#and also the glow the player character has definitely adds something to it | Explore Tumblr Posts and Blogs

ak8shi · 4 years

Text

FWB HQ Boys: In which you beat the player at his own game!

warnings: Time skip spoilers, mentions of sex(all characters are 18+), alcohol, stupid people in love

a/n: ahh I’m sorry I’ve been a little MIA!!! But I’m back with this pls enjoy ! I think the fandom really make germaphobia his only personality trait sometimes which makes me sad because I think he’s actually a quirky/classy dude and very functional in social situations,, I hate to say it but ya’ll would get played by him… sorry.

━Sakusa Kiyoomi

Some of you may be like ???? Omi fucks around ?? how ?? BUT he definitely does in his own way

He probably doesn’t do much in high school to be honest, he’s mostly focused on improving as a volleyball player and achieving his goals

Once he reaches pro level though,,, it’s a different story lmfao

I can see him being picky as hell about his hookups, but just because he’s a bit of a germaphobe doesn’t mean he doesn’t feel attraction or doesn’t have needs…

….He’s so hot too… girl

His hook-ups are always taken seriously though… like he’s the type that feels like he has a professional image to upkeep, so he always arranges things beforehand; he’s definitely not messy about it and sets clear boundaries

I think what makes him kind of a player is how standoffish he can be…and he doesn’t really give anyone a chance because he doesn’t think they what it takes to deal with his lifestyle lmao

He’s just like, its easier to call the uber right after, get into the shower, and wait until he can hear the front door of his apartment shut I’m screamingg

Sakusa also isn’t one to kiss and tell, even with the boys… he doesn’t think its tasteful and would rather not have Atsumu up his ass about his flings

ANYWAYS,, let’s get into this, so you know Atsumu through mutual friends and met during college, and the two of you just instantly clicked since you also were a part of the same sports medicine program as him

Atsumu signed with MSBY and you were so happy for him, but you were bummed because you were busy with PT graduate school and couldn’t really attend any of his games

A year passed and you found yourself texting Tsumu to see if he could meet up and grab coffee since you were on winter break!!

You: hey I’m back in town wanna grab coffee sometime?

Him: who is this

You: I see you haven’t changed ❤️

LMFAO, so you catch up with Atsumu and he talks about his new career and his teammates, he seems so happy :(( we love to see that!!

He invites you to MSBY’s game the following weekend, and you’re pumped to go!! Tsumu got you great seats, and he meets you before warmups to make sure you’re okay finding your way around

Atsumu: don’t take yer eyes off me <3

You:

He’s so…

You’re enjoying the match and you even go to grab Onigiri from Osamu’s stand, but you can’t seem to look away from number 15 on Atsumu’s team

He’s .., scrumptious to say the least 🥴

Like he’s so composed and calculated on the court, and you find it so funny how he rolls his eyes whenever Tsumu says something to him and how Tsumu gets so heated about it 💀

The match ends and you go down to meet Atsumu near the lockers, showing the security your family/friend pass 😌

You walk through the halls trying to locate the setter, but you can’t seem to figure out where he is

The only person in the hall is the tall, dark haired man that caught your eye earlier; he is already walking towards the exit with a mask covering his face, his duffel bag slung over his shoulder, sweats embroidered with “Sakusa” adorning his body we’re all looking..... respectfully

He’s truly so intimidating but you’re like….highkey lost… so you don’t really have another option

You catch up with him, poking his shoulder gently; he turns around and his attention on you is almost STARTLING.. like his eyes are SO dark

Him: can I help you

You: sir… if you don’t rail me, I’m gonna have to intervene‼️😈😹

After getting over your initial shock, you hear multiple footsteps rumbling down the hallway towards the both of you

Sakusa lets out an annoyed sigh, muttering about how he has to go, but before he can escape you hear Atsumu’s loud voice LMFAO

“OMIIII, where are you goin’? Its team karaoke night remember?”

Tsumu sees you and slings an arm around your shoulders, “Oh-? So I see you’ve met our outside hitter Omi?”

You glance over at Sakusa, his expressionless eyes glued to your face, then slowly trailing down to analyze the way Atsumu casually has you tucked under his arm

Atsumu nudges him, and he grumbles that he’ll meet them after changing at home before walking off in the direction of the private parking garage

You meet the rest of the MSBY boys in the uber, and find them super friendly and welcoming; Bokuto and Hinata buy the first round of drinks at the karaoke bar, but you only have one because you have work to finish the next day WE STAN

Atsumu already has a pink glow setting into his cheeks when you see the boys turn their attention to Sakusa walking through the front door, looking as handsome as ever in his dress pants and fitted white t shirt

They all shout out incoherent hello’s, and he takes the only open seat next to you with a glass of gin and tonic in his hand he smells so good god

You’re unsure what comes over you, but you find yourself turning towards him, and you just start asking him about himself and his career, and surprisingly he’s very polite and much more animated than you previously thought

His voice is like…so alluring and he never looks away from you when you talk, its like he’s absorbing every word

Meanwhile, Atsumu is stumbling over the stage with Bokuto belting Love by Keisha Cole LMFAOO😭

Tsumu kind of ‘warned’ you in the car ride over that Sakusa was a germaphobe, but you know that Atsumu tends to invade people’s personal space sometimes and it probably wasn’t as dramatic as he made it out to be

However, you weren’t expecting the outside hitter to lean over from his seat after checking the time on his phone, whispering in your ear, asking you if you wanted to meet him at his place later than night WHEW

Girl I would be sweating… and you say yes ofc because who’s going to pass up this type of opportunity-

He gives you a charming smile and is like,, okay cool, I’ll see you later then 😊 I’m dead

Ya’ll exchange phone numbers and he’s like if you need any help with my idiot teammates let me know before he takes off

You don’t tell Tsumu about your little… entanglement plans dsnjaknda but honestly he wouldn’t even remember based on the way he’s slumped against you in the uber he owes you big time

You get home after dropping off Tsumu at Osamu’s, and operation dick appointment with the professional volleyball player is put into action 😈

He sends an uber over to get you ladies do not settle for less please, and you’re BIG nervous but in a good way as in you know this dick is about to be bomb af

SO you’re standing in front of his apartment door, and when he opens it, he’s still in the clothes he wore to the bar and its like 1 am he’s so powerful

Um I feel like he would get straight to it honestly, probably starts with a little convo on the couch and then…

YOU WEREN’T AWARE HE WAS SO DIRTY,,, it was SO good too like after getting home that night you’re going through a crisis… like you had so much chemistry together for having just met, and you wonder if he feels the same way🥺

You caught yourself in sleepless states some nights, kept awake by the thoughts of the way his hands felt against your skin, the way his five o’clock shadow gently rubbed against your face when you kissed, and how he would hold you(only after a thorough shower together of course)

As it happens more and more, he lets you into his life little by little, and you notice and remember small facts about him and he often remembers a lot of the things you tell him about you, its really enjoyable for both of you

Its weirdly domestic to a point but that’s why its so good for both of you???it adds a bit of spice ??

Sakusa: can you come over tonight

You: sorry the retainer is in already <3 no dick sucking for me tonight <3

Him: I bought pastries from that cafe you like

You: say less✈️ I’m coming💃

AND he HAS jokes okay, like he’s funny as hell and very witty when his true self comes out; but he’s also a HUGE tease and he’ll say something completely straight-faced that someone else might take offense to like “you look ugly,” but you just know he’s kidding from being around him long enough and from seeing the little glint in his dark eyes

It becomes a routine thing while you’re home honestly, and you try your best to hide it from Atsumu because you just KNOW you would never hear the end of it; for all he knows, you met him that one time at the bar and that was that

Everything is going smoothly until you slip up at one of their games

You were sitting in the waiting area with the team (mostly talking to Atsumu), when he just says something that makes your short circuit

Atsumu: what kind of animal do ya think omi would be? An octopus maybe?

You: yeah I mean with those flexible wrists it makes sense

Atsumu: what the fawk🤠

He’s like… how do you even know about his flexible wrists IT TOOK ME 6 MONTHS TO GET TO THAT STAGE WITH HIM-

Oops, lmfao so you kind of tell him about everything and he’s literally shocked for you, mostly because he doesn’t want you to get hurt :(

Atsumu: So I see he’s just sleeping with ANYONE anyone

LMAO noo he definitely thinks you’re too good for him and he kind of lectures you, telling you that he had a hunch that he messes around with girls like that, but also you’re an adult and you can take care of yourself, and it isn’t like it’s a serious thing!!

Meanwhile, Omi is like going through a bit of a crisis all alone because everything around him reminds him of you or something you said when you were together

He got with people who were compatible sexually often, but he never had the urge to have them stay over after the deed; he usually immediately called them an uber and wouldn’t speak to them again

He found himself thinking about seeing you in the stands at his games, wishing you were there to cheer for him only, and he adored the way you respected his boundaries unlike many of his hookups

Atsumu probably notices something is off with him at practice

Atsumu: hey…if ya ever want to talk about somethin’-

Sakusa: no

Girl… he doesn’t disclose any of this to anyone

Its nearing the end of your break, and you head over to sakusa’s for probably the last time before you go back to school

You’re kind of at the point where you don’t think anything will happen and you know you shouldn’t get your hopes up, and it goes how it usually goes? Except he kind of hugs you goodbye and your heart goes: 🦋🦋🦋

You go back to school, occasionally texting Tsumu about your graduate program, and before you know it, like 5 months pass by and you’re back for summer!

Tsumu texts you and is like… sorry but I’m forcing you to be my plus-one tonight for this dinner thing I have to go to

So you dress up and he comes to pick you up, and you’re really not sure why you were surprised to see Kiyoomi sitting at the table when you arrive you give Atsumu a nice smack on the back of the head for not warning you

You sit down at the table after greeting everyone, trying your best to not act awkward when you shoot sakusa a small smile that he returns politely (but you don’t see it because of his mask)

Atsumu sits weirdly close to you the entire dinner with his arm around the back of your chair, and he’s just acting strange in general??? Like he’s bragging about your degree program and about your accomplishments, you just know he’s trying something funny; but you don’t really say anything because you don’t want to disrespect him in front of the team’s staff as a guest

You almost choke on your wine and you catch on when Bokuto starts making comments after Atsumu says something,

Atsumu: …so yeah, pretty much she should be our next president in my humble opinion

Bokuto: 🙈WOAH. WHAT?😍 HOW COULD SHE GET ANY BETTER⁉️🙄 OR HOTTER⁉️💪🏼💋

You, sitting there: 🧍‍♀️

He’s so bad at acting I’m crying..,, it becomes so obvious that they’re trying to make Kiyoomi jealous

(the boys plotted beforehand, trying to get Omi to ask you out officially; after you left, he literally would never shut up about you whenever Atsumu mentioned you, and it was just obvious he was in his feels when it came to you)

Atsumu: she’s studying at a café tonight for finals

Sakusa: Yeah so I’m glad you brought it up, because I’ve been thinking about it for days. Fine I guess I’ll say it. Her favorite coffee blend is French roast and she only likes a dash of sugar with a lot of cream, but it has to be hazelnut creamer or else she doesn’t like any-

Everyone in the gym: 🗿

LMAO ANYWAYS ITS LOWKEY WORKING you look over at him and his face is like stone.. girl..

The dinner is almost over and Atsumu gets up to go to the restroom with a wink I hate him, and you get up to catch a breath of fresh air outside

You sit on a bench for a minute, calming yourself down after the eventful dinner, but then you see the door to the restaurant swing open, Sakusa looking around the corner before spotting you

Your heart pounds in your chest as he walks over and asks if he can join you, inspecting the bench before sitting down, pulling his mask down as well

He eases into a conversation by just asking you how you’re doing, basic stuff, but then in the middle of you going off on a tangent about your stupid professor, he stops you

“I missed you.”

He crosses his legs, not looking at you as he takes your hand, intertwines it with his, and places it in his lap

You gaze at him, taken back at his confession, noticing the slight pinkness tinging his pale cheeks

You say you missed him too, and then he’s asking you if you would like to go on an actual date with him

You: wait are you asking me out officially?

Him: Yes. No I’m not. Yes I am❤️

SKSLD Please he’s awkward help him a little, you agree and then you hear a tap on the window behind you, you turn around to see Tsumu, Bokuto and Adriah behind you with big grins on their faces LMFAO 🤡

Kiyoomi rolls his eyes, but you don’t miss the small upturn of the corners of his lips as he hears Bokuto happily scream through the glass

#dont even get me started w this i dont want to look at it anymore ❤️#JUST TAKE IT LMFAOOOO #sakusa #sakusa kiyoomi #sakusa x reader #haikyuu!!#haikyu headcanons #hq #sakusa kiyoomi x you #haikyuu x reader

2K notes · View notes

sage-nebula · 3 years

Text

Game Review — Blue Fire

One of my all-time favorite game series is The Legend of Zelda. My favorite game of all time is The Legend of Zelda: Breath of the Wild. And my second favorite game of all time is Hollow Knight. So it would make sense, then, to think that a combination of the two would be the most amazing thing the world had to offer me.

Overall Score: 7/10

Well . . . it could have been better. It also could have been worse, absolutely, but it also could have been better. For more detailed thoughts, jump below the cut (and view on blog due to formatting).

The Pros:

The graphics and animation are beautiful. The specific Zelda game the graphics brought to mine (despite the color palette, which was clearly more Hollow Knight inspired) was The Legend of Zelda: The Wind Waker. Whatever reason the developers had for going the cel shaded route (maybe they had an artistic vision in mind, or maybe it was easier somehow) it was a good one to make. In particular, all of the glowing and flame effects were lovely, the shadows all fell in the right places, the characters were charming to look at, et cetera. Everything worked well with the acrobatics as well. Visually, the game is beautiful.

For the most part, the platforming is fair and even platforming challenges are doable with enough practice. This is particularly true for the overworld / main dungeons, rather than the Voids, which are more extra dungeons that you don’t have to complete to beat the game (although doing so certainly makes the game easier given that each completed Void gives you another life heart). While there were some areas where the game lagged for whatever reason and threw off crucial timing, as well as some Voids that were definitely more Platform Hell than simply platforming, the platforming puzzles were very well put together for the most part and were enjoyable to play.

The fast travel system, when unlocked, is incredibly convenient and takes a lot of the headache out of traveling around the world, particularly given that you use the shrines for a number of things (fast travel, saving, char—spirit equips) and there aren’t any maps present in this game whatsoever. It does take some time to unlock fast travel and you’re not exactly pointed in the direction to get it (in fact I had to look up to figure out where I was supposed to go to get it), but once you have it it’s a well-developed system that took a lot of pain out of playing that would have otherwise been there.

A minor thing that I liked, but (just like in Hollow Knight) when you die, your spirit or soul is left behind. Also like in Hollow Knight, it keeps all of the money you had on you when you died. Essentially, it is the exact same thing as the Shade from Hollow Knight, but white instead of black. Anyway, the minor thing I liked about this is that if you die in a boss fight, your spirit waits for you directly outside the boss arena, meaning that you don’t have to try to reclaim it while the boss is trying to kill you. It was a nice bone the developers threw the player.

While no tracks in particular standout, and while the OST doesn’t live up to the OSTs of the inspirations behind this game, there were times when the music was very nice, which is always a plus.

While the main quest is very short, there are numerous sidequests you can do even apart from the Voids that give you things to do in each area, making them feel a little less small and giving you a bit more time with the game, as well as unlockables as rewards (mainly in the form of new costumes, but still). There are lots of little secrets hidden around in each area too, which is nice to discover if you’re someone like me who loves exploring in games.

The Neutrals:

The story. The story is . . . how do I put this . . . okay. So, it’s clear the developers wanted to write a story with the aesthetic of Hollow Knight (ruined kingdom, lots of shadow / light dichotomy, fallen kingdom, et cetera), but with an overt storytelling style like The Legend of Zelda. So you get a lot of exposition about what happened in the past, and what you as the main character are supposed to do now . . . but the thing about the exposition is that not only is the same thing repeated about fifteen different times (such as the constant harping on about how the main character contains both light and shadow within them), but also there are huge chunks of seemingly important detail that are just left unexplained. Like for instance: we know that the Fire Guardians from the Fire Keep were one of the last strongholds against the Shadow (who was also the sixth god and has also corrupted the queen yadda yadda). And we can extrapolate that the Fire Guardians were specifically trying to create a warrior that was both light and shadow based on the fact that the game starts with the main character breaking out of a test tube with a bunch of corpses that look just like the player scattered around, seeming to be failed experiments (i.e. just like how the Pale King created the Hollow Knight in Hollow Knight). But the only Fire Guard that we see around is Von. I think he mentions briefly once that the Fire Guards were trying to make the warrior, or had made the warrior, or something like that, but we’re never told why, exactly. We don’t know what processes led to that. We don’t know who was in charge. We don’t know why this specific type of warrior was needed except “since you have both you may be the answer.” And the fact that there were apparently a bunch of failed experiments is never really touched upon either. Furthermore, we’re told that the five gods had lifted Penumbra (the world) into the sky to protect it from the Shadow (a la Hylia raising Skyloft to protect the people from Demise), but that it didn’t work and the Shadow ultimately got to them anyway. So allegedly this is a post-apocalyptic land. But the only thing to really be ravaged is the Temple of Gods, where apparently the corrupted queen sleeps. Everyone else seems mostly fine as long as they avoid the monsters? It’s like they were going for what Hollow Knight did, but didn’t quite want to go the full route of having corpses literally everywhere on-screen at all times. Although weirdly enough, there is also a distinct lack of NPCs which makes the world feel more empty than Hallownest despite the circumstances . . . What I’m getting at here is that there definitely is a story, but it was told in a way that was pretty sloppy. It’s not so sloppy that it detracts from the overall experience, but it’s like too much was piled on in some areas and not enough was explained in other areas. Or like they took some things they liked from other games (e.g. making the creation of the “warrior of light and shadow” reminiscent of the creation of the Hollow Knight) without following through on what made those things work. Like it wasn’t just that there were a lot of failed Knights and that their corpses were tossed into the abyss and that The Knight had to try to claw his way out (as did Broken Vessel and others) while the “successful” Hollow Knight was raised by the Pale King. It was also that we know that the entire reason why the Hollow Knight was created in the first place was to contain the Radiance / the Plague. It was also that these hundreds or thousands of corpses were the Pale King’s children. It was also that the Pale King has a monologue over that segment saying, “no mind to think, no will to break, no voice to cry suffering” as requirements for the Hollow Knight to be considered successful. The horror didn’t come just from the corpses being tossed down the pit around you as you had to climb up in an attempt to get out, but also at all of the surrounding context, which was left entirely out of Blue Fire’s version with the warrior of light and shadow. Not that they should have copied it (although if they had it really wouldn’t have been surprising), but it’s clear what they were trying to do and where they failed because they didn’t have the follow through to go with it. I feel like the above paragraph is so critical I should move it to The Cons, but I do want to say that I don’t think the story itself was terrible. It borrows so much from both Zelda and Hollow Knight that it really isn’t original and it doesn’t follow through on things that made those stories work, but overall it doesn’t ruin the experience, even if all of the repetition gets old pretty quickly. Although as a final note, I’ll also add another thing that bugged me, which is that we never learn what the people of Penumbra are. Like we know the Shadow is bad, but they all look like Shadow people. We know there are creatures called “onops” but we don’t know what they are, or if everyone is an onop. Whereas in Hollow Knight we know that all the characters are bugs. It’s just another little thing that wasn’t explained but probably should have been.

On a less long note, the combat is also pretty mediocre. Again, it’s not bad. There is a parry system that, if you learn to time it right to actually pull off the parry, is pretty cool. But although you are given magic, which is useful for killing long-distance enemies, the magic can’t do a single thing for you in boss battles no matter how many times you upgrade your mana. Additionally, it is very much a “mash Y to win” type of game, where Y is the button you use to attack and you just mash that while jumping around. There’s no complexity to the combat at all or any strategy that is really required. It’s not bad, per se, but it’s nothing to write home about either.

The charms in this game are called spirits, and while you can buy a majority of them from shopkeepers, you can also “capture” your own by coming across the spirit of a dead person and trapping it to use its power for yourself. This is made apparent when you go back to a young child who is dead the second time you go to see them, and capture their spirit for use. Also when you literally murder an NPC for a sidequest and then later capture their spirit to use for your own use. And aside from the sidequest giver being horrified you killed the NPC and telling you to keep it hush-hush (without even knowing that you can and will capture the spirit of that murder victim for your own use) this . . . is never really remarked upon. Ever. And the thing is, it creates a sort of dissonance, because your character is treated as a hero in this game. No one seems horrified by you, there’s never any question of whether your existence is moral or not, nor any reason to think that your character would be amoral. In Hollow Knight, the Knights were created to be soulless husks who were there to be vessels for the Radiance / infection. Hornet in particular calls out your cursed existence and how she does not like you because of it. But although you can learn “emotes” from statues (which is teaching your character either actions or emotions, it’s unclear), no such deal is made here. So this aspect of the game is strange, even if I can at least appreciate that they tried to make their spirits a tiny bit different from Hollow Knight’s charms. Though with that said . . .

The Cons:

It’s one thing to be inspired by other games, but the sheer amount that this game cops from The Legend of Zelda and Hollow Knight is, at least to me, incredibly distracting. Just a handful of examples off the top of my head: — In Hollow Knight, you have a Shade that lingers where you last died and keeps all of your money from when you died. In Blue Fire, you have a spirit / soul (again, it’s unnamed) that lingers where you died and keeps all of your money from when you died. You have to retrieve them before you die again to get your money back. — In Hollow Knight, you have different circular charms that each have a different design, name, and grant you different abilities. You can only have a certain amount equipped at a time (though you can increase how many you can equip at once) and you can only equip them at save points. In Blue Fire you have different spirits that are contained in circles that each have a different design, name, and grant you different abilities. You can only have a certain amount equipped at a time (though you can increase how many you can equip at once) and you can only equip them at save points. — Everything I explained above about how the main character breaking out of a test tube at the beginning, surrounded by corpses just like them, felt like an echo of the Knight’s creation in Hollow Knight (but again, not as effective for reasons outlined above). — The default tunic has a hat that is exactly like Link’s from The Legend of Zelda. This is made even more obvious with the dyed green tunics. — The story segment detailing how the five gods created Penumbra was copped from how the golden goddesses created Hyrule from The Legend of Zelda: Ocarina of Time. To compare the dialogue: Ocarina of Time: “Din. With her flaming arms, cultivated the land and created the red earth.” Blue Fire: “Dina, God of Land. With her mighty body of stone, Dina carved mountains, deserts, and landforms in the earth.” It’s in the exact same cadence, to the point where I half expected the artifact they created at the end of the story to be the Triforce (instead it was called the Oath of Sarana). — In Hollow Knight, the titular Hollow Knight is housed inside the Temple of the Black Egg, and is in fact locked inside that Black Egg to seal the Radiance / infection. There are three locks on the egg, and each one will only be broken when one of the three Dreamers dies. You have to break all three locks to face him, a corrupted “final” boss. In Blue Fire, the corrupted queen is housed inside the Temple of the Gods. There are three locks on her door, and each one will only be broken when one of the three Shadow Lords dies. You have to break all three locks to face her, the corrupted final boss. — It’s implied that, especially in places like the Temple Gardens, that the humanoid enemies that attack you are not monsters, but are people who were once completely normal and even forces of good who were corrupted by the Shadow. This is exactly like how all of the enemies you face in Hollow Knight (with the exception of, say, Hornet) were also once normal bugs before they were turned into zombies by the infection. I could go on. The point is, it’s perfectly fine to be inspired by something. Hell, it would be hard to find an action/adventure game that wasn’t inspired by The Legend of Zelda at this point. But it’s one thing to be inspired by something, and another thing to completely rip-off your inspiration to the point where the similarities are distracting to your audience. And it’s not just me; when I was looking up the exact dialogue for the story of the gods from Blue Fire, I found others who were pointing out just how similar everything was to Hollow Knight in particular, including someone who, like me, realized that the Temple of the Gods was essentially the Temple of the Black Egg. When things are this blatant, it feels a whole lot less like inspiration and a whole lot more like plagiarism.

The Voids all have a star rating to indicate how difficult they are. These star ratings are completely meaningless. Granted, partly it’s because everyone is going to have different abilities and so it will be hard to create an overall difficulty scoring that will be accurate for every player, but it’s also telling when a four-star course is miles easier than a two-star course, which I found to be the case on more than one occasion due to level design that was, at times, kind of bullshit.

Although there are NPCs, there are none who are memorable or standout, despite the fact that most of Penumbra’s populace is (maybe?) still alive. Unlike in Hollow Knight, where there were characters like Elderbug, the Last Stag, Hornet, Quirrel, and so forth that were memorable and lovable, all of the NPCs in Blue Fire feel rather the same and are pretty easily forgettable.

The world itself is incredibly small. While the fact there are no maps makes this kind of a good thing, on the other hand it’s a bit disappointing that there are a total of two towns and then a few small connecting areas. It doesn’t really make it feel like the kingdom that it’s supposed to be.

On that note, why aren’t there maps? The fact that there is fast travel is really more of a necessity than mere convenience because there are no maps to help lead you around. If you put down the game for a while and then go back to it, you might not remember how to get to different areas in the game, and if you haven’t unlocked fast travel yet (since it is something you have to unlock) you’re going to be pretty much boned due to the lack of a feature that is in basically every other game.

Overall, while this is not a game I think I would ever go back to, it also isn’t one that I regretted purchasing and playing. It could definitely have been better, but it also could have been worse. My only hope is that the next game this studio makes is more original, rather than copying so much from other, more successful titles. (Or at the very least, that they study why certain things worked in more successful titles, instead of just copying at the surface level and calling it a day.)

#2021 game reviews #blue fire #blue fire game #have had this sitting in drafts forever #tbh probably could have added more but I just don't feel like opening this game again to refresh my memory #which probably says more than this whole review does tbh

15 notes · View notes

phoenotopia · 3 years

Text

The Last Phoenotopia Blog Update

(Date 2021 MAR 01)

I debated how to open this blog post, but perhaps the main crux of this blog post is the best place to start. The blog is being retired.

The purpose of this blog was to be a "development" blog for Phoenotopia, and well, Phoenotopia's development is done. I'll still be doing bug fixes and maintenance on the PC and Switch versions, and playstation and xbox ports are underway (by a publisher). But I'm not going to be making any more major changes to the game. At some point, you put the paintbrush down and say it's done. Blemishes and all.

Recent Events

The game launched on Steam last month, and like any launch, it was hectic. Bugs Galore. This is our first commercial PC launch, so it was a real baptism by fire. Unlike Switch's one configuration, the PC has multiple configurations and factors to account for. The game needed to be able to handle multiple control schemes, screen resolutions, refresh rates, and more! I had a 60Hz monitor going into launch and didn't know anything about Hz (I do now). There was a troublesome stutter that some players were sensitive to that my whole team didn't notice since our eyes compensated it away. There were a few times where in fixing something at one party's behest, it introduced problems for another party. A few times, due to disorganization, I unwittingly rolled back a fix that was meant to be applied. For some, the game couldn't play at all (really glad Steam allows refunds).

It was messy. It was tiring. I.AM.BEAT.

I think the worst of it is over... I'll still be around to do the last updates and bug fixes, but I'm ultimately ready for what's next.

SO what is next?

What isn't next... is Phoenotopia 2. As you may have heard down the grapevine, the game couldn't be what you call successful. No one's earned even minimum wage on it.

Maybe there's hope in the game's long tail. A year or two down the line... maybe. I won't hold my breath though. At some point in the past few months, I finished processing (or grieving) and it's time to move on.

The game has at least earned enough for us to continue our modest operations. As long as we don't expand the team, and we don't take another monster six-year dev cycle like what Phoenotopia took, we can continue. We'll have to be smarter and faster. Perhaps the most valuable thing we gained from all this is experience.

The Experience

It is a dev blog. Here are some of the lessons I've accumulated from this game's development.

- Have a good menu design. Menus aren't just that in-between fluff before you get to the good stuff. Menus are KEY. Your menus need to be robust, expandable, and *understandable* (to you, the developer). Because once the game's out, you will invariably be asked to add more options. And if your menu design is bad, every time you have to add a new menu option, it becomes a whole new pain all over again. Support mouse from the get-go, etc.

- Focus on features that people will actually care about. For instance, I've never seen anyone praise the camera's zoom feature. In practice, people try that feature a few times and then never use it again. But that feature was a constant consideration factor for every level. Run through it multiple times to make sure the level didn't break, think about which zoom levels made sense, resize rooms because they worked at one zoom level but not the other, and so on.

- Don't do boxes that you can move around. Other 2D platformers avoid movable boxes because they're a huge headache to program and they really complicate the game space. Enemies need to respond to boxes you throw in their path and either navigate around or attack it. When you're moving the box, you have to worry about constantly changing your collision size and reconciling when the box gets snagged on the environment. The boxes were also a constant source of bugs because people can manipulate them to soft-lock themselves and more.

- More focused script. Phoenotopia's 100,000+ word script was panned more for being bloated than it was praised for being lengthy. Long scripts take a long time to write and make the game more unwieldy, increasing the costs of translation and upkeep. Every update we're addressing some textual error or mistranslation. There are some highly renowned games (e.g. Hyper Light Drifter) that do without a script at all!

- Be flashy! A bat and a lightsaber take the same amount of work to program, but the lightsaber will draw a lot more attention and interest.

- Slopes, surprisingly! Six years ago when I started, Unity was ill-equipped for 2D games. If you used the physics that Unity provided you'd have a really floaty character that wouldn't adhere to the slope when going downhill. There were a hundred different tutorials saying different things (use forces, use move position, use translation, etc). You can get rectangular collisions done in a day, but to do slopes took weeks. Meanwhile, games can actually get by fine without slopes. Most people won't even notice. Did you know the Phoenotopia flash game didn't have slopes? Neither does Hollow Knight or Rogue Legacy. You can save yourself a lot of work by avoiding slopes.

(big entities look weird on slopes. Bad slope!)

I could write enough little knowledge nuggets like this to fill a book! But I'd rather just make the next game.

So… what IS next?

As mentioned previously, it's not Phoenotopia 2. Pirate and I are mostly just tossing some ideas back and forth right now. We'll go silent for a year (or two). Our next game's scope will be more modest in some ways, more ambitious in others. It will definitely be more smartly designed. (There will be a map!)

We'll announce it when it's ready for the public. It might be necessary for us to do a kickstarter. I've tried to avoid kickstarters having been burnt on quite a few myself and also because I worry that mismanaging a kickstarter would earn the ire of backers.

But I did keep this blog regularly updated for six years. So I've gained some confidence in my abilities to at least manage a kickstarter well.

Is it really the last Phoenotopia Blog update though?

Okay, not really. There is some news that I'll need to announce, and this blog is one of the game's main outreach channels. Here are the events that will cause me to update the blog:

Announcing the launch of the xbox/playstation ports when they're ready

If a physical edition of the game happens

If a new language is getting introduced into the game (Korean is a high possibility)

When we're ready to talk about our next game

If (BIG IF) we begin development on a Phoenotopia sequel. I do want to do a sequel one day if we have the means and the demand is there.

Those updates will be more on a "when they happen" basis, rather than me reporting in every couple months.

Fan Art

As always, I'm very happy to see fanart of Phoenotopia. Major thanks again to Pimez for collecting all the artwork from the corners of the internet! Since this is the "last" blogpost, Sir Pimez can finally take a rest from collecting the fanart :P

ÆV made a series of pictures that tell a story. A Pooki is humanely sheared of its wool to create a hat. The Pooki is unharmed. Nice! Gotta love Gail’s expressions.

Amagoo Mazeru makes a stunning landscape shot of a full moon and shooting stars. It’s a sharp and clear vector art. I like the faint glow of the moon and the fire and the subtle gradient in the night sky. Very skillfully done!

Hah hah. I got a chuckle out of this one. I imagine this is how Gail's enemies see her by the end of the game. CaESar made this image based on TerminalMontage's famous youtube videos. Nailed it!

CrownStar drew two pictures of Gail. I'm a big player of JRPGs, so the first shot instantly reminded me of Persona 4's art style. (Hmmm... Phoeonotopia as a JRPG... there’s potential there...) Next, Birdy is shown carried off after her defeat. I really like Birdy's expression here - she just seems mildly uncomfortable.

There's a bit of a story behind the first image. As Firanka shares it, she wasn't able to defeat the Big Eye monster at the end of the flash game, so she believed a tall tale that what awaited after was a 6 armed Kobold boss. Hilarious! The second is a rendition of the lonely Anuri elder. A rare subject. The loneliness is portrayed well here. I feel lonely just looking at it!

Koo_chop draws the clash between Gail and Katash at the top of the towers. I really like this interpretation of the game's art style. It’s faithful to the in-game graphics. And the lighting, from the glow of Gail's bat, to Katash's sword, and the lightning in the background... Amazing!

Lime Hazard shows Gail with a salute pose. Very appropriate for this occasion. I also like how there's a slight tilt in the angle that Gail is portrayed. Those dynamic angles are always hard to get right, and Lime Hazard pulled it off very skillfully. See you next mission!

Lyoung0J with a digital painting of Gail posed sitting on a rock. I like how it almost seems like she was caught in a candid moment - she’s smiling, but also feeling self-conscious. Cute! The art style really pops, and I like how Gail is sporting what I call the old anime style nose.

MyUesrNameIsSh*t with a sketch of Gail performing a skillful slingshot. I like how Gail is depicted with her tongue out in a mischievous manner, the way all mischievous people with slingshots do.

Niitsu Kentaro returns with a 2021 Happy New Year picture. That happened didn't it? A New Year... Gail's pose gave me a chuckle with how she seems to be waving the bat around as casually as one would wave hello. And "Phoenotopiyear"... Well said! One day we'll have our Phoenotopiyear...

Ochan Nu breaks all records with a stunning NINE pictures in one session :O

There's so many goodies here. My favorite would be the one with Gail staring intently at the screen - it's like she's looking directly at you. You almost feel uncomfortable.

Next, there's an Animal Crossing villager dressed as Gail and sporting her pink hair. It even looks like a house Gail would live in. Gail is a connoisseur of the arts and likes Mona Lisa. Yes :)

There are various comics of Gail pointing out Gail's weird food habits. A picture of Fran looking really cool, and even Gail rocking a bathing suit. (bathing suit image linked here in case NSFW). Wow!

Pimez didn't just collect the arts, he creates them as well! This one, which he aptly named 'The Year 175' is a depiction of when the dragons invaded the towers as told by an elderly Daean woman. Great pixeling skills! I got a good chuckle from the ice dragon leaving with its stuff slung over its shoulder.

Quo made a stunning picture of Gail playing the flute surrounded by the 5 musical notes and the Phoenix logo behind her. The theme seems to be "fire" and it works really well. Gail herself looks awesome depicted in her red suit - it's like she's leading a marching band!

Rai Asuha depicts Gail in the late game with her red suit, and night star bat, and holding a lamp. She looks ready for adventure! I really like the white outline here and Gail's poofy shoulders here - the art style feels reminiscent of Final Fantasy Tactics.

Seri also draws Gail bearing her late game equipment. Unique to Seri's drawing is how all of Gail's equipment is accessible from a pocket on her shirt. I also like how Gail is depicted with her lucky earrings - that accessory is often forgotten.

Treedude depicts Gail with a bat and wearing a funny smirk. She looks like she's ready to hurt someone!

Warotar returns with everyone's favorite Great Drake, Bubbles! It seems so happy to be featured!

I'm really grateful for all the fanart this game has received. From the bottom of my heart, thank you!

Closing Notes

Pirate drew a picture to mark the occasion. It shows Gail enjoying a hot chocolate with marshmallows and a pumpkin muffin. A rest well-earned...

Goodbye! Until next time!

#phoenotopia

95 notes · View notes

thedinanshiral · 3 years

Text

My personal DA4 wishlist + thoughts

I’ve been teasing this post for a couple of weeks over at Twitter, i’m the worst! But anyway, since game journalism has decided to confirm, once again, that the next Dragon Age game will be set in Tevinter like that’s breaking news, now’s as good a time as ever to write all this down.

Locations: Tevinter, clearly. It’s been pretty much a given since the end of Trespasser in 2015, with that scene where the Inquisitor stabs a map on a table directly on Tevinter as they promise to go after Solas to stop him. But also concept art and several stories from Tevinter Nights heavily imply Antiva, Nevarra, the Anderfells, and maybe Rivain. For those of you who don’t know your Thedosian Geography 101, that’s basically Northern Thedas. And it makes sense, since so far for three games straight we’ve been first stuck in Ferelden, then the coast of the Free Marches, and later the rest of Southern Thedas. We’ve never been North, only heard of it. So in DA4 i’m sure we will finally be able to visit.

Characters: If we’re going to Tevinter, we must meet Dorian again, maybe meet Maevaris Tilani as well (previously only seen in comics), judging from the latest comics series, i’m hoping for Fenris too. And going by the latest teaser trailer, we might see Varric again. As for characters that so far we have no news of, i’d like to see Cole, the Iron Bull, and if by any chance BioWare feels like blessing us with a Hawke/Fenris reunion i might just die happy. I’d also very much like to see the Inquisitor, but more on that later.

Companions: considering concept art and the latest teaser trailer, plus Tevinter Nights stories and new characters, we have an interesting repertoire of new potential companions. A Tevinter mage, an ancient elf (like a temple guardian) or a dalish elf (like Strife), a Nevarran mortalitasi or spirit, Antivan Crows, Lords of Fortune (new faction, kind of like treasure hunters), Qunari lady, maybe an alchemist or shapeshifter, Grey Wardens (possibly a dwarf), a liberated or escaped slave, a Siccari (Tevinter spies/assassins)..even past agents of the Inquisition could return.

Plot: We know Solas wants to take down the Veil. We know there’s two archdemons left, and Grey Wardens are regaining some spotlight in concept art lately. We might have to fight on multiple fronts simultaneously and be strategic about it. Solas might even unleash a double Blight just to keep us distracted while he focus on his own goal, who knows. But many other things are happenig in the margins and all over the place. The Qunari Antaam is having a crisis with some of its members supposedly going rogue, the order they’re so proud of is breaking up, and the whole of Northern Thedas is facing an imminent threat of invasion. Tevinter is still dealing with remnants of the Venatori and might soon be dealing with a slaves rebellion and/or a political and social reform (Magisters Dorian and Maeveris have been working wirh the Lucerni, a group aiming to restore and redeem Tevinter). The Antivan Crows -the de facto rulers of Antiva - may be dealing with a succession crisis, as their First Talon, a powerful feared and respected but old lady, might not be around for much longer and seems her chosen heir has died before his time. Meanwhile in the Anderfells nobody’s heard anything from the Grey Wardens’ HQ at Weisshaupt since the end of Inquisition, and as told in the novel Last Flight, the sudden reappearance of griffons may have had something to do with that radio silence. So you see, get ready for another +100 hours long game because BW has plenty of stuff to keep us busy with. But in short, DA4 seems will be about primarily searching, finding, and dealing with Solas. Regardless of what you decided at the Exalted Council in Trespasser, the Inquisition or what’s left of it is most likely the group orchestrating that mission. As it was so clearly stated then, they need new people Solas doesn’t know so he can’t foresee their actions, so it’s possible the DA4 protagonist is a new agent or a third party hired to do what the Inner circle can’t due to their familiarity with Solas in the past. But at the same time -and this is assuming we get to find Solas in this game - i definitely think the Inquisitor could easily show up again. No, losing an arm doens’t mean they’ve retired forever, prosthetics do exist in Thedas, a world where you can combine dwarven craftmanship with enchantments, seriously, i don’t ever want to hear “but they lost an arm” ever again as an excuse to write them out. And no, marrying Cullen or joining the Red Jennys is no impediment to join the “Stop Solas” Squad; the end of Trespasser means something, mainly that this is personal. Be it they loved them as lovers, as friends or ended up hating his guts for using and betraying them, the Inquisitor’s relationship with Solas makes this very personal, and so having any other character do that face off would cheapen all of it, all that bittersweet angsty development and expectations of either revenge or closure. That moment should happen between those two. It adds a ton of motivation due to their past historyas well, something a new protagonist would lack entirely. My personal best hope is for a sort of dual protagonist thing, say we play new protagonist for most of the game but a selected missions or scenes where we play as the Inquisitor once again and take over for key and heart-wrenching dialogue options. My second best hope is for the Inquisitor to show up as playable for the moment we catch up with Solas. My third and final best hope is for the inquisitor to be a sort of advisor but more like new protagonist’s boss/employer to whom they report back to and get new missions from. The Inquisitor can be stuck in meetings for the most part of it, i just want to know they’re there, behind a door, super busy but there. A cameo like Hawke’s in Inquisition is the bare miminum i can take, anyhting less than that like a mention in a sidequest description or a footnote in a codex entry would be a total injustice.

Romances: I’m open for pretty much anything, as any good BW fan would be. But i’d like romances to feel more alive in the sense that they don’t abruptly get stuck once you exhaust all related quests and dialogue options. As much as my Adaar liked that spank from the Iron Bull, that it was the only thing they could share after their romance was locked was a bit..meh. I liked Dorian’s tho, because his gave one the option to talk a bit, go for a walk, gossip, and sure, it all happened off-screen, and there were limited possibilities, but it was nice and made their relationship feel a bit more real, like they had more to it than kissing and stuff. It happens in most games, once you secure a romanceable companion suddenly you run out of things to do and share with them, and you get stuck with the same 3 lines of dialogue over and over again. There should be a way of solving that.

Side quests: i’m ok with fetch quests initially as it is a good way of forcing the player to go out and explore huge maps, but i’d also like the fetching to have some meaning other than checking things off a list. I want to explore many ruins, and -can’t believe i’m actually saying this- i want a Fade quest. Wait! I know what you’re thinking but don’t kill me just yet, here’s my idea: what if we could visit the Fade at certain locations to witness memories or meet with spirits and recollect information on Solas, his past, his present? Both to understand him better (keep in mind we’ll most likely get a new protagonist who isn’t familiar with him like we are as players) and try to locate him or predict his next move. It would be i think i great way of having visions of Arlathan in its golden age, maybe seeing some of the other Evanuris, how they interacted with each other and with the elves in their service, what really happened ...i just want that sweet, sweet lore, i need it.

Technical stuff: ok, graphics will be amazing for sure, but i also would really really like: better, more varied and longer hairstyles, PLEASE. Body sliders, it’s damn time we get them. Mounts that actually make a difference! Let staves blades make damage in combat, I’M BEGGING HERE. Combined classes, MAGICAL ROGUES! A homebase we can fix up/build on/redecorate as fully as possible (Skyhold was great and i love it to pieces but why were those walls NEVER repaired????) . More casual outfit options, idk i love to dress up my characters, maybe some transmog? A day/night cycle and please i would love to see Thedas’ second moon, also weather variations depending on the region. Yes, i’m ambitious.

Gameplay: i’d like more AI options for companions, but not quite like in DAO, that was too much and i rarely used it. I’m curious how they’ll do combat this time but i know for sure i don’t want the kind of combat that has me going almost frame by frame pausing at every second, it’s annoying for me. I want large areas like in DAI but with a bit more stuff to see and do although one of my favourite maps is the Hissing Wastes so i won’t complain if we get a literal desert but i’d also like it to have secrets hidden around, make me work to find and solve them, i love exploring, i jump and click on EVERYTHING like i’m still a kid playing Monkey Island. A companion in concept art seems to be holding what looks like some form of rifle, so i’m curious how they’d incorporate that in the game. I know Tevinter has the magics and dwarves have the skill, a firearm is totally within the possibilities in-game without breaking any lore; also super curious what sort of skill trees Crows or Lords of Fortune could have, are they rogues, or warriors, or both??

So far, that’s what i got in my head.Well, most of it anyways, i may have missed something but this post has to end somewhere lol

What’s in your head? Feel free to share! Have you been thinking on how you’ll create your next protagonist? All i can think of is magical rogues and that glowing bow was all the hype i needed.

#Dragon Age #Dragon Age 4 #Tevinter #da4 wishlist #DA4

37 notes · View notes

grailfinders · 3 years

Text

Fate and Phantasms #95: Gilgamesh(Child)

Today on Fate and Phantasms, we’re continuing the pseudo-redo theme of the past couple builds with Kid Gilgamesh. First Nero, then Shiki, now Gil... We swear if there’s another alternate version of an existing character coming up we’re going to scream.

But yeah he’s Gilgamesh, but baby; that means he’s cute enough to charm enemies, has instant knowledge about said enemies thanks to Sha Naqba Imuru, and can weaponize anything in the Gate of Babylon.

Check out Kogil’s build breakdown below the cut, or his character sheet over here!

Next up: We’re watching, and we’re waiting. On the edge of our seat, anticipating.

Race and Background

Gilgamesh is definitely some kind of Aasimar, but we’re making a child here. Leaning into the whole rugrat experience, we’re going with a Lightfoot Halfling, but feel free to play a child Aasimar if you want. Or a bugbear-don’t let us stop you from having fun. Regardless, for the sake of this build you get +2 Dexterity and +1 Charisma. You’re also Lucky thanks to your clairvoyance, letting you re-roll 1′s on attacks, saves, and ability checks. You’re also pretty Brave, giving you advantage against being frightened, and Nimble, which lets you move through the spaces of larger creatures. Finally, you’re Naturally Stealthy, letting you hide when obscured by larger creatures. Kids probably shouldn’t be out adventuring, but at least you’re a smaller target than the other yous. You also only have a speed of 25′, but it’s not the end of the world.

You’re the same person as the other Gilgamesh, so it’s not too surprising that you have the same background. The Noble background gives you History proficiency because you’re one of, if not the, oldest servants around, and Persuasion proficiency as well. You’re a kid, kids are cute, you can get your way with some puppy dog eyes.

Ability Scores

Put your highest score into Charisma; like I said, you’re cute, and you also have an extremely powerful array of weaponry that you can summon at will. Both of those are charisma-based skills. Second is Dexterity; you’re a nimble lil munchkin, or at least you’ll have to be to run around a battle just wearing cargo shorts and a hoodie. Third is Wisdom, followed up by Intelligence. You have tons of knowledge of the world around you being pumped into your brain by one of your Noble Phantasms, and you’re also aware enough of social norms to know you shouldn’t constantly use it, unlike your older self. Your Constitution is a little low because you’re still growing, but dump Strength. You’re a kid, and you don’t have to swing any weapons around when you can just magically summon them instead.

Class Levels

1. Bard 1: You get by on your charms, wits, and weirdly diverse array of magical powers, and that’s saying bard to us. You get Dexterity and Charisma save proficiency, as well as three skills of your choice; Insight for a less magical explanation for your NP, Religion because you’re part god- you should know your family tree, and Perception because you’re going to have to pick your weapons out of literally everything that exists, so you’ll need a good eye.

You can give away Bardic Inspiration as a bonus action, giving another creature a bit of a boost to one of their attack rolls, saves, or checks in the next 10 minutes. You can use this feature a number of times per long rest equal to your charisma modifier. You can also cast Spells using your Charisma to cast them.

Grab Prestidigitation so you can start taking small objects out of the gate, and Thunderclap for a simple use of your treasures in an AoE blast. You also get Charm Person and Command to really rub in how cute you are, as well as Detect Magic and Identify to pick up extra information with Sha Naqba Imuru. Both charm person and Command require their target to fail a wisdom save to work, that’ll have a DC of 8 + your proficiency bonus + your charisma modifier.

2. Bard 2: At second level you can leverage your NP to become a Jack of All Trades, beaming enough information into your head that you can add half your proficiency bonus to any check you’re not proficient with. You also learn a Song of Rest, adding an extra d6 to any healing done over a short rest. You also become more of a team player with some Magical Inspiration, letting creatures add your inspiration to healing or damage done by one instance of a spell.

Speaking of healing done by spells, Heroism makes a creature immune to fear, and gain temporary HP each turn. You know what you’re doing, and knowledge is the antithesis of fear. Unless you’re facing a Beholder, then knowing what you’re getting into only makes things worse. But you’re level 2, so that probably won’t be an issue.

3. Bard 3: You’re a bit young for college, but you graduate from the College of Creation anyway! Now your inspiration comes prepackaged with extra effects thanks to your Note of Potential. When used on an ability check, your inspiration die is rolled twice and either result can be used. When used for an Attack Roll, each creature of choice within 5′ of the target must make a Constitution save or take Thunder damage equal to the amount rolled. If used on a Saving Throw, the user gains temporary HP equal to the amount rolled plus your charisma modifier. You can also make a Performance of Creation as an action, creating a nonmagical item on the ground/in a liquid within 10′ of you. It’s a powerful ability, but it comes with some caveats. It must be worth less than 20 times your level, and has to be medium or smaller. It’s also very clearly created by magic, so you can’t pass something off as the real deal for scams. Not like you’d need the money anyway. You can use this once per long rest, or by spending a 2nd level spell slot.

Speaking of, you also get second level spells this level. You can now make a Cloud of Daggers for a more offensive use of your Gate of Babylon. This creates a 5′ cube of daggers floating in the air, and creatures that enter the cube take slashing damage when they enter the cube. Either stick it in a doorway for a decent trap, or team up with Spartacus for some harsh damage.

One last thing- you get a round of Expertise this level, doubling your proficiency in History and Persuasion.

4. Bard 4: Use your first Ability Score Improvement to boost your Charisma for stronger spells and more inspiration. You also pick up Friends for another charm point and Hold Person to use the Chains of Heaven like they were meant to be, forcing a wisdom save on a humanoid, and if they fail they’re paralyzed until the spell ends or they make another wisdom save on their turn.

5. Bard 5: Fifth level bards get a boost to their inspiration, turning their bardic inspiration dice to d8s. You also become a Font of Inspiration, regaining inspiration uses on short rests instead of long ones.

You also get third level spells, like Clairvoyance to mimic your usual... clairvoyance. You spend 10 minutes to spy on a location you’ve seen before for up to 10 minutes.

6. Bard 6: At this level you get Countercharm, but you’ve already got Heroism which is a better use of your time anyway, since the former uses up your action and only gives creatures advantage against being charmed or frightened. You also get Animating Performance, allowing you to weaponize a large or smaller item, turning it into a Dancing Item that you can command as a bonus action. You can also inspire a creature and command your item at the same time. You can only animate an item this way once per long rest, or by spending a third level spell slot. One interesting effect of the dancing item is its Irrepressible Dance; creatures that start their turn within 10′ of the item have their speed increased or decreased by 10′ for the turn. That’s your speed issue solved then.

You also get Daylight to help your dumb halfling eyes see in the dark and make your Gate of Babylon items more impressive. Swords are cool, glowing swords are cooler.

One last thing to mention is that your Performance of Creation can now make Large items as well.

7. Bard 7: Seventh level bards get fourth level spells, like Locate Creature, which helps you locate... a creature... not all spells are super complicated. You do have to have seen the creature up close before, and it has a range of 1000′. Also, running water has a tendency to block the spell up, so don’t expect this to work too well in an urban setting.

8. Sorcerer 1: You’re charismatic, but you don’t really sing that much, so let’s grab some magic from your Divine Soul while we’re here. You get another set of Spells that also use Charisma to cast, but you don’t have to worry about starting over with spell slots; both lists use the same slots, as defined by the multiclassing spell slots table. You also get Divine Magic, which gives you Cure Wounds, as a treat. This lets you pick up cantrips and spells from the cleric spell list as well. You’re also Favored by the Gods despite your later attitude towards them, letting you add 2d4 to a failed save or attack once per short rest. You shouldn’t need a Noble Phantasm to tell you to avoid the fireball, but every little bit helps.

For spells, Light gives you a less resource-intensive Daylight to work with. Sword Burst, Fire Bolt, Magic Missile, and Ice Knife help fill out some offensive uses of your Gate of Babylon, and Blade Ward blocks enemies from getting a clean hit on you with well timed gates, making you resistant to physical damage types for a turn.

9. Sorcerer 2: Your Font of Magic gives you a couple Sorcery Points that you can spend later to do cool stuff or right now to recharge spell slots. You can also burn slots for extra points, but that’s not very useful right now. They recharge on long rests.

Also grab Catapult to help weaponize weapons that already exist. It can only throw items of 5 lbs. or less at level 1, but you can force a dexterity save to deal some bludgeoning damage.

10. Sorcerer 3: Remember those points from last level? Now you can spend them on Metamagic, ways to customize your spells for added effects. A Quickened Spell reduces a spell’s casting time from 1 action to 1 bonus action, and a Twinned Spell casts a spell a second time, targeting another creature. You have a lot of stuff in your treasury, don’t be afraid to bring them out.

11. Sorcerer 4: Use this ASI to improve your Constitution. Trust me, you’ll need it. You also get Guidance for even more ways to cheat at ability checks, and Earthbind so you can use the Chains of Heaven even on annoying flying creatures.

12. Sorcerer 5: Fifth level sorcerers get third level spells, as well as Magical Guidance. If you fail an ability check, you can spend 1 sorcery point to re-roll the d20, and must use the new roll. Grab Melf’s Minute Meteors for even more things to throw at people.

13. Bard 8: Use this ASI to maximize your Charisma for the most inspiration and best charms. Speaking of, grab Charm Monster so your charms aren’t restricted to just humanoids. Your Fair Youth explicitly only works on humanoids in FGO, but even with these spells we’re probably downgrading your Gate of Babylon a lot, so let’s just call this even.

14. Bard 9: Your Song of Rest improves a bit, so you add 1d8 to healing now. You also get fifth level spells, like Animate Objects to more consistently weaponize your treasury and the world around you. You can turn up to 10 nonmagical objects into creatures that can fly, each size larger than small doubles the amount of objects one object counts as: medium objects count as two, large as four, etc. You can command any number of them with a bonus action, either deciding their exact move next turn or giving a general order. Throwing treasure around is nice, but treasure that throws itself around? Amazing.

15. Bard 10: Your Bardic Inspiration increases to 1d10, and you get another round of Expertise. Increase your Insight and Perception to make it even harder to lie to you.

You also get Magical Secrets, two spells you can use from any spell list, and a new cantrip. Grab Dancing Lights for the hell of it, Telekinesis to weaponize the larger items in your treasury, and Conjure Volley for when the need for quantity trumps quality. The former lets you move huge or smaller creatures that fail a contested strength check, or what we’re really after, the ability to move objects of up to 1000 pounds. You technically can’t throw stuff around with this, but 1000 pounds dropped on someone from 30′ up is probably going to hurt regardless. The latter lets you throw a weapon into the air and make hundreds of copies launch themselves back down at a target area, dealing the kind of damage that weapon would normally do.

16. Bard 11: Eleventh level bards get sixth level spells, like Find the Path, which helps you find the shortest path to a non-moving target. Note that this is the shortest path, not the safest.

17. Bard 12: Use your last ASI to improve your Dexterity for a better AC, and maybe better damage if you really have to use a weapon.

18. Bard 13: Your song of rest increases to a d10, and you learn seventh level spells like Prismatic Spray for a little variety. You fire various random treasures in a 60′ cone, and roll a d8 for each creature it hits. The spell can deal fire, acid, lightning, poison, or cold damage, petrify creatures, or send them to another plane. Look, you have a lot of treasures. If you spent the time picking the exact one you needed for the job you’d never get anything done.

19. Bard 14: Creation bards hit their Creative Crescendo at level 14, letting you create a number of items equal to your charisma modifier at once when you use your Performance of Creation. Only one item can between the sizes of Medium and Huge, the rest have to be Small or smaller. You can also ignore gp limits when making items, so you can dish out the solid gold everything you’re known for.

You also get one last round of Magical Secrets, picking up Blade Barrier to make a barrier of blades, and Crown of Stars for even more things to throw at people.

20. Bard 15: Your final level sees your Bardic Inspiration hit 1d12, and you gain access to 8th level spells, like Glibness. This spell effectively guarantees every charisma-based roll you make is at least a 15, and magical effects to determine if you’re lying always say you’re telling the truth. You’re adorable, the mongrels love you.

Pros:

You’re really good at anything that happens out of combat. Between your luck, magical guidance, and being a jack of all trades, you’ve got a pretty good shot at doing anything skill based that needs to be done. You’re also really charming, both in the sense that you’ve got a stupidly high charisma and expertise, and in the sense that you can literally charm people really well.

Despite that, you make a big presence in combat as well. ten animated objects flying around plus another one made with Animating Performance means you can cover a lot of ground and make it very hard to escape.

I don’t think I really emphasized this that much in the main breakdown, but you can literally make anything you want out of thin air. That’s pretty great, especially in a campaign where the DM rewards creativity. Not only can you make it, but you can manipulated them as well, with spells like conjure volley and telekinesis further expanding your options. You probably can’t make a plane, but there’s nothing stopping you from just building your own platform and carrying yourself wherever you need to go.

Cons:

Charms and item manipulation spells both require Concentration, so not only will you have to pick and choose, but in a firefight there’s a chance you can waste a spell slot as well. You also have pretty low HP, so it’s not much trouble to get you into Power Word Kill range.

That dip into sorcerer gives you a lot of versatility, but it also means you don’t get level 9 spells. Doubling up on magic is cool and all, but it doesn’t hold a candle to Wish.

Your bonus action is going to be pretty crowded by commanding both a Dancing Object and your Animated Objects, so your turns might not go as smoothly as you’d like.

#Fate Grand Order #D&D 5e #fgo #Gilgamesh child #Fate and Phantasms

30 notes · View notes

toooldforfandom-liveblogs · 4 years

Text

RWBY V08E01 - Divide

V8 is here!

Sadly, the hype I had for V7 is nowhere to be found this volume. V7 left me cautious. The way it used social injustice as little more than window dressing while doing nothing to address it was enough to leave a bad taste in my mouth, and has ended up being the only season I didn’t immediately rewatch or seek reactions to it. Hell, I still haven’t listened to the soundtrack.

But, weird issues aside, it’s still RWBY and I’m still excited to watch it so here we are! Let’s do this!

Note: I’ve managed to remain mostly unspoiled with the sole exception of hearing this volume is supposed to take place over two days, so yay?

Of all the things I expected this season to start with, Cinder's backstory wasn't one of them. That girl is Cinder, right? Cinderella and all that.

Yyup, Cinder. Wow, seven seasons before giving her a slightly more tangible backstory, maybe to humanize her a bit? Bold strategy, considering everything she's done, let's see how it plays out.

Neo has to be questioning her choices really hard. I know she's on the revenge path but it's one thing to work with Cinder and another to fly directly into a flying Grimm whale.

It's interesting that they chose to have a similar intro as in Volume 4, with someone who doesn't quite know what they got into. Back then it was Emerald and Mercury watching the pools of Grimm, now it's Neo walking into a giant whale.

Neo knows what Cinder is capable of. She's seen her maiden powers first hand. Hell, she knows how charming her personality is. And now she's seeing her kneel before someone. Can't be confidence inspiring.

Tsk, tsk, Neo, I expected she'd know by now her place in Cinder's ranking.

oh god no, please not another failed hug

What's the opposite of a glow up? Because Hazel went through that.

I'm intrigued. The glimpse of Cinder's past where she was completely powerless and now this dressing down. Is she lying through her teeth right now or does she genuinely believe that since Salem presumably rescued her from her previous life?

Interesting choice to not only hide her eyes behind her hair but to also present her Grimm side to the camera while she's saying this, hiding her expression even further.

Salem seems more evil than usual, but maybe she's just on the top of the world after having acquired a relic and having her army on Atlas' doorstep.

I can't quite tell what I'm looking at here. Maybe another angle of Atlas? It looks really weird from the side.

First faunus with animal hands? I guess Ghira had retractable claws.

They are looking quite calm considering there's a giant whale in their sky. Unless they can't see it. They are in a hole surrounded by stone after all. But still, it'd be interesting characterization to have them so used to being screwed over by life that they saw the giant whale and went "Huh. I guess it's Tuesday."

Weiss would definitely know about that.

I'm curious about the coordination that's been happening behind the scenes. How does she know that's a friendly ship?

I guess at least some time has passed, since Yang, Blake and Penny aren't with them.

Very inconspicuous to destroy a droid.

Not a lot of time though, since Ren is still brooding alone. Very intrigued by the picture in the background.

Nothing says that the time for silly shenanigans is gone better than this.

I guess enough people saw Pietro and Maria running around to make them fugitives. On the bright side, it still says "detain," not "kill"

Ironwood literally shot a child, that's pretty important information to keep secret. Even if he is the child who got shot. How long before this bites someone in the ass?

I wonder if the couple in the background are the founders of the happy huntresses. The one with the eyepatch looks a lot like Robyn, enough to maybe be her mom?

Also makes it a lot easier to threaten with overwhelming force to get something from Ironwood but I guess he already gave them up.

Uuh, I like this.

I thought that after V5 the team wouldn't separate again. And if the season is really going to cover just a couple of days, it almost doesn't count. So, it keeps the all the character development from V4 and V5 (that the team is their home) but gives them enough time to breath on their own.

It's also interesting that they seeded this during the last season. RWBY has shown some long term planning but this makes all the in-fighting and arguments from the last season make sense.

If they do split up, I think Blake would go with Ruby. She's always been on the pragmatic side of things. And it adds more drama to split her from Yang, last season was all about how well they work together (and flirting). Hopefully this'd mean that she'd talk with Ruby more than once this season.

It looks like Ren is joining team Yang, which would leave Nora with Ruby if only because they seem to need to do their own thing right now. I'm not sure how it'd fit with Nora's interest in Mantle though.

Everyone else I'm not sure about.

Weiss could go either way. Maybe she feels guilty about Mantle or maybe she feels like she could help infiltrate the military compound. Although that could lead her to meet Winter which I doubt she wants right now. Maybe she's too recognizable to help Ruby.

I think Penny is going to go team Yang. Protector of Mantle after all. And it'd make Ruby's arc more interesting to have less of her usual friends next to her.

I feel Oscar would make more sense in the infiltration side of things and warning the world seems like something Ozpin would try to do.

Jaune I have no idea. Maybe whatever team doesn't get Weiss?

yup

Okay, easy guesses out of the way.

Oh, honey.

Yesss, personal feelings.

Damn, she looks incredibly badass.

Huh.

I guess Weiss is going with Ruby then.

This is tense! I actually had a moment of dread the second everyone noticed it was Penny's scroll.

And Penny just had her remaining faith in Ironwood completely destroyed.

I can already see this season is going to break my heart again.

Harriet is literally pouting. Probably pretty humiliating to have been beaten by some academy dropouts.

Welp, only a human leg left.

Feels pretty on the nose to have him literally lose part of his human body to show how he's been losing his humanity.

Well, that took a turn.

I'm glad they are taking a possible redemption (other than death) completely off the table for Ironwood. I know shooting Oscar was bad but no one knows about that. There's no way to hide this.

Those are not the expressions of people thinking "huh, maybe I'm doing the wrong thing here"

Hm. I guess Oscar is getting kidnapped. By a Grimm?

Is this the first time a RWBY season premiere doesn't have a fight? I think it is, even V5 had Yang punching someone. Not that I'm complaining, I do like talky episodes.

My first thought after the first scene with Salem and company was that there were at least a couple of players not entirely happy with their situation. Cinder is somewhat of a mystery but Neo is way over her head and obviously not happy about being an "asset." Emerald got rebuffed again even after spending two seasons crying for Cinder.

There's a parallel between Salem and Cinder, and Cinder and Emerald I assume is intentional. If Salem rescued Cinder from her Cinderella situation, the similarities would be even more visible, with Cinder giving Emerald a life outside of simple survival. However, while Salem is firm about Cinder's position as a pawn, she does value her. She knows how to play that particular game of emotional give and take. Cinder doesn't. She has never shown Emerald any appreciation. How much further can she push Emerald before she accepts Cinder doesn't care about her?

I'd say Emerald is prime material for turning sides but I wonder... we haven't had a death on the enemies side yet. Even Watts survived. Emerald could be the first. Maybe to show how far gone Cinder is, or as revenge from Neo. And the death of someone who's at least doubting they are in the right place would hit harder that someone who is drinking Salem's kool-aid.

Anyway. I feel this first episode set-up a comparison between all three sides. Salem's forces hate each other, the "good guys" split but they still like and respect each other.

Somehow Salem's downfall (or slowing down?) this volume is going to be tied to the RWBY and JNPR teams working together and trusting each other despite their differences. Which, well, duh, but still.

Ironwood's are a bit more vague, they seem to be solidifying behind him but I'm not sure where it's going yet. Maybe Marrow could defect? Although that still seems like the too-obvious choice. In any case, freeing Qrow and Robyn would be good first step by whoever ends up switching sides.

I'm curious about a lot of things (What's going to be Penny's arc this volume?) but I think that's all for now. Until next time!

#rwby #rwby liveblog #rwby v8 #rwby v8e01

31 notes · View notes

snowfianna · 4 years

Text

Fable IV rant:

I'm so pumped up for the 23rd because everything has led me to believe that Fable 4 will be announced this year and the game's existence has been confirmed for a while anyway it's just a matter of time of when will Fable 4 show itself. It's a badly kept secret tbh.

So to those who don't mind a big rant or wish to add on to my rant- here we go!

Can you imagine how good the graphics would be for this game, we've all seen modern games, surely, and they're all bloody fantastic looking. Fable Legends is technically the most recent Fable game despite it being a free to play online game

and that it's cancelled

but it also had a gorgeous look to it all! And the character models did great justice to the concept art and honestly that has my hopes real high because I love the concept art of Fable, specifically from Mike McCarthy, so exaggerated and recognisable- yet in all the games I can confidently say they did not do justice to his character design, specifically for Reaver. Sure, he looks stunning in the third game, but not quite what he looks like in his concept art sadly.

But also, since Fable was made in Unreal Engine (I'm pretty sure at least) we've seen examples of what can be done in Unreal Engine now and it's absolutely breath taking!

If you haven't seen here are some examples and they're so life-like.

Moving on from graphics!

Since Playground Games is behind the development of Fable 4, they would be spectacular at an open spaced world, judging from the Forza games.

I always loved the open world feature added to Fable, it made things more adventurous and you could do so many things that weren't at all related to the main quest to progress the story and it was just thrilling to see there were other things going on! I'd love to just have my dog companion running through fields, fighting enemies left and right and finding buried treasure or forgotten chests.

Run into strangers who request aid in something silly or rather serious and it would be up to you with how you go about the quest or if you even accept it to get renown or gold. Cause a massacre in towns and villages, running off with low morality and plentiful loot- oh one could fantasise of this all day.

Story, characters, writing and voices.

Fable has always had a fun environment of fantasy and a rather good story (despite the curse of mundane or pathetic boss fights in which I hope Fable 4 breaks this cycle) but the one thing that's always kept me on my feet in the games is the writing and the characters. It always just tried not to take itself too seriously, throwing in absurd quests that probably requires cheese or a really weird-looking outfit. It always kept my attention rather than just pure edge and seriousness of life or death.

The characters are a given, the writing done for them all is perfect in my eyes, I love hearing the variations of how characters of NPCs interacted (enough so that I even bought two of the Fable books written by Peter David). Despite Fable 3 not being the greatest at it's time, I found myself absolutely enjoy the characters for how they were- I even cried over Walter's death because it genuinely felt like I lost somebody pretty close (RIP Walter🙏). The writing and the chosen voice actors were superb and I'd love more of it.

I hope this time we can receive a full story instead of how Fable 2 and 3 were where plenty of plot points and such were cut out due to time constraints- thanks Microsoft, very cool. I'm still in anguish when listening to the Developer's Diary 3 of Fable 3 hearing lines that were just never said in the final product and it was definitely not just additional lines that weren't required as it seemed to mention entirely different things that weren't in the game; i.e. Reaver talks about his pirates in Bloodstone and how he misses them- in the final product he never mentions it and it's even shown that he's tried to completely bury his pirate past for whatever reason.

The pacing in Fable 3 was rather strange too, it felt like the revolution should've lasted longer.

Another hope of mine is to have choices that aren't so painfully black-and-white because it's very obvious which is the good or bad option to a scenario- personally for me I'd like to be morally grey rather than pure good or pure evil.

They better have kept the mechanic of your actions affecting your appearance too to the point where you grow horns and get cracked magma-like skin or this slight glow and aura around you and this flawless skin. It kind of died down in Fable 3, only looking more tired or have completely black eyes and the good- eh yeah not much I can say for when you're good. Purity and corruption seemed to also vanish in Fable 3 (at least I think) since you couldn't really change prices of the homes you were renting out, unless I've been a big goof who didn't arrange the rent prices in the game because I didn't know how.

Combat

Combat in all the games was rather straight forward, especially in Fable 2 and 3 where everything was just easy to beat or you could get overpowered around the start of the game. I'd hope the combat improves greatly this time and even bring back real consequences to dying instead of immediate revival with some lost experience and a scar. We need more serious consequences to your actions (this can be applied to all decisions rather than just if you die in a battle) even if it's just having to reload the last checkpoint. Makes things more challenging this way.

Another thing is to make boss fights less repetitive and simple- sure I can forgive it if the boss is from around the start but if they had phases you had to keep ontop of and didn't rely on summoning a bajillion other enemies to strike you, I'd be ever so grateful.

And if there's other characters fighting along side you, I'd hope they'd genuinely be helpful and keep up to speed with the player. I'm sure the AI in the past was the problem for this as AI wasn't at its best during that time so characters fighting by you didn't do too much or just did whatever that wasn't helpful. Now though, AI has improved immensely (I mean look at The Last Of Us 2, the AI is👌) and due to this, I'm sure characters would make battles more fun and the characters be more involved with the fight and even story.

Mana should be brought back as well, in Fable 2 and 3 mana just ceased to exist so you could just endlessly and repeatedly use the same spells and it just gave you too much power and the enemies barely stood a chance.

We need challenges people- CHALLENGES!

Medieval times? Yes.

I love Medieval fantasy and as much as I like the Victorian era too, I didn't think it quite suited Fable, as fascinating as it was to see fantasy turn industrial, it kind of took away from the Fable feel that I so crave. If they have indeed brought the game back to medieval times it means more creatures and enemies are back rather than driven away or limited to the same handful of enemies.

We can all also agree the guns were overpowered, though I did like receiving the Red Dragon late in Fable 2 to absolutely mow down enemies, it was satisfying to say the least. However, guns were far too powerful for the game, so I demand the bows and crossbows back thank you very much- or even throwing knives- I'll take what I'm given.

I'd love to see more of the natural landscape rather than towns or buildings that took over once entirely natural areas (Millfields/Bowerlake). However, I won't object to ruins of old buildings taken over by nature.

Skeptical with Playground Games? Don't be.

Are you worried that Playground Games wouldn't do justice to Fable since it's not Lionhead Studios? Don't be, it's been noted that Playground Games has hired several ex-lionhead workers and plenty other skillful workers to ensure we get the best product. I have high hopes and expectations for Fable 4 even if it's developed under a different studio, I've seen great things from them and I will believe they'll deliver us only the best.

Side note to all this

I will crash and burn if I don't see a crumb of Reaver or Jack of Blades in Fable 4- I don't know how true any rumours are of Fable 4 with time travelling and Jack returning, but we'll just have to see. Reaver still remains as my absolute favourite character of all time and I'd love to see more of him, even see him before he was 'Reaver'.

Jack too, more of his lore is stated elsewhere rather than in the game itself and I'd love to see it all be brought into light and really expand on his lore and make it known- rather than have ever-loving Fable fans like me dig around for these rather delicious bits of canon information.

That's my big rant, feel free to share your thoughts and what you'd look forward to!

Have some accidental art leaks from a Playground Game concept artist- believed to be for Fable 4👀

#fable #fable 2 #fable 3 #fable 4 #rant #honestly if you read this you have my respect #ramble

55 notes · View notes

ranboounlabeled · 3 years

Text

Incorrect Quotes

So I had the bright idea one day to make incorrect quotes based on a DnD campaign and the players. Why not post them here? If any of them find this and request this to be deleted, I won’t mind. Blu - DM, any other character you don’t see listed here Tuck - Alzora Autumn/Me - Aria Maria - Yeet Bard - Tad Whipple - Niyana ~ Aria at 3AM: Alzora wake up Alzora, annoyed: What is it? Aria: If butterflies fall in love, do they feel humans/mobians in their stomach? Alzora: The rest of Team Supernova: Niyana: aria what the fuck Yeet: No no, wait. She has a point. Yeet: What if they’re mobian butterflies? Snipe: What if they just feel really tiny butterflies in their stomachs? Niyana: That’s morbid. ~ Aria: is pink panther a lion Alzora: say that again but slower Aria: i don't get it? Alzora: he's the pink PANTHER Aria: okay? but is he a lion? Alzora: Aria. he's a panther Aria: is that a kind of lion??? Alzora: no it's a fucking panther Aria: I just googled it. Are they not pink? Alzora: AND LIONS ARE??? ~ Yeet: *gets shot* Shit. Alzora: Language! ~ Niyana: Is 4 alot? Aria/Alzora: Depends on the context. Aria/Alzora: Money? No. Aria/Alzora: Murders? Yes. ~ Yeet: Just a reminder that I'm non-binary so if you've got a crush on me, u gay bro ~

Alzora: if one of you says that stupid thing again I will not hesitate to give you frost bite Aria: aw that's so sad alexa play despacito Alzora: starting with you Alt idea from our DM (context, Alzora is an ice dragon and I compare her to Elsa alot): Aria: thats so sad, alexa play Let it Go. Alzora: you will die in 3 days ~ Niyana: THE FLOOR IS LAVA Yeet: *helps Snipe onto a chair* Alzora: *throws Aria off the table* revenge Niyana: There are two types of people ~ Alzora: If anyone says ‘mood’ ‘same’ or 'me’ in response to something I say ever again, I will throw you out the nearest window Yeet: Mood Aria: Same Niyana: Me Alzora calling tad: hello? Tad can you come here quickly? Tad: why what happened? Alzora: well lets just say there’s a gun in my hand, 3 dead bodies on the floor, blood on the walls floor and ceiling, and police on the way Tad: Tad: what Tad: The police are going to be there? Yeah, you're on your own ~ Aria: Mobius is a hot, molten core with a solid crust. Therefore, its a ravioli Alzora: Please stop Yeet, taking notes: No no let her finish ~ Aria: Comparing me and Alzora is like comparing apples to oranges. Aria: I mean, I like apples, and I really don't like oranges. Aria: Oranges are annoying. ~ nesta: fuck your cake! aria:

~ Niyana: I’ve been working on my evil laugh! ‘Cause everybody’s got an evil laugh, you know, like... Ha ha ha ha HA! Like that. Alzora: Okay, here’s the thing. You’re not ready... for the evil laugh, okay, you can do a chuckle? Like a mildly upset chuckle? After MY evil laugh. ~ Snipe: You're smiling. Did something good happen? Aria: Can't I smile just because I feel like it? Niyana: Alzora tripped and fell down the stairs. ~ Yeet: So, why is Aria mad at you? Alzora: They sneezed and I accidentally said "shut the fuck up" instead of "bless you". Yeet: Alzora: Yeet: How do you accidentally say "shut the fuck up"?! ~ Alzora: Anyone who says 'uwu' or 'owo' again is being arrested for crimes against humanity! Aria: Cwimes against huwumanity. Alzora: I'm going to break your fingers. ~ Yeet, while crying: LOVE IS DEAD AND NEVER EXISTED! ALL YOU DID WAS BETRAY ME AS I LAY SICK AND FESTERING! YOU ARE THE DEFINITION OF DREAD! Snipe: Are you ok??? Yeet, crying even more: NIYANA STOLE MY FUCKIGN WEAPONS! [This breakdown is immediately followed by Yeet trying to beat the shit out of a 15 year-old] ~ Alzora: Good Morning! Aria: Good Morning everyone Snipe: Good Morning. [ half of everyone else says their good mornings] Yeet: My god you all sound like robots! “good morning” this “good morning” that. Yeet: Spice it up!!! Niyana: HEY MOTHERFUCKERS ~ Alzora: *falls* Alzora: Alzora: I suppose I’ll have to add the force of gravity to my list of enemies. ~ Aria: Tall people are the enemy! Alzora: I'm sorry, I can't hear you from up here. Aria: I will tie your fucking shoelaces together and you won't even know it! ~ Niyana: But rules were made to be broken! Tad: They were made to be followed. Nothing is made to be broken. Nesta: Uh, pinatas. Alzora: Glow sticks. Yeet: Karate boards. Aria: Spaghetti when you have a small pot. Niyana: And rules! Snipe: Don’t forget bones. Yeet: Ye-Wait no- ~ Aria: Onion rings are just vegetable doughnuts. Alzora, used to Aria: Sure they are, Aria. Aria: Your stomach thinks all potatoes are mashed. Alzora: Okay. Aria: Lasagna is just spaghetti-flavored cake. Alzora: … Aria, oblivious: Lobsters are mermaids to scorpions. Alzora, crying: Aria, please stop. Yeet, fascinated: No, continue. ~ Yeet: Hey, Snipe, what are you doing here? Snipe: This is where I come to cry. Yeet: What. Snipe: I said this is where I come to be a cool guy. ~ [loud crashing comes from Team Supernova's room, Tad runs in to find the room completely trashed] Tad: What happened in here!? [The rest of the Team are on an elevated surface] Aria, on top of the bookshelf, shaking: We saw a spider... ~ Yeet: Isn’t it amazing what friends learn from each other? Aria: I learn a lot from Phin because he makes so many mistakes. ~ Aria: AVJDJAHDHSHS Tad: what is that? Aria: a keyboard smash Tad: how do I do it? Aria: just press anything Tad: 7 ~ Alzora: Bitch. Aria: Blocked. Alzora: Wait, unblock me, I need to tell you something. Aria: Unblocked. Alzora: Bitch. ~ Alzora: Don’t say a word. Aria: Aria: Fergalicious. Alzora: I said no words. Aria: Oh, I see. Two weeks ago playing Scrabble, it’s not a word. Now suddenly it is a word because it’s convenient for you. ~ Aria: Olli? Why are you outside? It's pouring! Olli, drenched: The aesthetic, Miss Aria. Aria: Olli, please. Olli: ThE aEsThEtIc, MiSs ArIa! ~ Niyana: There’s no “i” in happyness. Aria: There is if you fuckin’ spell it right. ~ Niyana: Do you care if I take the skin off the Furby? Niyana: I want to make him a God. Once he is free of his sinful flesh he can begin the path towards enlightenment. He will take care of Us. Niyana: Also I want to softhack his circuits. Yeet: I literally could not care less but never say anything as frightening as that sentence ever again. Tad, not looking up from his sketch book: I could design some long furby designs if you need me to. ~ Stella: I have a mafia! Yeet: We have a Niyana. ~ Yeet: Bro. Snipe: What bro? Yeet: Tell the whole world we’re bros. Snipe: *whispers* We’re bros. Yeet: Why’d you whisper bro? Snipe: Because you’re my whole world bro. Yeet: B R O. ~ Yeet: Your house is burning down! You can only save one thing. What do you save? Aria: My house?? ~ Aria: Yeet, do you ever want to talk about your emotions? Yeet: No. Alzora: I do. Aria: I know, Alzora. Alzora: I’m sad. Aria: I know, Alzora. ~ Stella: *looking around in closet* What should I change into? Snipe: A better person. ~ Whatever characters Yeet writes into fanfiction: *hugging and vibing* Yeet: Who would ever want to harm such a loving relationship? Yeet, brandishing a pen: I WOOOOULD! ~ Yeet: Chillax~ Alzora: That’s not a word. Yeet: Sometimes the ones who deny “chillax” are the ones who need to chillax the most. ~ Aria: 13 year old me would be both terrified and in awe at who I am now. Niyana: 13 year old me wouldn't think I'd get this far. Yeet: I would fight a 13 year old me. ~ Snipe: Yeet came into my room in the middle of the night, I pretended to be asleep, and they stroked my hair for a minute then left. Are they planning to kill me??? Aria: No they just care about you, idiot. ~ Yeet: Well, I guess you could say I’ve fallen for you. Snipe: You just fell down seven flights of stairs, how are you even alive? ~ Yeet: I wish I could block people in real life. Alzora: A restraining order. Niyana: Murder. ~ Alzora: What the frick is wrong with you? Snipe: Please be more specific and resubmit with the proper paperwork. ~ [on a city bus] Stranger: Are you traveling for business or pleasure? Alzora, in full armor: Combat. ~ Aria: Who ate my fries? Yeet? Yeet: I don’t like fries. Aria: Snipe? Snipe: I don’t need food. Aria: Niyana? Niyana: …It was Alzora. Alzora: Yeah it was. Aria: wh ~ Alzora: They are completely literal people. Metaphors go over their heads. Yeet: Nothing goes over my head... my reflexes are too fast! I would catch it. ~ Yeet: Live by the ass, die by the ass. Tad: S t o p ~ Niyana: Is there a word that is a mix between sad and mad? Tad: Malcontented, disgruntled, miserable, desolate. Yeet: Smad. ~ Tad: If someone is trying to rob a civilian, what is the correct course of action? Yeet: T-pose to assert dominance Tad: No. Niyana: Say "Thank you Chaos, for this meal I'm about to have" and then- Tad, interrupting: even worse Yeet, taking notes: Wait, let her finish ~ Aria: Hey Alzora, do you think Snipe feels regret? Because i just saw him choke down one of Tad’s pancakes in half a second. Alzora: Snipe has only one emotion and that’s hubris. ~ Yeet: *peeling a banana* May I take your jacket lol Snipe: Do you think other people can't hear you? ~ Aria: You have to pick your battles, Alzora. Alzora: I’m full of rage and I’m picking all of them. ~ Nesta, T-posing in the hallway: Good morning, parental figure. Tad, not looking up from his coffee: Hello, problem child. ~ Yeet, throwing his head in Snipe’s lap: Tell me I’m pretty. Snipe, lovingly stroking their hair: You’re pretty fucking annoying, that’s what you are. ~ Yeet, hoarsely: I think I'm losing my voice. Niyana: Ha! That means you can't yell at me anymore! [later that day] Niyana: Turns out, Yeet is scarier when they’re quiet. ~ Snipe: WE'RE SINKING IN DEEP WATER. Yeet: Don't worry. I learned this from a survival TV show. Yeet: OH TOOOOODLES-- ~ Niyana: Who else uses can openers to drink soft drinks? Yeet: This is extremely unhinged I must try it immediately. ~ Snipe: Boil up some mountain dew. It’s gonna be a long night. Aria: You could have said anything else. Yeet: fire burn and cauldron bubble, baja blast to fuel my trouble. ~ Aria: What do you want for dinner? Niyana: How about Sonic? Aria: *whispers* He's so fast how would we catch him-

#I can assure you there's much more but im tired #I'll reblog with more later #incorrect quotes #sonic incorrect quotes #sonic forces #dnd 5e #tad the duck #yeet #aria the jackal #alzora frost #niyana the cat #dnd incorrect quotes

8 notes · View notes

syncogon · 4 years

Text

[QZGS meta] what’s in an OP? dawning glory (pt 3)

(part 1) (part 2)

This is the third and last post in my little series analyzing the opening theme of The King’s Avatar Season 2! Honestly, this whole thing became way longer than I was expecting. I guess this is what happens when all my immense amount of love for this series, accumulated over years of no-donghua-updates, overlaps with my immense amount of love for anime openings.

Watched the first and second episodes yesterday, and they really sparked a lot of joy. :D I missed Blue River so much :D

Yesterday, they released the OST for Season 2, which includes the TV cut and full versions of the OP and ED, as well as two insert songs, and the instrumental versions of all of the above. I’ve yet to find anywhere that lets me download the audio files (hoping they’ll be reuploaded to youtube or bilibili soon), but in the meantime you can listen here. They’re really good songs! https: //www. kuwo. cn/album_detail/15792659

Anyway, let’s finish up this OP analysis!

Now here, we reach the true climax as we enter the chorus section. This next segment is definitely the highest-energy part of the entire opening. It’s a montage of Happy’s characters showing off their moves, timed to the music; there’s not too much deeper meaning, but damn if it doesn’t look fantastic. The animation flows from one character and scene to the next so smoothly, so beautifully, it’s just incredibly hype to see. This is what you get when you specifically choreograph/animate sequences for the opening instead of just reusing shots from the main show! (Parts of some of these shots appeared in episode 1, but I do honestly think that it’s more likely that the show reused shots from the opening than the other way around, just because of how perfectly the OP fits together. I also don’t think it’s super noticeable in-show; I’ve just been watching this obsessively.)

In particular I love the line that kicks this all off: “just put on your battle armor and step onto the road to the unknown.” Specifically, though, the rhythm of the lyric is, “jiu pi shang zhan jia ta shang wei zhi qian fang,” with emphasizing accents on the -ang sounds. This isn’t how you would divide the phrase naturally, but because the (syncopated!!) melody accents these notes/syllables, the rhyming effect really stands out and it feels as clever and satisfying as a rap lyric. Moreover, the emphasis times juuust right with the attacks of Soft Mist, Steamed Bun Invasion, and Windward Formation, a perfect example of how music and visuals mutually reinforce each other for maximum cool effect.

It’s generally easier to rhyme in Chinese than English, because of a smaller phonetic vocabulary. From the chorus onward, the key rhyme is on the “-ang” sound (think “ahng” or “ong”, not “aang” like the Avatar), which is a good choice - powerful, reverberant. The asymmetry of the syllable’s use in this section - the song’s lines are all different lengths at this part, so you’re kept on your toes as to when the pattern will reappear - helps add to the engaging excitement of the song. This is also the syllable used for most of the rhymes in the second half of the first OP.

jiu pi shang zhan jia ta shang wei zhi qian fang

hui qi shou zhong wo jin de na shu guang

you ni men zai lu shang__

shi li liang

I really love One Inch Ash’s design. Concealed Light had a big redesign for this season, and honestly I like it as well. And notice here that he’s holding a book - exactly how we left Luo Ji when we saw him last!

“Waving the light clenched tightly in our hand” - that is to say, brandishing our light as our weapon, no matter what form it may take - a sword, a book, our hope and determination.

On a purely musical note (ha), right at this point, specifically the measure beginning with “那束光,” you can hear a three-note “ooo” harmony line in the background, and wow it’s so subtle but I love it so much! A similar three-note line actually appears earlier too (during the “crossing the frozen finish line,” right as the music is building up), also to great effect.

We follow Concealed Light’s gaze upward to the building to see Deception running along the wall, from which he does a flip and slashes downward with twin blades. I love that transition a lot, but my favorite transition of this entire sequence has to be the following one:

Yes! Deception’s cross slash resolves perfectly into the cross held by Little Cold Hands. It’s so fast and so natural you don’t even notice it, and that’s the absolute beauty of it. The first time I saw this, I was in awe - the animators really brought their A-game to this, far better than I ever would have dared hope for this series.

And Little Cold Hands is so pretty! When we got our first art of her official design, the comments were filled with people simping for her, and honestly, valid. I’m surprised her hair is purple instead of pink, but that’s just a minor thing.

There’s something especially powerful about how she raises her cross in time with the lyric “having you all here [with me] on this road,” and then the cross flashing brilliantly with “it’s power.” More than any other role, the healer is a team player. And this theme of team togetherness is particularly important for An Wenyi, who is deeply moved by the team’s perhaps illogical faith in him. Remember that analogy Ye Xiu tells him, of the straw tied to the deluxe mitten crab?

An aside: listening to this, I always thought the line should be 有你们在身旁 instead of 有你们在路上, because it still fits the rhyme, because my past experience has somewhat conditioned me to expect that phrase, and because the full message of “having you by my side is power” just makes me wanna tear up like what a good line! So it felt like a missed opportunity that they didn’t use that. But as it turns out, the final iteration of this chorus in the full version of the OP does, in fact, use “by my side”! And I think making this tiny tweak to the lyric the final time you here it just makes it that much stronger :’)

I’m also just a big fan of the “it’s power” melodic flourish in general, since it comes as a surprise. You kind of expect the melody to end with the previous phrase, but the extra notes here add a really nice emphatic beat to finish off the line.

So to recap the transitions: we see Soft Mist falling from the sky and get a close up of her face as she stabs her spear; this takes us to a closeup of Steamed Bun’s face facing roughly the same direction before we zoom out to his torso and he slashes from lower left of the screen to upper right; following the motion of that slash we see Windward Formation’s torso rotate in that direction as the camera zooms out farther; we follow the rays of his attack to see One Inch Ash drawing his sword; we zoom in on the flashing blade and zoom out on Concealed Light’s glowing book; we follow his gaze upward to see Deception running along the building behind him; Deception leaps and slashes and the slash becomes Little Cold Hands’ cross, which raises up and triggers an explosion. It’s just so dynamic and smooth even without taking place in one continuous setting, and it just really, really gets you hyped.

Also, starting from Happy’s team picture at the start of the chorus, which is during the day, it feels like Soft Mist and Steamed Bun’s moves are at late afternoon, Windward Formation and One Inch Ash take us to nighttime, and then you can see the first rays of morning in Concealed Light and Deception’s segments. This continuity also definitely helps with the feeling of natural flow through these scenes.

Anyway, this entire action segment is just so beautiful, I could watch it on loop. But we still have the final segment of this OP to analyze, so let’s keep going.

After the action sequences of the climax, we settle down a bit now as we approach the end. Here we see the Excellent Era team picture, in the same style as the team pics we saw earlier, but presented separately. It makes sense, as the role they play in the story is different from the roles of all the other teams.

Sun Xiang, Liu Hao, and Cui Li are at the bottom. Because we’re panning up, these three are the first we see. At first glance, the way they’re positioned is fairly consistent with the team pics we’ve seen already: Captain Sun Xiang at center-right, the largest figure; vice-captain Liu Hao, manager Cui Li in the background.

Sun Xiang’s position and expression is really the only one that fits the healthy pattern of the teams we’ve seen already - looking toward the camera, a confident (though arrogant) smile. He might be misguided, but there’s hope for him yet. Notice how Liu Hao isn’t even looking at the camera, which as we’ve seen before is somewhat of an indication of how unified and focused the team is toward its goal; instead, Liu Hao is doing his own thing, determined to prioritize his own desires over what’s best for the team. And manager Cui Li is in this image too, despite not even being a player. His sinister presence reflects the unhealthy interference of the business side in the gaming side. Excellent Era’s downfall comes about because of its prioritization of profit over victory.

As we pan up, Excellent Era’s logo comes into view. It’s larger than any of the other team logos we’ve seen so far, spanning around three-quarters of the screen whereas the others looked to span no more than half. Excellent Era’s legacy is a weighty one, to date the only team to have ever won three championships, and consecutively to boot.

It’s this immense, shining logo that seems to be casting Tao Xuan on the left into shadow. He cuts a large figure, reflecting the deep impact his actions have had upon the main plot of this story, even though he’s only now appearing for the first time in the donghua.

However, he’s also turned away from the camera, such that we can barely even see his closed eye. Because of that, it’s difficult to read his expression, but the impression given by this pose is not one of vindictive pride, but one of shame, as though he can’t quite bear to face what he’s done. On some level, no matter how he might try to rationalize it as necessary, Tao Xuan knows that his profit-driven betrayal of Ye Xiu was a pretty awful thing to do. It might be this amount of guilt that leads him to offer Ye Xiu a wish granted, a tribute to their years of friendship and partnership before their ties are severed completely.

In the end, Tao Xuan’s greed leaves him with nothing really to show for it. What had he gained? What had he lost? Those realizations are still a ways off in the story, but I like how this OP is already hinting at the depth of his character. Tao Xuan isn’t some glasses-flashing, evil-laughing, one-dimensional antagonist; he is in fact very realistic for the setting. We can condemn his actions and priorities, but at the same time we can understand how he ended up here.

As for Su Mucheng, her eyes are closed as well. She’s brightly illuminated, but pointedly turned away from all of the others in Excellent Era; she knows the direction of her future, and that it no longer lies with Excellent Era. Her loyalty was always to Ye Xiu, and as soon as he was banished, her relationship to the team was professional and nothing more.

“This light hidden in my heart is burning” - there are many ways to read this lyric and what exactly the light referenced here is, but because the line is paired with this image, I naturally think about Su Mucheng’s situation. Despite her pretty-vase, sweet-girl appearance, she holds a deep, profound anger at everything that happened regarding Excellent Era. It’s a testament to her immense strength of character that she lasted the remaining one and a half years of her contract in this hostile environment.

Yet even as she resolves to cut ties, there’s a sadness in her expression. She was here from the very beginning as well, when Excellent Era was no more than an internet cafe, and it pains her immensely that the powerhouse, championship team that they and her brother had built from the ground up would ultimately meet this tragic end.

It’s interesting to note that both of the “redeemable” characters here (namely Su Mucheng and Sun Xiang) are on the right, more brightly-lit side of the screen, so there’s a nice little dividing line you can draw there. Sun Xiang’s eyes are still looking toward the left, though, revealing how his character development still has yet to play out.

From there we cut to Ye Xiu holding Lord Grim’s account card. He’s standing back on top of the roof from the beginning of the OP, now in full daylight.

As mentioned… the animators really went ham on the bangs animation.

Ye Xiu turns away from the railing, the camera cuts to an image of Happy’s logo on a flag waving in the wind, and then we zoom out to see the current members of Team Happy gathered together in uniform, standing proud in the light of day. Left to right, Steamed Bun, Tang Rou, Luo Ji, Ye Xiu, An Wenyi, Wei Chen, Chen Guo. Presumably, this will be Happy’s lineup by the end of the season.

Up until now, we’ve only seen the real players separate from each other - they’ve all been in different places, never even in the same frame together. (This, of course, also contrasts the pro team pics that we have, which show everyone together.) Halfway through the OP, we got the group shot of them meeting in game with their characters. And now, they’ve finally met up in the real world as well.

One thing I like about this final pose is how it compares to the final pose of the OVA OP. It’s the same kind of power-pose vibe, but there we only had Ye Xiu, Chen Guo, and Tang Rou. Look at how we’ve grown since then! They’re well on their way to being a proper pro team!

And that’s a wrap! With this final image of Team Happy gathered together, we’re ready to enter the episode proper.

So let’s talk about the OP as a whole. Generally, an OP serves a couple of main roles: a) tells you a bit about what the show is about, b) gives you an overall feeling / mood for the show, c) gets you hyped and ready to watch the upcoming episode.

How well does this opening achieve those goals? Pretty well, as we’ve seen. Past OPs did a pretty good job of setting the mood, but they honestly just put some pretty visuals on the screen, only vaguely aligned to the music, and called it a day. This OP, however, has a cohesive storyline to tell, framed around Team Happy’s coming together (following the tagline of this season). Even in such a short span of time, it manages to convey so much information about its story and characters, both overt and implicit (as I hope this series of posts has managed to convince you). Paired with the music, which has its own deeper meanings encoded in the lyrics, the OP becomes incredibly effective and memorable as it makes its statement.

I mentioned an “interest curve” earlier (interest in the sense of interesting, not the money); this is part of the standard formula for anime opening songs, in my experience. I’m a little too lazy to draw a graph myself, so take a look at this image:

(source: https: //www. researchgate. net/figure/Example-of-an-interest-curve-for-a-successful-entertainment-experience_fig1_333917625 )

Although not all of the relative heights and segment lengths are accurate in this specific case, hopefully the general shape of the interest curve is enough to demonstrate my point. You’ve got the A-B peak at the opening instrumental segment, the C-D peak/arc over verse 1, the D-E-F peak/arc over verse 2, then the sharp F-G-H peak over the chorus before dropping off for a smooth landing right into the episode. This general pattern is effective at holding the viewer’s focus and managing their excitement over the course of this one and a half minutes.

Visually, the OP is just such a treat for the eyes. I’ve already talked about many of the little details I love - lighting, character designs, animations, transitions, etc. - but all in all the new animation studio is doing a really good job here. An OP is how you hook people, and I’d definitely feel comfortable using this to try and bait people into watching this show.

One comment I want to add is about the incorporation of the credits, which we didn’t see until the episode premiere. I don’t think there’s anything too exciting to say (and I also don’t have access to any images right now since the OP was only shown in episode 2), but the fonts and styling were a nice choice - it gave a gaming vibe, but if I recall it still used a serif font, so it didn’t feel overly modern - and the text positioning generally complements instead of distracting. I also liked how they showed the lyrics! I didn’t really expect them to include them onscreen, or if they did, I thought they would just be plain subs like they were in this video. But in the actual OP that plays at the beginning of the episode, they’re as much a part of the art as the credits!

If I had to make any criticism, my biggest complaint about the OP is, I think, the singers. I think having two different singers trade off can work nicely, but in this case, the switches are jarring because their voices are so different. The first singer has a lower, gravely voice, while the second singer’s voice sounds much brighter and more nasally. Furthermore, the first switch doesn’t come until we’re fully halfway through the song, which means that by that point we’re already used to this first singer. It’s also strange that they’d switch back to the first voice at the climax of the song, when I think the second voice would suit the high-energy segment much better. Switching from second to first right at this point feels like we’re actually taking a step down in energy, which is the opposite of what should be happening here.

Still, my main problem isn’t with the voice switching but with the voices themselves, and I think the voices are something I could get used to. The third switch, going from the first voice back to the second voice during the shot of Excellent Era, is much less jarring than the others - I actually like how it feels like the solo is passing naturally from one person to the next, emphasizing the ideals of this not being a single-player game and all that. For that transition in particular, I think (because of the added “it’s power” flourish) it happens too quickly for one person to sing it comfortably, so having another person pick up the line works best. And I do like how the voices sound when they overlay together for the final lines of the song.

So, overall? Overall, this OP is really damn good. It’s everything I could have asked for and more. After such a long wait, the OP, at least, does not disappoint, and I’m extremely excited to see what the series has in store for us.

If you’ve read to this point, thank you! I like this series a lot, as you can probably see, and I’m treating it as my glory :)

#quan zhi gao shou #qzgs #the king's avatar #tka #全职高手 #mine #qzgs commentary #synco talks

17 notes · View notes

sage-nebula · 3 years

Text

Game Review — New Pokémon Snap

In 1999, a photography game centered on the world of Pokémon was released. Ever since then, I have hungered for a sequel. And now, 22 years later, my wish was finally granted.

Overall Score: 9/10

While I am still puzzled that they didn’t create and release this game for either 3DS or Wii U, since both had built-in cameras, overall I couldn’t be happier with this and I definitely feel that it was worth the 22-year-long wait. Head under the cut (and onto my blog) for more detailed thoughts on what has honestly been an excellent game.

The Pros:

Everything is GORGEOUS. The environments, the pokémon, literally everything. Even setting aside the glowing effects of the Illumina phenomenon (particularly at night when it really stands out), everything about this game is visually stunning. The colors are bright, but not blinding, and you can see that everything was crafted with care. There aren’t any areas that feel unfinished or unpolished. It is beautiful to look at, which is rather important when you’re making a photography-based game.

Each area changes as you increase your research level, so that even though you will have some run-throughs of the courses that are the same as you experienced before, you’ll also find new paths and see different pokémon as you go through the courses more and more times as well. For instance, when you first play through the Florio Nature Park, the Bidoof are in the process of building their dam. But later, their dam is completed. And this is just one example of how things change; believe me, there are lots of changes as time passes and you go through the courses again and again, making them feel far less repetitive than they did in the original game. (Not to bash the original game, which was on the N64 and thus had a lot less space to hold data, of course. I’m just saying.)

The pokémon behaviors are also so great. You have the Bidoof building their dam, for example, but you also have Alolan Raichu surfing the sand dunes, or Espurr levitating rocks for the fun of it, or Pikipek bringing fruits back to nests on Toucannon’s orders. On less happy notes you also have things like a group of Mareanie chasing down a Corsola, but I mean, it’s a well-established fact that Mareanie eat Corsola, so that’s just nature. The point is that this isn’t a game where the pokémon are just standing around waiting to have their pictures taken. The pokémon feel alive and it’s clear that so much thought went into their behaviors to make it feel as if life is teeming around you as you go through the courses, because it is! It’s excellent.

Although this is a sequel game (and it makes it clear that it’s a sequel game, which I’ll talk about more in a second), it’s also incredibly accessible to those who have never played the original. Even if you never heard of the original before, you can jump right into this one with mostly new characters and a brand new story. And I think that’s great, considering the original game came out 22 years ago and is probably somewhat hard to find now, especially if you don’t have a system with access to a Virtual Console to play it on. (Which wouldn’t be a problem if we had the Virtual Console on the Switch, Nintendo, but that’s a separate discussion.)

That said, it is a sequel game and all of the nods and references to the original game are things that I love. I mean, first off, Todd Snap is back and he had a major glow-up. But even setting that aside, it’s mentioned how the NEO-ONE was based on the old vehicle that Todd used (the ZERO-ONE), how Todd used to take photos for a different professor (Professor Oak), the final Illumina Pokémon’s level is a huge callback to the Mew level in the original Snap, et cetera. Although this game was called New Pokémon Snap likely so that people wouldn’t think they had to play the first game first, it’s pretty clearly Pokémon Snap 2 and I love that.

Along with the courses themselves changing as you progress through the game, there are also day and night versions of almost every course so you get something different on them even before making more progress. Additionally, each course has multiple different routes that you can take if you find them / want to, and Elsewhere Forest in particular has zones that change depending on the season, which offers even more variety and things to discover. Again, it doesn’t feel boring to keep going through the courses because there’s always something new to find.

Everything is streamlined and plays excellently. The menus are cleaned, I haven’t noticed any lag in gameplay no matter how much is going on on-screen . . . everything is smooth, clean, and fresh, and again, adds to how much of a joy to look at this game is, on top of making it a joy to play as well.

The online features are implemented really well. I absolutely love that you can post photos to share with people around the world, but also that the feature isn’t obtrusive and in your face, so if you want to ignore it, you can. But the process itself is seamless, and the fact that you can add filters and stickers to make memes out of the photos is hilarious and a well thought-out feature, particularly since this is the age of social media, so having a Pokéstagram just makes sense.

I enjoy that there are little missions that you can complete that are posited as being posed naturally by the other characters. You’re given clues of what to do, but often you’re not told outright, which can make some of them fun to figure out (and others the shot itself is challenging enough so you don’t need a riddle, haha). While fulfilling the requests can be a bit irritating (more on that in a bit) I like that there’s additional material to do in addition to the main story that unfolds as you go through and gives you plenty of stuff to do even after you’ve completed the main story.

The characters are all pretty great. There’s one character I don’t enjoy very much, but otherwise the characters are good and add charm to the story.

These characters still don’t know anything about photography (the rule of thirds is so basic and no one here knows it), at least they’re not as obvious about it as Professor Oak was, always scolding me for not getting pokémon in the center of the frame. So toning down the obnoxiousness on that was nice, I will give them that.

The environments are so varied and so cool. Like sure, you have your basic jungle, your basic grasslands, your basic volcano . . . but also your underwater, your magic forest, your ancient technicolor ruins. And I mean, I don’t even want to diss the other areas because the volcano area was incredibly vivid, the snowy mountain was beautiful, and so on. Again, I don’t want to gush too much about how beautiful this game is, but it is and the wide variety of places to take pictures makes it all the more incredible.

As I mentioned in the missions bullet, there is plenty of content to do even after the main story is completed, which is a definite plus. Filling your Photodex aside, there are also Course Scores that are enabled once you complete the main story and an additional time of day for an already unlocked area that is unlocked as well. This means that even after you clear the game, you can still have fun trying to get different shots and discovering new things, which is always a bonus in my book.

Motion controls are included, but they are entirely optional. So if you want to undock your Switch (or if you are playing with a Switch Lite) and you want to move your Switch around like an actual camera, you can! But if you have any physical limitations that would make doing that hard for you (or if you just don’t feel like it), you don’t have to and the motion controls are actually turned off by default. I haven’t used them myself because I’m not a fan of motion controls so I can’t tell you how good they are, but I can say it’s a plus that the motion controls are 100% optional, rather than forcibly included like they have been in other Nintendo games.

The Neutrals:

All of the different tools you get are basically the same as the original game, with a few slight (and sometimes silly) changes. For instance, they’re now calling apples “flufffruit” because “fluffruit are actually a lot softer and don’t hurt the pokémon” even though . . . they’re very obviously apples. Like very obviously apples. I get that they don’t want to encourage throwing apples at animals for the sake of picture taking / they don’t want to make a kid feel bad if they accidentally (“accidentally”) knock a pokémon in the head with one, but . . . come on. They’re apples. They’ve also decided to take away the Pokéflute and make it a random music player instead, and Illumina Orbs replaced Pester Balls for both story reasons and for the same reason why we can’t call apples apples anymore. Honestly, all of this is fine, just something to mention, though I will say it took way too damn long to unlock the turbo feature, damn. Pokémon are fast, guys! Give me my turbo sooner!!

Sometimes the “tips” that Professor Mirror gives during the photo evaluations . . . don’t actually fit the situation at all. Like I can’t tell you the number of times he’s told me about getting the whole pokémon in the frame when the pokémon is in the frame, or like “throw a fluffruit to get the pokémon to look right at you!” even though the pokémon is staring into the camera like they’re on The Office. It’s not a huge deal but it makes me think that Professor Mirror might need his vision prescription updated.

I understand that this is also the age of the smartphone, but I do find it disappointing that we’re essentially given a smartphone camera (or at most a point-and-shoot) versus the SLR camera that Todd very obviously had in the original Snap (and even has here). Granted, we didn’t have to adjust for aperture or shutter speed in the original game and I wouldn’t want to do that here either, but it’s about the aesthetic and the fact that having professional nature photographers have actually good cameras is more fitting than handing them a smartphone and saying, “have fun!” Again, I get why it’s a smartphone now, but it still is a little disappointing, even if not an actual detraction from the game.

It is confusing that we have wild Alolan form pokémon when this is not Alola, especially since they didn’t make it equal by adding in Galar form pokémon too. (And on that note, there seems to be a lack of Galar pokémon at that.) I think it would have been cool if they’d designed some Lental form pokémon for this game specifically, although I get that this isn’t a game developed by Game Freak so I understand why that wasn’t done. All the same though, the presence of Alolan form pokémon when this isn’t Alola was still a bit weird.

It’s rather easy to breeze through the main story if you don’t want to take your time revisiting areas to get better pictures / boost the research level. While the main story is longer than the original game / there are more areas than the original game, it’s still pretty short. Ordinarily this would be a con, but since there are so many things to do even after you beat the main story, I’m putting it in the neutrals section instead.

The Cons:

While the missions are fun, it is frustrating that you have to do them again if you capture a photo of the mission before the mission is formally handed to you. This is especially true if it was a hard to get shot that’s difficult to replicate. I understand they want to put challenge in the game, but it’s a bit frustrating you can’t point to your photodex and have the mission be cleared if you’ve already done it. You also can’t get the pokémon doing the requested thing in a different part of the course (or a different version of the same course, or even just a different course altogether if a pokémon appears in multiple areas), which is fine, except that you can only turn in one photo per pokémon. This can make it particularly frustrating when you technically get a photo of what was asked for (e.g. Wingull doing a loop-de-loop) but it’s not the specific Wingull you were supposed to take a picture of, so it doesn’t count.

I have noticed a few bugs or typos here or there. Like one time the text box said “Rita” even when it was clearly Mirror talking, and there have been other times when the game is like “you can’t submit photos if the pokémon is not in the Illumina State” even though Wishwashi was GLOWING BRIGHT PINK because I had just thrown an Illumina Orb at it. Little things like that are things I think could have been better smoothed out in QA, but ultimately aren’t too much to deal with and don’t happen very often.

The alternate paths are a bit too finicky sometimes. Like I managed to get on the swamp path once and haven’t been able to manage it since. I was on research level 3 in Elsewhere Forest for a good long while before Espeon decided to show up, which blocked me off the second exit and guaranteed winter route, too. Again, I love that there are secrets in this game, but I tried to replicate getting into the swamp area twenty times in a row after I had just done it with no success, so it can be a bit frustrating at times.

There isn’t really a true conclusion to the main story. I won’t give spoilers, but essentially the story revolves around uncovering the secrets of a myth that happened in the Lental region thousands of years ago. You get close . . . but the story ends before you get any real answers. You’re just left to speculate. In a way this makes sense, since it’s not like you’re time traveling, you’re just taking pictures. But it is still a little annoying for anyone who is interested in things like the lore of the Pokéworld and who might like actual answers to the questions set up (such as myself).

Anyway, overall, this game is amazing whether or not you played the original, and I highly recommend it to everyone who likes Pokémon even a little. Here’s hoping we don’t have to wait another 22 years for the next one. (But if we do, it will probably be worth the wait.)

#pokemon #pokemon snap #new pokemon snap #2021 game reviews #i am still playing it but since I finished the main story I figured I should go ahead and post the review

11 notes · View notes

acequisitor · 4 years

Text

Obey Me! Review

Gonna get more detailed since it’s not just an app review. If you ever do want to review the game on the App Store: NTT replies in as a character in the game unless it’s a serious issue so keep that in mind. Otherwise, enjoy!

Imma start this off by saying it’s a great game. I personally couldn’t play it when it first released bc I had storage issues but if you have the time and phone storage it’s worth it. I’ll also say if you’re a player who’s looking for only one person’s ‘route’ it’s not for you because it’s a general story, but if you don’t mind that, it’s great to follow along with and just enjoy the moments you get with your fav that they give you.

Characters: Characterisation of these characters are great but at times lackluster. Although every character starts off as one demintional (ie: demon of x) they all get some nice info tagged in by the latest update. There’s literally a character for almost all of your niche needs, wants or desires to just immediately fall for. Trust me. My only qualm of this being with Belphie seeming to get the short end of the stick, especially with his redemption arc kind of being blown over (although he does something VERY questionable, you and him seem buddy buddy the next chapter without it saying how you got there) and practically a bad timeline being forced as your main one? Otherwise, it was nice to get to know them through gameplay and the characters are what drove me to kinda speed run my playthrough to its latest posted stories into the game!

Relationships: On the matter of players who would only want one person’s route, every character kinda gets a chapter devoted to the MCs relationship with them which is nice. Kinda like equal time given to each character, even. My only issue on the relationship issue is if you wanted a nice/fitting ‘ending’ or season ending by the time your character ‘leaves the school’, or you wanted something endgame-ish, you’re gonna feel as fucked as the MC by Lucifer because he’s the only person who’s romance actually escalates in character past a kiss. IMO at least Beel, Asmos (being a legit paragon of lust), or Satan (who specifically says he wants more) could’ve easily been given the same treatment. If you turn Lucifer down and leave it cuts straight to black which is fine but if you choose to kiss him it escalates despite every other sibling having been cockblocked in their attempt to spend more time with the MC after their kiss with her; so, I felt his romance got special treatment in that accord because Lucifer is like ‘the main guy’ or like the guy in a reverse-harem the show is definitely shooting for endgame (he’s like Tamaki) but for an otome game and someone who has Lucifer as last on their sibling tier list it was a slap in the face. There’s confirmed more story coming to the game which is nice, but the way it was left off kinda left a sour taste in my mouth. I’m still 100% into the story, though.

Relationships (mechanic): Each player has an affection level with you. As you choose them to be on your main screen, say something they like in the main story, use the player in battle, or send them to work for your money, you’ll build up a relationship with them. This can unlock phone calls from them or special DM/texts/group texts from them, and honestly that’s about it. It can also help unlock special side stories you get from cards... So yeah. They’re not all too important, but it’s a nice touch. Kinda MM vibes but not quite, you feel me?

My Gameplay Experience: So mechanic wise I grinded 4 1/2 days with the free VIP pass the last 2 and easily got to the end/latest chapters no problem without any purchases - which I note solely for those who feel they don’t want to play bc you can’t experience the main story to the fullest without paying money. If you’re scared you might miss an event, I’ve played almost every free NTT Solmare game to know they always have ‘retuning’ events if they’re focused on another game or have nothing on their schedule. It’s like new events except you start where you left off and can continue to get the other prizes you might’ve missed (besides rank prizes).

Actual Gameplay: Between each episode/book there’s this cute mini game you have to play and win to go onto either the next mini game or story. You get ranked 1-3 and your power in each mini game depends on the cards you put into the battle. A battle which mind you is a dance off! The higher you rank the more points you’ll get to unlock “A, B, C” side stories but they don’t really matter unless you’re a completionist. If you aren’t gonna like the story anywhere, it’ll be with this game and the feeling of needing to grind to rank your cards up. If it’s to any help, I’ve beaten a round with a 10,000 point difference with me at disadvantage but I still won so don’t feel you always need to be at par with the enemy to win. Also glow sticks are your friends. Remember that.

Story progression: Between each lesson or ch (so like a whole ass story line) you need to be a certain level. This either leaves you in a well I’m already at that level nbd or you have to break off and kinda grind for the next level. The break you use to grind to said lv (usually just one level up each time) gave me time to level up my cards so I had no real issue with it. Also gave me time to go do Hard Mode, so no biggie for me personally.

Hard mode: it isn’t something required of you to do, to progress in the story, but it does add side stories to the situation your character is in at that time in the plot that you don’t see otherwise in the main story. For example, there’s a whole side episode where it’s explained Mammon has pacts with these three witches who boss him around while he pampers his credit card. Not plot important, but it’s cute and they can round out a character if you feel the main story lacks it. It also adds a challenge for players who think normal mode was too easy. It can also be hella easy for a Hard Mode for players who do the main plot first and then decide to do Hard Mode. You can easily whip by when you’re 70k+ power level and ch 3 hard mode is like 40k. So if you’re not doing it along with the main story it’s hella easy to just bypass to get to the stories given you got enough stamina.

VIP pass: There’s a free trial of this that’s available that lasts for 7 days and it doubles your experience points (and other bonuses) which makes getting to new chapters easier. Not neccissary, just helpful if you wanted to speedrun the story like I did. If you plan to stick around and pay for it, no judgement but there is a free chance for those who need/want it. It’s also easy to ‘cancel’ the pass immediately after you purchase it in the App Store if you don’t wanna do it bc you’ll forget to unsubscribe and get charged for it.

Overall experience: I’d honestly give it a solid 4.5/5. Out of all the NTT Solmare games I didn’t have to wait for tickets to progress and it was at my own pace. I didn’t need to grind for a ‘fashion level’ or whatever and some cards I got to progress in the story have actual story tied to it which was great (especially considering I got them for free). There’s no ‘pay-for’ currency you need to experience an extra romantic moment and it really let me feel for once in an NTT Solmare game the playing feild in experience a story was fair/even. For an otome game this is a nice balance of gameplay and good story (not necessarily well written but still nice) with a good amount of comedy for me to enjoy. If y’all got any other questions on the game feel free to ask me.

Those who might be sensitive to it or just not enjoy ‘incest’ in this game bc I saw a review very harmed by just the implication of it: My sense of humour being “Step-bro! What are you doing?!” the subtle incest jokes I found hilarious between a bunch of horny demons who’s job it is to be kings of sinning, and your character isn’t actually their sister at all so don’t worry. There’s a chance the MC is a descendant of the brother’s siblings but to every complaint I’ve seen on that on the App Store or Twitter, NTT always notes and comments the story isn’t complete and there’s more to come so I assume it’s not as it seems for those who are like “??? Is this legal???”

#Damn lmao i didn’t think id do it but here i am almost 6 in the morning finally posting it #Thats my tea and review on the game so there you go luvs #Obey Me Review #Obey Me!#Obey me #Ntt Solmare #Shall we date #incest tw

3 notes · View notes

achronologyofbits · 4 years

Text

GOTY 2019

I wanted to write a personal Game of the Year list, but I realized I really didn’t play that many games that were new in 2019. So I’m ranking them, but it’s less a “top 10” and more a “10 games I played and how I felt about them.”

10. Kingdom Hearts III

Kingdom Hearts III plays like a game from 2005.

I’m not sure I can fully articulate what I mean by that. Maybe I mean its combat is largely simplistic and button-mashy. Maybe I mean its rhythms of level traversal and cutscene exposition dumps are archaic and outdated. Maybe feeling like this game is a relic from another time is unavoidable, given how many years have passed since its first series entry.

But there’s also something joyful and celebratory about it all — something kind of refreshing about a work that knows only a tiny portion of its players will understand all its references and lore and world-building, and just doesn’t care.

Despite all the mockery and memery surrounding its fiction, Kingdom Hearts’ strongest storytelling moments are actually pretty simple. They’re about the struggle to exist, to belong, and to define what those things mean for yourself. I think that’s why the series reaches the people it does.

Those moments make Kingdom Hearts III worth defending, if not worth recommending.

9. Sekiro: Shadows Die Twice

Admittedly, I only played about 10-15 hours of this in 2019. Perhaps fittingly, that’s about the amount of time I originally spent on Dark Souls when it released in 2011. I bounced off, hard, because I didn’t understand what it was asking of me. Once I did — though, it has to be said, I needed other people to explain those expectations to me, because the game sure as hell didn’t — Dark Souls became an all-time favorite. And I’ve played every FromSoft game since then, and enjoyed them all. Until Sekiro.

Part of it is, again, down to expectation. Dark Souls trained its players on a certain style of combat: cautious movements, careful attention to spacing, committing to weighty attacks, waiting for counterattacks. In every game since then, FromSoft have iterated on those expectations in the same direction in an attempt to encourage players to be less cautious and more aggressive. The series moved from tank-heavy play in Dark Souls, to dual-wielding in DS2, to weapon arts and reworking poise in DS3, to the system of regaining health by attacking in Bloodborne.

In some ways, Sekiro is a natural continuation of this trend toward aggression, but in others, it’s a complete U-turn. Bloodborne eschewed blocking and prioritized dodging as the quickest, most effective defensive option. Sekiro does exactly the opposite. Blocking is always your first choice, parrying is essential instead of largely optional, and dodging is near useless except in special cases. FromSoft spent five games teaching me my habits, and it was just too hard for me to break them for Sekiro.

I have other issues, too — health/damage upgrades are gated behind boss fights, so grinding is pointless; the setting and story lack some of the creativity of the game’s predecessors; there’s no variety of builds or playstyles — but the FromSoft magic is still there, too. Nothing can match the feeling of beating a Souls-series boss. And the addition of a grappling hook makes the verticality of Sekiro’s level design fascinating.

I dunno. I feel like there’s more here I’d enjoy, if I ever manage to push through the barriers. Maybe — as I finally did with the first Dark Souls, over a year after its release — someday I will.

8. Star Wars Jedi: Fallen Order

In December, my wife and I traveled to Newport Beach for a family wedding, and we stayed an extra day to visit Disneyland. As an early birthday present, Aubrey bought me the experience of building a lightsaber in Galaxy’s Edge. And the experience is definitely what you’re paying for; the lightsaber itself is cool, but it’s cool because it’s made from parts I selected, with a blade color I chose, and I got to riff and banter with in-character park employees while doing it. (“Can you actually read those?” one asked me in an awed voice, when I selected a lightsaber hilt portion adorned with ancient Jedi runes. “Not yet,” I told her. “We’ll see if the Force can teach me.”)

Maybe it’s because I just had that experience, but by far my favorite moment in Jedi: Fallen Order is when main character Cal Kestis overcomes his own fears and memories to forge his own lightsaber, using a kyber crystal that calls to him personally. It’s maybe the only part of the game that made me feel like a Jedi, in a way the hours of Souls-inspired lightsaber slashing didn’t.

I think that’s telling. And I think it’s because so much of Fallen Order is derivative of other works, both in the current canon of gaming and of Star Wars. That’s not to say it’s bad — the mélange of Uncharted/Tomb Raider traversal, combat that evokes Souls and God of War, and vaguely Metroid-y power acquisition and exploration mostly works — but it’s just a titch less than the sum of those parts.

Similarly, as a Star Wars story, it feels under-baked. There’s potential in exploring the period immediately after Order 66 and the Jedi purge, but you only see glimpses of that. And I understand the difficulty of telling a story where the characters succeed but in a way that doesn’t affect established canon, but it still seemed like there were a couple of missed opportunities at touching base with the larger Star Wars universe. (And the one big reference that does pop up at the end feels forced and unrealistic.)

When I got home from California, I took my lightsaber apart just to see how it all worked. Outside of the hushed tones and glowing lights of Savi’s Workshop, it seems a little less special. It’s still really cool…but I sort of wish I had had a wider variety of parts to choose from. And that I had bought some of the other crystal colors. Just in case.

That’s how I feel about Jedi: Fallen Order. I had fun with it. But it’s easier now to see the parts for what they are.

7. Untitled Goose Game

Aubrey and I first saw this game at PAX, at a booth which charmingly recreated the garden of the game’s first level. We were instantly smitten, and as I’ve introduced it to family and friends, they’ve all had the same reaction. When we visited my brother’s family in Florida over the holidays, my eight-year-old niece and nephew peppered me with questions about some of the more complex puzzles. Even my father, whose gaming experience basically topped out at NES Open Tournament Golf in 1991, gave it a shot.

I’m not sure I have a lot more to say here, other than a few bullet points:

1) I love that Untitled Goose Game is completely nonviolent. It would’ve been easy to add a “peck” option as another gameplay verb, another means of mischief. (And, from what I understand, it would be entirely appropriate, given the aggression of actual geese.) That the developers resisted this is refreshing.

2) I’m glad a game this size can have such a wide reach, and that it doesn’t have to be a platform exclusive.

3) Honk.

6. Tetris 99

Despite the number of hours I’ve spent playing games, and the variety of genres that time has spanned, I’m not much for competitive gaming. This is partially because the competitive aspect of my personality has waned with age, and partially because I am extremely bad at most multiplayer games.

The one exception to this is Tetris.

I am a Tetris GOD.

Of course, that’s an incredible overstatement. Now that I’ve seen real Ecstasy of Order, Grandmaster-level Tetris players, I realize how mediocre I am. But in my real, actual life, I have never found anyone near my skill level. In high school, I would bring two Game Boys, two copies of Tetris, and a link cable on long bus rides to marching band competitions, hoping to find willing challengers. The Game Boys themselves became very popular. Playing me did not.

Prior to Tetris 99, the only version of the game that gave me any shred of humility in a competitive sense was Tetris DS, where Japanese players I found online routinely handed me my ass. I held my own, too, but that was the first time in my life when I wasn’t light-years beyond any opponent.

As time passed and internet gaming and culture became more accessible, I soon realized I was nowhere near the true best Tetris players in the world. Which was okay by me. I’m happy to be a big fish in a small pond, in pretty much all aspects of my life.

Tetris 99 has given me a perfectly sized pond. I feel like I’m a favorite to win every round I play, and I usually finish in the top 10 or higher. But it’s also always a challenge, because there’s just enough metagame to navigate. Have I targeted the right enemies? Do I have enough badges to make my Tetrises hit harder? Can I stay below the radar for long enough? These aspects go beyond and combine with the fundamental piece-dropping in a way I absolutely love.

The one thing I haven’t done yet is win an Invictus match (a mode reserved only for those who have won a standard 99-player match). But it’s only a matter of time.

5. Pokemon Sword/Shield

I don’t think I’ve played a Pokemon game through to completion since the originals. I always buy them, but I always seem to lose steam halfway through. But I finished Shield over the holidays, and I had a blast doing it.

Because I’m a mostly casual Pokeplayer, the decision to not include every ‘mon in series history didn’t bother me at all. I really enjoyed learning about new Pokemon and forcing myself to try moving away from my usual standards. (Although I did still use a Gyarados in my final team.)

As a fan of English soccer, the stadium-centric, British-flavored setting also contributed to my desire to see the game through. Changing into my uniform and walking onto a huge, grassy pitch, with tens of thousands of cheering fans looking on, really did give me a different feeling than battles in past games, which always seemed to be in weird, isolated settings.

I’m not sure I’ll push too far into the postgame; I’ve never felt the need to catch ‘em all. But I had a great time with the ones I caught.

4. The Legend of Zelda: Link’s Awakening

I have a strange relationship with the Zelda series, especially now. They are my wife’s favorite games of all time. But I don’t know if I’ve ever actually sat down and beaten one since the original Link’s Awakening. Even with Breath of the Wild, which I adore, I was content to watch Aubrey do the heavy lifting. I know the series well, I’ve played bits of all of them, but most haven’t stuck with me.

Link’s Awakening has. I wrote a piece once about its existential storytelling and how it affected me as a child. I love the way the graphics in this remake preserve that dreamlike quality. It’s pretty much a re-skin of the original game, but the cutesy, toy-set aesthetic pairs well with the heavy material. If this is all a dream, whose dream is it? And when we wake up, what happens to it?

Truthfully, some of the puzzles and design decisions haven’t held up super well. Despite the fresh coat of paint, it definitely feels like a 25-year-old game. But I’m so glad this version exists.

Oh, and that solo clarinet in the Mabe Village theme? *Chef’s kiss*

3. Control

I actually haven’t seen a lot of the influences Control wears on its sleeve. I’ve never gone completely through all the episodes of the X-Files, Fringe, and Twin Peaks; I’m only vaguely familiar with the series of “creepypasta” fiction called SCP Foundation; and I have never endeavored to sit through a broadcast of Coast to Coast AM. I’m also unfamiliar with Remedy’s best-known work in the genre, Alan Wake. But I know enough about all those works to be able to identify their inspiration on the Federal Bureau of Control, Jesse Faden, and the Oldest House.

Control is an interesting game to recommend (which I do), because I’m not sure how much I really enjoyed its combat. For most of the game, it’s a pretty standard third-person shooter. You can’t snap to cover, which indicates you’re intended to stay on the move. This becomes even more obvious when you gain the ability to air dash and fly. But you do need to use cover, because Jesse doesn’t have much health even at the end of the game. So combat encounters can get out of hand quickly, and there’s little incentive to keep fighting enemies in the late game. Yet they respawn at a frustratingly frequent rate. The game’s checkpointing system compounds this — you only respawn at “control points,” which act like Souls-style bonfires. This leads to some unfortunately tedious runbacks after boss fights.

On the other hand, Jesse’s telekinesis power always feels fantastic, and varying your attacks between gunshots, thrown objects, melee, and mind controlling enemies can be frenetic fun. That all comes to a head in the game’s combat (and perhaps aesthetic?) high point, the Ashtray Maze. To say more would be doing a disservice. It’s awesome.

The rest of the gameplay is awesome, too — and I do call it “gameplay,” though unfortunately you don’t have many options for affecting the world beyond violence. The act of exploring the Oldest House and scouring it for bureaucratic case files, audio recordings, and those unbelievably creepy “Threshold Kids” videos is pure joy. The way the case files are redacted leaves just enough to the imagination, and the idea of a federal facility being built on top of and absorbed into a sort of nexus of interdimensional weirdness is perfectly executed. And what’s up with that motel? And the alien, all-seeing, vaguely sinister Board? So cool.

With such great worldbuilding, I did wish for a little more player agency. There are no real dialogue choices — no way to imbue Jesse with any character traits beyond what’s pre-written for her — and only one ending. This kind of unchecked weird science is the perfect environment for forcing the player into difficult decisions (what do we study? How far is too far? How do we keep it all secret?), and that just isn’t part of the game at all. Which is fine — Control isn’t quite an immersive sim like Prey, and it’s not trying to be. I just see some similarities and potential, and I wish they had been explored a little.

But Control’s still a fantastic experience, and in any other year, it probably would’ve been my number one pick. That’s how good these next two games are.

2. Outer Wilds

Honestly, this is the best game of 2019. But I’m not listing it as number one because I didn’t play most of it — Aubrey did. Usually we play everything together; even if we’re not passing a controller back and forth, one of us will watch while the other one plays. And that definitely happened for a large chunk of Outer Wilds. But Aubrey did make some key discoveries while I was otherwise occupied, so while I think it’s probably the best game, it’s not the one I personally spent the most time with.

The time I did spend, though? Wow. From the moment you wake up at the campfire and set off in search of your spaceship launch codes, it’s clear that this is a game that revels in discovery. Discovery for its own sake, for the furthering of knowledge, for the protection of others, for the sheer fun of it. Some games actively discourage players from asking the question, “Hey, what’s that over there?” Outer Wilds begs you to ask it, and then rewards you not with treasure or statistical growth, but with the opportunity to ask again, about something even more wondrous and significant.

There are so many memorable moments of discovery in this game. The discovery that, hey, does that sun look redder to you than it used to? The discovery that, whoa, why did I wake up where I started after seemingly dying in space? Your first trip through a black hole. Your first trip to the quantum moon. Your first trip to the weird, bigger-on-the-inside fog-filled heart of a certain dark, brambly place. (Aubrey won’t forget that any time soon.)

They take effort, those moments. They do have to be earned, and it isn’t easy. Your spaceship flies like it looks: sketchy, taped together, powered by ingenuity and, like, marshmallows, probably. Some of the leaps you have to make — both of intuition and of jetpack — are a little too far. (We weren’t too proud to look up a couple hints when we were truly stuck.) But in the tradition of the best adventure games (which is what this is, at heart), you have everything you need right from the beginning. All you have to do is gather the knowledge to understand it and put it into action.

And beyond those moments of logical and graphical discovery, there’s real emotion and pathos, too. As you explore the remnants of the lost civilization that preceded yours, your only method of communication is reading their writing. And as you do, you start to get a picture of them not just as individuals (who fight, flirt, and work together to help each other), but as a species whose boundless thirst for discovery was their greatest asset, highest priority, undoing, and salvation, all at once.

I don’t think I can say much more without delving into spoilers, or retreading ground others have covered. (Go read Austin Walker’s beautiful and insightful review for more.) It’s an incredible game, and one everyone with even a passing interest in the medium should try.

(Last thing: Yes, I manually flew to the Sun Station and got inside. No, I don’t recommend it.)

1. Fire Emblem: Three Houses

If I hadn’t just started a replay of this game, I don’t think I’d be listing it in the number one slot. I started a replay because I showed it to my brother when we visited him in Florida last month, and immediately, all the old feelings came flooding back. I needed another hit.

No game this year has been as compelling for me. That’s an overused word in entertainment criticism, but I mean it literally: There have been nights where I absolutely HAVE to keep playing (much to Aubrey’s dismay). One more week of in-game time. One more study session to raise a skill rank. One more meal together so I can recruit another student. One more battle. Just a little longer.

I’m not sure I can put my finger on the source of that compulsion. Part of it is the excellence of craftsmanship on display; if any technical or creative aspect of Three Houses was less polished than it is, I probably wouldn’t feel so drawn to it. But the two big answers, I think, are the characters and their growth, both mechanically and narratively.

At the start of the game, you pick one of the titular three houses to oversee as professor. While this choice defines who you’ll have in your starting party, that can be mitigated later, as almost every other student from the other two houses can be recruited to join yours. What you’re really choosing is which perspective you’ll see the events of the story from, and through whose eyes: Edelgard of the Black Eagles, Dimitri of the Blue Lions, or Claude of the Golden Deer. (This is also why the game almost demands at least three playthroughs.)

These three narratives are deftly written so you simultaneously feel like you made the only possible canonical choice, while also sowing questions into your decision-making. Edelgard’s furious desire for change is just but perhaps not justifiable; Dimitri hides an obsession with revenge behind a façade of noblesse oblige; Claude is more conniving and pragmatic than he lets on. No matter who you side with, you’ll eventually have to face the others. And everyone can make a case that they, not you, are on the right side.

This is especially effective because almost every character in Three Houses is dealing with a legacy of war and violence. A big theme of the game’s story is how those experiences inform and influence the actions of the victims. What steps are justified to counteract such suffering? How do you break the cycle if you can’t break the power structures that perpetuate it? How do good people end up fighting for bad causes?

While you and your child soldiers (yeah, you do kind of have to just skip over that part; they’re in their late teens, at least? Still not good enough, but could be worse?) are grappling with these questions, they’re also growing in combat strength, at your direction. This is the part that really grabbed me and my lizard brain — watching those numbers get bigger was unbelievably gratifying. Each character class has certain skill requirement prerequisites, and as professor, you get to define how your students meet those requirements, and which they focus on. Each student has certain innate skills, but they also have hidden interests that only come to the surface with guidance. A character who seems a shoo-in to serve as a white mage might secretly make an incredibly effective knight; someone who seems destined for a life as a swordsman suddenly shows a talent for black magic. You can lean into their predilections, or go against them, with almost equal efficacy.

For me, this was the best part of Three Houses, and the part that kept me up long after my wife had gone to bed. Planning a student’s final battle role takes far-seeing planning and preparation, and each step along the way felt thrilling. How can you not forge a connection with characters you’ve taken such pains to help along the way? How can you not explode with joy when they reach their goals?

That’s the real draw of Fire Emblem: Three Houses, I think: the joy of seeing people you care about grow, while simultaneously confronting those you once cared about, but who followed another path. No wonder I wanted to start another playthrough. I think I’ll be starting them all over again for a long time.

1 note · View note

robronsecretsanta · 5 years

Photo

a madness to the method

(AO3)

Rating: E

For @notforonesecond . Merry Christmas! From your Secret Santa. May this bring you as much joy as your presence on here brings me.

:::::

He stands there, script page in hand and a growing pit in his stomach, as Robert Sugden walks up to him with a grin.

“What you waiting for? Get your kit off.”

:::::

It’s his third big role, but the first one that actually means something, Aaron having acted in a couple of big-budget blockbuster films to date; the last two even giving him some lines and some stunts, the latter of which he’d done himself. But so far most of his career has involved plenty of little-known stage work and a few well-received indies, as well as a particularly popular episode of Black Mirror.

He’s fairly certain that’s what landed him this script, his wide body of emotionally driven work. Not every day a Frank Clayton production sends a part your way. Not every day Harriet Finch is attached to direct. (Aaron’s pretty sure he’s one of the few people who’s seen the entirety of her oeuvre, even purchased some of the early stuff on DVD, forcing his best mate Adam to sit through whole movie marathons of her work, dissecting every shot inch by inch.)

The film’s a period piece about two young men who fall in love as a war looms over them; two lovers star-crossed in one of the worst ways possible. Both stuck going to war terrified the other won’t come home. Only they do, if not a little emotionally scarred and a little physically injured. The reunion is emotionally sweet and full of hope — exactly the kind of story Aaron wishes he could have grown up with. Because sometimes a happy ending really makes a difference. He’d almost learned that hard way.

“You sure you want to do this?” His mother asks, curled up on his sofa in his flat in North London and peaking up at him with big brown eyes through dark, bit-too-long bangs. “People might start asking whether you’re gay, love.”

Aaron understands her concerns and where she’s coming from. Doesn’t stop him from shrugging them off and holding firm to the feeling in his gut.

“Let them,” he says, lips downturned at the corners as he paces across the living room determinedly. “Not got anything to hide, have I?”

Despite all his bravado, there’s a flicker of doubt. If this somewhat calculated risk doesn’t pan out, it could be the end of the upward trajectory of his acting career. For all it’s progress on the LGBTQIA-depiction front, Hollywood itself isn’t as accepting of openly queer actors. And while Aaron won’t miss the perks of rising fame at all, he will miss getting to work on more interesting projects or movies, like this one.

Still, Aaron Dingle has never been a liar, and he’s not going to start now. Especially when it comes to his sexuality.

:::::

His agent, a no-nonsense woman named Priya, approves of his decision immediately. She knows he’s gay, has known from the start. But it’s never affected her decision to take him on as a client. (It’s one of the reasons Aaron’s stuck with her so long; tying his rising star to her job.)

“You’ve certainly got the talent and the range to pull this off,” she states and it feels less like a dream and more like reality. “With Finch directing it, this could become potential Oscar material. This part’ll definitely get you noticed.”

Aaron smiles and nods along, because that is nice he supposes. He’s just glad the production company don’t want yet another audition, or even a chemistry read with his yet-to-be-announced co-star. He’s sick of them at this point.

“Who’s the other lead?” He asks, fingers picking at each other, left knee bouncing in the chair. He’s about ready to leave Priya’s office. But the second he hears her answer, he’s stuck bolted to his seat. His mind reeling with the news of it.

Robert Sugden.

:::::

To say he’s heard of Robert Sugden is the understatement of the century. If anything, he’s the one responsible for Aaron’s sexual awakening.

Like most teenage boys his age, he’d been obsessed with the Transformers movies. Only unlike his best mate Adam, he didn’t fall asleep and wake up hard to thoughts of the hot female lead. No, despite his best attempts at the time, his mind always drifted to the slightly older but also teenaged Robert Sugden; the son of a famous actor who’d also made it big quite young, starring in at least two popular TV series. (In hindsight, Aaron’s desire to purchase and put up a shirtless poster of Robert on his bedroom wall should have been a big hint as to his nascent gayness. But like all sexually confused teenagers he’d managed to convince himself he was more into the trucks instead; that he wanted to be Robert Sugden, not be with him.)

He’d spent a full summer when he was 15 watching his way through Robert’s early work, bingeing that one popular science fiction series where he and a group of teens investigated strange paranormal phenomena at their English boarding school. A part of him had come alive when a body-swap episode had caused Robert’s character’s body to be a possessed by a female friend’s, resulting in him kissing and making out with her boyfriend who’d been played by Pete Barton. (Aaron had spent the ensuing weeks reading and rewatching everything to with those few minutes of airtime, refusing to let anyone play over his recording. He’d worn out the tape till it could play no longer.)

The first time he’d come was a few weeks later, Robert’s name on his lips as he’d pictured being kissed by him, his hand moving up and down the length of his naked shaft faster and faster; rock hard and aching at just the thought of him.

Robert. Fucking. Sugden.

What are the odds?

He doesn’t know whether to quit the project or just die of mortification. How is he supposed to act against someone he’s had those kinds of thoughts about? (He’s never had limits for who you should love and be with. After all, that would be a tad hypocritical of him. But some lines shouldn’t be crossed, no matter the project, and he’s fairly convinced this is one of them.)

He mentions this to Adam when he comes over to play FIFA on the PS4 later, only his best mate doesn’t quite seem to get it. Though to be fair, he’s never really had to deal with this, has he?

“So what? You used to jerk off to him. Big deal!” Adam shrugs, cycling through the options and picking his players. “If I said I’d avoid every female celeb I did that with, I wouldn’t be able to work with any of them.”

Aaron makes a face, even if he does concede that Adam has a point — not that he’s out there having to act against… (He’s actually not sure who this week’s flavour of the month is. Adam’s feelings of attraction waxing and waning like the moon.)

“Though,” Adam says, turning to look at him when he’s satisfied with his choices. “His sister Victoria is pretty fit. Do you think you could get her number?”

Aaron tosses a cushion at his face. Leave it to Adam to miss the point completely.

It bounces off and falls onto Adam’s lap, he picks it up and places it beside him.

When he turns toward Aaron this time, he looks a lot more serious, an earnestness in his gaze that wasn’t there before.

“Listen,” he says, voice soft yet firm. “You’ve wanted to be in one of Finch’s movies ever since I’ve known ya. Don’t back out now just because of Sugden.”

Aaron nods, though he’s still not convinced. Adam must see it because he then adds, “You’ll do fine. You’re an amazing actor. That’s why they wanted you for this part, you know, instead of me.”

Aaron shoots him a look and Adam just shrugs. Turns his attention back to the TV screen as he says, “What? I’m a scene stealer. Everyone knows that.”

That triggers a laugh and when it’s over, Aaron feels a lot lighter. But even as they both accept their team and kit selections and start the game, his mind drifts back to a young, shirtless Robert…

:::::

He keeps the part after all, the announcement making some waves in the press. However, any intrusiveness into his personal life is circumvented by the latest news about Robert. Rumour has it that he’s up for consideration as the new James Bond. Aaron had laughed when he’d first read the news. But laying in bed, later that night, he can’t help but picture Robert in a trademark suit, smirking down the barrel of a gun, the way he’s become known for.

It’s enough to make him shaken and stirred — not that he lifts a finger to relieve himself of the dull, building throb. (If there’s one thing Aaron Dingle’s sure about, it’s that it’s impolite to pleasure oneself to the thoughts of an upcoming co-star. Even if they were the starring role in his teenage fantasies.)

He ends up taking a cold shower instead.

:::::

Meeting Harriet Finch is everything like he’d imagined, and yet nothing like it at all.

Aaron spends all morning practicing what he wants to say to her, pacing back and forth in his newly assigned trailer — which happens to be both bigger and more luxurious than he’d expected. None of the words of praise he’s wanted to lavish her with seeming right for the moment, or even worthy of her, but he keeps practicing all the same.

That’s why he’s thrown when she comes to see him, telling him how much she’d enjoyed his turn in a small play he’d done last summer as a favour to an old friend (and ex-boyfriend), Ed.

She smiles at him with kind, dark eyes and outlines the many ways in which he’d knocked that role out of the park, followed by his performance in those few movies and, of course, Black Mirror.

“I knew you were the right man for the part the moment I saw you,” she says, voice like a warm woollen blanket, the words wrapping him up in a cocoon of comfort. “You’ll make a marvellous ‘Thomas.’ I just know it. I’m glad to have you on this project.”

But just as he’s basking in the glow of her reassurance, she asks the dreaded question.

“Have you met Robert Sugden?”

:::::

If first meetings dictate how the rest of a working relationship might go, Robert and Aaron’s is already off to a really bad start.

He’d shown up to Robert’s trailer and gone in after knocking a few times, only to find him in the throes of being orally pleasured.

Aaron hadn’t recognised the woman, just seen the back of her head, as she’d kneeled in front of Robert and blown him. Robert was sitting on the edge of his trailer’s bed and leaning back, both arms supporting his weight across the still-made comforter. His shirt was unbuttoned and he’d got his leather jacket on, neck exposed as he half lay there jerking and groaning.

He’d seemed to sense Aaron because Robert had looked up at once, locking eyes across the short distance. He’d given him a long hard look, then flashed him a wink and a smile, before closing his eyes and coming into the woman’s mouth not very long after.

Cheeks reddening and more than a little shocked, Aaron had turned and bolted. He’d wanted to spare that poor woman the embarrassment of knowing he’d seen this happening, but more importantly, process it all himself.

Standing in his own trailer he wants to kick himself for being such a goddamn fool. The tabloids had been reporting this side of Robert Sugden for years on end. But Aaron had ignored them because that’s what you were supposed to do. (And maybe, he tries not to acknowledge as his heart continues to pound, because it had ruined his fantasy of Robert and his younger self.)

But for all his talent — and he has plenty of it — Robert Sugden has always been a bit of a playboy; has the ex-wife and half a dozen ex-girlfriends to prove it. The result of this is a respectable body of work, but no one noticing because of all the gossip. (Aaron had once suspected this was Robert trying to undersell himself, maybe a bit nervous of all the extended limelight. He’d grown up Jack Sugden’s son, had had to bear that mantle, while also carving a name for himself, with not much room for error.)

Any sympathy he’d once felt though, has now been stripped away, replaced with cold, hard knowledge. Robert Sugden actually enjoys behaving like this, and Aaron can’t believe he’d liked him.

As he starts pacing, his heart still racing, Aaron gets madder and madder. They’ve both been given a golden opportunity being cast in these roles, and it’s something Robert wants to squander?

He’d wanted to walk away from this project because he’d been worried about his own personal hang-ups. Not wanting any former feelings for Robert to affect his performance. But now all he can think about is Robert’s smile and his wink, as if showing off his sexual prowess to Aaron.

This feels good, and I made that happen. Maybe I can do that for you as well?

Aaron growls, feels like punching something nearby, hating the small part of him that had kind of enjoyed it; that place deep within himself that still tends a tiny flame devoted to Robert Sugden; that place that had enjoyed watching him come.

It’s not your fault, Aaron tells himself, trying to banish the recent memory from his mind — though he’d spent years picturing and imaging exactly that. Him blowing Robert and feeling him coming under him, his palms flat against his thighs. (Sometimes he’d imagine the flip of it too. Him coming apart in Robert’s hands, his mouth smirking as Aaron comes right into it.)

He’s just managed to get rid of it, when he hears a dry chuckle, spins around to find Robert standing in his trailer, blue shirt all buttoned and jeans up and belted, like that midday blowjob hadn’t happened.

He smiles at him, blue-green eyes glittering, “So I take it you’re Aaron Dingle.”

It sends a thrill up his neck, short hairs lightly lifting, at the prospect of Robert Sugden saying his name. But then annoyance sets in as that memory comes back and Aaron grunts his affirmation.

“What do you want?”

Robert doesn’t seem deterred, doesn’t even seem to clock his rudeness. Just smiles at him like he said something funny. “To apologise. That wasn’t how I’d pictured our first meeting.”

“Why? You plan on having your cock in someone else’s mouth?” Aaron fires back, a little shocked that Robert had ever given meeting him any thought.

Robert’s eyes widen at the accusation, but whatever it is that came over him passes because he laughs and clears his throat. “No. Wasn’t planning to, actually. Just wanted to tell you what a big fan I am.”

His eyes flit away, and his smile kind of softens. Robert looks back at Aaron. “And that I’m looking forward to us working together.”

If Aaron hadn’t seen what he’d seen, he’d believe every word of this, Robert coming across well-meaning and earnest. But then he remembers just how good of an actor his co-star-to-be really is and snorts. “Nice try. Hope you’re better on camera.”

Robert winces at that, but his smile remains, even if it’s starting to look a little brittle.

“I’m sorry about what happened, alright?” Robert says, frustration colouring his voice at the edges. Aaron can see that this really is paining him; Robert not that good of an actor. “Let’s start over.”

He takes a step forward and holds out his hand. “Hi. I’m Robert Sugden.”

Aaron ignores it, crosses his arms across his chest.

“I know who you are,” he spits out.

Robert looks confused, studies him further before withdrawing his hand and eventually letting it drop. He puts it in his jacket pocket and renews his smile at Aaron. It’s just as small and soft as earlier.

“I’m trying, you know,” he says and Aaron can feel himself willing to give him that inch, to soften and forgive Robert so they can start over. But then he thinks about how smug and cocky he’d been just before he’d come right in front of him, and a wave of pulsing, hot annoyance shoots right through him.

“Then try harder,” Aaron half-growls, taking a small step further. And then, “And maybe try keepin’ your dick to yourself.”

:::::

Production kicks off without any further hitches, and he quickly gets to know the rest of their cast and crew — even becoming friends with a production assistant named Ellis.

Though most of the time Aaron just stays put in his trailer, constantly rehearsing and working on his character.

Harriet seems happy with his performance so far, giving him any extra takes he wants to do. But Aaron hasn’t been able to get in a groove that makes him truly happy; where he has an understanding of his character inside and out.

From the script, his own chat with Harriet, and the homework he’s done, he knows “Thomas James” to be a straightforward fellow, a little tentative, but earnest with his feelings.

He’s a farmer who owns and works his own farm, before one day he runs into Felix, his new and struggling neighbour. Felix’s family has lost most of their estate; bad debts and investments before the beginnings of the war hit. All they have now, is this one farm to their name, and Felix, a city boy — or rather, man — through and through has no clue how to run it.

Unable to stand it, Thomas steps in to help him, and Felix promises to do his accounts in trade. Thomas agrees, the spark between them growing and burning brighter.

Robert and he have played and shot a handful of those initial scenes, mostly set up for the rest of the story. But as their characters have seemed to find an easy camaraderie, there barely exists one between them.

For his part, Robert hasn’t really paused his efforts to win Aaron over, always making jokes and trying to give him an opening. Internally, Aaron struggles not to let go and give in, not having run into Robert with his cock down someone else’s throat since.

He doesn’t understand how Robert can just switch into his role and then right out of it, a slippery fish if there ever was one. He throws on Felix’s skin like it’s one of those button-up shirts he so favours, constantly remaining in costume longer than needed. (Aaron actually doesn’t mind that because it’s easy on the eyes and for their characters, Robert wearing 1920 period garb like he was born for it.)

Felix is smart and inept, but also charming and funny, a gay man in his shell, with no real interest in marriage. Just a blushing eye turned towards Thomas.

And that’s the part that kind of stings in their scenes, because it’s in those moments that Aaron feels he can really see the Robert he once had a crush on; a hint of him shining through.

It’s in Robert’s small smiles and the soft in his eyes, the blue-green of them a warm summer ocean.

But then Harriet says, “Cut” and it all disappears, Robert’s eyes growing cooler, his body more indifferent; tensed and held in a way he doesn’t when he’s Felix, like he’s holding a deep breath in.

That’s the first thing Aaron notices as they take a break before they shoot their first big scene, a first kiss where both men realise their mutual attraction.

They’re standing in a field, where Felix’s tractor has broken down, and Thomas has ridden up in his horse to help fix it.

As Aaron walks through the wet grass, his period accurate boots and jeans sinking into the mud a little, he gets his first glimpse of Robert.

His shirt sleeves are rolled back and his brow is plastered with sweat. He’s clearly been out in a full afternoon of labour.

They go through the dialogue, Felix directing Thomas to the back of the tractor, some kind of malfunction trapped within it. Thomas gives it a look, and Aaron produces a short grunt of surveyance, really giving it a decent study.

Then exhaling slowly he offers Thomas’ suggestion, that sometimes you just need to push it. He does as he says, and gives the tractor a shove, before letting his knees soften and himself fall forward in the muck.

Above him, he can hear Robert’s laughter bursting forth loud and clear, and he knows instantly it’s not his acting as Felix. He turns to his side and shoots Robert a dirty look, but in his chest his heart skips a beat at it.

Finally springing into action Felix leans forward and offers Thomas a hand, Robert bending and extending his hand out. The laughter still shines in his eyes, even if it’s not coming out his lips, his breath still short and him still panting.

Something surges in Aaron and he feels Thomas’ quiet sense of humour, reaches up and pulls Robert down towards him.

Robert captures all of Felix’ (and probably some of his own) surprise, his own knees bending as he falls atop Aaron; the hard firmness of his limbs utterly unexpected, and yet fitting against him perfectly.

He’s now laying on his back in the mud, feeling the cold soak into his tough warm denim, the flannel of his shirt doing little to protect him. But none of that matters as Robert gazes down at him, both their chests pressed together.

The script says this is where Felix kisses Thomas, too physically close for any more doubted restraint. Only Robert hasn’t moved, just keeps on laying there, mere centimetres away, his eyes trained down on Aaron’s lips, as if frozen by disbelief and nervousness.

Probably just nervous about kissing another man, Aaron thinks, flashing back to Robert kissing Pete Barton, and the way his hands had cupped his face. Probably worried that this time someone might think he’s gay.

Deep inside Aaron, something aches. He lets out a small, frustrated huff, his head relaxing back into the wet dirt, resigning himself to a long wait.

And then it’s like something snaps, because Robert leans forward, lunging for his lips with everything he has; his tongue barely waiting as Aaron’s lips part. (They hadn’t rehearsed this, or even really discussed it. Aaron not wanting to spend more time around Robert than entirely necessary.)

But as he lays here now, Aaron can’t help but give himself over to it, letting Robert’s fingers skim his sides before they bunch up in the warmth of his flannel shirt, his hands finding their way onto Robert’s lower back and his hair. He holds Robert’s head firm as he deepens the kiss. His co-star isn’t the only one who can improvise.

He doesn’t feel the lack of oxygen until the tail end of a groan, too deep into it to know if it’s from him or Robert.

When they pull apart both of them are panting. Robert’s gaze comes back up and they lock eyes again, a lock of his blonde hair dropping onto Aaron’s forehead, as his breath continues to tickle his lips; both wet and a little blitzed.

Deep in the depths of Robert’s green and blues, Aaron sees a spark of searching nervousness and hesitation. He brushes that bit of hair back almost without thinking; an unconscious act of soothing.

He can hear Robert’s breath hitch at the feel of his thumb pad on his skin, sees the way his eyes drop back down to Aaron’s lips. No longer nervous, and still barely thinking, Aaron leans up and presses another kiss to his lips, this time a more sweet and chaste one.

When he pulls back, Robert still has his eyes closed, almost cute in his stunned still surprise. Aaron finds himself smiling and recording this picture mentally; filled with the desire to go back in time and tell himself, “We kissed Robert Sugden!”

Robert opens his eyes and a second later Harriet yells, “Cut!” Aaron can’t help but feel interrupted.

What did you want to say? He wants to ask, as they both get to their feet. Aaron barely makes an attempt to clean himself off. He knows he needs a good shower.

Next to him, Robert seems to be avoiding his eyes, focusing a little too hard on dusting his pants off. Aaron tries not to spend too much time admiring his bum in the process.

They’re walking off set, when Robert makes the joke, voice flippant and tone just insulting.

“Feel like hitting a strip club, eh?” He says with what is meant to be a playful nudge. “Need to see some naked tits, pronto.”

It shouldn’t hurt as much as it does, this being a movie and all, but it still stings hard and deep all the same.

Aaron feels hot anger come over him without much warning, and he explodes back at Robert in a rage.

“All of this is just one big joke to ya, isn’t it?” He practically spits out the words in a low, angry growl as he shoves Robert backwards into a nearby trailer.

He doesn’t care if anyone’s nearby, or if they even see him. All he can see and hear is Robert.

“These are people’s lives,” he continues, the line of his right forearm held against Robert’s chest, constricting the way he breathes slightly. “Do you even get that?”

“It’s just a joke,” Robert answers, sounding both defensive and soft.

Aaron couldn’t give a toss about it.

“Excuse me if I don’t think bein’ gay is funny,” he fires back, leans in a little and lets the anger radiate off his face, hoping Robert gets the message.

Apparently, he does, because his eyes just widen, and then he’s saying, “Aaron, I’m sorry. I didn’t-“

He knows he’s not exactly hiding his sexuality, but Aaron isn’t really advertising it either, so it sends him reeling back the second he realises Robert has figured out he’s gay.

He stands there panting, anger being replaced by panic, the air evacuating his lungs just as his heart takes residence in his ears.

He turns and walks away before his balance decides to go, can feel his knees weakening with each step he takes; thinks he hears Robert calling at him in the distance.

Calling him because he knows this thing about him.

Calling him because he knows he’s gay.

Shit.

:::::

He’s exiting his trailer when he runs into Robert again. Aaron almost bolts the instant he sees him — only to realise he’s blocking his way.

“Aaron, wait,” Robert pleads, looking up at him from the bottom of those short metal stairs. Aaron almost turns around and goes back inside.

But then he notices that Robert is still in his costume — which is not too much of a surprise — but it’s a sign that he’s been waiting outside this entire time. As much as he doesn’t want to, Aaron knows he must honour that. From what he’s seen, Robert Sugden does that for no one.

“You going to invite me inside?” Robert asks when he sees Aaron willingly to stick around in his trailer doorway.. His attempt at a teasing smile fades when he gets Aaron’s answer.

“Whatever you want to say in there, you can say out here.” Aaron crosses his hoodie-covered arms across his chest, retaining the warmth within it.

Robert nods, and takes one step higher, making this whole conversation a little more private. Aaron can smell him, even standing a few inches away; the intermingled scent of mud and sweat and Robert. (The note is slightly floral but kind of muted like Lavender, but Aaron can’t be sure because he doesn’t know flowers.)

“Sorry I made those jokes earlier,” Robert says softly, and Aaron can see that he’s being absolutely serious. “I don’t think being gay is funny…”

Aaron doesn’t say anything, just keeps on watching. He can see that Robert is on the edge of something.

After what feels likes very long pause, it finally drops. “… because I’m actually bisexual.”

He can’t seem to meet Aaron’s eyes as he says that, his cheeks going pink as he looks away and to the left. Standing this close Aaron can feel the tension radiating off of him in waves, coming over him in rapid succession.

Aaron swallows, not sure what exactly to make of it; his teenage dreams all coming true in an instant. So he bites his tongue and holds back his first three replies, and then offers the one he feels is most supportive.

“Thanks for telling me,” he says and he finds that he means it. He’s actually a little touched by Robert’s choice to trust him.

“Figured it was the least I owe you,” Robert says with a shy smile, and for a second Aaron really feels like he’s looking at Felix.

His inner Thomas makes him return it.

“That why you wanted to do this movie?” Aaron asks when the moment eventually passes. It’s a big question he knows, but he needs an answer.

“No, actually,” Robert explains with a chuckle, something raw and unguarded about him now. Like he’s been acting this entire time Aaron has known him.

“I’m a big fan of hers,” Robert says with an excited smile. “She was my mum’s favourite director.”

Aaron gets it and gives him a nod. “Yeah, I’m a big fan myself.”

Robert grins at this little piece of information, a bigger reward than he was expecting.

“Guess this means we should definitely be friends,” Robert suggests, shyness still lacing his voice. “Don’t know many people who’ve even heard of Harriet.”

Aaron studies Robert, takes the entirety of him in, considers it and then shrugs. “Guess you’re not a complete idiot.”

Robert’s smile when he says that is radiant.

:::::

That night he dreams of Robert, the same one he’d had when he was fifteen. Only this time his brain fills in all the missing details.

He needs another shower in the morning.

:::::

Things improve on set by a thousandfold. Robert’s one-sided jibes giving way to Aaron returning them, both of them ribbing and teasing each other between takes. Robert somehow becomes a mainstay on his trailer’s sofa, as they hang out a lot more between scenes, running lines and even whole scenes together.

They seem to have found a quiet understanding when it comes to each other and their space.. (Though, coming out to each other does that, Aaron supposes.)

It’s crazy, but he genuinely thinks it makes both of their scenes better. Both of them now freer with how they move and touch each other. Aaron had once read somewhere that it has to do with the language of how queer people sometimes act and speak; a quiet understanding of how love can be writ across their bodies. He doesn’t know how much he agrees with that exactly. But he does feel it when Robert hugs him as Felix.

It’s a gentle gesture, Robert coming from behind and embracing him around the waist, one hand coming up to rest over Aaron’s heart. Aaron presses those fingers close to his chest, letting Robert feel the steady rise of his heartbeat as he sinks back into him; Thomas leaning into Felix.

They stand like that in silence for a moment longer, Robert’s chin on Aaron’s shoulder, both of them

bathing in the pale sunlight of a cool autumn morning, as filtered through the dusty windows of Thomas’ work shed.

It’s as they’re standing, silently breathing and hearts quickly beating that Aaron is seized by a sudden urge. Following the wave of it, he brings Robert’s fingers up to his lips, gently pressing a kiss on each knuckle as if soothing away newly-formed blisters — the results of Felix’ recent hard labour.

The moment his lips touch skin he hears Robert’s breath hitch, but it only guides him forward. He holds that last kiss longest, before pulling away and spinning them around, Robert’s back now pressing into the edge of Thomas’ workstation, their hands caught between them; Aaron’s fingers wrapped around Robert’s wrist, his thumb resting on his speeding pulse.

Robert for his part, seems to be trusting Aaron implicitly as he gazes down at Aaron first with surprise and then excitement. He smiles softly, clearly anticipating a kiss. Aaron smiles back and obliges him.

It’s completely unscripted and wholly them and yet none of it feels any bit of wrong. Aaron leans forward, slowly edging closer, his eyes locked into Robert’s. He hovers for a second, feels his breath bounce off Robert’s lips, then dips forward and claims them.

This kiss doesn’t progress as quickly as the first one did, Robert letting Aaron set the pace by which they go by. So he takes his time, focuses on nipping at Robert’s bottom lip; gentle kisses that should convey Thomas’ affections.

But then Robert’s hands start to slide across his back, pulling and holding him closer — only nothing about the gesture feels overtly sexual. It’s just two men standing and savouring the act of kissing, two men revelling in their affections.

They kiss a little longer, the pace still languid, Robert letting him take his sweet time, before Aaron decides to pause and not take it any further.

He pulls away, lets out his own small exhale — the matching one to Robert’s. He smiles at him, Robert returns it. Then with another small breath he leans his forehead against the other man’s; shuts his eyes and feels the feel of his skin against his own.

A few seconds pass, Robert still holding him close, Aaron feeling like he’s just survived a continuous free fall.

It’s in the middle of this that he hears Harriet’s quietly spoken words, “And that’s a wrap. Not going to get a better take than that one.”

:::::

He’s on his way off set when Robert catches up with him, grabbing his elbow to still him.

He doesn’t let go even when Aaron stops in place, only does when Aaron looks at him questioningly, despite the whole thing feeling natural.

“You doing anything later?” Robert asks, both hands in his leather jacket pockets, a leather messenger bag slung across his chest and shoulders. “Thought you might like to come over for a drink.”

Aaron considers it, gives it a long hard thought, but it must make Robert panic because he blurts out, “We can run lines or something.”

“Yeah, okay,” Aaron tells him, giving him a nod. And then, because he thinks Robert might have the wrong impression of him and he doesn’t at all like that.

“We don’t always have to work, you know. I do have other interests..”

Robert grins and nudges him in the side. Then he goes into an impression of Aaron.

“I’m Aaron Dingle and I think work is fun. If you don’t, then you’re a right idiot.”

Aaron tries not to, but he can’t stop himself chuckling, a little charmed by Robert’s intonation.

:::::

He finds that Robert’s home is nothing like he’d imagined, more lived in and comfortable than overly posh — though he has all sorts of shiny appliances in the kitchen. A mark of either a man who cooks, or just someone who likes the aesthetic. (Aaron is willing to bet it’s the first one.)

The bookshelves — of which there are two big ones — are stuffed to the gills, brimming with books threatening to fall off them. The walls, a nice calming shade of blue, are covered in posters paying homage to some of his favourite works of science fiction.

“Didn’t know you were such a nerd,” Aaron says when he’s got a drink in hand, as he looks up at a poster of The Xavier Files, the show he’d been more than a little obsessed with. Robert is standing front and centre as the star, his boarding school uniform fitting him flatteringly. (Aaron swallows, his blood growing warmer as he understands where certain fantasies might have originated from. He tries not to think about it in case he’ll need another cold shower. He’s already taken one before coming to this place.)

“You just don’t understand art,” Robert retorts, coming over to join him. He looks at the poster for a good second and then adds, “Or quality science fiction.”

Aaron snorts at that, unable to contain himself. “Think you’re using the term rather loosely. The ‘Gavoorians’? Come on.”

Robert looks at him in surprise, and maybe a hint of pleasure, as he says, “Don’t tell me youwatched it?”

Aaron goes red, feels his mouth turn dry, so he answers as honestly as he can, trying not to let the truth of the matter slip out even as he looks Robert in the eye.

“Might have caught an episode or two one summer,” he says, voice straining to remain casual. Then he adds, because he can’t help himself, “Saw the one where you kissed Pete Barton.”

Robert’s face goes from surprise to embarrassment to all-out amusement, barking a laugh with his neck tipped back, his shoulders relaxing and also dipping down. Aaron’s never seen him this joyful.

“What?” Robert says, growing suddenly conscious, his laughter fading and his body going still. His cheeks are pink as he studies Aaron.

“Nothing,” Aaron shrugs, voice above a whisper. His ears are hot, his pulse pounding. “Just wasn’t expecting this reaction, is all.”

“Well, it’s a bit of a surprise,” Robert explains, as if it all makes sense. “Didn’t think you’d have even heard of it, let alone watched it.”

“Why not? Because I don’t understand ‘science fiction’?” Aaron teases, oddly thrilled at subverting Robert’s expectations like this. “Don’t have to watch a lot to understand quality.”

“So you agree,” Robert smirks, nudging him with his elbow, a twinkle in his eye. “It is science fiction.”

Aaron snorts, nudges him back. “I suppose. But you’re really stretching the definition.”

They smile at each other, then go back to sipping their drinks, settling comfortably in the silence.

“I loved working on that show,” Robert says after quite a long beat, his voice holding a note of pride. But it’s quiet and with absolutely no hint of preening. “And kissing Pete wasn’t half bad either.”

Aaron feels his cheeks redden as he pictures it again, teenage Pete and Robert going at it.

“Did you have a crush on him, or something?” He looks down at the glass in his hand. He’d never thought he’d be having this conversation with Robert Sugden.

“God, no.” Robert shakes his head beside him. “Pete was pretty fit, but he’s pretty much as straight as they come.”

He waits a beat and then adds, “Decent kisser though.”

How about me? Am I decent too? Aaron wants to ask. But he just chuckles in amusement, enjoying this behind the scenes glimpse into one of his favourite episodes of television ever.

“But what about you?” Robert asks, turning his attention to Aaron. He finishes the last of his drink and asks, “Did you fancy him?”

His smile is conspiratorial and all kinds of knowing. His eyes are dark but inscrutable. Aaron’s cheeks redden despite himself, as he struggles not to blurt out, No. I fancied you, you idiot.

What he does manage to say, after a long moment of waiting, is, “Well, I wasn’t watching for the plot. Was I?”

It doesn’t feel like lying, because it is completely true. Though he does see the flash of something in Robert’s eyes. It disappears behind a laugh a moment later.

“No, I guess not,” Robert concedes, turning and walking over to the sofa. When he takes his seat, it’s with his legs spread wide, all the focus on his crotch. Aaron struggles to not let his gaze drift downward, keeping it trained on Robert’s face instead. And honestly, it’s worth it.

Robert’s smiling up at Aaron, buzzing with excitement. Aaron smiles back because it’s infectious.

“If you liked The Xavier Files, there’s a film you should check out,” he says, switching on his TV, Aaron no longer the focus of his attention. He pulls up Netflix, slowly searches through it, before he asks, “Have you seen The Cabin in the Woods?”

The way he’s looking at Aaron now is just pulling at all his heartstrings, an element of youth befalling all of Robert’s features. His eyes are sparkling, his smile is crooked, and his excitement is radiating off of him.

Robert Sugden: Horror fan.

“Uh, no, I haven’t,” Aaron says shaking his head to clear it. It wouldn’t do to fall for Robert Sugden again. Not when he’s a full-fledged adult. Not when he could accidentally act on it. (Aaron’s always has a rule against dating fellow co-stars or crew members. But no one’s been openly queer enough to test that — or even simply Robert Sugden.)

“Oh, you’re in for a treat,” Robert says patting the sofa seat beside him. Aaron glances at the screen where the movie is waiting, already cued up, then goes ahead and joins him. “Joss Whedon wrote and directed it.”

Even sitting next to Robert makes his heart rate spike, as does the warmth he feels from his proximity. Robert’s choice to sit in the middle of the sofa and almost spread himself out means he’s just a few fingers far away from Aaron, their hands centimetres apart on the same cushion; the dip caused by Aaron sitting causing Robert’s hand to slide a little closer to him.

He barely manages a nod when he hears Robert talk to him, asking him if he can start the movie. (He would have said yes, but his tongue has ceased to work. Another symptom of sitting next to Robert.)

The film begins and Robert reaches forward and places the remote on the coffee table and suddenly Aaron can focus once more; the thought of Robert accidentally touching him no longer playing on his mind, now free to enjoy the movie.

But as he watches the story of a group of friends — one played by Chris Hemsworth — who decide to spend a weekend in a cabin in the woods, there’s a growing sense of disappointment.

He quickly looks over to Robert’s hands in his lap, and starts to wish they were once again closer.

:::::

He doesn’t have to worry for very much longer, Robert reaching out and grabbing his forearm, when the movie presents its first real scare. Aaron isn’t expecting it, the move causing his heart rate to surge for the monster on screen itself, the feeling of warm, solid fingers clutching him clear even through thick fabric.

As it turns out Robert’s not a very passive watcher, constantly leaning over to make asides or jokes. But mostly it’s all facts he finds fun about the movie. (Aaron agrees. They’re actually quite interesting.)

It’s sweet, Aaron thinks, as he gets more and more invested, both fretting for the imperilled college students and watching Robert.

Gone is the tall and handsome actor who practically grew up in the limelight. In his stead sits a tall, handsome, and surprisingly knowledgeable genre film buff. He’s on the edge of his seat and mostly turned toward Aaron, a bit of a contrasting match to his own seating. (Aaron’s sat back, leaning on the right arm of the sofa, a little too tired to really make himself sit up properly.)

There’s another scare. Robert’s grip tightens. Aaron hides a chuckle at Robert’s expression, the shock of fear stealing the words out of his mouth. He’s left eyes wide, mouth open, and gaping. It’s almost as if this is his first time watching the movie.

Robert doesn’t seem to notice himself holding Aaron’s arm as the movie ticks on, and for his part, Aaron doesn’t alert him.

:::::

He’s enjoying the movie well enough when Robert excitedly tugs at his arm.

“This is my favourite part,” he says, before turning to look at Aaron, eyes crinkling in delight at the edges.

He’s not sure what it is in that moment — the steady warmth of Robert’s grip, the pinks of his cheeks undercutting his freckles, or the reminder of how much he used to want him — but there’s a swell in his chest and Aaron leans forward and steals a kiss from Robert.

His lips feel just like they have every other time, soft, firm, and tender. But unlike all those times they’ve kissed on camera, his co-star isn’t responding.

Panic sets in and Aaron instantly pulls back. He sees that Robert is frozen in surprise; lips barely puckered. Instantly, he realises he got carried away by his feelings, and so backtracks as quickly as possible.

“Sorry,” he mumbles, getting to his feet, Robert’s hand falling away in the process. The loss of warmth immediately starts to smart, Aaron already having gotten used to the feel of it.

“Aaron,” Robert starts, but he just cuts him off.

“I shouldn’t have done that,” Aaron swallows roughly unable to look at Robert again, his embarrassment turning his stomach. He feels like he might throw up. “Better go home now. Early call time tomorrow.”

With that, Aaron bolts out of the room and then out the front door all without waiting for another word from Robert.

:::::

He doesn’t sleep a wink that night, just replays the moment in his mind.

Each time it gets worse than before, Robert looking at him in shock bordering on disgust, green-blue eyes flashing. (Aaron knows objectively that Robert didn’t actually sneer at him, but emotionally he might as well have.)

This is what happens when you let your feelings get confused, Aaron chides himself, tossing and turning, his sheets all a tangle. This is why you can’t fall for your co-star.

By the time it’s morning he’s tenser than before. But at least he knows what to say to him.

:::::

He goes to Robert’s trailer before he goes to his own, knocking on the door once and then going right in.

Immediately he’s faced with an eyeful of half-naked Robert in snug boxer-briefs, pacing the space and going over his lines by himself.

Aaron loses his voice, his throat going dry. He just stands there in stunned silence. (He has actually seen Robert without a top on a few times before this, courtesy of a few of his movies. But like with all things, real life is proving better. He’d forgotten just how many freckles he has — and how much he used to want to count them.)

Robert notices him ogling him a few seconds later, and he pauses mid-pace. Just stands there frozen, script page in hand.

“Hi,” Aaron says, for lack of anything better. He smiles nervously, both his hands tucked in his coat pockets, watching Robert quietly.

“Hey,” Robert greets back, sounding almost relieved to see him. He doesn’t look like he’s slept either — probably trying to come up with ways with which to let Aaron down gently. Aaron swallows nervously.

At least you don’t have your cock out again, he wants to joke. But now hardly feels like the time for that.

“About yesterday,” Robert begins, taking a step forward, his tone already sounding apologetic.

Aaron takes that as his cue to take over, and so springs into action.

“It was a mistake,” he says matter-of-factly, having practiced this a few times coming in. “I got carried away. Forgot we’re not Felix and Thomas. Don’t worry it won’t happen again.”

Learned my lesson the hard way.

Robert’s brow is furrowing and he doesn’t seem too pleased. Probably because Aaron is issuing a gentle let down for him. He’d figured this was the easiest way to save face: to acknowledge his crime and issue an apology, save Robert the trouble of having to do any heavy lifting.

“Besides,” Aaron says, trying to lighten the mood, even though it’s absolutely twisting him inside. “Wouldn’t want any rumours ruinin’ ya chances, eh Mr. Bond?”

He offers him a smile, but it feels too watery and shallow. He’s barely able to keep his lips turned upward for long.

Robert’s expression doesn’t soften even a bit, just grows more dark and displeasured. He opens his mouth to say something, but before he can the trailer door swings open.

“Oh excellent,” Harriet states, coming in with a smile, happy to see both of them. “This should save me some time.”

She must sense the tension in the air, the trailer now thick with the smell of it. Her smile fades and she looks between them, then asks, “Everything alright?”

Aaron chances a glance at Robert and finds him looking almost inscrutable. (Though to be fair, his mind hasn’t moved on from the fact that he’s practically naked.)

“Just fine,” Aaron says, with another thin smile, this one a little easier than that first one.

He’s not sure if she believes him, but she does nod anyway, so he finds that to be heartening.

“There’s been a bit of a change in the shooting schedule, seeing as the weather forecast for today is a bit unexpected,” Harriet tells them, looking from Aaron over to Robert. “So we’re going to try and do today’s scenes tomorrow, and tomorrow’s stuff today. You fine with that?”

Aaron thinks real fast, runs through his memory, trying to figure out what tomorrow brings. He realises it a second later, his stomach sinking quickly, filled with dread about how they’re going to do this.

“Yeah, sure,” Robert replies, sounding quite casual, like what’s about to happen isn’t a big deal to him.

Aaron doesn’t know whether to be hurt or happy, so he just files it as a temporary win. He nods his acceptance when Harriet looks at him questioningly, then follows it up with a, “Should be fine.”

“Perfect! I’ll let the rest of the cast know, and I’ll get makeup in here first thing,” Harriet says, smiling in relief. “Why don’t you two work on any blocking you feel you might need? Especially since all of this is short notice.”

She turns and leaves, the door slamming shut behind her. Leaving nothing but aching silence.

When Aaron finally hazards a glance, he sees that Robert’s staring down at his script page, all focused like if he stares hard enough he can change what just happened.

“So do you want to…” Aaron starts, gesturing between them, unsure what else to say. He kicks himself mentally once again, for ruining any progress in the working relationship between them.

Robert sighs, long and deep, then says, “Suppose we can just figure it out when we both get there.”

He only looks at Aaron when he’s done talking, like he can’t bear to look at him.

Aaron nods his agreement. “Cool. Better get going then. Get into today’s ‘costume.’”

It’s meant to be a joke but Robert doesn’t respond. Just nods back at him pensively.

Aaron desperately wants to ask if everything’s alright between them, but he doesn’t want to make the situation any worse than it seems to be already.

“Yeah, great. See you on set,” Robert finally says, turning away, and walking towards the opposite end of his trailer. A non-verbal dismissal.

Aaron exits, then shuts the door, letting out a sigh as he leans back against it.

It was every bit as awkward as he’d expected — only now it’s been ratcheted up to a million. They’re going to need every single bit of their acting skills if they’re going to sell what’s about to happen. Because Aaron’s not sure how else he and Robert are going to get through the rest of this day, when they’ll both be shooting Thomas and Felix’ first sex scene.

:::::

He stands there, script page in hand and a growing pit in his stomach, as Robert Sugden walks up to him with a grin.

“What you waiting for? Get your kit off.”

The words hit him before the tone does, Robert’s voice sounding teasing but brittle. Aaron’s eyes shoot up towards him, and he sees that the smile on his face is nowhere near his eyes and he’s clearly keeping up pretences.

Right, of course, Aaron tells himself, after getting over the initial surprise of it. We’re all actors here. No point pretending.

It’s silly and it shouldn’t sting as much as it does but Aaron’s still aches at Robert’s reaction. It’s one thing to not be interested in his romantic advances, but it’s another thing to pretend they completely didn’t happen. (He knows it’s hypocritical to feel this way, seeing as he’d actually prayed they could do this last night. But now that he’s living the exact reality he’d hoped for, he knows to be careful what you wish for.)

Still, he smiles right back, feels it hurt to even do so, as he lobs back a response of his own. Both of them standing there in bathrobes.

“Why don’t you get yours off first?”

Robert’s eyes widen, but his smile never falters. Instead, he winks and says, loud enough for anyone standing close by to hear, “Looks like you’ll be getting your wish soon enough.”

Aaron rolls his eyes, but his cheeks are still blushing, Robert having hit upon a wish from his youth.

Thankfully, Robert doesn’t see it, Harriet having arrived on the closed, private set, the number of people limited to just her, the two of them, and a small team of production people.

When she gives them a nod, they both strip out of their robes, both of them left standing naked, except for their actors’ modesty socks hiding their cocks and balls. Aaron does his best to keep his gaze level and facing forward, as he goes and finds his mark. The scene involves Felix making love to Thomas, on the floor of the latter’s barn.

The wooden floorboards are tad bit cool and just a little prickly — stray stalks of hay strewn across them — Aaron discovers as his bare back and arse come to rest against them, the sensation causing his skin to stand on end and his back wanting to arch off of it.

Aaron doesn’t have much time to process it, because now Robert’s crawling into his position, slowly lowering himself across Aaron and coming to rest on both his forearms. Aaron keeps his eyes pointed towards the barn ceiling and the rig of artificial lighting, hoping to make things as less awkward as possible.

He can feel Robert’s breath against his cheek, and the heat of him on his arms and chest as they silently hold these poses for the lighting check; Robert is now laying between Aaron’s spread and bent thighs, his arse exposed for everyone to see — not that he seems to care or even looks embarrassed. Instead, Aaron can feel him looking down at him, pinning him to the ground where he’s laying. Still, he refuses to look back at him, his heart furiously beating, as he refuses to make even a hint of eye contact; his last vestige of privacy.

“This isn’t going to work,” Robert says with a sigh after what feels like a day and an age, and Aaron feels his stomach clench, preparing for Robert to clamber off him, already missing him despite no part of them really touching at the moment. “Not if you don’t look at me.”

That gets Aaron’s attention and he looks up into Robert’s eyes, where he finds nothing but calm and watchful understanding.

“What?” He whispers, not meaning to come off so rude, but he’s nervous about what Robert might say and this is a pre-emptive strike — a test to see if he can handle it.

“About yesterday-” Robert begins, and Aaron immediately protests.

“I thought we were done talking about it.”

“No,” Robert insists, voice firm and kind of steely. “You talked about it. I just listened.”

Aaron swallows and lays there, his heart in his ears, as he wishes himself anywhere but here.

But then without warning, Robert dips down and kisses him, a firm press across his lips before a tongue swipes against the bottom one. Aaron grants him eager entry.

Robert pulls back, a half a moment later, remains naked and panting over Aaron.

“What was that?” Aaron asks, body locked in surprise, though his cock is already having a bit of a reaction. He tries his hardest not to think about it.

“What I wish I’d done last night,” Robert replies, speaking softly, as he shoots Aaron a tentative smile. “What I wish I’d done this morning.”

“You mean…” Aaron trails off, struggling to compute, still feeling like this puzzle is missing a few pieces. Any thoughts about his dick fall by the wayside.

“I like you, Aaron,” Robert says like it’s a well known fact, and not something he just demonstrated with his tongue down Aaron’s throat. “And as you can see, I don’t really care who knows it.”

Aaron glances around and sees that no one’s really paying them much attention, Harriet studying the film monitors in front of her from the director’s seat, the sound guys standing and chatting in the corner.

“Guess that’s a relief,” Aaron finally sighs, when he comes back to look up at Robert’s face. “Seein’ as I like you too.”

It’s like a wave ripples between them because suddenly they’re both touching in millions of tiny ways. Robert’s arms move a little closer, Aaron’s a little wider, both their limbs now settling together. Robert’s planking position lowers, causing him to actually lay across Aaron, their chests just centimetres apart, even as their belly buttons touch, and their cocks, swaddled in their actors’ modesty socks now rest against each other; both steadily hardening. (Aaron smiles as he realises that, flushed with pride that Robert Sugden wants him.)

“So, you going to kiss me back or what?” Robert then asks, smiling down at Aaron, his arms framing either side of his face.

Aaron shakes his head, grinning back cheekily. “Thought we’d save it for the camera.”

:::::

When Harriet yells, “Action,” Robert’s focused and gazing into his eyes. But he doesn’t lunge forward like Aaron expects him to.

Instead, he slowly comes forward, nudges his nose against Aaron’s, before touching their lips together and letting them hover that way for a second, before increasing the pressure, one hand coming to holding the side of Aaron’s face.

Slowly, Aaron’s waiting lips part, as he opens his mouth and lets his tongue curl and slide against Robert’s; allowing him to steal the breath right out of him.

They kiss like that for a couple of minutes, Aaron’s hands sliding up Robert’s back to wrap around the balls of his shoulders, half holding, half gently kneading.

Slowly and gently, Robert starts to rock in place, dragging his thick and hard cock against Aaron’s. He may be simulating sex, but the feelings are all real, as Aaron feels his own shaft throbbing and aching harder.

Robert kisses his way down his jaw, and then his neck and then his chest, Aaron’s back arching unconsciously against him.

Robert comes back up kiss at his lips, the movement of his hips growing faster.

Aaron closes his eyes and pictures his teenage self and all his exploration of sexuality with another boy in his class in the local village pavilion. None of that compares to Felix and Thomas’ first time, none of that compares to this moment with Robert.

Another wave comes over him and he gives himself into it, rolling them over so Robert is now under him; shaggy hair blending with the straw on the wooden floorboards. Aaron takes his lips in his and resumes their kissing.

He continues to grind, increasing the pressure and speed just a little, chasing that spark that shoots through him when their cocks touch through their socks at just the right spot. He can feels his balls tighten and Robert groan into his mouth, the sound of it soaked with wanting. His own cock feels swollen, now more than thick and leaking, the leaking come making the fabric stick to him and his erect shaft more than sensitive.

Aaron can see his climax rising on the horizon, can feel it gathering at the base of his spine, the pressure building to a tall cresting wave, threatening to crash down over him. Under him, Robert continues softly groaning, loose hands scoring up and down Aaron’s back; the movements causing a little thrill of pleasure.

Then just when his orgasm starts to move towards his peak, pushed onward by the friction between their penises, he hears a sound that causes him to stop almost instantly, and Robert to whine under him.

Aaron lays there panting, cock now more than aching, he curses the gods and this particular profession. He brings his forehead to rest against Robert’s. The sweat on both their brows mingling as the chill in the barn begins to set in.

“Alright,” says Harriet from somewhere behind them. Her voice is firm and brooks no questions. So they know better than to protest it. “This was great. But let’s try that again.”

Aaron drops his head into Robert’s neck and groans.

:::::

An hour later he starts to wonder if Harriet is doing this intentionally; guiding them close to the edge with her takes and directions, only to cause them to pull back again, just adding to their rising frustrations.

His only solace is the presence of Robert, who moves from over to under — and even one time, beside — him, as they keep kissing and grinding against each other for the camera; both more sensitive than ever.

“Come back to mine after,” Aaron grunts softly in the middle of one take, too soft for the boom controller to hear him. Robert’s mouth nipping at his shoulder.

“And do what?” Robert whispers, when Aaron rolls them over. It’s clear that he’s a little beyond thinking.

Aaron gets it, biting his tongue as a wave of pleasure sweeps through him.

“What do you think?” He asks, through gritted teeth, as his hips begin simulating trusting. Then he grins slyly as he looks down into Robert’s unfocused eyes.

“Reckon we could run lines or something.”

:::::

They bolt off set before Harriet can even declare it a wrap — or pull either one aside to talk to them — neither of them able to keep the smile off their faces. Aaron tries not to speed, or run a red light, but it’s a struggle with Robert’s right hand on his thigh, slowly inching higher and higher the entire time.

He manages to still his breathing — and his body’s tetchy reaction — as they exit the vehicle and later enter his building. In fact, they make it all the way up and into his flat, without him making even a single move to try and tear Robert’s clothes off.

“Nice place,” Robert says, as Aaron shuts and locks the door behind. Aaron glances around at the classic film posters on his own living room walls and the lived-in state of his sofa; the prime location for all his movie marathons between projects.

“Thought you might want to see it,” Aaron says coming up to stand in front of him, his hands coming to rest on Robert’s lips.

“You were right about that,” Robert says, though his focus is on him. He smiles and adds, “I’m a big fan of Aaron Dingle.”

Aaron smiles back. There’s a flutter in his chest, like a flock of birds flying back after winter. He swallows roughly and gives his answer, his voice coming out rougher as his gaze drops to Rober’s lips, “I’m right about a lot of things. Guess you’re going to have to remind me.”

That’s all it takes because Robert’s lips are on his, with all the urgency of a man drowning.

Aaron grabs at his jacket and starts pushing it off him, as he also walks him to the bedroom.

They stumble a little, the room still a mess from this morning, Robert grabbing Aaron’s biceps so as to not trip backwards over a pair of kicked trainers lying in the middle of the floor.

“You know, a little tidying never hurt anyone,” Robert says coming back in for a kiss.

“Do you want to talk cleaning, or do you want to fuck?” Aaron growls back, still very frustrated from this morning.

Robert stripping him of his hoodie is his answer.

Grinning into the kiss, Aaron tugs Robert’s shirt up and out of his jeans and then makes quick work of the buttons up front — not caring if he loses one. He pushes it off him, and trails kisses down his neck, before pausing to nip once at his collarbone.

Robert inhales sharply, pressing closer into him. So Aaron does it again, just a little bit harder, earning him a groaned, Aaron.

Smiling again, he licks the same area once, then kisses it as if to make it better. Then he turns his attention to Robert’s jeans, his dick already bulging in the front of it.

Robert’s hands are once again moving, pushing Aaron’s own jeans down to pool against his feet. He tries to step out of them, while undoing Robert’s belt buckle, only to feel one of Robert cup his cock through the fabric of his boxers, the pressure firm but gentle.

Aaron lets out a gasp as Robert just chuckles, “Well, hello there Mr. Dingle.”

“Do you ever shut up?” Aaron asks, as he tried to focus on the jeans button in front of him, Robert’s cock already straining against his zipper, as his hand slips from outside Aaron’s boxers into them, drawing out a shuddered gasp as he squeezes his erection.

“Make me,” Robert says with a smug little grin, the words a low purr that goes straight to Aaron’s eardrum.

Aaron takes him up on his offer, kissing him thoroughly, before pushing him back against his mattress.

A thrill runs up his back as he sees a mostly naked Robert Sugden, resting on his elbows and across the unmade purple sheets of his bed. He kneels down at the base of his bed, then reaches up and pulls the hem of Robert’s underwear down. His cock springs out, already wet and leaking, and every bit as long and thick as Aaron had expected.

He runs a hand up it, giving it a test of a stroke, in front of him Robert twitches.

Pleased with the response, Aaron leans forward and hovers over it, feeling Robert’s eyes watching carefully. Then he smiles up at him, before dropping his head down as he sets up about fulfilling a fantasy.

On either side of his head, Robert’s thighs jerking and flexing — just like that first day in the trailer. Only this time it’s Aaron with his mouth on his cock, him being the one to draw the groans out of Robert.

Down between his own legs, his cock is once again aching, having been denied release too many times in one day. Aaron wraps a hand around it, smearing his own pre-come over his head and down around it, his thumb flicking the edge of his frenulum and causing a thrill of excitement. He keeps on steadily stroking.

When he feels Robert nearing the edge — now more than well-versed in his body — Aaron pulls off and hears the expected moan of disappointment. He gives him a kiss as he reaches for the lube, eager to avoid a painful experience.

He slides two fingers in, gently twisting and scissoring, Robert groaning and pushing down into it.

When he feels he’s ready, Aaron slides his now slick dick into Robert and gets a satisfied sigh for his efforts.

He waits a second for Robert to adjust to the discomfort, but all he gets is grunted, “Hurry up and fuck me.”

Doing as he says, Aaron sets up a punishing pace, the front of his thighs smacking against the back of Robert’s in a satisfying rhythm.

It’s not too long before he feels his climax once again approaching, having been at the edge of his fingertips all day. Below him, Robert’s busy stroking himself as he keeps on moaning Aaron’s name, punctuated by a gasp every time Aaron hits that special spot.

His neck is tipped back and his eyes are tight shut, his hand is rapidly pumping, Robert lost to the build of his own orgasm.

With his own edge within sight, Aaron makes a quick decision, he leans down, hips still rolling as he positions himself right beside Robert’s ear, and then whispers, “It was you I liked, not Pete Barton.”

He hears Robert’s strangled cry and his come hit his chest. It’s enough to make him come inside him.

:::::

He wakes up a few hours later to Robert on his phone, just laying next to him naked. The white light from the small iPhone screen illuminates the side profile of his face in a strong but gentle white glow; his features looking like he was sculpted from marble.

There’s a fondness in his eyes and a glow in his cheeks as he lays on his back, biting his bottom lip, staring at the screen intently, probably skimming the news on a gossip news site. (Aaron actually reads a few of them himself, a couple proving quite reliable in terms of casting news and breakdowns.)

“Anything good?” He asks, when he’s drunk his fill — though he’s finding that his thirst for Robert might be bottomless.

Robert doesn’t startle or even really flinch, just looks over at him like he was gently awakened. His smile is radiant — but more so in this light, white teeth flashing in the phone light, which also renders his freckles a little paler.

“Nothing as good as what’s right here,” Robert says, affection coming through loud and clear. He then lifts his right arm above his head, an open invitation.

Aaron accepts it, shuffling in closer, and bringing the covers with him. He snuggles in closer until his head is resting on the ball of Robert’s shoulder as he turns himself sideways on his left side. Robert’s arm comes back down, wrapping around his back and resting on the curve of his arse.

When Aaron turns towards the phone screen he sees instead that it’s a book, Robert’s attention instead captured by some kind of video.

It takes him a second to clock what’s happening on screen, because then he gasps in disbelief.

“Are you watching my episode of Black Mirror?” He shifts to gaze up at him, searching Robert’s face for any detail of an answer.

“Why?” He asks, horrified.

Robert turns from the phone to look down at him, and then says without any embarrassment or shame. “The first time I ever saw this, I knew I had to meet you.”

“You’re joking me,” Aaron barks a laugh. “My character was mental.”

“Yeah,” Robert agrees, his index finger now rubbing a lazy circle into Aaron’s hip, the feel and motion of it deeply soothing. “But you played him with such intensity.”

“Probably just thought I was fit, or something,” Aaron protests, rolling his eyes at Robert. “I spent half the episode naked.”

“Well, obviously there was that,” Robert concedes, but even with his playful tone, Aaron can tell he still means it. That he’d actually been attracted to Aaron’s acting.

“Does this mean you fantasized about me?” Aaron asks cheekily, even though he’s nervous about the answer.

“If I didn’t, I’d be mental,” Robert says with all the confidence in the world, like this is an undisputed fact.

He’d wanted to hear it, but it still makes him blush. Aaron rolls inward towards Robert’s shoulder. Robert’s hand and finger don’t stop their circling.

“Shut up,” he chides him gently.

“It’s true though,” Robert admits, voice quiet in the night, his face growing ever more thoughtful. “It’s why I wanted to do this project. Figure at least this way I’d get a chance to work with you.”

“More like, hoped you’d get a chance to shag me,” Aaron retorts, but there’s nothing in his voice but affectionate lightness.

“Not going to lie and say I didn’t dream about that,” Robert chuckles. “Though I did really hope you might be bisexual as well.”

“Worked out in the end, I suppose,” Aaron says quietly.

Robert hums his agreement. On his phone screen a younger version of Aaron fights against a male co-star.

Time passes, a few more moments go by, then Aaron says, trying not to keep the worry from creeping into his voice too much, “You know, if people find out about us, we might have to come out publicly.”

He doesn’t want to say it, but he feels like he has to, not wanting to cost Robert his career. “You could lose the Bond role.”

“I told you, Aaron, I don’t care who finds out.” It doesn’t sound flippant, and it doesn’t sound thrown away. It sounds sure as can be and confident. “Didn’t exactly take this job to prove I could do my own stunts. Though I think we both did well on that front.”

Robert pinches his hip as if to underscore the point, sending a spark of shock right through him. Aaron startles and arches his back closer, his bare chest now snug into Robert’s side.

“You’re an idiot, you know that?” Aaron grumbles poking his chest. Under his left ear, Robert shakes with quiet laughter.

“Yes, but an idiot you like,” Robert says when he can finally answer. “And an idiot you had a crush on.”

Aaron rubs his hip sorely. “I can still kick you out of bed, you know.”

“You wouldn’t do that to a poor, defenceless, idiot,” Robert offers in his defence. Aaron just rolls his eyes at it.

“Do you seriously ever shut up?” He questions, not really annoyed.

Robert’s voice is low when he replies, “Like I said. Go ahead and make me.”

Aaron comes up for a kiss.

:::::

They do come out eventually, when doing the rounds to promote the movie, and all their fears are brushed aside as it makes their stock rise even higher. Suddenly they have interviews scheduled with all the top publications, with joint profiles in both The Guardian and Variety. (Aaron asks his mum to go buy extras of both, his idea to have them framed as an eventual moving-in present.)

The movie’s a success as it starts to do the circuit, opening first in limited release and then going wider and wider. It garners great reviews, most of it focusing on Aaron and Robert’s performance, with plenty of mentions of their chemistry. (Robert particularly likes reading those aloud in bed, pulling them up on his phone not long after Aaron awakens.)

Amongst all the furor and the immense fan support, the good news start to trickle in. George Miller wants to meet Aaron to discuss a possible part in Mad Max, while Robert has a meeting about playing Bond after all. As it turns out, times are very definitely changing, and the minds in charge of the franchise have decided they’d quite like to adapt along with it. Neither of them expect anything to actually come of it. But they still joke about Robert wearing that suit and celebrate.

A few months after that, Harriet calls waking them both up, the film — as well as both their performances and her direction — having been nominated for an Oscar. They lay there together, Robert’s phone on speaker on Aaron’s bare chest, his cheek close beside it, neither of them daring to breathe in their shocked silence.

Aaron cracks first, a long and loud laugh, seconds later Robert starts to join him.

“Can you believe it?” Robert asks, lifting his head. The diffused sunlight from the hotel room balcony window backlights him, showing off his bedhead in all its glory.

“Sure I can,” Aaron shrugs easily, taking in the high cheekbones and the freckles dotting them, the unexpected pinkness of Robert’s lips. Then he looks into Robert’s eager eyes, letting the now-alert green and blue wash over him. “Harriet Finch, innit?”

“But you and me, nominated for an Oscar…” Robert quietly marvels. “Do you think we could win?”

Aaron just watches him, memorising this face, already planning their celebration. He brings a hand up, and cups Robert’s cheek, stroking a thumb across a warm cheekbone. Then he leans up, gives him a soft kiss, then lies back, his head hitting the pillow.

Robert’s eyes open slowly, and his smile grows softer; a small one that he reserves for Aaron.

“Reckon we could,” Aaron says, feeling himself return it. “Who doesn’t love a good love story?”

#robron #long post #robron secret santa #robron fanfiction #notforonesecond

155 notes · View notes