Genshin, when they introduced Dottore did not intent to make him so hot. Right??? He has literally experimented on kid- COLLEI WHY IS HE SO-
I am not a simp… I run an account FOR simps. It’s different.
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Dottore / The Doctor SAGAU headcannons
“The God Y/N? While I have no proof she even exists nor do I belive in her, people all over Tevyat insists she exists. I have however heard rumors of her arrival to Tevyat.”
Dottore doesn’t believe you even exist. He isn’t a playable character nor is he on screen much, he doesn’t have much contact with you so he isn’t that big of a believer.
When he is near the traveler before your arrival he doesn’t believe he feels calmer and more relaxed because of you. He assumes it’s because the traveler is a calming person.
When you ascend to Teyvet however, he is just inching to meet you! Once, of course, he has proof your real.
I hope you knew his intentions are so far from pure. Dottore wants to basically dissect you.
I’d avoid him, but if you don’t… uh good luck?
He’s basically trying to get everything out of you. Wether your open with him or cryptic it doesn’t really matter.
When he does inevitability try and hurt Experiment on you- Yeah, Tevyat as a whole won’t like that.
Your Tevyats god after all! Safe to say Tevyat had the worst weather, trees falling, plants dying storms raging, sun so hot snow melts in Dragonspine, yet weather so cold it snows in Sumerus Deserts…
Dottore would find this interesting! But also annoying, now every time he attempts to go near you lights would go off and it would be as if a storm was in his lab.
So much of his work ruined in the rain.
Eventually, your effect would effect him as well. Sadly, he was a very persistent man who wouldn’t lose sight of his original objective.
“You Are the subject, question and the answer.” he once mused with a smile on his face. “You become more immortal as the days pass…” he sighed out, his smile fading. Mixing something slowly and pouring it into a solution… putting it in a syringe he walked slowly towards you. “Sadly, I can’t have that just yet.”
I believe he’s keep the fact he has you very hidden. You have followers everywhere- looking for you everywhere!
Most of the Harbingers are your followers as well… every archon worships you.
Even after he gets his answers (or just stops but that’s unlikely) he’ll keep you to himself.
So basically you have to run away from Dottore.
“Y/N? Oh we are already acquaintances. I was hoping to catch up with her actually, Any idea of her whereabouts?”
If you know where some of the lines come from… please seek help immediately! And get off that side of YouTube <3 you are loved.
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Expanding a thought from a conversation this morning:
In general, I think "Is X out-of-character?" is not a terribly useful question for a writer. It shuts down possibility, and interesting directions you could take a character.
A better question, I believe, is "What would it take for Character to do X?" What extremity would she find herself in, where X starts to look like a good idea? What loyalties or fears leave him with X as his only option? THAT'S where a potentially interesting story lies.
In practice, I find that you can often justify much more from a character than you initially dreamed you could: some of my best stories come from "What might drive Character to do [thing he would never do]?" As long as you make it clear to the reader what the hell pushed your character to this point, you've got the seed of a compelling story on your hands.
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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