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#I already know who wants the terrance one
ilythedude · 23 days
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have the henry one @jpd1944
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macabresymphonies · 2 months
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(minor TMA spoilers and general TMAGP spoilers) Having so much time to think about incidents in TMAGP due to hiatus made me realize that all of them, to some degree, contain the theme of "sealing your own fate" or "consequences of greed/hubris".
You see, while I do not believe that TMA had a consistent theme every statement was based on, the overall messege seemed to be that horrors are inevitable. Once you've been marked you cannot escape, no amount of therapy or running can release you from it. I think Michael Crew is the best example of that:
"The thing that chased me, you see, it was an arcing branch of the Twisting Deceit, taken shape to follow me. (...) And I knew within that book was something that could not only release me from my pursuer, but chain my being to that rush of wind and vertigo forever." Michael Crew in "The Coming Storm"
You cannot escape it once you've been marked, only bind yourself to different one and this marking is, most often than not, nonconsensual. Jane Prentiss would run around and infect random people, Not!Them didn't need anybody to come to them before it was sealed and Peter Lukas also tended to just disappear random people just to feed. The fears were very predatorial and active and the victims were selected based on their own fears and anxieties. This is not to say there weren't victims who failed due to their own curiosity/hubris/greed, but I think it's telling that few of the most greedy/curious people in the series, Mikaele Salesa and Jurgen Leitner, stayed largely uncorrupted by the fears not cause they avoided interacting with them, but simply avoided getting marked by them.
Now we come to protocol and every incident so far has the main subject of that incident actively engage with the horror and have one or multiple points at which they could stop and leave, but they do not. Daria went to the tattoo shop on her own accord, Harriet wanted her husband back no matter what and even Dr Webber was described to be able to leave the garden whenever he wanted, but, due to hiding from authorities, chose to stay until it was too late for him. Every incident so far seems to have this theme of consent, characters detailing very clearly that consent was given to engage with the abnormality:
"Ah well that’s a tricky one. Sort of? In many ways he stabbed himself on me. By the time he saw the needles we were already very close. Close enough to smell his sweat and cheap aftershave. In fact, he barely had time to be afraid before we embraced. He’s terrified now of course…" Needles in "Introductions"
"The young man's interview was not exceptional as he had no experience in charity work, no driving license nor any demonstrable experience in retail. He claimed however, to know the Hilltop Centre better than anyone and as he was the only applicant in the role I elected to give him a try." Dianne Margolis in "Give and Take"
"I hesitated a moment but before I could consider her strangeness a particularly high tide of color swept down the corridor toward me. I panicked, and before I realized what I was doing I had darted inside the lift and slammed the close-door button." Terrance Stevens in "Running on Empty"
It does not matter some of these are under duress or deception, all of them contain some type of action "confirming" consent. Mind you I do not believe all the victims of of these horrors confirm consent in some way, like people who get killed by Bonzo probably didn't agree to it (though considering he's most likely a hitman, some degree of "you agreed to this by overstepping your boundaries" philosophy could be applied), but subjects of the incident very much pay for consequences of their own actions.
That brings us to OIRA itself, and how every character so far seems to actively dig themselves deeper by their own accord, Gwen wants position of power, Colin wants to figure out the system, Sam wants to know why he wasn't chosen and Alice is in it for the money (for her brother which still counts as consent). This is literally said directly to us in episode 1:
"If you hate working here so completely, you are perfectly within your rights to resign. No one is forcing you to stay here." Lena to Gwen in "First Shift"
All of this, all this horror is happening due to their own accord, curiosity, obligation, greed for knowledge or just for the money, it does not matter, the choice is there, but they delve deeper anyway. We will see how long it holds up, but I will be on the look out for this theme in the future.
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r0semultiverse · 2 months
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Mr. 6 made you do a good show to be released?? 👀 um....
This is already giving serious eye vibes.
A whole show dedicated to public humiliation?
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The Mr. Bonzo suit started moving??? 👀 Serious stranger vibes. 🤡
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"It actually became a sort of ritual"
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I've seen people being like "don't cross tag" but buddy... the writing cross tags itself here I mean c'mon! 😂 Something something ritual of the stranger- okay, I'll keep listening!
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Hey, what's with the music?? Hey, who is Terrance Menki???👀
"The police said there were eleven bodies in total and his wardrobe was full of all sorts of homemade costumes." BRO IS ACTUALLY MAGNUSPOD WILLIAM AFTON-
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"It certainly had a profound effect on the Mr. Bonzo brand." Oh I'm sure it did, holy fucking shit. 👀
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Oh, me using this image is rather ironic now.
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"In a lot of ways I’m more his prisoner now than I ever was on my show." WHAT DO YOU MEAN BY THAT? 👀
"The witness statements from three murders over the last five years that claim a person in a Mr. Bonzo costume was at the scene? Do you think there could be a copycat?" Has the fear of clowns manifested as an actual clown-guything?
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"Don’t contact us again." "Us?" "Why am I still trapped dealing with all this this- Why won’t he let me go?! Why-" So Mr. Bonzo is absolutely a clown cryptid of sorts with some sort of hold over Nigel.
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Oh no, Gwen's about to fuck around & find out, isn't she? 👀
Hey, is Colin still himself & is he supposed to be back?
Hmm, okay, I guess that's him (hopefully).
"Maybe don’t tell them I’ve been on their terminals. They’ll only get the wrong idea." "If Lena asks, I wasn’t here." Seems like everyone's got their own little secret investigations going on, fun! This can only go well! 🙃
One of the episodes absolutely no one shows up to work except Lena is there & is like "where the fuck did everyone go?"
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"Time to get some new hires again I guess."
Let's go!! Ruin exploration gang!!
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"Like, it’s Saturday night and I’m choosing to hang out in a hole with you. A wet hole. And not the good kind either."
Alice with the absolute best quotes. lmao
That sounds like something with giant wings like a bat or some sort of cloth flapping in the wind. Let's hope it's the latter!
Oh a rusty old filing cabinet! Wait tetanus- 😭
"That carved floor in the big atrium – I don’t know what’s going on with that." Ah so we're just gonna breeze past that then. 😶
These are probably the remnants of old avatar creation test areas like mentioned in the Gerry & Gertrude episode. I'm just assuming here.
A key? Big find! Let's go!
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AS I WAS SAYING-
Gwen, it was nice knowing you. 🫡
"Now get out of his house."
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Archivist! 👁👄👁
"symbols of ancient otherworldly power"
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Wait could this be a timeline where this universe's Jane Prentiss actually did manage to invade the building & succeed? I'm thinking out loud.
21:10 that sounds like critters, insects specifically 👀
"I have memories of weird stuff I saw here, but no context. I want to know what was happening, why they chose us… why they didn’t choose me. Maybe find the bit where everything started to go wrong." I am so captivated & intrigued please recount said memories to us- I mean Alice so we can learn more. Please. 👀
EXCUSE ME, WHO THE FUCK WAS THAT?!? WHO IS "[ERROR]?"
WHY DO THEY SOUND DISTORTED AS FUCK?? ARE THEY FROM THE PRIME TIMELINE OR IS THIS A NEW THING?
ARE WE GAZING OUR EYES UPON A WRETCHED THING FROM THE MAGNUS ARCHIVES?!
edit:
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Is Lucia Wright an avatar of The Flesh now (in this universe or from the original timeline somehow)? Because it sure fucking sounds like it! 👀 Well, at least that key was put to good use! 😂
Also, supposedly Mr. Bonzo is a reference to Mr. Blobby.
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Gwen, I'd be quaking in my boots too. That thing is terrifying!
Late observation but this universe & story seems to focus a lot on the cryptids & I like the direction it's going in! Loving this plot of cryptid hunters, childhood avatar experiments, a strange institute where our main character has past trauma, & just all of it is so good! 💜
Amazing episode, 10/10, I was at the edge of my seat the entire time! 💜 That Bonzo scene & the sound design were absolutely horrifying, thank you! The ending too! 🔥
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autumngracy · 1 month
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Hi, just a random question from a fan of AROS (for which I have no coherent words to decribe my admiration)- I'm sure you've been asked this a million times already, but I'm quite new to this fandom, so forgive me and feel free to ignore the question, of course- who did you base your Javert on, appearance-wise?
Actually I don't think anyone directly asked this before!
To be honest I didn't actually base him on anything or anyone in particular ... I think the reason for this is because I read the brick before ever seeing any adaptations of Les Mis, so the first Javert I pictured was just my own interpretation of him from the brick ...
And what's funny is I can't remember if I originally pictured him with short hair or long hair. I read the 1938 Heritage Press edition of the brick, which is the Wraxall translation + about 1500 Lynd Ward illustrations, and in those illustrations he has short hair. But, oddly, I didn't remember it as being short in those illustrations? I had to go back and look years layer to confirm. (Alas, my beautiful Heritage Press copy is lost somewhere now!)
So I don't know if the long hair thing was me originally picturing it that way despite the illustrations being otherwise (possibly because the illustrative style made it somewhat vague at first?), or if it was from me later getting brainrot from looking at all the post Terrance Mann Javert designs ...
Best I can say about the hair issue is, well ... I just really happen to like male characters with long hair ... idk why lol. I have a lot of male OCs with long hair and every time I make one, part of my brain goes "Another one? For real? Do we not have enough of these little bitches already? If you don't stop putting long hair on all these characters people are gonna start to think you have some kind of kink."
Which. Well. I'm actually asexual so idk lol I think it's just an aesthetic preference
ANYWAY
For his wardrobe, that's just the brick descriptions plus factual research into 1830's era menswear. The only anachronistic element of his appearance really is his hair, but I do get around that by pointing out that he could have simply picked the (older and naval oriented) style up while he was at the Bagne (which did in fact have a dress mandate for keeping long hair tied up, suggesting it was a common enough hairstyle among the guards) and just never dropped it even after it became unfashionable—because A) he doesn't seem to give two shits about being fashionable, B) keeping short hair means either spending money to keep it short or having an intimate enough relationship with someone that they will do it for you free—neither of which I can see him wanting to do—and also C) he appears to be a creature of habit, so keeping the same, easily self-maintained hairstyle over the years fits my understanding of him.
Also, I'm not even exaggerating his tools of the trade because there really is a line in the brick about him having some kind of sword, which I had to go back and reread several times because it surprised even me (but it's 3am and I'm too assed to look it up rn). And we already know he has 2 pistols and a bludgeon (which the brick says he holds tucked up invisibly in his sleeve, Assassin's Creed style, lmao).
On another subject—
Given his stiff and distanced way of interacting with the world, questionable of social skills (see him bluescreening when Fantine is pleading with him in the mairie by way of what may be thinly veiled sexual advances), as well as his black and white thinking, penchant for being distracted by his thoughts to the point of complete obliviouness, propensity to either give extremely short responses or to go into ranting monologues, with little in between—plus the idea that he hates reading but makes himself do it for self improvement reasons, and how he seems to start stimming when lost in thought—I could definitely see him possibly being Autistic or having ADHD.
Now then, about his race ...
I know originally I actually pictured him differently than the Javert I wrote for my fic—as more white, at least—the way he appeared in the Lynd Ward until I read people discussing how he was probably supposed to be part Romani. And when it came to me having to pick conclusive character designs for my fic, I thought it would be much more interesting if it was a Javert who was visibly Romani instead of white passing, which he seems to be in most everything that bothers to mention his background.
I do find it weird that he's seemingly been played by nothing but white guys except for Norm Lewis and David Oyelowo (that I can find). So there's never really been a Romani Javert in stage or screen adaptations ... However, there's still a decent amount of fanart that shows him as darker skinned/Romani, so at least there's that.
Anyway I find that a visibly non white Javert just adds a lot more nuance and depth to his character, even compared to a still Romani but white passing version of him. Because then it changes how he interacts with and views the world (and vice versa), and it changes or adds to his motivations for doing what he does. It brings his (very canon!) struggle with internal racism to the forefront, which a lot of adaptations downplay or completely ignore.
I think part of why this appeals to me is that in modern times we are very used to the idea of the shitty oppressive white cop who is approaching everything from a position of absolute privilege and authority (which is a very shallow and uninteresting archetype, character-wise) ... and brick canon Javert, regardless of whether or not he is white passing, is not coming from a position of privilege—and not just because he is poor. He is coming from a position of social insecurity and vulnerability, which (at least it seems to me) he is trying desperately to escape/overcome.
And this makes his motivations for choosing his specific job far more interesting than "shitty white cop that enforces the status quo because he gets off on exerting power over other people". It suggests a sort of willful mental dissonance and denial that also make a lot of sense in hindsight when we consider the effects of his derailment.
The idea of him snapping and realizing for the first time that most everything he was doing was morally corrupt (or at least highly questionable) is one thing (and a level of obliviousness/ignorance that is somewhat hard to believe, imo) ...
But the idea that he knew how morally reprehensible his actions were all along, and was repressing it on purpose? To gain the only foothold he could see on the ladder of a world he was born on the lowest rung of? And after decades, is forced by external factors to finally, finally look his decisions in the eye and confront himself about them?
Well, shit. That hits a lot harder, doesn't it?
And it certainly hits him pretty hard. Obviously (as I pointed out in the the fic) he did mentally store away notes of things he found morally questionable about/during his career over the years—he just didn't let himself act on them. But it implies he was aware of the injustices, even if he only relegated that awareness to his subconscious.
The brick talks about how he felt he existed outside of society and had only two choices in life—black and white thinking; criminal vs protector, etc.—and it spells out how this is pretty much the direct result of his internalized rascism—so, I mean ... I don't think it's unlikely that canon Javert knew from the beginning that he was sacrificing his his heritage, culture, and moral compass in pursuit of respect and recognition from society (and thereby, social safety).
And in a Post-Seine world, he's forced to reconcile with all of that.
I may have just spoiled a major upcoming plot point for AROS tbh but oh well I was dropping breadcrumbs of foreshadowing about it the entire goddamn time lmao
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supernovabyte · 11 months
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Ok so time to talk about the new promo image cause OH MY GOD WE SHOULD BE WORRIED
Image I am talking about:
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As you can see there is a lot going on here.
Missing texture on the chips in front of Swag
Tari is missing her Meta Runner arm
Eyes under the table
Static poster
Mounted duck head
Meggy’s beanie is hung up on the wall (There’s also a hole in it)
The grim reaper is on the king of hearts
The reward on Meggy’s wanted poster is “your freedom”
“Alive” is scratched out on Meggy’s wanted poster
I’m gonna try and explain everything going on here.
First let’s start with Meggy’s wanted poster. These posters have been seen in a lot of promo images lately.
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I already pointed out the differences between these posters and the most recent one in the list.
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We know the adware from IGBP is back in some way. We also know that Tari is feels something is off on the train. We can assume that something is the adware. What if the adware made a connection to Tari? And what if the adware will possess Tari in the future?
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With this piece of promo art we see two Tari’s. One looks off into the distance with a sheepish smile. The other has her back turned. These two Tari’s could represent a possessed Tari (happy and carefree) and the real Tari. (Worried and stressed) We also see a cat. We know Tari helps cats and other animals. What if the adware possesses a cat to lure Tari in? Think about it! The adware (as a cat) lures Tari to a secluded alleyway and boom! It possesses Tari!
This leads me back to the poster. (Hope you didn’t forget about that) The reward is “your freedom” and Meggy is wanted dead. This could mean that Tari has to kill Meggy in order to gain her freedom from the adware.
I know I know… GLITCH would never kill off Meggy. I’m not saying it would end in Meggy’s death. There’s still more to this.
Remember how Tari was missing her Meta Runner arm? What if she loses it in a battle with the adware to save Meggy? Perhaps this battle could be in Tari’s mind while possessed Tari is trying to kill Meggy. (This plays into Meggy’s beanie having a hole in it and the grim reaper card)
There have been these eyes in two promo images so far
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These are probably the adware’s eyes.
Now for the mounted duck head. If you take a closer look there’s blood.
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Why is there blood? Well unfortunately someone is most likely gonna die. It most likely won’t be Tari because of her redesign. But I’m thinking GLITCH could pull a Terrance again and possibly kill Archibald. This could be motivation for Tari to fight off the adware after it kills Archibald.
What about the static poster? (For those who think it’s a window someone on Twitter took a closer look and it’s a poster) Well we’ve seen static throughout the past few episodes. I’m thinking static is how the adware watches the SMG4 crew.
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In “SMG4: Ready to Ride?…” an old fashioned tv is seen on the train throughout the episode. At the end of the episode the tv changes from static to a screen that says “Go to the bottom of the description.” It knows what happened in the episode. It knows we, the viewers, want answers. So it directs us to the description for answers. Except we kinda have more questions than answers with the link in the description.
I’m sure your all aware of the gmod map the link leads to and what’s in the map. I’ll talk about it in another post as this one is already lengthy and I still have one more thing to talk about.
Finally on our list of things to cover we have the missing texture chips. At the moment I don’t know what these are meant to mean. Everything else was clear except this.
I’m gonna keep the summary short. Tari could get possessed by the adware. Archibald might die. Meggy might face of against a possessed Tari. The adware can see everything that’s happening.
So one question remains…
Ready for the next show?
📺
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heckinhacker · 1 year
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hi so i was wondering if u could do one like “Eric Cartman x Reader - South Park's days are OVER.” but with kyle, like they are the same and everything, idk if u have already done it
Kyle Broflovski x Reader - South Park might be saved, after all??
Which means we get the version where Kyle meets someone similiar to himself! It's like a 'sequel', (but not really, more like an alternative version with same trope) to “Eric Cartman x Reader - South Park's days are OVER.”
Remember that when I write for South Park, they're teenagers at less(16 y/o minimum), adults at most! it's silly i write it every south park post but better safe than sorry~
I gave Kyle green color for easier reading experience in dialogues!
note: color code might be broken because lately tumblr on pc is being silly goofy
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Kyle had a great grasp of how fucked up situations in south park are having occurances
Aaand he's pretty aware there will be noone else who understands him.
Or so he thought.
There is a new student announced to be in his class while you all were in 4th grade or so?
And you seemed not too quiet, nor too shy, but surely smart enough not to push yourself into any weird situations.
Teacher sat you both together and Kyle tries to talk you up-
"Hey! I'm Kyle, it's refreshing to have a new face around. Want to play with us on long break?"
It's nice to have a new group to play with, so you agree.
Ah, kids and their not complicated feelings, right? <3
You tag along, and you grew really quickly to dislike Cartman-
It's not hard to hate him he's UNBEARABLE,
Kyle wants to let out his signature "Shut up, fatass!"
but you beat him to it-
"Shut up, fatso, mama did not taught you to behave, or was she absent in your life like yo papa?"
You had NO idea he's fatherless and it made other guys go "OOOHHHH--"
you made yourself an enemy in Cartman,
but an ally in Kyle.
You seemed to have similiar nerdy interests,
From playing Stick of Truth and heroes,
to DnD (that he played online, because not with his group-- but he invited you into his new online session!!)
Beside Terrance and Philip, Kyle also liked that vampire/werewolf series called "Under Devil's grasp" that seemed mostly for girls or boring, yet he liked it in secret and once he caught you watching first episodes, just...because,
and then joined you, for his own re-watch and your first watch, he liked seeing how you reacted
"HOW COULD YOU?" you asked out of sudden once, in a call,
"How could I what?" Kyle asks, having you on speaker while he does his homework.
" YOU KNEW ALL THE TIME THAT BARRY WILL BE KILLED AND YOU DID NOTHING TO WARN ME, I GREW TO LOVE HIM AND NOW HE'S GONE."
"Well, you said no spoilers?"
"KYLE."
He giggles, "Plus he had death flags since always so-"
He's playing, it turns out Barry barely lived and hid for like season and a half to return in dramatical moment that he watched with you and you SCREAMED.
And he has a blast with your reactions <3
And so on, you bond over similiarities,
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Over years you put many blood, sweat and tears into your friendship, and you're glued by hip. Kyle won't ever pick between you and Stan who is his closer friend, it would be even cruel to ask.
You two got along decently, good, not badly, but it always seemed you're more closer with Kyle than Stan.
You grew beside each other and your families became one, big family because of how close you've gotten between each other and made them grow closer. (Or not if your relation with them is bad)
No matter your family (or your own) relligion, you spend Hanukkah with Kyle and it's almost a norm of you being around.
Listen, Ike? Absolutely adores you. Kyle sometimes has a laugh your'e more of an older sibling than he is.
(Absolute bull, we all know Ike loves Kyle the most <3)
Kyle's family wanted to make little ride to nearest amusement park
Of course they suggested you go too! You're a part of the family already <3
You have the fun of your lives, all of you. Kyle's parents mostly chill around but you, Kyle and Ike are using all the activities possible while you can, stuffing yourselves with snacks and sweets.
Bad idea, if you'd ask me
You went to roller coaster and none of you paid no mind in that choice,
but Kyle's stomach DID pay a mind
Especially in a middle where he felt like throwing out
And hell, he did! But he took out his hat and puked int oit so noone got blessed with mix of dinner and snacks.
He was almost carried out of the roller coaster by you--
You decided to go to ferris wheel and call it after a day.
They were two-people cabin on the wheel, so Ike let you two have one while he went with some other random kid.
Ike is your biggest wingman, he did that on purpose of course. Little guy <3
When you're up high, alone, with Kyle, having option to look at all the view, you can't help but to look at little buildings under you, and then to take a peak at Kyle.
Oh boy, were you surprised when you met his gaze-
He blushed furiously and muttered "Sorry- Uh- did not mean to stare."
Of course - you did not mind, but that was SURPRISING.
You did not bother him about it though. Whatever he had in mind - nothing, or something, he will come around.
But you might've realised that you DO have feelings towards your childhood best friend. For sure.
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You remember how I mentioned your shared liked series with Kyle, "Under Devil's grasp" ? Soo...
Imagine it was near end, and studio decided to make finale into movie, two and half hour long one.
It's a series you two follow since you were kids, OF COURSE you have to be there in the cinema.
You ride with Kyle to big city, with his freshly acquired driver license and shitty car of his.
You enjoy your WHOLE drive there, time spent in bigger city, it all was just amazing.
Series, even though it was mostly about vampires and werewolves, was called "Under Devil's grasp" and it's very questionable, for years there were just theories, yet the movie after all those years of content literally ended with said title as last words.
Y'all were crying already enough but it was such a HIT in the face
When you walked out of cinema you whipped your tears out of your eyes, so did Kyle, as you giggled and gushed about the ending of your beloved series.
Ride home was mixed, going from peaceful to chaotic, just atosphere was...magical. Lights of highway, music blasting loudly and Kyle jamming to it, while you take a glance with full adoration at him.
You sing a little, then you rest and sooner than later end up in South Park.
Kyle drives to your house first to drop you off, walks out of car to walk you to your door, and gazes at you.
"Thank you...for today. I had fun! I hope you did too."
"I did, you kidding me? Thanks for even offering. I...really appreciate it."
Kyle seems to hesitate, and then sighs deeply.
"...I love you."
" Yeah, good night to you too man- oh wait what the fuck-??"
"I...wanted to say so, and today's spent time with you made me realise I'd hate you to spend the day out of South Park with someone else. I'd hate for you to have late-night drives with somebody else, I'd hate to see you happy with somebody else because...well, I wish you stayed with me. Of course I mean- have fun with others, I just...I wish you'd keep your heart on my hands. It's fine if you'd prefer to stay friends, I hope it doesn't break our friendship. But I uh...I wanted to let you know."
...that was...a lot. Wow."
He thinks it's a rejection, but...
It's not, really
You grab his cheeks and kiss him before he can get into tangent of self-doubt.
Then smile at him,
and say:
"Information saved. Let's grab something to eat tommorow together too, alright, boyfriend?"
You smile and wave him away goodnight and closed your door.
...
"...boyfriend?"
He's so giddy pls <3
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Other's reactions:
Ike:
FUCKING FINALLY 2: ELECTRIC BOOGALO.
My little dude was waiting for the moment you hold hands and kiss each other already for TOO LONG
I mean, don't kiss too much in front of him he'd gag, it's still his older brother we're talking about
but at least Kyle pinning over you days are OVER.
He congratulates you and gives you gift cards of "congratulations on marriage!" drew with crayons and pencils
My man Ike is an anime fan, he made you badass gift card <3
Stan:
Not surprised but surprised at the same time.
He's second biggest fan, first being Ike
He learned the news from Kyle himself the same night you became a thing, later Ike hit him up because he was excited BSHSH
He hears Kyle out and congratulates him A LOT
Kenny:
He kind off knew? everyone kind off knew but he was sure you were already dating so...
news were shocking because
"Weren't you dating already? damn-"
he was sure you're married and expecting a kid/j
he doesn't have strong reaction because, as I said, it's not much of a news for him not going to lie
Cartman:
He always tried taking away whatever Kyle loved the most
So he's salty he failed this time
He always makes you both miserable, with slightest show of affection he is making big clown show out of it
Enough that just guys ask you to STOP with PDA because Cartman is being fucking annoying
He's just that salty single friend man for sure <3
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Lemme be honest, it's not one of my best works, but I have (I am in a middle of...) 9 days streak of work straight, I am exhausted beyond human belief, but maybe because my ability to hold my ground is shitty, thanks depreshon--
So yes, It's not my best piece, but it was pretty much expected, so :>
I wanted to tag @bath1lda because of "kyle kyle" spam ask hehe- I hope you, and everyone else who read it, a nice "have a good read" :>
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Text
Have you ever thought to yourself: Yee howdy, I wish I could know what everyone thinks of my favorite character, and I also wish we could all definitively rank them in popularity based on the whims of the public? Then do I have the thing for you!
Right out the gate, it's time to vote for favorite characters. The votes for favorite NPC (human) and favorite NPC (other) will be running alongside each other, with the vote for NPC (other) starting a little later to make them both finish at the same time and end in an epic dual victory.
I have chosen to split them up because there's a lot of NPC's and we can expedite the process somewhat by having separate tournaments running alongside each other.
Humanoid creatures such as Pandorians residing in the circus will be counted as humans because that's how they choose to present and I will respect that.
Certain conditions apply regarding characters added to SSO just to host races, NPC's that are named but do not take part in quests, and characters from earlier games. these characters will not partake because the list is so. long. already.
Every poll will be accompanied by a picture and a brief description to refresh your memory, so don't worry if you can't remember them just by name! If you have any concerns or can't see your favorite NPC anywhere, send a message or an ask.
The first NPC (human) tournamnet will take place over 3 sessions of 40 posts per week, because it's 120 posts and I don't want to overwhelm you with that many posts. Once we've narrowed it down to 60 favorites it will be split into 2 sessions, and once we've only got 30 contestants left, I'll post them all in one go until a winner is declared. That's also when the NPC (other) polls will be posted.
Who will go up against who is randomized and can be found under the cut.
The First tournament:
Kirsty Griswald VS Evergray
Violet Dappelbrook VS Mrs. Pike
Derek VS Professor Chiron
Mr. Pike VS Hawaii Jones
Rami VS Felicity
Ydris VS Astrid Ingvarsdottir
Sunshine Joytree VS Mr. Anwir
Jessica Lunar VS Syntax Silverstream
Elsa Einstein VS Harold
Larry VS Landon
Captain Brus VS Pi the witch
Sigry Varanger VS Julie
Aideen VS Jill Goldspur
Tor Sunfield VS Pamela Moonriver
HelmsmanVS The main character
Idun Goldspur VS Mandy
Mr. T. Cray VS Lizzy Jarlasson
Marisol VS Ewa
Sigrid VS Leonardo
Donald the builder VS Captain Waterloo
Eddie VS Bernardine Winterwell XVII
Jade VS Doreen
Courtney Summers VS Bob
Janitor VS Mayor Klaus
Terrance Rockwell VS Gary Goldtooth
Nanook VS Ivan Drake
Saga Sunfield VS Aaron Silverglade
Yousef Sahli VS The Baroness
Gavin VS Wynna Sunbeam
Galloper Thompson VS Stephanie
Isebell Figg VS Dylan
Fina Way VS Mario
Hanna Jarlasson VS Filip Sunfield
Carl VS Ms. Drake
Tim Hooper VS Isabel Stonefield
Justin Moorland VS Mrs. Peterson
Charlotte VS Tiera Vaughan
Scott Buttergood VS Li Ming Yue
Anne von Blyssen VS Darko (oh my god)
Ashley VS Lance
The second tournament:
Joe Jarlasson VS Bob Jarlasson
Linn VS Xin
Alex Cloudmill VS Maya Dew (I promise this is randomly generated, this is homophobia)
Mrs. Hill VS Josie
Jon Jarl VS Jonas
Lydia Rockwell VS Martina Sunfield
Nova VS Ferdinand
John VS Eva von Blyssen
Nic Stoneground VS Hugh
Big Bonny VS Magnus Steinar
Loretta VS Anastasia Silverglade
Edith Octavia Hartwood VS Spymaster
Sedna VS Fleur
Ricky Winterwell VS Will
Barbara VS Helga
Edward Rockwell VS Frank Einstein
Rob VS Mrs. Packard
Carl Peterson VS Kora Pelletier
Rhiannon VS Agnetha
Gaia VS Buck
Huck VS Silencia Tranquila
Jakob Goldspur VS Isolde Goldspur
Igor VS Steve
Tan VS Linda Chanda
Mrs. Dew VS Reyansh
Jack Goldspur VS Ed Field
Karl Franz of Silver Fork VS Mrs. Holdsworth
Mr. Sands VS Farah
Professor Hayden VS Daxton the tailor
Jasper Holbrook VS Erik Hightower
Tamika VS Barney Summers
Dr. Eiren Doyle VS Granny Rose
Catherine Moorland VS Ana
Poppy VS Mr. K. Trout
Tobbe Larsson VS Thomas Moorland
Imane Highcantle VS Andy
Charles VS Mel
Jupiter Peacebloom VS Mr. Hill
Stacy VS Sive
Rowan Allaway VS Mr. Dew
The third tournament:
Claire VS Guillermo Gadea
Marley Summers VS Johanna
Reed Kessler VS Jenna
Robert Buttergood VS Josh
Jamie Olivetree VS Gunther
Madison Hightower VS Mr. Cod
Tristan Goldspur VS Alexander Goldspur
Godfrey VS Carney Summers
Mr. Kembell VS Thalia
Carmela VS Mica Stoneground
Harley VS Harriet
Jessica VS Amelia
Erissa VS Freja Sunfield
Alonso Rivera Sandoval VS Emma
Kit Shorthouse VS Raptor
Luke Excavator VS Herman
Council Man VS Mrs. Cloudmill
Mr. Andersson VS Lily Bones
Keema Steelgait VS Luciana
Walter Winterwell VS James Cloudmill
Holly Hightower VS Elizabeth Sunbeam
Stein VS Enitan Taiwo Ladipo
Sindra VS Felix
Nathalie Moonriver VS Björn
Councilman Skoll VS Rania Varanger
Lisa Peterson VS Loke Sunfield
Professor Jura VS Dorith Jarlasson
Hannibal Goldspur VS Hermit
Junior Buttergood VS Conrad Maarsden
Gretchen VS Li Jian
Rin VS Sonja
Angus Goldspur VS Daisy
Petunia VS Ginny
Kai VS Judy
Mary VS Zed
Katja VS Stanislav
Mrs. X VS Ms. Morse
Sabine VS Sahar
Carin VS Avalon
Kent Jarlasson VS Beatriz
When there are only 30 rounds left, I will start posting NPC (other) tournamnets as well. They consist of these competitors:
Starshine VS Nightdust
Meteor VS Pearl Hart
Knut VS Esben
Popcorn VS Summerflower
Calanthe VS Nutkins
Sahara VS Mayor Peanut
Beeper VS Hieronymo
Sirio VS Lynx
Galloper Thompson's Horse VS Mudskipper
Sprout VS Pistachio
Lignos VS Firewind
Cayenne VS Mortifa
Crowy McCaw VS Ms. Morse's Horse
Diggory VS Shay
Ganymede VS Athena
Balder VS Pico
Nihili VS Lemmy
Beatrix VS Archie
Acerbus VS Ancient Tree
Rocco VS Lucien
Juniper VS Dellingr
Techno VS Birdie
Swedenborg VS Atlas
Crabapple VS Sapling
Ash VS Cedar
Khaan VS Kasper
Bartok VS Hrafnfaxa vom Schwanenteich
Blondie VS Rosemary
Lady VS Garnok
Balder's Mother vS Pari
Shakira VS Elli
Butterfly VS Fripp
Mardy VS Bear
Alder VS Pegaso
Valiant VS Mousebiscuit
Goons VS Brunte
12 notes · View notes
douglysium · 2 months
Text
Episode 8 TMP Quick Thoughts
Housekeeping and Prologue
Hello, this is Douglysium and you might not know me as that guy who wrote over 100 pages of analysis on the Eye (which can be read on Tumblr here (https://douglysium.tumblr.com/post/735599414228484097/the-relationships-between-the-dread-powers-the) or Google Docs here (The Relationships Between the Dread Powers: The Eye- Knowledge is Fear and Ignorance is Bliss)) or as that guy who wrote an article on the Extinction (which can be read on Tumblr here(https://douglysium.tumblr.com/post/717929126195003392/what-would-avatars-of-the-extinction-be-like-a) and Google Docs here(​What would Avatars of the Extinction be like?: A TMA Speculation)). Suffice to say I might be a bit of a TMA fan. Also, spoilers for TMP up until episode 8. You can read my ramblings on the last episode here (TMP Quick Thoughts 7).
However, Protocol offers a very unique opportunity and experience for me because I didn’t actually get into TMA until after it was over and I binged all of it. So this is my first time experiencing something even remotely similar to what the original TMA fans probably experienced when waiting for each episode week by week and slowly having to put everything together with the limited information they had. So I decided to throw my hat into the ring since this might be my only chance to do something similar. However, I’m working on some longer form TMA content so I can’t spend as much time on these articles giving a bunch of super detailed thoughts. I will try to keep these short and that inevitably might mean some could have questions about why I think or predict certain things and in those cases I would probably recommend you read at least some of the two articles I mentioned above to get a better idea of where I’m coming from. This also means I won’t be giving you a play-by-play of every single thing that happens in the episode so I encourage you to listen to or read them yourselves and feel free to comment if you feel something is important.
These reviews are probably going to end up focusing mostly on the Entities and their manifestations as they are what I have thought about the most and spent the most time interpreting and there’s been a lot of… interesting theories floating around about how the Entities are manifesting that I want to go over.
Finally, I’m just going to say it right now, spoiler warning for all of The Magnus Archives. I know that Jon and co said one could start with Protocol and be fine, and while that’s probably true, media like this tends to be made in conversation with or take into consideration what came before it in the irl chronology in order to connect them. While I’m sure you could skip The Magnus Archives, I don't really see the point of skipping over it when we are already getting characters from TMA showing up in TMP in Protocol. So to me it’s pretty clear that if we want to understand the full picture of TMP and all the things it is trying to say then we can’t just try to pretend TMA doesn’t exist or scrub it away. Just because you could understand what’s happening without the context in broad strokes doesn’t mean you're getting all the nuances.
These articles are meant to be quick and short so sorry if there’s typos and if I don’t address every possible question or possibility. I don’t want to repeat myself too much in this series outside of the prologue so be sure to skim some of my other articles.
Episode 8 “Running on Empty”
This time we dive directly into a statement that NORRIS is giving which means the intro is a bit faster than usual. This statement takes the form of a paper being submitted by Terrance Stevens to Joseph Peterson. In the end Terrance is stuck with a failing grade but the teacher left a note of “see me” and in the assignment itself Terrance does try to explain the late submission and extenuating circumstances. Which seem to be acknowledged by the teacher with “Extenuating circumstances: Serious Medical Condition, Trauma, Miscellaneous.”
Terrance decided to do their assignment on “Forton’s Brutal Liminality, a case study of architecturally induced psychological stressors as a result of prolonged exposure to liminal spaces in the Brutalist mode as exhibited by Forton Service Station.” They elaborate with “This paper will present a comprehensive analysis of Forton Services as a key site of study for the intersection between Brutalism and Liminal space design with a secondary focus on the psychological stresses such sites can cause.”
Later in the statement Terrance gives us the definitions of Brutalism and Liminal that they are working with (which is extremely helpful because upon looking it up I got 3-4 common definitions for Liminal). “Brutalism, originating from the French 'béton brut' - raw concrete, is an architectural movement that focuses on utilitarian purpose. This often results in exposed raw materials, stark forms, repetitive geometric shapes and monolithic structures. This can often lead endusers to feel overwhelmed or oppressed. (Zumthor, P. 2006)”. “'Liminal' spaces, derived from the Latin 'limen', meaning 'threshold' are transitional spaces normally inhabited for short periods. They have been shown to have marked effects upon the psychology of those exposed to them and long-term exposure has been found to illicit anxiety responses (Augé, M. 1995), (Bachelard, G. 1994) and feelings of the uncanny (Trigg, D. 2012).” In case the second definition is a bit confusing, what Terrance is referring to when they say “transitional spaces normally inhabited for short periods” are things like hallways. Places that exist almost entirely for people to pass through from one area to another.
Terrance’s report seems extremely focused on architecture and the psychological effects they can have. Within TMA Smirke’s architecture could actually interact with and influence the Entities in various ways and they were noted to have a higher likelihood of hauntings and supernatural events occurring within them being reported than other buildings do. Plus, the Entities themselves can manifest as physical places. This is seen with not just the Domains but also how people can be physically thrown into the Entities (for example, someone can physically enter The Buried or Lonely. Various people have been taken by the Entities to other unknown locations and there’s a non-zero chance that at least some of these people ended up within Entities so their fear could be fed on). Terrance also says “My hypothesis is that that Forton services, as a site of intersection between these two psychologically significant elements can be considered a site of what I have termed “Brutal Liminalism” and this is why it has a profound effect upon those exposed to it in the long term as testified by my own experiences. Specifically, it creates an effect of absence despite presence, an “architectural hunger" of a sort.”
I also have to wonder if architecture will be as important in TMP as it was in TMA and if so how? Did this universe’s Smirke somehow meet the Entities or is some of the architecture in TMP just coincidentally reacting with the Entities? Maybe it has nothing to do with Smirke and someone else has connected the dots in regards to architecture and the supernatural?
Terrance goes on to explain that areas such as Forton were originally conceived as locations one would actually stay at for prolonged periods of time but the increasing popularity of cars and similar vehicles along with the overdevelopment of the road infrastructure in the UK led to Forton becoming a place people merely pass through overtime. A liminal space if you will. Basically Forton went from being sort of like a metaphorical “room” one would actually stay in to a “hallway” that people just pass through. This also meant that more people would be traveling through Forton and “This increase in travelers, far beyond older design parameters, has led to an ephemeral flux of people transitioning through service stations at all hours, leaving only trash in their wake. Not only this, there are perceived time distortions associated with such spaces exacerbated by the deliberate absence of clocks (to encourage longer stays) and 24 hour opening times with rolling opening, closing, cleaning and restocking routines.” In case you aren’t aware, ephemeral means “lasting for a very short time.” So among other things, Terrance is saying that there is a spike of people in Forton but they are not permanent or consistent residents. It’s a bunch of people flowing in and out of it constantly.
“I propose that because these spaces are devoid of persistent humanity and consistent time perception, they have thus become dislocated from humanity’s shared mindscape and there are unique health risks to people who are over-exposed to this phenomenon. In essence, I believe the “architectural hunger” of a space that resents its own transitional nature can be dangerous and I have a unique personal insight into this phenomenon.” The term “humanity’s shared mindscape” gives me pause but I suppose the Entities could be considered a shared mindscape? They are explicitly born from and maintained by the collective fear of animals, and while this can be the fear of any animal it is noted that most of the Entities tend to lean towards feeding off of humans specifically, with the exception of The Hunt and The Flesh, because their fears tends to be more “nuanced.” So you could describe most of the Entities as mindscapes that tend to revolve around humans even if not completely. Not to mention, that despite the Entities being very metaphysical in many ways you can still physically enter them, and they do like to mold themselves out of specific fears in order to best terrify the person within them. So they are kind of like mindscapes born of fear.
It’s also interesting that Terrance says “architectural hunger.” The term hunger seems to be appearing a lot which has led to much speculation. I’m still a bit on the fence about this but even in TMA there were at least some references to hunger. How Entities and Avatars gathered fear was often portrayed using food metaphors. If an Avatar could not gather enough fear over a period of time they would “starve” and feel extremely weak if not die for example. When Jude Perry is describing how being an Avatar works to Jon she says “Feed it, fearlessly and without hesitation, or it will feed on you.” In MAG 200, when describing how the Entities came to be, we get “But fear was here and true and was itself, and it hungered. It wished to know more. It wished to feel more. It wished to be more.”, “And something else began to happen. Some minds did not simply recoil from them and feed them. Some seemed almost to call them, to court them, to hunger for them in return.”, and “And with this newfound power came greed. The hunger for more, the unformed, unfocused, but impossibly huge desire to exist. To join the minds that gave them shape and purpose, and finally drink their fill ‘til they were one and the same. They had no concept of how, or when, or even why, but they needed it. They needed it.” So the Entities have always sort of been described as “hungering” or “feeding” in my opinion even if it’s being pushed more now.
Terrance details how they took a job as a janitor at Forton Services after a divorce and it “cost me the majority of my friendships. The ensuing stress episode led me to quit my job as a deputy fiduciary services administrator. I thus applied and successfully interviewed for a low stress Janitor role despite my overqualifications. At the same time I successfully applied for the Architecture Program at Lancashire University as a mature, 51 year old student.” The fact that this seems to take place recently after a divorce and that the divorce led to the loss of many of Forton’s relationships could point to themes of The Lonely. It wouldn’t be the first time someone got dragged into The Lonely after a relationship goes sour (as seen in MAG 150 (Cul-De-Sac)).
Terrance says that they believe Forton to be “an ideal example of “Brutal Liminalism” given its status as both a popular motorway service station and a landmark of brutalist architecture.” and they specifically note the tower as being the primary reason for this place being an ideal example of brutalist architecture. The tower is noted as being closed to the public despite being listed in 2012. I wonder if this tower specifically has something going on with it. Maybe the architecture is similar to Smirke’s or there is some other type of architecture that could elicit increased supernatural reactions and / or maybe even encourage different manifestations. It wouldn’t be completely unreasonable to assume that there is potentially more than one way to build something that reacts strongly with the Entities, even if such an idea is unfounded at this point.
Terrance describes the site by saying “The site is seventeen point seven acres featuring an eastern picnic site and facilities on both sides of the M6 motorway with seating for 700 people, 101 toilets and 403 parking spaces. The top of the tower once held a fine dining restaurant with a roof-level sun terrace both of which featured unmatched panoramic views of the surrounding rural countryside on all sides.” While the tower used to be open at one point, Terrance explains “Unfortunately, the effects of Brutal Liminality soon took effect with a 1978 government review describing the site as “a soulless fairground” and the restaurant became a trucking lounge before being closed to the public in 1989. No-one has eaten there in decades. There were later failed attempts to repurpose the space but in 2017, the two pentagonal lifts in the center of 
the Tower shaft were replaced leaving the higher floors derelict and inaccessible. The tower still stands overlooking the surrounding countryside, the only access via the Brutally Liminal Forton Services below, but the entrance is sealed and this is perhaps for the best.” 
But while Terrance was unable to enter the tower itself they claim to have started undergoing “a psychological shift” nevertheless. They describe this supposed shift as “subtle,” so much so that they didn’t even originally notice it and assumed there to be a more rational explanation. “Put simply, there were less and less people every night. At first, I assumed it was some seasonal change I hadn’t accounted for but every day it grew more pronounced until finally, one night, I realized that I had not seen a single person.” Terrance says that this is impossible and they even went to verify their log. They would go on to check the parking lot but didn’t see a single car. Once again, this parallels a lot of the themes and manifestations of The Lonely for obvious reasons tied to being isolated both physically and emotionally. Terrance then notices something in the parking lot. Something that they describe as “...streaks of light lingering in the air. There was a nebulous haze across the entire car park, a mélange of muted colors punctuated with more vivid reds, whites and yellows but even more curiously I realized it primarily hovered above the asphalt. The Greenery and walkways were mostly clear. The effect was curiously familiar but I couldn’t quite place it. I have since been unable to determine if this effect was psychological, physiological, or atmospheric in nature but I maintain that the phenomena was accompanied by a disquieting sense of absence. Of hunger.” Once again, a reference to hunger.
While most of the statement up until this point has been pretty heavy on potentially Lonely themes, this leans a bit more Spiral-like with the kind of strange lights being seen. Terrance does also describe the lights being seen as chaotic. Despite this it’s not like all The Lonely type stuff suddenly stops. Terrance says that they managed to make out details “...in those long, waving, iridescent strips” and they “...could trace denser routes through the chaos leading through the main doors to the facilities and as I watched a memory of my ex-wife’s photography leapt unbidden to mind, my favorite shot that she’d given me on our seventh anniversary: “A study of traffic.” So what could be happening here is that an Entity is attempting to remind Terrance of their ex-wife as well as some of the pictures she had taken in an attempt to amplify certain emotions or feelings (such as loneliness). Terrance even goes on to say “That’s when I realized why this all felt so familiar. Timelapse. If I could have walked into that photo, this must be what it would have felt like. It would have been beautiful if it weren’t so unsettling.” So Terrance might have literally walked into a place modeled after a photo taken by their ex-wife. Additionally, when they were married Terrance would have had way more friends. So this memory could also call back to a time when they felt less alone this heightening there current feelings of isolation.
The haze’s connection to the asphalt is probably due to the fact that the picture Terrance’s wife had taken was “A study of traffic.” So highlighting the asphalt would help remind Terrance of the photo due to streets, sidewalks, cars and all that. However, you could also make an argument for themes relating to The Extinction if you were so inclined. In MAG 134, “Time of Revelation,” Adelard Dekker says this in regards to his theory about the Power “But now the fear is not of a rapture or a revelation. It is of catastrophic change. Mankind will warp the world so much it kills us all, and leaves only a thousand years of plastic behind. Technology will strip us of what it means to be human, and leave us something alien and cold. We will press a button that in a moment will destroy everything we have ever been. Animals are witnessing the end of their entire species within a single generation.” So you card argue that highlighting concrete as opposed to potentially more naturalistic landmarks like greenery could point to urbanization and a less natural future. Terrance does also mention in his theory that a major factor as to why the architecture has become a negative force is because overtime Forton has changed to a more liminalist space due to urbanization and an increase on the reliance of cars (which can also be tied to some fears that The Extinction might often correspond to (such as climate change and being rendered obsolete)).
However, you could still make a very solid argument for the influence of something like The Spiral as Terrance also says “In retrospect I was clearly having some kind of severe hallucinatory episode brought on by long-term exposure to the space.” So there is a potential awareness and fear that Terrance might be mistaken or their senses are wrong. Terrance feels like they should try to avoid the glowing mist and even feel the instinct to hide “ to find somewhere, anywhere that I might be free of that overwhelming miasma sloshing back and forth within the foyer threatening to wash me away with it.” (A foyer means “an entrance hall or other open area in a building used by the public, especially a hotel or theater.”) While it’s not impossible that another Entity might be manifesting as mist or fog I think it’s interesting Terrance notes the presence of glowing mist since we know that Entities such as The Lonely tend to manifest as it a lot. This is probably to heighten the sense of isolation because of the fact that fog and mist not only obscure vision but also tend to muffle sound. These qualities can make it harder to tell if there are others around you, which might make you feel alone. Fog and mist can also be associated with melancholy. It could also make it potentially ironic that Terrance’s first instinct is to hide and thus potentially further isolate himself.
However, rather ironically, there are ways fog and mist could hypothetically relate to The Spiral. Some other definitions of fog include “something that obscures and confuses a situation or someone's thought processes” and “bewilder or puzzle (someone).” Both of which could point to the idea of fog or mist manifesting as a metaphor made literal in order to confuse someone.
Terrance also refers to the mist as a miasma. A word that can mean “a highly unpleasant or unhealthy smell or vapor” or “an oppressive or unpleasant atmosphere which surrounds or emanates from something.” I would assume that the second definition is more applicable here even if the mist could smell terrible. Terrance starts trying to get out of dodge by moving away from the main entrance and “away from the densest areas of the kaleidoscope in the hopes of finding somewhere less overwhelmingly saturated.” A strange kaleidoscope of colors could once again point to The Spiral.
Things get a bit weirder when Terrance says “And that was when I saw the woman. She was tall, young, and thin, almost to the point of malnourishment, dressed similarly to a stewardess with a tightly fitting blue waistcoat buttoned over a sensible looking grey skirt. She was beaming, holding open the door to the lift and inviting me inside. There was a small brass badge on her waistcoat, but instead of a name it simply read “You are here”.” The sight of this woman causes Terrance to hesitate and “before I could consider her strangeness a particularly high tide of color swept down the corridor toward me. I panicked, and before I realized what I was doing I had darted inside the lift and slammed the close-door button.” It quickly becomes apparent that Terrance is in the elevator with the woman as they say “Thank you!” and “She didn’t seem to notice and instead continued to smile warmly at me as she reached across and pushed the button for the penultimate floor marked “Restaurant”. A button I knew was disabled. The lift started to climb.” 
I wonder if the colors Terrance was running from are a metaphorical representation of their past. Maybe if the colors caught them they would have found themselves trapped in a world modelled after their wife’s phot of the past. We also know that The Lonely has manifested as weird colors. In MAG 186 (Quiet) Martin’s Domain is mentioned as being monochrome in color. So I wonder if the vibrant colors chasing Terrance would mean everything else outside of it seems more drab and less colorful in comparison? Then again there’s still argument for The Spiral with the dizzying array of colors.
As Terrance catches his breath the woman says ““Good Evening!” She exclaimed, “It’s my pleasure to welcome you! You are here! Stay awhile!”” Terrance tries to ask her some questions but she says nothing with a wide grin on her face. Eventually the doors Terrance are leaning on open and he tumbles into the tower. To which the woman only responds with “Stay awhile!” before the doors close. Terrance had actually seen the locked tower stairway, after being shown it by Molly on their first day, and the tower shouldn’t have anything in the room Terrance is in “apart from damp and broken furniture. At least, there shouldn’t have been.” Despite this impossibility, in front of Terrance now lay “...a restaurant, spotless and bright with retro 60s décor and the sweet smell of frying pork drifting towards me from the central kitchen. Chairs and tables lined the outside wall, each of which sported a large window which would have granted an impressive view of the landscape below if they weren’t all blacked out. This didn’t seem to concern the diners however, who were perfectly content eating whilst chatting amiably with one another.” This sight actually gives Terrance a moment of relief “...for as strange as the situation was, at least there were people. I was no longer trapped in that bizarre, solitary, aurora limbo downstairs. The feeling faded though, when I heard what they were saying, or rather what they weren’t saying.”
The seemingly starving woman was strange, but I think there are some things in this restaurant that could once again point to The Lonely. As I’ve mentioned before The Lonely has manifested as people before, most notably a faceless crown in MAG 48 (Lost in the Crowd). The Lonely has also manifested as languages that sound vaguely familiar but upon closer inspection sound like gibberish. In MAG 150 (Cul-de-Sac) we get “My hand drifted down and brushed the plastic remote control. Almost on instinct, I picked it up and turned the TV on. A cooking show. A woman I almost recognized fussing over a turkey. She was talking, or at least it sounded like she was, the cadence and the sounds were so much like English that it took me almost a full minute to realize that she wasn’t actually saying words.” I assume this is meant to emphasize a feeling of isolation and disconnect. The idea that you cannot understand others and others cannot understand you. Even if you aren’t alone physically you are alone in your experiences and people cannot relate to you while you have trouble relating to them. 
I think it’s also interesting that Terrance feels a moment of relief upon seeing other people. This may seem weird for something like The Lonely to do but in reality it wouldn’t be any different than say The End extending someone’s life. Entities such as The Lonely aren’t the embodiment of loneliness but a manifestation of the FEAR of it. Sometimes the Entities seem prone to give someone some sort of “protection” or “benefit” either temporarily or permanently that might seem to run counter to what the Powers crave at first but in reality it’s the Entity trying to harvest as much fear as possible by trying to give someone something and then threaten to (or actually) take it away. The End’s behavior in TMA makes a lot more sense when you remember that it isn’t literally death but the fear of it, and the longer certain people are alive the more they can fear losing their life. What I’m trying to get across is that just because Terrance feels a moment of relief that doesn’t mean that the feeling of loneliness isn’t a massive factor or aspect here. When Terrance describes their relief they even say “bizarre, solitary, aurora limbo downstairs.” Emphazing that one of the most concerning aspects of what was happening downstairs was the “solitary” part of it. Of course, it might be too early to say that’s exactly what’s going on here so let's keep looking through the statement.
“Looking around, the restaurant was near capacity with only one free table but when I tried to listen to any one conversation it was just… noise. A muffled murmur that sounded like speech but held no information. Their mouths were moving but all I could make out was a meaningless garble, just the impression of speech, nothing more.” Once again, more Lonely-esque gibberish. You could also argue The Spiral with how Terrance thinks he can understand what they are saying but upon listening he can’t or The Stranger in how he doesn’t know what they are saying or who they are. However, I would point out that it has become clear that this fake speech has seemingly caused a distancing effect with Terrance that’s making it harder for him to relate and connect to them as people. He even goes on to say “Similarly, as I looked closer at the diners themselves, I noticed oddly repeating elements to them. Three women were wearing the same blood-red heels. Two men, the same blue coats and worse, there were even recurring features iterating on different faces: the same green eyes on two women, identical moustaches on three men. These were as much an impression of people as the sound was an impression of speech. And they were all so horribly thin.” In essence, these aren’t people Terrance can talk to or connect with. You could also point to some themes of The Stranger since it is an Entity that loves to manifest as fake people or odd seemingly nonsensical and uncanny behaviors. 
The chef is also equally as weird and they are described as having  “the same smile on his face below a fourth version of a bushy moustache and an identical “You are here” name tag on his chest. He gestured from his place behind the counter to the only open table:“Good Evening!” He cried, “You are here! We hope you stay awhile!”” So basically everyone here looks like a bunch of npc characters that had had the same handful of physical traits copied and pasted over and over. Terrance is taken aback by the chef’s reaction and catches himself as he instinctively steps back towards the table. They note that as this happens “...everybody in the room seemed to lean ever so slightly forward in anticipation.” Terrance also feels a breeze which in turn causes them to realize that the windows are not in fact blacked out but that “They weren’t even windows. They were gaping square holes and beyond them was nothing at all. Any one of the diners could reach out if they had a mind to and plunge their hand outwards into the dark, foreboding and utterly featureless void. There was nothing. Nothing above, nothing below, nothing at all. Nothing, save the tower and the restaurant.” Terrance says “My whole body recoiled from that awful absence, and I retreated backwards towards the lift. That was when the gentle murmur of nonspeech abruptly ceased to be replaced with a complete and utter silence.”
You could easily point to the void as resembling The Dark (and that’s a fair comparison) but you could also relate it to The Lonely. The idea of a black lifeless void in which you sit utterly alone sounds similar to how some would describe the cold empty vacuum of space. The Lukas family was involved in the creation of the Daedalus space station and messed around with fears relating to The Lonely and space by torturing some poor sap in TMA. In MAG 57 (Personal Space) we get two lines that I think could relate to this theme. “But still the fact remained that where the Earth should have been, there was empty, dark space. I must have watched for hours waiting to see the sun. We were definitely still moving, and from what I could tell we still seemed to be moving in some sort of orbit, but without a planet below I have no idea why we kept the same pattern. Regardless, the sun should have been visible sooner or later.” and “Each time I painstakingly entered it with as much precision as I still had within me, and each time the password field read out what I had apparently typed in:“No one is coming” and the door remained closed. And that was it. I was trapped alone in a tiny room floating in space deserted empty space.”
Everyone in the room continues to smile and the chef once again says “Stay awhile.” but it is clear to Terrance that this is no longer a request. The diners create an echoing effect by repeating the chef’s words over and over like a chorus. Okay, this is where things veer away from standard Lonely, Spiral, or Stranger manifestations as the people in the restaurant begin to grab Terrance and then “a man with that same moustache leant down towards my leg, opened his mouth, and bit into me. Pain shot through my body, but my thrashing was in vain as one of the women buried her teeth in my shoulder, and I could feel hot blood flowing down my back as whilst at the same time the chef took off one of my fingers, the bone barely slowing his chiseled jaw.” Sam screams from the pain “...but the sound withered draining out the windows into nothing.” I think it’s interesting to note this vacuum like effect. The Lonely is often connected to silence (since if there’s no one nearby things are more likely to be quiet. Think of an abandon city or town and how quiet that would be). Also, connecting to the space metaphor is the idea “no one can hear you scream.” Well, in this case it’s more the idea that no one is coming to help Terrance. He is completely on his own with no allies.
Thanks to a rush of adrenaline Terrance manages to fight his way out of the crowd of brittle and emaciated bodies and “The lift had disappeared as if it had never been. And beyond the windows was of course nothing. “You are here”, I thought bitterly. and so when faced with the prospect of being eaten alive, or leaping out one of those windows into pure oblivion, it was no choice at all. I jumped.”
So obviously, potentially some themes of The Flesh in relation to the fear of being eaten or consumed might have come out of left field and made whatever is going on here a bit more confusing and vague. However, there are still some themes of The Lonely here. It’s important to remember that The Lonely isn’t just the fear of being physically alone but also mentally alone. It’s possible to be surrounded by tons of people everyday but still feel alone due to disconnect or the idea that no one would care if you’re gone. In this way you could interpret the other peoples’ odd behavior as an attempt to alienate Terrance. The description of the restaurant also paints it as extremely superficial and shallow. The people can’t really be connected with and there’s nothing outside of the windows. The people Terrance finds comfort in for a brief moment quickly turn to consume him, seeing him not as a person that can be related to but as something to be used up. In a way, Terrance is sort of objectified. Which is an idea that both The Flesh and The Lonely could overlap in. The idea of being but a resource to be harvested like meat and something no one cares about because people only see someone as an object.
However, like always, you can very easily argue some other Entities (something that I can’t spend too much time on because this article is already long enough as it is and I would be repeating myself). You could argue The Spiral with the confusing imagery and appeal to madness or faulty senses, The Stranger loves to manifest as people acting odd and uncanny (such as Breekon and Hope’s as well as the Anatomy Students’ odd behavior). Potentially, the entire scene is just meant to be uncanny and the people unknown strangers speaking and unknown language that Terrance cannot relate to. Of coursem The Flesh loves using the imagery of people being consumed. You could also point to themes of The Slaughter with how people are attacking Terrance and the violence involved.
The plunge out the window is of course what leads to Terrance’s injuries and acts as an explanation for why they submitted their assignment late and they write off the experience as “stress-induced psychotic episode” which could once again point to The Spiral in terms of theming. Terrance once again mentions “hungry architecture” when they say “This experience is proof of the intense mental pressure that such Brutal Liminalism can have upon a person who is overexposed to such “hungry architecture”.”
I wonder if Terrance is on to something with the architecture. While there is a precedent for architecture being connected to the supernatural in TMA I have to wonder if Terrance is simply mistaken about the source because they don’t have the full picture. I mean Terrance wouldn’t know that the TMA universe exists and that’s where the Entities might come from. Even the average person in TMA wouldn’t necessarily correctly identify the architecture as having any sort of impact on the supernatural. The whole thing with the tower could be a manifestation tied specifically to Terrance’s perception or specific encounter. But there is always the chance Terrance is on to something, and there is a precedent for some of what they say. It could be that the tower’s architecture might have something to do with what’s happening (even if it’s not in the way Terrance thinks). However, Entities do manifest as places people walk into all the time even without specific architecture coaxing them, so it’s hard for me to say.
We cut to the CCTV in the breakroom and see Gwen and Alice interacting. Gwen expresses annoyance that Alice didn’t refill the kettle but Alice claims that there’s still a bit of water in the kettle even though Gwen says “There’s not even a third of a cup in there!” However, Gwen makes an extremely interesting comment here when she says “It’s bad enough that you deliberately try to find talkers and leave them running just to mess with me-” I don’t think Alice is evil, annoying, or as mean as some fans think she is but this would paint Gwen and Alice’s relationship as even more antagonistic. It’s also interesting that Alice is constantly telling Sam to ignore the statements (presumably because of the mental toll they can have on people) and then proceeds to leave them running for Gwen. It could be that Alice expects Gwen to ignore them but I wonder if the statements are actually getting to her. In MAG 102 (Nesting Instinct) Jon seems concerned when Martin mentions that he’s been reading multiple statements. When Jon asks him about it Martin says “B-B… Yeah. I mean, i-it wasn’t fun, but… I mean, if it, if it helps then I –” so there is a precedent for statements similar to the ones in the OIAR having a negative psychological effect on various people.
Also, something that I continue to rant about is how The Eye isn’t just the fear of being watched but also of watching. Of seeing too much. The Eye is noted in MAG 200 to have been born from the fear of one’s eyes “showing them too much” and we see other allusions to this like Jonah’s ability to shove information into the heads of other people like Melanie and Martin (forcing them to know things they don’t want to). I’m not saying Alice is a secret Eye Avatar just because this idea happens to parallel someone hearing something they don’t want to but rather that Alice might have a personality The Eye might like more than one would think at first blush. Also, the OIAR or the computers could be tied to The Eye but I’m not sure if it would mean the workers are in the same way that the Archivist and the assistants in the Archives in The Magnus Institute were tied to The Beholding. Teddy was seemingly able to leave this job while Jon, Tim, etc. couldn’t just leave theirs without a heavy price. There is no mention of Tim going blind or losing a finger or anything either. 
So at the moment it does sort of seem like anyone can just leave the OIAR if they want to but maybe there’s a cost or condition we are not aware of. It might also depend on your status in the organization. Lower ranked people might be able to leave freely but people like Lena may be unable to. In TMA we know only the people working in the Archives were bound by the contract and presumably everyone working in all the other parts of the Institute could leave or quite whenever they wanted to (causing others to often see the Archives as weird).
Gwen and Alice also have a brief discussion about Gwen’s new position.
GWEN 
 “External Liaison”. 
ALICE 
“And of course, we both know what that means. Right? “
GWEN 
“I assume I’m going to be managing a bunch of contractors.”
ALICE 
“(Interested despite herself) Contractors for what?”
GWEN 
“I’ll be receiving a more comprehensive overview “shortly”.”
It is interesting that the transcripts clarify Alice is “Interested despite herself” which might point to her being more curious or nosy about certain things than she lets on. The mention of contractors is interesting. I wonder if potentially certain groups aligned with various Entities have some sort of deal with the government. That still doesn’t narrow it down that much since it wouldn’t automatically explain why the government would be involved. Maybe they view certain monsters and Avatars as being like weapons in their back pocket or maybe they are just trying to appease them to curb the number of victims / collateral damage? The police force in TMA did make use of Hunters so maybe something similar could be going on with other Entities in this universe. I could totally see a shady government official attempting to use the power of The Eye to set up a spy network or something. However, the Entities still don’t seem like common knowledge in this universe, so even if that was true I doubt the government is just sending entire armies of Slaughter enhanced soldiers running around or something. These are still spitballs though and I’m not completely sold on the government trying to use the Fears as some sort of weapon or resource. I just think that somehow parts of the government are involved.
We get news from Alice that Colin has been put on mental health leave (probably due to the fight between him and Sam over Sam’s phone, which led to the phone’s untimely destruction). When told this news Gwen says “always said he was unbalanced.” but Alice is more suspicious of this news and says “You say a lot of things, mostly crap. I dunno... Feels like something’s going on here” (which isn’t completely unfounded since we know Alice has had this job for a while now). Alice says Sam and Celia went out together and makes a sex joke that Gwen seems disgusted by.
We cut to Sam’s phone and bare witness to Sam and Celia interacting with Gerry (Gerard) and Gertrude. These aren’t THE Gerard and Gertrude from TMA (they are both dead anyway) but instead parallel versions. So this is a coffee shop AU (not literally a coffee shop since they mention being in an apartment) of Gerard and Gertrude (good for them). They seem more well adjusted and happier and Gerry still paints in this universe. Although, it seems he has a lot more paintings. It could be that he just didn’t have as much time to paint in TMA or we just never saw the rest of the paintings TMA Gerard made. Gerry gives Sam and Celia a painting called “Camden Epiphany” as a gift. An epiphany can refer to a moment of sudden revelation or insight but it can also mean “a manifestation of a divine or supernatural being.” So I wonder if the painting foreshadows something. In MAG 4 (Page Turner) one of TMA Gerard’s paintings are described as “an eye. Very detailed, and at first I almost would have said almost photorealistic, but the more I looked at it, the more I saw the patterns and symmetries that formed into a single image, until I was so focused on them that I started to have difficulty seeing the eye itself. Written below it were three lines, in fine green calligraphy: “Grant us the sight that we may not know. Grant us the scent that we may not catch. Grant us the sound that we may not call.”” Something that seems to relate to The Eye. Gerry later mentions he was a part of the Institute’s “gifted kids programs” at some point and I wonder if this is because the kids in question were really smart or had other traits the Institute was interested in. It’s also possible that the answer is as simple as “all the kids had encounters with the supernatural previously.”
Gertrude seems as suspicious as ever and acts as Gerry’s grandma. I don’t know if she is his adopted grandma or biological one. If she’s his biological grandma this could recontextualize the relationship between their TMA counterparts depending on how 1-to-1 you think some of these relationships are (but I’m not sure I buy that she’s biologically related in this way to Gerard in TMA since that would mean either Mary or Eric are her secret child or something). Gertrude being an adoptive grandma or something is still possible since there’s no guarantee that Mary Keay was any nicer of a person in this universe (whether or not she was obsessed with the Entities). It could also be that Mary and Eric just died in some other manner due to some divergence in the timeline when compared to TMA.
The fact that Gertude is here also vastly decreases the chances that Gertrude is not the one who burned down the Institute in this universe. Whether she did or didn’t, a lot of things went differently otherwise she would probably be blind from breaking out of the Institute’s contract (and I feel like someone would have noted if she was blind). Not to mention all the timeline stuff going on right now, since the Institute burned down way earlier in this universe. Sam asks Gerry about the Magnus Institute and it seems to immediately change the atmosphere in the room.
SAM 
“(cont.) I was on one of their gifted kids programs and -um- I got hold of a list of a few of the other kids and thought it might be nice if we could get in contact, swap stories and that.”
GERRY 
“Yeah I barely remember any of it.”
Beat. GERTRUDE disapproves. 
SAM 
“Oh, so you were a candidate?”
GERRY 
“Oh yeah but I was pretty young. I remember filling in a bunch of forms and questionnaires then some old men asking me questions about what books I liked to read, who did I look up to, that kind of thing. Then I left.”
SAM 
“(Disappointed) That’s all?” 
GERRY 
“Yea, afraid so. Other than just sitting around with a bunch of other kids in a room that smelled like old books.”
There’s not much to go on here but it does vaguely point to why Sam might be trying to look into the Institute. He may have had some sort of supernatural encounter at this “gifted kids programs.” All the stuff about forms, questions, and old books could point to The Eye and prodding questions as well as information or even leitners but there isn’t a whole lot to go off of.
I admit, it is a bit funny seeing Gerry so much less depressed but Gertrude is as suspicious and snarky as ever. Sam thanks Celia for coming with him even though they’ve only known each other for a few weeks which makes me wonder if Celia has any ulterior motives Especially, if she recognized Jon’s voice from last episode, she might somehow be familiar with Gerard and Gertrude but that still doesn’t make a lot of sense to me at the moment. It could also just be that she tagged along because she’s also interested in The Magnus Institute.
Celia then asks for a sort of favor- “I’m trying to look into… Weird physics stuff: time travel, other dimensions, teleportation, all that good stuff. Freddy doesn’t really do searches, so could you keep an eye out and let me know if any come up in your cases?” If you read my last Quick Thoughts or even just listened to the last TMP episode you may have noticed that there’s actually a lot that could point to Celia having traveled from TMA using the gap in reality. If you want to hear more thoughts on that you can read the first part of the previous Quick Thoughts.
Celia mentions she is doing a favor for Georgie and her podcast. In TMA Georgie Barker ran a podcast called “What The Ghost?” Sam says he did some research on Celia which would imply that this favor is for this universe’s Georgie but I wonder if Celia is somehow trying to maintain contact with or travel back to the TMA universe. I also wonder if someone like Georgie even tried to send her after the Entities. In MAG 200 we get-
BASIRA
"Yeah okay, you’ve made your point. [sigh] Would just be nice to know for sure."
GEORGIE
"All we can do is hope."
Which could point to an interest in where the Entities have gone. Last article I mentioned that Celia could potentially be worshiping the Entities now, but I failed to consider that maybe she does still worship or look up to Georgie and / or Melanie and was either tasked with some mission or took it upon herself. This could also explain why she knows so much since someone like Georgie, Melanie or Basira could’ve just filled her in at some point after TMA or maybe someone tried to explain to Celia what was happening in the tunnels. This also could’ve been a mere accident or something else entirely. Maybe something even weirder is happening, like the Entities have jumped from more than one universe since we saw them in TMA so this Celia isn’t from the TMA universe (but that’s potentially a stretch with no information to go one).
Although, Celia’s comment about “Weird physics stuff: time travel, other dimensions, teleportation...” does potentially point to some of my original assertions that the Entities may not have immediately appeared in this universe within the same year / date they left the TMA universe because time can get a bit wibbly wobbly with interdimensional travel in the TMA multiverse. Not to mention that The Change also fucked with time, which could’ve thrown things off even more. Of course Sam saying “Uh, sounds a bit sci-fi compared to our usuals. What’s this for? You’re not doing research for that podcast you were on, are you?” seems like a jab at TMA and how the multiverse exists in relation to supernatural horrors of the podcast itself.
Conclusion
Overall, this episode is very weird. Even weirder than I remember when you start trying to sift for details and clues. The statement is weird and Celia is weird but I’m curious to see what happens next. What / who caused the Institute to burn down if not Gertrude and what does that mean for this universe? Also, what is the OIAR actually supposed to do? Are they merely reviewing supernatural encounters similar to the Institute or are they supposed to take a more active role?
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alister312 · 9 months
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Hello there! I hope your having a good day (:
I was just watching BLU again & I came to the part where the kids were in the gymnasium reacting to the war being declared, & Gregory told Wendy to “hold onto me” after hearing the news, comforting her. How do you think this would’ve gone if it were, hypothetically, Christophe instead of Wendy? Would Gregory take the same approach? Would Christophe reciprocate, or would he ignore it?
Just curious about what you think, as it’s quite an interesting scenario to me
that is an interesting question! especially since it kinda rewrites things so that Christophe goes to the school with the rest of them… which would definitely change at least my perception of him as well as my thoughts about what happened to him after the movie 👀 but to get to the actual question:
for one, I think Gregory wouldn’t even offer for Christophe to hold onto him. I’ve mentioned before but in the movie, that moment doesn’t seem as though it’s a mutual thing. it’s more Gregory recognizing that Wendy is scared and in need of comfort, rather than he himself also wanting it. were Christophe to replace her in that scene, I feel Gregory ought to know him well enough that he would know Christophe wouldn’t need (or want) comfort in that moment. instead, they’d share a look of mutual worry but also determination and agreement to get right into resistance action. maybe even right after the assembly.
in that one script draft, it’s implied that Gregory and Christophe were working together to free Canadian POWs the entire time. so it’s highly likely that, if Christophe were already at the school, he and Gregory would’ve gotten right into action. they might not even stick around to rally the other kids during recess, or join La Resistance! honestly it would depend on whether or not Gregory is hanging out with Wendy bc he genuinely enjoys her company or bc there is no one else there on his level (in his opinion). if it’s the latter, then I think he would never go looking for someone else if Christophe is already there.
however, to keep the movie plot from derailing completely, I could see them getting into contact with main boys hoping for information. specifically Kyle, since his mom sorta started the whole war. from there, the boys would latch onto their plan to save Terrance and Philip and then everything would probably play out about the same.
honestly in that same aforementioned script draft, for those who haven’t read it, Wendy gets a LOT more agency and more of a role in general in it. she kinda has Gregory’s role and he’s even more of a minor character than he is already. so I wouldn’t be surprised if, given Gregory were not concerned with the main cast, she were to just take on his role completely. maybe hire him and Christophe to help with just the rescue mission.
now, if there were to be any comfort touch in that scene, i doubt Gregory would announce it out loud. he’d just reach over and place his hand on Christophe’s hand while giving him that look of worry and determination. Christophe would give a similar look back, think about actually taking Gregory’s hand in his and want to do so (maybe his hand even twitches, about to, or maybe that’s Gregory’s imagination) but he’d leave first, knowing Gregory will follow with a plan already half formed in his mind.
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runningfrom2am · 9 months
Text
the sea around us; pt.2 chapter seven
Tumblr media
Snowy saw no choice but to run- wondering if Rafe will ever understand that the pogues mean everything to her. JJ gets it though. JJ will always get it.
(jj maybank x f!oc)
(rafe cameron x f!oc)
warnings/tags: violence, drug/alcohol use, smoking, sexual content (if you squint), slowburn, brother’s best friend, (these tags are obv not exhaustive but regardless it’s pretty PG13)
wc: 1.8k
my masterlist, series masterlist, requests
*:・゚✧*:・
Sarah talked on the phone with Wheezie last night, I could tell she was just so happy to hear her sisters voice again. I thought about calling my sister too, but I didn't have as good of a reason as she did.
Wheezie told her that their dad was coming down to the Bahamas today, we assumed to move the gold- which Sarah already knew he would after the break in. She got Wheezie to text the phone she called with and give us details on when and how he was going to move it, and the security company that is going to help. It's our last chance to get it after our unsuccessful attempt to rob the empty house the previous night, which ended in all of us almost getting caught.
"We're on." Sarah nods, smiling a little as she sees the text from her sister and I watch over her shoulder, putting my arm around hers and squeezing her in excitement.
I look over at John B, who looks instantly hesitant. "Okay, I guess we're doing this." He says, nodding a little to himself. "Armed robbery, I mean I'm cool with it, but are you sure?" He asks her, glancing between the two of us.
Sarah steps away from me and shakes her head just slightly. "My entire life, Ward has always gotten what he wanted. Everyone jumps for him, and I thought it was respect; but now I realize that's fear."
She stares wide eyed at her boyfriend. "And, John B," she starts, walking over and sitting down across from him. "You know the one person who never jumped for him, was your dad. He wasn't like anyone I have ever met, because he wasn't scared of him. This is for him."
John B looks down at his lap for a moment, and I find myself reaching across my body to hold my other arm, rubbing the now very dirty skin up and down my forearm as I watch the two of them.
"And Sheriff Pete." Sarah continues. "And you, and me, and Snowy, and JJ, and our friends at home."
John B nods, agreement set deep in his brown eyes.
"Then let's do this!" JJ grins, walking up next to me and patting me on the back as he takes a bite out of an apple.
"Where did you get that?" I ask, laughing a little and looking up at him as he just gestures vaguely behind him.
"Over there, that tree." He grumbled through a mouthful of apple.
"Hopefully we don't have one man down with food poisoning, but I agree. Let's do this." I laugh, looking between the three of my friends.
*:・゚✧*:・
"The gold is here. At my dad's house." Sarah says, pointing to the house on a map we had on a computer screen while we lay out our final plans. "He's going to transport the gold from our house to a private air freight company located here."
Terrance is sitting next to her, watching closely as Cleo and Stubbs stand by the window behind them. JJ, John B and I are just watching from behind the desk, and I giggle and nudge JJ as he leans over the computer to try and peek at where Sarah is pointing.
"We need to intercept that gold before it ever gets on that plane." Sarah finishes, looking over at the man next to her as he starts to speak.
"Right, there's only two roads that'll take you there. We want to get him in these cane fields right here south of the airport," He points to another spot on the screen I can't see. "That's where we spring the trap."
I recall us going over this plan a million times in my head as we stand on the edge of a deserted road next to tall grass, the cane fields Terrance mentioned earlier. I'm pulled out of my constant repeating of the plan when he speaks to us again.
"They're gonna come from that direction." I watch where he's pointing down the windy road, nodding my understanding as John B uses some binoculars to look out. "Once Cleo and I get daddy on the ground, you four can take the gold."
"Cakewalk." JJ nods, leaning his elbow on my shoulder and putting some of his weight on me. It's only fair after how much he's had to carry me around these last few days.
"Red, are you okay to run over there? You kids are going to have to act real quick." Terrance says to me, and I find myself looking briefly up at JJ.
"I think so." I nod, shifting my weight from foot to foot to test the strength in my injured ankle. I feel a slight burn in it, but other than that it's fine. I'm not sure how I'll be running, though.
"I'll carry you. Like I said, I give a mean piggy back." JJ insists, ruffling my hair in the way he knows I hate.
"Well, whatever you guys decide, don't waste any time when we get him down. Red can wait here in the bushes if she must and we'll get you later." Terrance says. I just nod again. No way I'm going to slow us down on this one, maybe I should wait.
"How you go from livin' in Paradise Island to livin' in the street dodgin' coppa's?" Cleo asks Sarah as the three of us walk down a local street. Our goal is to find and set up our distraction long before Ward moves the gold.
"Fell in love." Sarah shrugs as she answers, making me laugh.
"Big mistake." Cleo replies. "Only got yourself to blame for that one."
"Yeah." Sarah says, squinting at the sun in her eyes.
"What about you, Red?" Cleo asks, turning to me.
"Uh, you know, I've got friends in low places. Myself included." I joke. "My parents kicked me out, then her dad tried to kill me. Twice. Then he killed someone else and blamed me and John B."
"Oh shit, so we're not just jackin' this gold for the money, huh?" Cleo laughs a little bit and me and Sarah both shake our heads. "Vengeance- I like it."
"To be fair, the gold is a nice bonus but I don't care so much about the money." I shrug in response.
"Me neither." Sarah agrees. "It's tearing my family apart, you know? I don't even know my dad anymore, or Rafe."
"Who?" Cleo asks.
"My brother. Her boyfriend." Sarah gestures to me as she speaks and Cleo's eyes widen.
"The plot thickens. You still with him? I thought JJ was your boy."
"Well, I don't really know. I can't imagine Rafe still wants that and JJ is here so.." I reply.
Sarah laughs a little at that. "His problem for not coming." She shrugs. I can't tell her that he begged me to stay.
I look up again as Terrance walks off, and Cleo pats me on the shoulder. "We've got this, guys." She says, smiling at us as she walks down towards the truck behind the older man. "And remember what I told you, girls."
Me and Sarah nod and share a look, remembering what she told us about not trusting captain T. He stays two steps ahead, so she says, so we'll stay three. We hope. Well, we'll try.
JJ gives her a salute as they slam the truck doors and drive off down the road a little bit. "What? What did she tell you?" JJ asks as soon as they're gone.
"Don't trust the captain." I tell him, looking up at him where he stands just next to me.
"Well, alright then." He says, nodding as he contemplates my statement. "Here, sit." He adds, sliding his hoodie off his shoulders and placing it on the ground behind me.
I smile and ignore how my cheeks heat up as I sit down on my makeshift blanket, waiting now for the sun to rise.
"What are we gonna do with all this gold, anyway?" Sarah asks after a few minutes of silence.
"I dunno." John B responds, picking apart a leave he pulled off a nearby plant. "Maybe get a new boat, pay some bills, get a good lawyer for my murder trial. Who knows?"
"I'm gonna pay my restitution, then travel the world, follow the wind, surf in every ocean and on the best waves in the world." JJ sighs, laying back next to me and crossing his arms behind his head. "What about you, Snow?"
I think about that for a second. I really don't know. My gut tells me to buy my family a new home, a nice one, on the cut, but that doesn't feel right. Maybe I should be a little more selfish with it, get a new car and take off and drive back to BC just to see it again. Just because I can. "I think I'll buy a van, like the Twinkie, and drive back up to BC. Just for fun."
"Can I come?" JJ asks and I nod, glancing over at him.
"BC has some great surfing spots, that's what I've heard." I smile.
"What about Rafe?" Sarah asks, and I avoid eye contact with JJ.
"Uh-"
"Who gives a shit about him?" JJ cuts me off, shuffling beside me.
"J, come on..." I sigh a little, covering my face with my hands and letting out a sigh.
"What? You're not together anymore anyways. I doubt he'll be your biggest fan if he finds out you stole half a billion dollars from his dad."
"I'm not talking about him right now." I shake my head. Silence falls over the four of us at that. I feel sick about the whole thing. I feel sick because I miss him, because I hurt him and I know that. Part of me hopes he'll forgive me, but I'm afraid that will only be at the cost of my friendship with JJ.
We all jump when the phone rings after a what must be a few minutes. "Are we moving?" John B answers, putting it on speaker immediately as we all sit up to listen.
"They got a truck and two defenders." Stubbs says, and I look nervously over at JJ who still looks tense. We figured Ward would hire security, but now it's feeling very real.
"But just my dad in the truck with the gold, right?" Sarah asks.
"It's two in the truck." He responds.
"Two?" John B mumbles, looking around at us confused.
"Rafe." Sarah mumbles.
"Rafe?" I repeat, my heart dropping into my stomach suddenly. JJ pushes himself up quickly and tries to pace to vent his frustration in the small opening we've made in the cornfield.
"It's gonna be fine, Snow." John B whispers to me.
"Two defenders, front and back." Stubbs continues as we all internally panic.
"Are they armed?" John B asks.
"To the teeth."
John B loads the gun he was given, looking out to the road while I try and bargain with the dread building in my gut about seeing Rafe again.
*:・゚✧*:・
taglist:@boo22sstuff, @madelynie, @username5786451, @peachprairie, @slut4drudy @sadfury, @mutual-mendes, @cecesrings, @winterrrnight,  @bookishbabyyy, @s-we-e-t-t-ea, @tahliac11, @obxdude, @maybankslover , @redhead1180 , @suzyheartsrafe , (i also tagged some mutuals so message me or reply if you want to be added (or removed!!))
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cobiehaven · 1 year
Text
We See Stars — Lee Felix
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SYNOPSIS; felix loves astronomy, he lives for it. he could probably point out every star alignment that shows. but when he comes across a lonely girl shivering in the spring of winter, he can’t help but want to share that same love.
PARING; felix x reader
GENRE; fluff
WORD COUNT; 1.4k
TAGS/WARNINGS; royalty au, prince!felix, noble!reader, reader is insecure, one set scene.
AUTHORS NOTE; inspired by one taehyun fanfic i read by an amazing author but i couldn’t find the link 🥹.
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felix took a deep sigh of relief the moment he stepped outside to admire the beautiful night sky, a cloud of heat escaping past his lips.
it was painted with stokes of dark navy and sparkled white dots shimmering across, the terrance was chilled with a soft frost. it was euphoric. the only thing that was different was the small girl chattering her teeth near the bench on the other side of the balcony.
he raised a brow. what human would be leveled enough to want to step out in freezing weather without a coat on?
a light “achoo!” perked his attention even more, his actions thinking before his brain.
“you must be insane or stupid to want to be out in weather like this,” he said informally. your attention being taken by his admiring complex as you snapped your head around to see who the owner of this unfamiliar voice was. “who are you?” you asked, informally back.
he didn’t answer with his name but instead shrugged off his thick fur coat, draping it over your quivering shoulders.
you blushed but it was masked with your already pink face, it must have been from your forming cold. instead of asking him any more, you awaited for him to.
he took a seat next to you, your eyes glued on him while his own trailed from the glowing city below to the twinkling stars above. “what are you doing out here?” he asked you.
you hesitated in answering. he was a complete stranger, why would you tell a stranger? but then again, he was a stranger. it’s not like you’d ever see him again. “its a stupid reason,” you sighed, hugging the coat he gave you. “maybe i like stupid,” he laughed.
you were just going to pretend what he said earlier didn’t matter.
“well now you can’t laugh once i tell you.”
“i don’t promise that.”
you gave him a hard stare but he just stared back, waiting.
you sighed and looked away, deciding that it didn’t matter either way. “no one told me i looked pretty tonight.” it was silent for a few moments, you wondered if he thought it was as stupid as you thought it was. to be sad over something so attention seeking was just embarrassing. you wouldn’t be surprised if he was repulsed by you. but then again, you both don’t even know each other and never will, so its not like it mattered too much.
he glanced at you, his eyes on you instinctively making you look back at him. “what..?” you asked, ready to go on a 5 minute tangent about how you came to be so upset over such a topic. quietly, he spoke.
“you look beautiful, tonight.”
the silence was long. longer than before, you weren’t sure how to take those words. to be happy that someone told you what you were hoping to hear or to not take it seriously since you had already told him what exactly you wanted to hear. deciding that the second option overruled the opposing, you just scoffed. “i know you’re just saying that because i told you,” you giggled.
“im serious.” was he? “i’ll be honest.. i couldn’t stand to see you sitting out here all alone, shivering. i originally came out here to stargaze but then i saw you. i couldn’t help but want to know about you.”
you didn’t know what to say. what do you say to something like this?
“what do you want to know?” you asked.
he glanced at you, a soft smile spreading across his pretty freckled face.
“who you are.”
“but you haven’t told me who you are.”
“that does seem to be an issue..”
he hummed, looking away with a sigh, his eyes glued on the city lights below. the view was beautiful. the twinkling lights from both above and below reminded you of the man next to you and his cute freckles. you could draw lines trying to connect them all night. it wasn’t until he looked back at you that you snapped out of your alluring trance. “i’m felix,” he spoke, your eyes widening in utter shock. “what?!” you stood up. “like- the 3rd kings son, lee felix???” you questioned him, your voice cracking from how dry your throat was. he nodded, you could tell his cheeks were flushed the same shade as pink as yours. you lowered your voice, squatting back down into your seat but your eyes still open wide. “i can’t believe i’m talking to the prince right now,” you were in disbelief.
now you really felt embarrassed for telling him what nearly made you cry tonight.
“a lot of people say that. the only thing is that no one recognizes me as the kings son until i tell them.” you fell quiet, not sure of what to say. “it’s my older brother who gets the most attention since he’s awarded the throne next,” felix didn’t sigh, or look uncomfortable at all. but you didn’t believe he wasn’t at least hurt. “that has to bother you, no?” you asked him. “a little but i’ve been numb to this feeling for a while,” he looked down at his hands, his fingertips red and frozen.
it was silent. the cool breeze brushing up on your clothed shoulders and across your nose, it seemed like it was going to start snowing soon if it got any colder.
sitting back down next to felix, you weren’t sure of what to say as you too, had fallen for the same inconvenience that everyone else does, when meeting felix. not even recognizing him for who he actually is. “you don’t have to feel bad, i actually kind of like it this way.” you turned to look at him. “being a prince isn’t always the luxury people imagine. i’m lucky enough to be that prince that no one knows of and can have my own freedom.”
you never thought about it that way but he was right, you couldn’t imagine being of such high class and not getting attention all of the time. so it was a blessing to have a royal life without the looming paranoia of eyes and voices surrounding you.
“i suppose i could see how you would like that,” you agreed with him. “but still, the title is nice to have.” he nodded in agreement.
it was an awkward silence for a while, the two of you enjoying the city sounds and faint voices below the terrance. you weren’t sure if fate existed nor were you sure of miracles but you swore that you had never felt more comfortable in this open space with a complete stranger than you ever had with anyone else. the soothing feeling having you sinking down against the bench and looking up at the night sky.
“do you like astronomy?”
the question caught you off guard. why would he be asking you a question like that? right now?
“uhm, i guess?” you questioned.
“you don’t have to say yes if you don’t,” he laughed.
“well now i’m curious!” you argued.
felix gestured up to the sky, his pointed finger guiding you. “you see that star right there?” you hummed in response. “see how it has a slight reddish tint? it’s actually not a star,” he pointed out. your surprised eyes only feeding his enjoyment.
“it’s actually a planet.”
“wow.. how do you know that?” you watched as felix cowered away with a soft blush to his cheeks. his hand reaching for the back of his neck. “i might be a bit of a space nerd..”
you would have never guessed the kings 3rd son would be into astronomy.
but then again, it wasn’t your place to assume such things of people.
“why are you bringing this up with me?” at the end of the day, you were still just strangers to each other. but for some reason.. something told you that he didn’t have anyone else to tell. “you just seemed like the right person to tell,” he smiled at you. his freckles lighting up in the moonlight in a way that had you connecting them like constellations.
there was nothing more surreal than watching the most beautiful man in front of you admire you the same way you admired him. you didn’t even realize you were staring at his lips until he caught attention to your own. giving in to his instincts, he slowly leaned in to capture your lips, you happily complying with him.
suddenly, you no longer had any worries.
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proofread by @hwasluvr
© cobiehaven 2023
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Text
The Truth Unfolds
Summary: Lyla learns that whatever happens in the dark, always comes to light.
TW: Angry Jay and Will, some cuss words but not many
Word Count: Around 2.6k
Note: Hi!! I know I haven’t posted in a bit but I didn’t really know what to post so yeahh.  This one was inspired by something that happened to my friend when we were in eighth grade but with a little bit of fiction to it.  
Also Derek Shepherd is kinda mentioned but he’s not actually in it so I wouldn’t count this as a Grey’s fic but yeah.
Also also no offence to Dhar Mann, you’ll understand once you read.
Also also also if you haven’t you can read “Well, This Is Awkward” for some context but you don’t have to (it’s on my masterlist if you do want to)
Anyways, I hope you enjoy!! (:
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     “You got Rameses’ work done right?”  Mia asked Lyla as they exited the gym after the bell had rung.
     “Yeah.  I don’t have any make-up work.  You?”
     “I have a social studies assignment.”  
     “You better get that done then because Ms. York doesn’t mess around.”
     “I know.  She’s scary as hell.”
     “Hey guys.”  Kameron greeted as they walked down the stairs, pushing between the two and walking in the middle, “Who’s scary as hell?”
     “Ms. York.  Mia has a social studies assignment that she hasn’t done yet.”
     “Dude, if you don’t finish that in Crenshaw’s class you’re screwed.”  Kameron warned just as Terrance caught up to them.
     “I can’t believe it’s already the end of the first quarter.”  Terrance commented as the four of them turned the corner.
     “Yeah, me neither.”  Lyla replied, “It went by pretty fast.”
     “I wonder what exploratory we’re gonna get next.”  Mia wondered, she and Lyla continuing to walk as Kameron and Terrance stopped at their lockers.
     “Same.  I kind of want art or life skills.” 
     “You’ll like art.  It was pretty fun.”  Mia informed, the two of them stopping at their lockers.
    “What did you guys do?”  Lyla inquired as she opened her locker and began grabbing what she needed for the next three classes.
     “We did a few things, but my favorite was probably when we drew a portrait from a reference picture.”
     “What did you draw?”
     Mia grinned, “Derek Shepherd.”
     Lyla rolled her eyes playfully as she closed her locker with her foot, “Of course you did.”
     "He's like, so hot."  Mia gushed, Lyla nodding her head in agreement.
     “Hey Terrance, what exploratory do you want next quarter?”  Lyla asked as Kameron and Terrance made their way over to the girls, their books for the next few hours in hand.
     “I kind of want cooking.”  Terrance replied, the four of them making their way to their homeroom class.
     “You’ll like it.”  Lyla stated, “I enjoyed it.”
     “Which one do you want?”  Terrance asked Kameron as they entered their first class of the day, which was writing with Mrs. Crenshaw.
     “I don’t know.”  Kameron started, then lowered his voice, “Not Crenshaw’s, that’s for sure.”
    “I don’t think anyone wants Crenshaws.”  Terrance whispered.  Mrs. Crenshaw was very strict and the majority of the students in their middle school despised her.
     “She’s actually not that bad.  I mean, once I started talking to her on a more personal level I actually began to like her.  She’s a really sweet lady.”
     “Lyla, that’s because you’re the teacher’s pet.”  Mia jeered, Kameron and Terrance laughing.
     “Hey!  I am not!”  
     “Mhm.”  They all sat down as the bell rang, knowing Mrs. Crenshaw would get onto them for not being seated.
     After a few moments, the principal’s voice came over the intercom, interrupting any conversation that had been going on.  
     Everyone stood up and recited the pledge of allegiance, sitting down and listening to the morning announcements once finished.
     Mrs. Crenshaw scanned the classroom after the announcements ended, looking to see if anyone was missing.
     “Good.  Everyone’s here.”  Mrs. Crenshaw said to herself, putting her findings in the computer.  She then looked up, “Who’s eating lunch?”
     Most everyone raised their hands, signifying that they were eating a school lunch.
     Mrs. Crenshaw quickly counted the hands, then proceeded to put that in the computer as well.
     Once finished, she closed her laptop as a student walked up to her desk, a slip of paper in hand.
     “Where do you want this?”  The student asked.
     “You can put it right here.”  Mrs. Crenshaw said, pointing to a spot on her desk.  Mrs. Crenshaw turned her attention to the rest of the class as the student did as was told and walked back to his seat, “I hope everyone brought back their A.R. test scores with a parent signature, otherwise none of you will be getting free time today.”
     A feeling of dread rushed over Lyla as other students walked up to Mrs. Crenshaw’s desk and put their slips in the pile, realizing she had forgotten all about it.
     “Lyla, where’s yours?”  Mrs. Crenshaw questioned, seeing as she was the only one who hadn’t moved.  
     Lyla tried her hardest to think of an answer, Crenshaw staring her down in a way that scared her.
     “I, uh, can I look in my locker?”  Lyla requested, hoping Mrs. Crenshaw wouldn’t give her a detention for ‘not being prepared’.
     Mrs. Crenshaw sighed, seemingly annoyed, “Yes, go.  But hurry.”
     Lyla nodded her head, getting out of her seat and exiting the classroom.
     She made her way to her locker, opening it and frantically digging through her backpack in hopes of finding the paper.
     She sighed a breath of relief once she found it, only to realize it wasn’t signed.
     How could she be so stupid and forget to have Jay, Will, or even Hailey sign it?  Mrs. Crenshaw reminded them for weeks that if everyone brought it back signed they would all get free time.
     Her mind began racing as she tried to come up with a solution, because there was no way in hell she’d be the one person to make everyone lose free time.
     She knew she couldn’t call one of her brothers to get it signed, because Crenshaw would find out, and she was sure she’d get in trouble.
     There had to be a way she could get Jay or Will’s signature on that paper without Jay or Will being there.
     That’s when a lightbulb went off in her head.
     She grabbed a sharpie from her pocket, made sure no one was looking, and wrote ‘Jay Halstead’ on the slip of paper.
     She locked her locker and put the sharpie back in her pocket, quickly making her way back to Crenshaw’s room.
     Lyla knew this could go one of two ways: Crenshaw would either realize Lyla had written Jay’s name herself, or she would fall for it.
     Crenshaw was a very smart woman, but she made her students write only in cursive, and Lyla signed the paper in print.  Plus, Jay hadn’t signed anything for Lyla this school year, and since it was Crenshaw’s first year at Lyla’s middle school, there was a small chance she had seen Jay’s signature.
     Lyla took a deep breath as she opened the door, the eyes of her peers falling on her as she entered.
     “I found it.”  Lyla declared, making her way over to her teacher’s desk.
     She handed the paper to Crenshaw, mentally crossing her fingers as she looked over the paper.
     She felt her heart beating out of her chest, because Crenshaw was not the type of teacher you’d want to mess with.
     She was almost as scary as Ms. York, which is saying something, because nobody dared to defy Ms. York.
     “Good.”  Mrs. Crenshaw chimed in satisfaction, setting the piece of paper to the side along with the others.
     Lyla turned on her heels, letting out a breath she didn’t even know she was holding as she made her way back to her desk, turning to face Mia, who was sitting on her right.
     “Did you write the name on there?”  Mia inquired quietly, a grin spreading across her face.
     Lyla smirked, “Yep.”
     “Dude!  I can’t believe you got away with that!”
     “Me neither.”
     “Okay, what movie are we watching?”  Mrs. Crenshaw wondered as a student made her way over to the computer, logging onto her Disney+.
     Lyla and Mia both got up, grabbing a beanbag from across the room, sitting down by Terrance and Kameron as the lights were turned off.
     “Hey Lyla,”  Terrance started, a playful look on his face signifying he knew what she had done, “Whatever happens in the dark always comes to light.”
     “Oh shut up, Dhar Mann.”  Lyla retorted, the four of them bursting into laughter.
     The movie played as their laughter died down, Lyla smiling pridefully to herself as she settled into it.
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*A few weeks later*
     “Ugh, Crenshaw’s narratives are so annoying.”  Mia complained, throwing herself down on Lyla’s bed.
     Lyla laughed at seeing how dramatic Mia was being, “You’re not done yet?  I finished last night.”
     Mia scoffed, “You really are a nerd, you know that?”
     “It’s better than being dumb.”
     “Hey!”
     Lyla put her hands up, “I wasn’t calling you dumb!  I was just saying!”
     “Good.  You’re not wrong, though.”
     Lyla put her hands down, taking a seat next to Mia, “What are you writing about?”
     Mia smirked, “About the time we turned Dante’s clothes pink.”
     Lyla laughed, “You know, that was the night I found out Jay and Hailey were together.”
     “Really?!”
     Lyla nodded her head, “Just know those images have yet to get out of my head and it’s been almost a year now.”
     Mia laughed, Lyla cringing at the memory.
     Lyla spoke up once Mia calmed down, “Speaking of Jay, I wonder when he’s going to be back from parent-teacher conferences.”
     “What time did he schedule?”  Mia inquired.
     “I’m not sure actually.  Will might’ve gone with him but knowing his schedule he probably got called into work.”
     “Dante went Tuesday.” 
     “Honestly I’m glad they do parent-teacher conferences on Tuesdays and Thursdays because then we get Friday off.”
     “What difference would it make if they did it on Wednesday?”
     “I don’t know, but what I do know is that they don’t do it on Wednesdays.”
     “True true.”
     Lyla looked at Mia’s bag, “Want me to help you with your narrative?”
     “It’s due Monday but sure.”  Mia accepted, getting up and grabbing her bag before sitting back down on Lyla’s bed.
     Mia opened her laptop, getting onto Google Docs and opening the paper.  
     She then gave her laptop to Lyla, the two of them looking over her paper together.
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     Mia put her laptop back in her bag, she and Lyla having finished looking over the paper, Lyla trying to breathe as she was deep in a giggling fit.
     “What is so funny?”  Mia inquired, because Lyla had been laughing for three straight minutes now.
     Lyla held her stomach, “I-I don’t know!”
     Mia giggled in amusement, which made Lyla laugh even harder.
     After another two minutes, Lyla finally stopped laughing, trying her hardest to catch her breath.
     “Are you good now?”  Mia asked.
     “Yeah, I think so.”  Lyla stated, grabbing her water bottle off of her nightstand and taking a few large sips.
     Mia sat down next to Lyla as she put her water bottle back on her nightstand, “You think Crenshaw will approve?”
     “I think so, but knowing Crenshaw probably not.”  Lyla answered honestly, “I thought it was really good though.”
     “Thanks.”  Mia paused for a moment before speaking up, “What did you write yours about?”
     Lyla smirked, “I wrote about the time I crashed my bike into Jay’s truck when I was eight.”  
     Mia’s eyes widened, “You never told me this!”
     “Okay so basically I was going a little fast and I tried to avoid the truck and failed.”  Lyla laughed,  “You wanna know the best part?  Jay was more worried about the damn truck then he was about me.”
     Mia burst out laughing, Lyla laughing as well despite trying her hardest not to.
     The girls jumped, their laughter coming to a halt as the door flew open, Jay standing in the doorway.
     And boy, he did not look happy.
     “Mia, time to go.”  Jay demanded, seemingly trying his hardest to keep his composure.
     Mia got up, grabbing her bag as Lyla gave Jay a look of confusion and a bit of anger.
     “Jay, what-”  Jay glared at Lyla angrily, Lyla stopping mid sentence.
     Jay moved out of Mia’s way as she rushed out of the room, Jay looking out of the room and watching as she made her way down the stairs.
     After a few moments, Lyla and Jay both heard the front door close, and Jay did not spare the lecture.
     “What the fuck Lyla?!”  
     “What-”
    “You forged my signature?!”
     Lyla’s eyes widened in realization, remembering the day in class that she had actually forgotten about.
     “I-”
     “Yeah, you do realize what you did is illegal right?”
     “What, no!”
    “If you did that on legal documents or something you could go to jail!  Jail, Lyla!”
     “I didn’t know!”
    Jay scoffed, “Of course you didn’t.  Just like you didn’t see my truck when you wrecked your bike into it.”
     “Wait, you heard me?”
     “Yeah.”  Jay chuckled, cracking a smile at the memory before going back to being angry, “But that’s not the point!  Why’d you forge my signature?”
     “Wait, Lyla did what now?”  Will inquired from the hallway, having overheard their conversation.
     Jay whipped his head around, “She forged my signature!”
    Will’s demeanor immediately changed to one of anger, “What the hell Lyla!  You could go to jail!”
     “I didn’t want to ruin everyone else’s chance of getting free time!  Plus it’s not like it was on a legal document anyway!”
     Will sighed, crossing his arms and turning to look at Jay, “What’s her punishment?”
     “Considering that she did something illegal and lied to her teacher in the process, I say she should be grounded for a month.”
     “A month!  That’s unfair!”  Lyla protested, because in her opinion a month was way too long.
     “Wanna make it two?”  Jay questioned, and that made Lyla shut up real quick.
     “Exactly.”  He turned back to Will, “And she only gets her phone when walking to and from school, but that’s if we’re not driving her.”
     “Yeah.”  Will agreed, “Also we should take away friends and she should go to either the district or Med after school.”
     “I like that.  And she can do extra chores including the toilet downstairs.”
     Lyla put her head in her hands, regretting her decision more than she had when Jay first mentioned it, because she hated cleaning toilets with a passion.
     “And all of our cars.”
     “That’s a good one.  And every time she gives us a problem we can add an extra day.”
     “Okay.  I think that’s good enough.”  Will turned his attention to Lyla, “Anything you want to add?”
     Lyla lifted her head up, “Nope.”     
     “Good.  I didn’t think so.”
    Jay held his hand out, “Phone.”
     Lyla got up, grabbing her phone and making her way over Jay.
     She handed him her phone, which he turned off and put in his pocket.
     “Thank you.  You know we’re doing this because we care about you, right?”
     “Sure.”  Lyla muttered sarcastically.
     “I’m serious.  Trust me, I care about you more than I do my truck.”
     Lyla and Jay cracked a smile, Will looking between the two of them in confusion but not saying anything.
     “Do you have any homework?”  Jay asked after a moment, becoming serious again.
     Lyla sighed, “Just math.”
     “Okay, then get to it.  Dinner will be done in an hour.”
     Jay turned around and left the room, Will still standing in the doorway.
     “What class did you do this in?”
     Lyla sighed, “Mrs. Crenshaw’s.”
     “Okay.  Then you’re apologizing to her tomorrow.  Got it?”
     “Got it.”
     Lyla began to make her way back to her desk as Will spoke up.
     “Also, what did Jay’s truck have to do with anything?”
     Lyla smirked, turning around to face her older brother, “He overheard Mia and I talking about the time I wrecked my bike into Jay’s GMC.”
     Will chuckled, “That was pretty funny.  If you need any help with your math let me know.”
     Lyla nodded her head, turning around and going to her desk as Will exited the room, softly shutting her door behind him.
     “Dhar Mann was right.”  Lyla muttered to herself as she sat down, knowing that there was no way in hell she’d be forging a signature again.
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*Finish*
I hope you enjoyed!  If you have any questions or anything feel free to let me know! (:
52 notes · View notes
nootsarticles · 2 years
Text
My South Park Opinions
SPOILER ALERT!d
Tw: Terminal illness mention,alcholism mention,death mention,
Okay. So if you don't know already, I am obsessed with South Park. And I have thought about this a lot.
1.Chef being the boys' father figure.
Well I mean, Cartman doesn't have a dad, Kenny's dad is an alchoholic,Stan's dad doesn't even care about him, and Kyle's dad is a bit useless. Mr Garrison is not well-liked by the boys. So therefore, Chef is the only father figure that the boys really have. That's why they ask him weird questions like "Is it okay to kill your grandpa if he wants you too" and questions like that. Also, Chef visits Kenny whilst he is dying from a terminal fucking illness. I did not even see Kenny's family ONCE. When Chef returns,the boys are so happy. Arguably happier than when they see their parents. When Chef dies at the Super Adventure Club,the boys are absolutely gutted. With all the evidence I see here,I can see that they see Chef as a father figure.
2. Butters' family
Stephen and Linda Stotch are actually abusive towards Butters, grounding him for most things (there was one episode where they ground him for being ugly). It got so bad to the point where Linda tries to drown Butters in the river. But what made them so bad? Well, Stephen's mother is Grandma Stotch. Yes. The woman who gave Butters a black eye. Maybe, Grandma also did horrible things to Stephen as well which made Stephen thinks that it's an okay thing to do. It doesn't excuse the action, but it could perfectly explain why they abuse Butters. Whereas,for Linda,I could not any peice of information to explain why she tried to drown Butters.
3.What the fuck is wrong with Kyle's mum?
Kyle's mum is borderline controlling towards Kyle and Ike. We can see that because during the film, she attempts to start and successfully starts a whole war against Canada because of the Terrance and Phillip's song "Uncle Fucker". This can't really have any other explanation than she had strict parents that wouldn't let her do anything growing up, so she now pushes her childhood onto her children.
4. Why did the other boys keep their friendship with Cartman?
Cartman is truly a toxic friend towards all of the boys, especially Kyle. He keeps on calling him "Stupid j*w" (I wasn't too sure whether I could say the word or not so I shall block it out) and is overall racist towards him for his religion. Also, he only tried to overturn the ban of stem cells (which would have saved Kenny's life in "Kenny Dies") for the sake of something extremely miniscule. He also tries to give Butters laxatives for his own personal pleasure of going to Casa Bonita. Worst of all, Cartman put his winky into Butters' mouth to prove that Butters is gay. So, this holds the question, why are the other boys still friends with Cartman after all that he has done to them. That's when we need to think about Cartman's personality. He has sociopathic and psychopathic tendencies. This could mean that Cartman could have threaten the boys with their own lives if they ever even tried to separate from his wrath.
5. Why do everyone keep on getting away with committing such horrendous crimes when Terrance and Philip get executed for saying "fuck" a lot?
We can see that crime is a regular occurrence in South Park. The most noticeable criminal is Cartman, who is well known for committing almost every single crime (including genocide, which is one of the worst crimes ever). So, why do they all seemingly get away with it? Terrance and Phillip almost got executed via electric chair for their song in the 1999 Movie (Bigger, Longer and Uncut). This is simple. They see Canadians as this weird sub creature compared to this almighty American group that they are. Also, Matt and Trey probably did it due to the whole stereotype of "Americans hate Canadians" (I have never heard of the stereotype, but it probably is)
6.Would Stan and Wendy have stayed together when they're older?
Stan and Wendy are an on and off relationship, especially in the earlier seasons. But, every time Stan sees Wendy, he throws up. Also, in S1EP11, we can see a very jealous Wendy try to kill Miss Ellen as many of the boys (Stan included) have a huge crush on her. This gets so bad that she attempts to kill her and sends her to the sun. This makes me wonder whether or not they would have been a good couple 10 years down the line. I don't personally think that they would have been a good couple because Stan can be quite rude towards Wendy and Wendy gets way too jealous extremely easily.
So, basically here's some of my views on South Park. If you don't like the long ass essay, I don't care. It's my choice and I want to talk about this. If you like that, cool. I actually do appreciate it.
Also on my main account: @jamesmarriottistrilingual
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nympippi · 1 year
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Necromancer Finney AU: Do the revived Ghost Boys ever go home? Y’know to see their parents and/or siblings
Yes! They eventually after they get debriefed on what’s going to happen and how to get re-adjusted to normal life after being a literal corpse hours before.
How I imagine their parents finding out they’re alive is something to say the least. So this is my excuse to talk about it!
With Griffin: His parents were already negligent towards him, and combining this with his peers never really knowing who he is and being invisible I headcannon the only reason Griffin was ever reported missing is when his teachers took notice when he didn’t arrive to school those following mornings. In this au, after finding out their child was kidnapped and presumed dead they hitched it out of Denver, changing their names, numbers, just so they can’t be traced to their old lives. And when police found this out, flabbergasted, and didn’t know what to do honestly but Finney was insistent on Terrance fostering/ adopting Griffin because he really feels for him and he wants to make sure Griff doesn’t go into the system. The two detectives aren’t going to argue with a psychic and a necromancer, so they get that paperwork finished and boom! Griffin Blake is born. (Mm I might make a second post taking about Griffin’s dynamic with the Blake’s)
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Vance: Vance’s parents are, and this is nothing against Vance, we love Vance; monstrously stupid sewer people. Vance’s homelife is toxic and borderline abusive with a shitty fucking dad and a negligent mother who didn’t give a damn about him. Like Beatrice Horseman from “Bojack Horseman” and Neil Hargrove from “Stranger Things”. His parents never cared before his death and they damn well never cared after it either, Vance doesn’t stay at his house often instead opting to either stay at one of the ghost boys houses mainly going to either Bruce or Finn. I just definitely see Vance’s homelife to be the saying, “A house wasn’t a home, and a home wasn’t a house”. All the ghost boys hate Vance’s parents…
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Bruce: Very loving and supportive parents who know that something isn’t quite right with their son, they know he’s different now and they don’t exactly know what to do about it except to just act like everything is normal. Bruce’s sister, Amy, was so fricking happy her brother was back like she didn’t care if he wasn’t like she remembered all that mattered was that he was there, alive and breathing. Like they sobbed their eyes out finding Bruce alive and they hugged him so tight he had to let go to breathe. 10/10 family, they love their son.
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Robin: Also like Bruce, his mother and uncle were very supportive and loving towards him when he came home. His mother also noticed something was off about him so she made sure to let him know that she will always be there for him, and that she loves him so much it physically hurts to even think about him leaving again. She’s very protective over Robin, always making sure he’s not alone when he goes out and tries to keep tabs on him, she’s already lost her husband and her son once, she will be damned if she loses him again. His uncle tries to make sure everything is normal and semi-familiar to Robin, by taking him to the movies, driving down dirtroads and doing stupid pranks or saying stupid dad jokes to make him laugh.
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Billy Paperboy: His family before was very nuclear, and relatively normal. I’d like to think after he was presumed dead his parents got a divorce and after he came back they stayed friends and co-parent to keep something familiar for P.B.. He gives off only child vibes like Vance a little but if I had to give him siblings I think they would be very curious and worried about him since after returning home he’s been a little more snarky and snappy. It’s not what it once was but his family definitely tries their best for him, because they truly love their son. And his dog was like extra excited to see him return home, just he fucking loves his dog, Scooby because I think he and Griff are “Scooby Doo” fans!
But yeah! That’s my silly little ideas for how the parents would react after being reunited with their children! :D
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blueikeproductions · 1 year
Text
The Westerberg Principal, an older black gentleman in this universe, just sighs exasperatedly. He has four students in his office: an annoyed and bruised Jason Dean, a confused and nervous Daniel Braverman, and whiny and fussy Kurt Kelly and Ram Sweeney looking battered and beaten, consoling each other.
Principal: First day and already a fight has broken out. Somebody upstairs must hate me. -rubs temples- It’s days like this that make me wonder WHY I gave up making sexually perversive art with sports equipment. The tennis rackets sold like hot cakes…
Dan: Uh… is this still about us…?
Principal: -snaps out of his thoughts of a project involving baseballs and a lacrosse stick- Oh right…, you idiots. So what was the fight about exactly? A girl I presume? I haven’t seen someone this badly damaged since Heather Chandler savagely beat up Cheryl Rodgers for looking at Terrance Thrash in study hall last year.
-Kurt and Ram just cuddle and console each other, and shoot JD and Dan a nasty look-
Kurt: Yeah that pud whacker Braverman sicced his boyfriend on us for no reason!
Dan: -blushes- What…?
JD: -looks more annoyed and stands up, Kurt and Ram noticeably flinch- That’s not true! I attacked these Neanderthals with no direction from Danny-boy! …And why’s he here anyway? Danny-boy did nothing wrong!
Ram: The hell he did! He called us names! He called us… -shudders- “cosmo-politicians”!
Dan: “Cosmopolitan”, and do you even know what that means? -asking in a non demeaning and sincere way-
Kurt: See! He’s doing it again!
JD: AWRIGHT that’s it! -is ready to lunge at them again, but Dan grabs his arm. Kurt and Ram still back up against the wall like frightened animals-
Dan: Wait, wait! This isn’t Hawkins, Jason!
JD: But-!
Principal: SHADDUP ALL OF YOU! -slams his hands on the table and all four boys stand at attention-
Principal: -slumps in his chair- This is it. This is the year I go back to my true passion. I said the same thing last year and the year before, but I mean it this time… -clears throat and looks at JD and Dan-
Principal: You two started the fight, but likely in self defense because of homophobia or some garbage. Commendable. I can sympathize to a degree as a black man.
JD: I’m NOT gay…
Principal: -snorts- Your defensiveness, especially to this geek, suggests otherwise. -looks at Kurt and Ram-
Principal: And you two. It’s not the first time you were in here for inciting a riot, and I know by the end of the school year it won’t be the last…
-Kurt and Ram look nervous.-
Principal: On the other hand, you two are among our star athletes and you scored the winning touch down in last year’s big game. And because the school board is already breathing down my neck, Kelly and Sweeney are exempt from punishment.
Kurt and Ram: WIZARD!
Dan: Are you serious?
JD: WHAT THE FUCK!?!
Principal: My hands are tied. The school board likes winners and that’s these two brain boxes (Kurt and Ram punch it in and do a dorky finger gun pose to each other). While stuff like Quizbowl… simply is not. I’m pretty sure you and Veronica knew that, Braverman, when I cut it last year. And Mr. Dean -gives him a pathetic look over- …Hmm well I don’t know what extra curricular you’d be interested in but I guarantee I cut it.
JD: -clenches fists and snarls, his eyes glow red briefly-
Principal: In any event, Daniel Zeke Braverman here is suspended for the rest of the week. -jots something down on his notes-
Dan: I am?!
-Kurt and Ram look shocked too-
JD: …-looks at Dan- Your middle name is “Zeke”…?
Dan: It was, uh, my gramps’ name…!
JD: Huh. -shakes head, focusing- But why?! Danny-boy is innocent! Don’t suspend him, suspend ME! I’M the one who clobbered those two tackling dummies, not him!
Principal: -looks thoughtful- You’re right, you’re suspended too.
JD: TOO!? But- -snarls again and turns to leave- Ah forget it. C’mon Danny-boy, I know when we’re not wanted. -Dan, defeated, follows-
JD: Oh and since I have nothing to loose. -kicks over the full trash can inside the office and leaves-
Dan: -tries to put the can back up as he leaves-
JD: -from outside- Stop being nice, Danny-boy, and c’mon, those jerks don’t owe you anything.
Dan: Good point. -gets up and leaves, letting the can fall back over-
-Kurt and Ram look at the principal who just groans but doesn’t care that much at the display-
Principal: Why are you two still here. You’re free t’go. Go Rottweilers and such. -writing again-
-Ram turns to go but Kurt hesitates-
Kurt: I, uh, get Po Diddly, but Braverman… technically… didn’t do anything.
Principal: -still writing- A little late to change your tune, Kelly. Besides, guilty by association. No good can come hanging around THAT powder keg. Also need I remind you, this is Ohio. In the south east no less. No one, especially the school board, is going to look… let’s just say “fondly” on those pansies.
-Kurt and Ram gulp and look at each other, gingerly touching hands-
Principal: Now scram, I need to make an important phone call.
Ram: To their parents?
Principal: No, to my old art agent to tell her I’m making a comeback! -is already dialing on his rotary phone-
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wlwocprincess · 2 years
Text
Not to put another unwanted analysis on y’all’s feeds but if Micheal ends up sticking with the remaining Leftovers, I want to point out the differences between the way he and Kyle ultimately end up coming to the conclusion of wether or not they betray the alliance.
Kyle only goes where he knows he has 100% security but never thinks beyond that. Micheal, however, knows his environment. Micheal knows the limitations of what he can’t and cannot do. Kyle was only able to betray the leftovers because there was only one real Leftover in the outside and because Terrance, Turner, and Alyssa are much easier to control.
Micheal knows he’s in a majority alliance, Micheal knows what happens if he shows his cards more than he already has, and he’s been honest about his game when he knows that lying is fruitless unlike Kyle, who will lie more constantly and that will have him bitten in the ass. Even now, Kyle’s now created ANOTHER alliance FOR the sake of security when he gets back in the house. Again: Kyle’s biggest trait (besides racism) is extreme cowardice.
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