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#5 hours is perfect
15000bugs · 9 months
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i hate going into work even a minute before my shift starts. im really adhering to the “act your wage” philosophy (mostly bc im so fucking sick of this job 😭😭). but i like getting places early so i usually get here at 8:10 and then just sit in my car and relax until 8:30. but today i had to use the bathroom sooo bad so i caved and came in like 15 mins early just to use the bathroom. and now i will defiantly hide in the bathroom until my shift starts 😍
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happybird16 · 7 months
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Levi's perfect ass... 🍑
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royalarchivist · 3 months
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[Context: While talking about how he lost his leg, Pac accidentally says "Felps" instead of "Cell"]
Pac: Felps— no, it was Cellbit. Guys, I got confused, it was a lot of trauma in my life, they bit my leg while I was awake and conscious. At that moment, I passed out, I don't remember if it was Cellbit or Felps, both of them were there.
[ Translation via @TZC_updates ]
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eightyuh · 8 months
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CANDLE
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torra-and-the-toons · 2 months
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It's them pesky Kids Next Door.
Just felt like trying to draw them in their style :>
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thepringlesofblood · 3 months
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anyone else having to go through fhjy at a snail's pace bc every time there's a teacher-student interaction (even the positive ones!) you want to set something on fire because of how much you hate high school and american academic culture and it throws you back to the Bad Old Days of actually being in high school, but also you really like fantasy high and you really like the characters and their story and the players and the way they're exploring & critiquing the US school system and basically everything about the show but actually watching it makes your brain explode?
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pm-00 · 7 months
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You are q!Cellbit, after seven days of a hell they've decided to call purgatory, your husband's life is on the line and you are understandably worried. He is alone, he needs bacon and rabbit leather so you scurry around the desssert and gut the creatures, it is not enough, so you decide to gut people (you'd kill anyone of that place if it meant not losing him). But the time runs out (weren't you meant to have all the time in the world?), you shout his name one last time (there wasn't supposed to be a last time) and then your husband (the person who saved you and gave you purpose unlike any other) vanishes right in front of you, just as your son did, and you couldn't do anything (again). So you are angry, you have promised vengeance and threatened those who doomed him. You walk back to your base, you need to plan, to strategize, someonething must be done, you must save him somehow. But the weight is too much and it knocks you down. You won't attend the funeral. The natural disasters will keep happening but they no longer faze you. You will spend two days like that; paralized, numb, not asleep but not quite awake. The rest of your team brings you tea but the only thing you hands are able to hold is your husband's tattered sweatshirt. On the third day you will rise, but for now is Monday and your husband is dead, do you might as well be too.
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confetti-critter · 11 months
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Another silly guy joins the confetti/birthday cake shrine
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voidwife · 1 year
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Sometimes you're just a little too busy to pour your own tea! 🍵✨
A huge thank you to the amazing @saltmatey for this absolutely lovely piece of Jessamine Keates, my fae-touched Gilnean Druid! 🧡
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alaraxia · 1 year
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trying to work on executing smaller scale art quicker, need to be less precious with concepts and kill the idea that everything needs to be “perfect”
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aq2003 · 8 months
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thinking abt this due to a bunch of other media i've consumed recently but i have a special place in my heart for the fictional characters in sort of more fantasy/sci-fi settings with a separation between their queer identity and their struggles that aren't necessarily bc of that identity itself but manifest through allegory instead. i'm thinking of gwen stacy in atsv who is absolutely a trans girl that was accepted by her dad when she came out, but also her storyline about "coming out" as spider-woman/how people can only see half of who she is, is the most transgender thing about her. i'm thinking of aziraphale and crowley who are in-universe genderless/sexless bc all angels and demons are but the thing that makes their narrative truly queer is how they live in fear of their love being found out by the oppressive systems they live under (+ how they react to it in different ways). the doctor; someone who sure is technically genderfluid because they're a being can change gender with each regeneration but also their transness (and bi/gay/aspec coding) stems from how they interact with their companions and their at-all-times-complicated relationship to their identity. like there's lots of value in queer characters whose struggles are textually connected to their queer identities and face homophobia/transphobia/aphobia head-on but i have a lot of love for stories that build worlds where queerness isn't as big a deal and is accepted by the people in them, but the struggles the characters face are still a thinly-veiled metaphor for queer reality. makes them just as complex and identifiable through that, and shows that the writer(s) have a higher level of understanding of the identities they're portraying than just an outsider pov
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carnelianwings · 20 days
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Went and saw Gundam Seed Freedom in theatre last night, I have so many thoughts about it (as you'd expect for a long time fan - I've been waiting for this movie ever since they announced it), there will be spoilers behind the cut, but the spoiler free highlights:
This movie is everything I ever wanted out of a Gundam Seed movie - the characters, the mecha, the OST, the cast, everything. It is as much a continuation of Cosmic Era as it is a celebration of Cosmic Era at its best, there's so much love put into this movie I can genuinely say I enjoyed every minute of it from the beginning to the end. My one and only nitpick is that they recasted Cagalli, but Mori Nanako does a fantastic job, so much so I don't have anything negative to say about her performance. (More on this behind the cut below, as I will delve into spoilers.)
Story pacing was actually really good here, in that there's no true retread/recap of both Seed and Seed Destiny. The movie assumes you've seen both, and while you could arguably get away with a cliff's notes version of Seed Destiny (even I know how much of a Base Breaker it is from watching it as it aired in Japan), if you sat through it you're rewarded between the shout outs and extra emotional impact from some of the scenes. There's a few brief clips of flashbacks to the prior series, but to me they feel like they're providing context (as you don't get to hear the characters' inner thoughts the same way you would out of a manga or a novel of the same story).
The animation just looked so good on the big screen, even the CGI used for the Gundams (like they've been doing in the newer Gundam series) looked fantastic. So smooth, no stock footage, you can tell where they made obvious homage shots to the original, but they're clearly redone for the movie. It was a feast for the eyes, in more ways than one.
The OST is fantastic, the way Sahashi wove the various melodies from songs past and present were a delight to the ears. I particularly love how he kept using various melody lines from Shizuka na Yoru ni as a way to musically reflect Lacus's journey and arc through the movie - just a line or two of the main melody, sometimes shifted into minor key, sometimes intertwined with another character's theme (usually whoever she's interacting with at that moment). There's also some glorious reprisals from both Seed and Seed Destiny, all rearranged to give it a grander, more spectacular sound to match the on-screen spectacle. Definitely one of Sahashi's best works, and I'm really happy they brought him back for it. Also, if at all possible - don't listen to the OST before seeing the movie. It will spoil key moments for the final battle, especially if you know which themes are used where.
Now, onto spoiler territory.
First and foremost, I really feel like Seed Freedom manages to redeem Seed Destiny as a whole. My biggest complaint in Seed Destiny is and always has been that Shinn's redemption happens in 5 minutes in an epilogue that was added on in an extended cut - I loved the idea and potential of Shinn as something of a Villain Protagonist early on, and even as we watched him spiral further and further into his grief and anger throughout Seed Destiny, the fact we never got to see what redemption and atonement meant for him was something of a sore point. One of the things I love is a good redemption arc, where the character learns from mistakes they made and improves themselves as a person, as an individual, and we finally get to see that here in Seed Freedom.
Shinn finally gets to do what he really wanted to when he enrolled into the academy, and under Kira's command he shines. For a character that was so heavily defined by his grief and anger for 50 episodes, he's done a 180 here, putting in the work and effort to turn his life around - we get more scenes of him smiling and eagerly working to help Kira as part of the team in COMPASS than angrily scowling or yelling at someone. He's finally found someone he can look up to and work towards being; it's clear he looks up to Kira as something of a role model, both as a goal and commanding officer, and has been rewarded accordingly as the pilot of the Immortal Justice. He's a lot calmer now, long gone are his days fighting for glory on the battlefield, he puts a priority on COMPASS's main mission of intervention and protecting civilians (so much so he'll voluntarily use Immortal Justice's shield to protect them over keeping it to defend himself). But it's not to say his past is completely forgotten or even retconned away - he gets called the Freedom Killer multiple times here (largely as a way to get at Kira too) and while Shinn never denies having been that person, his reaction shows he treats it as Old Shame, something he did but is no longer proud of.
And the true pay off to his arc comes in the end, when he gets reunited with the Destiny thanks to Cagalli upgrading it to the Spec II in the final stretch of the movie. He greets it like someone would greet an old friend, proudly and triumphantly launching this time to the fanfare of Seed Destiny's next episode preview bgm - it's hands down Shinn at his most heroic, and it's a moment he's earned. He's finally become the person he wanted to be at the beginning of Seed Destiny, before he let his grief and anger cloud his mind, before he was manipulated by Durandal. And in the end, his journey through the darkness that was his time under Durandal's command become his strength, granting him a spectacular flawless victory over the Black Knights achieved through his own skills - Stella protects him from the Black Knights' Mind Control, and his instinctual berserker Seed Mode keeps them from reading his mind to predict his moves. It's after all the trials and pain he went through that he comes out at his absolute best, and the Seed Freedom version of Shinn is hands down the best version of him.
Character development aside, it's genuinely heartwarming to see a character that was so narrowly defined by his grief and anger to be the one who brings a lot of the light and levity in what's otherwise a fairly heavy movie. Seeing him as a Big Eater during the ball at Foundation, his entire reunion with Lunamaria after she thought he'd been KIA'ed in the joint operation on the Blue Cosmos base, him getting hit by both Kira and Athrun during their brawl (with neither of them noticing ^^;;) - he's come so far since his Seed Destiny days he's (and I can't believe I'm actually saying this) one of the major highlights of the movie. And then there's his smile at the end when Kira finally relies on him and his cheerful response.
And of course, I can't talk about Shinn without mentioning Lunamaria - they've both come a long way from their days at the ZAFT military academy (if you go off the prequel novel Moonlight Valkyrie) and even from their time on board the Minerva. You can tell there's genuine love and affection between them, mutually supporting each other both on and off the battlefield, between them sharing a room onboard the Millennium and the energy transfer moment between the Impulse and Destiny. There's even a clear moment of redemption for Lunamaria's shooting skills when she shoots down a tactical nuke in her Gelgoog. And while she's definitely not one of the main focus characters in the movie, she still gets her moment of triumph, launching in the Impulse once more after Shinn's Destiny. Even though she's relegated to the Designated Chick Fight, it's a moment of personal triumph for her - she's grown as a person since her academy days, her time on the Minerva and with Shinn and Rey has changed her, and she's a better person for it. Even her time pursuing Athrun (even though he doesn't return her affection at all) comes back as a Meaningful Echo in how she ultimately deals with Agnes. Instead of choosing to kill Agnes in her GYAN, Lunamaria does something of a "pay it forward", disabling the GYAN and returning to pick her up from the moon after the fighting is over. Like Shinn, it's clear Lunamaria's in a better place than she was during the finale of Seed Destiny, and she also gets to join in on some of the lighter moments of the movie next to Shinn.
Onto Kira (because I'm saving my favorites for last), who is most definitely the main focus of the movie, along with Lacus and his relationship with her. Is his story arc a rehash of Seed? In many ways yes, and in so many ways, no. On a surface level, sure - we once again have Kira trying to shoulder the entire burden of the team on himself, of trying to do everything without relying on anyone else, of pushing himself to his limits, and as icing on the retread cake, we're even treated to a CV Kuwashima Houko girl (Agnes) trying to get his attention and affections. And that's about where it ends, because Agnes' motivations are vastly different from Flay's, Kira's circumstances this time around are entirely different from when he was in Seed - this is more about Kira realizing he really doesn't have to shoulder everything by himself, that even if Lacus is a non-combatant, she's there to walk next to him side by side, that Lacus's love for him is completely different from Flay's (initial) love for him. For Kira, it's The Power of Love while also echoing Seed's earlier themes of how easy it is to fall into old habits and make the same mistakes again. It's about Kira finally breaking past his remaining trauma with his relationship with Flay - he finally realizes that Lacus wants to be with him for him, that she never expected him to hand her everything she wanted on a silver platter, that she's willing and ready to work and walk with him to their final goal and destination, wherever that may take them. His relationship with Lacus was never a transactional one like it was with Flay - even if Flay genuinely grew to love Kira in the end, her true feelings for him never managed to reach him before she dies. And in the end, once he realizes what he has with Lacus, once he gets a chance to talk to her and clear the air, he's rewarded with a shiny new upgrade to the Strike Freedom, Lacus voluntarily joining him in the battlefield, and of course, that ending on the beach.
As for the whole "Is Kira Yamato a failure because he was a failed Accord or just Orphee insisting that he is superior to even Coordinators as an Accord" debate, ultimately it doesn't matter (at least in terms of Kira's arc - on a meta level, yes I absolutely want to know lol). He's got the one thing Orphee will never have (Lacus's love) and with that behind him he can overcome anything.
Honestly, if this is where we end Kira's story, where he gets to go off into the sunset with Lacus, to live quietly in the middle of nowhere (or even return to Marshall Islands to stay with Reverend Malchio) where he doesn't have to fight anymore, where he can just spend his days with Lacus until there's some world-ending reason to step back into the cockpit, I'm good with that. Kira never wanted to be a mobile suit pilot to begin with, he only ever did it to defend the people he cares about, and if this is where we part ways with him, because in learning to rely on other people, he also realizes he can hand things off to Cagalli, Athrun, and Shinn (and by extension, Lunamaria), I'm good with that. (I'll get to Cagalli and Athrun after Lacus, I want to save my favorites for last lol)
Lacus always came off as a little too perfect, a little too good with her words, and with a Seed Mode that ... didn't activate like your traditional Seed Mode (for one thing, she never gets the Seed burst animation on screen when she goes into it; she almost always monologues her way in). And I have to say it was satisfying to see that crack some more this time around, where her decisions are a bit more questionable, where she's finally having to deal with some of the consequences of her actions (and by extension Kira's as he answers to her and only her within COMPASS). But ultimately in the end, she's still the same Lacus as ever - Silk Hiding (nerves of) Steel, steadfast in her love and support for Kira, something that nothing can change, not even meeting her genetically destined partner in Orphee. And yes, while even she gets in on the action this time, quite literally delivering the Proud Defender to Strike Freedom to upgrade it into the Mighty Strike Freedom, I don't really have much to say about her.
I will say this though (because it gets very indirectly touched on by Athrun) - if Lacus hadn't fallen in love with Kira, and had continued with her engagement to Athrun as set up by their parents, would she have gone with Orphee? Would that alone have changed events enough so that Athrun might've been conveniently KIA'ed so Orphee would've been able to sweep in?
Now, onto my personal favorites (and complete show stealers this time around): Athrun and Cagalli.
Where do I even begin? Athrun being a Big Damn Hero for Kira not once, but twice? Cagalli taking over Lacus's role for being Crazy Prepared, Bearer of (Gundam) Gifts this time around?? The complete insanity that is the Z'Gok hiding the Infinite Justice Type II??? The (remote) Battle Couple fight????
Cagalli's just pure Crazy Prepared this time. She's learned from the painful lessons of the past 4 years, ensuring there's a plan in place to get her people to safety, immediately issuing evacuation orders for the civilians to avoid direct orbital laser bombardment from Requiem. She's made peace with the fact that sometimes, you really do just need to hop into a Gundam to get shit done, so she's seen to it that the Gundams for the top COMPASS pilots are available should they ever need it. She's the one who came up with COMPASS in the first place, providing some much-needed legitimacy for what Kira and Lacus want to do. She's also very clearly been training with Athrun for mobile suit training - where she once Could Not Keep Up, she's able to seamlessly pilot the Infinite Justice Mark II remotely, a less advanced unit than Shura's Shi-ve.A, without Shura ever realizing it was someone else piloting it. She's back as the Goddess of Victory, now older and wiser and all the better for it.
For all that she hardly showed up on screen, her presence was felt everywhere, most especially whenever Athrun's on screen. Really, I wouldn't even be surprised if the next time we see Orb get threatened by Orbital (Laser) Bombardment, she tells her people to get inside to safety before turning on a shield to protect the cities and then taking the field again.
And as for Athrun - it makes sense he didn't join COMPASS, even though the fact he has a custom COMPASS pilot suit and the Immortal Justice was clearly designed with him in mind. He's found his place in Orb, staying by Cagalli's side as her personal knight. He's even got his own custom suit with the Z'Gok-hiding-the-Infinite-Justice-Mark-II - he's got everything he could ask for while still being able to do his part to maintain peace. And in a double redemption moment - Athrun's the first one to throw the punch this time when Kira starts wallowing in his self doubt and lets his insecurities get the better of him, repaying the favor Kira did back in Seed Destiny when he, well, Saviour'ed the Saviour. Athrun's the one to remind Kira that as a close friend of Lacus's that her actions this time don't sound like the Lacus that he knows, and this time (unlike when he did something similar with Shinn) it works and gets Kira back on track. Poor Shinn - he thinks Athrun's about to do the same thing to Kira that Athrun did to him during his time on the Minerva, but while Shinn's not entirely wrong, he's also misreading the room a bit, not realizing this is a "They're really good friends, and sometimes they just gotta throw some punches to work shit out" moment.
Because in overcoming everything that happened in Seed Destiny, Athrun and Cagalli have finally grown into the people they both want to be. They've found their way, fighting for what they both believe in. Their time apart in Seed Destiny forced them both grow as individuals, so that when we get to see them working together again it's in perfect sync. In so many ways, Athrun and Cagalli (and not Kira and Lacus) are the ideal the Cosmic Era wants to push - two people working together side by side, regardless of genetics, as partners and equals. The dream of Coordinators and Naturals, living and working side by side in harmony - that's them. And ultimately, it is what they do that brings the heroes victory and lets everyone fly off into the (metaphorical) sunset together. They played the long gambit - creating COMPASS (giving Shinn and Lunamaria a means to atone for the things they did, giving Lacus and Kira a legitimate way to stop skirmishes), upgrading the Gundams, being there for their friends and allies when they needed it (Athrun literally knocking sense back into Kira, Cagalli coming in with the equipment upgrades) - all while keeping their priorities in order (first the civilians, then reequipping allies, and then finally going into combat together to take down Shura), and it all pays off in the end.
Really, is it any wonder, then, when Shura tries to read Athrun's mind in the final battle he's just thinking of hot (naked) Cagalli?
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I might not be the first one to have this thought, but.
Personally I think it'd be really funny if the Book of Secrets was super vague about who the savior of the spiral was going to be, like "the one whose orientation gets interrupted" or something, and Ambrose is just summoning hundreds of potential wizards hoping every time for something to go wrong but nothing ever does until one day Malistaire shows up. and he almost breaks down sobbing on the spot because fucking FINALLY
OR
if on the other hand it was absurdly specific, like "the person who brushed their teeth at 7:42 this morning before giving their dog three pats on the head and taking 56 seconds to make their lunch". It updates every day to maintain accuracy, which also means he has to start from scratch every time. Man's sitting there with a crystal ball and a stopwatch trying to decide if a tenth of a second over is too much until- "Look, Gamma. *Finally* we have found one." If he looks a little misty-eyed when you meet him, it's because he hasn't slept in weeks.
The first one made me sink down to the floor because that would mean there would be dozens of children from Earth and possibly other worlds and dimensions just standing around Wizard City like 🧍
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caterpillarinacave · 3 months
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y’all I just got the MOTHERLOAD of all pastries
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submaskudari · 1 month
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THROWING UP CRYING AND SOBBING
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chtoyalt · 15 days
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THIS GAME JUST DOESN’T END. WHEN WILL IT STOP. WHEN WILL I BE FREE. BECAUSE I WON'T STOP UNTIL IT'S DONE AND OVER. I’M GOING TO GO INSANE
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