Randomly thinking about “tolerate it” (narrator voice: it was not random) and how under the cloak of fiction it is ostensibly inspired by works like “Rebecca” (which Taylor said she read during the 2020 lockdowns I believe?), with the line of “you’re so much older and wiser” indicating that the speaker is significantly younger and inexperienced compared to the person she’s speaking to and a pretty direct reference to the plot of the book.
But I saw something somewhere once that stuck with me about how it might not be referring to relative age between the characters but chronological age as in the passage of time in a relationship. And that made me think about how in a contemporary context, it might not necessarily be referencing an actual age gap between the two characters, but rather a sarcastic or cynical response to the man’s claims that he has matured (“you’re so much older and wiser [than you were before/than you were when we met/etc.]”), which then made me think about that line in relation to the woman. And that it could be taken like, “you act like you’ve matured so much in our time together and like you know everything, while I’m supposedly still stuck as the girl I was when we first met.”
Which then made me think of the “right where you left me” of it all and did you ever hear about the girl who got frozen time went on for everyone else she won’t know it and the bit in Miss Americana where she talks about how celebrities get frozen at the age at which they got famous, and how she’s had to play catch up in a lot of ways not just in her emotional growth but kind of in general. (Which also made me wonder if she’s ever been called out for immaturity/lack of curiosity/lack of education about things in her life…)
Which then made me think about the rest of the song, and @taylortruther’s posts yesterday about “seven” and “Daylight” and the way Taylor idealizes her youth yet contrasts it with an almost sinister reality in its wake, and the line, “I sit by the door like I’m just a kid,” because the discussion raised that her relationship let her recapture some of the childlike joy and wonder she’d lost. So this line is a double-edged sword: the speaker sits by the door with childlike hope that the person will come home and cherish her, but on the darker side, feels like the child dealing with the monsters she doesn’t have names for yet and the feelings of isolation she felt as she aged.
I’m not saying the song is necessarily autobiographical; like most of the songs on folkmore, it’s clearly a fictionalized story based on media she’d consumed and created, but we know a lot of the fictional songs were infused with her own feelings and experiences and… This idea swirling in my head picked up steam and now I kind of can’t stop thinking about it. Sorry but I’m a little obsessed now.
Like maybe it might start to shed light on why she identified so strongly with the novel in the first place…
109 notes
·
View notes
WOAHHHH NEW OC STORY IDEA ALL A SUDDEN
okay so vampire guy works at a morgue and feeds from the dead bodies but it’s never Enough. it keeps him under control but he does needs fresh blood once in a while. anyway this human guy dies, was brought to the morgue, and the vampire guy drains him of all his blood (as he does to every corpse) but this human died recently and his blood was fresher and tastier than the others. vampire leaves the dead human in one of those corpse shelves for the night (vampire guy lives in the morgue somewhere) and the next morning BOOM. the human guy is awake and alive and healthy as if nothing happened. immortality moment!! woah
and the vampire guy is like SWEET!!! new infinite food source of fresh delicious human blood!! now he doesn’t have to feed from those gross corpses anymore or go hunting and risk being killed by pesky vampire hunters.
but vampire guy still has to work at the morgue. that’s his whole business. that’s his home and how he needs to make money to buy food for his new human bloodbag (guy can survive without food but his blood tastes better when he’s not starving).
and it’s strange for the vampire guy sometimes. he’s always spending time around dead humans and this is the first time he’s gotten close to an actual live human before. and even though he’s keeping him captive, he still likes making conversation sometimes. it gets lonely being an immortal vampire who’s hasn’t had a close relationship in decades, and who’s instinct it is to suck the blood out of every human he meets. and since immortal human guy is trapped there and has nothing to do, he might as well talk to him. he’s lonely too and now just found out he’s immortal. he doesn’t wanna be alone forever
but obviously he hates being fed from by a vampire and desperately wants to escape. vampire guy kills him a bunch of times just because he Can. sometimes he drains him of all his blood when he’s extra hungry, sometimes he just kills him for disobeying or trying to escape to teach him a lesson. sometimes he kills him for fun, for the thrill of the hunt. dying is PAINFUL as fuck to the human. he hates dying even though he always comes back fully healed.
sometimes the human wants more things to keep him occupied so he’s not bored all day trapped in the basement of a morgue (or maybe he’s kept locked in a corpse shelf during the day, extremely claustrophobic and dark, with no way out, trapped next to a bunch of human corpses. who knows). but the vampire doesn’t wanna waste his hard-earned cash on buying his human silly unnecessary things just because he’s bored.
so sometimes he lets the human help him work. vampire guy owns the morgue and has no other employees, and only works at night to avoid sunlight, so human wouldn’t be able to call for help anyway. human guy hates being around dead bodies but it gives him something to do and he technically gets paid for it in a way. now vampire guy gets things done twice as fast and has more money and free time too. he buys his human the stuff he wants, like books or puzzles, and they sometimes play games together.
human was a nobody. he probably died from some freak accident and was brought to the morgue by the hospital. he didn’t have a family or any loved ones that claimed his body or set up his funeral. nobody came looking for his body to bury or cremate because Nobody cared that he was gone. and that just makes things a whole lot sadder because even if he does somehow escape the vampire, where’s he gonna go? he’s legally dead. Everyone thinks he’s dead. he’s supposed to be dead. there wouldn’t be anywhere to go or anyone to go to because he obviously can’t tell people he’s immortal, that would just cause more questions, and surely being experimented on by scientists would be worse than whatever he’s going through right now, right?
so human guy has to accept his life now, as an immortal bloodbag for a vampire who works at a morgue. his life is filled with blood and death, but there’s nothing he can do about it. maybe vampire guy eventually gains sympathy for him, and starts to feel bad for his pathetic excuse of a life. maybe they eventually become friends. or maybe the human stabs a wooden stake through the vampire’s heart. who knows
anyway these guys have existed in my head for nearly an hour and they don’t even have names but i am going insane over this holy shit???? RAUHHHH i’ve gotta make picrews dude i gotta draw them. new blorbos. new brainrot. i prommy i’ll still get tllr chapter 13 out today or tomorrow but WOAHH look at these new little guys they’re so silly
47 notes
·
View notes
NEW RULE: SUSPICION OF METAGAMING MAY LEAD TO A TEAM’S WIN BEING FULLY REVOKED. PHILZA, RIGHTFULLY SO, IS WARNING CHATTERS, ESPECIALLY THE ONE(S) THAT METAGAMED ABT A TRADER GREEN GOBLIN HE HAPPENED UPON WHILE MINING. SO, THIS IS NOT A GENTLE REMINDER: DON’T METAGAME. STOP BACKSEAT GAMING. THE CROWFATHER WON’T CARE FOR YOUR TOMFOOLERY.
43 notes
·
View notes