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#I WANT TO WRITE THEM SO BAD
demigod-of-the-agni · 8 months
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Real evidence of me when I think up of new ways to expand the Mumbattan lore
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I love thinking
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seth-shitposts · 1 month
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WIPs that have been on our mind for the past month that we haven't been able to TOUCH-
The Aphelion Waltz [KalluZeb AU]
Defectors AU [Kallus & Ezra AU]
Sense of Faith, Self, & Valor [Tua, The Grand Inquisitor, & Kallus Canon Divergence AU]
Renascence of 264 [Kallus & 264 Canon Divergence AU]
-Unnamed fic about a string of events between Stolas & Stella before the Not Divorced Party. [Canon Compliant Fic]
-An unnamed story of Anthony's beginning time in hell and how he met and signed a contract with Valentino [Somewhere between Canon Compliant and Canon Divergent]
-A story about Emily choosing to take action and help the hotel. [Canon Divergent, probably]
-Long Distance CherriSnake [Probably Canon Divergent]
-Blitzø randomly sending Loona texts or leave notes on her desk telling her how great she's doing or how proud he is of her. [Canon Compliant]
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brewing-radianite · 2 years
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thoughts on fade/sova?
SEND ME A SHIP AND I’LL TELL YOU…
Who’s the cuddler?: neither openly but the second they're both in bed, sova doesn't want to let her go...
Who makes the bed?: sova
Who wakes up first?: sova, but fade wakes up easily to his departure and bids him a goodbye (she stays up late, and has more hours of sleep to catch up on)
Who has the weird taste in music?: both got some wack as hell playlists im ngl
Who is more protective?: Sova
Who sings in the shower?: neither but sometimes fade if its with sova... soothes him a lot methinks...
Who cries during movies?: neither of them
Who spends the most while out shopping?: fade
Who kisses more roughly?: fade usually, sova occasionally
Who is more dominant?: ^same
My rating of the ship from 1-10.: 8.9/10... because the enemies->co-workers->acquaintances->friends->lovers could actually go SO hard... he definitely borderline hates her at first bc of all the stress the entire hacker situation brought him and he's probably lost days worth of sleep trying to track this woman down; lots of bad blood and tension at first but character development is a bitch and romance is on the horizon
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I often think about aus that involve the most crippling angst as well as fluff, but the question is, do I have the Will to write them?
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confessedlyfannish · 22 days
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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crimeronan · 10 months
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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shower-phantom-ideas · 6 months
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Bruh emotional support ghost kid? Well thats what they are calling him
Suicide cases in gothem are about to fucking plummet boiz cause this one weird blue eyes, black haired boy is now heading to your location.
How does he know where to be? Having a bad day and are all alone? No the fuck your not cause don’t turn around now but theres some shiny blue eyes coming at you from that dark ally. Oh shit hes here to drop some information about you and your lost loved ones that he should know. Oh god the closure. How could you have been afraid on this sweet, creepy, boy who just helped you find your way.
Meanwhile Danny is chillin in Gothem cause the GIW hate it there (none of they equipment actually functions in Gothem so it’s either super haunted or actually not haunted at all). Then all of a sudden he gets approached by a random ghost begging for his help because their sweet baby girl is about to do something horrible. Oops now all the ghosts are following their most loved ones around just to make sure they are there to rush to Danny for help when all else fails. Now hes getting to fulfil his protection obsession double time because one hes helping protect people from themselves and two hes protecting everyone in Gothem by stopping people from becoming villains for revenge. Plus he gets to see first hand how hes making a difference because all those people he saved are sending him some good vibes from all across Gothem.
Thank god he followed Jazz around so much to slightly absorb some of her phycology knowledge over the years. Plus it was actually pretty interesting so she gave him her old text books. Shes also helping him deal with the rare events where he can’t save someone. Just a moment too late or he stops them but they later succeeded in the hospital. Neither are his fault. Now only if he could convince his core of that.
Anyway why Gothem you ask? Amity Park would have been just as good tbh but imagine Batmans face when he finally gets to be face to face with the emotional support ghost boy. Why is he here? Bruce is fine. Batman is fine. Hes not gonna do anything crazy. It’s just a hard time of year. Around their death always gives him grief. But hes an adult and can manage it.
“You know they are so proud of you.” The boy states. As if it’s clear as day, even though it’s Gothem and never a clear day. Batman blinks at him, stunned for a moment. “What?” This boy can’t possibly know that. No one will ever know that, Bruce can only hope. “They see their home, full of such life. That big house that felt so empty, so cold, to them as well for years. Then you filled it with Family and Love like they had always wanted for you. They are so proud of what you have turned it into. Somewhere full of life and warmth.” A small smile graces his face as finally “you have made your parents so proud” and its all he can do to contain himself. Emotions are running high and sue him because he really did need to hear that ok. The boy suddenly looks to Bruces right with a confused face “aren’t all basements like that though?” Before Bruce can even get a word in hes gone. Just vanished before his eyes.
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bunnyreaper · 6 months
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merrier the more
pairing - john price x f!reader x john mactavish
wc -  3.2k
warnings - 18+/nsfw, double vaginal penetration, wife sharing, unprotected sex
notes - after a million years i've finally gotten this out of my brain and written out! underrated threesome imo, lets goooo!! proofread but definitely not enough ♥
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Thursdays were date nights, almost every week without fail, unless John was on a mission. Even when paperwork keeps him tied to his desk into the dark of the night, you join him in his office with takeout and a good book, content to enjoy his company in silence. 
It was one of the keys to your marriage being as successful as it is, and both you and John agreed—quality time was a must. 
This Thursday was a break in routine—John's energy has been decidedly different since you stepped foot in his office. He's always a little on edge when you see him at work, his jaw and shoulders tight, but tonight there's a hint of determination in his eyes. 
Captain Price is present, rather than your husband, John. 
The second difference comes in the form of a knock on the door, usually, the two of you go undisturbed as your standing date is known among the 141, and none of the men dare interrupt and draw their captain's ire. On the rare occasion that a knock would come, words would be exchanged quickly before being dismissed. 
Tonight, John invites the guest inside.  
"Sit, Soap." John commands, his voice low and dripping with authority in a way that draws your attention. 
The younger man complies, seemingly not on edge—his usual cocky confidence is still in full swing, in defiance of your expectations of the situation. Whatever Johnny is here for, he's not to be reprimanded or to report something grim. 
Both men's eyes are firmly fixed on you, gazes roaming over the way you lounge in your pretty dress on John's shitty office couch, your legs exposed to both of them. 
"C'mere love," John speaks, rolling back his office chair and patting his thigh temptingly. "Need your help with something."
You rise uncertainty, leaving your book behind as you make your way over to your husband, your eyes darting between him and his subordinate. Neither man says a word, just continuing to watch you as you move closer to them. 
Your mind starts to race, thinking of just what John could possibly need your help with. Occasionally, he asks you to read one of his men's imperceptible handwriting or gets into a debate with you about whether his own reports make grammatical sense. 
Something tells you neither is the case this time. 
When you make your way around the desk, you fall into John's lap obediently, facing away from him and watching Johnny watch you. 
The look in his eyes is not something you're blind to, not now, not ever. John MacTavish has always wanted you. John Price has never let you forget it—he's teased you multiple times about his soldier's crush, and made you admit while being fucked mindless to being attracted to the younger man too. 
Your husband got off on knowing his power, knowing that you belong to him regardless of Johnny or any other man's wishes, and knowing that while your eyes can still appreciate other men, they'll never be enough compared to Price himself. 
You sit patiently and wait, deferring to John and his air of authority as you wait for him to speak whenever he is good and ready. The silence is thick, John's paw trailing across your thigh, up to your waist where he holds you still, his grip insistent. 
"Sergeant MacTavish here is about to become a Lieutenant." He begins again, graveled voice now right in your ear, sending shivers down your spine. "If Soap is getting a promotion, I need to know he can get the job done." 
John snaps his fingers at the Sergeant, beckoning him around the desk as John spins you both to face where Johnny is now standing. His hands move back down your body to your thighs, parting your legs slightly by opening his own so that you sit spread. 
You know exactly where this is headed. Johnny's azure eyes burn into you as they spectate every single one of John's slow, luxurious movements—touches that slowly begin to undo you. The air in the room thickens, and your skin burns under John's fingers. 
Johnny's eyes flicker away, and you can tell the captain is holding his gaze. 
"Need to know I can depend on him, and that he can do what he needs." He purrs, his tone filled with intent. "That he'll take what he wants, yeah?"  
John pulls up the hem of your dress, exposing your now-soaked panties to his sergeant and delighting in the way you both shiver in response—you from being exposed, Johnny from finally getting to lay eyes on intimate parts he'd only dreamed of. 
You stay obediently frozen as John teases you further—the whiskers of his beard tickling at your neck as he smirks, his fingers stroking so softly up your inner thighs.
When you look back and catch Johnny looking you right in the eye, you swear you can feel yourself gush—he looks like he wants to devour you whole. 
"He's always wanted you, love. Isn't that right, sergeant?" 
"Yes, sir." Johnny agrees so eagerly, but the look he sends your way is anything but submissive. His grin is almost predatory, his anticipation and arousal clear after years of lusting after you from afar. 
Johnny finally comes closer, his hands settling on the arms of John's chair as his face stops inches away from your face—hot breath sweeping over your features. One hand moves to clutch at your jaw, demanding your attention as if it wasn't already entirely focused on him. "Tonight, you're mine." 
He growls the words before diving in for a searing kiss, his actions rough and hungry, bordering on violently enthusiastic. His stubble is so different from John's softer brush, nipping at your sensitive skin. 
"Only for tonight, MacTavish." Your husband growls from behind you, pulling your hips back into his hard cock as a reminder. He might be sharing you, but it's just this once. You'll always be his. 
As Johnny kisses you fervently, his hands begin to wander too, groping at your tits as John continues to hold you steady as he works his erection into your ass. While the sergeant occupies your mouth, John sucks kisses into your neck, humming at the feel of you falling apart under both men's touches. 
You gather just enough strength to surface for breath—panting and shaken under their joint attention. Neither of them shows signs of stopping. While your husband was offering you to another man, he wasn't going to sit back and watch either. 
"Both of you?" You gasp, words unsteady and breathless. Handling John under normal circumstances was hard enough, throwing Johnny into the mix might just break you. 
You shiver with need as the men share a laugh, and John's hand slips up to embrace the column of your neck. "Someone has to show him how to do it, love." 
The two men dive back into making you fall apart, a flurry of lips and hands tearing you apart at the seams and driving you mindless with each touch. 
"Fuuuck." Johnny practically whines, his hands falling to grope at your tits and pull them free out of the top of your dress. 
His hands are calloused and warm in a familiar way, but his movements are quick and rough and make you squirm under his touch. The two sets of hands on you are almost too much already, as well as John's erection rubbing against your core. 
A quick flicker of your gaze to the sergeant's jeans shows he's similarly affected, and the sight of his hard cock straining against the denim has you wanting. 
It's hard to think straight with every sensation you feel, every thought consumed by the two men ravaging you—yet your mind flickers back to the conversation you and John had months ago now, the one where he mentioned sharing you. 
You turn your head to the side, snuggling into your husband's cheek as you whisper to him. "I always thought it'd be—" 
He interrupts you with a greedy kiss, before freeing you to continue speaking. "—Simon, if you ever actually went through with this..." 
You sigh through your words, Johnny almost biting at you when he hears the other man's name fall from your lips.
The truth is, you had thought it'd be Simon that John invited into the bedroom first, as his trusted right hand and someone he knew would be discreet. Clearly, though, your husband had been paying more attention to your soft spot for the sergeant than you thought. 
How long had he been concocting this plan? Waiting for the opportunity to have you at Johnny's mercy too. 
Said man's voice pulls you out of your thoughts and back to the smirk on his face and the sparkle in his eyes. "Don't tell me yer disappointed, bonnie." 
You can tell from the way his voice drips with amusement that he knows you're anything but. The easy confidence has always been part of his charm, but as he toys with your breasts and stares down at you expectantly, knowing exactly what he's doing to you—that confidence feels like lightning down your spine.
"Far from it, Johnny." You whisper, finally taking an action of your own and pulling the man in for another kiss. It's sloppy and messy, more teeth and tongue than lips, but Johnny's mouth tastes so good, and his need is evident in every single brush of him against you. 
His hands climb to cup your jaw, holding you exactly as he wants you as his tongue explores your mouth and dances with yours—it's dirty the way he kisses, the way he groans into your mouth as you thread your fingers into his mohawk, the way he swallows your own moans as John bucks up from below you. 
Johnny pulls away, his chest heaving as he presses his forehead against yours and holds you in a tender moment. "Ye must have a thing for blue eyes, aye?" He smirks once more, and you wish you could protest, but the sparkling blues had been what captured your attention first about both men. 
One set belonging to the man that you married, one set belonging to the man you'll now get to fuck. 
The blue eyes before you flicker down, breaking the connection as his hands wander lower—down past your breasts, brushing past your husband's on their way to your thighs. He grasps greedily at your softness, kneading his touch into your skin as he parts your thighs, exposing your soaked panties to his burning gaze. 
"'m gonna touch that little kitty of yours now." He purrs, his curled finger brushing across your sensitive inner thighs in a way that makes your legs squirm—even more so when he traces up the hem of your panties.
"Didn't say you could, MacTavish." Your husband all but growls, his usual authority bursting through him.
Johnny ignores his captain entirely, his fingers pushing your panties aside to plunge deep into your weeping cunt—he curls them against your walls, a wolfish smirk directed at you, watching you flail as he continues to disregard John's words in favour of driving you crazy. 
"Don't remember asking, captain." He snarls in response, taking control. 
The sound of your cunt getting ravished by Johnny's fingers fills the room, drawing sweet whines out of you. One hand works to find the best angle to scrape against your spongy walls, his other coming to replace John's as he holds your neck and stares you down. 
You feel a shift, a moment where Johnny's attitude changes from cocky confidence to earned authority, him taking encouragement from the way you fall apart under his touch and writhe in the lap of your husband who isn't currently the cause of your pleasure. It has Johnny soaring, and you can tell he's falling into the new headspace with ease. 
"He's a quick study, John." You whisper. 
"Clothes off, yeah, lass?" Johnny tugs you to your feet, holding you steady in his arms for a moment before he eagerly strips you off your clothes.
Your dress comes off first, revealing your tits hanging out of the cups of your bra, and the way your panties settle on your hips, digging into your skin. Johnny's hands move to roam over each piece of your exposed body, kneading and admiring, his eyes ablaze like the hottest part of a flame. 
Then he works to rip off your underwear, leaving you bare before both men. "Fuckin' hell don't know how you tear yerself away from her." 
"Feels impossible some days." John purrs as he stands from his chair, paws falling to your waist once more.
Both men grope at you—Soap pulling you in for another kiss, John nibbling at your neck. Your legs almost give out from beneath you, and you know you'd be so unsteady were it not for being pinned between the two men's bodies.
It's overwhelming. John on his own is enough to bring you to your knees, but him and Johnny, with his blessing? Each touch, each kiss has you whining—high-pitched and almost brainless as your mind fizzles with pleasure. 
Johnny holds you close, pressing his solid body against yours—rough fabric and a hard cock against soft skin. He watches your expression as his fingers dip back into your soaked folds, as your husband's fingers roam over your ass and into your hole. The two men work in tandem to reduce you to a quivering mess, vicious fingers making you drip down their hands and your own thighs.
Johnny flicks your clit absentmindedly as his other hand moves to work on freeing himself from his jeans, pushing his boxers aside to reveal a long, slender, leaking cock. 
"Wow, bonnie girl. Yer that excited for me? Or dae ye just really like yer husband sharing ye?" He purrs as he strokes his length languidly, teasing you with the sight of his pre-cum leaking down the head, as well as the way he squeezes his member. 
You laugh breathlessly, unable to summon a real response until the men's fingers still inside you. "We'll see... how you fuck first, sergeant. Don't let me down." 
Both men share a chuckle, but Johnny is the first to act, with strong hands wrapping around your thighs and hoisting you into the air. 
Johnny gives you a devilish smirk as he hovers you inches away from his cock. "I never back down from a challenge, lass." 
He eases into you slowly, lowering you down and stretching you on his length, each delicious inch pushing its way inside in an almost torturous way. He’s not as thick as your husband, but he might just be longer, as he finally seats himself inside and the tip of his cock bullies your cervix. 
"Fuck, fuck." The sigh that releases from you is beyond shaky, betraying the deep effect Johnny’s cock has on you.  "So deep." 
"He feel good, love?" John asks, stepping up behind you, his voice close to your ear and his hands guiding you up and down the other man’s cock.
"Y-yeah." 
He clicks his tongue in approval, speaking again with honeyed words that make you keen. "Good girl, keep taking him for me." 
John mostly watches, his hands remaining on you, yet passive, as Johnny starts to move. The younger man thrusts with fervour, bouncing you onto his dick over and over and over again, not satisfied until he has you crying out for more and babbling. 
Johnny certainly knows how to move his hips, knows how to fuck—he eases off the second you show any discomfort, and is quick to learn the exact pace and motion that makes you moan the loudest. If you could think straight, you’d wonder if John had already given him strict instructions on exactly how to fuck you. Of course, he’d have planned this to a T.
Your nails scrape up Johnny’s muscled back, clinging to him desperately as he continues to shove his cock into your wet hole, as John’s hand snakes around your waist to toy with your clit. Both men are clearly intent on ruining you. Your insides twist, your head falling back into your husband's chest as you just feel.
Johnny’s hips abruptly stop, buried deep inside you in a way that blanks out all your thoughts. "Need your help, captain." He grumbles over your shoulder.
"What with?" 
"Think she needs her husband's cock inside her too. Stuff tha' pretty cunt completely full, yeah, bonnie?" Johnny raises a brow at his captain, waiting for the man to make a move. 
Each second drags as your husband considers the situation and you're left needy and waiting, Johnny's hips entirely still—John's hands on you inactive too. 
The idea of being stretched by both of them at the same time sends you wild, two gorgeous cocks stuffing your hole full. 
"Please, John." You start to babble, unable to control your own pleas. "Need you both, need you both, need—" 
John's cock slides between your ass, nudging forward until he knocks against where Johnny is buried inside you. The sensation on its own has both you and Johnny bucking.
"That kind of thinking'll take you far, sergeant," John whispers before his fingers crawl down your skin to where you and Johnny are connected, and he starts to guide the head of his cock into your hole. "Shhh, nice and slow, gotta stretch you out for both of us, love." 
“Gonna be a tight squeeze, bonnie.” Johnny mutters, his voice showing signs of further strain as his captain’s cock rubs against him.
The stretch is painful, John’s girthy cock bullying its way inside and forcing you to accommodate him alongside the sergeant—you know you won’t be sitting right anytime soon, and you couldn’t be happier.
Your hole burns with each inch your husband slides in, pleasure only beginning to come when his head brushes against your g-spot—after that, he slips right in, your cunt reshaping itself in acceptance and swallowing his cock.
"Fuck.” You pant, barely able to catch your breath, and no one has even moved yet. You can’t think straight, can’t breathe right, can’t even really contemplate the way your body is being overwhelmed by the two men. All you can do is whine and moan and cry out. "It's too much!" 
John holds your hips steady as he presses kisses to your shoulder, and Johnny runs a hand through your hair—both men cooing reassurances at you.
"Ye can take it, fer me and the captain. I know ya can." 
“You can do the work, sergeant, make her feel good, yeah?”
Johnny nods once before springing into action, his cock gliding out of your pussy before forcing its way back in, squelching against John’s length as it goes and drawing groans from both men.
It doesn’t take long Johnny's pace to escalate, as he shoves in repeatedly and thrusts both his own and John’s cock deeper inside you. You feel your brain slip into a haze of pleasure, all thoughts becoming incoherent as moan after moan makes its way from your throat. 
"There we go, love. Stuffed full of two cocks, how'd you like it?" Your husband asks before turning your head to face him, and then devouring your lips in a passionate, loving kiss.
"Love it, love it so much." You whisper against him. "Fuck me, John, Johnny, please."
The two men thrust together momentarily, forcing you to the limit of what you can take from both of them—smirks dance across their faces, both beyond pleased to have you pinned between them.
"Cannae wait until we're both filling ye with our cum."  Johnny purrs as he buries himself deep.
"You'd love that, wouldn't you, gorgeous girl?" 
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yardsards · 1 month
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series of images that make me weep:
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even as a chimera, even constantly hungry, she just wanted to share food with someone and none of them really understood...
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h4sanz · 2 months
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obey me! visuals - pt. 1
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characters: demon brothers
warnings: f!reader, penetration, oral (both giving and recieving), impact play, exhibitionism, degredation, bdsm, filming, name calling, orgasm control
a/n: rlly horny rn and wanted to share my thoughts bc i’m always right /j
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LUCIFER
link — he can’t wait any longer. lucifer had gone long enough without you, his favorite human. the first thing he does when you get to his room is toss you onto the bed and rip every single article of clothing off of you. he pounds into you like there’s no tomorrow, whispering how much he missed you and your little cunt while you were away in the human world. “my sweet little thing, missed you and your pretty cunt so fuckin’ much. now you’re gonna be good and let me use you for as long as i want, okay?”
link — fucking into you and ferociously rubbing your clit on the couch while his brothers are home.. he needs to make sure you know who you belong to. curses hit your ears as he raves about how you need to be quiet, but hits that spot that he knows makes you cry out every time. “you must really want them to hear you, huh? i knew you were a slut, but i didn’t think you’d be this pathetic.”
MAMMON
link — one thing about mammon, is that he loves being able to show off that you’re his. he absolutely loves to record you: the way you ride him and shout for him. he can’t help but rut into you when you moan his name so prettily. “fuck, yer’ perfect. that’s right, keep bouncin’ on my cock like that.”
link - he absolutely loves making love to you in this position, sucking your tits into his mouth as you grind on him. his hips will stutter when you praise him, telling him how he’s such a good boy and doing so good. he’ll whine into your lips as he kisses you passionately, you running your hands through his hair and softly tugging. “i’m your go—fuck, your good boy. love you s’much.”
LEVIATHAN
link - he will be an absolute mess. every time he dies in game and you let go of him, tears start spewing from his eyes as he cries and begs for you to touch him again. once he finally wins a game, he’ll make a huge mess on himself, overstimulation making him buck his hips up into your hand. his head falls back onto your shoulder, panting heavily. “please, let me c–cum, mc. i’ll be so, s’good for you.” “t–too much! can’t take ‘nymore,” he’ll cry out with red, puffy eyes.
link - he fucks into you with all of his might on the days his envy gets the best of him, especially when one of his brothers blatantly flirts with you to mess with him. he’ll talk down on them as he slaps your face, then moving to hold onto your throat, softly squeezing. he grips your waist so tight there’ll be bruises on your skin for days. “those fuckin’ normies. always doing shit to piss me off, even messing with my baby. you must be a major slut to let them, huh? i know you saw them looking you up and down; when you noticed i saw how you perked up, actin’ all sexy for them.”
SATAN
link - he loves making you ride him before fucking up into you instead. he understands your stamina is nowhere near close to his, but you can’t even ride him properly? and it’s only been 3 rounds! he either has to be gripping a leash he’s attatched to your collar or forcefully holding you, whether it be your neck, wrists, hips, etc. and the way you moan so beautifully when he slaps your face and body has him enthralled. needless to say, you’re lucky if he ends at just round number 4.
link - this is when he’s feeling more intimate. he tends to get really touchy when he’s needy, caressing and gripping your body, sliding his thumb into your mouth whilst whispering about how you’re made for him and such a good kitty. he’ll call you absolutely pathetic for how desperate you are for his touch, whoring yourself out just for him and no one else.
ASMODEUS
link - this is his favorite thing ever. please force him to stare at himself as he makes the most vulgar faces and sounds for you. make him watch the way your fingers perfectly wrap around his pretty cock and jerk him off, hand gliding up and down with fervor. then call him a little whore right in his ear for coming so easily to the sight of himself. “oh, what a little slut you are. coming that easily?” “please, please let me come again! feels so good!”
link - you saw this coming the moment he asked you to meet him in his bathroom. pleasuring his human whilst also bathing them, sign him up! he’ll read out comments, sometimes copying what they say with him own ministrations. “oooh, this person wants me to edge you today. shall i, my pretty?”
BEELZEBUB
link - this man has an oral fixation, he always needs to be sucking on something. so what better thing than your tits? it makes you feel good, so why the hell not. cowgirl is 100% his favorite position ever because he gets to watch your face as you ride him and as he occasionally nibbles on your nipples, causing a cute little whine to fall from your lips.
link - is he hungry? yes. but he also always craves you. one second he’s asking if you could make him something to eat, and the next he’s right up behind you, pulling your pants down to begin thrusting into you. he’ll be sucking along your neck as you try to focus on making his food, to no prevail. “b-beel! hold on a min– fuck! a minute.” “i can’t wait mc.. i need you right now.”
BELPHEGOR
link - his pathetic moans are all that can be heard as he trys to fuck up into you. he’s trying, and you can’t deny that. but you end up taking matters into your own hands, beginning to grind up and down. however, the position makes it almost impossible to stay focused on your task, the tip of his cock pressing right into that spot deep inside of you. “oh, please don’t stop, you feel so good, mc.”
link - his mind is blank. the feeling of you wrapped around him as he’s on the brink of exhaustion is overwhelming. he feels way too good to fall asleep but he feels if you continue this much longer, he might just pass out. he’s come twice already. the sensitive boy just wants you to keep going but his brain is too empty to make out words :(
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© h4sanz 2024
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puhpandas · 3 months
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shoulder touch as a romantic gesture save me
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ninawolv3rina · 2 years
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Them
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allthecastlesonclouds · 4 months
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hi something something bad kids all magic users now something something everyone learning how to save each other something something they've all got friendship bracelets and they're gonna make it through this year if it KILLS them
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poorly-drawn-mdzs · 4 months
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Call that a Cave Story.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wen chao#wang lingjiao#mianmian#wei wuxian#jiang cheng#I had to cut the comic with JC 'holding WWX back from fighting the Wen Assholes' but it is with me in spirit.#It reads (to me) a little bit like JC is scared of Core Melting Hand and wants to have an excuse to hold on to WWX for comfort.#As far as I can recall they are around 15-17 in this arc.#And a guy who can rip out your golden core? The thing we know JC truly puts so much weight upon that he feels meaningless without it?#Yeah that's pretty terrifying. I hope WWX hugs back (he will not)#I have a lot more thoughts on Wang Lingjiao and Mianmian but I will keep them for later.#WLJ is a character I feel got done a little dirty because she has a ton of interesting potential that gets pushed aside for Mean Villainess#Let's be fully honest. Wen Chao and Wang Lingjiao are *THE* characters the Protag of one of those 'Reincarnated as the villain!' stories#Set up to be assholes to the main character and meeting a horrible end in retribution.#Do you think MXTX thought about that? How Wen Chao is basically the original Shen QiugQiu?#Who's going to be the brave soul who writes A transmigrator in wen chao's body (accidently makes wwx fall in love with him) story?#Though If we are going with “any mxtx character sho dies transmigrates to another book” WHO is the transmigrator?#Hear me out. I think it should be Original Liu Qingge. I think he and wwx would make a funny duo and I want to see it so bad.#AND the contrast of womanizer Wen Chao VS 'What is a woman' LQG.
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varyathevillain · 1 year
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no joke but what I really want for Buddy Daddies as a fandom is to make fanart and fanfic post present time ep12 where Rei wears an arm orthosis when working.
I think varied disability aids being represented would be fantastic, and personally would write Rei as someone being deeply proud of something he's done for his family, but also understanding with time that using an orthosis also helps him at work and in raising Miri. with a giant portion of mobility/motorics aids being represented by prosthetics, seeing more variety and exploring it in fiction would also help making a step in normalising disability treatments.
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kelocitta · 7 months
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In honor of the @rw-ship-showdown I wanted to write about Artihunter as someone who jokingly slapped them together pre-downpour and still thinks they are actually very compelling. Just not in the super soft love wins kinda way (Although I get why people like that more) And the only way I know how to do that is talking too much so heres a far too long slug essay-
Obviously the slugcats don't offer a ton of characterization but theres not nothing to work with. Their stories, whether by their roles in it or the overarching themes do provide a backbone to work with. Even gameplay itself can provide a bit. (for some more than others) Hunter, to me, is ultimately a story about selflessness. The goal is to revive Moon, which is very much an act of kindness from both Hunter and NSH. But the weight of that action is much more significant for Hunter- Hunter is deeply sick. They're on the clock, and for all their skill in combat none of that will ultimately help them to survive longer than their body can hold out. Moon is a close friend of NSH but that means little Hunter- Hunter really gets next to nothing out of helping them, and ultimately pays quiet a bit spending their limited time alive fighting to deliver that neuron so that someone else can live.
To spend ones limited days on helping another, in a game that very much stresses the unwavering cruelty of the world and nature- is pretty notable. (And you could even say that Hunter being the Hardmode of Rain World adds another layer to this)
And then we have Artificer. A storyline that very much stands out to people as more… villainous (so to speak) than the other slugcats. Artificer's story covers a lot of things. Trauma, violence, revenge, etc. Revenge is a bit of a selfish desire- That need to see someone hurt as they have hurt you. A punishment that ultimately does not fix whatever harm was done- but feels good to see because you were hurt and now those responsible share that pain.
Artificer's actions are founded in that need for revenge, their pups killed for overstepping boundaries they didn't know existed. Is it not fair for them to be angry at that, to punish the scavengers for their violence with their own? Why should the scavengers ever be forgiven when they and their pups were not? And that's how you get that loop- Harm for harm over and over.
The original action has been lost in a spiral of violence for violence. And here stands Artificer- their very spirit scarred. Not just because they sought revenge, but because they never ceased trying to scratch that itch for violence as an answer. Artificer only has two paths for their story- killing the scavenger king (Someone who, really, has little to do with the original 'crime' of the scavengers, but represents an important individual to them- as did the slugpups to Artificer), locking themselves as karma one for good and spending the rest of their life chasing creatures that no longer even fight back in a warped sense of closure- or to dissolve themselves in the acids of the void sea because they're too far gone to find any real peace.
They can't meaningfully recover from that state, not alone, twisting in on themselves. Even if they halt their actions, they've been using violence as a feeble defense against their own pain- violence that no longer has any real direction or basis. Artificer gets no real closure from killing the scavenger king. All they can do is continue the cycle, or try to scrub it away. No real peace in a prison of their own making. So you have a creature, who even with a strict timer on their life- a body that will crumble to disease, spends its last bit of time on saving another. And another who was so caught up in the pain of loss that were eaten alive by their own anger, poisoned their own soul on such a deep level even self-proclaimed gods have no solution for them. What peace can they offer each other? For Hunter, its only a fleeting moment of happiness- of selfish love, before their own body fails them. A bit of indulgence in something for themself. For Artificer, its a single, comforting thread to ground them again, something tangible to protect and care about again. But thats a thread that will ultimately be snapped under the cruel indifference of the world. Hunters timer will tick down regardless of if it takes another with it. Its a tragedy- its doomed to end badly. Whatever good it offers to either of them to find each other will only provide the fleeting comfort of a band-aid that will be ripped away too early. But all that can be worth indulging in anyway, if only for the moment. It doesn't change the ending, but the ending was never going to be happy. Its can so yuri
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