Ok, none of you know what's going on. None of you understand why so many women and young streamers are stepping forward right now. None of you understand why this has to be public.
Multiple large streamers have used their fame, influence, and money to manipulate and abuse those they see as below them. So long as they continue to have fame, influence, and money, this cycle will not end.
This is bigger than just individual cases of sexual assault or other abuse. This is a break down of a much larger problem within the entertainment industry.
These women are telling stories about very powerful men in this space. They are sharing stories of abuse and manipulation. This is very scary for them—it could ruin their careers or lives.
Stop saying "they should have handled this privately." This isn't a private matter. So long as these men have power, they will hurt more women. They aren't sorry. They won't play fair.
By trying to stay silent and bury these accusations, you are ensuring these women never know peace. You are ensuring that more women get hurt.
One day your boss will assault you, and all the men in your life will blame you for waiting as long as you did to speak about it. They will find any reason to blame you. They don't want to get rid of your boss. They hope that one day, they can assault a woman just like you.
This is fucking serious. This is real life. This isn't just some fucking fandom drama that we can bury and move on from. These are real life issues that require real meaningful discussion.
Stop trying to discredit these women just because your streamer is in trouble. You are part of the fucking problem.
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Hello friend! I hope one day you get this 🩷 I am sending all my love to you. You are so brave and I'm proud of you! I hope the world treats you kindly. I took a hiatus from tumblr and only just now realized you left, I wouldn't have said anything different than I have now if I'd known before but I will miss you! You are amazing, can't wait to see you again. Thrive, my little bird! You've done great 🩷
i'm trying not to tear up. my heart is embarrassingly soft these days. i knew before that revolution has never come without great hardships. though of course, knowing is different from doing
some days, the moments between sleep are only stitched together by lengths of crying. other days, i wander incessantly in an attempt to escape both my self and my dreams
but it is by the love of my friends and the kindness of people like you that carries me through. it is so easy to drown in this world, i need to hold on to what little i can
kindness doesn't have to hurt, i've only been convinced it does. i'm trying to learn that love can save me, if i let it. lately, i feel like it is all that i really have
i wonder if anyone will ever know how much it means to me. i wonder if you'll think me odd if you do. but another thing i am trying to learn: there is nothing shameful in trying to live
so from one friendly stranger to another, i send my love to you too. i hope it reaches you ! sincerely,
thank you
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Now and Then Day
This sideblog began after watching Get Back nagged and nagged at me until finally I started to look closer at context relative to the Beatles discography and suddenly started experiencing these WAIT WHAT moments every day as what I thought I knew got turned inside out. The appeal was in looking at something you knew like the back of your hand from another direction and seeing/hearing something new you hadn’t seen/heard before. But I had no idea we’d get another song to add to the mix in 2023.
I knew Now and Then day would be an experience. I thought I’d have to wait the whole day before listening. But I got lucky and found a few minutes to listen to Now and Then when it was first released this morning. And inexplicably clicked to hear the remastered Love Me Do instead. I cannot explain my brain.
I then tried to start Now and Then and noped out before 15 seconds in. Too overwhelming. Not the right time. I was too rushed and needed more space to mentally prepare for it.
I caught NPR covering the Now and Then release today on my drive home. They had a Lennon biographer (I didn’t catch the name) reviewing the song. He said the song recalls John’s more delicate tunes like Beautiful Boys (sic) and mentioned John started the song in 1970.
Say what?!
Here I was late last night trying to nail down a better date for John’s demo than “late 70s”. Meanwhile, biographers are just here on national public radio pushing lies. Did he have ChatGPT write his comments?
Oh yeah, they also said it was created with AI no qualifier.🤦♀️
They played a few snippets of the song including one new piece not in the doc but refrained from playing it in full. It was mostly wrong Beatles facts all segment.
Trying the song a second time hours later, I got through it in one piece but was feeling abit 🥴 about it as a song itself. Having just listened to the original demo was probably a mistake, and I could hear all the seams and feeling the Frankenstein song effect.
Third attempt sounded more together, with the seams not quite as noticeable. I was prepared for the changes, the layering bits from other songs, and noted highlights of the instrumentals: the strings, George’s guitar bits, and Ringo’s flourishes. I love Paul coming through on the future tense certainty of “I will love you” (is that I Will?). Ringo’s shimmering effect choice (is it tams?) is such an entrancing closer. Giles’ score and Beatles recycled bits do mend the seams well once I stop thinking about them too much.
On fourth listen, my biggest notes are questioning why Paul’s harmony with John isn’t more distinct. He shows a lot of restraint here but maybe too much? Did Get Back get to him in other ways than the most obvious? Is he just self-conscious about his own voice? Or is it the limitation of the tech when it comes to harmony mixing?
The strings were what I was most worried about, but their entrance at the 1:15 mark really kicks it up a notch to transition into the singalong. Other standouts are 1:40 with George’s flourish and 2:29 peak with the guitar solo.
Lyrically, it’s the conditional and if I make it through it’s all because of you that haunts in layers of meaning both grim and cathartic that reverberate through time and space.
If John makes it through emotionally to 1980 and has a comeback? Congrats, bud you did it. But he’s stopped physically through no fault of his own. There’s the obvious mourning of that lost potential even 40 years later.
If this song this voice this message of John’s makes it through to 2023 and reaches the public? Well, success there, Paul’s tenacity saw it through with help from many friends. John’s voice and song lives on through Paul’s wish to conjure him by his side. On the Day of the Dead no less. I was reminded of the concept of tulpas today and was knocked back on my heels by the thought.
If John as an artist and Beatles as a band make it through so fans are still listening in 2023? This doubles as a bit of a fan love letter, and thank you for 60 years. Released on the day Beatlemania first appeared in black and white.
But then there’s also a reflector on this. Some original Beatles fans have aged with Paul and Ringo and others have not and aren’t here to share this like John and George. There’s grief and mourning from those still here about those lost, and the song acts as a catharsis. A kind of thank you to the band for being there for fans in good times and bad. The symbiosis of fame between a band and its fans across the decades.
It’s a lot.
I spent some time looking at the youtube comments on the song. Some original fans but many second and even third generation fans. And quite a few stories about a loved one who loved the band and recently passed away like this one:
And this:
But also in there are stories of catharsis and healing.
And many memories of the joy that Beatles music has brought to people’s lives. We all have these stories of how their songs weave into our own life. But it’s the joy that I keep coming back to as the secret sauce to the band’s earliest days. I often think of those early songs more in terms of feeling then anything, and it starts with the first single.
I love the Love Me Do remastering. That harmonica sounds so crisp. The bluegrassy harmonies have never sounded better. The ones on ple-ee-ee-ease still give me chills. Ringo’s drums moved forward in the mix to appreciate that driving beat just a bit more. I can hear the bass too. I can’t wait to hear what the other early Red album tracks sound like.
But next to Now and Then, I’m also looking at the lyrics like I never did before. Why give it another glance? Written by a 16 year old kid, it always sounded a bit juvenile and simple. But suddenly next to Now and Then, there’s a weight to it I never heard before.
Love, love me do
You know I love you
I’ll always be true
So please, love me do
It sounds like a promise. Now and Then is fulfillment of that always. It’s no longer just the whim of a kid. But rather the beginning of 7 decade devotional: To John, to the band, to fans, and reflected back again. The love is reciprocal from all sides.
How’s that for a WAIT WHAT moment? Paul turning the least likely song inside out and backwards. And he didn’t even add a lyrical middle eight.
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i will always advocate for skipping classes btw. to all the high schoolers following me: don't sweat having a perfect attendance record it quite literally does not matter. if anyone tells you good attendance is important for being considered for scholarships they're lying to you. my attendance was fucking abysmal and i was offered several full-ride scholarships because my grades were still solid and that's all 90% of colleges care about.
and besides. taking care of yourself - whether you need a mental health break or you're tired or you just frankly don't want to go to that fucking class - should always take priority! now don't take a page from my book and skip a month and a half's worth of pe classes because you ditched One Time because the coach said he was going to make everyone run a mile that day and then he kept trying to get you to "make up" the mile that you missed so you kinda just stopped showing up until he gave up on you forever like please know that you should go to class regularly BUT.
i think taking time off and leaving early and such needs to be normalized. for school and work. i don't think it's fair to punish people for needing breaks. the human brain is literally not made to sit in the same stifling environments for 8 hours almost every day and just focus on "working" or "studying" and "learning." it's very cruel to deprive young, still developing minds especially of proper breaks and time to Play (not that it's not cruel to do the same to adults)
if the system won't give them to you freely though... well. break the rules a little. you know your limits better than anyone. don't try to work to an impossible standard. rest when you need to!! it's very, very easy to burn yourself out, but it's very, very, very, very difficult to recover from it
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I just finished rereading Slider's oneshot and I loved it just as much as I always do. I was wondering if you had any thoughts on how the conversation between Ice and Cougar went at Ice's retirement ceremony. You gave us little snippets of it from Slider's point of view, but I'd love to hear more of it if you have thoughts on it you'd like to share.
this is such a kind ask. i have no idea
for the same reason there is no explicit reaction in ch 12 when ice first hears mav say i love you—i spent a good week low key trying to figure out whether a reaction was needed there—it’s such a potent powerful cocktail of so many wild & unfamiliar emotions that i don’t personally think i have the literary juice to even attempt to try to describe it
i also am allergic to writing ice or mav explicitly coming out to anyone because it gives me secondhand embarrassment for them. the idea of the commander of the pacific fleet having to psych himself up to awkwardly mumble “um i should’ve told you all this time … i think i…i think im gay” to his friend gives me the ick sorry he’s not fifteen years old. so he Could be doing the big lgbt rite of passage of emotionally apologizing and coming out to Cougar in that conversation. but he Could Also be doing the ‘im nearly sixty years old im not gonna bullshit you’ thing of simply saying: “you and I have been very shitty to each other in the past and i apologize for that in x,y,z way and you were right about me and maverick and we’re gonna make it official this summer and if you want to come we’d really love to have you & normalize diplomatic relations between us again, you’re a real great friend when you’re not being a massive fucking douche”
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