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#NOBODY MISSES U
tagerrkix · 5 months
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inkskinned · 11 months
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one of the things about being an educator is that you hear what parents want their kids to be able to do a lot. they want their kid to be an astronaut or a ballerina or a politician. they want them to get off that damn phone. be better about socializing. stop spending so much time indoors. learn to control their own temper. to just "fucking listen", which means to be obedient.
one of the things i learned in my pedagogy classes is that it's almost always easier to roleplay how you want someone to act. it's almost always easier to explain why a rule exists, rather than simply setting the rule and demanding adherence.
i want my kids to be kind. i want them to ask me what book they should read next, and i want to read that book with them so we can discuss it. i want my kid to be able to tell me hey that hurt my feelings without worrying i'll punish them. i want my kid to be proud of small things and come running up to me to tell me about them. i want them to say "nah, i get why this rule exists, but i get to hate it" and know that i don't need them to be grateful-for-the-roof-overhead while washing the dishes. i want them to teach me things. i want them to say - this isn't safe. i'm calling my mom and getting out of this. i want them to hear me apologize when i do fuck up; and i want them to want to come home.
the other day a parent was telling me she didn't understand why her kid "just got so angry." this woman had flown off the handle at me.
my dad - traditional catholic that he is - resents my sentiment of "gentle parenting". he says they'll grow up spoiled, horrible, pretentious. granola, he spits.
i am going to be kind to them. i am going to set the example, i think. and whatever they choose become in the meantime - i'm going to love them for it.
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ar-mage-ddon · 4 months
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wanted to do an outfit deconstruction of the default style for fun which i guess doubles as a ref sheet
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dovahkiining · 1 year
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gay rep be like “kyaaaaaah!!! i like a boy but… im a boy >////<?!?!” meanwhile queerbait will be "It's fine. You're fine, dude. You made it out. You did what I never could." "It's... I'm here now, Rand. I'm here now."
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colgatebluemintygel · 4 months
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WE ARE SOO BACK
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stevenssticks · 8 months
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i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i miss you i
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yesloulou · 1 year
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Daniel arriving at Albert Park on Thursday during the 2023 Australian Grand Prix (via spyIotty and thank you @danthropologie's anon xx)
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holypowell · 1 year
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cabinetduo · 2 months
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underrated cabinetduo era was them during new L'manburg, not that anyone was unaware of their dynamic at the time but good lord were so many people annoying abt it
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steffigraf · 2 months
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(twitter. com/TheTennisLetter/status/1759934174138679644) juanki straight out saying it's sincaraz against the world now oh welcome back you legend how you were missed ❤ time to manifest their first grandslam finale at once king 💪
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i have no words. juanki’s coaching strategy is literally just telling carlos that “jannik is going to do it and we have to do it” and it fucking works
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overleftdown · 3 months
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saltburn and lo real maravilloso
bare with me.
lo real maravilloso, in its direct translation, means "the marvelous real." in english language, this is more commonly said as "magical reality." magical reality is (arguably) a genre of fiction.
lo real maravilloso is a genre which defies definition. it is the inexplicable, the absurd, the ironic, the whimsical, the manifestation of dream and abstraction. lo real maravilloso is also the mundane. if this is confusing, that's entirely understandable. let me quote alberto rios; "first things first. nothing so important and nothing at all unimportant." this is the essence of magical realism. the absurd and unbelievable in a constant dance with the mundane, creating nothing so important and nothing at all unimportant.
to quote un señor muy viejo con unas alas enormes (a very old man with enormous wings) by gabriel garcía márquez, "his huge buzzard wings, dirty and half-plucked, were forever entangled in the mud. they looked at him so long and so closely that pelayo and elisenda very soon overcame their surprise and in the end found him familiar." in the story about un señor muy viejo con unas alas enormes, the absurd and unbelievable (a winged man crashing to the earth) becomes the mundane (the winged man is flightless, and those that found him are quickly annoyed by his pathetic presence). a winged man becomes nothing so important, and the drag of every-day life is nothing at all unimportant.
now, saltburn. i'm fascinated by emerald fennell's choice of using the aristocratic english as her metaphor for the untouchable. in a lot of ways, i'm grateful this is what she chose. while the ultimate inspiration for saltburn was less the materialistic class commentary that it came to be, the aristocracy becomes so many things throughout the movie. what i wanted to talk about is how the aristocracy, the cattons, are lo real maravilloso. the essay i quoted before by alberto rios is spectacular, because it delves into not just the ironic nature of magical realism, but the rhetoric, as well; what it means to think we understand something, how language deludes us into believing we know something, how our own reality is mistaken for reality itself. saltburn and the cattons live in their own reality, which to the outsider, is absurdity. when watching the film, what we find ourselves thinking throughout it is essential to understanding the rhetoric of the movie.
when we see the grandeur and wealth and think how impractical, how unreal, how hilarious. the humor that saltburn taps into is near-identical to the core of magical realistic irony. "to use classical terminology, tone so often derives from the delivery of the narrative as litotes—understatement—in the middle of hyperbole-- overstatement. If it is not humor, then it comes off as flatness of treatment, non-reactivity, deadpan almost, which is the great comedian’s trick..." (rios). think back to the casualty of the cattons' absurdity. the sincerity in which elspeth delivers the most appalling, unreal anecdotes and additions. magical realism places culture, sincerity, normativity uncomfortably close to what we could hardly fathom. a winged man falling from the sky, kept in the chicken coup because it is quickly understood that he is hideous. finding your winged son dead in the middle of an elaborate maze, sprawled out beneath a minotaur statue, and the knowledge that lunch is about to begin.
the longer we experience the world emerald has created, the more we understand the reality in which the cattons live, the more we find it familiar. the absurdity is forgotten, until it's once again realized, until it's once again forgotten. this is the act of interacting realities; ours, and then another, and then back to ours. what's so fun about exploring wealth is this clashing of reality. believing that it's so absurd to be so rich, then succumbing to the normativity of richness, then once again finding yourself laughing at the idea of it. "what do you mean it's almost lunch? how could you say that? your son is dead. and beyond that, he's dead in the middle of a maze. he's dead in the middle of your estate maze, with your estate statues and your 179 bedrooms, one of them being the king's." and when lunch begins, we're dragged back into foreign reality. we feel the grief that pollutes the air, pulls at each of the cattons. we understand that our reality is not reality, nor is their reality. we're submerged in the tone of the film, the tone of the writing. a well-written character is a character who has their own reality; not that they're right or wrong, but that they are.
there is also the clashing of culture. the aristocracy is more familiar to the english. the emotional repression visualized throughout the movie is more familiar to the english. the culture of british boarding school is more familiar to the english. the longer we experience, the longer we stare at the unreasonable, the more familiar it becomes. our reality is not reality. we stand amidst billions of others, who have millions of preconceived notions, derived from millions of alternate cultures, experienced through thousands of languages, interacting with another billion people. what this all boils down to is how little we understand.
how does oliver interact with this foreign reality? how does farleigh? how are felix and venetia interacting with each other, as well as this life that so little experience? how do we understand it? how do we react to it? how do we react to the sex throughout the movie, which exist in its own absurdly real world? at what point in watching saltburn did you forget how stupid it was? at what point did you forget that having a maze in your backyard is ridiculous? having gargoyles? having footmen? having 200-person parties in your own house? at what point did you lose yourself in this foreign reality, and when did you remember that it's all ridiculous? have you remembered? have you realized that the sex was absurd? have you realized that felix catton is absurd? have you realized that oliver is blind to the absurdity as well? hm. hmmm.
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introspectivememories · 3 months
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i keep getting supersons content on my feed and like idk how many more times i have to tell tumblr i do not care about aged down jon kent
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mrsmiroir · 3 months
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i have neglected my actual character in favor of drawing his parents all the time and giving them elaborate and tragic lore.
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ajaxpilled · 6 months
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the fact that wriothesley is UK coded but they make him use mate as a term of endearment/address instead of love is evil. it was right there. the chance was right there
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ghostbite0 · 2 years
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idk if you take requests, but could you draw like strange and america hugging? one bc i need it for a fanfic cover and two im just really depressed
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STRANGE & AMERICA HUGGING??????? ANYTHING FOR U ANON I LOVE THIS
(ur welcome to use my art for whatever, just make sure you credit me!)
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