 7 months

Text

where you want your gift, girl? | Joel Miller

Summary | It’s your birthday and Joel, knowing it’s not your favourite celebration, is keen to show you that it‘s not always going to be a bad day, not if he can help it.

Warnings | birthdays, allusions to strained parental relationships, food & alcohol consumption, smoking of (1) cigarette, no/pre-outbreak AU, gift giving, explicit smut, rough sex, choking/breath play, brief spit play, oral sex (F Receiving), safe unprotected sex, dirty talk, creampie, cumplay, literally just filth tbh, no use of y/n.

Word Count | 4.2K

Authors Note | Honestly? It’s my birthday today and all I want is for Joel Miller to fucking rail me to celebrate - we can’t have everything we want I suppose, so we’ll have to deal with writing our fantasies instead! Happy Birthday to me - Enjoy!

Masterlist | Ko-Fi

You’d never really enjoyed birthdays. Other people’s, sure. The opportunity to treat your friends and make other people happy was something you’d always loved, but when it was you as the centre of attention, you almost hated it. The way people would train their eyes on you as you opened their gifts, the anxiety that you felt not knowing what it would be and whether you’d have to pretend it was the best thing in the world when you could think of a million things you needed above what they’d given you. It always made you feel ungrateful. Birthdays aren’t as exciting as you get older either, just another reminder of how far behind the rest of your friends you are, how little you seemed to have accomplished next to them in the same amount of years.

It was no different this year, not really. Your mother had phoned you before you’d gone to work, asked if you received the card she’d sent in the post that had the customary $100 stuffed into it, before chiding you for not doing as you said you would last time you spoke and find a new job, something more challenging, related to that degree you’d spent all her money on. You sigh and hang up the phone before she can say anything else, a mumbled sorry that you were running late but thank you for the card.

The only saving grace for your birthday this year was the fact it was a Friday, so you didn’t have to worry about drinking too much beer and having to go to work the next morning with a hangover. To their credit, your work colleagues had been quite nice to you - they’d pooled together to get you a gift card for you to spend on whatever you’d like, and Sandra from accounts had made you a birthday cake – red velvet because it was your favourite. Once everyone had eaten a slice, she put a Tupperware on your desk with two more generous slices in it, winking at you before walking away.

“For your handsome boyfriend.” She’d said, giggling as she walked away.

There was another saving grace for your birthday, you supposed. Joel Miller. Who had burst into your life in a whirlwind eight months ago when his beautiful daughter had spilled her hot chocolate all over your crisp new shirt in her hurry to get to the table so she could drink it. He’d been the most apologetic you ever thought you’d seen a man, helping you to wipe the worst of it off with napkins whilst Sarah profusely apologised next to you. You’d put a comforting hand on her shoulder, told her it was okay, and that you understood entirely, you’d have been as excited as her to drink hot chocolate with whipped cream and marshmallows. Joel had insisted on paying for your dry cleaning, something you’re pretty sure only ever happened in films, and when you’d phoned him to tell him it really had been a minimal amount, he’d asked to take you to dinner instead, and the rest really was history.

He’s phoning you now, his name popping up on the front screen of your phone, you smile as you answer it.

“Hello, handsome.” You greet.

“Good afternoon,” His southern drawl hits your ears, “Happy birthday, my darlin’ girl.”

God, he makes you so happy, “Thank you, cowboy.”

“You want me to pick you up and take you for dinner?” He asks, “Tommy is gonna look after Sarah tonight, so I’m all yours, whatever you wanna do.”

You think for a second, sure, dinner out is a nice idea, but it’s been a long week, and you think what you want most is to be at home with him, “You think you could grill me a steak and let me drink beer on your couch instead?” You ask, slightly embarrassed that this is all you want for your birthday.

“If that’s what you want, darlin’, then I’ll grill you the best steak of your life,” He chuckles, and then you can hear him cover the phone and speak to Sarah, who must be just back from school, “Sarah wants to speak to you real quick.”

He passes the phone and it’s Sarah’s sweet voice that greets you next, “Happy birthday!”

“Thank you, honey,” You smile, “You looking forward to some time with your Uncle Tommy?”

“He’s gonna take me to the movies,” You can hear the grin on her face, “I already heard dad telling him not to feed me too much candy, but he never listens,” You chuckle, “I got you a present,” She speaks again, “I gave it to dad so you can open it later.”

“Ahhh you sweet girl,” You coo, “I’m sure I’ll love it,” You reassure, “And I’ll be there tomorrow so I can thank you in person.”

“Alright,” She replies, “Dad wants the phone back, but have a nice birthday with him!”

You say goodbye to her, and then Joel tells you he’ll be waiting for you when you finish to bring you home. It’s only two hours until the end of the day, but you struggle to focus on the emails you’ve got to answer – you get through as few as is acceptable before the end of the day, logging out at exactly 5:30pm, box of cake clutched in your hand, handbag slung over your shoulder as you head out.

Joel is leaning against the side of his truck, arms crossed over his chest so his biceps are bulging in the flannel he’s wearing, he’s also got one of his ankles crossed over the over. He looks so casual but as devastatingly handsome as he always is. He slips an arm around your waist when you’re close enough, pushing his palm into your lower back to press your body to his, dipping down to press his lips to yours. He’s gentle with it, opening his mouth against yours so he can slip his tongue into your mouth, letting his tongue meld with your own, kissing you slowly, like he’s got all the time in the world.

“Get a room, you two!” It’s Sandra from accounts.

Joel pulls away just enough to laugh against your lips, pressing his to yours once more before pulling away properly, opening the car door for you to get in, pressing a light swat of his hand to your ass as you hoist yourself up into the truck.

Once he’s slipped into the driver's side and settled one of his hands on your upper thigh, he starts the drive from the city out to his house. It’s a quiet drive, Joel’s humming along to whatever is playing on the radio, you’re occupied with looking out the window. This is what you love about Joel, that he’ll sit in silence, won’t feel the need to make you talk, it makes you feel comfortable, knowing that he’s there when you need him, but he’s not going to force you to speak when you don’t want to.

He’s pulled into the drive in no time, picking up the grocery bags from the backseat. You try and peak inside to see what he’s bought; you’re hoping he’s got the ingredients to make those mashed potatoes you like, and mushrooms that he’ll cook on the grill too.

When he opens the door, you’re almost overwhelmed by the sight that greets you. There are gold and black balloons littering the floor, with one bigger helium balloon, weighted down so it doesn’t float along the ceiling, set in the corner with big ‘happy birthday’ lettering written on it. There’s a birthday banner pinned to the wall, and a selection of wrapped gifts on the coffee table. You have a sneaking suspicion that most of this is Sarah’s doing.

You giggle a little as Joel presses himself against your back, kissing at your neck, “How much of this was Sarah?” You ask, following him through to the kitchen.

“She blew up all those balloons before she went to bed last night, and she did all the wrapping, but the banner and the big balloon, that was all me, baby.”

You press your lips to his cheek, smiling as he starts unloading the grocery bags. Two ribeye steaks, and just like you wanted, mushrooms to grill, and potatoes to mash. He leaves you in charge of watching the potatoes whilst he grills the rest of the food outside. Whilst it’s resting, he mashes the potatoes with enough butter to clog your arteries, but when you sit at the table, and those potatoes are in your mouth, you can’t find it in you to care - it’s your birthday after all.

“Everythin’ alright, baby?” He asks, cutting into his steak.

“It’s perfect,” You grin, spearing a grilled mushroom onto your fork, “Better than sitting in a stuffy restaurant anyway.”

You finish your food in relative silence. Joel insists on doing the dishes even if he did most of the cooking, before he’s leading you back to the living room.

Joel sits you down on the couch, treading as carefully as he can through the trail of balloons to get you a fresh beer. He kneels down on the floor between you and the coffee table, taking a glug of his beer, before reaching across the table for the first gift, setting it in your lap.

“That one is from Sarah,” He explains, “She made me promise you would open it first.”

“Rules are rules,” You shrug with a chuckle, carefully tearing open the wrapping paper.

When you pull the paper from the material it was wrapped in you feel overwhelmed. It’s the exact same blouse that Sarah had tipped her hot chocolate over, just in black instead of white. The shirt had been a write off from the start, the chocolate leaving a stain that even the dry cleaner couldn’t get out.

“She saved her pocket money for months to buy this,” He murmurs, pinching the silky fabric between his fingers, “Said if it was what brought us together, she wanted you to be able to wear it.”

You can feel tears prickling at your eyes as you fold the material up carefully, “She’s such a special girl, Joel.” You whisper, watching as Joel leans back over the table to pick up another gift.

“This one’s from Tommy.” He murmurs, handing you the largest box on the table.

You rip the paper off and open the box, revealing an actual cowboy hat. You laugh, because Tommy has always said in order to properly fit in, you’d need a cowboy hat. Joel reaches into the box, pulling the brown Stetson out of its box, placing it on your head.

“Suits you, cowgirl,” He growls, leaning under the brim of the hat to kiss you, nibbling your bottom lip as he pulls away, “Keep it on.” He demands when you go to take it off.

“He didn’t need to get me a gift,” You mutter as Joel moves the two final gifts towards you, “And it’s a proper Stetson, this must have cost a fortune.”

“Not that it matters, because everyone in this household thinks the world of you, but he thrifted it, mainly because you’ve rubbed off on him and he thinks getting a pair of Levi’s for half price because someone doesn’t want them anymore is the best thing since sliced bread.”

You tilt the hat on your head a little so you can see under the brim, as he hands you an envelope this time, “These are from me.”

You open the envelope and pull out a postcard with a from New Orleans. You turn the card over, Joel’s handwriting scrawled on the back.

“Pack a bag baby, and let me take you away.”

“Are you for real?!” You exclaim, “You’re going to take me to New Orleans?!”

“Course I am, darlin’ girl,” He grins, “I know you’ve always wanted to go, and we’ve never been away together.”

“Are you even real?” You ask, wiping your tears away, because you’re overwhelmed, no-one has ever been so thoughtful.

“Last time I checked I was,” He chuckles, taking the postcard from your hands, replacing it with the last gift, a small box, “Go on, last one.”

You take it from his hand, tearing the paper off it to reveal a small box. You open it, and sat inside is a silver necklace, a silver hoop, entwined with a smaller hoop. You’d recognise this anywhere. You’d spotted it in the window of the jewellery shop downtown. You’d spend so long looking at it in the window before deciding you couldn’t afford it, yet here it is, in your hands.

“Joel,” You breathe, running your fingers over the delicate silver, “This is too much.”

He presses a single finger to your lips to shut you up, holding his hand out for the box, taking the necklace out as he pushes himself up onto the couch, putting the delicate chain across your neck, “Do you like it?” He asks from behind you, mouth right at your ear, breath hot on your skin.

You turn around, wrapping your arms around his neck, feeling your hat fall off your head as he returns the embrace, “I love it Joel,” You murmur into the skin of his neck, “I love you.”

“I love you too, darlin’ girl.”

You spend the rest of the evening curled up on the couch together. You eat the slices of cake that Sandra had sent you home with, drink more beer, Joel even sits with his guitar outside, playing some of your favourite songs whilst you smoke a cigarette. When the sun has fully set and you’ve let out a particularly loud yawn, Joel closes up the house, takes hold of your hand, and takes you to bed.

You’re led against the sheets, getting yourself comfortable, when Joel comes back from the bathroom, leaning against the door with his thumb resting on his belt. He’s lookin at you with those deep, coffee-coloured orbs as you turn onto your side, propping your head up on your palm to look at him.

“How do you want it, baby?” He smirks, taking slow steps towards the bed.

You take your bottom lip between your teeth, because that is a very good question. Do you want him to be soft and slow like he had been that first time? So concerned he was going to hurt you with his size and strength that he refused to go any harder or faster than was strictly necessary? Or the time he made love to you after you’d looked after Sarah when he had to work late. When he’d walked into his house and found you painting her nails for her, watching a film that he’d never had sat through, his heart bursting with so much love that he had to push it all into you, whispering promises into your ear as he did so. No, you think, that’s not what you want right now.

“I want you to fuck me, cowboy,” You rasp, “Hard.”

He’s stood at the foot of the bed now, eyes dark with lust, “Well, what the birthday girl wants,” He murmurs softly, wide, warm palm clasping around your ankle, “The birthday girl gets.”

He tugs at your ankle, pulling you down the bed in one swoop, your legs dangling over the edge as his fingers work the button of your work trousers loose. You lift your hips up so he can drag them, and your underwear off your body, before he tugs you into a sitting position to work your blouse over your head. Your palms cup his face as you kiss him, your lips giving attention to his plush bottom lip as his hands reach behind you and work the clasp of your bra undone, dragging that off your body so you’re finally bared naked to him.

He pulls back, trails his eyes over your naked body, before placing his hand on your chest, right between your breasts, pushing you back down onto the bed. He trails his hands down the expanse of your sides, coming to the meat of your thighs as he settles his face between them. Normally this is where he’d tease you, use that mouth to trail soft kisses up and down the inside of your thighs, stopping to nip at the soft skin every once in a while, but he surprises you tonight.

Joel uses the flat of his tongue to lick a single stripe up the seam of your pussy. Then, he takes his hands, puts them on the backs of your thighs to push your legs back towards you, spreading them open further, baring the entirety of your spread, aching cunt to his face, before that tongue of his is diving into you, licking the slick that has been slowly gathering there from you, groaning at your taste. He drags his tongue up to your clit, using the tip of it to lightly flick at your clit, which has a quiet whimper leaving your lips as you tangle your fingers in his soft curls to keep his head anchored right where it is.

You’ve never really known a man quite as enthusiastic about eating your pussy as Joel Miller. The way he groans into your cunt as he laps at you, the way his fingers dig bruises into your skin as he holds your legs open for him, it all adds to the way he has your teetering on the edge of your first orgasm of the night in minutes. You’re bucking your hips into his face, chasing that burst of pleasure you know is so close to you.

You can hear the obscene sounds from him, the way he sucks your clit into his mouth, rolls his tongue over it before letting it go with a pop, or the way he literally slurps the slick from your entrance. It’s when he slips two of his fingers inside your slick cunt that you’re really done for – fingers stretching you open, a poor substitute for what’s to come, but it’s good none-the-less.

All of a sudden, that fiery burst of pleasure is setting your skin alight. Your body is arching off the bed, pushing your cunt further into Joel’s face as he sucks your clit through your orgasm. You can feel yourself clenching around his fingers as you let out as high-pitched shriek of his name as your body wracks with pleasurable aftershocks. You lie there, warm and pliant as Joel stands once he’s worked you through your orgasm. He takes off his shirt, and you marvel at that body, the one you get to enjoy, broad and strong for his work, but soft around the middle, just like you love. He’s looking you directly in the eye as he undoes the button on his jeans, belt from earlier seemingly lost in the bathroom before. You’re smirking as he drags his jeans and boxers down his legs, stepping out of them, stood before you in all his God damn glory.

He is, quite possibly, the most handsome man you’ve ever seen. Especially when he’s got his cock gripped in his fist, pumping himself as you spread your legs for him, pushing yourself up the bed so he can settle between your thighs.

You can feel the throbbing length of him slipping between your soaked folds as he finds a position, he’s comfortable with. You’re the one that reaches down between you and lines his cock up with your aching core, but it’s all Joel when he thrusts himself inside you, right to the hilt, in one go. He’s leaning forward, head rested in the crook of your neck, your name hissed out into your ear as he adjusts to the tight clench of your cunt. Your nails are already digging into the meat of his biceps when he drags himself out of you, before slamming back in.

He revels in the way his rough thrusts make your tits bounce, dipping his head to take one of your nipples into his mouth, gently nipping at the puckered bud with his teeth before soothing it with the pad of his tongue. He laves the same attention to the other, never once letting up the pace of his hips.

“This what you wanted, darlin’ girl?” He chokes out, looking down at you writhing in pleasure beneath him.

“More.” You gasp, hand reaching to grab at his wrist which is planted by the side of your head, propping him up.

He puts most of his weight on his other hand, letting you drag his other palm to the delicate column of your throat, where the sheer size of his hand covers it in its entirety. He rests it there for a moment, continuing to pound his cock into your pussy, but then he’s adding pressure to the side of your throat, giving you that delicious dizzy feeling to your brain, before he’s releasing the pressure. You’re grinning up at him, moaning his name as his hips continue to slam into your own.

“Like that, don’t ya?” He asks, “God you look so fuckin’ good with my hand around your throat, pretty girl.”

“Always fuck me so good, Joel,” You cry out when he shifts his position slightly, cock brushing that sweet spot inside you, “Do it again.”

So he does, he squeezes his fingers around your throat again, your mouth dropping open as a crazed giggle leaves your mouth. You wish you could step outside your body right now and watch, watch what the two of you look like – his hand around your throat, the way he’s pounding into you so hard you’re sure you’ll be sore in the morning.

You’re both breathing heavily as he trails the hand that was around your throat to grip at your jaw. He squishes your cheeks together, pursing your lips as his mouth claims your own, growling into you as his tongue licks at yours. He’s so fucking overwhelming right now, thick cock splitting you in two, strong body laid across your own, mouth on yours, and it’s still not enough. You want to peel his skin off and climb inside him, let him consume you whole.

Joel pulls back, hand still on your jaw.

“You my pretty girl, huh?” He asks, and you can only nod, his hand stopping you from talking, “Belong to me, right?”

His hand goes back down to grip your throat, gently though, with no pressure, so you can talk to him now.

“All yours Joel,” You purr at him, “Only ever gonna be yours.”

“Open your mouth,” He demands, using his hand to gently shake you, so you do, “Stick your tongue out.”

You do just that, staring straight into his eyes as he leans down, ever so slightly, and spits into your mouth. It’s warm, wet and utterly filthy, and you think it’s the entire reason that you can feel your slick dripping down onto his sheets now. Joel doesn’t even give you the time to swallow, chasing the saliva he’s just put into your mouth with his tongue, giving you the sloppiest kiss you’ve ever received.

“Fuck,” He spits out, pulling back from your mouth, “Ain’t gonna last much longer, darlin’ girl,” He confesses, those rough thrusts slowing ever so slightly, “Put your hand on your clit for me, let’s do this one together.”

Your hand slinks between your bodies, seeking out that sensitive bud, still reeling from the orgasm he pulled from you, it doesn’t take much work from your fingers to have you teetering on the edge, but you want to do this together, you have to hold on for him.

“Where d’ya want it?” Joel chokes out as your pussy flutters around him.

“Inside,” Comes your begging plea to him, “Come inside me, Joel.”

Your work your fingers across your clit a few more times before you’re coming around his cock, the nails of your free hand digging half-moon shapes into the meat of his shoulder. He manages three, maybe four more thrusts before he’s stilling inside of you, grunting out your name as the white-hot spurt of his spend fills your aching cunt. He fills you up so perfectly, holding himself there for a moment before he lets out a slightly pained sound, pulling himself out of your pussy.

He sits back on his knees, watching the white trickle of him cum seep from your spent hole. He takes one of his fingers, scooping his cum on it before bringing it to your lips, where you suck it into your mouth, running your tongue over it to catch every bit of the taste of him. He falls forward, forehead pressed to your own, kissing your lips softly, before he moves to lie on his side of the bed.

You push yourself up into a sitting position, leaning over to kiss him softly, mumbling that you’ll be back in a minute as you pad to the bathroom to clean up. When you come back to his room, he’s already under the covers, your side pushed back and waiting for you, so you clamber in, seeking out his torso under the covers so you can wrap your arm around him. He pulls you flush to his body, slick and warm from sweat, but you don’t care.

His arm is draped across your shoulder, his fingers tracing slow and soft across your skin, as he presses a kiss to the crown of your head.

“Happy birthday, darlin’ girl.” He whispers to you as he turns out the light.

“Best birthday ever,” You mumble softly against his chest as you let your heavy eyes closed, “All because of you, cowboy.”

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mountainsandmayhem · 19 days

Note

hey hun!! for your 500 followers celebration could you do 📝, of a scenario in which joel comes home to find you all cramped up and in pain since you began your period and he decides to be the comforting little man and cuddles you to death??

(no pressure!! 🥰🤗)

-vii💗💗

Joel: Period Master

18+, but mostly fluff

Joel Miller x Fem!Reader

AN: Thank you sweet Viv for this ask. This is based in the Little Dove universe, but Sarah and Ellie are teenagers and living at home. 💋 also, I 100% did not edit or proof read this. Sorry!

Joel has had a long ass day. A joke of a day really. First the concrete was late, then someone broke the powered wheelbarrow so they were moving gravel by hand. Then it started raining and they scrambled to cover everything, the job site soon became a muddy mess. He’s desperately looking forward to a hot shower and a glass of whiskey.

He pulls into the garage to see your vehicle already parked, which is strange since you had plans with a friend for after work drinks.

He trudges from the truck to the back door, mud still breaking off his work boots along the shiny concrete floor of the garage. He toes them off before heading into the back entry. Your heels are tossed on the floor, work bag and jacket haphazardly placed on the bench.

“Babe?” He calls from the back door, walking around to the family room to find his two daughters curled up on the couches.

“Hi girls. Where’s your mom?”

They both shoot daggers from their eyes, Ellie clutching the blanket tighter around herself and Sarah flipping the ice pack that’s draped across the back of her neck.

Shit, already that time.

The joys of living with all women….they’ve synced up. His usually sweet teenagers daughters turn extra moody, but Joel is the supporter of this family in every way, so he is always prepared for this time each month. Sarah, usually the sweet tooth, needs salt and chocolate milk. Ellie, usually the salty one, needs Diet Coke and green gummy frogs. All things Joel keeps tucked up in a cupboard, or in the back of the beer fridge in the garage.

He sneaks quietly back into the living room, putting the emergency supplies for the girls down on the coffee table as they watch Dirty Dancing.

Ellie looks up at him with sad eyes, tears welling in the corners. “Thanks, dad.”

He crouches down beside her and rubs her lower back through the big fuzzy blanket she’s cocooned in. “You’re welcome, kiddo. Do you need anything else?”

Sarah’s head pops up from her couch, “Mom’s not doing well. You should go be with her.”

He kisses both his daughters on the foreheads, taking a big breath before walking down the hall to your bedroom. Nothing in this world breaks his heart more than seeing you in pain. He knows some months can be worse than others, he knows about the bloating and the large clots you deal with. He knows that you can be insatiably hungry one minute and throwing up the next. He knows that your cramps can have you on the floor in the matter of seconds most of the time.

He opens the door as quietly as possible, finding you curled in a tight ball under the down filled duvet, just your hair peaking out the top. The room is stifling hot, the air almost thick, it feels like being in Phoenix in July as he pads over to the bed.

“Baby?” He whispers, carefully climbing up beside you, trying not to disturb you. A lesson he learned a few years ago when you had finally gotten comfortable, only to be brought to big crocodile tears when he moved a pillow that was tucked against your back.

A sad groaning whine leaves your throat as his large palm dips under the blanket to cup your forehead. “Sweetie, you’re burning up.”

“I’m freezing,” you whine, pulling the big blanket tighter around you.

“Ok, baby girl. I’m here now,” he says, standing and stripping down to his boxers briefs. You peek your eyes over the blanket, watching the way his strong body flexes and relaxes, the muscles ripping as he moves. The summer sun has tanned his arms a beautiful golden brown.

He wanders around to lay behind you. “Let me in, honey.”

You let go of the blanket so he can slip under, his warmth immediately sinking into you, heating your sore and achy body all the way to the bone. “You’re practically naked under here, Little Dove.”

You sink back into his heat. “Don’t look, I’m wearing the worst granny panties and one of those super pads.”

His hands trail around your slides, a large palm resting on the very bottom of your belly where the cramps are, hand sliding under the band of your incredibly unattractive panties. “You’re sexy to me no matter what you wear.”

Joel begins kneading the muscles of your lower abdomen, simulating the contracting of your uterus and the pain begins to ease. You moan and relax more into your perfect man.

“That feel good?” He says in a deep, gravel filled whisper.

“Mm-hmmm,” you hum, closing your eyes and finally feeling relief from the debilitating cramps.

Joel pulls you in tighter and kisses your shoulder. “I’m sorry you’re suffering, baby. I’m going to take care of you. Anything you need, I’ll do it or get it.”

“DAAAAAAD!!” Sarah and Ellie call in unison from the couch. “PIZZAAAA!!!”

You snort a little laugh. Poor Joel, having to deal with all these uterus’s.

“Pizza party?” You ask.

“Anything for my girls.” He hums, stubble grazing the shell of your ear.

“Anything?” You say mischievously.

“You’re not painting my toe nails again”

“Damn. I have this new hot pink that I think would really suit you,” you tease.

Joel’s quiet for a moment, still kneading the muscles absentmindedly, but with incredible care and precision. “I’ll lend you my favourite sweats and t shirt if you stay away from my toes.”

“Deal,” you say with a wince.

“What’s wrong?” Joel says, pulling you onto your back so he can look you over. Concern etching his eyebrows.

You reach up and rub the creases spot with your thumb, his eyes meeting yours. “Butt hole cramp,” you say flatly.

Joel smirks down at you, at this angle your swollen, heavy breasts are on display for him. “Want me to kiss it better?”

“You’re a menace, Joel Miller. And our daughters will riot if we don’t get them pizza soon.”

Joel lends you his clothes and helps you get dressed before sliding on his jeans and t shirt. He kisses your forehead and helps you to the lazy boy chair, brining your king sized duvet with him to wrap you up.

“I’ll be back with pizza,” he says to the group.

As soon as he’s out of ear shot Ellie pipes up, “do you think if we play this up we can get him to let us paint his toe nails again?”

#joel miller #joel miller tlou #pedro pascal #joel the last of us #joel tlou #joel x reader #joel miller x reader #soft!joel miller #joel miller fluff #nikki answers

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rafesfavgirl · 12 days

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rafe cameron headcanons

pairing: bf!rafe x fem!reader

context: rafe cameron as your boyfriend.

words: 466

warnings: definitely +18. mdni. daddy issues, cocaine use, attachment issues, lowkey toxic relationship, SMUT

rafe would definitely hate everyone but you.

rafe would be grumpy, you'd be sunshine.

rafe would 100% spoil you—shopping sprees, "just because" flowers. the flower vase in your room would NEVER be empty.

topper and kelce would tease him about how he's "pussy-whipped" over you, and he'd tell them to shut up.

barry calling you "mrs. country club".

whenever rafe would get into it with ward, he'd ALWAYS come knocking on your bedroom window that night.

wheezie and sarah love you. they're like your little sisters.

sarah tells you that when you're around, rafe's a more tolerable person and acts more like the big brother she knew before their mom died.

speaking of their mom, rafe opens up to you about her and talks about her quite a lot.

rafe was definitely a "momma's boy" and that's why he was affected the most when she died.

many of rafe's issues stem from seeing his mom die.

rafe was able to stay clean for a whole month while dating you.

his favorite nicknames for you are princess, pretty girl, doll, and baby.

when he's mad at you he calls you kid.

he can never stay mad at you for too long though.

he's always scared to tell you when he relapses because he doesn't want you to get mad at him.

when he's coked out, he says things he doesn't mean and then comes to your door to apologize the next day.

you hate how he always turns to coke instead of talking to you first. he tries to work on this, but sometimes he can't control it.

he's definitely the jealous type. can't even stand it when another guy looks at you, let alone talks to you.

if he ever saw you flirting with someone, even if it's just a joke, he'd blow up and punish you for it later.

definitely punishes you by slapping your ass and not letting you cum.

can't keep his hands off of you in ANY situation.

when you're next to him, he's always touching you—hand on your ass, arm around your shoulder, your hand in his, etc.

he's not afraid to show you off—you're his favorite girl.

absolutely AMAZING in bed. like unreal.

a dom, obviously.

KINKY as hell—will tie you up, use ice cubes, lick stuff off you, use toys, choke you, slap you, pull your hair, spit in your mouth, the works.

has a daddy kink. (are we really surprised though?)

talks you through it.

loves fucking in front of a mirror because he loves watching himself fuck you.

definitely pushes your head down when you give him head. he always returns it though and that boy KNOWS how to work his tongue.

favorite sex position is missionary and cowgirl. he absolutely LOVES seeing how good he makes you feel.

reblogs and comments are deeply appreciated <33

click here to be added to my tag list!!

#rafe cameron #rafe #rafe obx #rafe outerbanks #obx #outerbanks #outer banks #rafe cameron headcanons #rafe cameron hcs #rafe x reader #rafe cameron x reader #rafe cameron x y/n #rafe x y/n #rafe smut #rafe cameron smut

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sepublic · 18 days

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The Owl House Ending Anniversary Livestream

These are the notes I’ve taken from The Owl House anniversary stream, just the stuff related to the show (though there was a hilarious anecdote from Sarah about having a theater light shine on her bald spot while attending an acting school);

For the finale, the VAs (and Dana and Eden) got to record voice work together for the first time since the covid lockdown. Sarah scream-cried and sobbed right after finishing the final lines for Luz. The recording occurred a few months before the finale aired.

Zeno revealed that anime dub voice directors usually want a different direction for voice acting than with western animation, but when Zeno did a take for Hunter that he thought might’ve sounded too anime, everyone else was in full approval. From there, Zeno approached Hunter as the “anime emo boy” or “Sasuke” of the show, going for an “eastern anime edgy feel.” Sarah thought this fit given how much Hunter is trying; Zeno feels Hunter wears his emotions on his sleeves no matter how cool he tries to be.

Hunter would 100% be an anime fan and be obsessed with anime conventions in the human realm. Eden mentioned that Dana took a lot of anime inspiration when doing segments such as fight scenes or character power-ups, with Luz’s Titan form being based on Pokemon evolution.

When voicing Lilith, Cissy would pull from her memories of her aunt Kim in translating the “fun, goofy” energy, and she normally does this for other fun aunt/maternal roles. Elizabeth Grullon brought in parts of her culture and ancestry when doing Camila, as per the advice of her late mentor Ken Washington.

If the VAs could hang out with their characters for one day: Eden would take Boscha to therapy, and all of the VAs agreed, with Zeno ready to pay for Hunter’s (“The credit card will NOT decline”). Cissy would have a ride on Mike Socks. Elizabeth would visit the Demon Realm with Camila, get some drinks in her, make some arroz con pollo and tostones, put on some salsa music, and just vibe out. Sarah would also visit the Demon Realm with Luz, and wherever Luz likes to hang out; Maybe a beach day.

Cissy thinks Lilith would go full-nerd when visiting the human realm, having a notebook and pen and going mad as she’s scribbling everything down. She’d stop people on the street to ask if they’ve had apple blood, and be an absolute menace, people would be freaking out.

Pulling from themselves, Avi thinks Raine would meet things with a little bit of caution, having lots of disinfectant wipes, and eventually get comfortable, freely exploring without inhibition.

Eden imagines Boscha would thrive in the human world, since there’s so many gullible people she could trick into being her followers. She’d either use the third eye for attention, or grow bangs/wear a beanie to hide it. Cissy joked that Boscha would run for president and win in a landslide, which is a bad idea because she’d have too much power at her fingertips.

When it comes to Camila exploring the demon realm once everything’s cooled down, Elizabeth thinks she’d be a bit skeptical, but eventually relax, have some apple blood, kick back and make some friends… And then be ready to go back. Not an overnight stay, just a brief visit.

Cissy was proudest of her performance as Lilith was “Why were you so easy to curse?!” in Agony of a Witch. For Zeno it was Thanks to Them, he felt it was a closed circle for Hunter; He enjoyed balancing various Hunter elements like the Golden Guard role, and the catharsis with Luz right afterwards. He’s glad it was vulnerable and open, wanting his performance to be honest and realistic. For Elizabeth it was Camila reacting to various Demon Realm segments such as Belos, or preparing to fight Kikimora.

Eden liked Boscha’s arc in For the Future, how it came full-circle when she helped the resistance because she didn’t mean real harm and just wanted things to go back to normal. For Sarah it was the ending of Yesterday’s Lie where Luz promises to stay in the human realm, she found it heartbreaking how it was Luz’s two worlds colliding; Sarah couldn’t wait to see the episode in its entirety. Raine was Avi’s first voice-acting role for animation, and they summoned the ‘guttural response’ to free themselves when doing the possession scene with Belos in the finale.

Luz’s favorite human realm drink is coffee or matcha due to her ADHD, the caffeine can help her focus, “turn Demon Realm,” but is also helpful for a nap. Sarah often brings large drinks into the studio, and described her performance as Luz as a cold brew, plus a giant gallon of water, plus some tea with honey after she’s done screaming.

Hunter would like Red Bulls and go crazy with the energy. He’d apply Demon Realm mentality by believing Red Bull’s “gives you wings” advertisements, and write a letter to management demanding a refund when this doesn’t literally happen.

Camila would love café bustelo, it’s a big Latina drink and was introduced to Elizabeth by her mom. The 4pm kind brings you to life and it’s the time for tias to gossip.

Boscha is either a giant slurpee girl, or popping boba, because her third eye gives Boscha an inclination towards eye aesthetics. Plus Boscha could spit boba at people through her straw, which led to Sarah joking about Luz and Hunter walking in bespeckled with boba (“No Hunter, they do not give you wings”).

Lilith would like pina colada, she’d think it’s the cool thing that everyone drinks, what with there being a whole song about it. Then she’d drink it and go on a tangent about how her mom never loved her, and Luz would ask her in concern how many she’s had. Lilith would collect several of the parachutes in her hair.

Raine has a sensitive stomach, so they’re into kombucha and brew their own.

(Fun fact; The group realized the eclipse was happening during the livestream and had a discussion over how to protect your eyes when watching it!)

Rebecca Rose herself sent a question, asking what they think a palisman would taste like. They joked that Matthew Rhys was NOT here, and Dana apparently headcanons that palismen essence tastes like gushers. Zeno and Sarah joked that Belos has a sweet tooth and he’s obsessed because he left the human realm before they invented gushers. It never even occurred to Eden that palisman essence would have a flavor, it’d just be an energy boost, like pipe tobacco (and Sarah added this was appropriate because palismen are made of wood). Yesterday was Rebecca’s birthday and the VAs wished her a happy one.

Zeno’s favorite quality about Hunter is his loyalty and dedication; When he sets his sights on something, he’s pretty relentless. He has a really deep well of complexity in him, half is angst but the other half is real heart.

Elizabeth loves how Camila loves her kid so much that she’s willing to step past herself and her own limitations, her own fears and comfort zone, to connect with and support Luz. Sarah noted it’s like Camila is learning to be a kid again with her arc.

Boscha doesn’t have a ton of great character traits, but she’s a strong athlete, doesn’t give up, and is powerful; Eden admires that about her, she’s badass. Everything else about her though…

Sarah likes how Luz doesn’t have an ego; Yes she’s unapologetically herself and doesn’t know any other way, but when she messes up, she has no problem taking the blame and apologizing. She’ll own up to things and fix them. Though it was misguided, Luz was even willing to let go of everything she loved to make up for letting down the Demon Realm and protect everyone. It’s not easy to put aside your own wants and needs sometimes and apologize, accepting that you’re wrong.

Lilith had a lot of faults, but her willingness to admit her own wrongdoing and go into the depths of her soul to figure out how to be better; Such as being a better auntie/sister, forgiving her parents, etc. She had a lot of growing up to do, and Cissy felt Dana gave Lilith such a beautiful way to go about that.

Avi was glad to see Raine have stage fright and awkwardness/shyness in public and with social settings, but they can transform by stepping into this fierce protector/hero role, and find that confidence. It’s a multi-faceted character, a full human experience, and felt genuine to Avi.

When asked if Boscha ever said sorry to Willow and Luz, Eden joked that love means never having to say sorry; Boscha probably skipped over that. Assumed she already said it at some point, the others just have bad memory. I’m sure they know, I helped them. I didn’t kill them and they’re still alive, so clearly…!

The hardest episode to record was Thanks to Them for Zeno, the VAs had to take a break. It was already cathartic and then Hunter didn’t even get a break afterwards, plus Zeno had the knowledge of the show ending. For Elizabeth it was the finale due to the sadness of the show being over, but otherwise there was nothing hard for her because the experience was a dream come true; She was in pure joy when in the booth. Even when Camila was crying or saying goodbye, it was still fun for Elizabeth. But when she herself is saying goodbye, that’s when it’s hard for her.

Eden also agreed on the finale due to how long it was (and she accounted for her role as voice director as well), mentioning how the episode was the culmination of so much, there was a lot of ground to cover, etc. It was so emotional how everyone brought so much, saying goodbye together as a cast. Not to mention the catharsis/closure of stamping Belos to death together.

Sarah concurred, it was meta saying goodbye to the show and each other. But she also found Reaching Out hard, due to Luz’s complex emotions, her coming in and out a lot. She’s dealing with a great loss, and Sarah wanted to honor that grief, but also had Luz masking it, popping up, acting out, and needed to choose how/when to let that emotion come out. The grief wasn’t super-fresh, it comes in waves, and it was in that state where some are in shock or others cry; You never know when it’ll strike, when it’ll put you on edge. So Reaching Out was hard to map out for Sarah, especially with Luz just popping up to do one weird thing and then going away. It was a lot of fun, and workwise it was a lot of pressure to get it right.

Cissy also had the finale, with the switch from Lilith making amends to being terrible again in the dream sequence being jarring. There was also Agony of a Witch, as the landing needed to be stuck to make the episode work; But Eden and Dana were there for the recording session to help.

Avi had Follies at the Coven Day Parade, when Eda and Raine had their duel. Avi really had to tap into being angry and mad at someone they care so much about.

If Elizabeth could give advice to any character, it’s for Boscha to go to therapy. Sarah tells Lilith to stand still and feel her feelings, you poor beautiful witch. Avi tells everyone to not be so hard on yourself. Cissy, to all (especially teenagers): It gets better, you think you know everything and you think you have the weight of your world on your hands (and tbf that was the case), but it gets better. Eden would tell Hunter to take a day off, take a nap. Zeno would tell everyone to do the same, it’s okay to let go. Eden would also advise Eda to lay off the law-breaking, Sarah said not to start her day with apple blood (save it for happy hour).

Sarah’s favorite Hooty moment was the tea party, and how he would be haunted by his actions forever in Adventures in the Elements. Cissy loved Hooty and Lilith’s friendship, “No witch is an island!” Eden loves the first appearance of Port-a-Hooty, it had her in stitches the first time she saw it; There was sheer terror knowing he could travel. Sarah loved Hooty’s off-screen attack by Amity. For Zeno, it was two guards struggling to describe Hooty. Elizabeth concurred with everyone, and Avi liked it when Hooty just ate things and sometimes ruined a situation because of it. Cissy brought up Hooty’s skeleton bathing.

#the owl house #luz noceda #lilith clawthorne #the owl house hunter #camila noceda #the owl house boscha #raine whispers #sarah nicole robles #cissy jones #avi roque #zeno robinson #eden riegel #elizabeth grullon

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