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necronomeconomicism · 9 days

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Ok gotta talk about it.

As a Jewish historian, I fucking hate Israel in ways most probably will never be able to comprehend. I'm going to try and explain it anyways. The central creation myth of Israel is that it is Jewish, and then consequently, that Israel is a part of Jewishness. Its easy to simply state this is false, but fully comprehending this and putting it into practice in thought and deed seems rare to me.

The evil at the heart of this violence predates the recent acceleration of genocide. Israel is a colony, and more than that, an antisemitic fraud itself. After WW2, when Israel was being founded, the Jews of Europe generally did not wave goodbye to their neighbors and head to the promised land. Many were expelled from their homes. Zionism itself, as an action, was a false choice at the time. A mere excuse to place an ally in the middle east, and an excuse to complete the expulsion and destruction of the European Jew. The Zionist Jew is more than complicit in this, they actively seek the destruction and assimilation of all other Jews.

Many fail to realize, and largely because of Israel, that Jews are not inherently white, Ashkenazi, European-descended people. Our faith and culture has an immense variety that is spread all across the globe. Jewishness, in population and volume of culture, exists more so outside of Israel than within it. Israel is for a very specific kind of Jew. The kind that lets Yiddish die, that attaches themselves to European things, that makes themselves and their practices as white as possible.

And they have the nerve, the fucking belligerent GALL, to frame themselves as the necessary saviors of our people. To the Zionist, questioning Israel is to question Jewishness itself. They bake adoration for the colonial machine into their very prayers, and push them on us even as children. To *not* oppress, to *not* kill, to *not* genocide, is to invite death. This is the core of fascistic thought, of course. "Kill them before they kill us." And they KNOW this too, they really do. The truth of that irony does not matter, because as is true for all fascists, the truth itself does not matter to them. They wanted this, they wanted this even before the British saw it in their best interest to give them the land. Any excuse to RETVRN, as the neo-nazis say of Rome, or the German Empire, or whatever the fuck stupid country they want to poorly animate the corpse of. Some select Zionists even *sided with the fucking Nazis* in agreement they should abandon Europe to colonize Palestine. (Haavara Agreement)

My people have proved time and time and time again you don't need a nation state to have an enduring culture. We have protected ourselves for thousands of years without the help of these spiteful, doom-saying maniacs. I was going to post something like this on Passover, but that would be hypocritical. The state of Israel doesn't actually have shit to do with Jewishness. שְׁמַע יִשְׂרָאֵל יְה Vi tsu derleb ikh im shoyn tsu bagrobn. [my best translation] Hear Israel (beginning of a prayer in Hebrew) I should outlive him long enough to bury him. (an old Yiddish curse)

Free Palestine. Donate what you can, they need it right now.

#free palestine #israel #jews for palestine #jews against israel #jewish history #antisemitism #jews against genocide

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ravbbeautyconcepts · 6 months

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Recipe for Deb's Passover Brownies Deep, rich chocolate brownies with chocolate chips get extra flavor from black coffee for a delicious Kosher treat for Passover.

#passover brownies recipe #holiday #passover brownies #desserts #brownies #baking chocolate

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67chevyimpala67 · 1 year

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Just misread 1oz as 10z and now have way too much cocoa powder in my Pesach brownies

#baking #cooking #pesach #passover

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anyroads · 2 years

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OK you know what, if we're gonna talk about Bake Off then fuck it, let's do this.

It used to be this wholesome, lovely show! We used to watch it for the bakers! And the learning! And the light banter and occasional bit of coy innuendo! What happened?

Channel 4 happened. When they bought the show they made a number of changes, most of them Not Good™️. Not just in the sense of them resulting in a lot of 😬 and 🫠 moments, but in the sense of how they changed the show's purpose, atmosphere, and brand.

Look, I know most people are just like, "whatever, it's just a baking show," and yeah, sure. But it's one of the UK's most successful TV exports, and where it once shifted the tone of reality competition to being wholesome and supportive of contestants, it's since moved towards creating tension at the contestants' cost. So aside from the fact that most people watching it signed up to watch a nice show, it has also shifted the goalposts of what that even means. And that, lovelies and gentlefolk, is some bullshit.

I decided to break my rant analysis into four main parts: theme weeks, the hosts, the judges, and the bakers. Let's get to it!

Theme Weeks:

If you watch Bake Off, you know the show's always had a specific theme for each week. The staples that come up in most seasons are:

cake

biscuit

bread

pudding/dessert

pastry

patisserie

Less common but consistent are things like caramel and chocolate week.

Then there are the fun episodes! When GBBO was on the BBC, this started out with things tea week, tarts, pies, tray bakes, basically little tangents still focused on emphasizing specific baking skills. In Series 6 (still on the BBC) they had their first nation-focused theme week with French week -- fairly innocuous given that a lot of patisserie is French, France and England share much more culture than either cares to admit [Norman Flag dot gif], and it was a nice change from watching Paul make the bakers do recipes that involved boiling things while talking about how wonderful boiled doughs are (are they, Paul? Are they?).

The show kept mixing it up with innocuous themes like advanced dough and alternative ingredients weeks, European cakes, Victorian week, batter week, and botanical week. And while it was frustrating to watch Paul Hollywood mispronounce things like the Hungarian Dobos Torta and lecture bakers on babka when he clearly knew nothing about it (or about Jewish baking in general, go off Past Me), the show's general attitude was that the judges had their own opinions, which were separate from the immutable facts around the chemistry of baking (more on this later) and shouldn't affect how bakers are judged.

After the show moved to Channel 4, the number of themed weeks increased and more of them focused on specific countries. In 6 seasons on the BBC, there were only two country-focused theme weeks, and in 5 seasons on Channel 4 there have been five. And while they've also had themes like vegan baking, roaring 20s, the 1980s, spice week, etc. the show has really started to go hard on exoticizing other cultures in outright disrespectful and racist ways. There's been Italian and Danish week, German, Japanese (it wasn't, it was East Asian week), and now Mexican week (which doesn't touch on interspersed Jewish bakes that didn't get a theme week, like versions of bagels and babka set as technical challenges that were borderline hate crimes and mansplained by a guy who has no idea how to make either and once wrote in a cookbook that challah was traditionally eaten during Passover). Each time the hosts played up the theme with racist bits and jokes that can be used as evidence in court if your case is "why should shows with scripted content have a professional writing staff."

Which touches on other issues the show has now...

The Hosts:

When GBBO was on the BBC, the show was hosted by ✨Mel Giedroyc✨ and ✨Sue Perkins✨. They encouraged the bakers! They'd hold stuff for them sometimes! They were interested in them! If a baker had a breakdown, they would start singing copyrighted material to render the footage unusable! When the show moved to Channel 4, they left, though I'm not unconvinced that Channel 4 offered them impossible to accept contracts to force them out so they could rebrand the show. They replaced them with Sandy Toksvig and Noel Fielding. Sandy was a lovely host in the vein of Mel and Sue, and she and Noel had a relatively sweet rapport, but she left a few seasons ago and was replaced by Matt Lucas.

Noel Fielding is mostly known for his quirky brand of comedy, a sort of British Zooey Deschanel who's goth from the neck up, an upperclass British gay divorcee from the neck down, and basically an early 60s Beatle re: trousers. Matt Lucas has almost definitely never watched a single episode of GBBO and his most redeeming quality is his thinly veiled contempt for Paul Hollywood.

The two treat the baking tent as their personal playground. Far from the supportive attitude of Mel and Sue, they tend to get in the bakers' way during the most stressful moments, especially when they try to do hilarious "comedy" bits (I can't not put that in quotes) like Noel's talking wooden spoon thing, or Matt talking over Noel to do time calls. During theme weeks like Japanese and Mexican week, they do culture-specific bits that are both racist ("just Juan joke" and "is Mexico a real place?") and unsurprising, given that both Matt and Noel did blackface on their respective sketch shows and absolutely could and should have known better because it was already the current fucking century.

All this to say, there's now a separation between the bakers and the hosts, as if they're on different shows. The hosts are doing their own thing and the bakers are doing GBBO. The show has gotten meaner to the bakers, and the hosts aren't there to support them anymore, they're just there to be comic relief. Because when you refocus your show on stressing the bakers the fuck out, you need a forced laugh I guess ¯\_(ツ)_/¯.

The Judges:

First of all, a sincere congratulations to Paul Hollywood who managed to squeeze I jUsT cAmE bAcK fRoM mExIcO aNd YeT sTiLL pRoNoUnCe PiCo De GaLLo As 'PiKa De KaLLa' and I aM aN eXpErT oN s'MoReS wHiCh aRe MaDe WiTh DiGeStiVe BiScUiTs AcCoRdiNg tO mE, aN eXpErT oN s'MoReS, just two in a giant pile of astoundingly wrong hot takes, into a short enough time span that they all aired within Liz Truss's term as Prime Minister. A true man of accomplishments.

In the interest of fairness, I need to preface this with a disclaimer that, due to the fact that I've been watching Bake Off for most of its run, I'm biased. Specifically, I can't stand Paul Hollywood's smarmy, classist, egomaniac ass because he's proven time and again he's more interested in looking smart than actually knowing what he's talking about. Since the show moved to Channel 4, they've changed the occasional handshake Paul would give bakers to the HoLlYwOoD hAnDsHaKe™️. It's gone from being an emphasis of someone's skill to a goal, a reward, and one that emphasizes the judges' place above the bakers.

The judges used to function as teachers, imparting their skills and insights to the bakers. When the show was on the BBC, the voiceover leading to a judging would focus on the bakers' work being finished, saying how it will now be evaluated based on their skill and how well they met the brief. The voiceovers now, on Channel 4, focus on the judging (literally saying something along the lines of, "the bakers will now be judged by Prue and Paul"). There is a clear distinction Channel 4's producers have made, to mark that the show is now about whether or not the judges approve, not whether the brief was understood and executed well. On the BBC, it was irrelevant whether the judges liked a particular flavor, as long as the bake was well-made. Now, the bakers are expected to know the judges tastes and cater to them, which is frankly bullshit. A judge doesn't have to like a flavor to know whether or not it was executed well, ie. is it carrying a bake and was it meant to etc.

The judges have been turned into a brand. Cynically, Channel 4 knows that by building them up and focusing the show more on them, they can exploit their image more for profit. In the process, they've become much more biased and their own biases have come out as well. Most recently in the flaming dumpster fire that was Mexican Week, Paul Hollywood tried to intimidate a baker by telling them he had just gotten back from Mexico (which must have been a fruitful learning trip if he couldn't even learn how to pronounce pico de gallo correctly). Where do I even start with this? Here's an amateur baker from England (the show specifically casts middle and lower middle class bakers for the most part??) who likely can't afford trips to Mexico, who lives in a country with incredibly limited access to Mexican cuisine, who is expected not only to understand the cooking and baking traditions of a completely different culture but to do so well enough to play with it and do something creative with it. On top of which, one of the judges is now using his privilege of traveling halfway around the world as some kind of leverage, as if this were a bar that any amateur British baker could clear.

Prue, meanwhile, has openly asserted her biases against cultural flavors and textures, prioritizing her own personal preferences over them, as if they were in any way relevant to the skills and knowledge necessary to execute the tasks she sets to the bakers. She has also been consistently elitist, criticizing bakers for choices they made that were clearly informed by their experiences within income brackets that are too low and foreign for Prue to comprehend. She once had a go at a baker on a Christmas special because his Christmas dinner themed bake didn't have a turkey, even though it was clear from the stories he shared of his own Christmases that his family likely couldn't afford one. "It's not really Christmas dinner without a turkey," Prue said into the camera angrily while sitting on a chair made of live orphans and telling the ghost of Christmas Future to come back when he had another museum gift shop necklace for her to round out her collection.

The show is no longer about which baker has the best skills. It's become about which mortal can appease the gods of Mount Olympus, ie. the judges.

The Bakers:

Remember when the show was about them? Channel 4 doesn't! Because this is a reality competition show, the bakers are chosen both based on their skills, as well as cast-ability. They're cast as characters, distinct from each other, from different areas, age groups, ethnicities. All of them are amateurs. All of them are middle or lower middle class. They've ranged from college students to supermarket cashiers to prison wardens to scientists.

Something I noticed when the show moved to Channel 4 is that the baker who goes home in the first week is always wildly behind the rest in skills. I have no proof of this other than my eyeballs and deductive reasoning skills, but I think that Channel 4 deliberately casts a ringer each season who they think will be an easy send-off in the first week, just to get the audience's feet wet.

Anyway, like I said, this show used to be about the bakers - about them building skills and learning, and having walked into the tent with a self-taught foundation and understanding of the processes and chemical reactions involved in baking. When the show was on the BBC, the end of each round had some (often brief) moments of tension - will they finish in time? Will they get their bakes on the plate before time is up? Did they forget to add sugar to their batter and only remember at the last minute? In the end, they usually managed to finish and we'd all breathe a sigh of relief and think, yeah! You go, Bakers Who I'm Rooting For!

Now, on Channel 4, the end of round drama has been stretched to be so much longer that they've composed extra music for it. The bakers often seem out of their depth, whether because the instructions for the technical challenge are too vague (bake a lemon meringue pie??? As if anyone in the UK under the age of 60 has had one in the last decade???), or because they were expected to bake something that required a more than a basic foundation they weren't told of. Often it seems like they just aren't given enough time, a tactic used by reality competition shows to manipulate contestants into giving the cameras more dramatic content. On top of all this, the hosts get in their way, instead of helping them plate their bakes. As has been pointed out before, when everyone fails the challenge, the real failure lies with whoever set it.

In conclusion:

The show no longer exists to teach the bakers - and the audience - skills or knowledge. It now manipulates contestants for dramatic effect and prioritizes showing conflict over wholesome content. Channel 4 sees the bakers as social media content they can churn out season after season, and don't care about them because in a few months there'll be a new batch to exploit. Meanwhile, the judges are also out of their depth, co-opting recipes from other cultures and butchering them horrendously, while the camera gives them nothing but status as they hold bakers to the expectation that they learn how to make things very much the wrong way. If you saw any of the tweets about Mexican or Japanese week, or read my post on how Paul Hollywood isn't allowed to go near babka ever again, you'll understand.

So what would fix all this? Scrap the current judges and the hosts altogether. Bring back Mel and Sue, and replace the judges with expert bakers who have a love of their craft and want to share it with others. The draw of GBBO used to be its warmth and comfort - if Channel 4 isn't going to start its own version of Master Chef For Bakers, then it needs to stop trying to find a balance of how it can insert that vibe into GBBO. It can't. That's not a thing. Stop trying.

#GBBO #paul hollywood #prue leith #the great british bake off

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evilwickedme · 9 months

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I said I'd never do jumblr content again and yet here I am because this keeps coming up and it's like the only thing I can think about. That said I will not hesitate to turn off reblogs if y'all are horrible in the notes again, and be warned that I will be blocking anybody who supports any of the theories I mention immediately

There is no such thing as a conspiracy theory that isn't antisemitic. There is no such animal

Antisemitic conspiracy theories go back thousands of years. The ones that still have the most hold on culture to this day are the blood libel, and the protocols of the elders of zion

The blood libel was an accusation that would be brought against Jewish populations in Europe often but especially around Passover claiming that we were killing Christian children for ritual purposes, usually to use their blood for baking matza or other nonsense (it is important to me that you know that this is nonsense. It is horrible and damaging but also to the core a ridiculous lie that never at any point made any sense. They just didn't care). Debatably this trope is present in the merchant of Venice. Undebatably Jews were killed because people did and still do sincerely believe this

The protocols of the elders of zion is a fictitious document published in Russia at the very beginning of the 20th century, supposedly detailing the meetings of the Jewish people who secretly run the world. The protocols were almost immediately proven to be a rip off of another document - ah, plagiarism - but that hasn't stopped antisemites from embracing it wholeheartedly (special thanks fuck you to Henry Ford for publishing them in his newspaper, spreading it across the USA). It built on previous antisemitic tropes, from the greedy banker trope (Jews were forced to be money lenders in medieval Europe as it was forbidden in Christianity and Jews weren't allowed to join any guilds, preventing them from making money in any other capacity - the reason why there are so many Jews in Hollywood is identical, but in the early 20th century) to the concept of dual loyalty (i.e. Jewish are loyal to ourselves above all else and cannot be trusted to be loyal to the country where we live, see: modern trope that every Jew is probably loyal to Israel and the subsequent idea that it's okay to ask every single diaspora Jew how they feel about Israel immediately upon meeting them). It's also worth noting that the word cabal, used to denote the shadowy organizations that supposedly control the world, comes from kabbala, which is Jewish mysticism

The idea of lizard people, created by a guy literally named Icke because he is a gross human being, was designed to repackage the antisemitic shadow cabal concept to be supposedly more palatable

Most qanon theories also build on all of this, such as world leaders preying on children (remember pizzagate?)

But more importantly conspiratorial thinking always positions you as the good guy standing against a mysterious "them", an other which is influencing things behind the scenes. The Jew is the ultimate other, and specifically an other that supposedly forms a shadowy world government, controlling everything and yet somehow not managing to get rid of antisemitism (see: protocols of Zion, lizard people, we control Hollywood and the government which is of course conspiring against you). There is no way to decouple the idea of an evil shadowy organization (usually also referred to as a cabal to really hammer it in) from antisemitism and antisemitic tropes

And this means that even supposedly "harmless" conspiracy theories attract antisemites and train people who aren't necessarily rabid antisemites to confirm those kinds of biases. Obviously Qanon and lizard people are antisemitic, but what does the moon landing have to do with Jews? Well, it was Hollywood and the government that faked it, obviously. Hell, even the conspiracy that Taylor Swift is secretly a lesbian and is either still secretly dating or is exes with Karlie Kloss is riddled with antisemitism -

Okay so I need to explain my position on this because I fucking hate this conspiracy theory, and the fact that most people simply won't acknowledge that that's what it is. Firstly, Taylor Swift has stated that she is not gay or considers herself an ally at least three times off the top of my head, and specifically denied that she was dating Karlie Kloss. Secondly, outing people is wrong. Thirdly, the conspiracy theory hinges on the idea that she would be risking her career by coming out, except that she's proven that basically no controversy can come in the way of her career, she's already "come out" as an ally, donated to glaad and the equality act, promoted queer musicians & artists & designers (there was a song in the reputation tour that was dedicated to a gay designer every single night of the tour). So what's stopping her from coming out at this point? Mysterious forces, clearly. The antisemitism in that I've already explained, but also the virulent antisemitism among Kaylor shippers aimed at her husband and at the fact that she converted to Judaism is fucking disgusting

Again: even a supposedly harmless conspiracy theory leads to antisemitism and attracts antisemites

A few years ago I tried to rewatch white collar cause I remembered really enjoying that show as a preteen and after around a season I just couldn't stand it anymore, because all I wanted to do was jump into the universe and yell at Mozzie to shut the fuck up because these conspiracy theories were barely presented as a joke and never challenged even once by any of the characters. When I rewatched that 70s show it also fucking sucked, but at least it wasn't showing up in every single episode. The blacklist focuses entirely on a literal Cabal, that's what they're called

This stuff is so normalized and it's fucking everywhere and it's exhausting. Jews are to this day being murdered over this. I can't change the world by myself, unfortunately, but if you don't have a specific person to blame for your troubles, shut the fuck up. Just shut up. There is no conspiracy against you. Sometimes life just sucks. Or definitely does for the Jews who get shot at over this shit

Again, I'll be blocking anybody who parrots this bullshit in the comments but especially fucking gaylors y'all are one of the main reasons that being a fan of Taylor Swift's music is fucking unbearable. Just accept you can connect to music made by somebody different than yourself it's not that difficult of a concept

#this post brought to you by my burning hatred of gaylors #antisemitism #jumblr #jew tag #jewish history #conspiracy theories #t swizzle #to the people who will inevitably come into my inbox after this and ask me questions about antisemitism: pay me first #ko-fi link is through my bio #gail speaks

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