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paragonrobits · 3 months

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some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:

Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.

The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.

There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.

Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).

Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.

On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.

Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."

#calvin and hobbes #queued

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foone · 1 year

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I see a lot of people joking about the adhd thing of "I have a appointment/phone call at 3pm, guess I won't do anything all day!"

But no one seems to make the connection that it's a time blindness thing. One of the symptoms of ADHD is not having a good and accurate sense of time. And not doing stuff prior to an event with a hard deadline is an obvious coping mechanism for that.

Can I go to the store? It's 10am and the appointment is at 3pm. How long does going to the store take? An hour? Three hours? Five hours? I DON'T KNOW!

I get anxious trying to do things before appointments because I'm aware that I don't know how long those things take, and that if I think I do, I may be very wrong. Too often I've been like "hey I can walk to the corner store and grab a drink, that'll take like 15 minutes!" and then an hour later I get back and whoops my rice has burnt.

Plus there's also the fact that ADHD people know that motivation and focus is a two-edged sword.

Like, let's say you decide to play a video game. You've got time, you can pause/save whenever, so this should be a perfect fit to make good use of your waiting-time. So you start playing and WHOOPS you get really focused for some reason today (because people with ADHD do not get to pick when their brain decides to focus) and the next time you look at the clock it's 2:49 and you haven't showered or dressed and the appointment is 30 minutes away. Fuck. (you could have set an alarm, but now you're asking people with the forgetting-things-and-time-ignoring condition to remember it set alarms)

And with motivation, it can be almost worse. Instead of playing a game, you so something useful or creative. You clean your room or fix your plumbing or write a story or draw a picture. And suddenly it's great. Your brain is firing on all cylinders. You've got all the motivation you can ask for, and you are FLYING. the ideas are brilliant, your hands are nimble, you're getting stuff done you've been putting off for weeks or months. And then the alarm goes off. Time to go to your appointment. Fuck.

You drive there, your brain still full of ideas and plans. But by the time you get back, the motivation is gone. You may still have the ideas but you don't have the drive to write them down. You can't force yourself to do it. Your sink is still in pieces. Your room is half-cleaned, and you have to shove all the sorted clothes into one big bin just so you have somewhere to sleep. You've left things half finished again, in a cycle that has been repeating your whole fucking life. It seems sometimes that nothing ever gets finished.

So next time you don't even start. There's not time. You've been burnt too many times. Why add another half-completed project to your pile of shame?

My point is that people seem to be going "lol I can't do anything all day if I have an appointment at 3pm" like this is a quirky "oh I'm so scatterbrained!" weirdness they alone have, and not a major complication of a disabling mental illness.

(and that's not even getting into the secondary effects. If you know that having an appointment ruins your whole damn day, you're going to avoid them. Even when it's things like "going to that party" or "meeting your friends for a drink/game" or "going to a movie with that cute girl from your math class". Things you should enjoy. Things that'd help you be social. Things that make you feel human.)

#ADHD

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kinda-daily-warriorcat · 7 months

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Human AU of my WCOC Tunasplash based off of a doodle I did in English

#Day 268 #Non WC Daily Drawing #OC: Tunasplash #I don't draw people often but I'm very proud of this #The earing is an anchor earing if you can't tell #I feel like her name would be Tammy in a Human AU idk #2023 Daily Drawing Challenge

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mariana-oconnor · 1 year

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Types of AO3 Summary

Option 1 - The Excerpt:

The quickest, the easiest! Find a section of your fic that contains the main premise of said fic and also showcases your writing. Copy paste that into the summary box. BOOM! Done.

Best used for any fic, unless it's so short the excerpt would be the whole fic.

Option 2 - The No Frills:

Just a description of the fic. No need for drama. No need to complicate matters. Keep it simple, keep it safe.

Example: "A short character exploration of Blorbo's thoughts after Daisy leaves."

Best used for short fics, poems and fics where the style/format is more important than the plot. Or fics that tie directly into a scene/episode from canon or another fanfic.

Option 3 - The Hook:

Draw the reader's interest by giving them a set up with no conclusion. Introduce the main character(s), introduce the status quo, describe an inciting incident, leave a question in the reader's mind.

Example: "Blorbo is a barista at a coffee shop, struggling to pay their bills, but after handsome rockstar Obrolb walks into their coffee shop they find that they have to decide whether a chance at love is worth the cost of fame."

Best used for mid to long fic where there's a strong premise and follow through. Especially good for AUs. Can be expanded for more complex plots or used multiple times in one summary for multiple characters or subplots.

Option 4 - The Sitcom One-Liner:

"The one in which [over simplified description of one of the main plotlines]" This is essentially 'boil your plot down to the very simplest statement you can, oversimplify if possible. The more bizarre or unhelpful the better.

Example: "The one in which Blorbo learns to like cake".

Best used for fics with at least a little humour in them.

Option 5 - The Rule of Three:

Three is a magic number. Find three key moments in your fic and just list them. That's it. Often ends with 'not necessarily in that order' if used for comic effect. If it's an AU, establish that quickly (i.e. 'Star NHL player Blorbo…').

Example: "Blorbo makes a friend, falls in love, and almost burns to death, not necessarily in that order."

Best used for anything, really. Three is a magic number. The human brain loves things that come in threes.

Option 6 - The Trope Lure:

Why bother describing the plot? We all know AO3 readers are here for the tropes. Similar to The Sitcom One-Liner just using tropes instead of plot. Often followed by the phrase 'that nobody asked for'.

Example: "The Space western / A/B/O / Mail Order Bride fic that nobody asked for."

Often tacked on to the end of The Hook or The Excerpt as a tl;dr.

Best used for fic that plays its tropes straight with no shame or second guessing.

Option 7 - The Pre-emptive Strike:

(Not recommended) You just wrote this fic, the self doubt is consuming you. You feel the need to apologise profusely for your existence for no apparently reason. You feel cringe, you think the fic is cringe, you want everyone to know that you think the fic is cringe in case they don't like it and judge you for it.

Example: "So I fell in love with this pairing and had to write this. It's weird and terrible. Lol! I suck at summaries! Sorry!"

Best used for no fics ever. I cannot stress this enough.

(Seriously, I am begging you, don't do this. If you're planning to use this option, rethink it and do one of the others. I guarantee you more people will want to read your fic.)

Sometimes added on to any other summary as a strange disclaimer. (srsly. don't.)

Option 8 - The Unapology:

Embrace the mayhem, embrace the deep dark depths of your soul. The opposite of The Pre-emptive Strike. A combination of The No Frills and The Trope Lure that truly gives no fucks.

You have committed crimes and you are proud of them. You know what your USP is and you're going to make sure your target market finds you. Look upon my works, ye readers, and despair!

Example: "There aren't enough tentacle fics in this pairing, so I had to write one myself!"

Best used for fics with controversial/polarising tropes with all relevant details already clearly stated in the tags.

Option 9 - The Interrogation:

What if you wrote a summary entirely in questions? What if your readers had to read the fic to discover the answers? Who knows what will happen if you do this?

Example: "What happens when Blorbo McBlorbo gets his wish and Daisy doesn't make it to the plane on time? What happens when Obrolb finds out? How will this change Daisy and Blorbo's friendship?"

Best used for... I honestly don't know. This style of summary does not vibe with me. Mystery fic maybe? Sorry guys.

Option 10 - The Multipack:

Got a bunch of shorter fics in one work? No way of summarising them all without a wall of text larger than the Great Wall of China? This one is similar to The No Frills in that you're not describing the plots themselves and similar to The Trope Lure in that often broader genres and tropes are mentioned. What links those fics? Are they all in the same fandom? The same pairing? The same challenge? Just slap that right in the summary. A chapter list with 1-2 word trope/pairing summaries can be included or not.

Example: "A collection of Blorbo/Daisy/Obrolb fics based on Tumblr prompts. Chapter 1: Regency AU Chapter 2: Werewolves vs vampires Chapter 3: Ghost!Daisy Chapter 4: Space pirates!"

Best used for (obviously) works that are compilations of fic.

Option ? - The Void:

I said The Excerpt was the quickest and easiest summary to do. I lied, well... I didn't exactly lie. What is quicker and easier than not having a summary at all? After all, that's what the tags are for.

Example:

Best used for... nothing? Write a summary, guys. Please?

#AO3 #fandom #on writing #clearing out my drafts #long post #Qd #This list is intended for entertainment purposes only #I just came across a lot of fic summaries that followed similar rules #so I decided to post this about it #I'm sure other options are available #If you've ever used number 7 that's not bad of you #But my advice would be to not do that

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lis-likes-fics · 3 months

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The Sound of His Voice

Pairings: Spencer Reid x agent!Reader Word Count: 3k words Warnings: Descriptions of crime scenes/vague gore, mentions of death and murder, standard Criminal Minds stuff, fluff otherwise... A/N: I started watching CM a while ago and now I can't stop so enjoy this. There will be more, I dunno when. (Should I be working on my months-in-progress-wips? Yes, I absolutely should. Am I? Mostly. I'm trying my best)

Morgan rubs his temple, digging his fingers into the side of his forehead as he shakes his head. Tapping his pen on the desk, he tosses down his file. “But here's what I don't get,” he says, drawing the attention of the rest of the team. “If the unsub thinks of his victims as prey, even going as far as to torture the victim, why go through all the trouble of tucking them into bed?”

Hotch looks back at the picture in his own hands, where he had been analyzing the scene for the hundredth time in search of something he missed the first hundred. He shrugs, “Tucking them in can usually indicate signs of remorse.”

JJ motions to the pictures. “Yeah, but look at this guy. Does this look remorseful to you?”

You lift a shoulder, leaning back in your seat and crossing your arms. “Could be a second unsub.”

You are a relatively new addition to the team. It was your fifth case with them, but they already treated you like part of the team, like family. It was easy to sink into the ebb and flow of everything, especially when they trust your skills and instincts and let you know when you're doing something wrong so you know not to do it again.

But this case was difficult. Your unsub had a strange profile: an organized, white male, with surgical experience and the MO reminiscent of a cat. He kills men and women alike, and the only connection between his victims have been their smaller statures.

The age range itself was too wide, though there was a slight reoccurrence of ages between 25 and 35. But it was still too wide, either way, not enough to work with.

He ties up and tortures them before finally ending their lives with strangulation. He uses his bare hands to get the job done, which makes him a sexual sadist. As if that wasn't enough, he carves out the victim’s heart after death and takes it as a trophy.

He shows plenty of psychopathic characteristics, but he also fits the profile of a sociopath, so it's hard to make anything stick. His MO suggests a lack of empathy and guilt, but the bed-tucking… You always lose him with the bed-tucking…

Morgan shakes his head a little, humming. “But we already ruled out multiple unsubs,” he says. You nod gently. “Besides, if this guy is mimicking the hunting habits of a cat, he would hunt alone, wouldn't he?”

Reid’s head perks up. He points a pen in Morgan's direction as he shakes his head. “Actually, no.” He licks his lips, and he's grabbed your attention like a siren to a sailor. “It's a very common misconception that cats are loners, but it's untrue. Cats prefer the companionship of others just as much as a human being would.”

You lean toward him a bit across the table, watching him as he speaks, his hands moving to illustrate his words as he does. “People often think, because of their aloof nature, that they like to be left alone or actually despise the presence of other people, including their owners or other cats—which is why people believe them to be low maintenance creatures. But they are just as social as, say, a dog. Actually, it's interesting, big cats like lions, or sometimes even cheetahs, hunt in packs to take down larger prey. Domestic cats–”

“Reid,” Morgan interrupts, making a cutting motion with his hand to his neck.

Your eyes turn back to Spencer, who seems to retreat in on himself a bit as he gives an apologetic smile and a small nod. “Sorry,” he says, pulling his lips in a wide smile.

You set a hand on the table, shaking your head. “No, keep going. That was interesting.”

Spencer looks at you with these eyes that seem to shine. Your heart feels fonder, warmer, at the sight of him.

“We really don't have time to go through all of this,” Hotch says, his tone final.

“I mean,” you continue. Since joining the team, you've grown a certain affinity toward Spencer and his genius mind. Every time he's gone on his tangents, you've become enchanted by the words coming out of his mouth like he's put some sort of spell over you. You lift a shoulder, gesturing toward him. “If this guy is basing his MO off the hunting patterns of cats, we should…know everything we need to know about them, right?”

Hotch looks at you, his face hard and unreadable. You're unsure if he's considering your proposal or just trying to intimidate you. But then he sighs, his crossed arms loosening a little as he turns to Spencer.

“Reid?”

Spencer looks between you and Hotch, relenting hesitantly as he starts off slow. “Well…I was going to say domestic cats are solitary hunters but sociable creatures.” He picks up his normal speed once more, “They can be very affectionate, especially toward their owners and other cats within their households. They're also one of the only types of cats who play with their prey before killing them, which could be a reason this unsub tortures his victims so extensively in his murders.”

“Wait…” Prentiss says, catching all of your attentions. “You said ‘affectionate toward their owners’.”

“Yeah,” Spencer nods.

She waves her hands gently, “How do cats show affection for their owners?”

Spencer shrugs, “Um, bunting, purring, some scratch, sometimes they leave offerings, like dead rodents, around the house–”

“Right there!” Prentiss exclaims. “They leave offerings.”

You sit up, “The hearts.”

Hotch’s dark brows furrow. “You're saying this unsub is taking the hearts as an offering to someone else?”

Spencer thinks over that, nodding. “It's possible.”

JJ sighs. “But that still doesn't explain why we wouldn't have identified a second unsub earlier.”

Spencer holds out a hand, pointing with his pen. “Actually, it could. You see, cats also have the tendency to mimic the people they hold affection for. We might not have noticed a second MO because the submissive unsub may be mimicking the dominant one.”

“Or learning from him,” Morgan says.

“Learning?” Hotch asks.

Morgan glances around, “Well, if we're sticking so close to this cat thing, older cats often nurture the young and teach them to hunt.” He shrugs, “We could be looking at…brothers? Older and younger?”

“Or lovers,” JJ suggests. She points to a picture, the image of a chest carefully carved open to reveal a missing heart. “If the hearts are offerings, it could be a Valentine.”

“And the bed-tucking?” you ask.

Hotch picks up the picture of one of the victims, “safely” and securely tucked into bed…put to sleep. “Well, if the hearts are offerings for a lover, this unsub is sentimental. He could feel some type of sympathy or guilt for the victim and want to ‘put them to sleep’ after the torture.” He studies the image, a flash of unease behind his eyes that you know all too well. He sets it down.

“Okay, so how do we find them?” Prentiss asks, clicking her pen before setting it down to begin a definitive course of action.

Spencer points to yet another picture. “Look at these injuries. These incisions are surgical,” he clarifies. “So the dominant is a doctor or a—a veterinarian, which can be implied through his intimate knowledge of cats’ behaviors.”

“And the submissive might work under him as a nurse or an assistant,” you continue, adding on to his clever insight. He glances over at you, smiling almost giddily at your understanding.

Hotch turns to Morgan. “Do you think that's enough to work with?”

Morgan thinks for a moment, his shrug melding into a nod as he turns back to Hotch. “To fit in with the rest of the profile,” he hums, “I'd say so.”

“Okay.” Hotch nods firmly. “We'll present the profile ASAP. Morgan, get Garcia to search for any vets in the area with any records of assault charges.” He says this all while taking long strides toward the door, his red tie bouncing slightly with his movements.

Prentiss follows him with her gaze as he exits. “You think the unsub is aggressive?”

He turns briefly. “Look at the bruising on the neck. The torture alone is an indicator of anger and frustration, but the way the victim was strangled suggests force. Much more than necessary just to crush a windpipe. He's an organized killer with a lot of rage. If he moves more along the lines of a sociopath, our best guess is he's had some kind of trouble with the law at some point in his life,” he concludes. Glancing aside, he speaks again, a little more firmly. “Morgan.”

“On it,” he says, his phone already ready to contact Garcia on speed dial.

“And Reid,” Hotch says, focusing his hard stare on the younger agent.

He stiffens, straightening his back and awaiting his response. “Yes?”

There's a pause as Hotch examines him silently. With a single nod, he says, “Good work.”

He glances at you. A nod.

You nod back.

Hotch leaves in a hurry, and your gaze immediately and instinctively flicks to Spencer. He smiles at you, turning away as though he was shyly hiding that same smile.

There were two unsubs: a surgical veterinarian and his nurse. You caught them just in time, just as that knife was gleaming in the golden light of the lamps swinging above the three bodies down in the basement of the submissive unsub’s house.

And now you soared 40,000 feet above the ground with another killer put away for good.

Everyone's in their own spirit, placing you across the aisle from JJ and Spencer in their own booths, a crochet set in your lap as you continue one of your projects. Emily's eyes linger on JJ, watching the crease of her brow as she studies case files.

“What are you thinking about?” she asks, setting her book to the side to shift her attention. Derek darts his eyes up from his own book, lifting his brow as he does it.

JJ looks up, breathing in and lifting her shoulder in a half shrug. “I don't know about you,” she says, “but I know that if I got an actual human heart on Valentine's Day, me and my alleged partner would have some serious issues.”

Snorts and chuckles lift from multiple places among the seats, heads shaking and attentions shifting back to their own activities.

But as soon as you hear the first lilt of Spencer's voice, like clockwork, you're a fish on a hook.

“Actually,” he begins, “if we were set back thousands of years, that would not be a very unusual occurrence.” He licks his lips quickly, “You see, Valentine's Day’s origins actually go back to a festival called Lupercal, or Lupercalia. The festival was in itself a very violent and sexually charged affair that lasted roughly three days—from the 13th to the 15th—set in Rome. Its traditions were carried out in two separate locations, firstly–”

“Alright,” JJ rises to her feet, her eyes wide in annoyance as she closes her case file in a large announcement to Spencer. “I'm getting coffee. Do you want anything?”

Spencer purses his lips, that same wide, apologetic grin covering his face as he leans back in his seat and shakes his head. “Uh, no. All good here.”

She nods, turning to walk away, “Great.”

You watch JJ leave, your eyes fall back upon Spencer, who's pulling his book back into his palms to turn his focus back on the pages. His eyes flit over the words at lightning speed, absorbing the information and moving to the next.

Taking your crochet set in your hands, you stand and plop down in JJ’s old spot. Spencer's eyes darts up to you, glancing between you and his book as you set your stuff down and readjust your yarn.

Beginning again, you nod toward him. “You were saying?”

Spencer, his eyes wide and confused and his lips parted in wonder and his cheeks a little pink, stares at you. After remembering he had to respond, he sputters in an attempt to.

“Uh, it's-it's really not that…interesting,” he mumbles, trailing off at the end as he sets his book down, his fingertips pressing against the edge of the desk between the both of you.

“Well,” you look up at him, setting your elbow on the table and tucking your first underneath your chin, “I was very interested.”

His Adam's apple bobs when he swallows. His lips form the word before it comes out of his mouth. “You were?”

You nod, “Mhm.”

Looking at him for a moment—just looking at him for a moment—you take in the pretty sight of his bewildered expression, fascination and confusion and excitement crossing his face in a flurry of emotion.

You move your elbow from the table and pick up your hook, nodding toward him before training your eyes on your work again as you await his words. “Firstly?” you prompt.

Scrambling to organize his thoughts, Spencer nods. As the words form in his brain, he smiles as he thrusts himself into another rant, speaking a little softer so as not to aggravate the rest of the team.

“Well, firstly, the uh— The-the first location was in a cave called Lupercus—named after the Roman fertility god that the celebration was dedicated to—and the second is a public meeting place called the Comitium.”

You tilt your head toward him, smiling a little. “Like the word ‘committee’.”

“Exactly like the word ‘committee’,” he beams.

Your attention, as hard as you tried to split it, becomes entirely caught up in Spencer as you forget about your project and focus your gaze entirely on him. You set your arms on the table separating you and watch as he speaks, your smile definitely too love-sick to be a hint anymore. He seems to lean in closer.

“So how did Lupercalia become Valentine's Day?” you wonder aloud.

“Well,” he starts, prompting a larger grin from you, “in the late 5th century A.D., Pope Gelasius I eliminated it and declared February 14th a day to celebrate the martyrdom of Saint Valentine instead—although it's highly unlikely he intended the day to commemorate love and passion as it is celebrated now. In fact, some modern biblical scholars warn Christians not to celebrate Valentine's Day at all, due to its Pagan roots and rituals.”

You hum, your eyes taking glances at the stretch of his skin over his fingers and the way they move when he speaks.

“Do you celebrate Valentine's Day?” you ask gently, speaking slowly.

His hands fall back down to his lap, and he shakes his head as he straightens his posture a bit. “Well…I don't usually have anyone to celebrate it with, so… No, not really.”

Feeling the shyness slipping into your veins, you set your hands on the table and let your fingers slowly inch toward him, staring at them inside of his eyes. You don't want to see the rejection if it lives there, in his eyes.

You speak slowly, emphasizing every syllable. “Would you like to have someone to celebrate it with?”

He swallows thickly, letting one hand lift onto the table, still close to him but building up courage to maybe meet you in the middle. “Like…” he clears his throat quietly. “Like you?”

You offer a right smile, finally flicking your eyes up to meet his and feeling giddy at the light blush on his cheeks, the nervous wideness of his gaze. “I promise no actual hearts.”

You watch him, and again…his eyes, his Adam's apple, his cheeks, his lips. “Uh…yeah,” he stutters. “Yeah, sure. I'll be your…your Valentine.”

You smile, a wide smile that splits your face in two. Spencer's own grin follows suit. Looking past you, he catches the eyes of Derek, who smirks and offers a cheesy thumbs up, proud of him for securing you as he did.

His gaze falls back to you when you begin to speak, your voice just as song-ish to him as his is to you. You're both equally as infatuated as the other. “You know,” you trail off slowly, “supposedly, Saint Valentine might be so commonly associated with our day of love because there are rumors that he used to perform secret weddings against the wishes of the authorities in the third century.”

He nods slowly, his brows furrowed slightly. “Yes, that's right…” Licking his bottom lip, he speaks again. “You already knew all that stuff about Lupercalia, didn't you?”

You smile, your face squished a bit as you raise your hands and close your thumb and forefinger close together. “Maybe a little,” you whisper. But then you shrug and just keep looking at him. “But I like listening to you talk.”

Spencer suddenly doesn't think you're real, but he isn't about to question it if you aren't. There's someone who enjoys his tangents. He isn't going to jeopardize that.

“Oh,” is all he says.

With your crocheting long forgotten, you lean forward on the table and give him every ounce of attention in your mind. With a fond smile on your lips and a twinkle in your eye, you rest your chin on your folded hands. “You should tell me about…” you pause, thinking, before you smile curls even more, “bees.”

His brows lift as he nods. “Okay, well,” he starts, “did you know the first civilization to practice widespread, organized beekeeping was the Ancient Egyptians, who began beekeeping around 2,500 BCE?”

Your brows lift in fascination. You shake your head, “No, I didn't.”

His smile grows. “Well…”

For the remainder of the flight, Spencer talks and talks and talks, his voice quiet and meant solely for you as he talks about whatever you want: bees and wine and marbles and Halloween. He keeps smiling at you, as you keep smiling at him. Somewhere along the way, he officially asks you on a date, and you both get off the jet together to get a cup of coffee.

You love the way he talks.

Criminal Minds taglist: ... Tag yourself here...

#spencer reid #spencer reid x reader #spencer reid fanfic #spencer reid fanfiction #spencer reid fluff #criminal minds #criminal minds fanfic #criminal minds fanfiction #fanfic #fanfiction #reader insert #female reader

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hothammies · 1 month

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will byers, the resident sniper and medic - apoc au details under the cut!

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will's role in the party:

a scouter - stays back to watch over the area during runs w/his rifle and is a backup supply runner if need be. just prefers to scout with dustin and mike

medic - normally takes care of the group regarding injuries and medicine. is very gentle :)

the angel on mike's shoulder -> knows how to placate mike the best if mike's being unreasonable or too harsh

most knowledgable about the infection and how it works -> helps with understanding the patterns of infected people, what attracts infection, etc.

party mediator - rarely ever fights with anyone (mostly with mike haha) and is usually the person people most often go to for a vent or a rant

skills + hobbies:

best with a rifle + second best with guns! -> he practices a lot with lucas but refuses to kill animals

cook of the group along with el (taught her how to cook): rest of the party can make edible food but don't know how to make it taste good

great knowledge of plants and medicine -> jonathan and joyce taught him all they know about it (they are healers)

draws in a sketchbook that mike stole from another group for him: filled with mundane sketches from life and treats it like a daily journal

likes to collect cds and cassettes that he finds around to play in the car (him and max discuss music the most) - fave bands include system of a down, gorillaz, the clash and the cure :) he's an alt rock fan!

quirks / fun facts:

him and lucas have an ongoing competition that started with their aim and is now based on literally anything -> they've been keeping score since they were nine (lucas is currently up by ten and the points are in the thousands)

will shuffles different music in the car and observes who in the party likes what so he can make his own little mental playlists for them!

him and dustin talk a lot about how the infection works. they have some very intense debates about it, especially when it comes to if the infected still have human consciousness or not (will thinks they do, dustin thinks they don't)

--- other notes: canon will, in a short summary, is a very sweet, sensitive, empathetic and capable boy who consistently puts others needs before his own :') of course, i wanted apoc will to share those attributes, with a big emphasis on his empathy, strength, and kindness. first - i wanted him to be a medic to show how he cares about other people and how he helps the people he loves as well. it's shown a lot in the show how much he cares for people and living beings (see: his actions with dart, el, mike, feeling bad for jonathan's hand after he had just woken up, etc.) and him being a healer is very in tune with this behavior. will as a healer is very special to me :') and him learning this skill from his mom and his brother strengthens the theme of family also!

second - him being good with a hunting rifle was to showcase his quiet strength and capability (i'd also like to add that his dexterity on his dnd sheet is extremely high) -> he's a non-confrontational survivor. his strength shines from afar and is put on the backlight, but no one in the party thinks will is weak for his empathy. mike and lucas, in particular, are actually quite jealous of the fact that will is still able to see so much good in humanity and life while being so strong. of course, his connection to the upside down in st is mirrored in this au as well, where he has an innate understanding of how the infection works because of experience, observation and other story spoilers...

looking at the current poll results, it seems im going to be drawing lucas and max next :D see you for that!

#imma be real honest and say that i only made will like gorillaz because i fucking love gorillaz #will byers #byler #stranger things #stranger things fanart #st apoc au #sammi's art

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hedgehog-moss · 2 months

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Hi! Can I ask you a question about France? How common or uncommon or weird is the use of coucou as a greeting? Especially between adults. Would it be super weird if I went to France and greeted someone like that?

I don't trust the click-baity articles that show up when I google this (I'm not even sure all of them were written by humans), so I'd rather ask someone that, you know, actually lives over there.

Thanks, have a nice day

Hi! Coucou is a pretty common greeting including between adults (though it's more often used by women as it does sound a bit cutesy), but I think it implies pre-established friendly relations, unlike the neutral Bonjour or Salut. I only use it with family and friends. Friendly acquaintances too—okay now that I think about it, it's hard to say where I draw the coucou line. I use it as a greeting when I enter the library if there's no one in there but the librarian because I know her well, but if there are other people in the room I say bonjour even if they're children. And of course if I knew the librarian very well but didn't like her she wouldn't get a coucou. You kind of have to follow your heart with this greeting.

But definitely don't use it to greet people in a shop or formal context or anyone you don't know well because that would be weird (in my view!) Coucou sounds affectionate, I often use it in writing to set the tone ("Hi I am an informal unthreatening email !") (also if a French person sends you a text that starts with Cc, that's textspeak for coucou)

To me "Salut !" is "Hi!" while "Coucou" is Hi :) <3

#ask #maybe other french people feel differently about it?#and i feel you re: not trusting internet articles for this stuff they are traitors #sometimes i look up a polysyllabic latin-rooted word we use in french like does it exist in english too?#and several serious-looking websites tell me yeah this word totally exists in english go ahead!#we've adopted it from french it's fine #then i ask a native speaker and they're like no one has ever used this word out loud without sounding like a pretentious tryhard ever

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cemeterything · 11 months

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was thinking about this earlier but the dynamic of cannibalism being associated with high society and the culinary elite (hannibal comes to mind specifically) while also simultaneously being associated with the socially isolated and economically impoverished (as in texas chainsaw massacre) is so interesting to me i want to read 10 million books on why it happens so much in media....

i can only speak from a place of personal opinion and general knowledge, because i haven't read that many papers or in-depth studies on cannibalism, but i think it often comes down to an interesection between the themes of the story you're telling and class structures and divisions. cannibalism is a compelling form of narrative symbolism because it's undeniably impactful and hard to ignore. when portrayed as a practice associated with the culinary and social upper class, it might be used as a critique of the rich and powerful and their lack of ethics and willingness to consume and destroy others for their own self-interest by showing them literally preying on and consuming their victims, or a horror story/cautionary tale about how having everything can lead you to never be satisfied and turn to increasingly extreme measures to feel like life is worth living, or a dark fantasy of indulgence and excess. when associated with the poor, marginalized and isolated, it's often based in bigotry and harmful stereotypes of the "primitive" "inhuman" "savage" "other", however it might also function as a revenge fantasy where the most oppressed and exploited members of society turn on their oppressors and take "eating the rich" to its most literal extreme, exposing the fragility of class divisions and pointing out that those in positions of social and economic power are hardly the mythic titans their propaganda tries to make them out to be, but ultimately just as mortal and made of flesh and blood as any other human being, and not immune to being dragged down from their position at the top of the food chain and torn to pieces by the crowd (as well as reminding the audience of their own fragile mortality and precarious position in the social order, and the humanity we all share in common - however cannibalism often divides the perpetrators from both their victims and the audience, so this is rarer than the other interpretations mentioned).

cannibalism and power often go hand in hand. cannibalism has historically been used as both a means of displaying your power over defeated opponents and delivering a final, humiliating blow to their image by consuming their flesh, and a means of othering and dehumanizing your opponent by portraying them as the cannibalistic monster.

both the very rich and very poor also tend to be perceived as more distant from the people who make and consume these stories, making them easier to project fiction onto and transform into symbols and narrative devices (or, in the worst cases, dehumanize) than those who occupy the same social spheres as the creator. they can be held at an arm's length without discomfort and, depending on the target audience, may be a source of fascination due to the differences in their lived experiences. it adds to the fantasy, and makes any inaccuracies, exaggerations and fabrications feel more plausible because the majority of the audience probably don't have any personal experiences of being in those positions to draw on.

#cannibalism #classism #like this is literally just my interpretation based on my knowledge of media studies literary analysis and sociology #i cant say with any certainty whether its a True and Accurate assessment

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skeletoninthemelonland · 4 months

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very often i see people asking me if i have any tips on how to draw limbs (or poses in general). personally, i can't work with methodical approaches to anatomy. i don't think learning to draw anatomy involves memorizing every single muscle in the human body, so i tend to work with loose lines and shapes.

this is an attempt i made last year using a site called SketchDaily. it comes with a timer, and every 30 seconds the reference image will change (you can edit the time limit) so it helps you work with different poses and avoid drawing overly detailed ones.

it's incredibly helpful!

it's also very important to understand how to draw fat bodies, so i strongly suggest you read "Morpho: Fat and Skin Folds" by Michel Lauricella. if by any chance you can't buy the book (i don't have a copy of it either): i'm pretty sure people have shared some of the pages online for more artists to have access to it, so it's worth looking it up.

#starbstalks #art tips

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ane-doodles · 5 months

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My COTL References

(you can use them as inspo if you want)

A little more:

Wow, I didn't think this would take so long, but I think it was worth it in the end.

I have had to look for all kinds of references to be able to draw the bishops in a satisfactory way (references from the game itself, from animals, body types, eyes, and even how to draw cat paws). I think I have done them justice.

Although I don't plan to draw a comic or write a fic, I did want to define my own reference when drawing them. That way my little doodles would have some coherence.

A couple of details from the designer (just me commenting):

• I had to look for references of many body types and choose the one I thought was most suitable for each character. It was a long road!! The most difficult to draw was Narinder.

• Heket's outfit is inspired by a dress I recently saw in a store, it looked like a tunic so I decided to use it as a model. I added the veil because I wanted to cover her head (it's difficult to draw), plus I think it gives her a distinctive touch and personality. She accidentally ended up looking like a very flirtatious nun.

• Kallamar's design was particularly difficult because in the game itself he doesn't have a torso! but for reasons of ease and patience here he is going to have one. It's funny that he's super tall, but he keeps hunching over trying to hear what others are saying (you know, he doesn't listen very well for obvious reasons).

• Leshy was my favorite design! He has all the characteristics that I usually give to a protagonist!! He ended up looking like a young boy who surely likes soccer. I drew him thinking that he would surely like to walk around, so he should be comfortable... but he will surely end up crashing on more than one occasion. The green looks so fluffy!!! ah! but I also gave him a sting (I thought it would be fun)

• Shamura was interesting. I didn't want to give it too many legs, but I also didn't want it to look strange. In the end I ended up taking inspiration from different insect characters I know (like the red guy from Adventure Time). His clothes are all torn, I think he would have a hard time adjusting to them and would end up destroying them very often.

• Although I have drawn Narinder before it is not easy without him looking like an anime boy with a cat head! so it took quite a while to try to get out of there, that's why his proportions look more animalistic now!! I like to think that his body was vaguely more human when he was a god, but that when he transforms into a mortal he becomes more animal-like. It was difficult to design his clothes, but I like the change of coat he has...I hope I don't change it again soon or I'll have to make him a wardrobe.

• I have no special notes about the lamb, except that I forgot to put the leg warmers!! I realized it too late, but let's imagine they are there. I liked designing the second fleece, obviously based on Narinder's.

• As you can see, each of the coats are made from the remains of the tunics that the bishops previously wore. I want to imagine that after they were defeated, the lamb recovered them and turned them into new garments so that they would feel more comfortable in the cult (but also so that they would be distinguished from the common people).

• I have planned jobs and positions that each one would occupy in the cult, but I don't know how close they are to canon since I haven't taken the time to research. We'll see!!

And that's it, if you made it this far, have a candy 🍬 , thanks for reading my ramblings.

#cult of the lamb #cotl #cotl reference #cotl the lamb #cotl the one who waits #cotl narinder #cotl heket #cotl leshy #cotl kallamar #cotl shamura #ane doodles yay!#character design #Chain for a promise AU #CFP au

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morallyinept · 7 months

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I don't rant very often - it's negative energy that I don't want or need in my life - but I feel that as a fan of Pedro Pascal, I'd like to take a moment to highlight what being a fan actually means.

As clearly, some people, some "fans", have demonstrated having a hard time grasping that concept...

Being a fan of Pedro Pascal means I enjoy his career, his portfolio of works.

Sure, I enjoy his physical looks too; the man is certainly as handsome as they come, let's be real here. Yes, I find him attractive.

More importantly, I enjoy what Pedro stands for; his beliefs, his passions. He stands up for injustice, he is an LGBTQIA+ advocate and friend. He is a feminist. He is politcal. He's proud of his heritage.

Is Pedro perfect? Do I believe the sun shines out of his ass? No, he's human and has flaws and off days like the rest of us.

Ain't no-one that is perfect, babe. That's delusion talking if you truly believe that.

I enjoy that Pedro inspires me to be a better human being.

Being a true fan, to me, means only positive things.

It means respect.

It means respecting Pedro's boundaries, be that in person, or online.

It means respecting Pedro's privacy. He has the right, just like any one of us, to a personal life seperate from his career.

Pedro doesn't have to answer to you, me, or anyone else about his private life.

You are not entitled to him, or his time, just because he is a celebrity. (God, I fucking hate that word.) He does not owe you anything, and nor should he be expected to.

Pedro Pascal is a human being.

As a fan of Pedro, I will not write fanfic about him. Only his characters, because his characters are primarily the reason why I admire Pedro. His characters are how I discovered Pedro to begin with.

He can make me laugh, cry, fall in love, wince when he loses an arm, gasp when he double crosses the protagonist. I can survive a fungal apocalypse with his characters by my side.

That's an incredible testament to his talent as an actor that no matter what role he plays, I don't see Pedro on the screen. I only see his characters.

It's his job and he enjoys it. As a fan, I enjoy his craft.

If you do write about Pedro, that's up to you and I am not going to judge, but for me personally, it's a hard no. And I won't be reading any of it either, sorry.

As a fan of Pedro, I can draw the line between fantasy and reality. Meaning, I would never go out of my way to invite, devise, plant myself in deliberately, or exploit a situation where Pedro is in my personal space, or I in his.

Firstly, I'm a realist. And secondly if I ever met the guy, chances are I'd walk right past him and not even notice. (It's happened a lot, not with Pedro but with other actors etc... I live in the capital, there are a lot of them here.)

And thirdly, I am not a stalker.

I would never intentionally track him down in another country whilst he is working or vacationing, and then post about how slighted I am on IG that he told me to politely leave him alone because I was too persistent in getting too close. I would never relocate and uproot my life just to live near him in the hopes we bump into one another and fall desperately in love. 🙄

This is real life people, not a movie.

This kind of behaviour from Pedro's so-called fans is questionable, and frankly concerning to anyone with a sane mind.

I would also never bully or belittle anyone because their fan account is more popular than mine. I would never actively enforce or seek to enforce the deliberate closure of any fan accounts because I am petty or jealous.

Unfortunately this has happened and I am sorry to have heard about those who were affected by it - you did not deserve that.

Sadly, all these things have happened. For real. And it's utterly gross behaviour from, in most cases, fully grown women who are old enough to know better.

We are all here to enjoy and support Pedro, so why is that such a hard concept to grasp? Why does fandom have a toxic corner?

I'll tell you why.

Because thanks to social media, and platforms like Tumblr, it's all too easy to sit faceless behind a keyboard and do and say whatever you want, without any real consequence.

There are always a few bad eggs, in any fandom, who feel they are superior, that they know everything. That because they found a new image or a clip first that they are entitled to police everything. That they are entitled to dictate how fandom should be run.

I've got news for you; you're not.

Fandom is inclusive, sharing, a creative hub for ideas, inspiration. A place to forge friendships, relationships because you have common ground. The coming together of like-minded individuals to celebrate and endorse their admiration for their idol in a safe, non-threatening place.

A place for creativity to flow, for confidence in yourself to grow. To create original stories from canon, to create unique head canon because we don't want these lovable characters to die. To paint amazing pictures. To get excited over Pedro's new projects and discuss your favourites.

That's fandom. That's being a fan.

Being a fan doesn't mean creating, spreading, peddling or posting harmful material that 1) is frankly abhorrently disgusting and is not only insulting to Pedro, but also his family, his friends etc... and 2) could also be potentially damaging to his career.

I am referring to the vile deepfake of Pedro currently doing the rounds now on Tumblr because some idiot thought it was funny to clog up our timelines with it.

I don't want, or need, to see that, thanks.

And whoever created it originally should be fucking ashamed of themselves. I would wholly encourage you to report and block any accounts that have done this.

Imagine how you would feel if your face, your image was used and violated in that way.

You'd be outraged, right? Hurt? Sickened?

This kind of manipulation of AI is exactly what the WGA and SAG-AFTRA are concerned about and were/are striking for.

What Pedro is striking for, and then someone has the gall to pull this sickening stunt.

It's what artists are concerned about. What writers are concerned about. AI wasn't created to be abused in this way.

So, what makes you think that all this behaviour is acceptable to do to a man, who is nothing but generous and kind?

A man who would give you help, no questions asked, if he ran into you, in his own words:

And you have the audacity to call yourselves fans?

A man who, if he knew, what his "fans" do, I'm certain he would be absolutely disgusted and not condone any of it.

☝🏻Let me make it abundantly clear:

If you have looked for, deliberately searched for, posted, jerked off to, liked or shared that vile deepfake clip, video, pic - whatever the fuck it is - in any way then, YOU ARE NO FAN OF PEDRO PASCAL.

And I am certainly no fan of yours.

Do better. Don't be a dick.

#pedro pascal #jett has spoken

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autisticandroids · 8 months

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i've been seeing ai takes that i actually agree with and have been saying for months get notes so i want to throw my hat into the ring.

so i think there are two main distinct problems with "ai," which exist kind of in opposition to each other. the first happens when ai is good at what it's supposed to do, and the second happens when it's bad at it.

the first is well-exemplified by ai visual art. now, there are a lot of arguments about the quality of ai visual art, about how it's soulless, or cliche, or whatever, and to those i say: do you think ai art is going to be replacing monet and picasso? do you think those pieces are going in museums? no. they are going to be replacing soulless dreck like corporate logos, the sprites for low-rent edugames, and book covers with that stupid cartoon art style made in canva. the kind of art that everyone thinks of as soulless and worthless anyway. the kind of art that keeps people with art degrees actually employed.

this is a problem of automation. while ai art certainly has its flaws and failings, the main issue with it is that it's good enough to replace crap art that no one does by choice. which is a problem of capitalism. in a society where people don't have to sell their labor to survive, machines performing labor more efficiently so humans don't have to is a boon! this is i think more obviously true for, like, manufacturing than for art - nobody wants to be the guy putting eyelets in shoes all day, and everybody needs shoes, whereas a lot of people want to draw their whole lives, and nobody needs visual art (not the way they need shoes) - but i think that it's still true that in a perfect world, ai art would be a net boon, because giving people without the skill to actually draw the ability to visualize the things they see inside their head is... good? wider access to beauty and the ability to create it is good? it's not necessary, it's not vital, but it is cool. the issue is that we live in a society where that also takes food out of people's mouths.

but the second problem is the much scarier one, imo, and it's what happens when ai is bad. in the current discourse, that's exemplified by chatgpt and other large language models. as much hand-wringing as there has been about chatgpt replacing writers, it's much worse at imitating human-written text than, say, midjourney is at imitating human-made art. it can imitate style well, which means that it can successfully replace text that has no meaningful semantic content - cover letters, online ads, clickbait articles, the kind of stuff that says nothing and exists to exist. but because it can't evaluate what's true, or even keep straight what it said thirty seconds ago, it can't meaningfully replace a human writer. it will honestly probably never be able to unless they change how they train it, because the way LLMs work is so antithetical to how language and writing actually works.

the issue is that people think it can. which means they use it to do stuff it's not equipped for. at best, what you end up with is a lot of very poorly written children's books selling on amazon for $3. this is a shitty scam, but is mostly harmless. the behind the bastards episode on this has a pretty solid description of what that looks like right now, although they also do a lot of pretty pointless fearmongering about the death of art and the death of media literacy and saving the children. (incidentally, the "comics" described demonstrate the ways in which ai art has the same weaknesses as ai text - both are incapable of consistency or narrative. it's just that visual art doesn't necessarily need those things to be useful as art, and text (often) does). like, overall, the existence of these kids book scams are bad? but they're a gnat bite.

to find the worst case scenario of LLM misuse, you don't even have to leave the amazon kindle section. you don't even have to stop looking at scam books. all you have to do is change from looking at kids books to foraging guides. i'm not exaggerating when i say that in terms of texts whose factuality has direct consequences, foraging guides are up there with building safety regulations. if a foraging guide has incorrect information in it, people who use that foraging guide will die. that's all there is to it. there is no antidote to amanita phalloides poisoning, only supportive care, and even if you survive, you will need a liver transplant.

the problem here is that sometimes it's important for text to be factually accurate. openart isn't marketed as photographic software, and even though people do use it to lie, they have also been using photoshop to do that for decades, and before that it was scissors and paintbrushes. chatgpt and its ilk are sometimes marketed as fact-finding software, search engine assistants and writing assistants. and this is dangerous. because while people have been lying intentionally for decades, the level of misinformation potentially provided by chatgpt is unprecedented. and then there are people like the foraging book scammers who aren't lying on purpose, but rather not caring about the truth content of their output. obviously this happens in real life - the kids book scam i mentioned earlier is just an update of a non-ai scam involving ghostwriters - but it's much easier to pull off, and unlike lying for personal gain, which will always happen no matter how difficult it is, lying out of laziness is motivated by, well, the ease of the lie.* if it takes fifteen minutes and a chatgpt account to pump out fake foraging books for a quick buck, people will do it.

*also part of this is how easy it is to make things look like high effort professional content - people who are lying out of laziness often do it in ways that are obviously identifiable, and LLMs might make it easier to pass basic professionalism scans.

and honestly i don't think LLMs are the biggest problem that machine learning/ai creates here. while the ai foraging books are, well, really, really bad, most of the problem content generated by chatgpt is more on the level of scam children's books. the entire time that the internet has been shitting itself about ai art and LLM's i've been pulling my hair out about the kinds of priorities people have, because corporations have been using ai to sort the resumes of job applicants for years, and it turns out the ai is racist. there are all sorts of ways machine learning algorithms have been integrated into daily life over the past decade: predictive policing, self-driving cars, and even the youtube algorithm. and all of these are much more dangerous (in most cases) than chatgpt. it makes me insane that just because ai art and LLMs happen to touch on things that most internet users are familiar with the working of, people are freaking out about it because it's the death of art or whatever, when they should have been freaking out about the robot telling the cops to kick people's faces in.

(not to mention the environmental impact of all this crap.)

#ai art #ai #chatgpt

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twisted-tales-of-all · 6 months

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First and Last Dance

Summary: After dying, you refuse to follow your reaper into the afterlife before experiencing what sex feels like. Pairing: Park Seonghwa x afab!Reader Genre: Smut, Horror, One-Shot Tropes: virgin!reader, grim reaper!AU, first and last time Word Count: 2.4K Contains: mild corruption kink, mentions of alcohol and drugs, discussion of dying in a fire, waking up disoriented, memory loss, cursing, pet names (sweetheart, love, baby girl, sir), unprotected sex, oral (f. receiving), marking, praise, multiple orgasms, fingering (f. receiving)

"Ugh," you groan as you wake up, gripping your head tight thanks to your hangover. "Fuck, did I really do that much last night?"

Looking around with squinting eyes, you find yourself in an unfamiliar room. The dark grey walls and black-out curtains certainly help your headache, but you can't remember how you got here or where here even is.

The creak of the door draws your attention. In walks a beautiful man with hair like raven feathers and an outfit matching the dark room. Quickly, your brain runs through an empty shelf of memories, trying to figure out whether you did something with this gorgeous man and forgot. Patting your body, you find all your clothes on your body, but not quite intact. Noticing holes in the fabric, you push down the covers to figure out the damage. Strangely, you find scorch marks all over your shirt - a burned hem cutting its original length, small holes with blackened edges from sparks flying onto the flammable fabric, even a full sleeve missing.

Before you can ask about the night prior, the stranger speaks, "You probably don't remember. That tends to happen." He pulls a chair closer to the bed, sitting back and relaxing. As if running on a script, he rallies off information, "Last night, you were at a party. An accident happened, where someone dropped a lit cigarette into some spilled alcohol. Not very many people survived, as the alcohol fire spread quickly and most of the party goers were impaired by the various drugs and alcoholic drinks."

A fire? You remember everyone's screams shifting from excited to terrified, but can't remember the flames themselves. With that big of a disaster, you wouldn't have expected to forget, even under the influence.

"At least I made it out safe."

"You didn't, Y/N." The man reveals with a look of boredom on his face, "That's why I'm here. My name is Seonghwa, and I'm a reaper. It is my job to collect the newly deceased and lead you into the afterlife."

"No."

Finally showing emotion in his reaction, Seonghwa doesn't know what to say, frozen in shock. Nobody has outright denied him like this. They've fought, cried, cursed him, and even struck him, but nobody has had your composure to simply say no.

"I can't die yet. I haven't done so many things. I've barely even hugged people I found attractive. What about my first kiss, my first time? Or traveling with someone I love? I can't die when I haven't done any of that. Send me back."

There it is. A line Seonghwa's heard time and time again. But this time, it's framed differently. No first kiss? Seonghwa empathizes with you, as a reaper who often wonders of the joys of living. Reapers, of course, weren't granted that chance; forged by the gods of death with the sole purpose of easing their jobs, reapers often face a tedious, repetitive life. Most were okay with it, as that is all they ever knew, but everyone hears stories of those driven crazy after too many interactions with humans.

"I cannot send you back. You're already dead, and that's out of my powers. I simply lead you to the proper afterlife."

Your posture drops as he explains this. All you ever wanted was a sweet love story in your life, and now it won't happen. Despite this, your urge to at least try something still rages within you. So much so that you don't even try to stop yourself from asking Seonghwa a desperate question.

"Could you show me what love is like? Or at least let me feel what it's like to kiss and touch someone?"

Caught off guard by the unexpected request, Seonghwa forgets his words for a moment, his mouth hanging open slightly. You look at him, anticipating his answer and hoping he'll give in.

"You want to kiss me? To touch me?"

"Why not? You have a pretty face, a nice voice, and probably a body sculpted by gods. Why wouldn't I? You seem nice, too."

Something in the naivety of your words pulls at him. Urges he didn't know he held surface as you pout at him, and he can't stop himself from wanting to show you everything he can before leading you to your final resting place. Here, in the confines of these smoke-colored walls where time stands still and everything lies in limbo, Seonghwa breaks his personal protocol to indulge in something dark bubbling inside him. Without saying another word, he pushes himself off the chair and kisses you. He moves so fast that you can't catch your breath before his lips are mingling roughly with yours. Your hands find their way to his chest while his snake behind you, one on your upper back and the other resting on your hip.

He brings you closer, tightening the gap. As you both pant out in breaks from the sloppy kiss, your body heats up. Although you're certain you can't be kissing very well based on how much more work he's doing, he doesn't seem to pay it any mind. His luscious lips overtake yours with ease, you feel every movement amplified. The moment his cold hands slide under the remaining fabric covering you, it feels so enticing against your hot body, cooling your back down with a simple touch. Slowly, you find him guiding you to lie on the bed. He hovers above you, looking down on you as he appreciates the look on your face - a look begging for more but not knowing what that might entail; a mix of fear and longing.

Your innocence spurs him on more than he thought possible; even just seeing you looking at him and trying to steady your breathing drives him insane. His usually loose pants much more snug thanks to his erection, Seonghwa refuses to hold himself back. With a quick swipe of his hand, your shirt rips apart, revealing your bare stomach and beautifully adorned chest. With a deep growl and another swipe, your pants fall to the sides of your legs, leaving you lying under him in your matching bra and panty set.

"What a wonderful color on you." His hand lingers on your waist as he admires how well the color of your underwear suits your skin tone, "I almost don't want to rip it off of you. Almost."

Leaning in, Seonghwa leaves kisses all over your uncovered body, marking you in places he knows will feel best for you - under your ear, along your collarbone, on both hips, right above the covered portion of your chest. Although his kisses are soft, his marks turn aggressive as he sucks hard and even bites down on some spots.

Along with the rough marking, his hands make quick work of the little remaining fabric on your body. When his lips reach fabric, he quickly works to remove it. Unlike before, he takes care not to rip apart your undergarments, bringing a temporary sense of kindness to his actions. Unbeknownst to you, he's careful with them so he can hold onto them after you leave him - a souvenir of sorts. That kindness doesn't last long, not when your naked body is on full display for him. Looking down at you, he can feel himself salivate at your inexperience as it leaves you slightly covering yourself in nervousness. His eyes darken before he moves further down the bed, spreading your legs to place his face snuggly between them.

"Y-You don't have to-"

"Sweetheart," he growls as he peeks up at you, "What fun would it be if I didn't show you everything?"

Kissing and nibbling the skin on your inner thigh, his silky black hair prickles against your other leg. The closeness of the sensations to your throbbing core makes you squirm involuntarily. Feeling him chuckle against your thigh, your hands fly to your face as it heats up from the embarrassment. After giving both thighs plenty of attention, he centers himself, proud to see you soaking already. Running a finger through your folds, he uses your arousal to coat his fingers before sliding them inside you, one at a time. At the first insertion, your body tenses in response to the newfound sensation. You expected that you'd feel similar to when you do it, but the angle, the size, the speed - everything feels so different. He moves the finger in and out before adding his second one, stretching your tense body out some more.

He kisses your thigh as his fingers curl inside of you, "Relax, sweetheart. Believe me, it'll feel so much better when you untense yourself. Breathe. Enjoy it."

At his coaxing, you close your eyes and take a deep breath. Letting yourself relax, you notice the knots in your body fading, replaced with the intense warmth of your core and the slow, intoxicating movement of his fingers inside you. Noticing this, Seonghwa leans in, swirling his tongue around your folds and quickly finding your clit. He's careful and calculated in his movements here, not wanting to overwhelm you just yet. But he knows exactly how to work you up, and you feel something build inside you. You recognize this feeling and let your hips grind against him as you chase after the high you desire. He flattens his tongue against your clit, the roughness and pressure sending you over the edge. He continues curling his fingers perfectly inside you as you ride through your orgasm, the feeling rippling through you.

Slowly removing his fingers from you, you wince at the emptiness, but he caresses your cheek and shushes you as he lifts himself again. Dragging his shirt over his head, you gawk at his torso. He's slim but well-built. Not quite six-pack well, but the soft lines running down his abs look better without the added dimension. You lift your hand to drag your fingertips over his body, but he's too busy tearing his pants down to give you a chance. Your gaze drops as he moves, drawn to his cock standing tall and proud. You were right - he's definitely sculpted by gods, and whoever made him needed to be worshipped even more. How could a dick be good-looking? Everything you'd seen before was not for looking, but his looked delicious, curving upward slightly and built to spread someone open in the best ways.

While you're busy gawking at him, he climbs above you again. Grabbing your jaw roughly and forcing your gaze back to his face, he smirks.

"My face is up here, love. What could possibly be better to look at than this face?"

Crashing his lips against yours again, he doesn't need to hear an answer. Holding himself up with one arm, he moves a hand between his legs. Grabbing himself, he coats his length in your fluids by rubbing himself between your folds. The small touches leave you begging for more as he pulls his lips off of yours.

"Please... I need it."

"Oh? You need it? What a gorgeous sentence to fall from your breathless lips. Well, let me oblige."

Lining his tip up with your entrance, he slowly pushes in, stretching you out even with such a small amount. Growling with a clenched jaw, he manages to keep his pace despite wanting to bury himself entirely inside you. After a painfully long wait, he bottoms out inside of you. His length brings tears to your eyes, but they don't overflow. The burning stretch shifts away after a while, but your breath remains caught in your throat.

Pecking your lips and rubbing your cheek with his knuckles, he praises you, "You're doing so well. You can take all of me. Good job, baby girl. Let me know when you're ready."

His kind words calm you down, allowing your breathing to return to you. when the burn fades completely and your body adjusts to his size, you wiggle a bit, urging movement.

"Use your words, sweetheart. Are you ready?"

"Yessir. Please move."

Once again, your innocence feeds his urge to ruin you entirely. With your sweet voice and naivety of what it'll feel like when he moves, he throws out his plan to ease you into everything. Pulling back slowly, he slams into you, his hips hitting your thighs on impact. He keeps going at this pace, roughly slamming into you again and again. Your eyes roll back into your head and your mouth falls open, noises messily leaving your lips as your brain muddles. His hands grip your thighs, fingernails digging into your flesh as he uses his grip to pull you into him. Filling the room with the sounds of sex, Seonghwa's head falls back for a moment as he enjoys the feeling of your warmth enveloping him.

"Seonghwa," his name falls softly from your lips, "I'm gonna-"

Unable to finish your sentence as your orgasm crashes upon you, Seonghwa groans at the sensation of you finishing around him. He picks up his pace, sloppily pounding into you as he chases his own high. Leaning forward into you, his head falls into the crook of your neck, teeth gripping onto your skin as he finishes inside you. Feeling the warm liquid shooting into you, you feel strangely complete, as if all you needed to feel alive again was a grim reaper's cum.

As Seonghwa lies on top of you, your collective pants now the only sounds in the small room, you thank him for obliging in your silly request. The embarrassment of begging a total stranger to take your virginity finally hits you, so you add a small apology at the end.

Brushing your hair with his fingertips, he replies, "Don't apologize. Thank you for letting me be your experience, it awakened and quelled a desire I didn't realize I had."

"'Your experience,' that's funny. Since it's my first and last, right? You'll be all I know." You poke fun at the situation in front of you, trying to relieve the nerves slowly gathering about the afterlife.

"Good." He growls out deeply. "Keep it that way. It makes me so happy knowing that you really are all mine."

Tags: @dimpledsatan-recs @mo0nbeams

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