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#I'm bad at writing but that's ok
runningupthatvecna · 6 months
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this is for all the touch deprived plus size girlies that are very much (still) in love with eddie munson
18+ minors dni
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In fact, Eddie loves you.
He loves your plush hips. The valleys and hills of you, soft expanses of extensive skin for him (and him only) to touch.
He loves your cheeks. Perfect for nuzzling his nose into until his lips make contact with your jaw, inhaling your very scent until his lungs burn.
He loves the roundness of your boobs, especially when your hardened nipples perk up, begging for his touch. The squish.
He loves the roundness of your belly, how soft it always presents itself beneath his head and tickling curls of his, a perfect pillow whenever you let him rest on you. The way it separates into parts, valleys between them, a welcome dip for his fingers.
He loves your soft hair and those big arms that offer the best, sincerest, warmest, hugs Eddie has ever known. They are his absolute favourite.
He loves your thighs, my god does he love them, when they jiggle with every step you take, wherever you go, a constant reminder how good they feel around his head. How good they feel beneath his eager fingertips when he runs them up and down and up again.
He loves how wet you always get between them, how the juices are already dripping from your outer lips, telling him that if there's a patch on your panties, a dead giveaway of the effect his very actions have on you. Through the thickness, it just spreads so easily. He loves placing both his thumbs on each of your lips, he loves how he has to spread them apart, he even loves that he has to spread them apart for him to be able to even see you. See your love for him dripping out of you, see all of you, spread open and vulnerable for him. It makes his heart nearly combust in his ribcage.
And god, does he love devouring you whole, slurping it all into his mouth, sucking and licking and sucking some more, knowing how to drive you mad, your soft whimpers and pretty noises meant for his ears only. He loves the way he can bury the entire lower half of his face in your heat, all while your moans and sweet little whimpers are the only thing he wants to hear. Along with the squelch of his fingers of course, knuckles deep inside your cunt.
What he loves most though is when you stare back into his own darkened eyes half-lidded when he stretches you open, the way your sopping heat embraces his cock so easily, how warm you feel, how tight you are, how you're so goddamn fucking needy for him. The noises you make and the way tears form in your eyes because his dick is so bomb and no one has ever been willingly touching you this way.
He loves how incredibly needed you make him feel, how adamantly you're prioritizing him over other people in your life. No one's ever done that for him. Not in this way. Never.
It's a welcome symbiosis.
Eddie loves caressing every inch of you, making so damn sure you know, are aware of, and feel the way you're making him feel. Working so damn hard you'll eventually see just how fucking hot you are to him. He wants to make you forget about all the days and weeks and months and years of being on your own. Make you forget about the shitty things you've been told about yourself. Even if it means he has to pound you silly every night and every morning after and every minute inbetween. Even if it means he has to write you love notes and letters every goddamn day. Cause he would do that. For you.
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tei-to-tei · 4 months
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December 14 - Spare Time
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | ...
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turtledotjpeg · 2 years
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when ur squad is size small-medium-large
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divorcedfiddleford · 5 months
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it is friday my dudes (little hearts added by @tazmiilly)
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skyeslittlecorner · 1 month
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Can I request a Raphael x angel MC please 🥺
The Gabriel x Michelle and Lucifer x Michael were so good 😭😭
I'm stuck with you and your scenarios now 😠
You're welcome, dear~! I see my total eclipse of the brain bring some good after all. I hope I will be able to fulfill this request. Rafael is on the verge of being a character I dare write for, but let's try.
It was all your fault, that you make Raphael feel so special, then forget about it, and after all, you died. Lowly, pathetic human being. How dare you? Do you think he will forgive you for this? Tsk. Not only stupid, but naive, too. You are lucky that you chose to be reincarnated in heaven. Maybe there's still a chance for your pitiful soul.
And *maybe* you will repent if stop teasing him and start to suck.
Even though you were below him, licking his piercing and letting him tug at your hair, you knew who was boss. Poor, unaware angel. Blessing? Being the chosen one? Good joke. Only few strokes and his tip was already covered with whitish ooze. You raised an eyebrow and snickered.
“And who is the pathetic one?” 
He grabbed your hair harder. 
“Shut... up. Do your work.”
“Truly pathetic…” Your tongue stroked his trembling manhood. “Swayed so easily.”
“Enough!” 
As you opened your lips once more, he thrusted deep inside your mouth. Smiled vindictively as you chocked. He wanted you to lose your breath, to finally be quiet, and obediently end the act of his ascension. As cruelly, as holy. New madness hitted his insides as you murmured with a trickle of saliva ran down your chin.
“Better…” Those full cheeks, clenched throat and murderous intent in your eyes make you both dirty and perfect. Perfect to be used. Clouded with pleasure, he thought that he found his new favorite toy.
All Raphael stans! Let me redirect you to @livelaughlovesubs and her wonderful fics - here you got first and second part. I assume you've already seen it, if not, check it out~ She can write and catch his personality way better than me
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filmnoirsbian · 7 months
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Imagine being a rampant misogynist and then "gifting" your intellectual property to the public domain under the guise of "keeping it out of the hands of bad people" and then being surprised when people (esp women) assume the crime of those "bad people" was an intention to diversify the story 🤔🤨 I want to see the emails.
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celestie0 · 5 days
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when ppl get too caught up in the accuracy of situations in fanfiction or if things are super realistic or as they should/would be in real life etc etc im like. my tumblr user in christ. it's fanfiction.
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transmascaraa · 4 months
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!new year's special!
your bf had a tiring day at work, and you decide to relieve him by...
bf!lyney x gn!reader
author's note: my first time writing smut smh i'm scared. this probably won't be that good or anything cuz it's written by a minor like sorry my parents didn't have me in 1763😓 anyways it's SMUT(it's a bl0wjob and ig a h4ndjob?) so if you're not comfortable with that you can ignore this or whatever. have a good year guys!<3
"archons... you're so good..."
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-lyney had come home from his show, looking very tired
-well, he WAS tired
-i mean, putting on a mask for the whole day and not resting for quite some time can be... tiring.
-"hey, mon amour..." he smiled as he kissed you
-"hello, lyn!" you kissed him back and hugged him
-you realized he was tired so you didn't botther him much by talking, and just let him dress up and rest for a while
-instead of him resting, you saw his head peeking from the bedroom door, calling you
-"mon cœur, can you come here for a second?"
-you didn't take time to respond, and got to the bedroom quickly.
-you got there and...
-you see him unclothed on the edge of the bed, only left in his stockings.
-his signature braid was untied.
-desperation in his eyes.
-his dick was already hard and the tip was leaking a bit.
-"can you relieve me, my dear?" he had a teasing tone in his voice.
-"as you wish, lyney~" you pushed him to the bed, to lay down on his back as you did your work.
-he positioned himself on the middle of the bed to give you easier access.
-"get ready, lyn~" you winked at him as you started kitty licking his tip, licking everything that leaked out.
-he was struggling to keep his composure.
-he was moaning loudly, yes, but soon enough, he was whimpering as well, when you took half of his length into your mouth, and pumped the rest with your hand.
-he wasn't that big, you just liked giving him the special treatment.
-"a-ahnn... mmh.. mon amour..." he was gripping the bedsheets hard with one hand, while the other was on your head, trying to desperately push you lower, but failing due to your hand being there.
-"oh... archons... you're so good... mmhn..." he was spilling out random praises at you, for making him feel so good.
-you took a second to ask him a question.
-"you gonna cum, m'love?"
-"mhm... don't stop..." he was just begging for you to stop teasing him, to give him what he wants already.
-and just like that, you started bopping your head on his dick again, taking him in even more by removing your hand, letting it squish his soft and jelly thighs.
-soon after that, with a loud moan, he came into your mouth.
-you swallowed it, and licked him clean of his work.
-"you did so good, lyney..." you praised him as you kissed him softly.
-"thank you, mon cœur..." lyney gently kissed you back.
-later on, you two cleaned eachother up, dressed up for sleep, and got ready to cuddle.
-"i love you, lyney..." you told him as you hugged him tight.
-"i love you too, my love..." he replied, laying down on your chest.
-you two surely loved eachother, a lot...
~~~~~
HELP THIS ISN'T GOOD I THINK
idk what i even wrote
i kinda like it but i also kinda hate it
nvm dahlia confession is next
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samuelroukin · 4 months
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you can't use "cum" in fanfics?? i do it all the time :o
i mean you can it's not like there are rules, like i said i have done it before and i've also read plenty of fics where it was used and liked them! but i also saw people on here saying that it's bad/better to Not. so now i try to avoid it lol
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chirpsythismorning · 5 months
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This is a continuation in exploring why I think Mike's character regression over the seasons can be explained in part by guilt, which he has yet to confront
Original post
Now we're onto s2, which jumps us ahead in the timeline a bit.
Mike has been calling out to El on the walkie for approx. 252 days now, under what he views as the false hope she might actually be alive. This is mostly based on the fact that Mike thought he saw El outside of his house a few hours after she 'died' (he did see her, bc she was there...) and so a part of him does think there's a chance. And yet this is also isn't something Mike seems to be comfortable talking about the others with.
Which brings us to the crazy together scene. Although this scene has a lot going on, there's one aspect of it in particular that I want to focus on, as it's the driving force for what is going to be discussed, which is that Halloween night was also the last night Mike called El, aka day 353.
I just want to preface what follows, with the fact that I do not personally think Mike giving up calling El, as a concept on its own, means that he couldn't possibly love El romantically or something. It's not even about that idea from an audience perspective. And this is because any average person, in reality, mourning someones' death, should not be calling out to that person for almost a year. Letting go doesn't make you a bad person, whether it was romantic, platonic or even familial. It's called healing and accepting what is and trying to move on and live your life.
Neither does Mike giving up after that night make him heartless or a bad character in my opinion. It literally just makes him human. But that also doesn't mean that's how Mike feels about it, nor does it mean that the manifestation of this guilt isn't going to affect his behavior over the course of the series, causing some very unfortunate choices on Mike's part to then lead to some very unfortunate events for everyone...
Where it starts to get sort of complex is that I think the whole point of the crazy together scene and where it ended up was to for it to showcase how Mike and Will were both willing to accept each other, despite these secrets they've been keeping to themselves.
Will revealed the truth to Mike about how he could still see into the UD, with the addition of seeing this big 'shadow in the sky', followed by asking Mike to not tell the others because they wouldn't understand. Mike then responds by saying El would understand, followed by confiding his own secret to Will that he's been keeping from the others, which is that he thinks he's seen signs that El could still be alive.
The scene then ends with them in agreement that if they're both going crazy, they'll go crazy together, with it arguably being their most incriminatingly romantic moment to date, as it juxtaposes other uncannily similar romantic mentions on the show involving that same word.
But no matter what happens, they're promising to support each other, specifically the weird shit they have going on and could presumably continue to explore that weirdness, without telling anyone else who might judge them for it or misunderstand their feelings entirely...
This is why Mike had no problem with Will going crazy in s2 because as promised, he was going to be right there with him. Also meaning, Mike COULD have had no problem continuing to test out his theory that El was alive, because Will would have supported him.
Obviously, Will sort of had his hands tied in s2 (literally?), but the point still stands. It's not like this was something Mike HAD to give up, because that conversation between him and Will instilled that they would support each other and what makes them feel crazy.
I think the issue though, is that what's causing Mike so much grief daily for almost a year now, is the guilt that came with El's death and him feeling responsible. And so, in contrast to Will's slightly more justified assumptions that what he's seeing could actually be real based on what's happened to him, it's like Mike is asking himself whether he's actually seeing El because she's still alive OR is he just imagining she's still alive because he wants to forgive himself?
A kid deducing that in their head would make them feel pretty awful, don't you think? Maybe even lead them to calling out to that person for almost a year in hopes that they might still be alive?
Meaning Mike choosing that night to walk away, to give up, is likely a result of his conversation with Will making him feel more comfortable with finally letting go of some of that guilt in order to actually start the process of moving on. Because a big part of why he didn't want to move on was because of guilt in the first place.
Also confiding in Will and only Will, not the others, who were hell bent on interpreting all of Mike's feelings for El as romantic, was maybe Mike's way of avoiding the pressure to associate his whole relationship with El as strictly romantic. With Will, maybe Mike knew he wasn't going to spin it into something like that. And he would’ve been right, because Will didn't.
October 30th, Halloween Night (Day 353 - Last call)
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You cannot tell me that day 353 isn't framed as the last call. Like Mike is literally walking away dramatically, leaving El alone, with her now just a tiny dot surrounded by darkness. The way it's framed leaves the viewer genuinely feeling heartbroken because there's some very evident finality to what is being presented. And we even see that El feels it too, hence the episode cutting off dramatically with her tear filled eyes.
And so why did Mike choose THIS moment to give up? Why did he choose now to put his 353 day streak to rest? Like, that was impressive as hell. He could have easily kept that going, but instead he decided that this was going to be the last time he was going to try calling out to her...
November 1st (Day 354)
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El is still pretty bummed that Hopper came home late last night, but I'm guessing she's even more bummed still processing what might have very well been Mike finally giving up that night too.
Although I don't think El would blame Mike for giving up, still, she too throughout all of this had been building up hope herself. El's been clinging onto the bond she made with Mike, specifically the romantic moments, to the point where she has been watching shows with romantic themes, putting herself in the position of the love interest.
So him not giving up, to El, has been a signal that what they are feeling between each other is very deep and... romantic. Him keeping this going this long is a sign to her that these feelings are pretty much guaranteed. And if he doesn't continue, that hope would obviously dwindle.
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At breakfast that morning, Hopper acknowledges the TV cord peaking out of El's room, which is the device she uses to visit Mike from the void, all the way from the cabin. Without it, she is not able to 'communicate' with him, let alone see if he actually didn't give up after that night she feared he did...
Unfortunately her and Hopper have an argument after this, leading to her storming off to her room. And after Hopper is gone, El finds herself being so impatient to see Mike after almost a year of waiting, that she decides to take fate into her own hands. She isn't willing to wait until the evening, which is roughly speaking the usual time Mike uses the walkie to call her every night. She needs to see him now.
And lucky(?) for her, she does!
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Finally! A SIGN! After almost a year of no signs that El is alive, since the night she went missing, Mike is getting a sign El is alive!
And he runs after it! He goes to check to confirm his (valid) suspicions, only for her to not be there, with Mike looking disappointed, but also kind of like he's accepted it's a lost cause at this point.
Mike's hope that El is alive and okay and the relief that would come with finally letting go of this massive weight of guilt, is not within reach. He just needs to accept it and let it go. He needs to forgive himself and move on.
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On top of all of this, Will is experiencing his own version of crazy. And Mike seems more concerned with focusing on this and supporting Will, than holding onto this hope that El is alive.
So even though Mike just got a sign that El is alive (which parallels to the initial evidence of her being alive outside his house, what literally initiated him to call out to her for almost a year), he doesn't revert back to his approach of not giving up. He sticks by his decision.
The irony of what happens with El the same night that Mike doesn't call, for the first time, is not lost on me...
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Tragically, El doesn't know Mike actually gave up (just like she feared he did) because she lost her ability to communicate with him that night.
I wonder how differently things would have played out if she new the truth. Would she have held onto this really romanticized idea of her and Mike's relationship because he never gave up? Or would she have maybe reassured Mike that it was okay that he gave up and moved past it and still hoped and tried to make it work? Honestly, I think the later.
Because again, it's not Mike giving up that makes him a bad person or something that refutes his ability to love her romantically, it just means that it's not true that he never gave up.
And Mike being the only person to know this fact... Um... Cannot be good for him.
October 2nd (Day 355)
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As El is trying to revive a modicum of hope that she can see Mike again through the void, to confirm her hopes that he didn't give up, by using the TV like she usually does, she discovers that the cord is broken. It's a lost cause.
On the other side of town, Mike is entirely focused on Will. The previous night, he did not reach out to El. He gave up. And El is none the wiser.
The writers made the choice to have one more night that Mike could have called El because he was at home that night on day 354, a day that actually involved an incident that you'd think would have reignited his hope that she was alive, before he inevitably jumped head first into focusing on Will, with him not being home for the rest of the season. They could have shown us Mike calling out to El from the other side of town, and then cut to her in her room not knowing... And yet, they didn't...
This is where I jump to the end, because the focus primarily when it comes to El and Mike's arcs for the rest of the season are with El trying to find her mom and discover more about herself, while Mike is trying to be there for Will in any way he can.
The sad part is that despite Mike giving up and trying to move on from El's death, that guilt is never really going to go away. He gave El expectations that she had to risk her life to find Will, and all of that built up and inadvertently led to her death.
But maybe Mike can right the wrongs he had El endure by following through on his focus of not letting Will die too? Maybe if Mike can save Will, El wouldn't have died for nothing?
But with this guilt and Mike trying to overcorrect it all, he's also experiencing very real and emotional moments with Will. Will is his best friend, and just a year ago Mike risked everything to get him back. A lot of those moments he experienced with El in s1, moments mixed with romantic expectations, are now also lingering here with him and his friend in s2. Except these aren't forced expectations. Everything Mike’s feeling and doing the entire time comes naturally to him, with none of it requiring pushing or advice from those around him. It's just pure instinct.
In the end, Mike's beside Joyce and Jonathan, who are sharing memories they have with Will to him in hopes it will prove to them he's still in there and able to be saved.
This emotional sequence builds up to Mike using his own memory of Will to try to reach him, one that comes off as platonic in every sense of the word, but visually, and when looked at in the grand scheme of things, especially with what is about to follow and those romantic expectations with El soon being thrust back on him... Well... Shit is about to get real messy.
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Upon reuniting with El, Mike was quick to want to tell her that he never gave up, only for her to interrupt him with the exact number of days he called (before he gave up).
This is news to Mike for an abundance of reasons. It means he's not crazy and that El actually was alive those two times he saw her. All this (survivors) guilt that's been building up over the last year could have been avoided if he'd known that she didn't die, that she was okay.
It also means that for some reason, El heard him, and yet she doesn't know that he gave up...
And here Hopper is, revealing that he's been hiding her the whole time aka the perfect person for Mike to take all of this pent-up emotion out on.
Hopper then tells Mike that they will discuss this privately, which I find to be very interesting because it offers a chance for the viewer to see just a glimpse into Mike's emotional state at this moment, without everyone around to affect his ability to truly open up about how he's feeling. And not alone just anywhere in the house, but in Will's room...
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Mike is understandably upset because El is alive and Hopper knew this whole time and didn't tell him.
While Hopper didn't technically lie to Mike, at least not in canon because we never got an outright scene on-screen of Mike asking Hopper if El was alive with him denying it (all while knowing she was), it's at the very least a lie of omission...
But the thing is, if Hopper not clueing Mike in on El being alive qualifies as a lie of omission (off-screen), so does Mike not telling El he gave up (on-screen).
If anything Mike's lie of omission also qualifies as a plain old lie, because he outright told El he didn't give up (lied) and didn't correct her when she informed him she knew he didn't. She fully believed it, despite him knowing deep down that it wasn't the full truth.
So while Mike is taking all of his anger out on Hopper as this fighting match comes to a head, it takes a turn.
Hopper is fine with Mike blaming him, he says it's 'okay'. But it's not. Nothing about this is okay to Mike, seeing as this isn't even the whole problem. It's not the problem Mike's actually hiding within his outburst in the first place.
Suddenly Mike starts screaming to Hopper that he's a 'disgusting, lying, piece of shit', chanting LIAR over and over and over again, shoving him repeatedly, only for him to fall into Hopper's arms and start crying, with Hopper reassuring him that he's okay.
Something tells me Mike's emotions here aren't all about Hopper...
Something tells me that Mike's fixation with the word liar doesn't apply to Hopper here as much as it applies to Mike himself (in his eyes)...
The main reason why I think this is what's actually going on here, is because there was no reason to put so much emphasize on this concept of Mike literally walking away that last time he called her.
Why go through the trouble of creating this misunderstanding, by having the TV not work, with El not being able to go into the void to see Mike, THE very night he gave up, if to not plant the seed that this misunderstanding was going to bear some significance? That this misunderstanding (lie? lie of omission?) was going to lead to El assuming Mike didn't give up, all while Mike knows he gave up, but going along with the story that he didn't, for both El's sake and his own?
BECAUSE it's a surprise tool that will help us later!
I also think it's interesting that they decided to have Will go off and dance with a girl at the snowball BEFORE Mike decided to devote himself to El here on out. Like... that is quite the choice after a season of highlighting this bond between Will and Mike where they promise to go crazy together, which is a moment we know Will took romantically.... So, is it possible Mike also took it romantically? We know Will also took Mike's speech to him in the shed romantically, so is it possible Mike did too, with that experience only heightening his emotions and confusion over his feelings for El when he found out she was alive shortly after, leading to his outburst? But then Will is going and dancing with the girl, and here we have Mike's own version of falling behind (the Time After Time lyrics were more literal than you think).
What if they didn't do all of that? Would things have maybe panned out slightly differently if Mike wasn't under the (incorrect) assumption that Will didn't take those moments romantically?
While Mike's guilt might have started in s1, when he played the biggest role in pushing expectations onto El to help them find Will, only for her to 'die', it doesn't end there. Mike's guilt only builds when he holds the knowledge that he did give up hoping she could be alive, all while allowing El to believe the opposite based on what she saw, which was a guiding force for not only her love and dedication to him flourishing, but also for him to then shift his own version of expectations onto himself going forward to make it up to El by trying to be who she wants him to be.
We see how romanticized 353 days is interpreted exclusively as meaning Mike has to be in love with El. But he did give up. So what does that mean for all of this? For their picture perfect love story?
What does it mean for Mike to hold onto this truth, a truth that makes him feel immense guilt, only for him to spend the next year or so making it up to her...?
It means either Mike has to come clean, or he has to deflect and double down.
What option do you think a guilt-ridden, repressed homosexual kid in the 80's is going to choose?
Answer? Deflect and double down.
In s3, Mike is so focused on worrying about El (giving her what he thinks she wants) so he can right all the building up of wrongs he has done at her expense since he met her, and as a result loses Will in the process (where have we heard this before...?)
Instead of Mike having a moment in s3 where he acknowledges that he himself was the first to ever refer to El as a weapon in the first place, to try to save Will in s1, he's now turning around and blaming the others for using El as a weapon 'for no reason'...
No reason? Really Mike? Is it for no reason, or is it just not a good enough reason to you this time?
Or maybe has Mike just actually spent enough time with El now to truly feel a bond with her in order to see her as a full person, slightly outside of this imaginary superhero he's cooked her up to be when he met her that day in the woods, the day his life started because she was his first and only hope of finding Will? (I say slightly bc... I mean we all saw what happened in s4?)
I honestly think it's a mix of both...
I also think it's not a coincidence that Mike doubling down instead of facing the truth about this manifestation of guilt only makes things worse for him. And El. And Will.
Because suddenly he's choosing this moment to blurt out that he loves and can't lose her again, in front of everyone, even to his own dismay and shock. And when El walks in and gives him a chance to say it to her himself, like any person whose in love with someone would want to do, to make them feel loved, he looks terrified.
And when the season ends and Mike is given another chance to say it finally, to El directly, in roughly the exact same spot he had his emotional outburst in the previous season over finding out she was alive at the same time he was still grappling with losing Will again, IN WILL'S ROOM, he freezes. He just lets what happens, happen.
Because after everything, with El right now in front of him, telling him she loves him while being fully convinced he loves her too after everything they've went through, how could he possibly take it back, or try to make her understand his complicated feelings about all of this?
Answer? He can't.
As hard as it is to believe (not that hard honestly based on his track record), Mike's deflection and stalling era is just beginning...
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dickiebirdie37 · 1 year
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Polin Week: Day Three
Time Travel AU
Colin wished he knew why he keeps jumping from time line to time line or why every time he thinks he found his time line, he jumps to different time and a different version of him. The only constant is Penelope.
Penelope is always there. She was there when he almost married her cousin and broke her heart during the regency era. She was there enjoying her vacation when he was a travel blogger. She was there when they were both actors who worked together for a project but kinda hated each other. She was also there when he was a spy (but not 007) trying to sabotage his mission while trying to seduce him and insisting on being called Lady Whisteldown. She was there when they pretend to date each other so their families would stop setting them up with other people.
But every time Colin realizes that he loves her - that he loves PENELOPE - he travels through time and time line again only to meet and lose Penelope again and again and again.
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funkytoes · 4 days
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"is this movie featuring female empowerment roles ACTUALLY bad or are men just sexist" - me whenever a movie with unconventional and/or very powerful female leads gets super bad reviews from male movie critics and youtubers lol
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fictionadventurer · 15 days
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NaPoWriMo #12
I glanced at a few how-to-write-poetry books and got a bit frustrated by their assumptions that poetry needs to be this deep and laborious artistic endeavor.
*
Song of an Amateur
I am a simple poetess I take my pen in hand While others long for lasting fame My dreams aren't near so grand
All I want's a little ink A peaceful touch of time To gather up my humble thoughts And scribble out a rhyme
While others labor to create Immortal artistry I play with words as children play With sand beside the sea
Delighting in their shapes and forms In meter’s playful joys I let the words fall to create New literary toys
Capturing a simple sight A pithy turn of phrase To give my friends a bit of joy To brighten up their days
It’s not for me to take a place ‘mong lit’rature’s elite I’d rather gaze up at their heights And play beside their feet
So tell me not to labor long O'er words meant to impress I’d rather live quite happy as A simple poetess
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pardi-real · 4 months
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I really love these kinda "If characters from __ series went to karaoke" videos
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But especially Akuneko since the cast are mostly rising stars (except the Villa butlers' cracked VAs). Man, that Lamli & Ammon's song is super good like wth
Songs on the list:
6️⃣ Totemo sutekina rokugatsu deshita - Haruki Ishiya (Bastien) Source: song by Eight ft. Hatsune Miku
💊 Overdose - Kazuki Ura (Nac) Source: song by natori
♥️ Gimme Your Love - Shogo Sakata (Fennesz) Source: Remote ☆ Host
🏖️ Natsu no dilemma - Eguchi Takuya (Hanamaru) Source: A3!
🌸 Hanabira mau yoru ni - Yuuki Inoue (Lamli), Tomohito Takatsuka (Ammon), + Shuta Morishima Source: STATION IDOL LATCH!
🥞 Tameiki Kafeteria - Atsushi Tamaru (Berrien) Source: Glico x Tsukipro
🎻 Kanade - Yoshitaka Yamaya (Lato) Source: Ishuukan friends/one week friends anime
💫 Hoshi to eien - Tomohito Takatsuka (Ammon) Source: original song
♨️ Crimson Soul - Shinichiro Kamio (Boschi) Source: Ensemble Stars!
🕺RANCHiKi - Hinata Tadokoro (Miyaji) + Shun Horie, Toshiyuki Toyonaga Source: Fabulous Night
☂️ Hikari tatsu ame - Soma Saito (Yuhan) Source: original song
🌌 Kaji shou sou chronicle - Kazuki Furuta (Flure) + Takao Mitsutomi, Shuta Morishima Source: Dance and Music for KAMI (kamigami keshin)
🚶Daimei no nai kyou - Taito Ban (Haures) Source: song by HIRAIDAI
🍾 Party o tomenaide - Ryuichi Kijima (Lucas) Source: Hypnosis Mic
🧑‍🎤 Still… - Ryota Suzuki (Lono) Source: CARNELIAN BLOOD
🧑‍💼 Romeo - Nobunaga Shimazaki (Teddy) + Koki Uchiyama Source: HoneyWorks
That kamigami keshin, featuring teniwoha, R sound design, etc?? Illust by Akiakane??? That's so cool man. I feel so disoriented with so many music multi media projects I've never heard before in this list :| (Remote ☆ Host, STATION IDOL LATCH!, Fabulous Night, CARNELIAN BLOOD, kamigami keshin)
Btw let me know if you find any mistakes here thanks.
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osameowdazai · 5 months
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hey I dying to know more about rimlaine I think ur the best person to come to for it wanna rant abt stuff for a while and or lemme know some hcs ! :3
Waking up to this ask was like getting a present first thing. It did take me all day to write this though cause I'm slow
Gosh ok so reading Stormbringer for the first time (it's the first bsd light novel I read cause Chuuya is my favorite character) and going through this book and seeing the journal entries Rimbaud wrote. Reading that they EXCHANGED NAMES? Verlaine being like 'I didn't like him though' like excuse me??? And. just Rimbaud saving his life at the end? Becoming his literal heartbeat,,,,, Verlaine realizing too late how he felt,,,,
They kill me
Anyway, headcanons for you:
They're both also lonely people, but not in the same way which is where they end up misunderstanding one another
Rimbaud is much more romantic of the two.
Verlaine gets flustered with affection, but always, always Tries to play it cool.
While Rimbaud may have been the one to teach Verlaine how to dance, he likes when Verlaine leads (who doesn't like to be spun and dipped come on)
They're both probably touch starved
I can't help but associate them with vintage radios (thanks cou)
Rimbaud can probably play some sort of instrument but doesn't very often. Maybe the piano.
Since the piano is just sitting around, Verlaine ended up learning how to play it and sometimes plays for Rimbaud (or rather, he just happens to play it when Rimbaud is around, it's not actually for him despite playing songs he knows he likes. Whatever you say, you silly man.)
I like the idea of Verlaine wearing reading glasses.
In the beginning, Rimbaud would give Verlaine books that he'd annotated so now they both annotate books and trade them back and forth
Verlaine will read his favorite books over and over until they're falling apart
They steal books from places while working jobs, especially Verlaine. Does that target have an interesting-looking book? His now tyvm
They spend so much time together that they pick up one another little habits and Verlaine hates it when he realizes he's done this.
They're both very observant people and I refuse to believe they aren't fully aware of everything their neighbors are up to all of the time
They're probably gossipy with one another about it, too
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I am once again daydreaming of making my own social media platform and how to make it not give a hoot about American laws (no relation to American soil, I'm European anyway) and be structurally resistant to enshitification through independence and community ownership unfortunately I am one inexperienced programmer with not much spare change to throw at such a gamble so I'm only daydreaming
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