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#BECAUSE THE SCENE IS GOOD FRIENDS
pdwoozi · 2 months
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3.12 War of the Coprophages
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poorly-drawn-mdzs · 10 days
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Average Drama Enjoyer observes some peak drama.
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littlebitofdnd · 1 month
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Sandra-Lynn and Sklonda are having a "What Do We Do About Kristen" phone call as we speak
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royalarchivist · 13 days
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Missa: [Finds a book Fit wrote for Phil and stares at it in silence for a long moment]
Missa: ...Ok, Fit is talking to Philza. Should I... should I know what they're talking about? I mean, I mean no– it doesn't worry me, it doesn't worry me. I'm not a jealous guy. But maybe they've talked about this [the situation with Bad] and know something?!
Missa: It's like– it's like seeing his cellphone. No, I'm not going to read it, I'm not going to read it. No no no, no. It's like looking at his cellphone, no!
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elfcollector · 1 month
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I feel ill. All the fools and villains who ever fell for my ploys, they're — they're here!
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ladylingua · 11 months
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if I lived in Tortall and became a lady knight my big distinction would be that I can be the first female knight that enjoys gossiping and parties and all the other stuff Tammy can’t help herself from 😑ing at because she hates it so much lmao
“So wait, they’re giving out free food and drinks in the great hall and all I have to do is wear an outfit and stand around and listen to assholes talk about themselves while occasionally taking my turn to yammer on about my thoughts on the realm? Say less, I’m sprinting back from this practice court as we speak”
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daily-hanamura · 6 months
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mobius-m-mobius · 4 months
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Most purpose is more burden than glory. And trust me, you never wanna be the guy who avoids it ’cause you can’t live with the burden.
LOKI APPRECIATION WEEK 2023 | for @dailyloki Day 6 : Favorite Quote
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chimaerakitten · 2 months
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Every time I think about that scene in BoT where Laurence is upset about being spied on again and Tharkay is like “take it as a compliment that you’re important enough to be spied on.” I lose it. Golly Gee Mr. Tharkay, what an interesting opinion on spies that is! Wonder where you, our dear mysterious translator and guide friend who is definitely not a spy, came across it.
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ctl-yuejie · 7 months
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a taste
#only friends#only friends the series#ofts#mark pakin#papang phromphiriya#i am obsessed with how good papang is#trust me to read too much into it but to me he clearly has an idea who 30 sth year old Dan is#seemingly out of the dating scene since at least his graduation so doesn't know the current lingo#feeling a bit too old but also unsure how he likes being called old but hot#very charmed by this junior but not used anymore to getting butterflies in a club#lowkey knows that the boss thing might be a bit hmm...#(listen: i love that again the show doesn't give us a clear line of 'dan is a creep' because there is a lot of room for him to essentially#be a good option for nick as well as the possibility of accidentally acting unethical) especially within the community it is worth to#observe whether the power imbalance on its own speaks against the person#he's also a bit shy wondering whether this cute guy would actually be interested in him because he is sweet and obviously aquainted with#going to bars so surely he must have options#and mark is also so wonderful ;A; even before he spots boston you can see that there is still some heartbreak lingering#but also that he liked the kiss but it was a very different feel to boston#also: somehow papang in mlc and papang here kisses absolutely differently and it makes so much sense to me that he at this point in his#life would kiss like this?? idk how to explain it better#this show continues to bring out the best acting out of everyone#(to derail: maybe why i want the writing for top to be that he's still in the grey so badly because i think that is the kind of difficult#acting force is actually mastering in this series)
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louieshalo · 1 month
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demiromantic asexual riz gukgak save me… save me demi/ace riz who can’t distinguish his romantic feelings for fabian from his platonic ones
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howlingaround · 7 months
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Ive been thinking about that prologue way top much
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bird-inacage · 7 months
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Only Friends: Sand's First Display of 'Messy' Behaviour
I'll preface this by saying I adore this man, and he's probably been the least problematic individual out of the Self-Proclaimed Friendship Circus. However, what left me with a chill was how Sand behaved when he revealed the affair to Ray.
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Since we've been introduced to Sand, I think many of us have been pretty relieved by his largely green flag behaviour (in the midst of a very low bar being set in this group). This has often had me wondering what Sand's wider arc is going to be. The writers are not going to keep his storyline on one setting the whole way through. Therefore it's natural to anticipate we will be given another side to Sand - perhaps a less sympathetic or irrational part of his character. And maybe this was our first inkling into Sand's imperfections. He's also prone to vengeance and acting with an ulterior motive in mind.
Why it left me feeling so uncomfortable is because we haven't seen Sand in this light before. His score card has been pretty blemish-free.
Fuelled by a Vendetta
Nick shared this knowledge with Sand a while ago. However what triggered Sand to do something about it now was his confrontation with Top. We don't yet know what the circumstances were behind Top stealing Sand's ex from him, and how that played out. But it's evidently a sore grudge that Sand still very much holds against him.
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Seeing Top again reminded Sand of the information he has at his disposal which could be used to teach Top a lesson. Sand is a very righteous person, and he doesn't think it's fair that someone should ruin his previous relationship, and now get what he wants with Mew as well. He wants Top to be punished. 'You're going to get what's coming to you, just wait'. It's possible that Sand didn't have the resources or means to get back at Top back then. But now he sees an opportunity to do so.
Combined with the fact that Sand has recently discovered that Ray loves Mew, this provides him with the perfect excuse for passing this information on. One, because as an outsider of their group, this can't come directly from him. Two, he knows based on Ray's temperament and his feelings for Mew, he'll be guaranteed to act.
Motivated by Selflessness or Selfishness?
I was originally going to post a deep dive on the scene between Ray and Sand at the bar, but I found myself constantly yo-yoing and ultimately undecided as to whether Sand's intentions were good or bad.
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On the one hand, he's sharing this because he knows Ray will reveal the affair and Top will suffer the consequences. Thus, satisfying an act of indirect revenge.
On the other hand, he could also be doing this (as he so claims) due to his sense of righteousness. He just can't bear bad people getting away with bad things. And perhaps he does genuinely see Mew as a innocent victim here, and wants him to expose Top for who he is.
What also had me conflicted is that 'breaking' up Mew and Top doesn't play to Sand's interests. If Sand is romantically invested in Ray, and Mew becomes single again, this would allow Ray to continue pursuing Mew, which means Sand loses out. This is plausible if you're fuelled by unconditional love and a desire to see the person you love be happy. But I'm not entirely convinced that is the case here either.
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You can also argue that Sand is 'using' Ray in this instance to achieve his objective, which is very questionable. He knows what a loose cannon Ray can be. Either he didn't think too much about the possible repercussions of how Ray would react, or he didn't care as long as Top got what he deserved. I don't think by any means Sand wishes to cause Ray any harm, but something really primal seemed to drive Sand to do this regardless of how Ray may be affected as the messenger.
So I don't know if I've decided yet. It could be a mix of all the above. This did seem to veer more on petty vengeance under the guise of righteousness. Mainly due to how Sand looks at Ray in that entire scene, which felt slightly manipulative and cold compared to how he usually has been with Ray. Especially when he says, "Mew is lucky though to have you by his side." It's almost with pinpoint precision that Sand triggers an image in Ray, to be the saviour swooping in to protect Mew.
All in all, I found Sand's behaviour this episode to be highly intriguing and unexpected. I saw a clip of First talking at an event recently, where he says something along the lines of 'when you see Sand do this, please forgive him', which implies there will be some further questionable or inexplicable behaviour later on potentially. Hmn.
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humanmorph · 5 months
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Transcript:
SYLVIA: [...] I just like, have this idea of a conversation like happening between- happening among the crew of like, the original Rapid Evening, like A.O. and Leap and Millie about like, “hey, it’s way harder for them to keep us under control here.”
AUSTIN: (crosstalk) Do this scene.  This should be a scene.
SYLVIA: Yeah?
AUSTIN: Yeah.
SYLVIA: All right.
AUSTIN: Where is it?  What’s going on?
SYLVIA: I wanna say it’s like, cafeteria area, I guess?
AUSTIN: Yeah.  That works.
SYLVIA: Wherever they’re eating.  Um-
KEITH: This is everyone but Clem.
SYLVIA: Pretty much, yeah.  I mean, SI not there either.
KEITH: Okay.
AUSTIN: (crosstalk) Okay, so, so-
SYLVIA: None of the cops in the Rapid Evening are invited.
AUSTIN: Okay.  So A.O., Leap, Millie.  Figure A?
SYLVIA: Figure A can be there if you want.
AUSTIN: (laughing) Yeah, Figure A is there.  Great.
KEITH: Playing three songs at once on a little speaker.
AUSTIN: (crosstalk) Yeah.
SYLVIA: Well, what I- I like them just like- they’re having lunch and like, sorting through shit that Leap got at the raid.
AUSTIN: Oh, that’s really good, I like that, yeah.
SYLVIA: And that’s something that Figure A’s just doing a lot of.
KEITH: Like categorizing things maybe?
SYLVIA: Yeah, but like, they’re sort of like- The rest of them are like, fucking around with it too.  And I think at one point Millie’s just like,
SYLVIA (as Millie): Hey, why do we still listen to Clem?
KEITH (as Leap): We don’t.  I don’t.
SYLVIA (as Millie): Yeah, but like- Okay, you don’t.  Why- Why have we- Okay, better question.  Why does Clem still think she’s in charge?
KEITH (as Leap): Because-
SYLVIA (as Millie): (crosstalk) You know what I mean?
KEITH (as Leap): Pretending to be in charge is the only way to seem like you’re still in charge.
SYLVIA (as Millie): But like, Leap, people are listening to her!
KEITH (as Leap): I know, it’s a tragedy.
SYLVIA (as Millie): So- Okay, let me just like, sort of bridge this gap here that we’re having between our two thoughts.
KEITH (as Leap): Yeah.
SYLVIA (as Millie): What if we put her into prison?  And we were the ones-
KEITH (as Leap): Are you kidding me?  Are you kidding me right now?
SYLVIA (as Millie): No, I’m not kidding you right now.
KEITH (as Leap): Do you- I- ah- Sounds a little familiar!  I think someone maybe had this idea!
SYLVIA (as Millie): (shouting) What! Hey! Okay! Hold on!  Hold on!  Hold on!  Hold on!
AUSTIN: Figure A says,
AUSTIN (as Figure A): I recall seventeen instances where Exeter Leap-
SYLVIA (as Millie): (crosstalk) (shouting) WAY worse timing!
AUSTIN (as Figure A): -suggested that we place Clementine Kesh into a prison or something adjacent to a prison, categorically.
SYLVIA (as Millie): (crosstalk) Okay! Fine!
KEITH (as Leap): Can you play those back?
SYLVIA (as Millie): (crosstalk) Okay, Leap’s always right, everybody loves Leap, I get it.
KEITH (as Leap): We gotta put Clem in jail.
SYLVIA (as Millie): We gotta put Clem in jail!  Also, okay, fucking-
AUSTIN: How’s A.O.?  Is A.O. just watching all this, what’s-
ART (as A.O. Rooke): What’s- What, I thought we were gonna listen to some recordings.
(AUSTIN and SYLVIA laugh)
KEITH (as Leap): Yeah, run through ‘em!
AUSTIN (as Figure A): (as Leap) “Hey, why don’t we just put Clem in jail and take over?  We have all the power here!”
SYLVIA (as Millie): Ehhh.
ART (as A.O. Rooke): Hmm, I don’t think I was there for that one.
AUSTIN (as Figure A): (as Leap) “Small idea, what if we just put Clementine in jail and we took over the palace and had our whole entire situation reversed.  Wouldn’t that be better?”
ART (as A.O. Rooke): Mmm.
KEITH (as Figure A): (as Leap) “I’m over the Clem thing, no offense Clem.  Shouldn’t she be the one in jail?”
(AUSTIN laughs)
SYLVIA: God.
ART (as A.O. Rooke) Yeah, I remember- That one, that was the most recent one.  Why aren’t these in order?
SYLVIA: (crosstalk) At the end of every clip, there’s just Millie going “Ehhhhhh.”
KEITH: (crosstalk) They’re alphabetical.
AUSTIN: (crosstalk) (laughing) They’re in alphabetical order, yeah.
KEITH: Yeah.
ART: Alphabetical by location.
AUSTIN: (laughing) Yes.
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lemongrass77777 · 5 months
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I will never be over the fact that Lily Potter was the one who defeated Voldemort in 1981 and she was never given proper credit for it in canon. We barely even know anything about her and she was the one who defeated the snake faced bitch the first time around. It drives me insane. Lily deserved so much better than what the books ever gave her.
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jaskiersbard · 10 months
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Stating the obvious here but this scene should NEVER have been cut from Secrets of Dumbledore, there was absolutely zero need to cut it and I'm going to be forever salty about it.
There's just so much I love about this scene... Newt being Newt, Theseus cradling the baby Qilin and singing to it (my ovaries may or may not have combusted tbh), both of them in waistcoats?!?!, Pickett having a matching bandage on his little twig hand/arm just like Newt, the tiniest scraps of information about the Scamander parents - their mum used to sing to them, their dad had an old drinking song - and just the two of them being brothers... this scene shows why not only Newt but also Theseus are Hufflepuffs, shows their brotherly relationship, shows a caring older brother side of Theseus.
I'm just forever going to be mad about the potential of this series and how it's now unlikely to ever be realised.
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