there is something so horrible about destroying churches, or any place of worship. im not even religious. it’s about the fact that people were so devoted, put so much effort into building and decorating and just experiencing this part of their life, that they hold so important. and all that effort is taken away by a fucking bomb
I find religion beautiful, and it’s harrowing to see these things happening in PaIestine and no one cares. suddenly now no one cares about religion or the importance of religious monuments
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This was just a random thought but thinking about the way Zionists act like lineage is always linear (when as Jews they should know its not for a variety of reasons) and therefore they keep making the argument that Palestinians are directly descended from Arab settlers from the peninsula which is such a weird hill to die on. Because if you put aside the fact that there is evidence of Palestinians being descended from peoples existing in the region prior to the conquests who at that time were very diverse themselves!
There is also evidence that Arab settlers did in fact settle in Palestine both prior to and during the conquest, but so did Kurds, so did Turks during the Ottoman era, and so did many other ethnic groups during different periods… after all it was quite a cosmopolitan and religiously important place with many people such as pilgrims and traders passing through… however for the people who chose to make Palestine their home, over time they converged to become culturally and ethnically Arab (of the Palestinian variety) prior to national identity existing, and then later that became Palestinian in name.
But the reason why it’s such a weird hill to die on is that this was not unique to Palestine at all. If you look at Europe, so many countries as we know of them today constituted many ethnic groups within their borders including many languages spoken but simultaneously there was steady migration too, but over time those groups also converged to form a common ethnic, racial or national identity.
And I understand in some cases people were forcefully assimilated and forcefully converted, regardless of where in the world, but the point is why are Palestinians the only ones denied their homeland based on this argument despite it not being a unique case to Palestinian Arabs?
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Our culture posits brute strength as synonymous with strength altogether. This is why feminists are accused of thinking women are inferior when we mention women have significantly less raw strength than men. Think about how Darwin’s “survival of the fittest” is considered about how well an animal can win in a fight, instead of multiple aspects of strength both physical and mental. Brute strength has been considered the only part of physical strength that matters because it is the most immediate and obvious, and because it’s the area men succeed.
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*deep breath in*
the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏
let me explain.
so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.
Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home
Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.
Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.
Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.
Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.
Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.
Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.
And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.
Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.
There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.
Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.
Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.
The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”
Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar
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It’s not Monday but it’s certainly Mayu Monday for me! This is my only artwork for March so I’ll see you all again in April or soon after! (⌒▽⌒ゞ
Pantyhose: I actually went back then forth trying to decide between bare legs and pantyhose but I ultimately decided pantyhose was the way to go. The pantyhose are meant to match the corset except no leather and comfort of course. It has lace details and a leather belt on her left leg. The lace stops around her ankles.
Hair: to stay within steampunk territory, I decided to make her hair fluffy, swirly, and lots of curl heart shapes. I don’t like to use one range of colors so I made the choice to go with my heart and make it extra colorful! (Although Mayu’s hair always proves to be a challenge (∩︵∩)
Makeup: I tried to make her extra girly- sorta 40s makeup vibe. So red lipstick and pink blush. I also tried to make her details more rounded to give a softer appearance :D
Shoes: it was my try of Mary Jane’s inspired shoes so please remember they are NOT accurate. She has small legs warmers over the shoes and tied off with pink bows, a short heel, and golden beads to go around the rim.
Gloves: blacks gloves with the tips of her thumb, middle, and ring fingers revealed, and well as leather and golden beads to go around and lace at the bottoms.
Dress: sheesh I’ll try to explain as well and possible… the dress comes with a color, ruffles, folds, and lots of lace for the underskirt. She has two belts below the sleeves to emphasize the ruffles. The dress also comes with a front tying corset that I took extra care to seem functional. The corset comes with lace, leather, and POCKETS! Because every girly in a dress needs pockets (she was originally gonna have a gun in her beta design shhh). The pockets are attached to the leather part of the corset in the back, and is also joined with golden beads? Buttons? Idk those things. She also has three rows of the golden beads on her skirt!
Hat: Her top hat is decorated in clocks, chains, and gears for a some steampunk effect, as well as a pink bow and pink bunny ears. Around the hat is black lace and under the hat is pink lace for some pop!
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