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#Note that this is a joke; it’s because they changed animation studios
kaiaden · 30 days
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Season 8 vs season 17
Did they bleach his hair from the scalp up in season 8 💀😭👍
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Note that this is a joke; it’s because they changed animation studios
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starberry-cupcake · 28 days
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Me reading this book is like trying to pin things to a cork board with red thread but the things I'm trying to pin down are fog and they vanish before I can grasp them.
Here's a visual representation of me finishing a chapter:
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previously, in harrowbeenie the ninth:
this happened
currently, after chapter 5 (you're gonna have to be patient with this one):
we're moving back and forth between the second and third person
knowing now the content of the letters that yandere twin had talked about in the prologue, it makes some sense
but we aren't there yet
I need to point out something I don't think I specified enough last time
ice cube barbie changed eyes
people be changin' eyes here
she used to have eyes like harrow and now she has, and I quote: "ever since you had writhed in Lyctoral agony, her eyes had turned a yellow that made you dizzy to behold: a bronzed, hot, animal yellow, as amber as the inside of an egg"
this is from gideon's last ch.: "Gideon's eyes, as they always did, startled her: their deep, chromatic amber, the startling hot gold of freshly-brewed tea"
just gonna leave that there
but now, moving forward...or backwards to ch. 3 flashback of sorts
we got a recap of most of the events we knew, but in a gideon-less ver.
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I'm gonna also point out that harrowbean mentions her mother holding her wrist the same way she said ice cube barbie did when they were in the coffin hangar
another addition to the clown emperor's story is that the Resurrection is described in harrow's memories as "ten thousand years ago had given them all release from death that none of them had deserved"
I don't know about any of this
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we've got a disturbance in the force when harrow describes her parents finding out about the tomb thing
it says "her parents had...found out...about what she had done"
interesting edit of the story there
there's a gideon-sized hole in this story
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there's also an interesting new count of nooses??
she says they tied five, two for mortus (???) but in gideon's book she said they tied their own nooses and then helped her tie hers, what's up with mortus having two??? is this nothing and I'm just obsessing about every detail???
I'm gonna start seeing palmolive's force ghost roaming around my house
at the end of ch. 3 it says "there had been another girl who grew up alongside Harrow—but she had died before Harrow was born"
this is a VERY INTERESTING wording
if someone dies before you are born, they can't grow up with you
UNLESS
I'm not gonna dwell on that yet
let's put a pin on that
ch. 4 has the re-apparition of yandere twin
*live studio audience cheers, maybe*
she gives her a letter addressed to her from her
the letter has a lot of instructions of things she doesn't remember at all and also are supposed to be opened at specific times/events
one of them says "in the event of the emperor's death"
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another says it's in case she sees regina george twin, which makes a whole argument happen and knives are used to settle it
yandere twin will not hear someone imply her sister might be no longer with us
she probably isn't dead, this I know for certain, people wouldn't be confusing my names for them if that was all we got from her
the most important letter, though, is the one in case she sees camilla, who harrow claims not having interacted with ever
this is a very important thing to note, but most importantly, CAMILLA MENTION
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very important to be noting who harrow remembers interacting with and who she doesn't
very important as well that she remembers yandere twin losing an arm in battle but does not remember gideon or camilla
I haven't mentioned it yet but, in the letter, past!harrow tells present!harrow that she needs to check yandere twin's tongue and lower mandibule
to which I think to myself "I bet she's gonna kiss her"
and that she did
which makes me want an edition of this book but with gideon commentary
like a dvd commentary but it's gideon commenting on all this stuff
and cracking jokes
because I bet she'd be cracking jokes about this
remember when she joked that yandere twin would marry mayonnaise uncle?
and then both harrow and mayonnaise uncle were like "ew the third's magic is weird"
imagine if she saw this display
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another CRUCIAL thing is that harrow is doing like an oath to yandere twin as requested by past!harrow
and she says "by the ripped and remade soul of ortus nigenad"
and yandere twin goes "who? oh, yes—the cavalier"
I mean, mood at not remembering the names, but also SUSPICIOUS BEHAVIOR
she also tells present!harrow "I gave you something you cared about very deeply at the time"
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side note, there is yet another moment in which chad is read for filth
get obliterated even in undeath, chad
last detail from this chapter is that harrowbean almost gets assassinated
maybe I should have started with that
at this point there's so much going on, death seems like a normal one
so yeah, she's gonna get killed with a pillow to the face and then she defends herself and discovers at the end of the chapter that she didn't hallucinate the whole thing and it was hidden from her on purpose that somebody tried to end her
so what's the point in being in this clown death star and surviving big brother canaan house if you can't even sleep peacefully???
moving on to chapter 5
remember the timeline I was making?
yeah, about that
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chapter 5, in the third person continuity, establishes that what I saw previously was not necessarily a memory but an au memory
if we can call it something at this point
so my calculations were made as if the timeline was one
but this is not one timeline, it's a sort of parallel gideon-less one
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of course my heart is making me believe the gideon-less one is the one that isn't real
and that past!harrow might know what's going on with that
maybe gideon's existence needs to be protected
maybe the emperor doesn't have to know about her
(I'm still holding on to the gideon hope, leave me alone)
but, in any case, present!harrow doesn't know
let's remember the prologue begun with harrow doing something she shouldn't and yandere twin saying something like "was there something in those letters I don't know about?"
I'm just gonna have to throw my timeline in the trash and start over with multiple timelines for now
ALSO, I didn't say anything about it yet, but it's mentioned that harrow is "in love" with ice cube barbie
take that as you will
which is another joke gideon has made in the past and would be stellar in a commentary of this
and, talking about things gideon would be awesome at commenting
in the new ortus-inclusive (?) narrative, ortus is talking about the epic of Matthias Nonius, who we know because harrow has compared gideon to him in the past
and also there's is a comment made about how ortus looks down on people who read "prurient magazines or pamphlets"
I really need gideon confessionals commentary over here
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she also says that "the ninth house character, she was forced to admit, had always been low on wild and confident fucks"
yeah, well, how about that
and we end with THE FLIMSY
lots of important flimsies in this
she finds a note that reads "THE EGGS YOU GAVE ME ALL DIED AND YOU LIED TO ME"
ortus says he can't read it
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but, in any case,
that made me stop in my tracks because I was reminded I forgot about the writing on the walls of canaan house?????
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I filed it under canaan house weirdness but then, it was never talked about?????? again????
also the paper gideon found with her name
which I assumed was addressing the other gideon that not!dulcinea mentioned knowing
but who tf knows at this point
who knows what time and space are anymore
time to leave it for today...this is getting wild, you guys
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ravixen · 10 months
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hi!! hehe i read ur partner privileges post and i was wondering if u could do the same for vocal unit if possible?? thank you! 🫶
svt + prioritizing their s/o (pt 2)
➔ reaction || requested || vocal unit
➔ warnings: none || 0.9k words ➔ notes: fluff ; hiya, thanks for the love :) the concept for this series isn't partner privilege since I'm saving that for a different idea, but I definitely know which reaction you're talking about. I hope you reblog the other post and this post if you enjoyed reading them! also a reminder to followers: I block any empty blogs/blogs with less than 3 posts or reblogs :)
JEONGHAN: his calculation skills are unmatched, but you think highly of him in general so you're not sure if the praise means much. you can always tell when he's thinking because his face freezes into an open smile, maybe an stilted laugh, as his eyes flicker around the space, and you practically hear his synapses firing as he weighs out options and draws conclusions. you're almost envious of this ability; it always takes you a little longer to see what he sees. while he's zipping through the forest path, you're getting stuck on bushes and low branches, and this frustration is what makes you reluctant to join in on games sometimes. of course, he notices this, too. when you get too quiet, he sidles up to you, murmuring barely audible suggestions. "tell seungkwan about cheol's betrayal tactic. bring up minghao's shopping trip from the other day—it'll be funny. shout over mingyu whenever he starts talking," he'll say without blinking an eye. the first time, you were hesitant and missed the timing, but he continued standing next to you, waiting for the next opportunity. it's helped your confidence a lot, and no one has caught on yet (or so you think). every time, he's reacting along with everyone else, letting you take the spotlight, because he'd rather help you out than claim credit.
JOSHUA: found in part one!
JIHOON: you know he's a busy guy, so you always tell him that he doesn't have to pick up your calls, but he does anyway, no matter what he's doing. if he's truly busy, then he'll tell you immediately and say that he'll call you back later, but if it's nothing too pressing, then he doesn't mind listening to you talk for however long you want. sometimes you catch him in the studio or watching anime, and he lays on the couch, phone on his chest, to hear about your day. sometimes you catch him out on errands, and he puts you on speakerphone as he drives. sometimes you catch him out with friends, who always have to make their presence known in the few precious seconds they have before your boyfriend steps away to a quiet corner. you ask him about it once, and at first, he makes a bad joke to deflect, but after a moment, he admits that it's to show you his sincerity. he loves knowing that he's the first person you call for good news, bad news, boring news—and he never wants that to change. "I'm worried that..." he fiddles with his t-shirt hem as you wait. "well, I'm worried that if I don't pick up enough, I'll stop being your number one contact, and I really like being the first person you think of."
SEOKMIN: he likes to include you on every decision, and it's really sweet...when you don't have decision fatigue, at least. but how can you get irritated with him when he blinks up at you with those big bright eyes that hold nothing but adoration for you? over time, you learn to differentiate when he actually has an opinion and when he doesn't care what you choose. for example, I think the strawberry cake sounds good. Is that okay? means that he wants it, though if you wholeheartedly disagree, he'll find a compromise—like buying two cakes. on the other hand, I think the strawberry cake sounds good. What do you think? means that you can choose whatever you want. at the core of it, he just wants you to know that you matter to him, and the easiest way to do that is to listen to you. it's not really a pet peeve, but he doesn't like when people unilaterally decide on things, so he makes sure to never do that to you. "I'm sure I'll like whatever you choose," you tell him, but he shakes his head. "what if you don't? I should ask just in case." he covers it with an over-dramatic pout and cutesy voice that make you laugh, but he's serious. your opinion and happiness will always matter to him.
SEUNGKWAN: you don't know how he manages to remember so many of your favorite things, but he does and he uses this mental catalogue to impress you all the time. it's not just your favorite things, either; he somehow recalls the things you've mentioned in passing, things that even you have forgotten, and it's really impressive when he takes you out for food you've been craving, when he drops off an item that you've ran out of, when he says he looked up tips on how to clean ketchup stains. "how do you do that?" you stare in amazement as he pulls up a reservation to a restaurant you've been dying to try. "how do you make room in that brilliant brain of yours for all of these details?" he rolls his eyes, but there's a smile tugging on his lips at the praise. "I just erase some of our early choreography to free up mental disk space," he says, laughing. "c'mon, is it really that unbelievable? you know I like remembering things about the people I care about. you're obviously included in that group. I like making you feel special to me because you are." he pretends to dig his knuckles into your cheek, scolding you for thinking otherwise. honestly, you can't quite figure out seungkwan's love language because he's the type to show his affection with every action.
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adobe-outdesign · 1 month
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Kung Fu Panda 4 Thoughts/Liveblog Thing
Just caught this at the theater for a grand total of five whole dollars, so I thought I'd do some quick opinions while it's fresh.
Non-spoiler opinion: It was Okay(TM), but the movies were considerably stronger as a trilogy. It's worth seeing one (1) time if you're a KFP fan (and really, who isn't), but I wouldn't bother paying full price for it or anything
SPOILERS FOR ALL 4 MOVIES UNDER THE CUT:
A list of things that slap:
The animation is stunning and fast-paced. Really loved the use of Chinese-style paint brush strokes to accentuate the action
Also I'll talk about the 5 later but I also really liked the animation change when describing where they are—all KFP movies have at least one animation shift and I'm glad this one kept up with it
Some of the fight scenes were super good, I liked the one that uses the tilting bar on a cliff in particular
(side note: the Missing Link did something similar, just on a ship. Go watch the Missing Link)
The Chameleon served straight cunt the entire time she was on screen and I kind of loved (almost) everything about her. Character design was incredible, voice was perfect, palace design was amazing, abilities were sick
Also the way she rides up chilling in a golden tree branch of all things? Fellas, we have no choice but to stan
Also I just appreciate the choice to both do a female villain for a change and to get a reptile in here after having only mammals and one (1) bird as villains previously
Speaking of character design there were a few really good ones in there, like a pangolin that moves Sonic the Hedgehog-style, a cool looking female boar, and a bunch of Komodo dragon henchmen. Good stuff
The jokes were a very mixed bag for me, some hit and some didn't. I will say that Zhen just going "that's great for you" in response to Shifu stating he's a red panda got me for some reason
If anyone hurts Po's gay dads I'm killing everyone in this room and then myself
Jack Black's cover of Baby One (1) More Time is unironically better than the original
A list of things that Do Not Slap:
Pacing/Plot:
This movie lacked a color scheme? KFP 1 was blue (also some gold), KFP 2 was red, KFP 3 was green. These colors weren't subtle either, there are entire scenes in each movie drenched in these colors and it was really obviously missing here
The whole first half the movie feels really breathless and too fast-paced. Apparently it was a studio mandate to have it not go over an hour and a half which is A) stupid and B) hurts the pacing
As much as I love Po's two gay dads we REALLY should not have been wasting time on their journey when the runtime is so tight
Also them tagging along felt off? Mr. Ping was worried sick about Po in KFP 2 but he doesn't tag alone because obviously he needs to let his son have his space. It's more in-character with Li Shan but it doesn't come across like he's talking Mr. Ping into it or something
In general there are so many plot points in this movie that feel under-developed. You could've made an entire movie out of the previous villains returning, Zhen and the Chameleon's relationship (see below), etc.
Po's Character:
People not knowing Po is the dragon warrior is weird, I'm pretty sure he would've been more well known than that
The entire thing with Po needing to give up his role as the Dragon Warrior doesn't really make sense? The Dragon Warrior is literally a made-up title. There's no need to have a Dragon Warrior because there is no such thing technically, it's why Oogway denied Tai Lung the title and then waited years and years to give it to Po. Like it's not a role that needs to be passed down, that's missing the entire point of the Everything
Also Po's only been like Dragon Warrior for a few years? I don't think we're ever given a time scale but it wasn't that long
The jokes about Shifu and Po having trouble with inner peace/mediating feels off given that was the entire plot of the second movie
It felt like Po regressed a bit character wise. He acts like he has no idea how to be a teacher in this movie but he already was a teacher by the end of the third, that was the entire point??
Also he seemed like he was more gullible in this movie but I could be wrong
Why is Po so impressed with Juniper city. He literally spent most of KFP 2 in Gongmen hello?? I think(?) Juniper is bigger but he shouldn't be acting like he has no idea what a city is
Zhen/Chameleon:
Zhen's character design doesn't match anything else, which is weird because most of the new characters in this film keep the distinct style in some form or another
Her wanted poster shows her with the bold markings KFP is known for and it looks SO much better
The plot twist with Zhen working for the villain was so obvious I did not realize it was supposed to be a twist at first
Also, the entire thing with Zhen was entirely unneeded? The Chameleon could've just just stood up and announced her plan to take over and Po would've shown up on her doorstep with the staff
I guess the idea is that Po needed to hand over the staff willingly for it to work? But if that's the case the Chameleon could've just impersonated Tigress or something and gotten it that way in like 1/3 of the time
Originally she was supposed to have kidnapped Shifu which would've been a much better plot point as it would've given Po extra motivation
The other problem with treating Zhen as a plot twist is that it hampers the relationship she has with the Chameleon effectively being her mom, which is FASCINATING. They had some really interesting chemistry together (the whole "stand up straight" thing as one example) and I could've seen it as a Mother Gospel from Tangled kind of deal, but we barely get any interaction between the two and it's like AAAAAAA
Fanfic writers fix this shit. I believe in you
I'll have to chew on it more but my pacing thought would actually be to start with Po finding out about the Chameleon's "take over everything" plan very early due to Shifu's kidnapping. He breaks into the lair like at the 1/3 mark or earlier and he meets Zhen inside which then leads into why she's doing what she's doing and the mother angle, etc etc blah blah
The Chameleon needed to just straight-up murder someone, comically shoving them down the stairs isn't good enough. I know stairs are Po's greatest enemy but I don't think that applies to everyone
Shen was allowed to stab someone on-screen so I think the Chameleon should be a allowed to strangle someone or something. as a treat
If violence was the concern just keep it off-screen like Master Rhino's death in KFP 2
The shapeshifter turning into a giant monster trope is overrated and I'm glad it was just used briefly here and not even for her defeat
Also the Chameleon's thing with her being rejected from Kung Fu because she's too small makes no sense b/c Mantis, which I'm pretty sure everyone's pointed out already. She does say "lowly" I think but was she ever poor? Could make a very interested parallel to Zhen if that was the case but it was never brought up again
I've heard some argue body image parallels w/ Po in KFP 1 but if that was the intent it's not explored, like, at all, which is a shame because it could've been an interesting angle
Also If they wanted a better excuse related to body image just say she was too frail instead of too small. I haven't owned chameleons but I've heard from people who have that they are very frail and very hard to keep alive, which would be a much better reason to turn her away
Cameos:
Yes I'm devoting an entire section to five second cameos don't judge me
I have mixed feelings on the Five not being present (save for the end cameos). On the one hand they are sorely missed but on the other hand they would've just made the plot bloat even worse
Lack of speaking was also bothersome. Part of me is glad they weren't recast with cheaper VAs because it's disrespectful to interchange them, but on the other hand that might've been better than just not having them speak and not paying anyone anyway
Tai Lung had all the best lines and was also the best used out of all the cameos, even if it would've been nice to have him on screen for longer. Also if they stuck with Shifu being kidnapped those two could've had some much-needed dialogue
Side note, while I don't think it contradicts anything from KFP 3 the spirit world having only kung fu masters in it feels off? It makes it seem so small and limited
Kai being there is weird. He's like. dead dead. Deader than dead. I guess you could argue that you can't kill something that's already dead but there's nothing even acknowledging this
Trying to take Shen's kung fu is really weird because the entire point of the fight with Master Rhino in KFP 2 is that he is not? a master?? like he's GOOD but he's not amazing, like if a master is like a 10/10 he's like an 8/10.
"The Chameleon has the powers of all my old nemesises!" WHAT'S SHEN'S POWER EXACTLY. HIS ONLY POWERS ARE GUN AND MOMMY/DADDY ISSUES
She does summon him way later than Tai Lung and Kai so maybe she was just camp spawning every single person she could think of regardless of skill level? she also uses his wings at one point so maybe she just wanted those, I don't think(?) there were other birds summoned
Though speaking of which she claimed she was using his wings but very clearly wasn't? not only were they black but they were raggedy and lacked the five longer feathers on the tips
Also Shen's model was super off, it looked way too fluffy and like an entire row of eyespots were missing from the edge of the train (which might have been a clipping error? unsure) it's been said the new models were made out of glue and popsical sticks and I believe it
Tai Lung has a habit of just like Grabbing anyone that's smaller than him and it amuses me
It's honestly really weird that everyone would just agree to go back into the spirit world willingly?
Like I think it works for Tai Lung because he's a noble person who just goes into a disassociative state and commits atrocities. Like I think he'd be willing to accept his death
Also it checks out for Shen because he killed himself and given his "dead belong in the past" mentality I can't imagine him wanting to stick around, he'd probably think it was unnatural
But Kai?? Kai was FURIOUS at being dragged back into the spirit world at the end of 3, like hell he'd just go quietly
Also I can see Tai Lung maybe respecting Po enough to bow to him but everyone else is pushing it unless they have therapists in the spirit world. Po offered Shen some nice advice at the end of KFP 2 and his response was to kill himself on the spot, I don't think him or Kai would be bowing
All of them were definitely in the middle of a mahjong match and were experiencing the equivalent of being woken up in the middle of a nap so they were just going along with things
Chameleon: I'm going to steal your kung fu
Everyone:
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Misc:
I did like some of the more subtle callbacks. Stuff like Po seeing his reflection in the blade the way Shifu did or the "I can't even beat you to the stairs" scene were nice and not overly overt or in-your-face
If Po actively refers to himself as the "Kung Fu Panda" one more time I'm going to end it all
anyway that was not supposed to be a 12 page essay but it's too late now, goodbye
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ordinaryschmuck · 9 days
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What I Thought About The Owl House Pilot
Huh. Never thought I’d get to do this again, but oh well.
Salutations, random people on the internet! I’m an Ordinary Schmuck! I write stories and reviews and draw comics and cartoons.
And, above all else, I LOVE talking about The Owl House. I have an entire masterpost dedicated to talking about every single episode of the show and I’m halfway through a six-part review discussing everything that I love about it (Part Four's coming when it’s done. Let’s say…late June. Early July at the latest). I figured that after I’d finished that whole deal, I wouldn’t have anything left to talk about when it came to this series. Then, out of nowhere, the show’s original pilot leaked online…Sort of. It’s just an animatic with the show’s original voice cast voicing MOST of the lines, but it’s very much the pilot episode. It’s just not a finished product and I won’t share a link because I don’t think it’s exactly…legal. BUT I will at least share my thoughts about it because, well…Look at my blog. The Owl House has become the BIG THING that I obsess over for a reason and I love that I got to see what’s basically an alternate version of the show that I love. What do I mean?
Well, a pilot is MUCH different from a first episode. Where the first episode is meant to sell the show to the audience, a pilot is meant to sell it to a STUDIO. It can happen at any point of the story or act as the show’s first episode. Just as long as it shows off the characters, concepts, and tone, a studio can look at it, greenlight it, and allow the show to continue, BUT with some extra notes. Sometimes, those notes can change the rest of the series where others can keep the pilot good enough to stay canon. Some best examples off the top of my head are the pilots for Regular Show and Rick and Morty. You can tell that not much changed from the pilots of those shows and what was initially pitched, but there are clear changes in tone, animation, and even personality. Skips sounds a little more illiterate and Benson being more informed of the consequences of something as simple as rock, paper, scissors in the Regular Show pilot and Rick is noticeably more reckless and unprepared for situations in the Rick and Morty pilot. Nothing is set in stone with a pilot episode, even the ones that are canon. For the case of The Owl House, it’s pilot is no exception. A lot of it is just the same as “A Lying Witch and A Warden” at least in terms of plot and themes, but there are so many changes that show off what the series COULD HAVE been instead of what it was. How different? Well, let’s go through it all.
But real quick, I’m not going to do the “Like/Dislike” format I’ve done for previous reviews. Instead, I’m going to look through this pilot, note the changes it has, and share my thoughts on them. There’s also going to be a few spoilers to what happens in this pilot, so if you haven’t checked it out then I suggest giving it a watch wherever you can find it. It really is interesting to get a peak into what’s basically an alternate version of my favorite show.
With that said, let’s get into it.
Some Things Stayed the Same: Like I said, it’s basically an altered version of “A Lying Witch and A Warden.” The plot is that Eda uses Luz to get King back his “crown of power,” with some bits and pieces carrying over. Certain jokes that must have been too funny to get rid of, specific lines of dialogue that hit just the right notes, and some aspects of the characters’ personalities being just the same, proving that they're already perfect the way they are. It’s the changes, however, that makes for something more interesting. For one…
There’s More of an Emphasis on Comedy: As much as I love The Owl House, I’ll always admit that humor isn't its strong suit. It CAN be funny, really funny. But the jokes don’t land as well as something as Gravity Falls or Amphibia. I can say that a part of that could be because Dana Terrace wanted a more serious show, and we definitely get a sense of how serious it could be later in the series. Here, in the pilot, it definitely seems like there was more of an attempt to make the show comedic. King’s crown isn’t in a warden’s cell held within a magical barrier that only a human can get through. It’s in a Principal’s high school, locked in a human locker that Eda and King treat as something devious. Amity’s friends aren’t preppy mean girls who seem like they could cause conflict to Luz and her friends. They’re characters used for jokes who are amazed by Luz standing up to Lilith. There’s less of an edge and more of a lean towards cutesy fun, waiting until the very end to reveal something heavy. To me, it makes the pilot feel MORE like a Gravity Falls clone than the final product. Because while Gravity Falls has its serious moments, it makes it clear that it was a comedy first, both in the pilot and final product. Any moment of heart or drama was overshadowed by one hilarious joke after the other. Now, “A Lying Witch and A Warden” had a lot of jokes too, but there were also these moments that hinted at something more. You have the oppressive looking prison, the grand beam of light hiding human collectibles, a crazy chase from a threatening looking warden. And yes, the reveal that Warden Wrath was trying to go out with Eda was hilarious, but a warden who tortures a prisoner for speaking her truth gives a hint of how dark this world can be. Meanwhile, a principal sending a student to demon detention feels more like a joke, exaggerating how strict some principals can be.
And keep in mind, I’m not complaining about the pilot leaning more towards comedy. I actually laughed a lot more with it than I did with “A Lying Witch and A Warden.” I’m just trying to explain how the tone is definitely going for something different than the full series. It might have that darker twist in the end, but even that is nothing more than a surprise. I'll get into why later, but while it has darker implications, it doesn't detract from the fun times to be had. Not by much. From what I can gather from the pilot, it’s definitely going for a series with goofy, fun adventures with a bit of heart to it. It’s just missing that personal touch that’s in The Owl House. One good example of how?
There’s Not Even a MENTION of Camila: Before you say anything, this has nothing to do with me being Camila’s number one fan, to the point where I almost made a side-blog dedicated to her (I really should get on that, though…)
I bring up this change because Camila grounds the story in “A Lying Witch and A Warden.” She draws Luz close to reality and is the first thing that comes to Luz’s mind when in real danger, saying, “If I die, my mom will kill me!” More than that, though, Camila is the one real connection Luz has to the human realm. She has no friends nor adventures, but Luz always has Camila, with even the first episode hinting that. So when Luz starts getting herself into trouble or choosing to lie and stay in the Boiling Isles, it lets the audience get ready for the inevitable drama that could unfold when Luz finally tells Camila everything. By removing Camila, though, the anticipation of Luz telling her mom goes away with her. At least, it tells ME that there’s less of a worry about Luz basically running away from home. Either this version of the show is holding off from that for a future episode or that Luz and Camila’s relationship isn’t close enough where it matters. This is speculation, of course, but I still stand by that a sense of something personal with Luz is lost for the sake of having fun and epic fantasy adventures with entertaining characters. It’s still good and entertaining, and the pilot does offer something else that’s personal, but it’s not the same as The Owl House we all fell in love with. Though, it’s notable that our main cast stayed the same.
Luz, Eda, and King: Overall, I’d say that these three, personality wise, didn’t change much. King’s probably the least altered, being the exact same character he was in Season One aside from MAYBE having a design change (It’s hard to tell through storyboards). As for Luz and Eda, they’re more or less the same. There’s a BIG change with Eda (That I’ll get to later), but her devil-may-care attitude is very much the same, as well as her snark and soft nature towards Luz and King. It’s her magic that gets the real boost, being able to do more like teleport across the Isles and turn into a…softer version of the Owl Beast at will. It’s pretty cool to see the power that this alternate Owl Lady has. And then there’s Luz, who’s still the lovable weirdo we all know. Though, this version seems a lot more dim and I’m not really a fan. How does she mistakenly give a book report in geometry class? How did it take seeing Amity’s witch ears to realize that she belonged in the demon realm? Luz had her dumb moments in the show too, but not to this extent. There was still a sense of maturity and cognitive understanding that made Luz feel like someone that seemed weird but intelligent enough to think herself out of a situation. This Luz seems more weird and focused on using brute force on a problem. In a way, it makes Pilot!Luz more of an…emotionally driven Star Butterfly. A fun and capable character, but not the same kind I had made several posts and reviews talking about how much I love/personally connected to her. But, comparatively, I guess it IS the most minor change that could be done to this character. Now let’s move onto BIGGER changes.
The Boiling Isles: The look and feel of the Isles remains the same, but the fact that it’s more connected to the Human Realm is intriguing. From what I can tell, the Demon Realm treats traveling to the Human Realm like it’s going to a new country. You visit, make some memories, and, for some, send your children over to be a foreign exchange student of sorts. Except that racism seems to be encouraged in this regard as the demons and witches don’t see humans worth breathing the same air as them. And some think it’s more than okay to hunt down and kill if one human trespasses into their realm. And the reason for THAT is implied to be Belos’ doing. Er, I mean–*Checks the leaked pitch bible*--Emperor Pupa? Uh…I’ll just stick with Belos. 
And that’s extra fascinating to me because Belos being a witch hunter was a major twist that spoke VOLUMES of the kind of people he represents. To find out that this version is more anti-human makes me curious of what kind of angle the show would have taken. Would Belos have been your bare-bones fantasy villain or would the writers find a different way to tackle his symbolism? And is the reason why the Demon Realm is more open up to the Human Realm because he hopes witches and demons can report about their enemies for a possible invasion? There’s no way to know for sure because that version of the story will never come to be, but it’s interesting to think of all the things we COULD have gotten. The same goes for other characters.
Amity: To think, Amity was considered important enough to be included in the original pitch pilot alongside our main trio. It makes sense. Dana Terrace has gone on record in saying that Luz and Amity’s relationship was something she wanted from the get go, so it’s smart to establish it as quickly as possible. Though the route they take is definitely different. Instead of being enemies to lovers, Lumity, in the original pitch, went for the friends to lovers trope…kind of.
Luz, in this version, is someone so desperate for positive attention and respect that she latches onto the first person in school that was nice to her. Except that Amity was looking for some quiet and just so happened to look like she was supporting Luz when telling everyone to leave her alone. It was an act of kindness, but not one done in generosity. It still meant the world to Luz, though, making her go ALL IN with friendship. Only to be a little too forward and creeped Amity out to the point where she was polite enough to say “Thank you,” but you could see the desperation in her eyes to be anywhere but next to Luz. Yet Luz doesn’t see that. She’s still too focused that someone was actually nice to her that she blindly follows Amity into a new world just to return a weird looking passport. Because Amity’s Luz’s friend now and friends do nice things to each other. Only for Amity to accidentally reveal that she couldn’t care less for Luz and shatter her hopes and dreams in one fell swoop.
In a weird way, I’d say Luz and Amity are off on a better first impression here than in the original series. There’s no attempted dissections or witch’s duels. Just…Amity trying to be polite in Luz’s presence only to act like your typical mean girl when she THINKS Luz isn’t around. Tossing away the drawing is harsh for sure, but here’s the interesting thing: Amity didn’t know she was talking to Luz at that moment. She didn’t even get rid of the drawing until someone drew (haha) attention to it. If anything, it’s worth noting that Amity still kept the drawing on her. Almost like, despite being weirded out by Luz, Amity felt as though the drawing WAS cute and only got rid of it when she thought someone would question her for having it. Can’t have that Little Miss Perfect status shatter over something some human gave her.
Am I reaching as a Lumity shipper? Oh, most certainly yes. But we all know the inevitable conclusion between these two. We know where they’re headed. Dana has been pretty adamant about wanting it from the start and this pilot sets the groundwork well. Knowing where these two will end up, it’s easy to make connections and hypothesize what means what. Plus, look at the face of shock and amazement on Amity’s face when she sees Luz standing up to Lilith. That looks like a girl who’s…feeling things for this human weirdo. They’re not off to a ROARING start, but I can see how things could improve between Luz and Amity. And who knows, maybe this version of these two might end up dating sooner with how quickly they seem interested in each other. Again, am I reaching? Most definitely, but I went without any new Lumity content for over a year so LET ME REACH!
The point I’m trying to make is that this version of Amity definitely seems a lot more chill and polite at the start, even though it’s likely she still has issues of even being FRIENDS with a human. But not everyone starts off polite.
Lilith: Crazy to think that Lilith started out as…basically a one-off villain like Warden Wrath. At least, that’s what I gathered from the pilot. The pitch bible hints that there COULD be more to her, but at the same time she gets sent to a fire dimension and loses a hand. That’s one-off villain energy if I’ve ever seen it. But if she is meant to be something more, I would love to see what differences could come of her being the headmaster of Hexside instead of Bump and how she could either develop into someone better through Luz’s influence as a student or regress into someone worse as she makes Luz’s school life a living hell. Whatever could come from her, it was kind of fun seeing Lilith act as more of a threat with her…out of nowhere ability to turn into a bat monster. It’s a pretty cool design and I love that it was brought out due to Eda’s constant pestering, proving that Lilith is still the same insecure nut that I love. And it is pretty great that this pilot confirmed that Lilith really did dye her hair to look more serious. You CAN’T tell me that’s not why the Lilith we know ditched the curly red hair.
But that’s about it when it comes to changes towards characters and locations. Let’s talk about the potential differences in the ongoing story.
Luz Stays Trapped Instead of Choosing to Stay: I mean, technically she chose to stay by breaking that key for no reason, but that’s more of a consequence of not thinking things through. She didn’t NEED to break the key, Luz could have just as easily pulled it out. Instead, she kicked the dang thing, leaving herself trapped in this new world. And it’s here that I would like to once again point out how this makes Pilot!Luz different and what’s lost by not including Camila. The Luz WE know would have been more careful. She always felt like someone who fought smarter, not harder, even in that first episode. Luz didn’t fight Wrath head on, she rallied a prison riot that distracted him long enough for her to hit a firework ball into his mouth. She’s intelligent and resourceful, where this one…kind of is? It was smart to send Lilith to the fire dimension, but again, not a great plan to break the key. Plus, without Camila, this doesn’t feel like as big of a deal as it could have been. Camila was the first person in Luz’s mind as she destroyed the portal door in the Season One finale. In the pilot, with no Camila, it feels like a non-sacrifice or even that big of a deal. She’s stuck, sure, but Luz doesn’t really seem to care that much. She feels happy being with Eda and King and doesn’t seem to be in that big of a rush to get home. Plus, it’s not exactly complicated to get back. There was a whole line of portal doors in the beginning that Luz could potentially sneak through and there’s not yet an established cannon that makes it seem like getting a new key would be difficult or even complicated. Once more, it gives the impression that this version of The Owl House would be focused less on personal stakes and more like giving Luz that fantasy adventure she’s always been craving for. It would make for a fun show, but not the SAME show. However, it is worth noting that there could be some potential drama. Especially for one twist that was a JOLT to my system.
EDA WORKS FOR THE EMPEROR?!: WHAT?!
I’ll admit, I feel like the reason why this is so shocking is because of the Eda I know and the Emperor I learned to fear. I mean, Eda, the woman who would sooner eat her own fist before even CONSIDERING helping Belos, even before the witch hunter business, was originally meant to HELP him. Of all the changes that the series could have made, this was by far the biggest. Everything that I thought to be constant turned out to be a lie and I was NOT prepared for it!
But again, the reason why I got that big of a reaction is because it goes against everything I knew about Eda. If this was my first introduction to her, it’d be less of a shocking twist and more of a…hook. Like how Invincible’s first episode (Don’t watch if you’re a baby) ends with a character you THOUGHT you could trust doing this intensely dark thing. The rest of the season is leading you to figure out WHY this was done and how the other characters would react, making you want to see more as the show inevitably leads up to this big conclusion that changes everything you once knew. The same applies here, with the reveal making me wonder why Eda would do this, how long she’s been doing it, how it will affect her relationship with Luz, and whether or not it’d be an easy fix. And much like the ending of Invincible’s first episode (Seriously, NOT meant for babies), this hook makes me interested in wanting to see what comes next. Except I never will know because that came from a version of The Owl House that will never exist.
The pilot is interesting because it shows me what The Owl House COULD have been. I wouldn’t say that it’s better than what we got or even that it’s a better first impression than “A Lying Witch and A Warden.” It’s definitely FUNNIER, I’ll give it that, but it doesn’t make the original pitch better, it makes it different. Everything looks the same and sounds the same, but the overall feel of this pilot makes it something that would have had a different story, tone, and ideas on how to develop these characters. Would I have liked it? Absolutely. It seems like a fun time. But that doesn’t mean I like the show we got any less. This was more like…getting a peek into an alternate universe where a show I already love would have been vastly different. And after over a year without any new Owl House content aside from stuff that fans have made, this was a very pleasant surprise that leaves me excited for the NEW fan content that springs from all this.
But that’s enough talking about a show that could have been made. Time to get back to a series that came into existence and I still love so much. See you all then as you all milk this gift that the internet has given you.
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alphabetboyluvr · 9 months
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danbi dog walking w/ tae sort of meet cute-type date vibes
🪩 WORDCOUNT | 700 (exactly!) 🪩 NOTE FROM HOLLY | so i kinda think they're impossible to have a meet-cute, just because danbi was sooooo anti-tae at the start. like she always knew he was interested and used to try soooo hard to pretend that she wasnt!!! plus if anyone is a man hater (complimentary <3) it's danbi!! I can't remember when, but i know it's mentioned earlier on in the story that tae had been at memorial park with dan so.... here u go!
🪩 BD DRABBLES MASTERPOST 🪩
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“Again?” Danbi sighs as she notices the man walking towards her up through the path of the Memorial Park.
She’d put her hands on her hips if either of them were free - but she’s currently got three dogs to each hand. The leads wrap around so tightly it’s a miracle her fingers haven’t fallen off yet.
Still, her facial expression conveys everything her body can’t - and yet Kim Taehyung has the audacity to stand there fucking smiling. 
“Fancy seeing you here!” He beams, turning on his heel to stop himself from walking on by. Doesn't miss a beat. Heads in the same direction as Danbi, now.
“Y’know, some people would consider this stalking,” she tells him with nothing but disdain. 
“See, I would agree,” Taehyung answers with contemplative arrogance. “But it’s funny - DB seems to reckon you’ve changed your route, recently?”
“Oh has she, now?” Danbi says, resisting the urge to curse you out. Loves you to death, but knows exactly what you’re doing. Begins to think that your joke about dressing up as cupid for Halloween isn’t really a joke.
“Mhmm,” Taehyung nods, hands in pockets. A little shy, but trying desperately hard not to be. “You used to do your walks down by the river, apparently.”
Danbi’s jaw is tense. Unwavering. “Sometimes a change of scenery is good. Gives the pups more mental stimulation. Different smells.”
“There are so many parks in the city,” he muses.
“Well I’ll pick a different one, once I’ve decided they’ve had enough of this one.”
“Maybe you should try the city forest,” Taehyung suggests. “The one by the last stop on line two. I go there pretty often, too.”
The narrowing of Danbi’s eyes only serves to make Taehyung smile. He’s learning pretty quickly which buttons of Danbi’s to press - and given how easy it is to wind her up, he doesn’t have to try particularly hard. 
It’s what he likes about her, though. She’s fiery. Ignites a little something inside him.
“My route choices have nothing to do with you.”
“No?” He challenges. “So why’d it change after you found out my studio overlooks Memorial Park?”
“Coincidence.”
“Y’know,” Taehyung smirks. “Some people would consider it stalking.”
If there’s one thing Danbi hates, it’s when men make her smile - and Taehyung is getting dangerously close to that. She has to nip this in the bud, or otherwise her mild-infatuation with him will inevitably grow, and she cannot let that happen.
She’s dated musicians. Dated pretty boys. Ones with egos. Knows that artists are even worse.
And the ones who look like Kim Taehyung? Nothing but trouble. She knows that as soon as her guard is down, some girl from his art school will end up back in his DM’s and then she’ll have to fight for his attention, which she refuses to do. Dreads to think of the notches in his bedpost. Doesn’t wanna have to look at the art he’s made from other muses.
Again, she’s dated men who are menaces before. Had songs written for other girls cosplayed as serenades for her (fuck you, Sanghyuk). Refuses to let it happen again.
Better to just fight with him. Easier that way.
She’s incapable of doing anything by half measures though, so hatred seems like the best course of action.
“With all due respect, Taehyung, I’m working,” she shrugs, picking up her pace.
“Let me help.”
“No.”
“I'm good with animals.”
“You’re not insured.”
“I know how to walk a dog”
“No.”
“Let me-”
“Fine! Take Mabel,” Danbi finally relents, adjusting the leashes to hold one out from him. On the end is a Pomeranian, not too dissimilar from Taehyung’s own dog - the same dog Taehyung keeps trying to convince Danbi to walk, just so he has an excuse to see her. “She bites.”
“It’s fine,” Taehyung says, taking the leash in his palm and wrapping it over slightly for a little extra security. Starts walking. Is cheeky, as he says, “I’m used to bitches who bite.”
“You did not just call me a bitch,” Danbi gasps, genuinely affronted. It’s the first time throughout this entire interaction that Taehyung thinks he’s getting genuine emotion from her. Knows the rest of it is bull.
“Well, are you planning on biting me?” He flirts. Wouldn’t be opposed. In fact, he’d quite like it.
“Shut up,” she whines with a deadly roll of her eyes. “Just walk the damn dog."
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marine-indie-gal · 1 month
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I have recently watched the Most Messiest Fairy Tale Crossover Adaptation in all of its Existence made by the Same Company who did their Adaptation of My Recent Favorite German Franchise called "The Magic Riddle" and despite the film's huge wasted potential of going back and forth every single time, all of its Characters are the Only Ones that I liked about the Movie (even some of them can be a bit Annoying) but my god, was this film such an Interesting Acid Trip.
So while this Film's Target comparison has always been "Shrek" because of the idea of Fairy Tale crossovers, though one thing's for sure is how that this Movie came out 1 Year after the Original Shrek book (which in the Original Story behind one of the Most Successful franchises that we all know as of Today, the Real Shrek was never really a Fairy Tale crossover in the First Place as The Magic Riddle had its own Fairy Tale story despite mostly being its own Cinderella adaptation within a Crossover before "Happily N'Ever After" did it).
Technically, I don't blatantly understand why this Film gets compared to Shrek a whole lot, when there had already been Fairy Tale Crossovers or Ones that took place in a Modern setting, way long before Shrek was even born (I mean, "Into The Woods" or the 70s Donkeyskin Adaptation, anyone?). Still doesn't help the fact that a whole lot of people seem to keep forgetting Into The Woods' existence that the DreamWorks' Shrek actually took the inspiration from (Not putting my own Hate towards the DreamWorks Franchise nor the Book, I'm just showing my own personal stance).
So yeah, because despite this Film's Gigantic Clusterfuck of a Messy Plot that feels so much like Shakespeare's "A Midsummer Night's Dream" but with Fairy Tales, I will admit that this film could've had a much better plot convenience if it wasn't so confusing with its Beautiful Foreign Traditional Animation coming from the same Company behind Famous Australian Kids shows based off of Old Children's Books, this Movie did try its own best but at least it's still a cult classic much of its own.
But I gotta admit one thing, despite this Mashup Adaptation of the Cinderella Fairy Tale being a Confusing Mess, this version of their Cinderella character is really Pretty (both Her Design and her Style is Really Adorable) & since I just couldn’t get enough of her Gorgeous style, I’ve decided to create my own personal re-interpretation of her Ballroom dress from the Movie because I didn’t like on how so cheap and lazy it was all for a simple *Insert Fairy Tale Joke Reference Here*, despite Cindy and her Prince’s Romance being Bland, I really really WISH the Movie could've handled their own Relationship much better and not have them fall in love quick.
So I’ve decided to make her own Ballroom dress a Flower themed while also making it close to how I would view the Real Cinderella’s ballroom dress from the Fairy Tale. Had to do a lot of Changing but it was kinda hard to interpret this but then I finally managed to get it over with as I liked how it turned out to be. Especially for a Pretty Interesting Lead Character in a Bad/Neutral Fairy Tale Movie.
But also of note, I feel like this Movie kinda deserves a Huge Fanbase with Big Rewrites like with Disney’s Wish.
Cindy © Flying Bark Productions (since it’s former title was “Yoram Gross Film Studios”)
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hazbincalifornia · 4 months
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Hazbin Episode 1 Liveblog
In order to avoid this post getting Way Too Long, I'm going to make one post for episode one, and one for episode two!
I will say, I'm kinda sad we don't have a 'proper' theme song/intro, just the little jingle :( I do get it, but ah well.
Oh my god the commercial is even better in full.
How the fuck did he get Charlie to keep the name if it was still him???
Al's so fucking offended they're making him use a camera he made it one giant middle finger. I love it.
The voices are definitely going to take a bit of adjustment. It's probably because I've rewatched the pilot a zillion times, though.
I like how Alastor didn't even look at Angel. "Never going to happen!"
Awww, Charlie's ringtone for her dad is cute.
I DO really love Keith David as Husk right away, he suits the role perfectly.
"I like being forced!" and I love you, you weird little gremlin. Hoping for some good CNC stuff with her now, tbh. She'd be fun for it.
The flat delivery of 'crack is expensive' made me wheeze out loud.
Aaaa and here we go, full animation for Happy Day!
Why... why is the 'shoving barbed wire in your hole' guy an imp. Is that, like, his job or something. Is he just an asshole?
Ooooo, that was VAGGIE singing the 'bloodthirsty and deranged?' line? More fodder for her being a fallen angel/exterminator.
'Helluva post' for the mail. Ha.
This just made me fully realize how much the cannibal colony probably considers the post-extermination like a feast day.
Awww, the music note background is a fun touch.
Something about the fact that the 'touch my parts!' guy is a completely shapeless slug-creature instead of just keeping the dick offscreen makes it funnier.
Oh, I love Adam. The fun kind of punchable prick.
The animation seems a bit... overacted? I've noticed it all along but with Vaggie in the scene where she talks about making a new commercial especially. It sort of felt like they wanted to match the pilot's very snappy energy but weren't quite sure how, so everybody makes kind of... aimless motioning instead of moving with purpose, if it makes sense? It feels more like 'moving body parts for the sake of moving things' over 'moving with intent'. It's sort of awkward and distracting. The shifting proportions don't really help, but I just know people are going to be Fucking Annoying about that when it's unfortunately part of the package of making a whole season at once by a regular animation studio.
Oh yeah, Blake's perfect for Angel, lmao. It was more of a change than I expected from the few lines we'd gotten since they sounded more like the original, but he's got the energy.
Charlie didn't know Adam ran the angel army? That seems like the kind of thing she should have known. I wonder if she was relatively sheltered growing up.
'Call me dickmaster' why do I get the feeling the Chaz fans will like him, lmfao.
Since I'm on Adam though, another little groan to myself about the lack of fat characters in the hellaverse that aren't either gross stereotypes or background characters. Adam falls into the misogynist type, (like, the 'redditor', you know the one, just sort of mixed with a sleazy rockstar) Mammon's literally Greed and a talentless abuser, the lady at the pound was gross/uncaring and ugly, and I still think the Nurse was the only one that really broke the pattern and I've seen approximately one piece of fanart or mention of her ever (despite her clearly-developed positive relationship with Barbie!) and it was porn. I'm allowed to bitch on this after people were so fucking annoying about how wanting Bee to be fat was wanting her to be a 'gross ugly blob' and then saying other people were being fatphobic for pointing out everybody's skinny. Somehow. Anyway.
Well, at least they got the vagina joke out of the way early.
I love how his deal isn't for anything that would genuinely screw Vaggie over, he's just pissed they want him to deal with TV.
The fact that the pilot's still 'soft canon' makes sense with how Angel just immediately starts admiring his new clothes without any surprise, since it's happened before. Also, Niffty with the Marilyn pose is cute.
Oh, I'm definitely going to like Lute. I still like my idea she used to be close to Vaggie but when Vaggie was cast down, she stuck tighter to the rules.
Adam's song is fun!
So season 1 takes place over the course of six months? Huh. I'm guessing we'll have some time skips if we only have eight episodes.
I wonder what the Heaven Embassy is for? I can't imagine it's only for meetings like that considering there's couches in the lobby and stuff. Can sinners communicate with loved ones in heaven or vice versa, maybe, just using the holograms?
Oh my god the Katie voice IS basically just Brandon's Bryce voice. Amazing.
Ohoooo? VERY curious who managed to pull off killing an exterminator, and 'can't let them catch on'... hmm.
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monkey-network · 1 year
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Good Stuff: Best of 2022
This current year I say was a better current year than the one before, I mean the Queen died and that was funnier than Elon Musk's whole existence beyond the fact he sucks at Twitter. Never mind the chaotic reality we have, I'm celebrating the 10 best animations to come out this year. The only rule being they had to debut this year so while these two were banger entries, Amphibia and Owl House have to be exempt because I want to be fair. Otherwise, ANYTHING GOES so let's go...
Number 10: Batwheels
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This reached the list for the sheer fact that it feels like a joke but has a better punchline than it has any right to. It looks colorful with great animation, and even if it's a preschool series it's thankfully one that's just about the adventures of both the titular bat vehicles and the actual Batman characters. This isn't like Cars where there aren't any humans around and they're cleverly able to make everyone coexist in a way that never feels out of place. It works as a good morning cartoon and a kiddo's introduction to the Batman universe besides the comics or the 90s animated series.
Number 9: We Baby Bears
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I feel like we all need that one shows that's just for cute vibes to curb the stress and mental instability that intrudes on you when you get home from work or school. Being the spin-off prequel to We Bare Bears, while it can be pretty plain in terms of premises it's cute and whimsical on its own merits. It reminds me of Klonoa where we're hopping from world to world, sometimes there are familiar faces but otherwise, it's just about having fun with the different environments with characters I bet most gen ziggas will be familiar with. I say it was a good series to start off the year and while Cartoon Network's future feels too uncertain, I don't think a show like this is such a front on their MO. Plus, bears are awesome.
Number 8: Sonic Prime
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The fact that Sonic the Hedgehog basically gave us its take on Robot Pirate Island was enough for me to like this, but Sonic Prime works well as a new series. Low on the list because for eight episodes, it wasn't as fulfilling especially when it felt like the SatAM show but not as tight since it's a multiverse story. Not that it isn't fun, this has more jovial energy to this that feels like a mesh between SatAM and The Adventures of Sonic. The animation I say is peak for a Sonic cartoon, imperfect but it looks like they're let loose with movement and expression. Plus again, we got the battle of Robot Pirate Island ending with a funny abrupt bodying from Shadow. Overall, hopeful part 2 ups the momentum because this and the Mario Movie really look like we might be eating well next year.
Number 7: The Cuphead Show!
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Cuphead changed the way we game. With the DLC released this year as well, we seriously got a franchise that earned its keep. It felt natural that we'd get a cartoon, running alongside the recent Looney Tunes and Mickey Mouse short series as a great resurgence of the rubber-hose animation style. I'll say though that the episodes are great for this show, gets really going when Ms. Chalice joins for real, but it's scattershot in terms of actual banger episodes especially when the Devil makes for the best episodes with or without the porcelain trio. They at least end the 3rd season on a high note so whether we get more or not, this was overall satisfying and worth the wait.
Number 6: ONI, Thunder God's Tale
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Really sucks this was talked about by nobody beyond the Goomba Got Back dude, whose video on it was cool. This was an incredibly made miniseries created by the same studios behind DOMO, Rilakkuma and Kaoru, and the cutscenes of most modern Sonic games. I love the plush and clay look of the characters and the environments are insanely beautiful. Storywise it's one where it starts strong and gets stronger with every part like episode two's ending was a gut punch and the blows kept coming after that. I loved this world of yokai and kami and it was an emotionally warm tale of family and self-actualization. Seriously recommend watching this at least once, subbed or dubbed since both are pretty good. So yeah, everybody that proclaims "animation is cinema", where the fuck were you?
Number 5: Scrat Tales
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Would've been wrong to not put this on the list since it was the last thing Blue Sky made before Bob Chapek took the studio out back. Even if Blue Sky never closed, these shorts were great, taking me back to when Scrat was at his best in the earlier Ice Age films. The animation is especially great and it just makes me wish Blue Sky got to do more because this really showed they were good with slapstick comedy and improved after two decades. Needless to say, this miniseries and their final short was them going out on a high note, giving the best middle finger to Disney after they tried to revive the Ice Age franchise with the Buck Wild movie. If there was anything to credit about this year, it was taking the bad with the good.
Number 4: The Bob's Burgers Movie
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This was surprisingly the year when I watched a lot of movies. Thankfully I'm not a filmbro (yet...) but I've really appreciated the time I made in actually going to the theaters more than once, so yeah Bobby's Bunger. I say it works on its own but it's definitely more for fans of the TV series and even then you probably have to see the season that came before this to have better context. Besides that, you're just enjoying the good vibes that come from the characters, the humor, the animation, and the pinch of musical numbers we get; Sunny Side Up Summer was legit an earworm banger. It overall works when you know the Belcher family because they carry this film.
Number 4 (2): Marcel the Shell with Shoes On
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Mate, when it reached a certain scene involving a poem, I was practically choking back my tears. You'll know there's a later stop-motion higher ranked, but this was the 2022 film that personally cut deep. I didn't think a film about talking shells would resonate with me this well, but this existed as more than just Youtube short films extended into a movie. There is a story here about grief, comfort, being internet famous, and community that I feel wouldn't have worked without it being like this. It had that cold but good reminder of how small you can feel with a world you can only wish to grasp in increments; that change is inescapable but that doesn't mean you should take that negatively. It's hard being fearless, risque as you can be with your opinions and ideas, especially with uncertainty. This I say is a great Autumn movie, wonderful in making the seasonal vibe feel more comforting.
Number 3: Smiling Friends
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Yeah, it's high on the list. If it wasn't, that means Egoraptor probably made it. To me, Smiling Friends has the enjoyable chaos of Superjail and Aqua Teen with the thematic sincerity of Venture Bros or King of the Hill. It's the most easy-going adult cartoon that yeah, is funny as shit and is funnier the more you know behind the scenes. I gotta appreciate that this is the one time when people from the internet hit the big time and it doesn't feel like forgettable compromised trash. I'll say the Brazil episode was not good, but this was the consistently best show Adult Swim provided in a long while.
Number 2: Guillermo Del Toro's Pinocchio
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Del Toro never gave up on this and what we got was better than expected. There are a couple story problems but it's more than made up by being an amazing retelling of the Pinocchio tale. I never grew up with Pinocchio mind you, I only got familiar with the story this year since it was everywhere, but I wanna say this was as strong an interpretation as one could make. Better than Disney's take I say where it's purposefully not squeaky clean in appearance or atmosphere making its poignant emotional moments hit a little harder. Being Del Toro's first fully animated movie, it's up there with Fantastic Mr. Fox as a film I'd consider a masterpiece on the dedication craft alone.
Honorable Mentions: Entergalactic, Hamster & Gretel, Minions 2, The Amazing Maurice, Chickenhare, League of Super Pets, Super Giant Robot Brothers, Cars on the Road, Little Demon, Pantheon, Baymax!, Turning Red, and Zootopia+
Number 1: The Bad Guys/Puss in Boots, Last Wish
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I'll say it, Dreamworks truly owned the W this year. The fact that two-for-two Dreamworks gave us the best vibes in terms of films like it was nothing has to be appreciated. I was already a fan of Puss in Boots, the film and cartoon series worked as the Zorro franchise we could've got. The Last Wish enhances that with not only literal stellar and dynamic action, no bad characters, but an actual reflective story for Puss, like if the 1st film and series were about him being responsible this sequel was about him being humble, especially in regard to his own mortality and pride. This isn't just a regular adventure like before, there is genuine emotional weight behind what happens to the characters. Just saying, we didn't just get a fierce red-eyed wolf for furry-lusting sake, but an actually intimidating force that owns every scene he's in. Feels like this film truly marks the twilight of where the studio wants to go with its projects and I'm worried but faithful. Oh yeah, and The Bad Guys?
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I didn't grow up with the OG books like I did with Captain Underpants, but this film both blew my mind and made me go back to see that the books were good too. Objectively, Puss in Boots was the better film but this was my personal year-round favorite. The VIBES this had with basically every other scene had me just as happy as when I saw the Captain Underpants movie. The animation, the banter, Diane who is everything, and the banging tunes like Good Tonight and the opening with Kitchen Clean were the cleanest scenes I loved all year. If Puss in Boots 2 was the modern Zorro movie I always wanted, this was the American Lupin the 3rd movie I never knew I would get.
All in all, Dreamworks put its best foot forward, far more than expected especially compared to last year or Disney this year. If anything, I'm definitely noticing a slow shift where more animated projects are... footloose and yards away from trying to look realistic or copy-pasted. Not saying it'll all work (remember when theOdd1sOut made a cartoon?) but it has me as faithful as before in seeing worthwhile stuff come to fruition. Then again nothing this year truly stacked up to the
ACTUAL NUMBER 1: SLIPPIN' JIMMY
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I'm talking about the Breaking Bad masterpiece that earned a Slipjimmillion dollars in ratings and views, baby! The streaming service superstar of 2022 nothing could top it. Not Bluey, not Better Call Saul, not The Simpsons, not your dad, nothing came close! Slippin' Jimmy is the future!
WITH ALL THAT SAID, HAVE A GOOD NEW YEAR!
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ghoulliojr · 1 year
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yeah im watching the fancy new Puss In The Boot movie and here's a hot take for ya: its real good
dreamworks saw sony try one thing when they added 2d textures and immediately learned how to do it better, bad guys had a really cool style even if it was a little bit inconsistent with its blatant sexy furry design but in comparison to mitchells vs the machines it's clear they understand HOW to use it effectively when it's not as obvious of a change to make as adding comic book style to spider-man (NOT to imply that spider-man is not a masterpiece, because it is, but the way the 2d-3d hybrid animation is used in MvtM has me convinced sony thinks it can be used as an oscar delivery service rather than an artistic or even like, thematically consistent design choice)
ALL THAT TO SAY the last wish is easily the best non-spider-man application of this technology, or design choice, or whatever you wanna call it, hands down. it's transformative in that it's not ABOUT the 2d texturing, and it shouldn't be in this context. it uses it to add style and distinction to an already incredibly boarded and directed movie. it doesn't draw attention to itself in any way other than obviously looking way way the fuck better than anything disney studios has even gotten close to since the transition to 3d.
i really can't overstate how fun and dynamic and perfect the boarding is, and how incredible the visuals are in general, but on top of everything it's such a sweet and wonderful movie. it has a really touching, relatable and super candid message about anxiety, it's funny as fuck like for real (i can appreciate jokes in most kids media but they dont make me laugh, this movie made me lol) and it's also like a really fun and riveting fantasy adventure about cute kitty cats.
fully recommend the puss movie, probably like a 9/10 or something, maybe higher i have no notes
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cf56 · 1 year
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My thoughts on episode 8
SPOILERS for season 3, episode 8 of the Animaniacs reboot
Ah, time to watch another episode of Animaniacs, an episode I have definitely never seen before and definitely have not had an entire emotional breakdown over. The previews for this one got me hyped. I can't wait to see that 3D animation!
On a serious note, if you're a big fan of this episode, you probably shouldn't read this review. I'll try to avoid retreading ground I've already covered, and I'll try to keep my criticism reasonable and logical so hopefully everyone can at least see my side of things, even if you don't ultimately agree.
The episode starts off with the worst dialogue exchange ever written into Animaniacs.
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It's just as shocking and painful to watch now as it was the first time. Wakko's expression here will haunt me and bring back bad memories for years to come.
This exchange is just such an impressively perfect storm of awfulness. If you changed any one thing about it, it wouldn't be so historically atrocious. It would still be bad, but not "makes me question my Animaniacs fandom" bad. What really sends it over the top for me is how Dot reacts to Wakko coming back and being alive. If she and Yakko simply greeted him cheerfully, it would be made super clear that it was entirely a joke and they were only messing around. I'd still hate it. I just wouldn't need to write a fic to cover it up. Instead, there's just no payoff. It's played straight until the end, when Dot is actually disappointed that her brother isn't actually dead. It's so unnecessarily overbearing. I know the entire thing is supposed to be sarcasm, but like... where's the joke? What's supposed to be funny about it? Haha, we don't value our brother and would be better off without him, but we don't actually mean it! Oh no, he's not actually dead, but I'm only being sarcastically disappointed over it. You can laugh now.
You know, I actually take it back. Dot's disappointment didn't really seem sarcastic at all. It just felt mean-spirited, straight up.
They had to realize something was wrong here. They specifically made it so Wakko didn't hear or react to what his siblings were saying. At least subconsciously, they knew that if Wakko heard it, the cruelty of the whole thing would be amplified tenfold. And it was already pretty damn amplified. Wakko not hearing it doesn't make this moment any better for the characters of Yakko and Dot.
I think these Warners are the real alien imposters, not the ones we saw in episode 6. They're implanted by aliens or the studio to make poor Wakko think he isn't loved.
It's pretty funny to hear the Warners say "Jackass Monkey" so casually.
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No, Yakko, you are not technically a boomer. Baby boomers were born from 1946 to 1964. You were born in 1929, making you a member of the Silent Generation. (Ironic, isn't it?) Also, it doesn't even make a difference, since Wakko is the same age as you by that logic, and he clearly loves video games. Hey, you were the one who wanted to be technical about it.
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Lore item: I believe this is our first confirmation ever that the Warners have red blood flowing through their veins, and not just ink or nothing. So, if they bled, they would canonically bleed red. Just a thought for all you angsty fan creators out there...
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They also have real, organic organs and are not just inky blobs all the way through.
I thought the easter eggs were cool. Some folks probably didn't like them because they felt like teases for segments we never really got in the reboot, but I was fine with it.
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Slappy still in the process of giving Chicken Boo that beating two seasons later.
I thought the 3D animation looked really nice. I was genuinely super excited to see it before the episode came out, and I hoped that the main thing I'd be doing was pausing to admire the animation. Other things overshadowed that, unfortunately.
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On their own, the Wakko smells jokes would be fine. It's the kind of teasing that's in-bounds for the Warners, and this isn't the first time they've made fun of such a thing. Combined with what happened earlier, though, it just feels like the Wakko abuse keeps piling up. It feels like someone writing the episode randomly decided to choose Wakko as a target to pick on for the entire episode, and by proxy that makes it feel like Yakko and Dot randomly decided to choose Wakko as a target to pick on for the entire episode. It makes them feel like bullies. It's the total opposite of how their dynamic should be- take a few innocent jabs at your siblings, sure, but 99% of the harsh teasing should be directed outside of the group.
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On a positive note, Wakko sticking his tongue out in 3D is really cute.
"Warner Brothers has STANDARDS! Well, not artistic standards, obviously."
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Obviously...
Now, I said before that Yakko's apology to Wakko was a flimsy cop out, but I never went into detail on why I felt that way.
Let me be clear. If you removed the dialogue at the beginning at the episode, Yakko's apology would be a great sibling moment. I mean, reboot Yakko actually verbally expressing that he cares about Wakko? I'd be freaking out in a positive way. If it only happened after a couple jokes about Wakko's scent, it would be good.
However, taking into account everything that's happened, how Wakko has been a target to ruthlessly pick on since the instant the episode first started, the apology feels condescending and insincere to me.
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If we got to the point that sweet, oblivious Wakko actually felt the need to call out his older brother, who he idolizes, over always picking on him, you know it's already pretty bad. He even points out one of the primary issues with it- Yakko is punching down when he makes fun of Wakko. Wakko is his little sibling who he's supposed to protect and support.
Yakko then responds with the same logic a schoolyard bully uses. "Come on, can't you take a joke?" The bully says, after making a target out of this one kid for the entire schoolyear. You might call it an overreaction to compare Yakko to a bully here. For one, I'm only using an example to show why this moment doesn't hit for me. Secondly, at least I had the sense to edit out the lines where I compared him to an abuser. Thirdly, I agree. It's a tragedy that I'm comparing Yakko to a bully right now. Wakko spoke up to try to defend himself against his siblings, and Yakko's response wasn't to genuinely apologize and promise to stop doing it- it was to justify his behavior and dig in deeper. Sibling teasing is sibling teasing, but if your family member who you love has to actually come up to you and tell you point blank that it's going too far, and you refuse to see the error of your ways, that's when it's really gone too far.
The last reason this is a flimsy apology- if this is how you express your love for Wakko, because picking on him is easier than saying you care, then why don't you do the same to Dot? There's still clearly favoritism being shown here towards one sibling, which is awful. Also, it's not how you show your affection. We've seen how Yakko shows affection. We've seen it explicitly, and it's nothing like this. Go watch Wakko's Wish if you don't know what I'm talking about.
I at least appreciate that they always kept the Warners as one unit and didn't ever have them fight each other.
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I did find the echoed "d'ah"s to be funny, even as I was watching this the first time with my soul being ripped in two.
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I didn't watch Starbox and Cindy the first time around, so as far as I'm concerned this is the entire new episode for me this time. I thought it was clever how they had a battle over lights in a child's room. I thought it was sad how Starbox has been Stockholm Syndromed into loving the self-admitted scary monster.
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Through 8 episodes, there have been as many Starbox and Cindy segments as there have been Warner songs.
I feel like the Gold Warners had more potential than this. The concept of alternate copies of the Warners for the Warners to battle is interesting, but the problem is that these copies are nothing like the regular Warners. They don't talk, so you can't actually have an interesting battle of personalities that would naturally make up a Warner vs. Warner fight.
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Wakko defending Dot is a GOLDEN sibling moment. But... you know what I'm about to say. I would freak out and cherish this moment forever in almost any other context. In the context it's been given, it only makes me kind of sad. Because Wakko still has a heart of gold, Wakko still stays loyal and true to his siblings, even when they have thoroughly proven they don't deserve it. And even when Wakko steps up to defend his siblings, and ends up being the one to save the day and show them how to get out of there, they don't even mention it afterwards. They don't apologize for how they treated him. They don't thank him for saving them. If there was only some kind of payoff at the very end, it would be at least a little palatable. There just isn't. Wakko is the only Warner who comes out of this episode looking like a good sibling. It just gives me the image of my mind of Yakko and Dot as bullies to their innocent brother who loves them unconditionally despite everything they've done to him, which is not even close to how the Warners should be in reality or how they're portrayed in any other episode.
Just Ralph being a better friend to Wakko than his own siblings in this episode:
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I guess I should briefly talk about the video game characters in this episode.
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Honestly, the best part about them was their names and character designs.
In this episode, Wakko:
-Heard his sister celebrating his death
-Still happily interacted with his sibs immediately after and got them into something that makes him happy
-Sat around and took care of the tower by himself for six months while his sibs played his favorite video game, not even playing with them or being able to talk to them at all
-After Yakko and Dot came back to consciousness, Yakko immediately physically fought with him over the privilege of being player 1
-Got a lame special move compared to his siblings
-Got his smell constantly made fun of by his own siblings
-Had to call Yakko out over it and got a paper-thin "apology" as a response
-Defends his sister, despite everything, by hurting himself. This is the second time in the episode he's gotten smashed by his own mallet.
-Fights with Ralph over the remote as soon as he gets out so he can save his siblings from the game
-Does not even get a hug or a smile from his siblings once they're out due to his heroics. At least, not one we were shown.
This episode is frustrating. There's so much good about it. The animation is so cool. There are funny jokes. There are multiple great sibling moments on a level above anything else we've explicitly seen in the reboot. If only that first minute was cut completely, I would consider this a great episode. It wasn't cut, unfortunately, and it drags everything else down with it. Doesn't it almost feel like the writers of this episode put in a bunch of wholesome sibling moments, realized they didn't want to give us that much, and decided to "balance it out" with all that awfulness? If that is the case, I hate it even more. They simply don't understand what we want from these characters. Is it fair to say an entire episode is bad because of one horrible dialogue at the very start? Honestly, I don't really care. That dialogue doesn't just drag down this episode. It drags down the season, the reboot, and my entire Animaniacs fandom. I can't help how I feel.
I don't think, even after everything I've said, that you guys understand the true depth of the effect this episode has had on me. When I was first spoiled over the infamous lines, I was at a point where I was feeling more passionate over Animaniacs and writing than I had since I first started all of this. I had just finished reading a fic, Don't You Forget About Me, that destroyed me in the good, angsty kind of way. That fic is about the Warners being magically made to forget about one another. It tore me apart to read about their relationships being destroyed so easily in the fic, to see them turned against each other. When I read that spoiler, back in early January, it was like it had all come true. What meaning does it have to read about them forgetting about each other when they apparently never had much care for each other in the first place? All the deep feelings I was feeling over that fic completely disappeared, in literally an instant. I went back to read it, and I felt nothing. (Through no fault of the fic- it's still really great.) At the time, I had an angsty one shot in the works, I was getting progress on so many fics at once. Reading that spoiler killed all that passion in an instant. Put simply, if this dialogue never existed, you would have gotten about 4-5 more fanfic releases from me over the past month than you actually got. I've barely touched any of those WIPs since.
Despite all the good, I can't ever forgive this episode for what it did to me. It has been super touching to feel all the love from the fandom after I expressed my emotions over this episode. It's nice to know we're in the same boat. Even after all of that, even with all the good in this episode, if I had the option to erase it from existence completely, to make it as if it never happened, would I do it?
Yes. In a heartbeat. I'm still not sure if my fandom will recover from what this episode did to me.
If you're a defender of that dialogue, I want you to know that I respect your opinion. I also want you to know that we're simply not on the same wavelength when it comes to how we view this show and its characters. Could those lines be classified as just harmless sibling banter? Maybe in your sibling relationship, but not in mine. It's been a little insulting to me to see the few out there who have claimed that only those without siblings would take issue over these lines. I've watched 133 episodes of Animaniacs and one movie. I've dedicated half my life to this show. I can tell you that what the Warners did here is not even close to in-character for them. To me, it truly feels like Yakko and Dot were replaced by unfeeling aliens for an episode.
Was this the least entertaining episode of Animaniacs ever? Far from it. If you showed this season to someone off the street who's never seen Animaniacs, they almost certainly wouldn't rank this episode as the worst of all of them. They'd probably rank it as one of the best. 90% of it is good, after all. 5% of it is mindblowingly bad. If someone who hasn't watched Animaniacs before saw this episode and only this episode, what impression would they get of the sibling relationship between Yakko, Wakko, and Dot? To me, they'd come off as bullies to the one true-hearted member of the group, Wakko, and that's heartbreaking to think about. So, while I gave it some thought, I can't do it. I can't rank this episode anywhere other than last. I hope to God that it stays there.
My current ranking of season 3 episodes:
Episode 6
Episode 3
Episode 7
Episode 4
Episode 2
Episode 1
Episode 5
Episode 8
Feel free to add to the never-ending discussion over this episode if you want, but don't say anything about any of the episodes that come after. They're all I have left to look forward to.
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yaymeeko · 3 months
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Glycogenesis, embroidery and a need for the absolute
Summary:
After some inner turmoil resurfaces, Ruan Mei relaxes by studying a creature in her laboratory while listening to a studio arrangement of classical music. She finds herself thinking about her purpose as a scientist and her ambition to reach Aeonhood. A dwarf then barges in her lab.
Herta stutters when she finds the words to speak. “Ar- Are you heartless, a monster or both? I presume both.” Herta asks, still trembling.
“I’m just conducting research. You’ve seen death before, stop trembling.”
“This is not death, this is a cruel murder scene I am not getting involved with. It had such an adorable face too- how can you dissect something so pretty and cute while listening to Vivaldi?” Herta asks, beyond dumbfounded.
“I can, apparently.” Ruan Mei answers blankly, uninterested. When Herta still looks shook, she genuinely gets worried. “Are you ok?”
“No. I’m going now. Have a great day and keep up the good work.” 
The puppet jumps off the table to leave, but is swiftly halted by hand that catches her mid-air.
“Small.” Ruan Mei remarks with a blank face.
“I am perfectly fine for a girl my age.”
Ruan Mei struggles to stifle her laughter. “A geriatric woman in the body of a little girl… that's an oxymoron.” 
“An elegant and poised woman who keeps her laboratory with a splattered dead animal inside. That's an oxymoron too, if you ask me.” Herta looks smug, still held in the air but Ruan Mei's tight grip.
“I get carried away when doing research, you should know it by now, but it's probably your narcissism that makes you forget things about others.” Ruan Mei states the truth plainly.
“Doesn't change the fact this place is a biohazard dumpster with all kinds of dead creatures and the walls could melt if you splashed one of these concoctions at them.” Herta swiftly points at the beakers, filled with all kinds of chemicals and the like, all resting on the table in a long straight line right in front of many petri dishes harboring who knows what bacterias inside.
“...I usually tidy up at the end. Don't worry.” The biologist smiles softly, finally dropping the puppet to the ground. 
Herta lands perfectly. “I'm not worried- ok, fine. I don’t want to know what ‘tidying up’ even is.” She inhales sharply. “What were you doing to this poor creature?”
Ruan Mei looks down at the creature again, her hand caressing its lifeless squishy body. “I’m creating glucose-based living beings. They will be geniuses, more intelligent than any living being. Yet, many problems have risen during my experimentations. Case in point.” She pulls at the skin and it stretches immediately. “The dermis is not consistent enough yet and peels off easily. Luckily they don't feel pain. I think. They don't scream or shout so I presume they don't have pain receptors.” She then peels the skin off, uninterested. It spreads thin on her fingers: it’s sugary and glittery.
“That is very twisted and cruel, also the way you’re holding that critter's skin is weirdly morbid.” Herta backs off a step, her stance in a fight or flight mode.
“Is it?” Ruan Mei tilts her head, looking puzzled at Herta.
“I keep forgetting I work with a sociopath.”
“Now, now… I have a mirror in my bedroom if you want to look at one.”
After some silent awe, Herta asks “... You rarely joke. Did something good happen?”
Ruan Mei halts in place.
Has something good happened? She mentally retraces her inconspicuous day in the span of five seconds.
It has.
...
Notes:
Hello!! :D I've been writing this for a month and only now I'm publishing it because I'm sort of happy with how it turned out. It's a window of life, an auto-conclusive small story that focuses on Herta and Ruan Mei hanging out on Ruan Mei's planet. I love Ruan Mei, so I simply had to dedicate something to her. I am not originally English, so sorry in advance for any mistake you could stumble across. Have a nice read!
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wisellamawerewolf · 18 days
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I was bored so I decided to watch a King Fu Panda 4 (yeah yeah I'm late to this train, whatever) so here are my thoughts I guess:
(Spoilers under the cut)
I gotta agree with most people who reviewed the film: it's really mid. Nothing too bad it's just pretty plain. I'll lay out the pros and cons, because I can:
Pros:
- animation looks good (as always);
- quite a few jokes were actually pretty funny;
- it's a low bar, but I didn't feel bored watching it. The pacing might have been a bit too fast, but at least it was mostly entertaining;
- Lizard lady = hot. Judge me.
Cons:
- As mentioned before, the pacing was just too fast, and it hurts the characters dynamic and the plot overall;
- Po's character arc sorta felt repetitive and less significant compared to previous films. Also the film kept hammering the point and making fun of the fact that Po isn't good at sharing wisdom, that ended up not saying anything meaningful at all. In the scene where he gave a seed to Zhen, he just basically repeated what Shifu told him and that was supposed to be the most significant scene in the movie.
- New character Zhen was pretty much on a thin ice for me for almost the entirety of the movie.
It's gonna sound weird, but she was just a little too good at fighting Po, which barely makes sense considering her backstory. She was basically raised on the streets and then "adopted" by Chameleon. At first I was like "oh yeah Chameleon probably taught her to fight or whatever" but then it was revealed that Chameleon can't fight, so we never got a proper explanation in this regard ig.
Zhen's character arc not only felt unoriginal, but also kinda rushed. Her betrayal almost made me groan out loud, it was this predictable and overused. Her interactions with Po are supposed to be charming, but for me they just did nothing. It didn't really feel like her attitude towards him progressed or changed in any significant way. She wasn't closed or reserved and slowly warmed up to him as their journey progressed, she pretty much kept her view of him as a "lovable idiot" through the film, so in the result it looked like she felt bad for betraying him not because she had a change of a heart and progressed as a character, but because she was always good and kind deep down and doing bad things to good people is bad™.
- The main antagonist felt underwhelming. I liked Chameleon's design and mannerisms, but I have to admit that she's a lackluster of a villain. She did not feel threatening at any point in the movie, it sorta felt like it tried to hype her up as a mighty foe at first, but it just gave up halfway through, then basically admitted she's useless in combat. She was defeated way too quickly as well and in a very unsatisfying manner. I at least hoped she would be dragged by force into the spirit realm by other masters whose Kung Fu she stole, but instead Tai Lung just kinda held her like she was a kitten and just returned into the realm while she kinda screamed. Could've at least made it more dramatic, but oh well.
- On a completely separate note, the second and partially the third act felt like they were written by people from the Illumination studio. The den of thieves specifically felt Illumination-esque, because of the usage of three "cute but deranged" baby rabbits and goofy "PG violence is fun" folk. Probably an incoherent complaint, but idk how else to explain it.
It might seem like I have a lot more negative things to say compared to the positive, but truth to be told, it's not a bad film. It's mediocre, but I genuinely thought it was pretty fun. I see how it could've been better, but at the end of the day, it is what it is. Actually it made me want to rewatch the previous movies, so maybe I will get to it sometime.
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spicetea-andtoast · 2 months
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An Intro!
Hello helloooo :) This is a separate blog page from @tea-andtoads dedicated for the spicier corners of this fandom. WFSN art/fics/etc, as well as generally mature content, will be reblogged or posted here rather than my main page. That being said, this page is not suitable for minors. You can come hang out when you’re 18, but until then, anyone following this page without 18+ in your header will simply be blocked.
The important stuff aside, here’s a bit about myself!
I’m 22 years old and non-binary (they/them please!)
I’m not so much of an anime person anymore, or…watchable media…in general 😅😅 I still do enjoy a few shows here and there, primarily TWD, Supernatural, and of course, Hetalia. I told you there wasn’t much.
I got into Hetalia when I was about 12 and, as such, wasn’t able to really grasp the themes and concepts discussed. I was primarily active in the fandom which was…not a good place to be in those years, to say the least. Because of this, I stepped away around 2016/2017 and my love for these characters has just started to bubble up the surface again. (Guess all those jokes about never being able to leave had some weight to them, hm?)
I’m very easy when it comes to ships! I’m a fan of most popular ships but FrUK and USUK have been my standing pairs and I don’t see that changing.
I’m an artist and fic writer, but do more of the latter than the former. You can find SFW content on my main page, @tea-andtoast. You can also find my works on my AO3, teaandt0ast
I’m currently in college working for my associates degree in studio arts, with a primary focus on ceramics and glassblowing!
Thank you for hanging out!! Also note: I’m not very good with tagging reblogs, HOWEVER, all wfsn content - especially artwork/images - will be tagged accordingly.
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falconedreams · 1 year
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Haunted Art House
Last night I dreamt I was wandering aimlessly around in a mall, minding my own business and enjoying the aircon, when suddenly a group of black-suited individuals accosted me. They introduced themselves as the assistants-cum-legal team of some famous artist, I forgot his name, and told me that he was nearing the end of his life, and wanted to find a protege, and had chosen me. I found this more flattering than suspicious, because, well, I think my art is not bad, and some of my work is quite....public, shall we say, so although I thought the offer was somewhat out of proportion to my actual skills, it wasn’t as balls-out insane as say, a mathematician offering me a PhD candidature. So I agreed.
I went with them to this mansion-cum-studio-cum-art gallery, which I was told was where the man worked, lived, and kept his art. He was rumored to be somewhat of a recluse, as no one ever saw him - all his work was auctioned through his assistants, and all his meals were to be left at the door. Well, I found out why.
The assistants told me to go meet him at his study, on the second floor, and then they scarpered. I suppose in hindsight I should’ve realised it was suspicious that they never even wanted to step across the threshold of the mansion, but I thought that maybe they just wanted to get their jobs done quickly and go relax after. I can certainly understand that. So I went in, went up, found the study, and found - no one inside. I just found his desk, and a note pinned to the desk with a palette knife.
I can’t remember what it said verbatim, but the gist of it was: He was sorry, but this was a trick. He hadn’t wanted a protege at all, he wanted a replacement. The thing was, the mansion/gallery was magical, and required a resident artist at all times. It would feed off the soul of emotions of the artist, and regurgitate the waste onto canvas - from whence came all the paintings that he sold. He was dying, and wanted to see the outside world for one last time. The people he had lured previously were all....unsuccessful, there needed to be a certain.....artistic temperament? That the mansion could properly feed off of, and he was glad but sorry to find it in me, because now I was condemned to be master and slave of the house, being fed on by it until my life ran out as well.
I thought this was a joke, of course, and tried to go back out the front door, only to find that the architecture had changed while I had my back turned. It was like that, wherever I went, I could not find an exit. Then the paintings on the walls started talking to me, telling me, if I cooperated with the house, we could become immensely powerful. The house, they said, had powers to bestow. In order to turn my soul into paintings, the house would provide me with the power to leech colour from the outside world - animals and people that crossed the grounds would be harvested for blood red, plants would wither and die for green, streams and rivers would run dry if I wanted to leech some blue, etc etc. And because it was leeched from a real thing, whatever I painted could become real. If I wanted, say, a glass of water, the blue that I leeched from a stream would become real water when I painted it. 
I didn’t want to kill and destroy to make art, and I didn’t want to lure someone in to do the same just so I could be free. So I did the only thing I could think of - I painted fire. I leeched from the burning might of the sun - it was powerful enough to burn for another 5 billion years, so it surely could spare enough fire to burn down one measly mansion - and that’s what I did. I turned the house’s power against it, borrowed the fire of the sun, and burned the house down. Of course, the house turned against me as well, and to the end kept changing the architecture to disorient me, to trap me, ensure that I couldn’t leave - but of course I already knew that I was going to go down with it. 
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64bitgamer · 1 year
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