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#Zeldas an absolute badass
hotvintagepoll · 5 days
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Propaganda
Rita Moreno (Singin' in the Rain, West Side Story)—She’s an EGOT, an absolute legend for how she navigated her career as a woman of color in the fifties and sixties. Her performance as Anita in West Side Story is why I go back to that movie so many times. She is an icon and she is the moment.
Angela Lansbury (The Harvey Girls, The Court Jester, The Manchurian Candidate)—The babe, the myth, the legend. In her own words her early hollywood roles were "a series of venal bitches" and they were all glorious. Half of them wanted to kill you and you probably would have thanked them. She even goes toe to toe with Judy Garland in The Harvey Girls! That said, she was chronically underused and misused during this era - she was just 36 when she was cast as Elvis Presley's mother in Blue Hawaii and a few years later commented that she'd played so many 'old hags' that most people thought she was in her 60s. She thought she was "all talent, no looks" but she was the full package! Post-1970 I hope we all know what an incredibly talented and compassionate badass she was, but I feel like not enough people know her early roles as a hot (often villainous) young thing.
This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Rita Moreno propaganda:
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"Amazing showstopping actress in her one big memorable role as Anita in West Side Story. She sings and dances with unmatched joy and energy, and then breaks your heart with her acting. Rita took a role that felt as a stereotype to latina women and made it compelling and multifaceted. Her subsequent career was filled with mostly side roles, but she still managed to excel in whatever Hollywood threw at her."
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"It’s Rita!! The EGOT herself! She can act, she can sing, she can dance, a triple threat. Obviously absolutely iconic as Anita in West Side Story (her part of the Tonight Quintet is the sexiest part of the film, fight me). But before that she was the amazing Zelda in Singin’ In the Rain!?! Thanks Zelda, you’re a real pal."
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"She continues to be amazing but also she's got legs for days."
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"THEE iconic rita moreno, EGOT winner, civil rights activist, theatre legend. watch her documentary "Rita Moreno: Just a Girl Who Decided to Go for It". also her rendition of "fever" on the muppet show"
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Angela Lansbury:
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"Angela Lansbury might not be where your mind goes first when you think of hot leading women, because she had a later career revival. But she began acting in the early 1940s after leaving London due to the Blitz. In the first couple decades of her film career she has an openness about her. She said she never really fit in with the Hollywood crowd and to me she gives off a friendly, untarnished vibe."
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"Most of us know Angela Lansbury as old lady sleuth Jessica Fletcher, but it's important to know that she was smoking hot in her younger days as well as a damned fine actress. Although she didn't get lead roles until her early 40s, at 17 she was a supporting actress in films such as Gaslight (1944), National Velvet (1944), and The Picture of Dorian Grey, for which she won the Golden Globe for best supporting actress and was nominated for the Oscar. Even in her memorable performance as the manipulative mother in The Manchurian Candidate, she is listed as a supporting actress as she does not play the love interest. She was successful both on stage and screen, and won the Tony for her lead role in the musical Mame on Broadway in 1966. TL;DR While Angela Lansbury mostly played supporting roles in films before 1970, she had what it takes to be a leading actress, which we know from her success on stage and tv from the mid 60s onward"
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"She looked like a princess but bit like a viper"
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"Is there anything this woman couldn't do? Act in comedy and drama, sing, dance, be a wonderful human being - quite simply a true and wonderful lady."
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"she is the fairytale princess of my dreams in court jester"
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"god she had such an incredible career all throughout her life really but as a young lady she was just as incredible as she was in her later years. enchanting voice, amazing personality, and absolutely GORGEOUS. she lamented not having the looks to play leads in romance but that idea is so batshit because look at her??? she's one of the most terrific women of all time. also she's my grandmother's favorite actress and i truly get it"
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lucky-clover-gazette · 10 months
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one thing i love about totk’s story is the sense of RESPECT the world has for link. like compared to botw, where he’s this kind of fabled failure of a hero (similar to zelda) who everyone thinks is dead, whose ultimate enemy (clammy ganon) is a beast devoid of personality who *can’t* feel any type of way about him.
but in totk, he is so respected and known for what he has done for the world in the past five years. even when npcs don’t recognize him AS himself, they speak of him highly. yiga clan members hate him so personally and use his actual name. they have fanart of him on the walls. zelda speaks of him SO highly in the past, convincing the sages who are total strangers to tell their descendants to assist him. the sages, in turn, assist him without question, especially the ones who were already his friends. zelda convinces rauru to put his absolute faith in link, and that’s how we get the most badass cutscene in the game: rauru imprisoning ganondorf.
because holy shit, that cutscene. the music is what elevates it, but what’s already there is so good. re: the music, rauru’s theme flowing into link’s triumphant theme during his speech about link beating ganondorf, then flowing back into the resigned resolution his own. goddamn. and then the lingering hyrule castle/gdorf theme fading as he’s imprisoned. goddamn.
and ganondorf (here’s the big point of the post) actually takes link seriously. like the whole “i look forward to meeting him” was partially aloof on his part, but this man was DETERMINED to insult link the second he woke up after this confrontation. he is pissed that people respect link and think he’s capable of stopping him. it feels so personal on his side of things, unlike even windwaker, where ganondorf had a lot of personal stakes and was a complex character, but saw link and zelda more as pawns then adversaries. and in oot he’s straight up just like “uh who’s this kid,” and in twilight princess link doesn’t even know ganondorf is the real villain until the end of the game.
ganondorf meets link in the opening of the game and takes his arm, his sense of normalcy, and best friend away from him. the entire game is link learning how the hell this happened in the past, seeing ganondorf’s arrogant personality and pure contempt for everything he stands for, and wanting very badly to not only save the world he loves, but also his best friend, who sacrificed herself so he may stop ganondorf.
what i’m saying is, that final confrontation feels SO earned. and it’s incredible—the way ganondorf taunts link during the fight, takes cheap shots at his arm, and then essentially kills his own personhood out of a refusal to admit defeat.
there were disappointing things about ganondorf in totk, but this was not one of them. both his and rauru’s characters entirely justified themselves over the course of the story. a month or so out, i am still so pleased with this game.
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linderosse · 27 days
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I LOVE YOUR WIELDERS OF WISDOM COMIC!!!! i think its wonderful and so absolutely necessary (if u will excuse my feminism)... the art style is GORGEOUS and im just so grateful someone is giving love to all the zeldas <33
sorry that this is anon but. i dislike being perceived lmao
Thank you so much!!
And heck yeah on the representation front! I’m doing my best to write a variety of interesting characters that will help me tell the stories I want to tell. To me, the fact that they’re mostly women is both incidental and vitally important at the same time.
Tetra was my first Zelda, and I always loved her pirate captain badassery and no-nonsense attitude. I was a bit of a ‘tomboy’ (used in the non-insulting sense, simply referring to a girl who liked traditionally boyish hobbies/clothing) growing up, so I identified with Tetra real hard <3. Heckin’ loved her practical, forthright nature— and the way the games don’t hesitate to show her wackier side and how her actions sometimes get her in trouble— and how she gets out of it, with or without help.
And of course, girls can also be girly and get things done! Love the more traditionally feminine Zeldas as well; shirking feminine mannerisms definitely isn’t a requirement for a well-written female character. You can have a character wear a tiara, battle in a dress, and still be cool. Heck, you can have ’em don a soft gown, not fight at all, and still be an awesome character: maybe she genuinely wants good for the world, or maybe she controls the board with gentle magic and soft “feminine” persuasion to achieve her goals, turning foes into friends— or her pawns.
And characters don’t always have to succeed! Sometimes persuasion fails. Sometimes they argue with someone they know is right. Sometimes her sword falters. But that’s fine! That’s what makes for a good, realistic, fun character— that’s how humans are.
(continued under the cut)
See, I feel like some popular media is trending towards forcing women to be *exclusively* badass, almost flawless in their physical skill yet boyish in their mannerisms.
Like, as a random example: Peach in the Mario movie. Movie Peach no longer giggles and blows kisses, because that would be too girly. And Movie Peach is a perfect platformer and politician, because female empowerment. Same thing with Galadriel in RoP (and it’s honestly a bit different and way worse with RoP Galadriel, because her mother-name is Nerwen which translates to man-maiden and she is canonically a tomboy, but they write it so badly in RoP that not even the rest of the characters in the show respect her for her over-the-top ‘female badassery.’) And as a huge, longtime fan of both the Mario series and the Silmarillion, it kinda hurt to see those Mary Sue-esque, somewhat shallow depictions of what should be complex characters.
Now, the thing is: one or two perfect characters like that are just fine! The problem lies in the fact that many of these shows have only a few female characters to begin with, and they’re all like that. Peach is kinda alright, but Galadriel’s major flaws are barely even shown because the writing has to try to make her look badass even when she’s making objectively terrible decisions.
Because here’s the thing— depicting only perfect women and minimizing flaws isn’t supporting female empowerment. Girls have flaws too, folks. Popular media relying only on the immaculate femme fatale badass just makes for a more cliche story, and imposes higher standards on young girls who look up to these characters. And the forced boyishness forces standards as well.
Why can’t Peach flutter her eyelashes, giggle, and still knock bad guys on their asses? Or, better yet, why can’t Peach flutter her eyelashes, giggle, knock bad guys on their asses, help Mario out, also get helped by Mario, and maybe admit that it took practice for her to get to where she is now?
That’s how she used to be in the middle Mario era, like Super Mario RPG, Thousand Year Door, and Super Paper Mario. Peach was feminine and still relatable to a young tomboy like myself.
I’ve rambled on for far too long, but anyways, that’s what I’m gonna try to do here with the Wisdomverse: tell stories of a bunch of different types of people, where each of them has their own take on what it means to be Zelda.
I can’t promise I’ll be perfect at writing this either, honestly. Perhaps I’ll fall into some of the same traps— I’m sure it’s hard to avoid them.
And perhaps my thoughts on this will evolve over time as well, and I’ll later have an even better understanding of how to write the characters I want to write.
Either way, I’ll certainly do my best!
Tl;dr: I got really sidetracked, but thank you for the kind message! Glad to hear you’re enjoying Wielders of Wisdom; hope to keep building my characters into interesting and at least somewhat complex women as things progress :)
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vahmedohsos · 4 months
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Revali being a dramatic fighter will always just send me.
In AOC, he doesn't even know Zelda is watching, and if it was Impa he was showing off to, still. Why.
Revali, internally: ya know what, instead of shooting link with the bomb arrows, let me shoot them literally everywhere that isn't him to make a smoke screen so that I can swoop down with a dramatic mid-air flip to shoot him with a bit more pizzazz. Just so that he thinks I'm super badass and cool; so that he regrets ever coming here before he dies. Yea. I'm proving a point... I'm proving so much of a point right now.
And by his attacks, he does this to EVERYTHING.
HINOX? Gotta show it how cool I am quick.
LYNEL? Hold on, let me show it that I'm actually so awesome.
CALAMITY GANON? Hold on, gotta make sure everyone is out of the way so that I can dramatize my attack quick.
TLDR: Revali is constantly fighting his concise over whether or not he makes every living (and hell, even dying in BOTW) second absolutely dramatized, even if one person / no one is there.
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onesunofagun · 11 months
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The implications on Ganondorf and his background in TotK suggest some very interesting things to me.
First of all, like. I love him. He specifically did not disappoint me. His JP audio fucks so hard. I love his design. He's glorious.
And Hyrule as an imperialistic divine hegemony is not a new concept in the slightest, obviously, the Ganondorf corner of the fandom have known and discoursed about the potential story ramifications of those themes since OoT, but Fujibayashi really went ham on it in his run. (And look. Zelda is made in Japan. Framing a divine imperial authority as a good thing narratively is pretty par for the course JP nationalism, to be really blunt. It is what it is. Grain of salt.)
But I do appreciate that it revisited some OoT plot beats even if it... really drove that point home again in retrospect
I guess new fans are in for a treat unpacking that;;;
Anyway in the BG of that, I'm interested in the particular minutia of what was happening with this Ganondorf specifically to flavour his particular brand of 'fuck you'
And a few important points that give broader context to things are these and I'll put under a cut bc spoilers obviously--
Rauru's repeated 'invitations' to join Hyrule and benefit from their protection (presumably some advanced technological access or strong magical allies as part of that promise, which I believe is probably anti-monster focused within world context) which Ganondorf as a King has very much ignored (and good for him tbh).
Clearly, he has an interest in keeping Gerudo independent.
Ganondorf is acknowledged as a Hero to his people. Not only does this heavily resonate with the very particular themes of his actual character design and both its Buddhist reference and Samurai trope homages, but like-- we're actively shown an explanation for WHY he may be considered such.
Being who he is, he's already magically inclined with a kinship to monsters. We are unapologetically shown him in command of a Molduga Army. Trained Moldugas, under his command-- and not under specifically his mystical command, either, but musically conditioned. Trained to follow sound based command cues, which makes plentiful sense given Moldugas are sound sensitive and Ganondorf usually has musical inclinations. Plus it's Zelda franchise, magic command music is also very much a thing but--
Moldugas are, at least medicinally, very important resources. On a larger scale, they're also a very present threat to desert dwellers and travellers, and from the looks of it in much larger numbers, back then.
Given the context of everything, Ganondorf was a badass even before 'he took a magic relic and fucked up the Hyrulean Royal Family' as he tends to do. Sporting as ever, he fights Link one on one as just a Gerudo, also showing once again that he does in fact have some personal code of honour when it comes to fighting worthy opponents. But it gives us a yardstick of how capable he probably was even before he nabbed the tear.
Capable enough of tangling with most big uglies in the desert, such as Moldugas, which he has at least trained and at most maybe even raised.
Exemplified Power as he ever is, I'd like to point out that in this case, he's demonstrating a flipside of what Power looks like-- benevolence, protection, guardianship. Once again, we have the pieces that indeed he is capable of that and showing that to his own people. He also flexes the Molduga Army as a show of Gerudo and its own power.
To anyone other than Rauru, who is an incredibly powerful Sage already, a Molduga Army would have absolutely won the day, I think. The reaction of the other Gerudo is pretty telling.
Ganondorf's faction were deeply shaken by the display of Rauru's power. And as a guy that's been knocking on your King's door and saying 'you should come and bend knee to me' when Gan already has the worst problem in the sands sorted out?
Very understandable.
From their perspective -- what do they need protection from, exactly, if not Hyrule itself? Their monster problem is a non-issue. From the viewpoint of Gerudo loyal to Ganondorf, everything about this looks like a pressured threat.
Which comes back around, of course, to what Ganondorf plainly lays out to Rauru when he gains the tear-- this is because Rauru tried to control him. And yes, that's Ganondorf and his pride and his nature in full tilt too. He will not be pulled beneath anyone or anything.
But that's the point about that hubris on Rauru's part, he felt superior and he underestimated both Gerudo and Ganondorf-- as a warrior and a leader, and as somebody who was likely managing things very well on his own.
But I mentioned factions. This is something that should be made clear.
Pointed ears are, canonically, associated with faithfulness to Hylia and/or the worship of Hyrulean spirits. This gets debated all the time, but that's the fact of it. We have been shown again and again that humans from outside of Hyrule have round ears (as long ears are associated with hearing the voices of the gods; ie being open to them). Exposure to Hyrulean aligned divine elements can lend pointedness to previously totally round ears. We see this happen.
It has been doubled down upon that the ancient Gerudo (such as in oot and FSA, with FSA having the introduction of the floral association in Gerudo design and OoT heavily centering mirrors in their spiritual practices) worship different deities, whether derivatives of Din or Hylia or completely different myth. The Goddess of the Sands has been confirmed as a deity that Hyrule itself views as evil and false.
I generally interpret this to mean that part of the reason boils down to this-- Hyrule's main concern is that pointed ears are living lives closer to the gods, and therefore more insulated against corruption and demonic influences. Rather fittingly, their patron's foremost spiritual antagonist tends to find his reincarnation in unprotected, non-Hyrulean tribes who are 'open' to demons.
Now that may be another layer to what Rauru means when he says protection, also. Worshipping the 'right gods' affords certain protections (and certainly supports the security of Hyrule itself).
In SkSW, by the way, there's a really cool point of questioning early human society too-- the fire temple depicts demons and monsters and snakes quite a bit, and these were built in a time when I suspect the humans were mostly a large proto-people.
Sidenote: I think Hylia's faithful went to Skyloft and generally shook out to be the Hylians we know later, where some stayed on Earth to serve Hylia's plan and became Sheikah, many more people were transformed into demons in a reverse-Batreaux situation, and some humans just scattered far and wide to avoid conflict.
Anyway that temple depicts Bokoblins making hand signs and long story short, the overall motif and meaning of that temple shows demons offering to teach things, approaching humans with a different kind of enlightenment. Whoever built that temple was very much in a state of open spiritual and mystical curiosity.
Now the takeaway there is, ultimately, the ancient Gerudo very much seem to be descended from such a sect of people. They have their own gods, and they're not part of Hyrule proper, and they have round ears because of it.
Botw departed from that very clearly, but in doing so, also erased and replaced almost all traces of the ancient Gerudo deities with new Hylian analogues.
The Seven/Eight Heroines count as Hylianised deities, and I believe the reason for this-- first suspected in botw but I feel it's weightier after totk-- is that they represent tear holders / Hylia aligned Sages in the seven group (edit: and apparently a Hero in the Eighth) such as those in the decline timeline. They are functionally the reason that the Gerudo of modern day possess long ears-- even where they are selective in what they worship, they are still worshipping Hylia aligned aspects of Divine Hyrule.
And in case this wasn't absolutely irrefutable to me beforehand, the ancient Gerudo Sage from Rauru's time is both loyal to him, and possesses pointed ears under her camel mask.
I would also point out the Hylians of Rauru's time seem to have longer ears in general, probably owing to having a Zonai King, ostensibly a Hylia aligned Deity himself.
Ganondorf's ears are rounded, of course. He clearly doesn't believe in Hyrulean worship even in lip service, and it's little wonder why.
But following another beat of OoT, that ancient sage is a very obvious Nabooru type character. And, in much the same way, that suggests that even when Ganondorf was King of the Gerudo only, there may have already been factions splitting up amongst their people based on spiritual practices.
I don't think it's beyond the pale to speculate there may have been a mixture of Gerudo at the time who had both pointed ears and round, signalling the confusion from and conflict between their spiritual leaders.
It seems likely that a schism probably existed, regardless of ears, but that schism-- and the sage who may well have been leading it-- may have been caused by people who decided respond to those calls from Rauru and join Hyrule without their King.
Which gives a lot more context to why Ganondorf would be in the mood to send a giant Molduga shaped "back off" Rauru's way, also.
I take particular note that Ganondorf's destruction intentions are faced towards Hyrule and her allies, and specifically those who oppose him in that goal. And while I concur that his whole Red Inheritance party ran hard and may well have had a decent hand in frightening the bejeezus out of the Gerudo who were previously faithful to him-- maybe even inadvertently sent some running for camp Hyrule-- it seems he considers modern day Gerudo, fully converted to pro-Hyrulean status, to be traitors.
We have no idea what happened to the Gerudo who followed him, so that's really up in the air as to how messy that may have gotten.
Even the woman who plays to summon the Molduga has pointed ears though, so I tend to lean that his camp got converted to Heroine worship (or at least those with pointed ears mostly did if the mixed ear situation was happening).
But heck, it would not be the first time some Gerudo got ran outta dodge after a King went belly up.
Food for thought.
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What Your Favorite Zelda Ship Says About You (for the games I’m familiar with)
General:
Link x Zelda (ZeLink): You are a firm believer in the inherent beauty of two souls coming together, again and again, through reincarnation after reincarnation.
Hylia x Hero: …see above. Also, you read the Skyward Sword manga.
Ocarina of Time:
Link x Zelda (ZeLink): You think classic Disney Princess movies are more feminist than given credit, and that Cinderella is more badass than she’s given credit.
Link x Sheik: You were absolutely fucking pissed to learn that you can only play as Sheik in Super Smash Bros. Also you are almost definitely some flavor of trans.
Link x Dark Link: Looking back on your childhood, you can pinpoint Ocarina of Time as the beginning of your crippling addiction to “Enemies to Lovers”.
(Child) Link x Saria: You really like Disney Channel movies where the popular kid’s girlfriend is nice to the loser protagonist.
Link x Malon: You just want good things for Link. And really, who wouldn’t? Also, you’re a horse girl.
(Adult) Link x Nabooru: Your favorite Champion is Urbosa.
Link x Ruto: You love the scene in Dragon Ball where Goku accidentally proposes to Chi-Chi but holds up to that promise when they’re adults.
Twilight Princess:
Link x Midna (MidLink): You are a firm believer in the inherent eroticism of getting dunked on. 
Link x Zelda (ZeLink): You are a firm believer in keeping things canon and keeping things wholesome. 
Link x Ilia (IliaLink): You believe that the Hero of Time settled down with Malon.
Midna x Zelda (Midzel): You hypothetically want a girlfriend who can kick your ass but realistically you just want to be bridle carried. Also, you read the manga.
Midna x Zelda x Link (Midzelink): Your solution to a love triangle is ALWAYS polyamory.
Midna x Zant (MidZant): Your AO3 history is about 50% Reylo fanfiction.
Zant x Ganondorf (Zandorf): You definitely got your start in the Star Wars fandom by writing Kylo x Hux slash fic.
Skyward Sword:
Link x Zelda (ZeLink): You have gotten into at least five heated Internet arguments about Skyward Sword being underrated. Also you cried at that ZeLink shot in the Tears of the Kingdom trailer.
Hylia x (Original) Link (Hylink): You cried at that other shot in the Tears of the Kingdom trailer of maybe Link’s metal arm holding maybe Hylia’s arm. Also you read the manga.
Link x Ghirahim (GhiraLink): You are still pissed Ghirahim wasn’t in Smash.
Link x Groose (GroosLink): Your mom told you that that mean boy on the playground pulled your hair because he likes you and you never let go of that.
Zelda x Groose (Zeloose): You are painfully heterosexual. Alternatively, you are Groose.
Breath of the Wild:
Link x Zelda (ZeLink): You are a firm believer in the inherent romanticism of shared trauma and Knight x Princess dynamics.
Link x Mipha (MiphLink): Your ideal relationship dynamic is one-sided, tragic pining. Press F to pay respects.
Link x Paya (PayLink): You just want good things for Paya. And really, who wouldn’t?
Link x Sidon (SidLink): You’re always a slut for beautiful cinnamon rolls, too good for this world, too pure.
Link x Revali (RevaLink): You love the Tumblr meme that’s like “You want to fuck me so bad, it makes you look stupid.” Also, you think people are too mean to Revali.
Zelda x Revali (ZeReval (?)): You are heterosexual.
Urbosa x Zelda’s Mom: You are a strong supporter of two women who are sick of a man’s bullshit.
King Rhoam x Literally Anyone: You think Endeavor deserves a redemption arc.
EDIT: the sequel
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skyloftian-nutcase · 9 months
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So we talk about the linked universe boys a lot but we never see anything on the princesses. Like... where's the headcanons on them?
I wanna see Lullaby sneaking off as Shiek to hunt monsters with Time when court life becomes too much and complaining to Malon about the stupidity of the other nobles and how they fuck things over for everyone else but she can't just smack them over the head or overrule their policies because then she'd become a "tyranny" if she did that.
I wanna see Fable being an absolute menace to her Knights as payback for how they treat her brother but nobody believes then because she's a perfect angel for everyone else and she and Holda working together to study magic and learning to defend themselves so that Legend doesn't have to save them for what seems like the 100th time.
Sun using her memories as Hylia to be a cryptic little shit just for the funsies and kicking everyone's ass in spars because she's a knight too and a damn good one at that!
Flora and Purah are researching buddies and absolutely asking like a billion questions about everyone's timeliness and Symin having to drag the both of them by the scruff of their shirts out of the lab or back from the wilderness
Dusk having holidays in Ordon and Kakariko for similar reasons and practicing her archery, not quite going rogue but working alongside the Resistance to pick up her own soldier's slack.
Artemis just kicking ass and taking names as she continuously works to weed out the corruption that was brought to light by Cia's invasion.
Aurora and Dawn being sisters and helping each others trauma while trying to rebuild the kingdom's history and army so Hyrule doesn't have to work so hard.
Tetra being the badass pirate queen she is and also being a terrible influence on Aryll as a surrogate big sister so she can gleefully hold the fact over Wind's head, who is upset because HE wanted to be the one to teach Aryll how to swear!
I love all of these so much, especially the girls I'm familiar with. The idea of Lullaby sneaking out and fighting alongside Time while also chilling at the ranch and having girl time with Malon is amazing. I always adore seeing Sun get to, well, shine and show that she too is a knight - and that she fought in a war as Hylia! No one remembers Hylia fought in a war to save everyone before she ever asked for help from a hero!
All of this is delightful. <3 When I have more brain cells to spare I will make some fun ideas of my own.
This ask does remind me that I need to make a post about the Zelda personalities, though, so thank you for that too!
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syndxlla · 10 months
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On anon because I'm too shy to put my face to this. I really love "corruption" or "immoral" pre-calamity/aoc fics. It's one of my favorite concepts for these two. I have a preference for Zelda corrupting Link.
I'm just enamored by the idea that this young man is desperately trying to suppress or reign in his desire for his princess. He's pathetically in love with her, but he's trying to remain the upstanding pure knight everyone looks up to and follow the rules, but she eventually pushes him over the edge or breaks him and he gives in. I also just really like flustered, shy and submissive Link. It's an underrated concept, imo. The idea that this badass stoic knight is secretly turned into a blushing whining mess just from the touch of his princess and only she knows that side of him.
anon you got me BLUSHINGGGGG with this haha. but YES. Link definitely whimpers bahaha.
18+ content!!
Something about the other knights in the castle barracks always teasing him, asking him about his “alone time with the princess”, all of them thinking he’s too good, too worthy, too stoic, too shy to even speak to her. They give him a hard time, joking about her, and Link just has to keep his straight face and act like their assumptions are right when in reality he is doing everything in his power and summoning all of his courage to not absolutely fall apart in front of them.
I just love the idea of the two of them not being able to keep their hands to themselves at the worst times in the worst places. Like yessss give each other head at the feet of the goddess statue in the temple of time.
My personal favorite i just brewed up is Link being on duty back at the castle in the sanctum and Zelda sneaking up on him, yanking him behind a pillar in that holy room and pushing him back against it. She’s in her royal garb: hair down, long skirt, maybe even gloves and she’s hungrily pressing her lips to his, kissing him hard and fast and he can’t help but melt into her touch and pull her in at the waist. Maybe Link is in his royal guards uniform, or even better: his knights armor. (my OG followers know how i feel about knights and princesses).
Gahhhh i am also obsessed with their corruption haha i should probably talk to someone about that
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mostlybuddingthoughts · 10 months
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Biiiig TOTK spoilers ahead folks. Don't read unless you've finished the game.
I don't know if something like this has been posted yet (it probably has), but there's actually a huge role reversal going on in Tears of the Kingdom that I find absolutely fascinating, especially given all the role reversal fics we've seen come out of Breath of the Wild.
In BOTW, Link was locked in a box for 100 years because he needed to recover, then spent his days wandering as an amnesiac as he gradually recovered his memories. As he did, Zelda was holding Ganon off until he could break the tie between them. Zelda lands the final blow.
In TOTK, Zelda spends a few thousand years (badass queen) stuck as a mindless beast without any memories to recover the Master Sword. She, Rauru, and the other Sages were not able to defeat Ganondorf, only hold him off and then imprison him until Link could land the final blow.
At the end, they finally greet each other on a field, the more lucid one being able to check up on the one who has recently had their magically-induced memory crisis.
I just find it really interesting how the game, despite being fairly narratively light, can fit such a clever reversal into it so subtly.
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adainesfroggieboggy · 4 months
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i want to share my future bad kids bc that i came up with for a fic. i love them dearly. Below the cut bc its so long.
Adaine goes to Fallinel for a while and goes into politics after college, but after quite a few years of working her ass off to fix the country, she leaves because Jawbone’s lycanthropy becomes very difficult for him to live alone. He has Sandra Lynn but they’re both getting old and he’s sick. She comes home for him, takes a job as the divination teacher at Augefort, and settles back into Elmville peacefully. I also think she dates a hell of a lot and I hc pan Adaine. I feel like with immortality, sexuality becomes pretty fluid, and Adaine very much leans into that. When she moves back to Elmville, she puts dating on pause and just teaches and cares for Jawbone (the principal of Augefort).
Fig and Ayda tour together for years. Fig loves playing and she never wants to stop. Not even when in their 30’s, Ayda decides she wants to settle down. They break up pretty amicably and Fig tours for a long time afterwards. She slows down when she hits her 40s and ends up living in Bastion City, still a rock star, but she doesn't tour quite so often or go quite so far, but she never quite stops. She's happy, and pulls tons of chicks when she wants to, but doesn't really date seriously? Even in her 40s, she's so young for an archdevil. Her friends have decades, she has centuries. She lives her young soul life for a long ass time.
Kristen spreads the gospel of Cassandra for a long time. She leaves the party to run the church and just gets too busy to continue the frequent traveling. She gets married and divorced, has a couple kids, and lives in Bastion City. She has a very amicable tradeoff with the kids and shares custody but spends the majority of her time running the church. Her kids are sweet and loved, and so is she. Her life is mundane and easy now, which she learns to really love. She just settles down and learns to channel her chaos. She becomes a very great mom, pastor, and person, doing a lot of volunteer and outreach work, loving the world, her life, and her family. I think she ends up having a very serious long-term relationship but keeps her very separate from her kids. it's a quiet life.
Riz is absolutely an investigative reporter! Murph says this in one of his fireside chats, and I wholeheartedly agree! He leaves the party first because he didn't ever want the adventuring life, he wants the detective, crime-solving part of it. He goes to school and ends up with a law degree (bc he's just cool and would absolutely take lawyer classes to make sure he was able to cite laws) and a really badass job as a reporter, kicking ass and taking names, but with words as his weapon! He stays in Bastion City, makes friends, and just is happy. He doesn't get married or have kids, but he has so much platonic love and familial love! He's so happy and cool and very effective. He likes to enlist Adaine for arcane cases, and she definitely heads over every time and stays over in his apartment and they're super close. He's also super close with fabian, but their lives are so different that it's a different kind of closeness.
Gorgug's life is super chill and simple He doesn't marry Zelda bc they're children, but he does fall head-over-heels for a woman and gets married. He leaves because he suffers a pretty severe head injury, but also because his wife is pregnant! He has a son his parents are so sweet and excited. He's a tinkerer, but also a professor at Augefort! Zac said that Gorgug may help people who are multiclassing, and I like the idea that Jawbone opens a completely new section of the school that focuses specifically on multiclassing, and Gorgug teaches both barbarian and artificer classes! He really chills out and his rage is very rare and almost always in defense of his family. Chill, happy, relaxed Gorgug just vibes with me.
FABIAN! My favorite most hc. He's a dad. He has two daughters and they're his whole entire world. Leaving the party was absolutely not his choice, but he lost his leg in a brutal battle and his body no longer cooperates with the way he needs to move. He's got chronic pain and just can't adventure any longer, so he ends up moving to a seaside town and becoming a stay-at-home dad. At some point during his recovery, his first wife leaves him and the girls and Cathilda moves in. The girls call her their Dida and she's like their other grandma. He's a stay-at-home dad and loves it! He and Aelwyn reconnect as adults and end up getting married now that they're no longer so toxic in each other's lives, and Aelwyn is an absolutely amazing stepmom. She'd never imagined having her own kids, but she loves the girls so much and they're all so happy together. Aelwyn is still a researcher and an abjurative wizard, so he happily stays at home. They might have a mansion in the sky because it's a bit in one of the fireside chats and I love to commit to a bit. They're so cute! Domestic, toxic masculinity is dead, stay-at-home dad and his smart, hot, kind, caring wife.
Also, bonus one, I am so tempted to kill Gilear. A lot of my hcs are based on actual things the cast has said, and Brennan says, "As the person who plays Gilear, I'd like to see him dead in the fucking ground." I am not a Gilear lover, I find him funny and entertaining, but there is something about that sad elf man that makes me wanna kill him. Like if we were in Spyre and I knew Gilear, I might just kill him. Straight up. (Kidding, kidding. I wouldn't kill him, but in a campaign? I'd probably attack him for fun so often bc i wouldn't have Emily at my table.) If he doesn't end up just straight-up dead, he's vice principal. It's much better to have his ex-wife's new boyfriend as his boss for the rest of his sad little life. No happiness for him. I love Emily, I love Fig. Gilear? Dead to me.
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themattress · 11 months
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Ranking Link+Zelda and Ganon Incarnations
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1. Hyrule Warriors - The more time has passed, the more I realize just how fucking good Hyrule Warriors was as a celebration of the Zelda series, which includes how superbly designed and characterized its Link and Zelda are. There are aspects of many past incarnations mixed in them, but they still manage to stand out as their own individuals. I especially love how Link is given actual character flaws, growing arrogant and believing himself to be the great lone hero of the story only to recognize that he, like all Links, never save the day purely on their own, and how Zelda is an absolute badass in combat as both herself and as Sheik, something that’s rarely seen outside of the Super Smash Bros. series.
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2. Skyward Sword - Chronologically the first Link and Zelda, these two are some of the most human feeling. You really connect with them in all of their expressiveness and vulnerabilities. The relationships they forge with the likes of Impa and Groose only add to the sensation. It feels like they were written to be relatable people first and mythical figures of legend second.
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3. Breath of the Wild / Tears of the Kingdom / Hyrule Warriors: Age of Calamity - There’s been much talk of this version of Zelda and how interesting, endearing and relatable she is in all of her scientific nerdiness and feelings of inadequacy when placed with heavy burdens, and how admirable she is in her courage and self-sacrificial nature, and all of that is true. But I think that across all three games Link also shapes up into a surprisingly complex character that was unexpected given his initial stoic front in Breath of the Wild. And give both of them credit: they’re the first Link and Zelda to have a radical design overhaul in three decades.
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4. Ocarina of Time / Majora’s Mask - The first 3D Link and Zelda were also the first to truly showcase some semblance of characterization and character development, as we watch them go from children to adults and gain great strength at the cost of losing their innocence.
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5. The Wind Waker / Phantom Hourglass - I greatly enjoy these two in The Wind Waker, where they are very expressive and funny and sympathetic. But they lose some points due to Phantom Hourglass, which did them kind of dirty in favor of becoming the Linebeck Show.
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6. Spirit Tracks - They look the same as their ancestors from The Wind Waker, but they’ve got a different, unique feel to them, with Link being a working class guy instead of some island bumpkin in over his head, and Zelda being a sheltered princess who has to learn to come into her own rather than an Action Girl from the beginning. They also have one of the tightest (and cutest) bonds of friendship out of any Link and Zelda given their circumstances.
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7. Twilight Princess - Both of them are in service of the real protagonist Midna, whom they share an excellent bond with, but they still have distinguishing factors that make them stand out, with Zelda being more of a Queen than a Princess this time around and Link having his own arc of going from simple farmboy to Hero of Hyrule carrying forth his ancestor’s legacy.
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8. A Link Between Worlds - Virtually clones of the next Link and Zelda pair on this list, but with somewhat more personality and agency, helped along by their Lorulian counterparts.
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9. A Link to the Past / Link’s Awakening / Oracle of Ages & Seasons - The “classic” Link and Zelda who provided the template for the others. No real personality to speak of, sadly.
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10. The Minish Cap - These two, who are childhood friends, have slightly more personality than the above...but I’m sorry, the “toon” designs do not fit beyond The Wind Waker and its direct follow-ups. It’s a freaking Game Boy Advance game, why give them these expressive designs if we aren’t going to actually see any expressions? Also, Link’s birb hat is distracting. 
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11. The Legend of Zelda / Zelda II: The Adventure of Link - Basic blank slates that existed before the franchise truly got solidified on the SNES. Zelda especially just looks wrong now.
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12/13. Four Swords & Four Swords Adventures - These are technically two separate incarnations of Link and Zelda, but they’re essentially carbon copies of each other. I can’t find myself giving the remotest shit about Link when there are four of him, and what the fuck is up with this different “toon” Zelda design? That giant red bow she’s wearing looks hideous!
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1. Hyrule Warriors - Again, this game nabs the top spot and gives us the definitive version of the character. Ganondorf in this game has it all: the active villainy and terrifying chimera beast form like in Ocarina of Time, the capacity for self-reflection and self-awareness like in The Wind Waker, the manipulative usage of other villains as pawns like in A Link to the Past, Twilight Princess and Four Swords Adventures, and even the mastery over his Demise rooted elements before Tears of the Kingdom. We even get three whole chapters of him as the playable protagonist, where he gets to show off his non-inherently evil qualities such as his tactical brilliance, good leadership skills, and sheer determination to achieve his goals.
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2. Tears of the Kingdom - The latest Ganondorf, who is also the first in the series’ timeline, has been met with great acclaim, and rightfully so. Not only does he (mercifully) usurp Demise’s position as Demon King whose hatred fuels almost every great evil in the series, but he feels like Ocarina of Time’s Ganondorf on steroids: an active, omnipresent villain despite not being on screen that much but this time not even needing to be mobile to do so thanks to the horrific Gloom ecosystem under his control. And like the corresponding versions of Link and Zelda, he bucks tradition hard design-wise by having a dragon as his beast form rather than a giant pig. Add to this Matt Mercer’s epic voice and you’ve got a fantastic villain.
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3. Ocarina of Time - The first ever Ganondorf created, this is the character that took Ganon from an average villain to one of the greatest villains in video game history. He actively drives every major crisis over the course of the game, lending him an aura of omnipresence despite his actual limited screentime, and is shown to be as cunning as he is powerful by tricking Link and Zelda into helping him conquer Hyrule, turning it into a dystopian nightmare. He’s also deliciously theatrical - the man plays his own theme music on a pipe organ, for crying out loud! The cherry on top is his horrifying Ganon form taken in an unforgettable final boss fight.
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4. The Wind Waker - Ganondorf is kept at a distance throughout this game, locked away in his tower and pulling strings, more of a McGuffin than a nemesis. After Ocarina of Time, this is a disappointment, but it could be made up for with good pay-off. And man, does the game ever deliver. When Ganondorf takes action, he is terrifying, both animalistically psychotic enough to do anything yet humanely wizened enough to control this madness at the same time, giving Link the worst of both worlds to contend with. And not only do we get yet another epic final boss fight against him, but he even ends up as a tragic figure: a wretched old soul full of regrets but too full of greed and pride to act upon them, desperately clinging to his dreams rooted in the past while raging against the future that threatens to leave him behind.
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5. Twilight Princess - Being just the power behind Zant until the very end, Ganondorf is just here to be the final boss. Again, this would disappoint if the game didn’t make him a worthy final boss, and it more than delivers in this regard. You fight this bastard in just about every way you possibly could fight him, all while he displays a chilling malevolence in every word and action. He really does feel like what he is: an aged-up version of Ocarina of Time’s Ganondorf whose goal is still well in sight and thus he’s able to play the long game to get it.
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6. A Link Between Worlds - As many others have observed, Yuga-Ganon of Lorule ended up being a greater menace than his Hylian counterpart who comes directly below him on this list. Not only does he have a unique design and personality of his own, but he is an even more formidable opponent in battle, full of tactical creativity that is difficult for Link to counter.
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7. A Link to the Past / Oracle of Ages & Seasons - The “classic” Ganon. He’s big, he’s got magic powers, and he’s got a wicked trident. Unfortunately, you barely ever see him, much less get a feel for any personality beyond baseline evil. Oh well, he still gets the job done.
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8. Breath of the Wild / Hyrule Warriors: Age of Calamity - He’s more of an evil force of nature than a proper character, especially in Breath of the Wild where he has been rendered mindless. What he lacks in substance he makes up for in style, as he is visually stunning.
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9. Four Swords Adventures - The problem with this incarnation of the character is that he entered development as one thing and ended it as another. He was supposed to be the same version of Ganon as two spots above and this game would show his origin. But when Shigeru Miyamoto nixed that, we end up with a Ganondorf who is completely offscreen, and a Ganon who still just feels exactly like that version but with a different color scheme. The best that can be said about him is that he finally allowed there to be a truly gigantic 2D sprite of Ganon.
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10. The Legend of Zelda - Ganon is one of video gaming’s greatest villains, but man would you not be able to tell that from his debut. All the build-up and mystery surrounding him, presented so well in the instruction manual (”no one knows how he looks like, for none have lived to tell”), and what do we get? A teleporting blue pig in a red jersey. That is SO LAME.
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luimagines · 1 year
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Omg random thought but its too cute/funny (to me) not to share
Context: Time is married to s/o, who he’s known since like the beginning of his adventures. His s/o took the role of a rebellion leader during the seven years he was asleep and is just a badass.
Imagine for some reason, the chain encounters a younger version of Time (like late teens/early 20’s) who is a slightly more childish and playful. They end up naming him Mask due to the hoard of masks he carries. The group thought it would be best if Mask wasnt aware his relation to the old man, a secret surprisingly hard to keep! One night before the boys went to bed the topic of love interests got brought up. (No clue how, probably Sky talking about his Zelda or Wild reminiscing about the few memories he has with Mipha)
During most of the conversation, both Mask and Time stayed quiet. The latter for obvious reasons but the former not so much. Suddenly a loud groan is emitted from the younger man, who in tandem, throws himself back onto the grass in a dramatic gesture. When asked if he’s alright by one of the boys, they are met with another groan. The camp falls silent for a moment before Mask sits up once again and moans about how he wishes he could confess to the intimidating leader that has won over his heart.
He continues to rant about how stunning and majestic they are. How inspiring and strong they’ve become. How they could -and would-beat him in any fight. Yet he sorrowfully proclaims how even though he’s the hero of his hyrule, they would never share the same feelings. “ How could they? They could win the hand of anyone of their choosing with just a glance.
While this is happening all the boys are TRYING SO HARD NOT TO SAY ANYTHING. Sky and Wind are trying to reassure Mask that he absolutely has a chance. Warriors and Legend have to step away as to not bust out laughing at the dramatic scene. Wild and Hyrule distract themselves with what remains of their dinner (but their also this 🤏 close to losing it). Four is side eyeing Time HARD (like “this was you? Cmon man”) and poor Twilight looks so like he’s about to give away the whole secret.
“But where’s Time?” you ask. At the beginning, Time had to lower his head to block the view of the mass cringe on his face. But once Mask had quieted down slightly, he cant help the gentle smile as he caresses his wedding band. Mask might not know his story but Time does, and he’d do it all again for those moments you’ve shared together.
I LOVE THE IDEA THAT YOUNGER TIME WAS SUCH A SIMP BUT IS LIKE “OH THEYD NEVER CHOOSE ME 😭😭😭” AND OLDER TIME IS JUST LIKE “why did they chose me” WHILE SIDE EYEING THE FUCK OUT OF MASK FOR BEING SO DRAMATIC.
anyways, love your stuff! Take care of yourself 🥰
(thank you 🥰🥰)
Twilight also cringing just as hard. "There's no way we can be related. I was never like that. I have to get it from my other side. It's drowned out. Replaced. There's no way there's any similarities."
Wild: My god, you're his spitting image.
Wind is holding back giggles as he pats Mask on the back. "Maybe you'll just grow old and never confess-"
"Wind please." Sky smacks his hand.
"And then you can adopt a nice bird or puppy and you'll have the train them with tricks and treats and get a new friend every twenty years-"
"You are not helping!"
Mask just groans louder. "Nevermind. I'm going to die alone. Leave me to my misery."
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papabay · 7 months
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The zeldas you did are gorgeous! So beautiful sketches! Please throw more of them at us!
Also wanted to ask, aside hyrule's princess what are your fave female characters of the franchise?
AWE THANKYOU SO MUCH!!! 🥹🫶 I certainly have more Zelda drawings to come! 🙌✨
AND HNNGGG I GOTTA SAY, EVERY WOMAN FROM THE ZELDA FRANCHISE IS AMAZING
From the top of my head I would have to say:
Midna - Twilight Princess was my first game and so Midna holds such a special place in my heart. Her personality, her story, her designs 💖
Impa - I love strong female guardian/mentor characters. Plus Skyward Sword had me in absolute TEARS on my first play through. I also love how her designs are always so different from one another, and yet she always remains so dutiful, loyal, strong and wise 💖 Also OOT Impas design 🫶
Fi - She gets a lot of flack, but again, like Impa, I was in tears by the end of Skyward Sword. The idea of her being bound to the Master Sword, serving each Link and watching as each comes and goes for what must feel like eternity, and having each remind her of her original Master…..it kills me everytime 😭😭😭😭😭
Urbosa - DO I NEED TO SAY ANYTHING FOR THIS?! Strong and badass, and also compassionate/tender with Zelda 😭 her design?! HER POWERS?!? AHHHHHHHHSHEHSUSJEJWJWIQQN
also special mention to Telma 🙌💕 (and literally all female Zelda characters)
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airplanned · 3 months
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Would LOVE to see you do a murderbot au with Zelda characters
Yeah!
The problem is that all I can think to do is just rewrite All Systems Red and change all the proper nouns.
In this situation, I wish I knew how to draw, because there are scenes that would be badass.
Like: Link in full secunit armor, with a phoenix crest on the shoulder is leaping head first off a thing. He's got Zelda in a jumpsuit tucked up against his chest, protecting her head. And there's an explosion in the background.
Link looking absolutely panicked when Purah tells him he can sit with them.
Link flipping off a guidance stone that controls a spaceship.
...That's about all I got.
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askganon · 9 months
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Sire, the 10.000 years you were sealed must have been absolute hell. Buried alive, paralyzed in the darkness and silence, with a taloned hand crushing your heart and nothing to distract you from your pain. I would have been catatonic when it finally ended, but you were taunting your foes before you could even stand up. That, sire, can only be described as badass.
The body was trapped, but the soul broke free of its chains. I spent long ages seething, mustering my hatred. After 10.000 years, I was finally able to break the first seal, and allow my malice to enter the world.
Even still, it was but a small sampling of the power I possessed. So, when Zelda and her puppet-hero, Link, released my final seal, I was more than prepared to treat with them.
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cloudninetonine · 1 year
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Alright hear me out okay
Player, right? But make them a redeemed/rejected Villain
I personally am imagining the coven/belos when I think of this due to the magic but anything works
Imagine Player being the right hand man to their worlds version of Ganon, being a part of an organization (I'm calling it The Order bc it sounds cool) who's goal is to overthrow the kingdom and free the people. Player being a genuine threat who could take down entire armies and have freed (taken control over) countless villages. Player doing so genuinely believing that they were doing the right thing, that people would be happier if the monarchy is gone. Player realizing that they were being used for the leader's own gain, and that the people they 'freed', were either under control of the order, imprisoned, or (for particularly strong magic users) killed.
Player essentially running from The Order, and having a hit placed on them due to them being too powerful and knowing too much to be freed.
(if player's world is in LoZ) Player trying desperately to find their Link in order to take down Ganon, only to not find him, or find out that their Link was way too young--and have to face Ganon alone with no triforce or mastersword. (If this is in LoZ Player would absolutely have dark magic due to them being avab (assigned villain at birth) and black magic against black magic doesn't do much)
(off topic, but what if Player was quite literally the person who invented/discovered dark magic, and gave it to demise(or Ganon, I'm not talking plot holes rn) as a weapon against Hylia. I say this because the thought of player literally ripping the dark magic out of his body fills me with girlboss energy (is girlboss gn?? badass.) Of course it's not a permanent solution, and Ganon/demise gets it back after player dies, but it would explain why Zelda wasn't needed.)
Imagine after taking down an entire corporation by themself and thus saving the world, the people still don't trust player (rightfully so, they were the face of The Order and the main one doing dirty work). Meaning that player is essentially ostracized, living alone and rarely going into towns, opting instead to grow their own foods and raise cattle. Still though, that doesn't stop player from trying to do good, trying to do anything to make up for the evil they placed upon the world.
I imagine that's why they guided the chain. They wanted to do good for someone else without any strings attached. (LoZ)Why not help the heroes with a job that they already did, (it's their fault he is the way he is anyways)
Anyways, I write this because I really like the idea of Player then befriending Ghirahim. They know what it's like to be used as nothing more than a pawn, only to be tossed away without a care once they proved to not be as useful. Ghirahim is SS not taking their words to heart until he ends up broken and abandoned. When player finally sees him again his world is turned upside down once again when player, instead of gloating about how they were right and killing him where he stood in a weaker state, they instead offer him a hand, offer him kindness that a villain doesn't deserve.
"I decided one day that I was more than what the goddesses designed me to be, that I was my own person and that I deserved to have body autonomy, that I deserved to have my own voice and that I deserved to be heard."
"Instead of having blood underneath my fingertips, I decided I much prefer dirt. Instead of hearing the deaths of hundreds, I prefer the sound of laughter. Instead of inflicting pain I'd much rather bring joy to the people around me, and I think you'd enjoy that too, Ghirahim."
"I don't expect you to change who you are, but I ask that you consider your own wants in this entire ordeal. Who are you as a being separate from the people who used you? What do you want? What makes you happy?"
Ghirahim isn't going to make a full redemption, that's not who he is--but, maybe he can make the first leap so long as you're there to hold his hand guide him.
---
Okay but if this player is in the LoZ timeline (it would have to be before/during First), would that mean they would have been in Hyrule Warriors? Imagine their reaction to Cia "he is not that hot c'mon".
Speaking of timeline, since this is Player. Imagine the reason why Time/Legend has such a screwed moral compass (besides the trauma) is because Player is relatively early on in their post-redemption how-do-I-be-a-better-person arc and was just like "you can have a little murder :) as a treat" no player you cannot murder in the name of good. By the time Warriors came around, they start to have a solid clue on morality and they both have to be petty while working around the rules and decorum of a knight.
Chef: "What do you want"
player: The souls of the damned
Wars: A bagel
Player: No
Wars: Two bagels
IMAGINE FOUR SWORD
Player trying to encourage Shadow to join the heros but either they don't have a connection, or Shadow will not listen to them (which is in character, seeing as Shadow doesn't trust most people because he's been stabbed in the back).
Spoilers!!!!
Player cheering as Shadow brings up taking down Ganon, only to immediately pipe back down when he mentions it's in order to take over all of Hyrule.
Player nearly crying when Princess Zelda tells shadow that he's just as much of a hero as the other colors, because player never had that encouragement when they first switched sides, only bounties and exilation. Player sees Shadow as an extension of themself, esp if this player made dark magic (because that is player, it's like their shadow child (shadow will kill them)) and fully believes that Shadow can do good before it's too late, that he can still be loved and accepted by the people around him if they just talk.
Actually Crying when Shadow is the one to break the mirror and help save Hyrule. Especially so when Shadow essentially died and returns to a shadow form.
--
I originally made this with Ghirahim in mind, but much like the entire internet when Sonic 2 came out, my heart went "SHADOW!!" and I rambled on for like 2 extra paragraphs. Take it I'm tired. 📦
Okay but always love a reformed villain
And the idea of Player being the one to give the Demise and ripping it from his body is just 10/10
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