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#Andi Mitchell is the name of the Artist
Oh god I’m dying right now
So my friend sent me this song called “Crazier Best Friends” and I was listening to it and um despite the fact that literally no one is going to read this there’s these few lyrics that go, “Ashley has a tendency to fall for bad guys, Caroline, she likes em sweet and Zoe likes when they lie, Victoria has some daddy issues, she likes em older kinda mean with tattoos” and because I have been going on a Lunar Chronicles spree ever since I finished Winter, I for some reason have matched the characters to said lyrics. So um yeah. Here.
“Cress she has a tendency to fall for bad guys, Winter yeah she likes em sweet, and Kai he likes when they lie, Scarlet has some daddy issues she likes em older, kinda mean with tattoos.”
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lvdbbooks · 8 months
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2023年9月15日
【新入荷・新本】
Various Artists Newspaper, Primary Information, 2023
416 pages. 9.75 x 13.38 Inches. Paperback. Edition of 4500.
価格:7,480円(税込)
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1968年から1971年にかけてスティーヴ・ローレンスが発行し、ピーター・ヒュージャーとアンドリュー・ウルリックが編集に携わったニューヨーク発のタブロイド誌『Newspaper』の復刻版。
『Newspaper』は、言葉を使わず、写真だけを掲載した定期刊行物で、14号にわたって40人以上のアーティストの異質な活動を取り上げています。新しい作品と並行して流用された素材を掲載することに編集の重点を置き、1960年代後半の現代社会を象徴するハイカルチャーとローカルチャーの視覚的言語を体系化しようとしました。美術史的な言説からはほとんど見落とされているが、当時のアメリカで活躍し、尊敬されていた多数のアーティストと、新興のクィア・アーティストの仲間たちを��介しています。
『Newspaper』は、1969年に創刊されたアンディ・ウォーホルの『Interview』や、レス・レヴィンの『Culture Hero』に先駆けるアーティストが発行するタブロイド誌のひとつですが、他のタブロイド紙とは対照的に、『Newspaper』はイメージに特化していました。
その全14号が初めてこの一冊にまとめられています。
Published by Steve Lawrence and edited with Peter Hujar and Andrew Ullrick, Newspaper was published in New York City between 1968 and 1971.
Newspaper was a wordless, picture-only periodical thatran for fourteen issues and featured the disparate practices of over forty artists. With an editorial focus on placing appropriated material alongside new works, the periodical sought to codify a visual language of high and low culture that represented contemporary society in the late 1960s. While largely overlooked in art-historical discourse, Newspaper showcased many of the most revered artists working in the United States at the time, as well as an emerging coterie of queer artists.
The mid to late sixties was a flourishing period for artists experimenting with new media formats such as books, records, and magazines to create or distribute their work. Newspaper was one of the first artist-published tabloids of its era, preceding Andy Warhol’s Interview and Les Levine’s Culture Hero, both of which debuted in 1969. However, in contrast to other tabloids, Newspaper focused strictly on images.
At a time when photography was not being exhibited regularly in galleries, Newspaper provided an alternative exhibition space for the medium and some of the era’s greatest photographers. The publication’s large size and unbound format encouraged readers to take it apart and hang its pages, which was how Newspaper was installed at the Museum of Modern Art’s influential Information show in 1970.
This is not to say that Newspaper only existed within the narrow confines of the art world, far from it. It lived within (and shared contributors with) a robust network of underground and queer periodicals like The New York Review of Sex, Rags, and Gay Power, among others. Yet, unlike many of these tabloids, Newspaper has largely disappeared from the discourse around underground magazines, queer publishing, and artists’ periodicals.
All fourteen issues of Newspaper are compiled in this volume for the first time.
Featured artists include: Diane Arbus, Art Workers Coalition, Richard Avedon, Clyde Baines, Sheyla Baykal, Peter Beard, Brigid Berlin, Richard Bernstein, Ann Douglas, Paul Fisher, Maurice Hogenboom, Peter Hujar, Scott Hyde, Christo and Jeanne-Claude Javacheff, Ray Johnson, Edwin Klein, Yayoi Kusama, Gerald Laing, Dorothea Lange, Steve Lawrence, Jeff Lew, Roy Lichtenstein, Frank Mercado, Duane Michals, Jack Mitchell, Forrest “Frosty” Myers, Billy Name, Stephen Paley, Warner Pearson, Jurgen Warner Piepke, Charles Pratt, Joseph Raffael, Mel Ramos, Lilo Raymond, Ruspoli-Rodriguez, Lucas Samaras, Alan Saret, Bill Schwedler, Leni Sinclair, Norman Snyder, Elizabeth Staal, Stanley Stellar, Terry Stevenson, Paul Thek, Andrew Ullrick, Andy Warhol, William T. Wiley, and May Wilson.
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sillycathing · 1 month
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Hello :>
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My name is ❤︎Miles/Aster❤︎
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☆Fandom I'm in☆
Little nightmares
FNAF
TADC
Sanrio
Scott Pilgrim takes off
Owl House
amphibia 
Demon slayer
Barbie Life in the Dreamhouse
Monster high 
gravity Falls
Poppy playtime 
Mitchells vs the machines
duckTales 
Amanda the adventure 
Bluey
Raggedy Ann and Andy
ATSV
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I'm voidgender, tranmasc, bi, and a xenogender user
My pronouns are they/ze/star/void
I'm also soulaan
I'm also a minor
My favorite music artists are Melanie Martinez, Mitski, Penelope Scott, Walking Intrusive Thoughts 
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DNI
pro/com/darkshipper
People who watch lolicons/shotacon
xenogender anti
Racist
Homophobic
Transphobes
anti furry/tharien/othetkin
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Something u should know about me ><
I'm a really bad speller and I don’t understand social cues right away so please be patient with me><
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That's its I hope we can be friends⌃-⌃
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aletheapierce · 4 months
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{ NATASHA LIU BORDIZZO, 21, GENDER NONCONFORMING, SHE/THEY } Is that ALETHEA PIERCE? A SENIOR originally from SAVANNAH, GA, they decided to come to Ogden College to study DANCE. They’re THE DRAG-ALONG on campus, but even they could get blamed for Greer’s disappearance.
no one ever really likes me for more than just a couple weeks...
NAME: alethea ivy pierce NICKNAMES: none, thea to a select few BIRTHDAY: february 23, 2002 ZODIAC: pisces sun, scorpio rising, aquarius moon SEXUALITY: bisexual RELIGION: ceo methodist (christmas & easter only) THREE POSITIVE TRAITS: idealistic, hospitable, wholesome THREE NEGATIVE TRAITS: paranoid, indecisive, timid THREE SKILLS: fluent in french, calligraphy, detailed-oriented ENNEAGRAM: 9w1 MYERS-BRIGGS: intj EXTRACURRICULARS: ballet company, tri-del (member)
AESTHETIC: pink painted nails, tucking hair behind your ears, off-distant stares, shy smiles, hollowed looks, books in tote bags, quiet giggles, leaning in when intrigued, earbuds, furiously scribbling in journals, waking up with tears, monsters chasing you in dreams, warm tea and milk, a cookie crumbling in your hand, barefoot on hardwood floors, watching the sunset alone
CHARACTER INSPO: nina sayers (black swan), georgiana darcy (pride & prejudice), jaz sinclair (caos), betty cooper (riverdale). myrtha (giselle), daisy buchanan (the great gatsby), juliet capulet (romeo & juliet), lady edith crawley (downton abbey), betty elms (muholland drive), andy bernard (the office), harriet smith (emma)
LIKES: ballet, taylor swift, dresses, gin and tonics, daydreaming, sparkles, quietly reading, the wind through her hair DISLIKES: stares, having to answer questions, being alone, being in crowds, people yelling, being judged
FAVORITE MOVIES/TV: the eternal sunshine of the spotless mind, shrek, black swan, the secret life of walter mitty, gilmore girls, dance academy, big fish, all the boys love many lane, fleabag FAVORITE BOOKS: six of crows, the invisible life of addie larue, on earth we’re briefly gorgeous, pride and prejudice, the uglies series FAVORITE ARTISTS: halsey, taylor swift, lizzy mcalpine, nicholas britell, hans zimmer, chelsea cutler, phoebe bridgers FAVORITE BALLETS: giselle, firebird, la sylphide, carmen
FAMILY: mother - jennifer tiner pierce (katheryn winnick) father - carl sile pierce (daniel wu) younger brother - hu jacob pierce (kazuma mitchell)
pinterest here, playlist here.
WHEN ALL THE BRIDGES HAVE BEEN BURNED:
jennifer pierce expected the best of her children. she gave them the best so of course they had to return the favor. she had inherited her father’s business, and was excelling so much her husband took her last name. it wasn’t a feminist thing, but a money thing you see. alethea grew up without a want, but the truth of the matter is she never knew what she wanted. her mother made those decisions. from what she wore, to how she cut her hair, to who her friends were and what activities did. her entire life was planned to a t, and alethea never questioned a moment of it. how do you question something that you didn’t know was an option?
her brother jacob was doted on, and grew up with a grin and popularity. this was easy to him. this was painful for alethea. she smiled and waved, and the only matters of relief she found were in her ballet classes. going professional hadn’t been her mother’s first plan, but seeing the natural talent her daughter was, and just how feminine she was, allowed this small change in the over all path forward.
jennifer and carl met at ogden, and she knew that was where her children were to go. there was no exception, and jennifer would do whatever needed for her kids to follow her legacy. the major was flexible, but they would go to ogden, they would find suitable spouses, and they would carry on the family legacy. it was picture perfect, and she never heard a single word of complaint from either of her children. 
AND ALL THE TABLES HAVE BEEN TURNED BY ME:
growing up without decisions meant college was terrifying for alethea. she had to pick her classes, find friends that her mother couldn’t approve of, and suddenly had free time that wasn’t planned out for her? it was paralyzing. but during the second week of classes greer spotted alethea across the way and took her under her wing. she showed her what the world could be, and she still fit under that approval from jennifer pierce. greer wasn’t just her best friend, but she was a bit of a savior for her.
this whole time there has been a gnawing in her chest. a desire for freedom, a petition to let the real alethea out and run free. but who was she? alethea couldn’t answer that, not honestly. just who her mother had manufactured her to be. but this confusion, this shyness, this quietness played into a different picture of alethea. it allowed her to be whatever anyone wanted her to be, they could paint their own ideas of her. she could be mysterious, she could be all they ever wanted. and she could be a dream.
and it was through this exploration that alethea slowly stepped out of the pillars her mother had built for her. first came the time greer dared her to kiss another girl during spin the bottle, and alethea realized that she might have enjoyed it more than her mother would have liked. and then came the time greer put her in a suit instead of a dress, and she liked the way it looked on her. and that maybe she wasn’t a girl after all, but something that could be shed. and so they started to pick up new pieces of theirself, putting them together to form a whole new journey. was ballet even the career they wanted? did they even like ogden? who were these people that had been decided as their friends? the questions became overwhelming.
WHO WILL BE LEFT TO LEAVE? JUST ME:  
and now greer is gone. and it’s noticeable the change in alethea. it began before her disappearance of course, but could it somehow be correlated? alethea willingly goes out, sometimes alone, now. they are keeping greers friends, they are speaking up and out, they have a bite to them that hadn’t existed once upon a time. what does the future hold of alethea? are they becoming who they really are, or are they once again pretending, shedding the quiet role they had lived into for all their life for one that looks a little more like their now missing friend…
GREER:
during freshman year at ogden, alethea was absolutely lost and in-over her head. she had never been the rebellious type, her parents had been too strict to allow non-sense in their house, and so alethea was overwhelmed with the freedom college could allow, and she had no idea how to deal with it. her mother had always taught her to seek out the ‘right’ people to befriend, and it was just her luck that greer extended her own friendship to alethea. she brought them to the parties, encouraged her to flirt with whomever was necessary in order to go after who she wanted, and overall guided alethea through college. they doesn’t know if she would have been able to survive any of it without greer. there was little jealousy on alethea’s side at the beginning - she was just grateful for what greer could offer her through her friendship. and alethea was not a threat to greer. but as they’ve grown older there has been a tension living in the friendship, the reliance upon each other that might not be as necessary anymore. alethea was not anymore outgoing or less shy, but now her shyness was being interpreted as mystery, making them a bit more intriguing to others and perhaps sparking some jealousy on greer’s side.
THE DRAG-ALONG:  
you know that girl that was always a few steps behind greer and the fallen princess? the one with wide eyes and a quiet demeanor? they never seemed to talk much, but even in their silence never seemed to be entirely so observant that you had to watch what you were saying. really, she just seemed like a little pet to the best friends, a third they allowed to follow them around. 
and that person? that was alethea, taken under greer’s wing during the first weeks of school freshman year but never brought too close. it was the kind of relationship where alethea was sure to call greer one of her best friends, and greer might hesitate, only referring to them as a simple friend. but wherever the fallen princess and greer were, alethea was there. fingers picking at each other, posture both immaculate and slouched. each semester they seemed to get a bit bolder, inching their way up next to the other two, but still never find herself as an equal. 
extra:
previous tasks found here
they have their septum pierced that they flip up whenever they go home and hide from their mother
her room is usually incredibly clean 
often found walking around campus as if they are in their own world
junior year recap:
g told alethea to start a fight at greer's birthday party so she picked a fight with heni who pushed her in the pool
found polaroids with monty in their chalet during the winter ski retreat black-out
told heni about the polaroids (it was their chalet after all)
thought they saw greer in the hall of mirrors during the spring carnival
g set them up with lola in the library before the rave, did a poor job looking for g when tempted
suffered from smoke inhalation during the fire in the commons trying to escape out of the back
went mia for a bit over the summer
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sofarsoundsne · 2 months
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Interview with Ando's Record Shop
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Could you introduce yourself and who influences your music? "My artist name is Ando’s Record Shop but my given name is Andy Goldmark. Everything I do as Ando’s Record Shop is written, performed and produced by me. I started out as a singer songwriter and then after a couple of more incarnations as an artist I focused strictly on being a song writer and producer for other artists. I worked behind the camera so to speak writing and producing hits for Carly Simon, Patti LaBelle Jeffrey Osborne, Michael Bolton, Kenny G and many others.
My influences range from The Beatles to Paul Simon to Joni Mitchell to Peter Gabriel all of the great artists on Motown to Gamble and Huff to all of the great artists on Stax Records in Memphis. Amongst my influences by today’s contemporary artists I would give a huge shout out to Pharrell and Jon Batiste as well as Lana Del Rey. With Ando’s Record Shop I have now come a full 360 degrees back to where I started; as a singer songwriter."
What are the hits you are most proud of? "I am most proud of “Crush” by Jennifer Paige which was a huge worldwide hit, because not only did I write and produce it but I also found and signed her to my own label and kicked off Crush's success but taking it directly to KISS FM in Los Angeles and getting it added to their playlist. I’m also proud of "Soul Provider" which I wrote for Michael Bolton and was a big hit for him and I’m proud of "All I Want Is You" by Carly Simon which she and I wrote and did very well for her."
Who are currently your three favourite artists? "My 3 favourite artists currently are The Bleachers, Kacey Musgraves and Teddy Swims."
What’s happening or do you hope will happen in your music career? "I am just now releasing my second release, “Time On Mars" and I’m hoping to grow my fan base with this one. I want to focus on quality with great songs that are events unto themselves that people will recognize as vital compelling unique and fun! It’s my passion to continue releasing songs I feel cut through the clutter and make a difference in people’s lives."
What song do you think our followers should be listening to right now? "'Time On Mars' is the song by Ando’s Record Shop I want people to listen to right now. It is so timely and relevant to what’s going on here on planet earth and the way people all over feel about our existence and the challenges we’re facing. 'Time On Mars' addresses the need to get away from it all in a serious yet humorous fun way with a healthy dose of sarcasm and irony baked in. It’s a song that's upbeat rhythmic and catchy about catching the next flight out of here bound for Mars!"
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sann3e-blog · 3 months
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Makari, Deserves as much Fandom as Atari
There's a sea of amazing guitarists, drummers, bassists, vocalists etc. Makari sticks out in the wave’s of hardworking, talented musicians that we all play throughout our day's via Pandora, Spotify or YouTube, to create that extra dopamine we need in today's tricky times. Eric, Matt, Kevin, John and Andy wrote some incredibly moving few songs as of recent for their upcoming album. I want to dig more into how much I encourage Makari's new album, Wave Machine, to be at the top of your 2024 playlists.
I highlight Makari because of their pure talent. I'll start with that. Listening and analyzing music over the past decade for one of my careers, I have been craving the subtle/not so subtle intricacies musicians create. The wind fortuitously blew me the name of a band I hadn't heard of yet and this band, Makari, was like an intravenous B12 shot that gave me the nostalgia of those sparking intricacies I could remember feeling when I first started to really study music.
Makari's tsunami of notes throughout their albums and drum sequencing illuminate my soul, truly. Faith I had in music was restored with my first listen to their album, "Hyperreal."
From Better to Fractals, straight through ending the 'Hyperreal' album with songs, Dashboard and Control, I was in awe. I was in awe at the connection the band members in Makari are able to communicate with their fans through guitar riffs, drum beats that'll steal your soul and vocals that range to the farthest black hole in space and back. That, is the definition of a band worth listening to.
What I find intriguing about all these apps we use daily, is the positive side of how we're all able to connect on a global level. How what we enjoy can be enhanced by suggested artists based on who's station you chose that day. Listening to Makari on Pandora, I have come across other artists that inspire the heck out of me. Strawberry Girls, Body Thief, Tillian and Hail the Sun are just to name a few.
Instagram can feel supportive in finding individual's with mutual interests. I remember this one person, vocalist, music producer Mitchel Madak, and I commented on one of Makari's post's. By him resonating with whatever I said on the photo, curiosity called and I checked Mitchel's ig because it seemed like he may be making some music too.
Listening to Mitchel Madak, reminded me of weekends with Owl City dream pop vibes on the way to the beach. With more punch and soul in the vocals, though. I might rename him as an archangel, you’ve brought me peace and ease when listening, Mitchel, thank you. Mixing in some rap to beat, you got your bases covered for a mood booster with Madak in your earbuds. Check him out on all music platforms. Links for Apple Music & Spotify here.
I asked Mitchel how Makari has influenced his own work. This is what he had to say, "Being a vocalist and even a music producer is all about getting out of one's own way and letting raw emotion come through. When listening to Hyperreal or really any Makari project, I can feel this sense of an unleashed outpouring of emotion. Especially for me as a vocalist, I admire Andy's voice and how there is really nothing he can't sing. His belting is just this blast of energy. I always feel inspired and even challenged by Makari to push myself to another level."
'Hyperreal, 'Elegies,' 'Continuum,' including the acoustic album 'Alternate EP,' are some of their discography worth many listens. These mentioned albums are medicine that help me stay sober. I found throughout my struggle with drinking (in particular, last year) that when I felt a craving, I could get in my car or sit in my room...and air guitar, then air drumming along, while sing out the notes...relating to every lyric, my craving would pass. These albums have been on my music listening platforms playing in circles. I have a lot to credit for being successfully sober...but Makari healed more than I knew I needed. Acceptance for me was found in how important it is to remain on the path of light and Makari helped me stay there.
Interestingly enough, someone I knew in high school (mind you, that's over 15 years ago for me) and I still see each other's thing's on ig. I knew her on an aquaintice basis more than me being able to say that I knew Payton well. I do know that she exudes from the inside out that she's a beautiful person. Strong, funny and caring. She now lives in Colorado with her husband. I posted "Breakers," one of Makari's tracks off their new album, so pumped to share. Payton said she really appreciated the post. Little did I know at the time how much the song helped her through. An ICU trip to the hospital with her husband, who as I do, struggles with alcoholism.
When I asked Payton generally, what her first impression was of Makari, what she had to say hit so close to home. "this song came into my life during another one of my husband's alcoholic relapses (he was in the ICU) the song just really got me through my day." I don't think she knew my struggle with alcohol, but I'm sure she saw it over the years. This article was not supposed to end up mentioning anything about being sober. When I asked Payton about Makari, she didn't know I had written of my own experience with addiction to alcohol. I generally asked, "what was the first thing Makari reminded you of when you listened to the "Breakers" song?" I didn't expect her to have experienced the same relief I felt listening through their albums, Makari's music was a perfect prescription for making productivity out of pain. I'm not a Doctor but if I was, I'd prescribe daily listen's to all things Makari.
“We’ve worked so hard on this album over the past 2 years,” Makari says. “We’re lucky to have amazing fans supporting our art, thank you.”
These interactions drive me to want to let as many people as I can know about this band. They know we’re here as fans to support them. Do all you can to support their music. Buy albums, go to shows and sing along. Raise the bar in your subscribe button pushing and “likes” because these actions can give back to the band members of Makari who gave Wave Machine their all.
2024, Wave Machine is about to drop in March and I couldn’t be more excited to listen. Everyone meditates in a different way. I meditate while I dive into music. Makari’s music center’s me. I’d like to walk into a meditation practice with a song like, "Soul Stealer" from Makari's new album. “Soul Stealer’s” intro will give you chills. And set you free.
On March 8, 2024, Makari’s album, Wave Machine will be released. The album will be my favorite new outlet. Makari continues to be my way to expel that excess of happy realizations in life. I love dancing in the car with them on my car stereo. Life hit's softer with Makari playing in my 2012 Honda Civic. Feel the energy yourselves when the album comes out in MARCH 2024!
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celtfather · 6 months
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Black Tower #635
Climb the Black Tower with the Irish & Celtic Music Podcast #635.
Hanneke Cassel, TJ Hull and Amanda Caretta - Hull, Jesse Ferguson, Juha Rossi, Andy Irvine, Jim Sharkey, Gordon McLeod, Lauren Oxford, The Dustbunnies, Don Gabbert, Kevin McKrell, Derina Harvey Band, Beltaine, Screaming Orphans, Mànran, The High Kings
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THIS WEEK IN CELTIC MUSIC
0:02 - Intro: River Driver
0:11 - Hanneke Cassel "The Green Lady / Olivia’s Jig" from Some Melodious Sonnet
5:08 - WELCOME
7:38 - TJ Hull and Amanda Caretta - Hull "Mr. Cunningham's Maggot" from Tippy Taps
9:40 - Jesse Ferguson "Renzo" from Sea Shanties
11:43 - Juha Rossi "Spotted Dog / Kataroni" from Irish Tunes on Mandolin
14:16 - Andy Irvine "Autumn Gold" from Andy Irvine & Paul Brady
18:00 - FEEDBACK
22:26 - Jim Sharkey "The Three Ravens" from SWEET ANNE'S ROAD
26:51 - Gordon McLeod "Christy's Waltz" from Still Fiddlin'
30:32 - Lauren Oxford "On Death" from Lauren Oxford
34:56 - The Dustbunnies "Gillingham Ramshire" from What Goes Around
39:29 - Don Gabbert "My Name is McCann (Ed's Campfire Waltz)" from Donovan's Fancy
42:48 - Kevin McKrell "I Can Breath Again" from In Quarantine
45:23 - THANKS
48:21 - Derina Harvey Band "Grow" from Waves of Home
52:21 - Beltaine "Whisky Rye" from Mercy
55:22 - Screaming Orphans "Sweet Forget Me Not" from Paper Daisies
59:31 - Mànran "Black Tower" from Ùrar
1:02:50 - CLOSING
1:03:38 - The High Kings "The Streets Of Kinsale" from The Road Not Taken
1:06:36 - CREDITS
Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You’ll find links to all of the artists played in this episode.
Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you’ll get 7 weekly news items about what’s happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage.
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Promote Celtic culture through music at http://celticmusicpodcast.com/.
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TRAVEL WITH CELTIC INVASION VACATIONS
Every year, I take a small group of Celtic music fans on the relaxing adventure of a lifetime. We don't see everything. Instead, we stay in one area. We get to know the region through its culture, history, and legends. You can join us with an auditory and visual adventure through podcasts and videos. Learn more about the invasion at http://celticinvasion.com/ #celticmusic #irishmusic #celticmusicpodcast
I WANT YOUR FEEDBACK
What are you doing today while listening to the podcast? Please email me. I’d love to see a  picture of what you're doing while listening or of a band that you saw recently.
Email me at celticpodcast@gmail.
John Golden answered the question, What are you doing while listening?: "Often working BUT usually play the St Paddy’s episode for the family feast."
James J. Grefig replied: "Hi Marc, This St. Patrick’s Day I hope I’ll be listening to your podcasts."
John Mahony replied to the Celtic Music Magazine: "Hey Marc, Thanks for everything you do to promote Irish and Celtic culture! I usually listen while working on technical stuff. It relaxes me and helps me keep up with newer bands. For St. Patrick’s Day, I will be going to a lower - key party rather than hitting the bars, though I might stop at one or two. I help produce live Irish and Celtic music shows year - round, so I guess the answer is that I’m just doing more of the same!"
Edward Birdsall emailed: "Greetings; What am I doing while listening  -  out for daily walk if it is not raining or snowing here in Georgia (1 - 2hours long)  also I listen while donating platelets at the Red Cross which I do on average every 6 weeks which means 2.5 - 3hrs of show for that "
Chris Raisin replied to the question, 'What are you doing while listening?': Usually lying in bed with my eyes closed (but not asleep). And for Patrick's Day? "Probably the same as I do for any other day (being 73 years old, single and living alone having lost contact with all my friends due to those infernal lockdowns we had in Melbourne." He's celebrating "By just listening to your great podcasts each time they are issued and remembering back to my days as an energetic Scottish (yes, not Irish) Country Dancer and Highland dancer (not so good at the Highland stuff…LOL). I still have a kilt in my closet (a bit moth eaten now) which I ceased fitting into about 30 years ago. Keep up your great sessions, and I look forward to (I hope) a bonus session. Slainte!"
Check out this episode!
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don-lichterman · 2 years
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Works of Banksy, Warhol focus of exhibit at Kelowna Art Gallery | iNFOnews
Works of Banksy, Warhol focus of exhibit at Kelowna Art Gallery | iNFOnews
Banksy, Grannies, 2006, silkscreen on paper, 18.5 x 26.5 in. Image Credit: Courtesy of Paul and Tracy Mitchell collection May 17, 2022 – 4:30 PM The visionary work of two legendary pop artists will be part of the next showcase at the Kelowna Art Gallery.  As the name of the exhibit suggests, From Warhol to Banksy will feature work from artists Andy Warhol and Banksy. The common theme of the…
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adhoption · 3 years
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Comedy club
Something which doesn’t really get talked about in terms of Old Boys Clubs in industries is comedy.
People know about politicians all coming from public schools and Oxbridge. The UK has had fifty-five Prime Ministers, of which 28 went to Oxford and 14 to Cambridge. Twenty of them went to school at Eton. It’s not even a historic thing, given that two of the past three went from Eton to Oxford to government. 
That’s seen as a sign that they are out of touch, an inner circle of privileged schoolmates who look down on the rest of us. People imagine similar scenarios in investment banking or law, where the top jobs are occupied by people who went to the right schools and universities and all know each other, so are able to give each other a leg up and keep social mobility under control.
But when it comes to mainstream comedians, they are the public figures we look to as relatable everypeople, the very ones who mock the out of touch elites and satirise their nepotism. A few are obviously posh, but that is played with a major part of their persona, like Miles Jupp or Ivo Graham self-deprecating and welcoming jibes about their privileged backgrounds, because comedy is for the people first of all.
But television comedy seems to have as high a quota of Cambridge graduates as there are Oxford graduates in the Government. A list of the past members of the Cambridge Footlights, the university dramatics club, pretty much makes up a timeline of British comedy. 
As well as mixing with the likes of Prince Charles and Salman Rushdie, Footlights members formed Monty Python (with members of the Oxford Revue) and the Goodies, and created classic satirical programmes Spitting Image and Yes Minister. 
They formed double acts like Alexander Armstrong and Ben Miller (and more lately daytime TV’s Armstrong and Richard Osman), Stephen Fry and Hugh Laurie, Sue Perkins and Mel Giedroyc, David Mitchell and Robert Webb, Hugh Dennis and Steve Punt, Peter Cook and Dudley Moore and more. Griff Rhys Jones formed a partnership with Oxford’s Mel Smith.
But those who forge a path alone have also done pretty well for themselves. Alongside a bevy of famous actors, the Footlights have nurtured Douglas Adams, Clive Anderson, Sandi Toksvig, David Baddiel, Andy Parsons, Tim Key, Richard Ayoade, John Oliver, Alex Horne, Mark Watson, Simon Bird, Joe Thomas, Phil Wang and others alongside their first-class education.
(Their counterparts at the university’s great rivals, the Oxford Revue, had the rest of the Pythons, Stewart Lee and Richard Herring, Angus Deayton, Armando Ianucci, Rebecca Front, Richard Curtis, Rowan Atkinson, Sally Phillips, Al Murray and more who haven’t done too badly for themselves either.)
But even the solo artists are rarely left on their own. The industry is saturated with Oxbridge graduates who were part of the same societies, often at overlapping times, and sitcoms and panel shows are filled with familiar faces. Even on the stand-up circuit, comedians usually make their way by supporting a more famous act on tour to build up their own name, and it seems it would be easier to do that if one of the famous names used to do student sketches with you.
Of course, that’s only considering on-screen talent. The Footlights and Revue needed people to write and produce their shows, and so they also nurtured talents across the board. Smith and Jones formed the production company Talkback, which went on to produce hit comedy programmes (many created by Ianucci) including Brass Eye, I’m Alan Partridge, Green Wing and Da Ali G Show, as well as successful panel shows like QI and Never Mind the Buzzcocks. 
Ianucci also created other shows like The Thick Of It with fellow Oxford graduate Jon Plowman (and starring Front) and worked with Lee and Herring to write On the Hour for radio (the beginnings of a format and characters he would expand later on). Plowman was himself given his step up in the industry thanks to his Oxford friendship with Mel Smith, who he worked with in theatre for a time before becoming Head of Comedy in the BBC and responsible for commissioning new comedy shows, including French & Saunders and the Office.
Peter Fincham, another Footlights alumnus who was hired as Talkback’s creative director, went on to be the controller of BBC One and then the Director of Television for ITV. John Lloyd, another Footlights alumnus, created popular panel show QI. For the job of hosting it, he chose Footlights alumnus Stephen Fry. When Fry stepped down, he was replaced by Footlights alumnus Sandi Toksvig.
Lloyd was himself originally going to be given the job of hosting Have I Got News for You, which ultimately went to the Oxford Revue’s Angus Deayton, with Oxford graduate Ian Hislop as permanent team captain. Have I Got News for You was created by Hat Trick Productions, another production company which was also responsible for bringing Whose Line is it Anyway, Room 101, Outnumbered, and the Armstrong & Miller Show to our screens.
Armstrong & Miller were a Footlights double act. Room 101 was given to Nick Hancock, a Footlights president, to host. The first fifteen guests invited on included Peter Cook, another ex-president, Deayton, Hislop, Tony Slattery, Baddiel, and Germaine Greer, all of whom were in the Footlights or Revue, many at the same time. Outnumbered was a Hugh Dennis sitcom vehicle. The first series of Whose Line featured Slattery, Cook, Fry, Jan Ravens, Graeme Garden, Rhys-Jones and Rory McGrath, all from the Footlights (Sandi Toksvig was then added as a regular). Clive Anderson, another Footlights president, was given that job to host.
(Boris Johnson also notably featured on Room 101 and Have I Got News For You, providing a nice overlap with the Prime Minister trend above.)
Hat Trick Productions, the company behind all of these shows, was founded by Rory McGrath and Jimmy Mulville, another ex-president, who met, performed and wrote together in the Cambridge Footlights. Another of the large production companies, Endemol Shine UK, created panel/game shows 8 out of 10 Cats and Richard Osman’s House of Games. Osman graduated from Cambridge and the Footlights into a producer role at Hat Trick, before being appointed Endemol’s creative director, where he created Pointless, setting up his own career in front of the camera as well as hiring Footlights contemporary Armstrong as his co-host, as well as his two shows of his own. (8 out of 10 Cats host Jimmy Carr also went to Cambridge, although he came to comedy later on in life).
It’s Footlights/Revue all the way up. The panel shows provide an opportunity to invite a whole range of comedians on as guests and give a friend the leg-up they needed, and it’s no surprise that half of the guests end up being Footlights graduates, given that the host is, and the creator of the show is, and the people running the production company are, and the commissioning director of the television channel are. You simply get your peers to approve your show and then you get your peers to make it and you get your peers to host it and invite your peers to appear on it. After all, that was how you made your shows at university.
It works the same way for sitcoms, just with a slightly more permanent cast. But Footlights people are everywhere on stage and screen. The director of the National Theatre? Check. The producers of Comic Relief? Check. The list goes on and on, and many of the individuals barely mentioned above went on to create or chair their own shows (e.g. Alex Horne’s Taskmaster). 
So the question is - how many people have been given a gig because of their connections? How many of these people wouldn’t have been chosen if they hadn’t previously worked with the other party in their student days, or were at least a friend of a friend of a friend? It seems inconceivable that there was no in-group bias, that these people all just happened to be the objective best choice in an open hiring or commissioning process. But it’s something that I think most viewers aren’t even aware of.
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texastheband · 3 years
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Texas V Wu-Tang Clan
Interview by Steven Daly Photography by Peter Robathan Taken from The Face - December 1997
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It’s the pop story of ’97, the most unlikely end to a weird year: TEXAS collaborating with the WU-TANG CLAN. First, a Scottish rock band on the verge of slip-sliding away into a tasteful obscurity was reborn via a slew of hit singles and a glut of stylish imagery. Now, in New York, their Brit-cool meets hip hop in a mutually beneficial deal. For everyone concerned, it’s all they need to get on…
Sharleen Spiteri took the call in her front hall. "Yo, Peach," growled a strange voice over transatlantic wires. The gentleman caller was none other than Ol’ Dirty Bastard, court jester of New York hip hop dynasty the Wu-Tang Clan. Apparently Mr Bastard fancied working with Spiteri and her band, Texas. It all started in August, with one of Texas’ managers discussing Land Rovers with someone called Power in New York, who turned out to be the manager of the Clan. A video of Texas’ "Say What You Want" was dispatched, and prodigiously gifted Wu-Tang chieftain RZA signed on to do a re-recording of the single for a prospective single project. Original rapper OI’ Dirty Bastard was replaced by Method Man, the next Clan member with a solo album scheduled.
The hook-up with the Wu-Tang Clan is the perfect climax to a year that’s seen Texas rise from a tumbleweed-strewn grave to grab the pole position in British Pop. A year in which Glasgow’s Sharleen Spiteri has stared out, defiantly remade and remodelled, from every magazine cover and TV show. From a media point-of-view, Texas’ – Spiteri’s – reconfiguring of music and fashion has been the year’s dream ticket. Ever since Bryan Ferry took the innovative step of getting Anthony Proce in to design Roxy Music’s wardrobe in the early seventies, successive phases of pop’s history have thrown up performers who use the fashion photographers, stylists and designers du jour to present The Package. It is these performers who most often capture the youthful mood of their time: that’s why you can see the vulgar glamour of the Seventies in the cut of Ferry’s sleazy lounge-lizard jib; the naive aspiration of the early Eighties in the box-suited and pixie-booted "style" of Spandau Ballet; and the onset of the late-Eighties mixing and matching of different cultures in Neneh Cherry’s Buffalo Stance. When we look back at 1997 we will see in Texas’ sound and vision a new mix, all to do with living the high life but keeping it real. Catwalk and street, the designer and the understated, Prada and Nike; the slick and the cred. Ten years’ gone Scottish guitar outfit and this season’s bright young labels (in both senses). The setting too, has helped. Fashion, again, is big cultural business. Clever pop stars (Goldie! Liam!) want to be seen by the runway and hanging out at fashion parties; young designers yearn to be visible on the stage or the podium (viz. Antonio Berardi’s autumn London show at Brixton Academy). Factor in a paucity of self-motivating, button-pressing, songwriting, photogenic women in British music, and you have a ready-made media phenomenon.
Sharleen Spiteri is holding court at a New York restaurant with a gang of Calvin Klein employees who’ve just accompanied her to the VH-1 Fashion Awards. The annual ceremony is a mutually convenient arrangement, a TV cluster-fuck where the music and fashion industries exchange credibility and cachet. Texas are contemplating just such an exchange themselves, having recently been given the OK by CK. (Tommy Hilfiger has also made overtures.) Spiteri is to have an audience with Klein himself; she’s already been bribed with a trunkful of CK merch, including the streaked black dress – "inspired by [the artist] Brice Marden" – she’s wearing tonight.
Someone suggests that Texas would be perfect for Fashionably Loud, an MTV special where models strut on stage as the hot bands of the moment rock out. "Forget it," quips Spiteri. "there’s only room for one star up where we play." If Spiteri were to join Kate Moss and Christy Turlington on the Calvin Klein payroll it would not, as she sees it, detract from Texas’ music. "Fashion and music have always been connected, and now more than ever," says the singer. "You couldn’t have one without the other. If there’s shit music at a runway show it just doesn’t work."
Meanwhile, there’s the songs. With "White On Blonde", Texas’ fourth album, the music takes care of itself. Radio-friendly unit-shifters abound, helped on their way by producers Mike hedges (manic Street Preachers) and Manchester’s Grand Central. The singles have been, in sequence, nu-soul fresh ("Say What You Want"), springy pop ("Halo"), Motown-sunny ("Black Eyed Boy") and winter warming ("Put Your Arms Around Me"). The B-side remixers have covered all bases in these dance-savvy late Nineties, ranging from of-the-moment talents like the Ballistic Brothers and Trailerman to old stand-bys like Andy Weatherall and 808 State. Texas, patently, lost their dancefloor cherry by cherry-picking the brightest and the best.
Of course, while the singles have all enjoyed heavy airplay and gone top ten, and while "White on Blonde" has sold two million copies (more than its two predecessors put together), the remixes haven’t necessarily helped those sales. As the go-faster stripes of credibility on the solid saloon car, though, they’ve still been essential to The Package; all part of the thoroughly modern mix.
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So now, the Wu-Tang Clan. To many, though, this latest development could smack of opportunism. One group are renegade roughnecks who mythologise themselves in epic hip hop anthems; the others are fastidiously tasteful Scots with an eye for perfectly modern consensus-pop. The Wu-Tang Clan are certainly among the aesthetically correct names that Texas always drop in interviews, but can there possibly be a legitimate connection between the two? "A lot of the Wu-Tang backing tracks have the feel of soundtracks, and we’ve always gone for a cinematic sound," says Johnny McElhone, Spiteri’s genial songwriting partner and bass player. "And I’ve always liked Al Green, and they use a lot of Willie Mitchell, Al Green, that whole Hi Records sound, and make it modern. And Marvin Gaye: Method Man, in that duet with Mary J. Blige, used ‘You’re All I Need To Get By."
Having dominated the charts in Europe this year, Texas are now, logically, turning their attention to America: the country that has always inspired them, whether it’s the dusty, pseudo-roots sound of their first three albums, or the iconic-soul and post-soul sounds of Memphis and Staten Island that they give props to now; the place where success has always eluded them. Yet given the commercial momentum of "White on Blonde", their approach to the Wu-Tang Clan is surely not driven by desperation. They are, then, viewing the collaboration with a combination of fan-like wonder and disbelief.
"Method Man is just a wicked, wicked rapper," enthuses Spiteri. "I can’t wait to hear the combination of my vocals and his – I‘m really excited about it. I have a kind of sweet, virginal thing going on, and he’s got this dirty sex vibe. It could be the perfect marriage."
It’s a Saturday night in Manhattan, and ten storeys above Times Square, Sharleen Spiteri sits on the floor of a recording studio, tinkering with her latest high-tech gadget, a Philips computer about the size of a TV remote. Across the street, three ten-foot high electronic ticker-tapes provide testimony to Monday’s stockmarket crash. No matter how much Spiteri plays with her new toy, there’s still that nagging worry: what if the Wu-Tang Clan won’t show? They’re supposed to be on a tour bus returning from a gig in Washington, DC today, but these, after all, are the original masters of disaster. The crew whose normal modus operandi seems to be chaos. The band that recently quit a national tour because only five of the nine members could be relied upon to turn up.
The studio has been booked since six, so Spiteri and McElhone breathe signs of relief when RZA and his posse finally roll in around ten. Among the dozen-strong throng, they’re surprised to see Wu-Tang member Reakwon, a stout fellow with a Mercedes cap and a Fort Knox of gold dental work. Several cigars are hollowed out, their contents replaced with weed; bottles of Cristal champagne and Hennessy are passed around as the air grows thick with smoke.
Half an hour later, method Man makes his entrance. Stooped over, he looks deceptively short – maybe only six-four in his Hilfiger fleece hoodie. "I’m John-John," he tells Sharleen, referring to his alias, Johnny Blaze. Pulling out the big blunt from behind his ear, Method Man considers the job at hand. "She got a nice voice," drawls the laconic giant. "This band not exactly my type of listening material, but they going in the right direction, if you ask me, by fucking with us. I’m waiting for RZA to put down a beat, hear how the vocals sound melded with the track before I come with ideas. I’m one of those guys."
As his friends get on with the serious business of partying, RZA goes to work, feeding a succession of sample-laden discs into a sampler. He has a diffident, genius-at-work charisma about him as he sits with his back to the room, keyboard at side. With a flick of his prodigiously ringed hand he reaches out and conjures up a brutal bassline. The speakers pulse violently. RZA takes a sip of Hennessy. "Record this, right here!" he tells the bewildered-looking engineer.
RZA has decided to dispense with the original master tapes, shipped over from Britain. He wants a completely new version, recorded rough-and-ready without the standard safety net of a time-code. This convention-trashing, wildstyle approach to recording elicits some consternation from the studio’s engineer, a central-casting white guy who warns RZA: "You won’t be able to synch to this, you know." RZA waves him away and turns to Johnny McElhone. "This riff is in E," McElhone tells RZA. "Maybe we should try it in the original key, D." "What are you saying? I understand no keys," says RZA. "You want me to sing the whole song straight through?" asks Spiteri, trying to divine RZA’s intentions. He orders the lights turned down, and offers Sharleen some herbal inspiration. She politely declines and walks to the vocal booth. "What’s her name? Sheree?" asks RZA as Spiteri warms up. The engineer wants to know if he should maybe start recording. "Always record everything!" exclaims RZA. "Ready, get set, go! Play and record, play and record!" Spiteri rattles of a perfect new version of ‘Say What You Want’, grooving along by herself and passionately acting out every word, even the ones borrowed from Marvin Gaye’s ‘Sexual Healing". Now it’s time for Method Man, who at this point is so herbally inspired that he can hardly open his eyes. He jumps up and lopes around the main room, running off his newly written rhymes and clutching a bottle of Crystal. Method walks up to the mic and opens his mouth, and that treacly baritone sets a typically morbid scene: "Fifteen men on a dead man’s chest…" The Texas duo just look at each other, shaking their heads in awe.
The hours and the rhymes pass. Around 6am, things are starting to get a little weird. As Method Man snoozes on the sofa, RZA bounces off the walls, dancing like a dervish. "These are the new rhythms," he yells. "These are the new dances from Africa. I learned them when I was there last week!" McElhone and Spiteri crack up. The engineer probably wishes he were in Africa right now; he further draws RZA’s ire by making a mistake as he runs off some rough cassettes. As everyone says goodbye, RZA decides that he’s taking the studio’s sampler – he already has two of the $3,500 items, but at this point it’s all about the wind-up. The engineer, though, having last seen the end of his tether a good few hours ago, has had enough. By the commencement of office hours that morning, the rest of the session will have been cancelled and the band and Clan banned from this studio.
After a few frantic phone calls later that morning, a studio is found that is prepared to let the Wu-Tang Clan through the door. With one precondition: only two of them are allowed in the studio. Now it’s midnight, and four-fifths of Texas watch a trio of RZA-hired session men go through their paces. They shift effortlessly through a handful of soul and funk styles, and the Scots mutter approval. These are the kind of players that are so good they can get away with wearing questionable knitwear.
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Soon, another couple of Wus pop in. Then another couple. In the control room RZA orders up a bottle of Hennessy and talks about hearing "Say What You Want" for the first time. "I didn’t fully understand the sound of it," admits the soft-spoken maestro. "It was obviously a popular song, a radio song, and my sound is the total opposite. But I thought that the artist had something, so I thought: "Let’s take her and rock her to my beat."
"Sweet soul, that’s what her stuff sounded like to me. Smooth. It reminded me of the Seventies: in those days, they did songs that would fit anywhere. If you went to a club getting high it would fit; if you was cleaning up your house it would fit. That’s when you’ve got a real great song right there." Whether or not "Say What You Want" is a great song, it’s not quite coming together tonight. Despite the best offers of the studio management, a full complement of Wu posse members ended up in the house. As the night drags on the trio of musicians don’t get with the track, and by eight the following morning there is little in the way of usable material. But everyone stays upbeat. Texas will work on the track in Glasgow, and send it back to RZA to finish, along with a new song based around one of his samples. After vowing to stay in touch, everyone stumbles out into the Manhattan morning light together, the Scots with an American name, and the Clan without a tartan.
From a distance the collaboration will continue. But it’s only a different kind of distance. Culturally, creatively, the gap between the Wu-Tang Clan and the old twang clan is considerable. Yet so it goes, this cross-cultural exchange programme. Whether it’s The Stones copping blues movies, Bowie digging the Philadelphia Sound, Lisa Stansfield getting soulful with Barry White, Sting getting doleful with Puff Daddy… Whether it’s Todd Terry reviving Everything But The Girl or Armand Van Helden making Sneaker Pimps the unwitting jumpstarters of speed garage, naked opportunism and risk-taking innovation have always been confused. Now, with genres blurred and tricknology proceeding apace, anything is possible and everything is permitted. Perhaps it is this, the sheer unlikeliness, that makes the Texas-Wu experiment the most illuminating collaboration of the year. Whether it works or not.
"If you play her stuff in a club, everybody be dancing, but it’s a clear room and you can see everybody’s face," RZA reflects on the departing Sharleen Spiteri. "But if you play mine, the room is smoky." And perhaps it is here, among the clouds and the clarity, between the smoke and the mirrors, where a new sound and vision lies.
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Text originally posted on texasindemand.com
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tragedyposting · 3 years
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Hi there! i heard you were feeling a little lonely and i want you to know that you even when it may not seem like it, there are people here for you! :)
So as a distraction, could you tell me your top 5 favorite musicals and one reason why you like each of them? ofc you don’t have to though!
and i think your blog is super great!
aw thank you!! this is exactly what I was looking for!! i really appreciate the ask and the nice note <3
My top five musicals is always fluctuating based on mood + which I have been on a kick for, but here is my current answer!!
Fiddler on the Roof: I think the story is perfectly told and all of the music (minus two songs...both cut from the movie...not naming names but they deserved to be cut) is really excellent. It was probably my first-ever favorite musical, I’ve been in it, and it describes the story of my family and my people very well. It’s personal! I wanna play Sunrise, Sunset at my wedding.
Natasha, Pierre, and the Great Comet of 1812: Dave Malloy is one of the most original and brilliant composers of our time and War and Peace is my favorite book so uhh good combo. A life-changing theatrical experience. I weep to the finale.
Hadestown (NYTW): One of my most deep-seated musical theatre interests, it also introduced me to Anais Mitchell and Damon Daunno, who are two of my favorite artists!! I think NYTW Hadestown is the perfect poem of a musical-- it’s deeply layered and the story can be interpreted many ways, it is also very image driven and emotionally evocative and sooo beautiful
Hamilton: I know it’s like, cringe to like Hamilton now or whatever, but I don’t use it as an honest interpretation of historical fact and I have detached myself from fan weirdness and I’m just enjoying it for artistry! Whatever you think of it, you must admit that it is one of the most intelligently and intricately woven musicals...ever.
Groundhog Day: UNDERRATED KING. Extremely funny, emotionally weighty, philosophically challenging, great score great book, great cast. Unpopular opinion but Andy Karl should’ve won the 2017 best actor in a musical Tony.
AND Before you ask! The reason Oklahoma! is not in my top five is because my love of the 2019 revival has a lot more to do with the creative approach, the direction, the cast, etc. than the actual show as written. I know I have NYTW Hadestown on here but it’s more materially different in writing/music/the things that make it the musical it is rather than the production choices.
Honorable mentions: My Fair Lady, West Side Story, Sound of Music, the Band’s Visit, Ghost Quartet, Cabaret, Godspell-- these all rotate in and out of the top five. the only fixed position is Fiddler’s.
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purplesurveys · 3 years
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1111
Something a little bit random and silly for my 1111th, just because.
survey by joybucket
List three things you love that start with each letter.
A: Art and most forms of it; anchovies, in most cases; and Angela.
B: Burgers, Beyoncé, and buffets.
E: Escargot, the name Eloise, and elephants.
F: FISH, Friends, and some folk indie.
S: Sleeping, signing off work at the end of my shift, and all kinds of seafood.
T: I’m obsessed with tteokbokki; trying out new food; and table tennis.
Q: I like the quiet time I occasionally give myself; quail eggs, especially in the form of kwek-kwek; and quattro formaggi pizza.
R: Rainbows, the rain, and riding planes.
O: Old movies, the ocean, and Okinawa milk tea.
List a phrase including an adjective, noun, and verb for each letter. Examples: "angry artist anticipating", "rude rascals running", "dirty dogs dancing", or "empty elephants eloping." Have fun!
A: Adorable animals appearing.
F: Fabulous fingers frolicking.
C; Chummy classmates cooking.
S: Suspicious self salivating.
R: Rambunctious raccoon running.
T: Tired turnip tumbling.
Q; Questioning quail quipping.
J: Joyful joggers jamming.
I: Inquisitive igloos imagining.
L: Luxurious lemonade luminescing.
Z: Zesty zebras zoning out.
E: Ethereal eagles embracing.
List three different occupations starting with each letter.
O: Orthodontist, oceanographer, opthalmologist.
E: Engineer, equestrienne, elementary school teacher.
F: Firefighter, flight attendant, farmer.
S: Scientist, singer, seamstress.
T: Talent agent, tricycle driver, tennis player.
I: Illustrator, inspector, IT technician.
E: Economist, editor, electrician.
L: Lawyer, librarian, lifeguard.
A: Accountant, actor, architect.
Y: Yoga instructor, youth pastor, yogurt maker?? if that counts, lol. Otherwise I got nothing else.
List three adjectives that begin with each letter.
A: Affable, abrupt, adequate.
B: Broken, blunt, bleary.
C: Crazy, clear, clingy.
D: Daunting, delirious, dark.
E: Existential, enraged, exemplary.
F: Fantastic, far-flung, flavorful.
G: Ghastly, gentle, gigantic.
H: Harrowing, healthy, hopeful.
I: Intelligent, identical, impervious.
J: Jovial, jaded, joyous.
List three nouns that being with each letter.
K: Kangaroo, keychain, kiwi.
L: Lemonade the album, lemon the fruit, and Liz Lemon.
M: Mall, maple syrup, and mop.
N: Nightingale, nest, napkin.
O: Ogre, olive, orange.
P: Piano, panini, and pizza.
Q: Queen, quill, quilt.
List three verbs that begin with each letter.
R: Running, raking, reliving.
S: Singing, sailing, surfing.
T: Tricking, tossing, teeming.
U: Understanding, urging, unwrapping.
V: Villifying, venerating, vaccinating - get vaccinated, folks.
W: Wandering, washing, wriggling.
X: I don’t know if there are any and I can’t bother to look it up.
Y: Yawning, yelling, yearning.
Z: Zipping, ziplining, zapping.
List three...
girl's names you love: Olivia, Mia, Emma.
boy’s names you love: Mason, Jacob, Lucas.
girl’s names you dislike: Karen, and our local versions of Karen, Marites and Marivic.
boy’s names you dislike: Chad, times three.
things you hate about summer things you hate about winter things you hate about spring things you hate about fall things you love about spring things you love about winter things you love about fall things you love about summer Crossing these out because my Southeast Asian ass can’t relate, but if you do decide to take this survey feel free to un-strikethrough them!
things you miss from your past: Having more freedom to make mistakes; not having to worry about the future; and friends I’ve since lost.
people who have really hurt you in the past: Gabie, my mom, Marielle.
names of people you have had crushes on: Gabie, Andi from 5th grade...and that’s it, really.
names of people you have gone on a date with: Only Gabie. And I guess maybe Mike? Since he asked me to go with him to his ball as his date.
places you've been and would love to go again: Sagada, Jeju, Bali.
places you want to visit before you die: Morocco, Spain, Thailand.
items on your bucket list: See Times Square, live in a condo, plan a solo trip.
health conditions you have: Scoliosis, lactose intolerance, and very possible depression.
health conditions you've had in the past but don't anymore: Dehydration, UTI, and some kind of weird low-platelet-count thing that was just that, and never diagnosed as anything.
things you are allergic to: Possibly some types of grass, and maybe face masks. Idk how to confirm it really; I just know my skin gets irritated around them sometimes.
youtube channels you love to watch: Good Mythical Morning; the KBS YouTube channel mainly for clips of Return of Superman and 2 Days 1 Night; and Binging With Babish.
favorite drinks: Water, coffee, Long Island Iced Tea.
favorite foods: Sushi, chicken wings, pizza.
favorite desserts: Cheesecake, MACARONS, cupcakes.
favorite holidays: The only one I care for and get super excited about is my birthday, if that counts. Christmas is fine, but I only get the excitement for it on the actual day itself.
favorite colors: Pastel pink, white, maroon.
people you would like to meet: Ysa and Bea, my teammates at work. I’ve met them only once before, and I wish we can be allowed to report to the workplace physically soon so that I get to see them more often and strengthen my relationship (both working and personal) with them. I’d also love to be able to chat and chill with Hayley Williams even for just 30 seconds.
people you want to meet in Heaven: I don’t believe in that, but I’d love to have met my great-grandfather on my maternal grandfather’s side. Also, Audrey Hepburn and Princess Diana.
good names for a dog or cat: Depends on their personality.
reasons why you get up each morning and keep on living: Because I’ve been able to see myself get better, and why stop all the progress?; because I’d want to be able see if the future will get better; and because I’m afraid of what will happen to/who will look out for my dogs if I’m suddenly gone.
For each name, think of three people you know with that name, and list their occupations.
Amanda: I only know one Amanda, and she’s a friend of my ex’s younger sister. She’s only in senior year of high school. I know an Amandine which is close enough I suppose?? and she’s a dentistry student.
Sarah: She’s a media contact and I’m constantly in touch with; she’s the editor-in-chief of a local magazine. I think she’s the only Sarah I know.
Ashley: Also a media contact. I’m not sure about her title, though.
Beth: @bionic-beth is a teacher! :) But I don’t know any Beths in real life, I think.
Katie: Well I know Kate, and I’ll sometimes playfully call her Katie. She works in a government agency and she’s one of their PR people. The HR person who recruited me to come work at my current employer is a Kate, but I have never and have no plans to call her Katie.
Matt: That’s too foreign-sounding a name where I live.
Emily: Don’t know any Emilys, either.
Chris: Media contacts. They run blogs or news sites of their own.
Mike/Michael: The one Mike I know is currently a med student. Not sure if he’s working on the side - I think he is, since I saw him post about a job update on his Facebook a few months ago; but I can no longer remember what he does, or if he’s still doing it.
Jessica: I went to high school with a girl named Jessica but I don’t follow her on social media, so I have no clue what she’s up to now.
Becca/Bekah: Rita’s sister is a Becca. I think she is currently a grad student.
For each name, think of three people you know, and list one adjective to describe each person. (Skip if you don't know anyone with that name.)
Laura
Michelle: Hilarious.
Victoria: Strong.
Tessa: Friendly.
John
Claire: Influential; motherly.
Briana/Brianna: Bitch.
Vanessa
Brittany/Britney, etc.
Allison/Allie/Ally, etc: Kind. 
Olivia
Jordan
Jo/Joe: Ambitious; pretty.
Corey/Kori
Sophie: Sweet; quiet.
Mitch/Mitchell: Tall.
Madison/Maddie/Maddi
Out of all the people you know or have met, list three...
redheads: Yeah, you’re not going to find them in most of Asia. West Asia and some parts of East Asia, probably, but definitely not for the rest.
tall people: Jo, Chesca, and Shaun.
people with really curly hair: I know Kleo has naturally curly hair from her Aeta roots, but it’s been straightened for a very long time now. I think Chesca also has curly hair, albeit slightly. There is also Liana.
sets of twins: My sister had two sets of twins in her high school batch, but I can no longer remember their names. I also had an English class with a pair of twins named Ardy and Thirdy.
of the cutest babies you've seen on social media: My workmate’s baby. My friend Jar has a super squishy niece/nephew pair of twins as well.
people you miss: Angela, Kate, my grandpa.
people with beautiful eyes: I can only think of my ex.
people with nice hair: God I have not been around people for so long, I can barely think of anyone for this.
people who are the same height as you: Aya, Hannah, Tina.
own one of the same clothing items as you: Angela since we went to the same high school and have several of the same school shirts; Laurice since we share a college org and we have our own trademark polo shirt; and my brother and I have our own pairs of Nike Cortez shoes.
make you laugh: Andi, Hans, and this girl I had a couple of history classes with, Rose.
List three celebrities who...
are the same height as you: Lady Gaga and AJ Lee are the only ones who are coming to mind. I wouldn’t call AJ a celebrity though.
have the same hair color as you: Mila Kunis, Kelly Rowland, Dita Von Teese.
look like you: Only based on comments I’ve gotten in the past and not because I necessarily claim these for myself, Lucy Hale, Anna Akana, and Kakie.
List three....
adjectives to describe you: Timid, stubborn, sensitive.
academic courses you enjoyed: Philippine social history, international relations, anthropology.
words you always forget how to spell: Rhythm, committee, accommodate.
things you wish you were better at: Singing, dancing, drawing.
things you are really good at: Writing, reading people, and knowing the best things to order at most restaurants hahahah.
jobs you'd like to have: Ideally, a lawyer or doctor. But realistically, I’d love to have a leadership position in the PR sphere.
jobs you've considered having: ^ Again, lawyer and doctor. Also a journalist or news anchor, back when I still thought I was passionate about journalism.
jobs you'd hate: Journalist, an LTO clerk, an assistant to an asshole celebrity.
things you miss: Being a student, many parts of the past, and deceased family members.
names your mom considered when naming you: Ariel, Kathleen, Katrina.
things people call you: Robyn, Byn, Bynbyn.
*Bonus*: what is your name? (first and middle)? I always feel like just sharing Robyn.
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OC: Andy’s creation was done with @losersclubisms and for anyone interested in his (and the other Losers 2.0) here’s what our headcanons were. Andy’s core creation was in a Poly-ship of the original Losers. His core age (for any fics is 15. His age for Rps depends on the verse):
•Mike is closest to everyone equally. He tries spending equal amount of time with each Loser in turn. He’s secretly the most fond of Bill.
•Bev is closest with Bill and Ben. When she’s not with one or the other, she can probably be found playing around likely with Richie. She isn’t intimate with Rich often unless it’s a special occasion or she’s really craving his touch.
•Bill is closest with Stan and Bev. He’s almost always found with Stan if he isn’t with Bev. If he’s not with Stan or Bev, there’s a high chance he’s with Eddie or Mike.
•Richie and Eddie are closest to each other and are nearly inseparable. Richie shares a room with Eddie because he refuses to sleep alone. He will sleep in another Loser’s bed if Eddie is away for work or something else. Rich’s secretly almost as close with Stan as he is with Eddie
•Stan is closest with Bill, Richie and Eddie. He’s perfectly content admitting his closeness with Eddie and Bill, but he denies how close he actually is with Richie. Of all the Losers, he’s close to Bill much like Richie and Eddie are.
•While Eddie spends most of his time with Richie(or Stan), he’s actually really close to Ben of all the other Losers.
••••••••••••••••
•Richie gets stupid blackout drunk and sleeps with some girl. She ends up pregnant. That’s the first babe in the Gen 2 Losers.
•Bev, Stan and Eddie are the most affected by Richie’s stupidity. Bev because she’s the only female that Richie will have any sort of intimate contact with. Eddie because he’s the one closest to Richie and Richie was his boyfriend before the group ended up together as a whole. Stan because Richie is one of the three main ones Stan is intimate with.
•Bev forgives him six months after.
•Eddie breaks Richie’s nose and glasses. Stan and Eddie refuse any type of intimacy with Richie for nearly a year (11 months two weeks and three days to be exact). Surprisingly Stan is the one to break it one day with a kiss and a quick “I forgive you” in passing. Eddie takes a few days longer and quite literally pounces the taller man when he walks into their room to snag some clothes.
•Richie never drinks when he’s not with at least two of the other Loser
••••••••••••••••••••••••••
•Rosa was born first from Richie’s stupidity(as Stan and Eddie dub it). She has a sense of humor as crude as her father. She’s basically Trashmouth Junior or TJ. She’s 18. She likes to tease Richie about being the “mistake child”.
•Aiden is 17 and while he has a sense of humor, it’s aimed more or less into pulling pranks. He’s as emotional as Richie. Selena is his fraternal twin through in-vitro.
•Georgia is 17 and a few months younger than Aiden. Selena and Rosa are her two bestest friends. She was named after Georgie.
•Selena (17) is a lot like her dad in the hypochondriac department. She likes cleanliness and has a First Aid license. And a CPR license.
•Zachary is 16 and is basically a clone personality wise of Stan. Only difference is that he’s far braver and will be first to jump into something dubbed scary.
•Sabrina (15) and Charlotte are a few days apart in birth. They’re best friends. Sabrina likes to spend time with Stan any chance she gets and enjoys baking. She is Andy’s fraternal twin.
•Charlotte is as poetic as her dad and as artistic as Bill. Besides her mom and dad, she hangs out with Bill, learning to paint and stuff like that.
•Daniel is also 15 but older than Charlotte, Sabrina and Andy by at most eight months. He likes spending time at the arcade with Andy and studying history of the world with Ben.
•Andy (15 but still youngest) is the baby of the group but one of the bravest. He also happens to be the complete opposite of his dad. Though he does have the same medical licenses as his dad and sister. He spends a lot of time with Daniel when it comes to the kids but of the OG Losers, Richie is his favorite one to spend time with. He usually calls the others uncle or Mom in Bev’s case. He calls Eddie dad and Richie he calls Papa (or Papa Richie). When he’s feeling affectionate, he calls the others Papa then their names. The ones that get title of Papa most are Richie, Stan and Bill. Andy respects all of the adults and can be rebellious as any teen can be but if Bill, Stan or Richie says no (which isn’t often for Richie) he listens with no questions or objections. Calls Eddie mom sometimes (thanks to Richie). Even though Andy is closest to Richie, he turns to Bill when he’s feeling vulnerable.
••••••••••••••••
•While Bev is biologically the mother to Georgia and Charlotte, all the kids call her mom because she’s basically been their mother since the beginning of it all. Anytime somebody asks her if she has kids(or how many), she tells them she has nine kids. It usually shocks people into asking how does she handle so many which results in her mentioning their dads helping. Many ask how many dads are involved and she tells them all six dads are involved.
•Bill would be the most protective of all of the kids. He loves each and everyone of the kids and loves spending time with them any chance he gets. He uses the money from his career (because he’s finally gotten good at book endings) to build their home. Bill is always adding things to the house with Ben’s help
•Ben likes (and so does Mike) to spoil the kids as often as he can. He built the entire house the Losers live in. The entire first floor is reserved for the kitchen, living room, family game room(all sorts of games) and the theater room. Second floor is the parents room. Each parent has a room of their own (including Richie and Eddie but Richie spends so much time with Eddie in either of their rooms there’s a spare). The girls have the next floor and the boys have the last floor. All rooms are soundproof to keep from disrupting the parents
•Mike is usually the one to cook because he likes that everyone enjoys his food. He also likes sneaking presents to the kids when they’ve been good. He also keeps the secret that Andy adores books (much like Ben) and history (much like Mike). Mike is the one that’s taught all of the kids how to use a gun and weapons (because you never know what they might need to face one day).
•Richie is whipped for the kids and loves each and everyone of them. While his kids are much like he is with humor, he actually spends the most time with Andy. As whipped as he is for all of the kids, Andy is one that holds a special spot (mostly because he’s the baby). Often Richie will crash some place in the house and Andy will be found tucked under his arm or sprawled over the older man because the boy moves a lot in his sleep.
•Surprisingly Stan is not the strictest parent in the group. While he does expect everyone to do their chores and homework before play, he doesn’t tend to blow up on the kids like Eddie can sometimes do. Stan (and Bev) have taught the kids interested how to bake. Unbeknownst to the other Losers, Stan has taught Andy how to play piano and violin.
•Eddie is, not too surprisingly, the strictest parent. He always makes sure everyone is absolutely spotless before they’re allowed to eat or touch anything (especially in the kitchen). He always claims he wishes his son spent less time with Trashmouth but in all honesty, he loves their bond. He never fails to get as many pictures of the kids as he can either. Especially during holidays
••••••••••••••••
•Georgia Marie Denbrough(Julie Kennedy) - Bill/Bev
•Zachary Adam Uris (Lucas Jade Zumann) - Stan/Surrogate
•Sabrina Monica Uris (Millie Bobbie Brown) - Stan/Surrogate
•Rosa Edith Tozier(Cameron Bicondova) -Richie/Hookup
•Aiden Mitchell Tozier (Daniel Sharman) - Richie/Surrogate
•Selena Alora Kaspbrak (Anna Popplewell) - Eddie/Surrogate
•Andrew Davis Kaspbrak(Noah Schnapp) Eddie/Surrogate
•Charlotte Selene Hanscom (Sadie Sink) - Bev/Ben
•Daniel Mathew Hanlon(Caleb McLaughlin) - Mike/Surrogate
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ubernoxa · 4 years
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Authors Note: This is just something that has been popping in and out of my head over the past couple of weeks. I thought why not spend some time writing it up. Let me know if you would be interested in me writing another chapter!
Summary: The 70s and 80s had Iron Madden, Guns N’ Roses, Skid Row and Morley Crue. It’s 2025 and Rock N’ Roll is more alive than ever thanks to Broken Voodoo kickstarting the rock n roll heart.
Introduction
The room was plain, and by plain I don’t mean it as an insult. It was a good plain. The plain that was almost calming. The plain that reminded me of a blank canvas, one that I would be painting with my words. I had done hundreds of interviews, but this was the first one in years that I was truly nervous for.
I took a deep breath as I looked into a mirror to check my appearance. I had looked like me, and for the first time in over 5 years I was happy about that.
The layers of foundation and mascara I used to hide behind was gone. My signature piercing cherry red lips were replaced with a pair of soft pink ones. I smiled at myself in the mirror fidgeting with my hair before having someone route a small microphone through my shirt and clipped it on my collar.
I waited outside of a pair of skinny doors that led into the plain room. I fidgeted with my wedding ring trying to find comfort, wishing that he was here. He had to be in Australia to accept an award for our band. Sadly Oli and Jax couldn’t make it because they had other obligations. As I hear the female host announce my name, I took a deep breath and forced myself to walk through those door.
A smile quickly grew on my lips as I sat down on a small white chair in front of a crowd that had come to see a daytime talk show. This wasn’t the first time Dixie was interviewing me. The first time felt like ages ago, back when she was an interviewer for some small Snapchat news show. The main difference is the last time we met was both are clothes and the fact that the first interview was in the bathroom of some bar on Sunset Strip. I felt an ease flush over me as she sent me a warm smile. It had been at least a year since we had last talked.
“Well I would like to welcome a very dear and close friend of mine, Andrea ‘Andy’ Mitchell also known as the multi award winning guitarist of Broken Voodoo. A band which has been heavily attributed for the resurgence of hard rock into the modern era. There was Motley Crue, Iron Maiden, Cinderella, Guns N’ Roses, and now there is Broken Voodo who brought hard rock back from the 80s to the present,” Dixie sent me a warm smile as she spoke.
“Thanks for having me, Dixie. It’s been too long since we have done one of these,” I sent her a genuine smile in return. I could feel the nerves slowly melt away.
“I don’t known if this is well known or not, but my first interview I ever performed was with Andy”
I let a laugh escape me, “Oh God how long ago was that interview ten years ago?”
“At least, and it was an absolute train wreck!”
“Well it might have gone better if I was sober.” I reminded her. Memories of the interview of it flooded my mind.
“It also didn’t help that I had not properly done my researched and confused you for a groupie.”
“Good times,” I teased back.
“The thing I remember most about that interview was Oli, your drummer, kept correcting you whenever you said you were a rhythm guitarist!” Delight filled her features as she talked about it.
“To this day I don’t know why I was so set on being a rhythm guitarist. I was a terrible at it. Plus it’s hard to have a rhythm guitarist when you’re the old guitarist in the band. At the time I wanted nothing but to hide from the spotlight, and that stays pretty true to how I feel today...Seb and I were actually talking about that last week, the whole rhythm guitarist vs lead guitarist. He was actually supposed to find a lead guitarist, so I could focus on more rhythm stuff back in the day. I wouldn’t hold your breathe though because he was supposed to do that a little over nine years ago. Plus it would be hard to find someone who could put up with us and our stupidity.”
“Speaking of Seb, happy 8 year anniversary! God I still can’t believe you kept the fact that you were not only dating, but married a complete secret from the press.”
“Dixie, I can’t believe that we kept it a secret for so long too. We were almost caught several times....but we weren’t ready to tell the world yet. The media was never kind to me, and after everything that happened to my first ‘marriage’, if you could even call it that, I wanted to keep the personal personal,” I felt another smile cross my face as I remembered the night Seb proposed to me. The bassist and the guitarist, definitely an interesting couple.
“Well, since you brought up your disliking in the media....” I couldn’t hold back the laughter that escaped my lips and interrupt Dixie.
“Disliking is a nice way to put it,” I added unable to hide the smirk that had grown on my face.
“Well I just want to say thank you for reaching out to my team and I...You don’t have to answer this, but why now? Why are you breaking your silence?”
“Whenever you interviewed me, even when I was at that really low point where I didn’t think I could get back, you treated me like a human being. I wasn’t just another headline,” I paused and looked into the crowd and back a Dixie.
I took in the plain room one last time before I painted it with my stories.
“Why now? Because it’s about damn time the world knew what the hell happened behind the scenes. I finally feel safe to tell my story. It wasn’t always the super glamorous life that it was played out to be. In interviews we (Broken Voodoo) would always be harassed, and time and time again we would say something along the line of ‘shut up you don’t know the whole story’ or ‘it’s none of your damn business’. It’s time, the world should know. The sad part is that my story isn’t the only one like this. Maybe if I speak up........others will too,” I added.
“Thank you,” Dixie held my hands and I sent her a warm story.
“Where would you like to begin,” I quickly asked changing the topic.
“The beginning?” Dixie asked earning a nod from me.
I took a deep breath as I readjusted myself in the leather chair.
My name is Andy Michelle
The guitarist for Broken Voodoo.
Multi award winning, platinum record selling artist.
I’ve been taken advantage more times than I can count and in more way I can count.
I’ve probably consumed more alcoholic than there is water in Lake Michigan.
I’ve been both fired from my band, and quit just like everyone else in our fucked up band.
I’ve blacked out for days on end.
I’ve died.
This is my story.
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aletheapierce · 1 year
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{ NATASHA LIU BORDIZZO, 21, GENDER NONCONFORMING, SHE/THEY } Is that ALETHEA PIERCE? A JUNIOR originally from SAVANNAH, GA, they decided to come to Ogden College to study DANCE. They’re THE DRAG-ALONG on campus, but even they could get blamed for Greer’s disappearance.
no one ever really likes me for more than just a couple weeks...
NAME: alethea ivy pierce NICKNAMES: none, thea to a select few BIRTHDAY: february 23, 2002 ZODIAC: pisces sun, scorpio rising, aquarius moon SEXUALITY: bisexual RELIGION: ceo methodist (christmas & easter only) THREE POSITIVE TRAITS: idealistic, hospitable, wholesome THREE NEGATIVE TRAITS: paranoid, indecisive, timid THREE SKILLS: fluent in french, calligraphy, detailed-oriented ENNEAGRAM: 9w1 MYERS-BRIGGS: intj EXTRACURRICULARS: ballet company, tri-del (member)
AESTHETIC: pink painted nails, tucking hair behind your ears, off-distant stares, shy smiles, hollowed looks, books in tote bags, quiet giggles, leaning in when intrigued, earbuds, furiously scribbling in journals, waking up with tears, monsters chasing you in dreams, warm tea and milk, a cookie crumbling in your hand, barefoot on hardwood floors, watching the sunset alone
CHARACTER INSPO: nina sayers (black swan), georgiana darcy (pride & prejudice), jaz sinclair (caos), betty cooper (riverdale). myrtha (giselle), daisy buchanan (the great gatsby), juliet capulet (romeo & juliet), lady edith crawley (downton abbey), betty elms (muholland drive), andy bernard (the office)
LIKES: ballet, taylor swift, dresses, gin and tonics, daydreaming, sparkles, quietly reading, the wind through her hair DISLIKES: stares, having to answer questions, being alone, being in crowds, people yelling, being judged
FAVORITE MOVIES/TV: the eternal sunshine of the spotless mind, shrek, black swan, the secret life of walter mitty, gilmore girls, dance academy, big fish, all the boys love many lane, fleabag FAVORITE BOOKS: six of crows, the invisible life of addie larue, on earth we’re briefly gorgeous, pride and prejudice, the uglies series FAVORITE ARTISTS: halsey, taylor swift, lizzy mcalpine, nicholas britell, hans zimmer, chelsea cutler, phoebe bridgers FAVORITE BALLETS: giselle, firebird, la sylphide, carmen
FAMILY: mother - jennifer tiner pierce (katheryn winnick) father - carl sile pierce (daniel wu) younger brother - hu jacob pierce (kazuma mitchell)
pinterest here, playlist here.
WHEN ALL THE BRIDGES HAVE BEEN BURNED:
jennifer pierce expected the best of her children. she gave them the best so of course they had to return the favor. she had inherited her father’s business, and was excelling so much her husband took her last name. it wasn’t a feminist thing, but a money thing you see. alethea grew up without a want, but the truth of the matter is she never knew what she wanted. her mother made those decisions. from what she wore, to how she cut her hair, to who her friends were and what activities did. her entire life was planned to a t, and alethea never questioned a moment of it. how do you question something that you didn’t know was an option?
her brother jacob was doted on, and grew up with a grin and popularity. this was easy to him. this was painful for alethea. she smiled and waved, and the only matters of relief she found were in her ballet classes. going professional hadn’t been her mother’s first plan, but seeing the natural talent her daughter was, and just how feminine she was, allowed this small change in the over all path forward.
jennifer and carl met at ogden, and she knew that was where her children were to go. there was no exception, and jennifer would do whatever needed for her kids to follow her legacy. the major was flexible, but they would go to ogden, they would find suitable spouses, and they would carry on the family legacy. it was picture perfect, and she never heard a single word of complaint from either of her children. 
AND ALL THE TABLES HAVE BEEN TURNED BY ME:
growing up without decisions meant college was terrifying for alethea. she had to pick her classes, find friends that her mother couldn’t approve of, and suddenly had free time that wasn’t planned out for her? it was paralyzing. but during the second week of classes greer spotted alethea across the way and took her under her wing. she showed her what the world could be, and she still fit under that approval from jennifer pierce. greer wasn’t just her best friend, but she was a bit of a savior for her.
this whole time there has been a gnawing in her chest. a desire for freedom, a petition to let the real alethea out and run free. but who was she? alethea couldn’t answer that, not honestly. just who her mother had manufactured her to be. but this confusion, this shyness, this quietness played into a different picture of alethea. it allowed her to be whatever anyone wanted her to be, they could paint their own ideas of her. she could be mysterious, she could be all they ever wanted. and she could be a dream.
and it was through this exploration that alethea slowly stepped out of the pillars her mother had built for her. first came the time greer dared her to kiss another girl during spin the bottle, and alethea realized that she might have enjoyed it more than her mother would have liked. and then came the time greer put her in a suit instead of a dress, and she liked the way it looked on her. and that maybe she wasn’t a girl after all, but something that could be shed. and so they started to pick up new pieces of theirself, putting them together to form a whole new journey. was ballet even the career they wanted? did they even like ogden? who were these people that had been decided as their friends? the questions became overwhelming.
WHO WILL BE LEFT TO LEAVE? JUST ME:  
and now greer is gone. and it’s noticeable the change in alethea. it began before her disappearance of course, but could it somehow be correlated? alethea willingly goes out, sometimes alone, now. they are keeping greers friends, they are speaking up and out, they have a bite to them that hadn’t existed once upon a time. what does the future hold of alethea? are they becoming who they really are, or are they once again pretending, shedding the quiet role they had lived into for all their life for one that looks a little more like their now missing friend…
GREER:
during freshman year at ogden, alethea was absolutely lost and in-over her head. she had never been the rebellious type, her parents had been too strict to allow non-sense in their house, and so alethea was overwhelmed with the freedom college could allow, and she had no idea how to deal with it. her mother had always taught her to seek out the ‘right’ people to befriend, and it was just her luck that greer extended her own friendship to alethea. she brought them to the parties, encouraged her to flirt with whomever was necessary in order to go after who she wanted, and overall guided alethea through college. they doesn’t know if she would have been able to survive any of it without greer. there was little jealousy on alethea’s side at the beginning - she was just grateful for what greer could offer her through her friendship. and alethea was not a threat to greer. but as they’ve grown older there has been a tension living in the friendship, the reliance upon each other that might not be as necessary anymore. alethea was not anymore outgoing or less shy, but now her shyness was being interpreted as mystery, making them a bit more intriguing to others and perhaps sparking some jealousy on greer’s side.
THE DRAG-ALONG:  
you know that girl that was always a few steps behind greer and the fallen princess? the one with wide eyes and a quiet demeanor? they never seemed to talk much, but even in their silence never seemed to be entirely so observant that you had to watch what you were saying. really, she just seemed like a little pet to the best friends, a third they allowed to follow them around. 
and that person? that was alethea, taken under greer’s wing during the first weeks of school freshman year but never brought too close. it was the kind of relationship where alethea was sure to call greer one of her best friends, and greer might hesitate, only referring to them as a simple friend. but wherever the fallen princess and greer were, alethea was there. fingers picking at each other, posture both immaculate and slouched. each semester they seemed to get a bit bolder, inching their way up next to the other two, but still never find herself as an equal. 
extra:
previous tasks found here
they have their septum pierced that they flip up whenever they go home and hide from their mother
her room is usually incredibly clean 
often found walking around campus as if they are in their own world
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[TASK 200: ANTIGUA AND BARBUDA]
In celebration of June being Caribbean American Heritage Month, there’s a masterlist below compiled of over 170+ Antiguan and/or Barbudan faceclaims categorised by gender with their occupation and ethnicity denoted if there was a reliable source. If you want an extra challenge use random.org to pick a random number! Of course everything listed below are just suggestions and you can pick whichever faceclaim or whichever project you desire.
Any questions can be sent here and all tutorials have been linked below the cut for ease of access! REMEMBER to tag your resources with #TASKSWEEKLY and we will reblog them onto the main! This task can be tagged with whatever you want but if you want us to see it please be sure that our tag is the first five tags, @ mention us or send us a messaging linking us to your post!
THE TASK - scroll down for FC’s!
STEP 1: Decide on a FC you wish to create resources for! You can always do more than one but who are you starting with? There are links to masterlists you can use in order to find them and if you want help, just send us a message and we can pick one for you at random!
STEP 2: Pick what you want to create! You can obviously do more than one thing, but what do you want to start off with? Screencaps, RP icons, GIF packs, masterlists, PNG’s, fancasts, alternative FC’s - LITERALLY anything you desire!
STEP 3: Look back on tasks that we have created previously for tutorials on the thing you are creating unless you have whatever it is you are doing mastered - then of course feel free to just get on and do it. :)
STEP 4: Upload and tag with #TASKSWEEKLY! If you didn’t use your own screencaps/images make sure to credit where you got them from as we will not reblog packs which do not credit caps or original gifs from the original maker.
THINGS YOU CAN MAKE FOR THIS TASK -  examples are linked!
Stumped for ideas? Maybe make a masterlist or graphic of your favourite faceclaims. A masterlist of names. Plot ideas or screencaps from a music video preformed by an artist. Masterlist of quotes and lyrics that can be used for starters, thread titles or tags. Guides on culture and customs.
Screencaps
RP icons [of all sizes]
Gif Pack [maybe gif icons if you wish]
PNG packs
Manips
Dash Icons
Character Aesthetics
PSD’s
XCF’s
Graphic Templates - can be chara header, promo, border or background PSD’s!
FC Masterlists - underused, with resources, without resources!
FC Help - could be related, family templates, alternatives.
Written Guides.
and whatever else you can think of / make!
MASTERLIST!
F:
Anna Maria Horsford (1948) Afro-Antiguan, Limba, Dominican - actress. 
Patsy Moore (1964) Afro-Antiguan / Unspecified - singer and poet.
Marianne Jean-Baptiste (1967) Afro-Antiguan / Afro-Saint Lucian - actress. 
Drena De Niro (1967) Antiguan, African, Creole / Unknown - actress and producer. 
Rozonda Thomas (1971) African-American, 1/16th Bengali Indian, 1/16th Afro-Antiguan, possibly Unspecified Native American - actress, dancer and singer. 
June Ambrose (1972) Afro-Antiguan - tv personality and stylist.
Fay Wolf (1978) Afro-Antiguan / Ashkenazi Jewish - actress, singer and pianist. 
Claudette Peters (1979) Afro-Antiguan - singer.
Javine Hylton (1981) Afro- Antiguan or Barbudan, White - singer.  
Gemma Hunt (1982) Afro- Antiguan or Barbudan - presenter. 
Masaba Gupta (1988) Indian / Antiguan - fashion designer.
London Hughes (1989) Afro- Antiguan or Barbudan - comedian and presenter. 
Xiea Hull (1993) Afro-Antiguan - model.
Aaron Philip (2001) Afro-Antiguan - model. - Has Cerebral Palsy - Trans!
Au/Ra / Jamie Lou Stenzel (2002) Antiguan / German - singer-songwriter.
Donalia Jones (?) Afro-Antiguan - actress.
Nicoya Henry (?) Afro-Antiguan - model.
Mara (?) Afro-Antiguan - instagrammer (mara_mac).
Tamzin (?) Afro-Antiguan, Nigerian, British - singer (instagram: tamzinmusic).
Catherine Melenciano (?) Afro-Antiguan - instagrammer (cathiimedialuna).
Melisa N. Charles (?) Afro-Barbudan - model.
Desiree Heslop / Princess (?) Afro- Antiguan or Barbudan - singer.
F - Athletes:
Ruperta Charles (1962) Afro-Antiguan - sprinter. 
Jocelyn Joseph (1964) Antiguan or Barbudan - sprinter.
Laverne Bryan (1965) Antiguan or Barbudan - middle-distance runner.
Heidi Lehrer (1966) Antiguan [White] - canoer.
Monica Stevens (1967) Antiguan or Barbudan - sprinter.
Heather Samuel (1970) Antiguan or Barbudan - sprinter.
Charmaine Gilgeous (1971) Afro-Antiguan - sprinter.
Barbara Selkridge (1971) Afro-Antiguan - sprinter.
Charmaine Thomas (1974) Antiguan or Barbudan - sprinter.
Dine Potter (1975) Antiguan or Barbudan - sprinter.
Kevinia Francis (1978) Afro-Antiguan - cyclist.
Sonia Williams (1979) Afro-Antiguan - sprinter.
Amy Harris-Willock (1987) Afro-Antiguan - long jumper and Miss Caribbean UK. 
Priscilla Frederick (1989) Afro-Antiguan / African-American - high jumper.
Christal Clashing (1989) Afro-Antiguan / Costa Rican - swimmer.
Samantha Edwards (1990) Afro-Antiguan - sprinter. 
Amelia Green (1991) Antiguan - footballer.
Tamiko Butler (1991) Antiguan - cyclist.
Afia Charles (1992) Afro-Antiguan / Unknown - sprinter. 
Karin O'Reilly Clashing (1992) Afro-Antiguan / Costa Rican - swimmer.
Satara Murray (1993) Afro-Antiguan, Afro-Barbudan, Afro-Jamaican, Afro-Guyanese, English - footballer.
Desirèe Henry (1995) Afro-Antiguan, Afro-Guyanese - sprinter. 
Sabrina Frederick (1996) Afro- Antiguan, Jamaican - footballer.
Kaila Charles (1998) Afro-Antiguan / Trinidadian - basketball player.
Samantha Roberts (2000) Afro-Antiguan - swimmer.
Sher-Rhonda Greenaway (?) Afro-Antigua - IFBB Elite Pro Athlete and Miss Antigua overall Bodyfitness Champion 2017.
M:
King Short Shirt / Sir MacLean Emanuel (1942) Afro-Antiguan - singer. 
Romeo Challenger (1950) Afro-Antiguan - musician. 
Kool DJ Red Alert / Frederick Crute (1956) Afro-Antiguan - disc jockey.
Jazzie B / Trevor Beresford Romeo (1963) Afro-Antiguan - DJ and music producer.
Shashi Balooja (1968) Antiguan - actor and filmmaker.
Andrew Keoghan (1980) Antiguan - singer-songwriter. 
Tian Winter (1985) Afro-Antiguan - singer-songwriter.
Ricardo Drue (1985) Afro-Antiguan - singer-songwriter.
JB Gill / Jonathan Benjamin Gill (1986) Afro-Antiguan - singer. 
Killian Lyrik (1991) Algonquian, Antiguan, Jamaican, Dutch, German - singer, model and writer.
Lucien Laviscount (1992) Afro-Antiguan / English - actor and singer. 
Kirk Knight (1996) Afro-Antiguan / Grenadian - rapper.
Quan The Supreme (1997) Afro-Antiguan, Afro-Barbudan - tiktoker (quanthesupreme).
KneeCaps (1998) Afro-Antiguan, Afro-Barbudan - youtuber.
Sheku Kanneh-Mason (1999) Afro-Antiguan / Sierra Leonean - cellist. 
Clifton Joseph (?) Afro-Antiguan - dub poet.
Shirville Jarvis (?) Afro-Antiguan - actor and model.
M - Athletes:
Maurice Hope (1951) Afro-Antiguan - boxer.
Andy Roberts (1951) Afro-Antiguan - cricketer. 
Viv Richards (1952) Afro-Antiguan - cricketer. 
Cuthbert Jacobs (1952) Antiguan, Barbudan - sprinter.
Maxwell Peters (1955) Antiguan, Barbudan - triple jumper.
Everton Cornelius (1955) Antiguan, Barbudan - sprinter.
Leon Richardson (1957) Antiguan - cyclist.
Elisha Hughes (1959) Antiguan - cyclist.
Alfred Browne (1959) Afro-Antiguan, Afro-Barbudan - sprinter.
Eldine Baptiste (1960) Afro-Antiguan - cricketer. 
Brian Lyn (1961) Antiguan - cyclist.
Richie Richardson (1962) Afro-Antiguan - cricketer.
Oral Selkridge (1962) Afro-Antiguan, Afro-Barbudan - sprinter.
Curtly Ambrose (1963) Afro-Antiguan - cricketer. 
Lester Benjamin (1963) Afro-Antiguan, Afro-Barbudan - long jumper.
Howard Lindsay (1963) Afro-Antiguan, Afro-Barbudan, Afro-Jamaican - middle-distance runner.
Jacob Lehrer (1964) Antiguan [White] - canoer.
Ira Fabian (1964) Afro-Antiguan - cyclist.
Dale Jones (1964) Antiguan - middle-distance runner.
Winston Benjamin (1964) Afro-Antiguan - cricketer. 
Pieter Lehrer (1965) Antiguan [White] - canoer and footballer.
Rolston Williams (1965) Afro-Antiguan - footballer.
Daryl Joseph (1966) Antiguan, Barbudan - boxer.
James Browne (1966) Antiguan, Barbudan - long jumper.
Mitchell Browne (1966) Afro-Antiguan, Afro-Barbudan - sprinter.
Neil Lloyd (1966) Afro-Antiguan - cyclist.
Kenny Benjamin (1967) Afro-Antiguan - cricketer. 
Ridley Jacobs (1967) Afro-Antiguan - cricketer. 
Anthony Henry (1967) Afro-Antiguan - sprinter.
Robert Marsh (1968) Afro-Antiguan - cyclist.
Reuben Appleton (1968) Afro-Antiguan - middle-distance runner.
Derrick Edwards (1968) Afro-Antiguan - footballer.
Robert Peters (1970) Afro-Antiguan - cyclist.
Kenmore Hughes (1970) Antiguan or Barbudan - sprinter.
Hamish Anthony (1971) Afro-Antiguan - cricketer. 
Michael Terry (1973) Afro-Antiguan, Afro-Barbudan - middle-distance runner.
N'Kosie Barnes (1974) Afro-Antiguan - sprinter.
Adam Sanford (1975) Afro- Antiguan or Barbudan - cricketer.
Marc Joseph (1976) Afro- Antiguan or Barbudan - footballer. 
Ben Challenger (1978) Afro- Antiguan or Barbudan - high jumper. 
Emile Heskey (1978) Afro-Antiguan - footballer. 
Speedy Claxton (1978) Afro-Antiguan - basketball player.
Kieron Dyer (1978) Afro-Antiguan / English - footballer. 
Rory Gonsalves (1979) Antiguan - cyclist.
Shannon Falcone (1981) Antiguan [White] - sailor.
Robbie Joseph (1982) Afro-Antiguan - cricketer. 
Joel Anthony (1982) Afro-Antiguan / Unknown - basketball player. 
Mikele Leigertwood (1982) Afro-Antiguan - footballer. 
Justin Cochrane (1982) Afro-Antiguan / Saint Lucian - footballer. 
Gavin Tonge (1983) Afro-Antiguan - cricketer. 
Brendan Christian (1983) Afro-Antiguan - sprinter.
Julius Hodge (1983) Afro-Antiguan - basketball player.
Kurt Looby (1984) Afro-Antiguan - basketball player.
Damien Farrell (1984) Afro-Antiguan or Barbudan - footballer. 
Peter Byers (1984) Afro-Antiguan - footballer. 
Ronayne Marsh-Brown (1984) Afro-Antiguan or Barbudan - footballer. 
James Grayman (1985) Afro-Antiguan - high jumper.
Ayata Joseph (1985) Afro-Antiguan - triple jumper.
Colin Kazim-Richards (1986) Afro-Antiguan / Turkish Cypriot - footballer. 
Dexter Blackstock (1986) 1/4th Afro-Antiguan, Unknown - footballer. 
Colin Kazim-Richards (1986) Afro-Antiguan / Turkish - footballer. 
Daniel Bailey (1986) Afro-Antiguan - sprinter.
James Walker (1987) Afro-Antiguan or Barbudan - footballer. 
Moses Ashikodi (1987) Afro-Antiguan or Barbudan - footballer. 
Luke Blakely (1988) Afro-Antiguan - footballer. 
Myles Weston (1988) Afro-Antiguan - footballer.  
Marvin McCoy (1988) Afro- Antiguan or Barbudan - footballer. 
Malique Williams (1988) Afro-Antiguan - swimmer.
Orlando Peters (1988) Afro-Antiguan - cricketer.
Justin Athanaze (1988) Afro- Antiguan or Barbudan - cricketer. 
Keiran Murtagh (1988) Afro-Antiguan or Barbudan - footballer. 
Jyme Bridges (1989) Afro-Antiguan - cyclist.
Devon Thomas (1989) Afro-Antiguan - cricketer. 
Josh Parker (1990) Afro-Antiguan or Barbudan - footballer. 
Kemba Walker (1990) Afro-Antiguan / Antiguan [Antiguan, Crucian] - basketball player.
Kiernan Hughes-Mason (1991) Afro-Antiguan or Barbudan - footballer. 
Jamol Pilgrim (1991) Afro-Antiguan - paralympic sprinter.
Nathaniel Jarvis (1991) Afro- Antiguan or Barbudan - footballer. 
Hayden Walsh Jr. (1992) Crucian [Afro-Antiguan / Unknown] - cricketer. 
Keanu Marsh-Brown (1992) Guyanese, Afro-Antiguan or Barbudan - footballer. 
Quinton Griffith (1992) Afro-Antiguan - footballer. 
Kareem Valentine (1992) Afro-Antiguan - swimmer.
Zaine Francis-Angol (1993) Afro-Antiguan or Barbudan - footballer. 
Rahkeem Cornwall (1993) Afro-Antiguan - cricketer. 
Norvel Pelle (1993) Afro-Antiguan - basketball player. 
Calaum Jahraldo-Martin (1993) Afro-Antiguan - footballer. 
Rhys Browne (1995) Afro-Antiguan - footballer. 
Mahlon Romeo (1995) Afro-Antiguan / Unknown - footballer. 
Cejhae Greene (1995) Afro-Antiguan - sprinter.
Ché Adams (1996) Afro-Antiguan / Unspecified - footballer. 
Blaize Punter (1996) Afro-Antiguan / Unspecified - footballer. 
Connor Peters (1996) Afro-Antiguan or Barbudan - footballer. 
Alzarri Joseph (1996) Afro-Antiguan - cricketer. 
Courtney Wildin (1996) Afro-Antiguan or Barbudan - footballer. 
AJ George (1996) Afro-Antiguan - footballer. 
Vashami Allen (1997) Afro-Antiguan - footballer. 
Luther Wildin (1997) Afro-Antiguan or Barbudan - footballer. 
Shai Gilgeous-Alexander (1998) Afro-Antiguan / Unspecified White - basketball player.
DJ Buffonge (1998) Afro-Antiguan - footballer. 
Daniel Bowry (1998) Afro-Antiguan or Barbudan - footballer. 
Noah Mascoll-Gomes (1999) Afro-Antiguan - swimmer.
Stefano Mitchell (1999) Antiguan - swimmer.
Zayn Hakeem (1999) Afro-Antiguan - footballer. 
Thomasi Gilgeous-Alexander (2000) Afro-Antiguan / Unspecified White - basketball player.
TJ Bramble (2001) Afro-Antiguan or Barbudan - footballer. 
Patrick Spencer (?) Antiguan - cyclist.
Rowan Benjamin (?) Antiguan or Barbudan - footballer.
Problematic:
Conrad Mainwaring (1951) Afro-Antiguan - hurdler. - Sexual assault allegations.
Mohammed George (1982) Afro-Antiguan / Afro-Jamaican - actor. - Assault allegations.
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