Wrote a little proximity thing :] there’s not too much going on but I like it and I like them so. anyway
AU belongs to me and @denieatsart
Cross kicked an empty, rusted can so it clattered over the rubble he traversed. He crouched to rummage through a particularly promising looking pile of trash and debris, only to find nothing of value. He stood and moved to another, pushing through this one with the tip of his boot.
Silence hung over him as he worked. Unnatural silence. It had come with the bombs, when the hum of civilization was killed. The hum of its machines and inhabitants. Without that hum the buildings around him seemed stories taller than they had been before the bombs. Everything seemed so big with it being this empty and motionless.
As he was in the middle of untangling and bundling a wad of string he heard another pair of footsteps in the rubble.
He paused, froze, then whirled toward the source, muscle memory and habit urging him to pull his machete from its sheath. He thrust the weapon forward, the string entirely forgotten.
“Woah, woah! It’s just me, wolf.” Killer said hurriedly, stepping back from the blade.
Immediately upon registering that it was just him, Cross relaxed and returned the machete to its sheath. His face softened, and Killer’s did in turn.
“Find anything?” Cross asked.
Killer shoved hands into the pockets on his pants, searching. “Oh, yeah,”
“Anything useful.” Cross clarified, and Killer stopped to scowl at him. Cross’s eyes turned up in a grin that was mostly hidden by his scarf.
Killer removed his hands, and stuck them in the smaller pockets on either side of his hips. “I did find a big warehouse back there somewhere. Still had some stuff in it. If you’d consider that useful.”
Cross shifted his bag on his shoulder, nodded, and motioned for Killer to lead the way.
He started down the main asphalt road that ran through the the city like a fault line. The silence followed them past the carcasses of storied buildings.
Almost immediately Killer then veered down an obscure alley way.
The alley was narrow. And dark. The only color was the chicken scratch graffiti over every surface that could be reached, spelling out profanities and who knows what else. The last cries of those who had survived the fall.
Even though Killer walked ahead and seemed to follow his own separate path with the way he zigzagged, he and Cross were tethered together by an unspoken cord. A safety line. Not of destiny. God, not of destiny. But of their own making. They both knew it was there, though they never mentioned it. Never spoke of what it meant. It was drawn thin, at times, but never severed. That cord ensured their ever-close proximity.
From the alley, Killer climbed a rotting, discarded radiator to step past broken glass and through a window.
The apartment was almost entirely empty, save for rubble and trash. Cross scanned every corner and searched for anything remotely of value, though he knew someone else had cleaned it out long before.
A muddy watercolor wash of dirt and dust spread across every surface, seeped into the crevices.
The sound of Killer’s voice disrupted the silence. “Ran into some other scavengers around here.”
“They put up a hell of a fight too. ‘m not hurt though. Not bad anyway. Just a bit scuffed.” Killer threw a grin over his shoulder at Cross, as if reassuring him before he got the chance to voice his worries.
Even so, Cross scanned Killer for injuries. He certainly was scuffed, though it was hard to tell the new from the old. His eye caught on a particularly bloody, except mostly dried, and particularly large tear in his sleeve. He’d have to mend that later.
“I’m sure you put up a hell of a fight, too.” Cross replied.
Killer laughed. He bounced on his feet to walk backward a moment, eyes sparkling at Cross’s.
“‘Course I did. Sent ‘em running.”
He turned back around in a similar motion. He pulled his knife from its sheath around his waist and twirled it between dexterous fingers.
“How many?” Cross asked.
“Two? Maybe three, I dunno.” Killer responded.
Cross hummed, and nodded. He was glad his trust in Killer being able to handle himself was holding up.
“It was the same guys from the other day, too. Guess they didn’t learn their lesson.” Killer continued. Cross listened to every word he said, glad to have his voice to disrupt the silence.
“If you see them again, get me.” Cross said.
Killer laughed. “Aw, wolf, I can handle ‘em just fine.”
“Mm.”
Still, Cross didn’t want him being more reckless than he needed to be.
“You find anything good?” Killer asked now.
Cross was reminded of the string. “No.”
“I guess I win then,” Even though Cross could only see his back, he was sure Killer was grinning to himself.
“It’s not a competition, raccoon.”
Killer turned his head to stick his tongue out at him. “Killjoy.”
Cross chuckled, and then Killer laughed.
“You gotta have some fun sometime, y’know? In a world this fucked over.” Killer added, a tint of solemn in his voice.
A pause. Their shoes scuffed on the concrete below.
“…Race you.” Cross decided.
Killer looked at Cross like he had just recited the entire Declaration of Independence to him from memory. Then a grin split all the way across his face.
“Yeah?” He asked eagerly.
Cross nodded.
He shifted his bag again and picked up the pace, quickly overtaking Killer before he could start running.
Killer sheathed his knife. He chased him through the rest of the room, past cries of despair painted in graffiti and crumbling windows showcasing the blotted out muddy sky.
Cross’s companion passed him and clambered through a rough hole that had been blown in the building’s wall. Cross lost sight of him as he followed through the gap, then caught sight of him again as he dropped down a broken off metal flight of stairs into another alley.
This alley was wider than the last, and just as cluttered by spray paint. The world was dead. Cross knew that well. But at least he and Killer were alive. Alive enough to still share something as menial and silly as a game of tag. Gotta have fun sometime.
Immediately Cross was running again to tail Killer as he glimpsed him turn a bend. When he passed the corner he saw Killer sitting atop a sheet of metal propped against a mound of rocky debris. Cross approached him, and Killer leaned forward, elbows on his knees. His soul whirred. It’s red light illuminated the alley with his triumph.
“I win again.” Killer boasted as he jumped down from his perch to continue walking beside Cross.
“So you did.” Cross replied.
“Why don’t we do that more often? That was kinda fun.” Killer asked.
Cross paused to consider his response. He checked his surroundings. “…don’t get very used to it.”
“Killjoy.” Killer complained. He shoved his hands in his pockets and kicked at the ground.
Through the alley, they past a handful of shoddy structures built like spider webs; made just for one night and then abandoned. They were wedged in corners and unnaturally made caves. Anywhere out of sight.
Distantly, the crackling of fire and the chatter of other people grew louder as they neared. Cross even saw the glow of their camp bouncing off stone. He couldn’t make out an exact location. He made the mental note to steer clear of the source.
Cross made a small hiss, a brief gesture, and Killer quickly picked up on their neighbors.
He nodded and detoured to push past a torn tarp, into the open bottom floor of another building. The voices got quieter. Though, they didn’t fade completely, and instead remained in the back of Cross’s mind.
This building was one of many that was a mystery how it stood upright. Countless craters and gaps and holes were windows for the murky hazel hue of the sky. The whole thing had fallen with the bombs, too, meaning everything was flipped sideways. So now this once-tall skyscraper was only a body in the dirt.
Cross and Killer traversed its entrails with little thought, as they had long since been desensitized to death. They had desensitized themselves, anyway. If one dwelled on the decimation it’d only make it unbearable.
“Over here.” He called. He hadn’t shouted, but his voice was startlingly loud in the quiet, and it echoed off stone.
Cross followed.
“We should be gettin’ close now. Couple feet, maybe.” Killer commented as he twirled the drawstrings of his jacket between his fingers.
Cross picked up his pace, so now he was beside his smaller companion. It occurred to him, based on how scattered their path was, they must be directly retracing Killer’s steps. Following the path he had taken hours before when he found the warehouse.
Suddenly Killer devolved into a short coughing fit. It was raspy, shaky, and made Cross press closer to him in uncertainty.
“‘m fine.” Killer replied, but his soul wobbled and flickered. Cross wondered how bright it had been before the bomb-haze dimmed it.
He coughed again. Cross extended his hand, then retracted it. Killer took it.
They turned a corner, then another, went up a ladder and through another building, before Killer stopped abruptly at the doors to a rectangular, metal structure tucked between two apartment buildings.
“Aaand Here it is.” Killer said, gesturing dramatically to the warehouse. His hand let go of Cross’s.
The structure’s sign had fallen at some point, and now laid half buried in the debris littering the ground. The text had long been rusted off, and rust infested the rest of the structure’s edges. The few windows that remained even the slightest bit intact were dirtied and cloudy.
Killer moved to the side of the building, and nodded to the nearest window, which was now nothing more than an empty hole in the wall. “The roof’s caved in, blocks the door from inside. We gotta get in through here.”
Avoiding the bits of glass, Cross clambered through the window, and Killer was not far behind.
The inside of the warehouse was only mildly in better condition than the exterior. The roof had indeed caved in, which at least allowed for a bit of light, though it did mean there was an unstable, several foot wide hole directly above their heads.
Cross unconsciously searched the rest of the building from where he stood. It was expansive, the roof was high, and it consisted of one singular room. Shelves and pallets lined the walls and formed aisles that went all the way up to the ceiling. On these shelves crates and boxes were stacked, many of which were torn and thrown to the ground. The evidence of previous visitors’ pillaging.
“There’s probably still something useful in here, yeah?” Killer said and the newfound echo of his voice made Cross realize he had already left his side and was now weaving between aisles.
Cross caught up with him, and they dug through the remains. They talked as they did. Well, Killer did. Cross listened.
“This reminds me of when I was a kid.” Killer commented from two shelves over. “When I’d be at home by myself and so I’d go running around old abandoned buildings with my buddies. Never found anything good in ‘em though.”
He held up a half-emptied package of soup cans. “Not quite the same now.”
He pried a dented, though intact, can from the package. He tossed it to Cross, who added it to the bag he carried.
“You ever wish you could go back? To, y’know, before everything?” Killer asked. He retrieved another can that was also tossed to Cross.
“…Sometimes.” Cross replied after a moment’s consideration. He had stopped thinking much about it once it became cumbersome.
“Only sometimes?” Killer replied.
“Do you?” Cross looked at him.
“Yeah.” Killer murmured. “If I could just… go back. I’d do it. In a heartbeat.”
He looked up at Cross, saw him. And then his eyes went soft with a newfound uncertainty. That look alone spoke a million sentences.
Mostly there was silence.
But it wasn’t like the vacant silence in the city. Because there was Killer. The shuffling of his shoes as he moved, the noises he’d make and the things he’s whisper to himself, his shaky breathing, his coughing, the way he’d fidget with his knives and drawstrings. The humming of his soul. All sounds that indicated his presence.
And, there was the silent, always ongoing conversation between them. There were the glances that they’d give each other, the gestures. Every little thing they silently spoke. Everything they understood like it was second nature. Because at that point it was.
This silence was comfortable. Normal.
They moved through the building quickly. Cross surveyed their surroundings. Killer threw him cans and made conversation. This was their process, that they did day in day out.
“Hey, check this out.” Killer called. At that moment he was standing staring up at a rusted, folded metal ladder that led up to a hatch in the ceiling.
“Think that goes anywhere?” He asked.
He didn’t wait for a response before he kicked at the ladder and it clattered the rest of the way to the floor. He nodded to Cross and, one after the other, they climbed it.
Killer forced through the hatch at they top and they clambered into the much smaller room that sat above the warehouse. The far wall had crumbled away almost entirely, making for a good view of the city.
There was very little in that room. Either it had been cleared out already, or it had been abandoned long before the bombs.
It wasn’t quite as decimated as the outside, either. Like it was its own little pocket away from the ruin, barely touched by it.
Killer was the first to move. He started wandering the space. “The hell’s this even for?”
Cross didn’t know. And he didn’t care to know.
He slid his bag off his shoulder, and dropped it beside him as he sat against a wall. He crossed his legs, and Killer, pulled by their invisible tether, wandered back over to him.
When his companion joined him Cross passed one of their spoils to him. Killer stabbed the can open with his knife and lifted the edge to his mouth to drink its contents like a beverage.
Cross opened his own can, and together there they sat, eating almost tasteless cold soup from battered cans. The darkness of the attic sat over them. The silence of the city bled through the hole in the wall, but Killer’s silence made it bearable.
Better than starving, at least. Though there was a gap neither of them spoke of, but knew. The gap were a nice dinner with nice food in a nice restaurant, just the two of them, would’ve filled. Something they couldn’t get back.
But it was better than starving.
Killer leaned against Cross, legs tucked to his chest. His can had long since been crushed and discarded. Cross, in turn, leaned his head on him. His face was brush by the fur of Killer’s jacket and scratched by the twigs tangled in it. Killer’s body was cold on his, but his soul was warm.
“I think there’s some more backrooms down there we haven’t checked.” Killer commented. He gazed absently at the hole in the wall.
He coughed again. Cross’s arm went around him. For a moment Killer’s soul flickered brighter and hummed with his.
“Play me somethin’” Killer asked.
Cross reached for his ukulele, and pulled it from where he had attached it to one of his bag’s straps. The instrument was in surprisingly good condition, though it was scraped and dirtied in places. It was one of his few materialistic belongings he actually cared for in a way other than necessity. It was oddly pretty, in some way. Something of meaning in the sea of garbage.
He held the ukulele and plucked at its strings absently. “Anything specific?”
“Play what you played the other day,” Killer responded. He settled further against Cross.
Cross dug through his memory of previous days. He strummed a chord, and another. He looked at Killer.
The flickering of Killer’s soul evened out. He nodded. “Yeah.. yeah, that.” He murmured.
Cross continued with the ditty; a melody with a mellow tempo composed of the strumming of calloused fingers. Though, it wasn’t without energy. Killer had said the night Cross first played it that it sounded like porch music. It was the warm firefly-lit nights from before the bombs. When the wild grass would sway with the wind. It brought back those buried memories, and disrupted the city-silence.
Killer relaxed against him. Cross hadn’t realized he was tensed. Cross’s eyes focused on his fingers and the instrument, but he was aware of Killer’s proximity to him.
A second sound joined the ukulele. Killer’s quiet, rough humming.
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I might have pitied this deformed woman
With all due respect ACD why is everyone calling someone with a limp deformed... Also to be honest I would have felt more horror from the story if Gilroy found her attractive and/or charming and enjoyed her company and work relationship but also did not love her for whatever (non-physical) reason, because then there could have been a potential inner conflict and guilt, instead of ''this is out of my hands she is icky-looking and a crone (Gilroy you are 35) so I have no self-doubts about being in love involved on top of it all yay''. Having him vehemently dislike her all the time minus during hypnosis removes those layers.
It isn't 'everyone' in the story who calls her deformed, though. It's just Gilroy. No one else is mentioned deriding her for her disability or her looks or anything else beyond Penelosa's talent.
Considering ACD's comparatively progressive track record with the Sherlock Holmes stories--a series notable for how often it takes the side of oppressed parties, including abused or preyed-upon women--I can't see Gilroy's ageist and ableist views as anything but an intentional setup for the narrative payoff of his disgust as well as his anger and fear.
The story does feel slightly karmic at the start and, to give ACD the benefit of the doubt, I agree with you that having Penelosa not be an attractive hypno-dominatrix likely played a part in Gilroy's initial revulsion at her controlling him into playing paramour. I think this was intentional for the character's buildup, but also for the audience's. Even in the present day, there's no ignoring that there are demographics out there who are Highly Interested in the erotic implications of hypnosis. BDSM for the brain, puppet master kinks, et cetera.
If Miss Penelosa had been hot, or even just pretty, I wouldn't have been surprised if the horror story ACD was trying to put together would lose much of its punch in his era's audience. Sure, it's still icky that Gilroy's a man being Controlled By a Woman (!!!), but having her be attractive would 'soften' it for them. Still, all this is only in play if ACD was really truly adamant about selling the horror of 'A Stranger Now Owns My Free Will and Is Planning to Violate My Life in Intimate Ways.'
It could also have just been intended as an eerie scientific*** what-if adventure applied to a then-popular (and wildly overestimated) practice of the time. Or maybe he meant it as a straight-up supernatural escapade in the vein of vampiric mesmerism from a psychic monster. I don't know, I can't ask him.
All of that said, the horror is soured a bit by Gilroy being a haughty skeptic snob who had some comeuppance heading his way in the first place. Similar setups are common in horror flicks today, where we get to cheer at least once in a movie when the Big Villain takes down a more commonplace bad guy. There's no scare there, just vindication.
And me being me, that's not enough. Because I am all about two things.
One, adding more horror to everything, always, forever.
Two, making life harder for Jonathan Harker.
Jonathan 'Holiest Love means I Will Walk Backwards into Hell to Protect/Stay with My Wife Whether She's Mortal or a Literal Monster' Harker is not about to shit on anyone for a bad leg or some crow's feet.
More importantly, we've already seen his reaction to sexy sexy undead ladies trying to hypnotize him into compliance so they can take certain bloody/eternally conscripting liberties with him.
To judge by the 1000+ Dracula adaptations that show the directors' fetishes in full view, Jonathan being preyed on by the hot vampire Brides is seen by many people as...you know. Hot. Enough to rewrite and bastardize his character every time to make him seem like he was genuinely tempted by them.
But He Was Not.
He was being hypnotized into artificial attraction and paralysis so the ladies could take their turns with him without his fighting back or trying to run. Which he does later! More than once! Every time this voluptuous trio tries to hypnotize or corner him again, Jonathan catches on and sprints in the other direction. He is not into that shit no matter how pretty you are, ladies.
Specifically because, as I and Bramothy Stoker cannot stress enough, Jonathan Harker is strictly Minasexual. All Mina all the time. 24/7 Mina lockdown 365 days of the year. Mina, Mina, Mina. Mina? Mina. (I personally headcanon him as demisexual with shades of biromanticism and ace, but that's beside the point.)
The point is, even if Penelosa was a knockout, Jonathan wouldn't notice. He wouldn't care. Just as his love would not have been stopped by Mina turning into an actual monster; he would rather be damned and in love than slay her and be holy. You can bet your ass if Mina suddenly had a handicap he'd still be enraptured with her to the point of blasphemy. You know he's going to still be heart-eyed as they grow older. Jonathan Harker is made of unconditional and extremely focused love. It is all-encompassing and yet it belongs to a single person. It's the kind of love we all wish we had for ourselves.
It's the kind of love that someone like Penelosa--who latched onto a random handsome prick of a professor after she had known him LESS THAN AN HOUR and started plotting to groom him into her personal Ken doll--would do anything to have for herself; Jonathan Harker, the true Prince Charming, the gallant beloved, the guileless charmer who holds the One He Loves above himself, above God and Devil and the world itself...being wasted on some pretty young thing who hardly needs such a treasure.
It isn't fair. Mrs. Harker will never appreciate dear Jonathan like other, more deserving women would. Not like her. She would show him. Help him through the motions until he learned better; learned to love in the right direction.
Her direction.
Only if given the opportunity, of course.
(👁)
In short, yeah, Gilroy was not the best option for a sympathetic horror story protagonist who we could feel real fear and empathy for. We only really get a glimpse of that toward the end, when Penelosa escalates enough to start injuring innocents and tries to make Gilroy throw acid in his fiancée's face. A big scary leap, but also too late in the game for a proper punch. Especially with the abrupt copout of the ending. Bleh.
I think we can do better than that. Say, with a protagonist who can balance on the pro-and-con line of keeping the supernatural puppet master of their life happy enough to not act rashly, who knows the value of dancing on eggshells in a tight spot, who could tug the heartstrings of villain and audience just enough to let fuller and far more frightening machinations come to light as time goes by.
Especially with certain other powers lurking in the shadows, which might make a trifle like death a far less permanent end to their ~romance~ than it ought to be.
Don't you agree, Mr. Harker? ❤
P.S. Gilroy's still absolutely getting his ass handed to him in this take, don't you worry. He's been demoted from crush to chew toy to minion. RIP sir, but you're not off the hook just because Jonathan's distracting her with his dreaminess. Get to work.
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