updated radical feminist library
the radical feminist library, by aggrolesbo/ladielabrys, is great. but it has a lot of repeated and illegible files, and without the proper authors so it gets difficult to search for things. I cleaned it put and then added a lot more books recommended across the internet. Plus very good releases by suny press and routledge.
i separated the trans folder from the rest of the library so you can send it to people who would otherwise be turned off.
If you have any recommendations i would be glad to add it!
spread it far and wide please
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aventurine topaz and ratio would actually be amazing together they would have such an interesting dynamic
3 people who all kind of hate each other but not enough to like actually hate each other and are forced to interact because they all work for the same company
best friends and enemies at the same time
heavily reading into all of this with a strong fanon bias but who cares canon was never real anyway
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i also don’t want to portray myself as faultless. my work isn’t ai and it isn’t copied. but nk will say i Had old pieces that were copied and referenced ai. Yet it isn’t good faith when i apologize, state how i took accountability, and explain thats definitely not the case today because i learned my lessons- to respond with well you made these mistakes in the past so how can i believe you, you are lying, and have not changed.
so i quit. how can i prove myself then besides what i mentioned in the last post. my question is will you even ALLOW me to prove myself. each time i must explain, i place a spotlight on something that was resolved agreeably with the artists, resolved by removing the works, and resolved within myself by learning from it. but by not saying something i also allow You to concoct narratives and have to watch people spread them around and come to me demanding apologies. it is a very uncomfortable very distressing process that has worn me down completely.
never mind that other artists who have copied have not nearly been requested to apologize as much as i have been. never mind that they were forgiven when they removed the works or even when they just say sorry and don’t remove the work at all. But you still choose to hound me afterwards for doing just that?
nk has stated that i have not fixed this. and that i must address it. how many times though? for how long also? who on this planet starts the conversation by recounting all their mistakes, especially when they know they are resolved.
i have had to learn my lessons through cruelty like yours. trust me its a trauma i have to bear and they are not lessons you then forget.
my anger and my feelings of defeat come from the fact that even after nk was still talking like i had not even attempted to make progress. just look at your tone here.
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I just finished Tulin's storyline and excuse me while I bawl about this game further cementing the fact that Revali made himself a Champion. He was no descendant of an ancient Sage nor did he have a loving family to train him (that we know of). There was no power destined to be his: he crafted his own version of wind control without any support or spiritual guidance and excelled at it and then he and the other Champions went into battle without the special helms, without a sacred tear/charm to further enhance his abilities, without the certainty of two rulers (and a sage from the future) with god-like powers that could back them up if things went awry. Because of this, the original Sages survived where the Champions did not.
Revali was doomed from the start and if he'd known he would've still honed his craft and piloted Medoh with his beak held high and I am in shambles about it
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The thing about Prowl is I don't really think canon was ever trying to frame him as a "necessary evil" or anything along the lines of "he's a shitty person but his work was necessary" like mmm.... That feels very much like something Prowl wants to believe about himself, not something that's actually factually true in reality.
I can't really make a good argument about it because I only remember like a handful of standout Prowl Moments in IDW1 but like... Prowl dropping a bomb on a neutral city and blaming it on the Decepticons is not "a necessary evil," that's a war crime. Prowl trying to destroy the space bridge to Caminus to keep Starscream from getting power over it, dooming the entire planet and its inhabitants to extinction by starvation, is not "a necessary evil," it's a fucking war crime. I feel like trying to frame such drastic measures as him "doing the dirty work of the Autobots" feels way too much like an excuse for actions that actually aren't justifiable. Especially since Prowl himself is far from being the 100% rational guy he thinks he is, considering how often he bases his decisions on things like his anti-Decepticon bias and his general refusal to follow any orders that contradict what he thinks is The Right Thing To Do (TM).
But also I think this is kind of the fault of the narrative of IDW1, since very few Autobots besides Prowl are given the chance to actually be morally gray even when the worldbuilding implicates them in some very morally gray things. Like, for example, JRO adding in the existence of MTOs which implies that the normally squeaky-clean leader Optimus was willing to approve the creation of new soldiers just to throw them into combat (and even the attempts to humanize the MTOs by giving them "an education" were eventually cut down to nothing but combat optimizations). And there's also the fact that Optimus knows about the Wreckers and has been known to call them on missions at least once (Stormbringer), meaning he's very much aware of the Wreckers and their tactics and is willing to call them in for fights when it's necessary.
I don't think you need to use Prowl as a crutch to make the Autobots morally gray. I think the Autobot leadership (or at least, Optimus, since few people besides him or Prowl seem to have major tactical command over the army as a whole) is plenty morally gray enough on its own, because the nature of war is inherently morally gray no matter how righteous your cause is. Reducing the lives of your own people into numbers on maps, harvesting resources, bringing MTOs to life just to die in a war they practically have no stake in, those things are enough.
And tbh it kind of bothers me when people try to saddle Prowl with the "dirty work of the Autobots", not just because it frames Prowl's blatantly evil actions as some sort of savior act taking the blame from the rest of the Autobots (which isn't even accurate, because the blame for war crimes falls on the entire army as an institution rather than one person), but because it downplays the moral grayness of the Autobots and pretends that no Autobot BESIDES Prowl ever participated in morally gray actions, which simply isn't true.
TLDR: Prowl isn't as much of a hero as he thinks he is because committing atrocities in the name of your cause doesn't change the fact that they're atrocities (and may not have even been justified). However, painting Prowl as the "token evil teammate" of sorts also places too much blame for the atrocities of war on him in particular, when in reality that's a burden shared by Optimus Prime and any other members of the Autobot military command structure.
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What is cue the sun? 👀
I need you to know I am kissing you on the mouth rn (platonically) -- I've been rotating this plot in the microwave since like. mid-august.
It's transcendence au (obvi) but here's the basic hook:
The year is 7098. The last Mizar (Fang Wu -- and shoutout to aba_daba_do for making a kickass OC) has been dead for four years now, and Alcor has been MIA for about the same amount of time. In their absence, the North American continent has broken out into a full-on, cross-continental war, with the main players being the Greater Austinian Monopoly (formerly known as Texas) and the Alaskadian Collective (Alaska, plus some parts of Canada and north-eastern Russia).
In a last-ditch effort to find some long-forgotten piece of magical information that could win the war, Alaskadian scientist Fatima Tursynbekova (an r!Ford) is sent to the abandoned site of what used to be Gravity Falls, accompanied by her troubled teenage daughter Olya (an r!Gideon). They're expecting to find little more than scant remnants of a town that was razed to the ground over thirty years before -- not much better than an archaeological expedition if anything.
However, what they find instead is a thriving small town -- the inhabitants of which are all completely and utterly convinced that it's the year 2016 (feat. the OG Mystery Twins and an extremely sus Stan Pines).
Anyways blah blah blah romance, secrecy, interpersonal drama but COME LOOK AT THE MAP I MADE I spent entirely too much time on it and I've been dying to share:
(Plus better quality image link for if tumblr steals all my pixels)
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