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#Also I wrote this at midnight so
delta-piscium · 11 months
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Steddie | 1.7k words it is (swedish) midsummer so I wrote this based on my favorite old tradition because I can and will make anything steddie, so like glad midsommar (happy midsummer)
“What are you doing?” Steve asks as he follows Eddie to the hallway where he’s frantically putting on his shoes. 
“I almost forgot,” he mutters under his breath not acknowledging Steve at all.
“Forgot what?” 
“I can’t believe I almost forgot.” 
“Eddie,” Steve says a little louder, more adamant.
He does look up at Steve then and almost looks surprised to see him. As if he’d forgotten he was there, as if they haven’t been hanging out for hours. 
“Oh,” he says. “Uhm,” he squints at Steve who waits for him to continue, to explain. He doesn’t.
“Yes?” Steve implores because he would really like an explanation. Eddie had just abruptly stood up halfway through telling Steve about some folklore he’s using in his new campaign, just cut himself off mid-sentence and walked off. Steve doesn’t think it’s especially weird or demanding of him to have questions. 
“Did you have other plans that you just now remembered?” Steve frowns, starting to feel unsure when Eddie still isn’t saying anything. It’s just past eleven at night and Steve doesn’t know what plans those would be but he had showed up unannounced earlier in the evening so it’s not impossible that Eddie had plans that Steve interrupted. 
“No, no, no,” Eddie assures him finally breaking his silence, “it’s- okay it’s a little silly but I read this thing researching and I want to try it.” 
And well, okay then.
Steve raises his eyebrows and waves his hand gesturing for Eddie to go on. 
Eddie’s cheeks turn a light pink and he resolutely looks somewhere above Steve’s shoulder instead of at him. 
“Midsummer, which is today, is supposed to be this magical night and there are all these traditions and old myths about it.” 
Eddie glances at Steve and he smiles. Tries to show he’s listening and wants to know whatever thing Eddie read about. 
“And well, okay so there’s this one tradition where you pick seven different kinds of flowers before you go to bed and then put them under your pillow and you’re supposed to dream about who you’re gonna spend your life with.” 
Steve blinks, wasn’t expecting that and doesn’t know what to say about it, so, he blinks again. 
“Maybe it’s dumb, but with all we’ve seen magic and folklore don’t seem so far-fetched and,” he shrugs, “I wanna try. And like, it’s close to midnight and I don’t know if that’s a rule but I don’t wanna risk messing it up.”
“It- huh,” Steve frowns slightly and looks at his shoes then back at Eddie. “Yeah alright, let’s do it. Can’t hurt right?” 
His voice is light, like it’s not a big deal and just a fun thing Eddie read about because that’s what it is, isn’t it? But something about it settles deep in Steve’s gut. Makes it feel important in a way he’s not sure he could explain if he tried. Maybe it’s just the fact that Eddie is getting so worked up about the possibility of dreaming about the person he’s gonna spend his life with when Steve maybe a little bit wishes it would be him, but like, only a little. 
Eddie looks at him with wide eyes like he didn’t expect Steve to want to join, like maybe he expected Steve to make fun of him for wanting to do it. But then something seems to switch in him and a slow smile spreads over his face and he gives Steve an exaggerated once over. 
“Looking to find your true love huh, Harrington?” 
“I thought you said it was the person you spend your life with, not the same as true love necessarily.” Steve quips back because technicalities are easier to argue over than answering that question, especially when Eddie is the one asking.
Eddie shrugs. “Different sources say different things, sometimes it’s true love sometimes it’s who you marry.” 
“Well, then I guess we’re both looking to find our true loves?” Steve hedges, drags Eddie down with him if they’re gonna go there. 
A soft look passes Eddie’s face before a responds, voice quieter. “Guess we are, yeah.” 
They pick their flowers in silence, something about the magic being broken if you speak. Walking around the edge of the woods behind Eddie’s trailer a couple of feet apart, every once in a while coming together or crossing paths. 
After, Steve stands in between Eddie’s trailer and his own car. Holding on to his bouquet of seven flowers unsure what to do. He could go home, he should go home, but he doesn’t want to. He did have some beers hours ago and if he was allowed to speak he’d use that as an excuse to not drive and ask Eddie to crash on his couch. Right now he can’t though so he sighs inwardly and turns to his car. 
He makes it about two steps before a hand reaches out and grips him around his free wrist stopping him. When he turns around Eddie is giving him a look that very clearly says ‘stop being stupid’ and jerks his head towards the trailer silently telling Steve to go with him. He doesn’t let go though and uses his grip on Steve to drag him along like he can’t be sure Steve will actually listen and follow. As if Steve would ever not follow Eddie. 
They quickly get ready for bed. And again when Steve walks toward the couch Eddie grabs him and shakes his head. He waves his arms around a bit like that’s supposed to explain anything but Steve isn’t too bothered about an explanation anyways and easily follows Eddie to his bedroom. 
They’ve shared a bed before but always when they’ve been drunk or high so this feels different. Steve is a little glad they can’t speak or he’s sure he’d blurt out something way too revealing about it all. 
He avoids looking at Eddie as he tucks his flowers in under his pillow, knows Eddie is doing the same next to him. Is aware of it only being an old myth from a region halfway across the world but there’s a weight to it. Something real and tangible. 
He expects it to take a while for him to fall asleep like it always does. For him to twist and turn and lay awake until the early morning. For once though, that doesn’t happen. With the weight of Eddie next to him and to the sounds of his soft breathing and small movements, Steve falls asleep.
And he dreams. He dreams of big brown eyes and bright laughter. Of wild hair and warm arms embracing him. He dreams of growing old next to someone and how every wrinkle on their face tells a story of their shared love. 
He wants to stay in the dream forever, desperately tries to hold onto it even as he floats into consciousness. He turns and groans, gets a mess of someone’s hair in his mouth and nose and that’s enough to startle him into full wakefulness. 
Eddie grumbles next to him, clearly also just waking up. Steve looks at him, with his wild hair and his big brown eyes that are slowly blinking open and of course. Of course, it was Eddie he dreamed about.
Their eyes meet and Eddie freezes. Eyes widening as he looks back at Steve. 
“Oh,” he says. 
And yeah, oh.
“Eddie?” Steve asks, unsure of how to bring it up, to ask about it. If he even should? 
He puts on a teasing smile, even though he feels like goo inside, but making it lighthearted is all he can think of because what if he’s taking this whole thing way too seriously? Jumping to conclusions? 
“Dream of anyone?” 
Eddie nods and looks away, “I did.” He says it simply, voice careful. 
And maybe it isn’t just Steve.
“Who?” He asks, dropping the teasing tone. 
Eddie swallows and looks back at Steve. “The person I wanted to dream of,” he says and it’s not really an answer but he’s looking at Steve so intently he thinks it still might be. 
He thinks about Eddie’s quiet but delighted surprise at Steve wanting to join him yesterday. About Eddie dragging him first into his trailer and then into his bed. How they’re so close on Steve’s side of the bed and Eddie must have drifted towards him in his sleep.
He bites his lip to stop his smile from spreading too wide, there’s still a chance he’s misinterpreting things, “yeah?” 
“Yeah.” 
“And who would that be?” Steve asks, leaning in even closer until he feels Eddie’s small puffs of breath across his face. 
“You,” Eddie whispers but Steve hears it clearly. 
He takes a moment to bask in it, to let it wash over him before he responds.
“That’s good,” Steve tells him eventually and Eddie’s eyes are so wide and open, and so pretty, “because I dreamt of you.” 
He knows it’s cheesy so he doesn’t give Eddie time to respond, just leans in and closes the remaining gap between them. Slots their lips together. Eddie gasps into the kiss, grabs Steve by the hair, and pulls him in. Makes all these cute noises that make Steve want and want and want. 
He shifts, goes to put his leg in between Eddie’s to move on top of him and get a better angle. But he only gets halfway before Eddie grabs his hips and twists them around. Pushes Steve flat on his back and straddles him. 
He grins down at Steve. 
“You think the Scandinavian magic worked or was it just dream psychology and wishful thinking?” 
“Does it matter?” Steve asks, way too earnestly. But like, they’ve just spent this whole time doing some true love magic so he thinks it’s fine, “got what I wanted.” 
“It’s forever though,” Eddie points out, bending down to bite at Steve’s jaw, “if we believe the old Norse people.” 
Steve hears the question there, thinks this might be Eddie’s way of asking what this means to Steve. His way of telling Steve this isn’t just a hookup for him.
“God yeah,” Steve exhales, “I fucking hope so.” 
He feels Eddie smile into his neck and grabs his hair, uses it to pull him back and steer him into another kiss. 
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crybaby-bkg · 5 months
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cw: this got long sorry 😔 but creepy/perv bakugou, recording, film major bkg x art major reader, masturbation, coercion, dubcon before it just becomes con, voyeurism/exhibitionism
as an art major, you typically did some works for a few students on campus; for their plays, as background pieces while they danced, a cover for their released songs. it wasn’t out of the ordinary for people to ask you to create something for them, and you enjoyed it more often than not. but, you weren’t usually the art itself.
Bakugou is a friend’s friend that you’ve seen a few times, ran into at the library or at coffee shops. he’s a film major, and always looks so unhappy about the whole thing, as if he didn’t choose it himself. you joke to Mina that you think he’ll graduate and become one of those directors that hate everything and yell at the actors constantly and later on get sued for being a dickhead. you never say it to him though—you’ve never spoken more than a couple words to the man.
it’s why it shocks you when he approaches you one day. it’s after one of your painting classes, and he stands outside the door with a frown and his hands shoved in his pockets, his eyebrows scrunched as if pissed at the mere sight of you. he asks you, in that low and gruff tone of his, if you could star in his final project for the semester. says it’s supposed to be a film made with this criteria and that, but, you’ve kind of checked out on the conversation after the first sentence.
“You mean, you want me to create something and that be the star of your film?” you ask him, feeling so intimidated at his stature. he always seems to loom, his hair shadowing the lights above, creates a cast over a portion of his face, makes his eyes look…unsettling. like they’re looking straight through your flesh, can find the marrow in your bones. he scoffs like you’ve offended him, rolling his eyes into his skull, mouth pulled tight.
“No.” his voice is firm, gaze concentrated only on you, like the halls are empty and you’re the focus of his lens. “I want you to star in it.”
his words confuse you—you’ve never presented yourself as an actor before, never alluded to wanting to be in the spotlight if not for what you create with your hands. but he shuffles on his feet, looks desperate even. there’s some hemming and hawing for a minute or so—why not choose Mina?—she’s busy—why choose me?—‘cause you’d be perfect for my short film—what’s it about?—you’ll find out once you get the script.
and even after you hesitantly agree and get the script—you still don’t understand what you’re doing. why you’re here, why you’re the only person, why it has to be a solo film, why there’s damn near zero lines in the entirety of the have-to-be forty five minute film.
the scenes are all so long, and maybe it’s because movies aren’t your forte or chosen major, but you just don’t get it. one scene; you’re staring at yourself in the mirror while Bakugou holds a small, black camera over your shoulder. he’s eerily quiet behind you, whispers out a faint fuckin’ go when you have to wash your face in the sink, makes you do it over because your movements are too jerky and unnatural.
the rest of the scenes go that way; you doing regular at home activities, being put under a lens, quietly barked at to do this and move that way and fix your hair and remember to frown.
“Isn’t there another way to film this?” you ask him on the fifth day of shooting in his spacious loft. there’s a bubble bath scene coming up, one you dont understand the importance of, but Bakugou tells you it’s the most necessary part of the entire thing.
“No,” he grunts out, looking at you from under his lashes as he sits on the lid of the toilet. “But I’ll make it soapy, so the camera won’t see much.” the camera? much? you weren’t worried so much about what the camera captured as you were the man behind it. he looks at you with such intensity, you feel naked already despite the robe you wear that’s suspiciously already your size.
he leaves the bathroom when you sink in the hot water, returns before you can say it’s okay, hears the water splashing and thinks that’s good enough. he kneels on the floor beside you, camera pointed directly in your face, makes your chest hot and your skin feel prickly. the scene passes on regularly enough; you run the water over your arms, tilt your head back as you sigh, whisper the few lines scripted, lean back and close your eyes, sigh again. it’s almost relaxing, makes you forget about the friend of a friend recording you naked right now. almost.
“Touch yourself.” Bakugou suddenly demands, hushed and quiet behind the camera. your eyes immediately shoot open, looking to him in question, how he’s eerily still in his spot hovering over you.
“Huh?” you ask, unsure if you heard him correctly, looking around the rounded lens in your face, trying to ignore the red blinking light. but Bakugou only frowns.
“It’s a masturbation scene. Touch yourself.” he repeats, voice louder, more demanding this time. your stomach twists at the thought of doing something so intimate in front of him. he’s a handsome guy, for sure, even made you consider asking him out after this, figured he was just serious about his work and awkward about certain things. but…something had been off about this entire thing since the start.
“But—but I don’t, I’m not,” you stutter, sitting up a little, the bubbles covering your chest starting to disperse with your movements. but Bakugou only sits a little higher on his knees, finally pulling the camera away from his face for the first time since he’s asked you to do this for him.
“You want me to fail?” he asks, booming voice eerily quiet in the silent bathroom, carmine eyes dull, shaded over with something terrible. “Then do it.” he tells you when you shake your head quickly.
you stare at him until he gets back into position again, camera back pointed at you. when he doesn’t say anything else, you swallow thickly, wondering if the art that will come out of this will be worth it. so you listen, sneak a hand under the water, start touching yourself in a way you never have in front of anyone.
is it bad to say that it’s exhilarating? being watched and recorded by someone who breathes so heavily every time your voice hiccups? being directed to touch your chest next when the suds start to disappear and your nipples start to peek through? is it bad that you want him to send you this portion of his film, only, just so you can watch yourself again and again? make a portrait of yourself with your fingers on your nipples and your knees raising from the water and your head thrown back from the intensity in oil pastels?
“That’s a wrap.” Bakugou announces when you finish, head spinning and still panting. you look over to him, how he closes the camera, the obvious bulge in his pants. “I’ll get you a towel.”
you wonder when’s the next time he’ll need you. or better yet—maybe he could be the star in your final drawing project? you had finished it already but, what was the harm in starting over with him as your muse? as naked as you are? camera not blocking his face so you can paint the similarities of his blushing cheeks and eyes when you direct him to look at you? to touch his chest? to play with himself just like that?
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post order 66 codywan governed by irrationality. cody is irrationally angry that obi wan didn’t look for him. even when he rationally knows that obi wan didn’t know he was alive, or even his reasons for staying on tatooine. obi wan is sometimes irrationally scared that cody might try to kill him again, even when he rationally knows that he is not the same man who tried the first time. does he fear that if this happens he might be forced to kill cody to protect luke and all he represents? or does he fear that he’d be unable to do this, that ultimately his love for cody would win over his loyalty to luke (to anakin)? does he fear being forced to choose? is cody guilty that he’s hiding whilst his brothers fight? that he failed to protect them earlier and now he’s failing them again?
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sherbetyy · 10 months
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i’m very desperate for dhmis content so i made some up myself for a potential season 2….. which one would you guys like to see most? (this is real ok poe jelling told me)
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papasmistakeria · 9 months
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Made another chart, this time my observation on the Johns
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Hey what if I made a completely nonsensical and maybe overly edgy imaginary one-shot that I got the idea for on my way to the fridge for a snack a few hours ago?
[~1000 words]
––
"It's over Nine"
Sonic said exasperated after he bounced back from his last successful hit on the fox.
Said fox gave one hell of a fight in person and the neverending metal army of robo-copies Sonic had to get though first — that now his friends manage to regulate — didn't help either.
Shadow did warn him of Nine's possible goal but he was careful, just this once. He promised so with a cheeky wink and a smile, while any of its potential effect bounced right off Shadow's unimpressed face, after all!
Besides he was the one who caused this mess because what's new at this point, and he planned on fixing it.
He tried talking, oh boy he did, but Nine wasn't budging no matter the angle Sonic approached the conversation with, so he wasn't left with a different choice.
As much as he wasn't a fan, he had to beat the sense into the fox.
He ignored the stinging pain on the back of his hands and heels (which had kind of intensified since he set foot on this platform, probably his body finally registering the damage he suffered with all the punching and kicking robots today) and he stood up tall waiting for Nine to uncurl from his beaten position.
It sent the smallest pang of guilt into Sonic's heart as he realized just how small the fox appeared when like that, with all of his tech mangled and damadged righ beside him, but he shook his head right after, dispersing any thoughts of sympathy for a few seconds more. Yes Nine was his friend but he was also kinda ripping the Shatterverse apart and risking thousands of lives along with Sonic's chance to fix everything, and he wasn't gonna let that fly, the kit needed a vibe check.
Nine barely moved aside from his heavy breathing for a long while until Sonic heard a quiet click and and similar in volume chuckle.
"You're right it is."
Before Sonic could place the meaning of Nine's muffled answer or take a defensive stance, both his hands and feet were on fire and rest of his body grew weaker by the millisecond with no further warning.
"I would be lying if I said you weren't painfully predictable"
Glancing from Nine who was now the one standing over him, to his hands through the sudden blur of agony and effort to keep any stray scream in his mouth, all he saw was a wild flicker of colors.
Ah, so those random sparks and color changes of his inhibitors since he got to the Grim was something to worry about after all.
Between all the action and robot beating he barely paid attention to them. They were functioning flawlessly and the same since he got them, even after the unnecessary scruffle he got into with Shadow over them, so why would they malfunction now of all times–
Oh.
Of course, the inhibitors were Nine's tech, should've guessed they'd be used against him sooner or later. Sonic kinda needed those to get around after all, and what's the best way to catch a supersonic hedgehog? By making him unable to run of course!
Still, while now, in retrospect, he really really should've seen it coming, and oh boy he already heard the earful Shadow was about to give him, his current situation was not good.
It was not good at all as he felt the inhibitors being removed from his gloves and shoes, not ideal when he was grabbed by the arm and forcibly made to stand back up, not great as he didn't know which way was north while his head spun, and even worse once he finally somewhat focused his eyes on Nine's face that was now in front of him — or well, slightly under him, Nine was a bit on the short side when not threateningly standing up on his now decommissioned metal tails — that all the prevalent pain got overshadowed by a small shiver of dread running down his spine.
"That would be everything I needed from you, friend."
Sonic tried to make a rebuttal, a plea, a question, anything at this point, (and he did not like the calm tone of Nine's voice at all) but all of his words were stuck in his throat along the contents of his long empty stomach as he followed Nine's 'I won' gaze falling behind him, onto the vast orange ground bellow him. Far too bellow him.
Now, he wasn't scared of heights by any means, he usually seeked hem out just for the beautiful landscape view when out on his travels actually, but this wasn't it, not it at all. Especially since he felt barely in control of his own breathing.
"Since you're so reliant on your friends let's see who'll actually catch you on your trust fall eh?"
And with that, Sonic's already poor balance was pushed over the edge of the platform and his body was sent barreling down to the copper sand below.
He should curl up and bounce off, yea that would be the most sensible thing to do. There were more than enough jagged edges of the tower to land onto and slow down his fall (honestly surprising he hasn't hit any of them yet), but his body seemingly fell asleep on him and refused to cooperate with any of the urgency for moving and not being splattered on the ground like a blue pancake!
Gradually he felt the rushing wind around him rip away his consciousness as shades of blue and purple only blurred together until it all became pitch black. But before all of his senses gave out, he hit something that changed his falling direction abruptly and was way too soft and gentle to be the Grim's battle-ridden sands.
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waddles-ex-machina · 7 months
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hi please bear with me while i go insane about the colours in Hilda (aka I'm looking at the trio's season 3 designs and losing my mind)
SO in most visual media, quite a bit of thought goes into the colours they use and how those colours interact with one another - not in a "the curtains are blue bc [character] is sad" kind of way but in terms of which colours stand out and which are harmonious, and even if the viewer doesn't know any colour theory (like me, lol) and isn't paying attention to it, I think it still helps reinforce what we know about the characters, and influence what we take away from the show. visual design is a language and colour is one of the key aspects of it and if you want to hear about how Hilda uses colour in so many clever ways, to guide the viewer's eye or distinguish important characters, there's a really excellent video on that made by someone who actually does know what they're talking about, but one thing I wanna talk about based on my own limited knowledge is how it tells us about the characters -
FOR EXAMPLE Johanna - so you have Hilda, who is dressed in bright primary colours, especially her signature blue hair which makes her stand out as different even more - and then there's her mother, who has, by contrast, a much more toned down colour palette. she broadly shares the colour red with her daughter, but a less-saturated shade and her standard outfit consists of that, brown trousers and sometimes her yellow coat. Hilda's signature blue is completely absent from her design (and even if the creators didn't want to give Johanna the same hair colour as her daughter, they could have added some small blue accent of clothing if they'd wanted to, but chose not to), leaving her with purely warm, harmonious colours. she has an almost completely different palette to her daughter, but still just enough similarity (particularly with her yellow coat) to reinforce that the two are related in some way. (I'm not saying that Hilda is related to everyone who wears yellow in the show, just that the fact they share a colour helps tie them together on screen)
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(yep, this is the screencap i'm choosing to illustrate this point it's fantastic)
most importantly (to me, anyway), Johanna's colours are warm. they're safe. to me, the dominance of warm colours and absence of Hilda's blue signify that Johanna is a safe person to Hilda, someone who is supposed to be a respite from her adventures rather than someone who dives into them with her (which, y'know, ties in quite nicely to Hilda's line in Stone Forest about preferring to adventure on her own and then come home to her mum, and how in the show she generally likes to keep her adventures and home life separate... (I could probably write an essay on how Hilda and Johanna's issues in season 2 were kind of a commentary on how Johanna has been coded as the safe stable bg character and how she is actively trying to go beyond that role but I shouldn't tbh)). the point is, they are connected, but Johanna doesn't have the same adventurous streak that Hilda does, so they have some of their warmer colours in common, but not Hilda's unusual, stand-out blue.
(I could also talk about Kaisa here and her copyright claim on the colour purple, but truthfully all I would be doing is paraphrasing the excellent video I linked earlier, so I won't. however I do think its fun to compare her to Johanna, in the sense that here are two adults who Hilda often comes to for guidance, and one is all warm gentle colours that match the home decor and the other all monochrome with two little hints of a colour we rarely see elsewhere in the show, suggesting that this is a character of particular interest.. it kind of hammers in how one is meant to embody the safety and comfort of Hilda's home life and the other is literally there to point hilda at things that might kill her lmao)
that was supposed to be a quick example and it got away from me so uh ANYWAY what I'm getting at here is that in Hilda's friend group, I believe their colour palettes were constructed in a similar way - they work together to tell you about the group
I feel like Hilda as a show is known for making excellent use of a limited colour palette - a lot of the characters have at least one black or brown item of clothing and just one or two stand-out colours, particularly the main trio. you can easily look at Hilda, David and Frida come away with one particular colour associated with them - blue or red for Hilda, orange for David, and...blue again for Frida, which doesn't sound great on paper but works well in the show because Hilda's palette also has a lot of red, so when the two characters are put together it doesn't seem like blue is dominating the colours. I also find Frida's colour palette (basically just her hoodie, lol) super interesting because it used to be different.
now, I haven't spoken to anyone who worked on the show about this, this is purely conjecture, but if you've ever googled the characters you've probably seen an official-looking turnaround page of Frida in a purple hoodie.
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this is real pre-prod show art, and considering the purple hoodie made it all the way through the design pipeline to be included in the turnaround (generally the last stage of character design, as this is what would be given to the riggers to make the character rig)....and was even posted on twitter months before the show aired -
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then I think it's safe to say that her hoodie was changed after the fact (2 or 3 episodes into production, by my vague guess looking at the date of this tweet) - not too hard to do, if your show is 2D rig animation, luckily - but if you're me and like reading into things way too hard, this begs the question of why. having purple as Frida's signature colour is perfectly serviceable and sets her apart from Hilda and David nicely. but what her new hoodie colour does is the opposite - it ties them all together
(the other possible explanation is that maybe Kaisa's design was finalised later in production than this turnaround was made (speaking purely from my own experience, secondary characters who appear in later episodes are often finalised later than the main characters, just ahead of the episode they're needed for, and Kaisa wasn't needed until halfway through the first season) and someone noticed that her and Frida sharing the colour purple made them look a little too similar...(I'm sure ppl who like the idea of Frida and Kaisa being witch sisters are yelling through the screen rn that this would've been a good thing and maybe lightly foreshadowed Frida becoming a witch, like Kaisa, but this was all set at the start of season 1, probably a bit too early to start hinting at the witch stuff :') we will come back to this tho)
anyway I love the trio's designs bc if you put Hilda and David next to eachother, they don't visually have much in common, but if you put Frida there then suddenly they're a unit. they got rid of her signature colour and gave her her friends' ones. she quite literally ties the group together so that they look cohesive as a whole
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and this is absolutely me digging too deep in things here but her being the one to bring the group's colour palette together also lends itself thematically to their falling out at the end of season 1, and how Frida leaving also caused Hilda and David's friendship to struggle. they are a set and it doesn't work the same if they're not all there. Frida sharing Hilda's signature blue could also lend itself to the idea that Frida shares her love of adventures to a greater extent than David does (though maybe that's closer to 'blue curtains' territory tbh). anyway I love the design of this show so much
SO (if you actually made it this far down I'm so impressed) the thing that sparked all of this was...if this is what the trio's designs are doing in seasons 1-2.....what are the season 3 designs doing
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no but this is super interesting to me, Hilda essentially just traded her skirt for leggings and left her colour palette intact, but David and Frida changed theirs entirely and I'm fascinated. both their signature colours are GONE. is it to imply that they've grown and changed in the duration of the time skip? is it David's turn on the 'having a colour in common with Hilda'?? but particularly I want to draw attention to Frida bc now that her hoodie is gone her original purple is BACK and (if there is any weight to my theory that she was changed bc she looked too similar to Kaisa) what's even more interesting is that they doubled down on the witch vibes. she literally has Kaisa's exact colour palette minus the dark purple cape lining. Kaisa's design reflected her personality as this unknowable person with a hint of mystery to her - all monochrome with that pop of an unusual colour - are we to expect the same of Frida? is this a sign that she's leaning further into witchcraft than before? does her contrast to Hilda and David signify that she's come more into her own and has a stronger sense of her own identity (something something closure for her issues in season 1)? or do we take things way too literally and assume that season 3 has her breaking off on her own from the group? or maybe it means absolutely nothing and someone on the design team just thought grey/purple was a neat combo. I know I've talked in this post as if I know things but here I truly don't and I'm obsessed w the possibilities. what does it mean what does it all mean
anyway that's all for this delusional fever dream post, hope you enjoyed and if you made it this far down you deserve some kind of prize
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authormeat · 25 days
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I don't know what came over me last night but this is Segmen a man who can peep the horrors :0]
Also this is just 300 Writing Prompts because I bought it at a GoodWill without any forethought and like,,, went all out theres doodles and stickers in hidden places.
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Literally don't know if these characters will be permanent I'm just having fun and using the prompts for oc creation I have too many thoughts.
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mandalhoerian · 2 years
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In another universe somewhere I swear this works: ADA WONG & LEON KENNEDY a study on star-crossed enemies.
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scarletiswailing347 · 29 days
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discliamer since i havent really done that for these kinds of posts and i feel like this one is worded in a more demanding way than i usually do: any post of mine regarding what the ccs "should" do is less me actually wanting them to do what i say and more me speculating on the kinds of actions that they could take, not cause i think im smart or tactical or anything but because this is my idea of what fun is
im watching the tower vod rn and i think the only real way to deal with minute and jumper at this point in the server is to. not
like it probs wont be satisfying to the PlayersTM considering the kind of ppl they are (proactive, confrontational, plays along with the spirit of the server, self-focused morals) but considering the kind of ppl minute and jumper are (reactive, avoidant, prioritizes survival even if it means not great content, normative morals) i think its the only real way to engage with them when it comes to this kind of recursive conflict
like everytime they confront one another it keeps circling back to this moral debate regarding the ethics of killing ppl on fucking Lifesteal of all things and i highly doubt its ever gonna stop (at least for this season) considering none of the new members have really been traumatized the lifesteal way, i dont mean regular smp trauma like war and betrayal and all that jazz cause theyve already got that, i mean Lifesteal trauma: the realization that everything is a cycle, that good and evil doesnt matter, that feeling of hope shattering over and over again, that realization that in the grand scheme of things your ideals dont matter and the only thing you can truly hope for in the server are teammates and allies that wont backstab you, and that even then thats a tall order
so back to Not dealing with jumpertech, i dont mean forgetting what they did, i mean actively avoiding them, acting irrationally scared of them even when theyre being civil, fully putting them in the role of big scary villains, basically still putting what they did at the very forefront but acting like its an insurmountable trauma, planting doubt in their status as heroes, continually being the aggressors just cements in their minds that yes they are the heroes and that yes they are doing the good things
like whether the PlayersTM like it or not this is an unstoppable force vs immovable object kind of situation except the unstoppable force has more to lose by virtue of having a goal that can easily be tided by the immovable object
and i do think they can pull it off, they can lose a fight and lose so much that it breaks their spirit, like jumpertech have both been in kings, they both know how determined at least zam and mapicc are, surely it would be really offputting to see someone youre so used to seeing never giving up to do just that
#mine.txt#i think 4c is maybe the closest to having that Lifesteal TraumaTM i was talking bout but hes not quite there yet#possibly wemmbu as well but truth be told i dont think hes absorbing any of it lol#not even cause hes dense or whatever i just dont think he gives a fuck since hes already inclined to the kind of server ls is#so it would take A Lot to give him Lifesteal TraumaTM#pentar i think rather than being Inclined to the server its more that hes uhhh Adaptive to it for lack of a better word#like hes got the kind of personality where it would also take A Lot to give him Lifesteal TraumaTM#but i think its in the opposite way to wemmbu almost#where rather than it being because hes got the exact kind of personality the server looks for#its instead where his inclinations almost. parry everything that could give him Lifesteal TraumaTM#like he doesnt care that much about loyalty but hes no traitor either; hes good at pvp but doesnt engage in it self-destructively#he goes along with plotlines if he gets involved in them but will set up his own plotlines as well#so om the topic of jumpertech#they seem to firmly put themselves into the role of ''cyclebreakers''#im curious to see how far they go with it as well as how theyd react to the servers inclination of breaking the hero archetypes#would be interesting to see at least one person not be caught by the cycle even after the Lifsteal TraumatizedTM and actively reject it#i dont even know what thatd look like#closest i can think of is spep but i think he has an acceptance of things and just finding joy in it rather than a rejection#i wrote this all at around midnight so maybe this is all just complete nonsense but its interesting to think of at this moment at least
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exmotranny · 10 months
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farmer boy
stupid fucking farmer boy from the
1800s
stupid fucking farmer boy
doesn't know when to quit it
stupid fucking farmer boy
stupid fucking farmer boy…
are you sorry yet
for what you've
created?
stupid fucking evil man
who should've known better
stupid fucking evil man
wish you were a quitter
but instead you brought these people's lives to rot
stupid fucking lies you taught…
and now we're
dealing with your
consequences
stupid fucking dead old man
wish you died sooner
stupid fucking dead old man
liar, cheat, a groomer
somehow you ruined my life
brought all these people their demise...
200
goddamn
years
later
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It's ✨ speculation time ✨
See, if Sano grandpa hadn't been there, Shinichiro and Mikey would've ended up in an institution and could've been separated
Perhaps Mikey never thought about it - he had no reason to - but what about Shinichiro? When Emma comes to their home and she talks about her big brother and he goes to see Izana and-
Izana has no family left, and that could've been Shinichiro (it's not a fair comparison - especially not when Shinichiro can come see his mom whenever he wants)
Shinichiro sees himself in Mikey, at least a bit, and knows Mikey will be greater than him - hence he wants to be there to help Mikey no do great mistakes like he maybe did back then during Black Dragon. And once again I'd like to mention Shinichiro only left Black Dragon for Mikey and would have stayed if not for him + would have gone far deeper into illegality - this boy became a delinquent to cope with his father's death and change of lifestyle.
So what if he saw himself in Izana as well?
He went to see Izana with perhaps little to no information on him - we don't even know how he figured out where Izana was. Did he know right off the bat Izana wasn't his (or Emma's) biological brother? The answer to these questions do not matter here, sorry for that.
Did he think Izana thought of Emma the same way he thought of Mikey? He perhaps went to see him after Emma opened up to them and talked about Izana - did he go see Izana for Emma? To make her happy? After all, that's what he says in her chapter-backstory: 'I want to make her smile' and even if Mikey did succeed to make her open up at the end, Shinichiro himself needed to do something to get closer to her.
But then. Izana's main thing is that he (feels) is alone. We don't know how Shinichiro dealt with his father's death+his mother's extended hospitalization+his lifestyle going from 'typical citizen life' to 'living with grandfather, having to raise siblings as a teen, being a delinquent' but it's clear he relied on Mikey('s well-being) a lot. Mikey is the only thing he has left from his previous normal life (aside from Takeomi) and without him he'd have felt way lonelier.
So what did he never make Izana and Emma talk again?
Well first, I won't give you the canonical answer, I don't have it, second — to learn to know someone, you have to share a point in common you can talk about, right?
If Shinichiro thought Shinichiro&Mikey's relationship = Izana&Emma's relationship, what else could he have talked about? He knows Mikey better than Emma, and Izana knows Emma but not Mikey. If Shinichiro wanted to share things about Mikey so that Izana get to know him a bit (even without meeting him) and if he wanted that by doing that Izana will talk about Emma... well that completely backfired we know that, but I don't think that implausible. Shinichiro's not perfect, he messes up – he's human like any other character.
After Izana's 'stop talking about Manjiro, my head hurts because of him', Shinichiro stepped back from talking about Mikey (supposedly). He tries at some point to tell Mikey about Izana ('what would you think if you had another big brother?') but without talking clearly about Izana – he's still not sure about how to do it
He doesn't know if he can talk about Izana with Emma either. She progressively stopped talking about him and the last time she saw him she was 3. Does she remember him? If yes, how much? Not much, right? Emma was the same age Mikey was when their father died, Mikey doesn't remember their father, sure Emma would want to see Izana again, just like Mikey would like to see their father again but at the end of the day they know how to live without them, don't they, because they do not have much memories about them whereas Shinichiro remembers his dad and Izana remembers Emma and and— and next thing Shinichiro knows, Izana pushed someone to suicide and ended up in Juvie.
Shinichiro is Black Dragon's leader and founder, he knows a lot of people and a lot of them did messed up things, because they could, because they had to, because they had no other choice, because they didn't know better... But it's his younger brother here
And it gets even worse after Izana gets out and Shinichiro tells him Black Dragon is first and foremost for Mikey. Izana becomes Black Dragon's leader and twists Black Dragon's essence and image. But Shinichiro doesn't do much to stop it – he doesn't really know how to connect to Izana, and he certainly doesn't know how to make Izana (who doesn't react when Shinichiro tries to talk to him about Emma) connect to Emma and Mikey (especially not with the current situation and the past few years)
But there's something deeper than this
Because that's it, what Izana made of the 8th generation is what could have been the 1st.
Izana acts just like Shinichiro could've acted if he didn't have Mikey (and it becomes even worse after Izana figures out he isn't related by blood to any of them). Discovering delinquency, going in it, getting beat up, trying to find connections, trying to find a way to make the anger and pain stop — without his father, Shinichiro gets into delinquency (he can still withdraw), without Mikey, Shinichiro falls even deeper (he cannot return from it).
And somewhere, Shinichiro doesn't want Izana (whom he failed, and failed again) and Mikey (who only sees Shinichiro as perfectly imperfect) to meet – first of all, because Izana will lose it, and second of all, because you can't convince me Shinichiro would be okay with Mikey finding out about any of his mistakes
Still, Shinichiro loves his brothers and his dream is to take care of S.S Motors the three of them together. If Izana wants a family related by blood, then he'll go find Izana's mother to the Philippines (did he succeed? Most likely not. But he got the two Babus – one for Mikey's upcoming birthday and the other for Izana once he'd have find a way to make up for last time, maybe)
His dreams are cut short as he finds death and karma and one question lingers in my mind —
Where the heck is Izana in the original timeline.
It was ✨speculation time✨
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itspileofgoodthings · 7 months
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I love Midnights and also she’s struggling so so much and I can hear the pain so clearly.
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ifyougoillfollow · 1 year
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as we sink into the open sea
M/F, Gen | QPR MicNight | 1720 words | Selkie AU CW: Depiction of Suicide Attempt (non-graphic)
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On the eve of his nineteenth birthday, Yamada Hizashi walks into the ocean and comes back with a wife.
Please understand, that wasn't his intention. Yamada Hizashi is not the kind of man to believe in tales of sirens and sea wives, and he is especially not the kind of man with dreams of snaring one for himself. He is, in point of fact, not a man of any dreams at all. Not anymore.
So he walks into the ocean, figuring that if he can't find the will to keep dreaming, then he can at least find some peace at last. He finds a wife, instead.
Or rather, she finds him.
She finds him as his body hits the sea floor, at the very moment the first wave of doubt rolls over him in one fell, unrelenting swoop, much too late for him to do anything about it. He's so overcome with it he doesn't think much of the figure that glides out of the ocean murk and sidles right up to him. Wide, shark-bright eyes peer at him, so close they fill up his entire swimming, pin-pricking vision, and all Hizashi can think about is how soon he's going to die, and how he’s not so sure he wants to die after all, and how little what he wants matters in this final moment, as in all the rest before it, and then the figure places one cold hand on his colder cheek and kisses him. She's all Hizashi can think of, then.
She's dark-haired and beautiful. And strong. And a good swimmer, too, but that's to be expected. She drags him back to shore, lips locked tight over his the whole way, and she doesn't let go until his lungs are clear of ocean brine.
Hizashi lies there, alive and silent on the cold, wet sand for a good while after. Long enough for the first hint of morning blue to blush over the horizon. The sea maiden lies with him, just as alive, just as silent, and infinitely more at ease. Cozied right up to his side, as if she belongs there, seemingly content to remain there for however long Hizashi has left on this Earth now that she's saved him. Try as he might, he can't figure out whether he's grateful or not. He does, however, remember his manners, on occasion, so when he finally finds his voice again, he uses it to thank her.
"You're welcome," the sea maiden replies. There's laughter in her voice. Hizashi doesn't know what there is to laugh about, though he finds himself wishing she'd actually done so, just so he could hear it. He used to love laughter. Impossibly, he still does.
Yamada Hizashi had a knack for making people laugh, once. It was all he knew how to do, really. He doesn't know much of anything now, least of all how to make the sea maiden in his arms laugh, so he says nothing.
The sea maiden in his arms says nothing either, at first, for just long enough Hizashi startles when she does speak: "Is that it?"
"Pardon?"
"Is that all you're going to say?"
"... Is there more I should be saying?"
"There must be." There it is again – the laugh in her voice. "You don't strike me as the quiet type in the least."
That's what it is – she's teasing him. It's much too familiar to do anything but rankle. "Listen, Miss –”
She snorts. "Nemuri."
"Listen –” his face burns as he realizes that's her given name, and he refuses to say it "– listen, I'm grateful to you for saving me and all, but you don't know anything about me."
She peels away from his side. "Liar."
"Pardon?"
"You're not grateful at all," she grunts through an impressive stretch, current-strong arms flung upward and out towards the heavens. She's wearing a sealskin cape and nothing else, and is so unembarrassed by it Hizashi can't muster up any on her behalf. She winks at him. "But you will be," she adds. Then: "Take off your clothes."
"Pardon?"
This time she does laugh – seagull-like – loud and sharp and to the point. "Well, I don't know much about land folk, but it's my understanding you don't handle being wet all that well."
Hizashi wraps his arms around himself, scowling. "I'll be fine."
"Suit yourself."
The sea maiden stands – or at least tries to. She heaves herself upward in a motion that would probably be fluid underwater, then loses her balance, toppling backwards onto the sand, rump first. The sight of her glaring down at her legs is almost enough to pull a laugh out of Hizashi.
"Stupid things," she grumbles, kicking up sand.
Hizashi does laugh, then, which is a mistake. The sea maiden stands, suddenly sure-footed in her indignation, and uses her newfound mastery over her lower appendages to kick sand in his direction.
Hizashi cannot stop laughing. He laughs until his new companion loses interest in burying him under sand. He laughs until the sun finally frees itself from under the weight of the horizon. He laughs until he almost forgets he just tried to kill himself.
When he's all laughed out, the sea maiden is still there. Sitting across from him, hands and feet planted firmly in the sand, peering at him with a smile so dry it's a wonder she doesn't hail from land herself.
Without a word, she stands again, solid and steady, all remaining traces of sea legs gone, and hauls Hizashi to his own significantly less steady feet. While he's still reeling from... all of it – the strength of her hands around his, the seafoam-salt smell of her filling his impossibly pumping lungs, the laughter still clanging through every hollow part of him – the sea maiden takes her sealskin cape and drapes it over Hizashi's shoulders.
It's soft and musky and so warm it feels more alive than he does, but, most of all, it's heavy.
Hizashi tries to shrug it off. "Thanks," he says stiffly, "but I said I'm fine."
"I heard you," says the sea maiden, rearranging the cape around him.
"I don't need it."
"I know."
She fastens the cape closed around his neck, patting his chest firmly. It's so long it covers Hizashi all the way down to his shins. On her, it must have just brushed over the sand at her feet. The uncanny warmth of it doesn't seep even as the seafront breeze hits it, makes it flap and flutter around him in a heavy, even bump-bump, bump-bump beat. Nothing could ever hope to reach him past that beat and that warmth.
"I don't want it, either," he lies, because he has to, because he's never known what to do in the face of so much want, because he's always wanted too many things, and he's wanted them too much.
"Neither do I," says the sea maiden, breezy as the morning. "Maybe we should leave it here, lying around. I'm sure no one else would find it, if we hid it well enough."
Hizashi blanches at the thought. He may not be the kind of man to believe in tales of sea wives, but he has heard enough of them to be wary of the kind of man who does. He fumbles for the clasp at the base of his throat. "Just take it back. Go home."
"Hm, I don't think so." She sidesteps his attempts to foist the cape back onto her, walking away backwards, hands clasped behind her head. "I think I'll stick around here for awhile. Explore the land realm. It seems exciting."
Hizashi chases after her, cape held out like a net. "It isn't."
She twirls away again. "Liar."
"It's too exciting, then. Dangerous."
"So is the ocean – didn't stop you from walking into it."
"That was –" Hizashi falters, loses his footing "– different," he finishes lamely, hands fisted in the sand-soiled cape caught under his knees.
The sea maiden stands over him. "You're right," she says, "that was different – I'm not going into this trying to die. I'd say that alone makes my odds of survival look pretty swell, don't you think?"
Hizashi stares up at her, looming tall against the dawn sky, so tall she dwarves the rising sun itself, and has no doubt she'd survive even the drying of all seven seas if it meant she got to live.
"You're naked," he says, because he's running out of arguments, and the will to keep making them.
"I wouldn't be if you gave me your clothes,” she shoots back, “I gave you mine, didn't I? It would only be fair."
The cape is velvet-smooth as Hizashi slides it out from under himself, warmer still from the heat of his body and the sun-washed sand, which slides off of it like ocean spray from mossy seaside cliffs. His sea maiden – Nemuri – takes it from him and helps him back to his feet. She folds it over her arm, as if merely holding on to it for the moment, and arches an expectant eyebrow at him.
Sighing, Hizashi shrugs off his coat. "Yes,” he relents, “I suppose it would only be fair."
On the dawn of his nineteenth birthday, Yamada Hizashi walks into town with nothing but a sealskin cape on his back and a wife.
Or so the townsfolk like to tell it, because the townsfolk love a good fairy tale romance almost as much as they love to pity him. In time, they will come to pity him even this moment and his sea-wild wife, as outrageous as she is beautiful, as the very ocean itself, and Yamada Hizashi will do what he has always done in the face of undue pity, which is to laugh in it and continue loving whoever and whatever he loves, in whichever way he sees fit.
But that will come later. For now, in the rosy light of a dawn he never planned to see, Hizashi walks into town beside Nemuri, the sea maiden who saved his life – the woman who will be called his wife and be so much more – and is content enough to have finally figured out he’s grateful, even if he has yet to figure out much else. The rest will follow, he’s sure, in good time and – even better – good company.
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fr-thrice · 2 years
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It's okay to start again. It's getting better.
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ladyluckqueen · 6 months
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What if Mario, Peach and Bowser were faking the kidnappings to avoid having to interact with other nations?
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