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#also she looks like Daisy
elitadream · 5 months
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I'll be honest: I've got no excuse for that one. This is just pure and unfiltered silliness. 😂
The idea that Peach finds Mario very handsome is one that I absolutely adore, and I love imagining that her friends would often catch her staring while he works around the castle. The man would never notice; too absorbed by the task at hand to remotely consider that his visible strain and skillful moves might be closely observed. But little does he know, those seemingly mundane displays of strength and deftness would have the Princess pining even harder for him! xD 💘
What can I say? It's been forever since the last time I drew her looking properly flustered in his presence. I just had to! 😏🤭
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cozystars · 1 month
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tee hee
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blaithnne · 1 month
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The first Heron design I showed off was from before Confidential Casefiles, so I thought I’d show you guys her look after she gets her new arm. Plus a few changes I made to her character for this AU! Just realised the way I placed my signature makes it look like I’M her worst enemy, whoops.
Meet the Cast!
╰┈➤ Canon ☄. *. ⋆
→ Scrooge McDuff → Matilda McDuff → Hortense McDuff → Goldie O'Gilt → Jack Duckworth → Bentina Beakley → LÙ Huifen (pre-caseflies)
╰┈➤ OCs ☄. *. ⋆
→ Lucrais NicRiada
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nerdetiquette · 1 year
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Idk if this is a hot take or anything but I don’t think it’s a stretch to say that Jon didn’t have any friends (besides Martin) basically the entire series.
Sasha was nice enough but she was strictly professional. Tim was reasonable in the beginning and I like to believe they were friends but honestly he’s pretty wary of Jon s1. Melanie hated Jon the whole way through. Georgie was there for a bit before things got too messy, but the way she treats him s5 is like a time bomb. Basira treated Jon like a stove with a broken gas release, and Daisy, my god Daisy. I could go on and on about their relationship but it was really clear after the trauma she inflicted on Jon he could never truly trust her.
They all feed into the theme of Jon’s inhumanity, but I remember listening and being confused because I always saw ppl treating this like a found family when they never were.
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murdermitties · 1 year
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Daisy
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unreal-unearthing · 8 months
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I had this in the tags of an edit I was reblogging but thought it deserved it's own post. I think there's a real tragedy to the end of Agents of Shield for Daisy in particular.
Daisy as a character is one who from the very beginning is positioned as a lost girl looking for family, for a home. We discover very quickly that she spent her entire childhood bouncing around the foster care system, and since then has been living in her van. She joins Shield because she's searching for her parents. And in early seasons she's positioned as finding family in her team, of realizing that they are her real family even as she meets her bio parents.
So even though there's a sense of hope and completion in the finale for the characters, I think it's worth saying that Daisy's found family has scattered to the wind, that she is once again starting over with a completely new family. The final shot shows her looking happy and content with Daniel and Kora, but these are characters she only met in the last few episodes of the last season.
All the other characters, essentially, go home at the end to their 'real' families and their 'normal' lives and she's the one who kinda gets left behind to find a new family and purpose because everyone else is done. Something about Shield and the team being her home and her family and all she has but it being just a job to everyone else.
I don't know, just thinking about her time in the system and the endless cycle of gaining and then losing family/home and the constant starting over.
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moeblob · 2 months
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I kinda maybe put a lot of my OC plot tag lines on a Wheel and gave it a spin so outta 79 options, it landed on "Cellphone Justice" which is... these two.
Matthew "Skittles" Mouse and Daisy Eddington
Partners in justice (of sorts). They're basically vigilantes and their orders are simply text messages. They don't really know who their bosses are but they do as they are told.
Skittles is a very mediocre guy. Doesn't stand out. The most color he has in his wardrobe is blue jeans. He's amazingly asexual and has zero interest in romance regardless of intimacy and yet he gets partnered with Daisy. The gayest lady he has ever met. Great start. She enjoys calling him fun little nicknames but seeing as they're monitored closely (via cell phones/technology) she is scolded and told to pick a single one. So she does. She dubs him Skittles. The candy as gay as her.
The one thing they have in common is their number one weakness: cute girls.
Daisy turns into a stuttering MESS of a human being. A disaster. At the mere sight of a cute girl. Skittles on the other hand is TERRIFIED of them. When asked, he simply blames his life growing up. Daisy doesn't really push the matter just thinks it's a little weird to be scared of every single cute girl (no offense to the not being afraid of her taken).
#my characters#like the entire thing with skittles is just he is SO boring looking and hes so scared of cute girls#and daisy thinks its REALLY FUNNY dude why are you scared of them haha girls are GREAT#and then she meets his younger sister and is like oh dang dude she is ADORABLE and she sees him practically shaking and sweating#surely its not THAT bad but ah no wait#two days pass and daisy is like oh my god shes horrifying ????? what the hell?#and growing up with her and trying to be a good big brother is all fine and dandy until the cute lil sister gets him hurt a lot#like hospital injuries from either protecting her or just .... somehow wrong place with her at the wrong times all the time#so he gets a fear of cute girls bc his lil sister is a cute monster who is the reason most of his limbs have been broken in the past#like broken leg ? that was from amelia and a stair case#the broken arm ? trying to help amelia get something out of a tree#the broken wrist ? catching amelia falling out of a tree#the other broken leg ? amelia -#the list goes on and on and he also got into multiple fights trying to keep her safe from guys#bc she really is just a cute lil innocent looking girl but shes a schemer and it does come back to bite her#except for she has a good big bro who took the repercussions when he could#daisy just watching her partner pale and shake and sweat when hes in the same room as his sister and daisy feels so bad for him#like hes really going through it even after all these years#but meeting amelia puts a lot into perspective for when daisy and skittles are out and about#cause hes very efficient and chill talking to dudes and to mature looking women#then he turns into a bundle of nerves at wide eyed innocence and daisy is like yeah ok i gotta#i gotta be a lil less gay for his sake only if hes around cause i cant make him talk to his biggest fear thats mean#shes still really gay but yeah it works out and she looks out for him and in turn he looks out for her and its great!#they become friends! yeehaw!#lil trivia is she was a drama kid in hs and he was on the baseball team but never really played or put effort into it#she was a straight a student and he very consciously maintained a c average through calculating grades and missing stuff on tests on purpos#anyway thank u if you read all the tags or even ty if you read just hte post itself#im sorry for ocing on main when its my own ocs#ill be back tomorrow with .... idk what
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iwanthermidnightz · 3 months
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riley keough in chanel for the emmys✨
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saintbleeding · 1 year
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[ID: Digital painting of Daisy from TMA. She is a white woman with long, matted, blonde hair, brown eyes, and scars across her skin, most notably a sunburst and a graze from a bullet on her left shoulder. She is caked with dirt, her hair in disarray around her, and stares at the viewer with a vacant, haunted expression. The background is dark and foreboding around her. End ID.]
hand me my shovel im going in or whatever
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outer-edges · 8 months
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the end of ascension after lincoln dies and daisy is just on the floor sobbing will kill me every time and i don’t even care about lincoln that much her reaction is just so visceral
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mermaidsirennikita · 1 year
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Lol I keep seeing the “the show is telling you what really happened and in the book Billy couldn’t tell Julia the full story because he didn’t want to hurt her”, and again, I have to wonder if everyone saying that has read the book because…. Things Billy tells Julia, a grown woman who is fully aware that her father was too fucked up to be there when she was born:
A) that he fucked multiple groupies on the first tour while married to her mom, who was pregnant with her at the time
B) that he, at one point “may have” been MORE in love with Daisy than HER MOTHER
Like… I’m sorry, where is this idea that Billy, a guy who took forever to admit that but did admit that, was sparing Julia’s feelings, coming from? How is telling your child “yeah I did love this other woman more than your mom and it was agonizing and I did kind of wish I could bail on y’all for a minute” THE SOFT HIT LOL.
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marbarmars-arts · 4 months
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The revealed Wapeach concept art made an explosion of fanart of the girl, here's mine, but with my own twists (and a Wadaisy too!)
more images and info under the read more :)
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I wanted to try my best to replicate the ideas of the Wapeach concept art while putting my own spin to it (mainly trying to make her look VERY childish and bratty) and to match how the Wario bros look in comparison to the Mario Bros
Wapeach being purple didn't make a lot of sense to me...Waluigi is already purple, and I wanted to try black but green just looked the best to me, besides it's close to peach's inverted colors
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Unlike Wapeach though, I wanted to make Wadaisy look "old and devoid of life" opposite of Daisy's loud and lively personality, even making her outfit cold and themed more around ice than the desert
I tried her best to look like she matched with Wapeach!
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some fun facts about the pair:
Nectarine is not part of any royalty (being a faker lol)
while Viola is a queen of a small ice kingdom
Both hate the nicknames of Wapeach and Wadaisy
Both of them don't get along with each other unlike Peach and Daisy
Nectarine is a bossy, carefree rascal who wants to be better than everyone (especially Peach)
Viola is distant, scheming individual who just wants recognition for her own kingdom and royal prowess
Both of them despise their so-called counterparts very much
Nectarine is about 12 years old while Viola is a whopping 64 years old
Viola can be considered the leader out of the four Wahs, but Nectarine and Wario wants to be the most vocal about it
The only Wah whose isn't a demeaning nickname is Wario, thus is the true inspiration of the others being nicknamed the way they are (seriously who would look at their child and go "yup your name will be Wapeach")
hope you enjoy! <3
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Hi! I’ve sent you two asks already, sorry for bothering you. I just can’t stop thinking about nhthcth, but I was wondering, does Jon get paid? Was he getting paid as a child?
For some reason I got this idea in my head that if Jon didn’t get paid the contract wouldn’t work. Because like, contracts are usually an agreement that one person does one thing and gets another thing in return. Like the Magnus Institute’s contract is like “you work here and never leave and sell your soul to me and I’ll give you maybe more than minimum wage,” so if Jon didn’t get paid, the Institute wouldn’t be holding up their end of the contract, so Jon wouldn’t need to hold up his end and he could leave.
Although I don’t know how that would work when Jon’s a child, he wouldn’t have a bank account, (does he have one as an adult?) I assume it would just go to his legal guardian’s bank account, which I guess would be Elias, but did Elias ever fully adopt Jon? Like legally? Did Elias have to forge adoption papers and stuff or did he just kidnap a child and hoped he’d get away with it. (I suppose he did get away with it) does Jon even have an ID? How did he go to university when he doesn’t have any school history past third grade?
Anyway, sorry I started rambling, you of course don’t have to answer this (nor do you need my permission not to answer, so I’m not sure why I said that) this is just a funny little question I was thinking about. Also, sorry if you’ve answered this already or there’s something in the fic that would answer it and I didn’t notice. Thank you for the amazing story and answering my other asks.
So, you've actually hit the nail on the head on one of the very important rules for nhthcth as a universe, insofar as like, magic systems (for lack of a better word) goes. That being said, a lot of the specifics of this ask is something that I can't answer due to spoilers (like how he went to university, whether elias ever adopted him, whether he has an ID). Those will receive direct explanations in the course of the fic so I can't answer them here.
But as to like, the magic system itself, it's already been seen/addressed in the fic (in a lot of disparate bits and pieces), so I don't have a problem with a more detailed explanation below the cut.
so, most of this system has been in subtext and broken up amongst a lot of little moments in the fic itself. its there but figuring it out takes a lot of patchwork. I don't currently have a more explicit breakdown of the system in the narrative itself because having like, Jon explain it super explicitly feels a bit too much like those internal monologues of an anime fight scene where the characters are having these really in-depth breakdowns of what they're planning and what's happening while they're throwing each other through walls. I just like more subtle storytelling, personally? A lot of the time, it just becomes so painfully obvious that they're talking to the audience and it feels clunky and unnatural. So I scattered the foundation of this amongst a bunch of little moments throughout.
You're absolutely dead on about contracts needing to be "one person gets one thing and the other person gets the other." That is a hard and fast rule in nhthcth, and it has everything to do with what the Web is.
One of my favorite bits about TMA world building is that the fears as so metaphysical. Which makes for a very fun (again, for lack of a better word) magic system. I hate it when magic systems break their own rules or become too powerful and you can just supercharge on the Power Of Friendship to do basically anything if you Believe Enough. Personally, I think characters get to really shine and show their intelligence when you stick them with very narrow and firm rules and make them work inside that system without breaking it. TMA in particular does an amazing job with that.
The Fears are the platonic ideals of their own identities and they legitimately cannot resist what they are. The episode with the Web's theatre production best encapsulated this: The Web said something along the lines of "If only you could see the strings on me."
In that same episode, Jon almost got trapped in the Web domain watching endless plays, because the Eye could not resist what it is, and what it is is something that spectates pain endlessly. The Web couldn't resist trapping Jon in there, because that's what it is, despite the fact that it would have fucked its own endgame if it trapped the Archivist in its fucked up theatre production until the End claimed them all. They're incredibly powerful beings, but they're still, in a way, trapped by their own nature. Humans can change, adapt, be different, but the Entities can't be anything but what they are.
In nhthcth there's a line that i tend to use again and again to encapsulate this, and it's usually something along the lines of "These things only are what they are."
They're not versatile forces. They're not a flexible tool like most magic systems where you can use this abstract and malleable force to cast the Spell of Fire and the Spell of Healing and the Spell of Ketamine Ape. They can only do what their own existence allows them and they cannot resist their own nature. It's one of the reasons why Jon in nhthcth is so insistent that the Eye can't be used as a force for good--good is completely outside of its existence. If you know anything about Greek philosophy, I think Plato's idea of the forms is pretty analogous to what the Entities are and how they work.
Which is also why Jon's like, "Duh, of course it's the Web that's got us bound and not the Eye. That's what the Web does."
The Eye just isn't about binding and trapping. What Jonah can use it to do is completely limited to stuff that falls under the Eye's umbrella. He could have the most powerful connection to the Eye on the planet (he doesn't), but that doesn't mean he can supercharge on Eye God Juice and blast a hole through the wall with the power of his mind, right? That would make the entire magic system in TMA ridiculous. In the same way, he can't use the Eye to enforce contract terms. That's not what the Eye does.
That's the Web, through and through. So when you're considering the contract, you have to think in terms of what the Web is.
The thing about the Fears is that they're shown to be a little multifaceted in that multiple distinct fears fit beneath the same umbrella with them. Take the Eye. The fear of someone knowing your deepest, darkest secrets fits beneath it, right? And that's very much Jonah's area of expertise. He probably fed on Martin's terror about being discovered for forging his CV for years. He neutralized Daisy by finding out the secrets that hurt her and using them against you. He's the invasive, watching part of the eye that may know your secrets and want to use it against you.
but the Eye is also the fear of someone watching your pain, your suffering, and (for lack of a better term) getting off on it. Enjoying it. It's bleeding out in the street and, when help finally arrives, they just sit down next to you and watch eagerly as you die.
That is so much the Archivists role.
Sometimes, I think of how terrifying the Archivist would be if it wasn't Jon in the role. Don't get me wrong--he has his moments of terrifying power, and he definitely didn't get good reviews on yelp from statement givers. But, fundamentally, he does care.
But imagine you go to the Magnus Institute under the assumption that they may help. You sit there and you tell them the worst fucking thing that ever happened to you. It's like you're experiencing it a second time, in all the horrific detail. You're retraumatized all over again, and then the Statement ends and you're sitting there, tape recorder still running, and you realize the person you went to for help just... enjoyed every second of pain you went through. There's one episode in particular that I think pulled this feeling off so well--the one where the guy in Scotland who found Gertrude's circle opened with something along the lines of "I don't care about any of this. I just want to know if you'll save my son." Like, imagine the horrible, crushing horror of going to someone for help and the moment you realize that were never going to do anything. They just wanted to watch you die too.
It's also one of the reasons that I think that Jon, for all he thrived as the Archivist, kept so much of who he was because of the inaction part specifically. In Season 1, he makes these vague mentions to fights he's getting into with Elias. Elias keeps lecturing him about noninterference, how they're here to research and not interfere, and Jon has these moments were he's like "anyway I don't give a fuck there's fucking leitners out there and if i have my way there will be a hell of a lot less of them." He legitimately says at one point that he's going to get another lecture about Institute mission statements and watching without interference.
Jon made so many bad choices when he was Becoming, but the one he consistently made against Becoming was that, almost against his will, he wanted to save people. That's picking the opposite of what the Eye is, and I think that that's the part of him that he got to keep.
that was more of an aside and not so relevant to the question. i got on a tangent. but it's here now so it stays. i already typed it. Anywho.
Jonah can't do what Jon does. He can't compel answers out of people. He's a panopticon, and the fear he embodies is that someone may be watching you and catch you in the act. It's not the fear of someone forcing the information out of you. But Jon can't do with Jonah does either. He can't just hop through eyes and spy on people. That's not his relationship with the Eye or the part of it he embodies.
They both have a very metaphysical limitation to their own experience with the Eye, because the idea of the Eye itself is just a human classification. Maybe Jon's sky blue and Jonah's dark blue and the Eye's all the blues, but at the end of the day, we just made up the idea of "blue" to explain our own experience with colors. They don't get to wield the full spectrum of "colors" available under the Eye. They can both be attached to the Eye but they're completely limited to what it means to be sky blue versus dark blue.
So it's important to remember that when you consider the contract, because it's just an aspect of the Web. It's not every aspect of the Web.
The Web is the fear of being totally under control of another--think raymond fielding in Hill Top Road, Mr. Spider, forcing people to walk, that kind of thing--but it's not just that. It's also the fear of being manipulated. Of being outmaneuvered. And I think that fits much more metaphysically with what a contract is than being under total and absolute control.
A contract is just an agreement of rules that two parties have to abide by, right? And sometimes the contract is way more favorable to one party than the other, but we also recognize that there's limits to that. You named a very big one--"this for that." For contracts to be enforceable, there has to be this thing we call "consideration." I get this, you get that. If the contract read "I have to give you one million dollars and you don't have to do anything" that'd be a gratuitous promise and it wouldn't be an enforceable contract.
That being said, consideration doesn't have to be balanced. The contract doesn't have to be fair. I don't know a super huge amount of British law (though a lot of American law is derived from it) but in american contract law we have a standard that basically says there has to be a "mere peppercorn" of consideration. We're not going to see if the exchange is fair, just if there is an exchange. there's this huge body of law around what's allowed in contracts and how contracts should be interpreted because we recognize that, at a certain point, something isn't a contract anymore. It breaks the rules of exchange.
And I think that very much goes towards the real fear the Web would be working with when it comes to the contracts. Think of like, law dramas. People like law dramas because the characters show off how clever they are. They're working in some system of rules and then at the eleventh hour they pull out some kind of loophole or interpretation that saves the day, right? The fact that there are limits and rules to what the characters can do is exactly what makes it so exciting when they figure out how to flip them in their favor. You need to have the chance to succeed in the system, however small, or it all just kind of becomes meaningless. There's no point in manipulation or machinations if you instantly lose no matter what.
That's the exact fear the Web would be playing on with the contracts, in my mind. It's being at the mercy of someone who has to follow the same rules as you, but they're grossly skewed in the other person's favor and the other person is better at using them. It's being stuck in a game where both players have to follow the rules but you have no idea what the rules are, and the other player gets to know them and have them severely favor them.
But the entire fear just becomes kind of ridiculous if it's not limited. It kind of becomes like a game of make believe between little kids if you can just write something in the contract without limitation. Like saying "well, my power is at one million percent" "my power is at one BILLION percent" "my power is at FIVE TRILLION percent." Right? Like, if you're playing that game, the rules don't really mean anything. It's all just bullshit. It doesn't invoke the fear of someone manipulating the rules against you. If the contract terms don't enforce obligations against Jonah too, it just sort of leaves the realm of what fear this is, which breaks the rules of the magic system. Being totally at someone's mercy is just a different fear than having someone outmaneuvering you at rules you both are stuck with.
Which means that, for the contract to be what it is, Jonah has to be bound by it in some way. It has to follow some kind of rules that bind him too. It can be very unbalanced and favor him greatly, but it still needs to set some kind of obligation and limit on him or the entire thing becomes ridiculous.
That's why Jonah so aggressively tries to keep Jon from trying to learn the terms of the contract. If Jon knew the way Jonah was bound by the contract, he'd be able to use the rules against him. Jon's playing the same game as Jonah, but he never got to see the rulebook.
We know two ways from canon that you can use to escape the contract: (1) gouge out your own eyes and (2) the archivist dies and the assistants can leave. but we never see the terms of the contract itself, and the fact that option #2 popped up in season 5 when all we knew before that was option #1 means that maybe there are more ways to break the contract and maybe there aren't. Maybe it's just options 1 and 2, or maybe there's other ways to escape we never figured out. Why do options 1 & 2 work? Is it explicitly written out somewhere in the binding instrument? Is it some loophole that not even elias expected? All we know for certain is that ways out of the contract include but may not be limited to options 1 and 2.
So, yes, Jon gets paid. But is that a term of the contract? Was that the consideration that Jonah wrote down in the Web's binding contract, or is there something else? Jon doesn't know, so he can't use it against him.
Maybe Jonah does have to pay Jon under the contract. Or he's only paying Jon to keep up appearances. Like, yeah, maybe the metaphysically binding contract would allow him to chain people here without paying them, but payroll would still have massive questions about why the Institute Head's angry adoptive son has been the Institute's unpaid slave worker for the past decade.
One of Jonah's biggest strategies to keep Jon from escaping is to abide very strictly by what may or may not be the terms of the Web's contract. Jon can't deduce what the rules are if Jonah voluntarily plays by more rules than he has to.
Take Elias's promise to Tim, for example. Jon still doesn't even know how the Web contract is formed. It sure as hell isn't simply the contract that most employees see--there's no clause that says "and by the way you can never ever quit or leave or you will die xoxoxoxo." Are all the terms already written down somewhere he can't find? Could oral promises be binding? He has no idea, because Elias is never going to act in a way that lets him eliminate the possibility. He'll follow the letter of his promise, and maybe that's because he has to or he'll breach the contract, or maybe that's because he's choosing to keep his promise when he doesn't have to. Elias keeps the terms of the contract unclear by following more rules than he has to.
It's one of the reasons why he uses so much doublespeak. Elias says something like "I'll keep my word, and you'll have to do the same." That only tells us things we already knew--Tim would have to be bound by the contract and wouldn't be able to leave. He'll keep his word, but does Elias have to under the contract? If he broke his word, Jon would be able to conclusively tell that oral conditions are non-binding. He'd know that there's some kind of outside binding instrument that has the rules already set out, and Elias can't change them with an oral promise. But if Elias toes the letter of the oral condition no matter what, then it could be because he has to or it could be because he chose to.
There are rules that Elias has to abide by, but Jon is only pretty certain of a few: 1) He has to have Jon's signature before he moves people into his department. He can't give him assistants unless Jon signs off on it first. Jon only got that much because Elias tried so damn hard to get his signature for the transfer. If Elias could break that rule, there's a pretty good chance that he would have, but he didn't so it probably means he can't. It's a place the contract almost definitely binds him too. 2) the contract kills you if you spend too long away from the Institute, but Elias has a way of letting you stay away for longer. If Jon leaves without approval, then he gets sick within a few weeks. But he's made it months away from the Institute just because Elias approved the leave.
So is that because Elias is the one who triggers the contract killing you in the first place? Or does he have a way of stopping a power that will automatically go off.
If the contract reads, "In the case of unapproved absences, the Head of the Institute may file Form B45, the 'Kill My Errant Employees' Form, and the employee will suffer a heart attack within a period not to exceed fourteen (14) days," then they'd be able to pretty effectively escape just by finding a way to immobilize Elias permanently--chuck him in the Buried, he'll never die but he also won't be able to file a Kill My Errant Employee Form. But if the contract reads "In the case of unapproved absences, the employee will suffer a heart attack within a period not to exceed fourteen (14) days unless the Head of The Institute files Form U95, Approved Leave of Absences," then they need him alive and mobile to file a leave of absence form so Jon won't fucking die the next time he's kidnapped for a month. Or maybe a leave of absence form isn't necessary if Jon's only kept away because of a kidnapping. Maybe the contract reads "In the case of unapproved and voluntary absences" and being involuntarily missing isn't a breach at all. They don't know, because Elias is going to file the fucking leave of absence form whether or not he has to.
If they knew the exact rules and minute details of the contract terms, they could wriggle their way into an exception that makes their conditions more livable. Instead, they're just stuck with a very broad correlation between Elias's action and/or inaction and the contract not killing you when you leave for long periods on approved absences. Maybe they could just chuck him in the Buried and fuck off, but fuck if they know, and that's the sort of risk you really can't take unless you're certain.
A lot of Jon testing boundaries with Elias has been trying to figure out the boundaries of the contract. Remember in the martyrs chapter, where Martin is like "jon why do you have an employee email you're like sixteen???" it's because jon was already an employee, and employees are required to have an official email. He knew it and Elias knew it even if no one else did.
If Elias refused him an official institute email, Jon would know that the contract does not require him to provide all employees with Institute-standard resources as outlined in the employee manual. Maybe sections of the employee manual isn't binding, maybe the entire thing isn't binding. Jon knows breaking the Institute dress code probably isn't a part of the binding contract because of his Epic Fashion Moments (or, if it is, the penalty isn't death like leaving is), but does that apply to all parts of the employee manual? If he doesn't get an official email at the shiny age of sixteen when he's Not Supposed To Be Employed, then he knows another section of the employee manual just doesn't have teeth. But if Elias just gives him what any employee would be entitled to, then it could be because he had to or it could be because he chose to.
It's also the reason why getting people to quit was important to jon--yes, he was trying to get people free of the Institute, but if he pushed someone into quitting, he'd be able to test out some very valuable information about the contract. Can people quit if Elias allows it? Maybe the rule is that the Archives can't quit, but everyone else can if Elias allows it. Maybe everyone can quit if Elias lets them. Maybe no one can quit and they're all fucked. If Elias can let some people quit but never lets them quit, then Jon has no data points to work with when trying to figure out how people escape the contract.
Which is also why elias flipped his shit and burned the HR records the one time Jon managed to get his hands on them. Over the years, there have been people who unknowingly stumbled into one of the rules binding Elias, and he let them quit without protest. There's a very good chance that that's because he had to let them quit. If Jon could find the common denominator between people who quit successfully, then maybe he could figure out how to do the same, which is why Elias has spent so long making sure he gets as little information as possible to work with. Jon can't win the game if he never learns the rules.
It is important to note that Elias breaking the terms of the contract that bind him may not be "and now Jon can finally go home oh my fucking god." The penalties for breach of contract, that we know of, are death. Does Elias face the same penalties if he breaches? Does he face some kind of other penalty? We don't know yet, because Elias is guarding those terms like his fucking life depends on it.
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isabellaofparma · 6 months
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I wanted to thank you for throwing yourself under the bus with Daniel like that.
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emile-hides · 1 year
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I’m so obsessed with the Mario family and while I’m a very hard Uncle Tony stan I’m also insanely obsessed with Auntie Marie and her daughter. I want to know all about them.
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one thing about me is that i can connect any song ever to the book i’m hyperfixating on
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