Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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A Brothers Reunion
The small summoning circle lit up, casting a soft green glow, as two eyes watched it with weary hope.
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Two demons argued violently about a soul, and Danny sighed from his spot on the throne that fully claimed him a month ago. While he still found it hilarious how thoroughly this guy managed to swindle so many of the high ranking demons, it had started to cross into annoying territory. Danny was seriously considering making a whole office dedicated specifically to hold all the paperwork one ‘John Constantine’ was seemingly generating with his very presence. Suddenly, Danny felt a soft tug on his core, much gentler then the summoning rituals of all those crazy cultists that keep popping out of nowhere used. More like the circles he gave to Sam Tucker or Jazz. But he could feel the summoner’s emotions, and the poor guy on the other end felt like he was about to cry.
Danny mentally went through everyone he’s given his personal line to. Then, he shot up and called for Fright Knight to send the demons away while Danny quickly allowed himself to be pulled through the summoning circle to where his brother waited anxiously.
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The circle flared, and a large eldrich like figure quickly crawled through. Then, a very familiar voice muttered
“Man I wish these things weren’t so dramatic. I already scared the shit out of the justice league because of it” as the being’s form shifted to the more familiar form he took when seeing Damian for the first time in a decade. His white hair looked a little longer now, and his eyes a less toxic green.
“Danyal” Damian said stiffly. Danny looked up, making eye contact with Damian before responding
“Damian” in response Damian lunged, pressing a blade to Danny’s neck before asking a question only Danny could answer.
“What’s the last story you told me?” Danny simply smiled nostalgically,
“There’s the Damian I know. I told you about Canis Minor 16 days before I died the first time.” Damian heasitated before putting away his weapon and paused before he quickly started to hug Danny, who returned the hug.
“… first time?” Damian asked, still in Danny’s arms.
“Mother didn’t tell you what happened to me after, did she?” Danny asked into his twins hair. Damian didn’t even bother to say anything and just turned his head to look at Danny balefully, before Danny sighed and said
“Of course she didn’t. I was dunked into the Lazarus pits, before mother dropped me off in the middle of nowhere America, where she forbade me from ever talking about my old life or ever attempting to contact you.” Damian paused to process this, before saying
“And the second time?” Danny sighed at that, his face set into a grimace. Damian started to move, bringing Danyal over to his bed, where Danny realized Damian had summoned Danny in his room. Damian sat them both onto his bed, and curled further into Danny’s arms, while gesturing to continue.
“I was adopted by a couple who claimed to be ‘ectobiologists’ who already had an older daughter named Jazz. She’s my sister.” Damian nodded solemnly at that, mentally adding ‘Jazz’ to his list of siblings. Danny pulled out his brick of a phone and started showing Damian pictures of his adoptive parents, his sister and everything else as he spoke about it. “They’d been working on a project in their lab since before they adopted me, longer then they’re had Jazz even. When I was fourteen, they finally tried to turn it on. It failed. It was a portal to what they called ‘The Ghost Zone’, but that realm is much more. The Infinite Realms are the glue that holds all universes together, and its a kind of afterlife. They didn’t know half of that, only that some souls of humans who died stay there, and even then, they thought that these ghosts were only a husk of their former selves, and couldn’t feel pain.” Damian started to connect the dots at that and asked
“You’re one of these ghosts?” It was almost a statement, but Damian wasn’t going to make many assumptions. Danny nodded before continuing
“I had two friends who convinced me to show them the failed portal. I walked inside of the portal we assumed was completely defunct, and I tripped over one of the many wires on the floor. When I tried to stabilize myself, I hit the on button.” Damian’s eyes widened, and he froze while Danny paused. After a moment, Danny continued, saying “My adoptive parents had connected the portal to the towns power grid, and the portal opened up on top of me. Electricity and ectoplasm, what ghosts and the Infinite Realms are made of, clashed inside my body, killing me and reviving me repeatedly until the portal finally spit me back out. I only half died that day.” Danny put his phone away and focused on playing with Damian’s hair. Damian reveled in his brothers affectionate touch like when they were small.
“Half?” Damian asks after a minute or two.
“Half. I technically have several ghost forms, and I have a human form” Damian looked up from Danyal’s arms, his eyes asking the obvious question he was a little afraid to ask, though he’d never admit it. Danny smiled at the unasked question, and rings of light formed around him, before dissipating and revealing a very much alive eighteen year old Danyal Nightingale. He grabbed one of Damian’s hands and pressed it against his neck, allowing Damian to revel in feeling his former dead brother’s pulse. Damian tested Danny’s wrist, and put his ear against Danny’s now warm chest.
Damian will deny the appearance of tears to his death, but Danny didn’t say anything, he just held Damian closer. After a while Danyal started to talk about the stars. Filling the silence with quiet but passionate rambling about stars and space. It was familiar. It was safe and warm and then Richard ruined the moment by slamming open Damian’s door yelling about a ‘Family Game Night’ and got a knife for his troubles. Of course he dodged with practiced ease, but then he realized Damian wasn’t alone in his room. Time seemed to freeze at the stand off. Dick had frozen, as the joy on his face seemed to leach away at the realization that there was an intruder.
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