DON'T THEY KNOW IT'S THE END OF THE WORLD?
PART I
Lee know x reader. (s,a)
Chapters: Part II
Synopsis: Making a contact with an ancient object, you meet a demon who takes form of the man you desired and forces you to commit terrible acts to stop the world from ending. (14k words)
Author's note: I indulge myself with a spooky fic and demon Minho in it. Read with cautions and enjoy x
Based on an episode of Black Mirror. Content warnings: Violence, gore, mentions of abuse, assaults and graphic imagery. Reader's discretion is advised!
"Carving is easy. You just go down to the skin and stop." - Michelangelo
-
Oh, no! You're doing it again.
When you think you're talking in your head, you're actually talking loud enough for everyone in the room to hear. It's even worse that your voice is echoing in the big chamber of the empty gallery.
They seem to not care about it or pretend to because Kim has just walked in to check everyone's work. She's your friend from art school turns an art dealer and she has a way to control everyone around her.
"I told you to let us do it for you," she says, clicking her tongue at you and crossing her arms in front of her chest.
The gallery is having some of your pieces of art displayed for the exhibition tonight and you want to make sure that they're presented the way you envisioned it.
You carefully step down the ladder and stand next to Kim, looking at the sculpture you made of a man holding an arrow with an apple stuck at the end of the arrow.
You hear Kim dreamily sigh then look at you, "You're going to sell..." She pauses to emphasize the word she's going to say next, "Big!"
Money isn't the reason why you create these sculptures but you need it in order to keep being able to do this. You have no idea how expensive a block of stone is!
The reason why you made these sculptures is because this is what you love doing: envision your imagination onto a block of stone and you carve it to bring it to life.
Why did you choose stone as the medium? Because they're durable, stubborn yet resilient. It takes time to create one sculpture but once you've seen the result, you forget about the hard work behind it.
Kim puts her hand on your shoulder and snaps you out of your reverie, "Stop worrying about your sculptures," she says.
She turns you around to force you to face her and puts her other hand on your shoulder, "Go home. Get dressed. Put some color on those cheeks. Have a pre-party with a glass of wine or two."
Dressing up sounds like a lot of work, you'd rather stay in your dungarees and striped top, "Can I just wear these?"
It's like she has just heard someone dies, Kim's hand flies to her temple and screws her eyes shut for a second, "Trust me when I say that the people coming tonight wouldn't expect the artist behind these magnificent sculptures to look like Chucky," she says with a sneering smile.
She squeezes your shoulder and tilts her head to the side, "And that's me putting it the nicest way possible because you're my friend."
It's still a mystery how you ended up friends with someone like Kim, she's the opposite of what you are, an extrovert, a tolerable narcissist, she likes attention and is forthright to the point it's borderline insolent. You're so used to her audacious way of treating you and the blunt words that come out of her red-lipped mouth.
She's been like this even before you met her and you are the friend who likes to suffer in silence, you think that's why you became friends. Nevertheless, Kim treats you better than she treats anyone else for that matter.
That explains why the gallery staff are so afraid of her. It's always best to get out of her way unless she wants you to be there. You pick up your bag from the floor along with your jacket.
"I'll go then," you meekly say.
She grabs your elbow before leaving, "Go home," she says with a glare.
"Home. Not your studio," she says again, making it clear to you.
She knows you well enough to know that you like spending your days in your studio instead of your apartment. You sling the strap of your bag on one shoulder, "Go home. Get dressed. Come to the exhibition late," you repeat the things she wanted you to do.
Kim smiles and gently cups your cheek, "Good girl. Now go!"
Once you get home though, you spend hours just sitting in the emptiness that lingers in your apartment that is too big for one person to live in it.
This is why you prefer to stay in your studio, you like to keep your head occupied rather than being alone with your thoughts like this.
And your thoughts, they're mostly of unkind things and...
Your phone rings from inside your bag and steers your mind back to your head. Without having to look at it, you can tell who it is. There are no other people who call you daily except, well, if it's an emergency call.
"Are you getting ready yet?" Kim goes straight to the point.
"Uh... yeah, I just showered, I—" you jolt awake from lying down on the sofa.
"I'm having problems picking what to wear," you add a laugh in the hope of sounding convincing.
There's a wave of laughter from her end of the phone call before Kim talks to the phone, "Stop joking. Do you like it?"
You get completely confused because she suddenly compliments herself out of the blue, "Huh? What?"
You can hear her dramatic, low sigh and you can imagine her subtle eye roll as she's doing it, "The dress. The one I hung in your closet," she tells you.
You quietly trudge your way to the closet and open it to find the said dress.
"Yes, it's beautiful!" You hurriedly say, not wanting to let her get suspicious as she waits for a response.
"Aren't you lucky to have me as your friend?" she exclaims, sounding so confident with her words.
"I am the luckiest," you tell her as you observe the dress and already regretting hastily approving the dress as you notice it has a plunging neckline.
"I know," she brags and her smirk flashes through your head.
In the background, you hear something is calling her and Kim answers with a shout, "I'm coming."
She dramatically sighs before talking to you, "Work is calling. I'll see you tonight, okay?"
"Yeah, sure, see you tonight!" You're more than relieved to end the phone call with her.
It's too early to celebrate as she hasn't ended the call yet and she always ends the call first. You have an inkling that she'll call your name.
Indeed, she is.
"Hey, don't forget to take your meds, okay?" She says.
That's probably the only yet the most endearing thing she does to you and what makes her your friend.
"Yeah, don't worry about it," you tell her.
It's time to fully assess the dress and you're in awe of how much skin you'll show if you're wearing this. Of course, you have the option not to wear but it all comes down to wearing the dress or facing Kim's wrath.
The former seems to be the safer choice and also because you're not a confrontational person, you like to avoid conflict.
Not wearing the dress means you're going straight into conflict and you don't want that.
With a defeated spirit, you put the dress on even though you have no idea how to move in such a tight dress. You summon up your below-average make-up skill for tonight and put some colors on you.
Not forgetting Kim's words, you take your medicine and wash it down with a long gulp of water. You give yourself a few minutes as you wait for the medicine to work while you sit on the couch holding a glass of water in both hands, staring out at the view from your apartment.
Kim insisted you take this apartment when you're okay with living in the studio. Not only that it's too expensive of a place to live on your own but a big place only makes you inexplicably lonely.
However, after seeing the view from up here, you feel like you're not part of this world in the most humbling way. Seeing the city and the buildings look like pieces of block makes you realize that they don't matter that much. They're all just... material things.
You sigh as you get hit by a wave of melancholia and you take it that the medicine is working.
-
Uncomfortable walking out of your apartment in your dress, you put on a coat as you leave the apartment with the sounds of your heels clicking against the floor.
The owner of the building passed away yesterday, there are so many guests visiting the penthouse where he lived. The first elevator that arrives on your floor is crowded so you skip on getting on that one. You patiently wait for the next one to arrive while clutching your purse in front of you.
A minute later, the other elevator arrives and the doors slide open, you see there's someone else inside. You believe he's been from the penthouse from how he dressed in all black.
You look down to avoid eye contact and step inside, standing at the back of the limited space while trying not to look at the man's face on the reflection from the mirror that walled the elevator.
Arrived in the main lobby, the elevator dings open and the man doesn't waste time but walks out with hands shoved inside his coat pocket.
You fix your coat before stepping out and you feel your feet kicking on something, it's clattering across the floor. You bend down to pick it up, something that you guess is a pocket watch.
Your first thought is that it belongs to the man and you look around to see if he's still around to give it to him, but he's nowhere. It's as if he's gone with the wind.
"Miss, your driver has been waiting outside!" The concierge informs you from behind his desk the second he sees you.
"Yes. I'm coming!" You hurriedly shove the pocket watch inside your purse.
As Kim instructed, you come late to the exhibition and it's already filled with people dressed so impeccably for the occasion. You take a deep breath before entering the scene that is the least you wanted to be.
You take your coat off and hand it to the girl handling the coat check, along with your purse. You feel naked even though you're not, but it's not just the dress, being in the crowd is not your forte.
The first thing to do in a situation like this is to find Kim. You avoid making contact with everyone you're walking past as you look for her in the crowd. It's not hard to spot her when she's always the center of attention anywhere she is.
"There she is!" She gasps the moment she sees you're coming her way.
She puts away her champagne flute and walks up to you, embracing you like the trophy you are, "My rising star!"
Kim puts her hand on the small of your back and smiles brightly while discreetly judging your look.
"Isn't she amazing?" She brags you off to the group of people she's talking to.
You can only sheepishly smile next to her and avoid everyone's eyes.
"She is the artist behind those magnificent sculptures," she adds with that saccharine smile of hers.
They're starting to throw praises at you and you can hear all of them talking at once, making you more uncomfortable staying in there.
You take a step back but Kim's hand does not allow you to escape, she glances at you and takes the cue.
"Excuse us," Kim says to everyone, "Enjoy the exhibition!"
Kim steers you away and pulls you aside, before you can comment on her choice of dress, she snatches the chance from you.
"You could've picked nicker shoes," she whispers through her gritted teeth at you.
You automatically look down to see your heeled shoes which you think match the dress you're wearing.
"I–I think it's—"
She cuts through your words, not giving you a chance to explain. She grabs you by the elbow, "We have no time to change it," she says, then steers you somewhere.
As Kim continues to brag you around like you're the art piece instead of the artist, you start to get that feeling that she's using you.
As a matter of fact, she used you to propel her career as an art dealer. Ever since you agreed to let her sell your art for you, her career took off.
You're more than happy to be of help but she does everything extra and she's been taking you to meet a lot of people that their faces started to blur and it's getting overwhelming that you need to get out of it.
"I'll just—" You barely finish your sentence when you walk away and find somewhere to gain some composure.
You keep walking until you find the restroom and push yourself inside, lock yourself in one of the stalls just sit on the toilet, and just breathe.
You hear the ruckus outside the stall and someone probably needs to use the toilet, you reluctantly get up to start heading outside.
The plan to leave unnoticed comes to a failure when Kim is already there right outside the restroom, "Where have you been?"
You take a deep breath to calm yourself and try to explain, "Kim, I don't think I can do this anymore. I—"
Then again, she never let you finish your sentence, "One more. I need you to meet your new potential buyer."
You grip the side of your dress and you feel like tearing it apart, "No, Kim. You know how I do with people, I don't— I just want to go home," you desperately tell her just to let you go when you're an adult and can do whatever you want.
Kim lets out an exaggerated huff and sends her fringe flying off her forehead, crossing her arms in front of her and you know what's coming for you.
"You think I'm doing this for me?" She asks.
Actually, yes. The initial plan is to sell your art but in the end, she makes it all about her.
"I'm doing it for you!" She says, turning it all on to you. She always finds a way to turn it all on to you, making you feel guilty and defeated.
Talking back to her means that you're saying yes to war and you don't want to fight a losing fight. You fist the fabric of your dress trying to suppress the anger brewing inside you.
"Just one more person," you meekly say.
Her face softens at the sign that you're once again giving her the power, "That's right. Just one more and I'll let you go."
You finally let go of your dress and you wipe your sweaty palm down the back of your dress as she guides you back to the gallery.
"All you have to do is stand next to me, smiling and explaining your art to people," Kim instructed like that wasn't what you've been doing all night.
Except that she forgot that you need to fake all of that.
Kim takes you to one of your sculpture displays and three people in suits have been waiting, talking with drinks in their hands.
"Hello, gentlemen," Kim says with an extra polite voice that makes you shudder at how fake she sounded.
"Heard you're looking for the amazing artist behind these beautiful sculptures?" She continues, presenting you like you're the one who's about to get sold, not the sculpture.
One of the three seems to be the one in charge with a stance that oozes confidence and power, a smirk that only someone who grew up with a silver spoon stuck to his mouth can master. He looks years older than you but his face shows no fine lines but that's just because he never had to frown in his life.
"I adore your art so much," he praises with a teeth-baring smile.
Kim turns at you and introduces him, "This is Nicholas de Ville from the de Ville family."
The way she enunciated his last name only means that this person holds importance and she expects you to impress him.
He holds his hand out next with an expensive, shining wristwatch decorated his wrist, "I'm Nicholas de Ville. You can call me Nick."
He may seem nice and polite because all privileged people learn manners but they only apply that lesson in real life occasionally.
You take his hand or else Kim will force you to do it. You shake his hand for a while and accidentally meet his gaze as you try to take your hand back.
"It's a pleasure to meet you, Mr. de Ville!" You say as politely as you can.
"Nick, please!" He insists with a smile.
"And the pleasure is all mine." He adds with a smile that says so many things and they send a chill down your spine.
Kim lets go of her hand and lightly touches you on your arm, "Mr. de Ville wants to know more about your sculptures so..." she quietly pushes you his way.
Nick courteously laughs and says, "Would you be kind enough to give me the tour?"
You consider it for a moment but seeing Kim's glare, you know you have no option.
"Yes, sure, I would love to," you answer with a strained smile.
"Great! Please, lead the way!" Nick says.
When you think the other two are coming with you, it's just you and Nick, walking through your sculptures and you explain each one without trying to bore him like Kim has taught you a few times.
"... it's inspired by the Greek mythology. The apple in the arrow means that when it comes to love, we know no rules, we follow our desires—"
Nick is too busy looking at you instead of looking at the sculpture you're tirelessly explaining to him. Guessing that he isn't interested, you stop talking altogether.
"I'm sorry if I'm rambling," you sheepishly say to him and keep looking at the sculpture.
"No, no, that's okay," Nick says with a smile and takes a stand close to you, also looking at the sculpture.
"Your art is as beautiful as you," he says.
You're getting uncomfortable at how close he is with his elbow brushing yours. You nervously swallow air and lowly mutter, "Thank you."
Nick takes it the wrong way. He takes it that you're replying to his flirtation when you thought he was earnestly complimenting you, he starts to place his hand on your shoulder.
You reflexively shrug his hand away but that only sends his hand down to your back where he can touch your exposed skin. As his fingers make contact with your skin, you take a step back until his hand drops.
"I'm sorry," you regret apologizing for something that you didn't do wrong.
He looks at you as if he didn't just do something wrong or touch you without your consent. You feel repulsed by yourself and take another step back, "I'm sorry, I just need to—"
You keep walking away, away and never looking back.
-
The musty smell and dust that hang in the air welcome you to the studio.
You take your dress off the first thing you do when you get there and put on any clothes you can find in the dresser, a black T-shirt and worn-out jeans.
You put your earrings inside your purse and the pocket watch you collected earlier spills out of it, falling onto the couch.
You're intrigued to see inside the locket to get a hint on who the owner is, you're trying so hard to open it with the strength you have but it won't budge.
Exhausted from trying to open the antique-looking object, you give up and walk over to the sculpture you're working on. You put the pocket watch down on the table next to your carving tools, then pick up a chisel and a hammer.
For every hit of the hammer, you feel like unleashing something that makes you feel lighter and lighter and makes you hit the chisel harder and harder.
You eventually get exhausted and take a step back, leaning against the table while looking at the unshapen block of stone in front of you.
You grope around for a bottle of water and take a sip, putting it down as you wipe your mouth after. Your fingers nudge something as you place your hand on the table, it's the pocket watch blinking under the fluorescent light.
It seems to be calling for you, inviting you to try and uncover the mystery inside.
Looking at the small chisel next to it, you decide to give it another try by prying it open with the chisel. You slip the sharp end in the crack and use your strength to push it open only for the chisel to slide to the slide, cutting the side of your finger.
You drop the pocket watch as blood drops from the wound onto the table. It's not the first time you injured yourself, you know what to do. You go to the bathroom, wash your finger under the running water then grab your first aid kit from the drawer.
After tending to your small injury, you decide to not continue working when you're angry. You take another sip of water and lie down on the couch.
With the quiet that hangs in the room, you slowly drift into sleep.
-
SEVEN DAYS TO THE END OF THE WORLD.
The darkness greets you even though you have opened your eyes.
Pretty sure you kept one of the lights on when you went to sleep but it's all dark now in the room, you can't see anything but lights that shine through the cracks of the blinds.
You slowly get up from the couch to turn the light on, carefully walking to where the switch is, and once you flip it, lights flood the room.
The first thing you see is the pocket watch that is now open, you walk over to the table and pick it up to see inside that it's just a normal watch but it doesn't have numbers on it like all watches have.
You close it and see that your blood tainted the lid, this time, you can easily open it without a hassle.
"Hello!" A voice says.
Surprised to hear a voice coming from it, you drop it back onto the table. A moment later, you laugh it off, thinking that you misheard it considering that you just woke up from sleep.
With hesitancy, you pick the pocket watch again and look at it. Your thumb wipes the glass cover of the watch.
"Hi, Hello, I'm Minho. I'm a demon. You anointed this talisman with your blood so now we're bound together and—"
It speaks again and in response, you hurl it across the room until it hits the wall and drops onto the floor. You stand there, frozen on your feet, and wonder...
"Look, I've got a whole introductory speech here," the voice says again, coming from the part of the room where the pocket watch is.
For protection, you stand behind the open bathroom door and look at the pocket watch talking like a lunatic you are.
"We got to work together," it says.
You whimper hearing the voice again and you know that it's real, you're not making this up.
"Can you pick me up? Just pick me up. Come on, pick me up! Please?" It demands.
You take cautious steps to get to where the pocket watch lies on the floor.
"That's it, come on. Come on. I won't bite, I promise. Come on," it says as if it could see that you're coming to pick it up.
You swallow air and slowly bend down to pick it up from the floor, holding the pocket watch in your hand.
"As I was saying, you anointed the talisman and the rules are you've got to carry out three human sacrifices over the next seven days or else the world is going to end," it speaks again.
That's a lot of information to take in, not to mention that you're already having a hard time wrapping your head around the fact that the pocket watch is talking to you.
"W-what?" You breathlessly say.
"If you want me to help you, you need to permit me entry."
Entry? That sounds like a bad idea. You just stand there and look at the pocket watch.
"Do you permit me entry? Yes or no?" It asks.
You shake your head and convince yourself that maybe it is not real.
"You have to say yes. Just say the word yes."
This is not real, you tell yourself out loud.
"Or let's do this, if you say yes, I'll... I'll stop, okay? I'll go away. You'll never hear from me again like this didn't happen." It persuades.
This is not real, this is not real, you chant in your head.
"Just say yes. Say it! Say it. Say it. Say it," it chants louder and it starts to fill your head, endlessly echoing.
You want it to stop so you impulsively say, "Yes."
The chants stop and the light flickers off, filling the room with darkness again. You whimper in fear as the pocket watch starts ticking in your hand.
You hear something deeply breathing a few feet from behind you. Curious, you spin around on your feet to see what it is, but you can't see it as it's lurking in the dark
However, you feel good about not being able to see it as fear creeping up inside you. You walk backward until you hit the wall behind you.
"Hey, come on, what's the matter?" The thing says as he takes a step forward, revealing his form to you.
The first thing you can make out the shape of that thing is two long horns on his head and two red eyes.
"All right. I lied about going away," he says in a deep, growling voice.
"My regular appearance is a bit too much for this realm."
He takes a step back and disappears in the dark. After a while, he takes another step to the front and has already taken a different shape. He looks normal now, as in looking like a human and not just any human, he looks like...
"I peered into your soul and apparently, this is a physical look you find appealing so..." he says with his arms spread out and a proud grin on his face.
"I don't know. Let me have a look!" He walks over to the mirror hung on the wall next to you.
He looks just like the sculpture you made, he has a sharp nose, chiseled jaws, and a hair color as intense as red roses go. You feel a mix of fear, awe, and confusion inside and it's getting overwhelming.
He leans close to the mirror and fixes his hair, "Wow!"
He seems impressed by how he looks, "Okay, isn't it what you want?" He turns to you.
Not getting an answer from you, he smiles, then says, "Uh... I mean, I can work with this."
You can only whimper with your mouth parted open, having a hard time wrapping your head around this situation. If it's happening or not, is he real or not, did you take your meds or not?
"You have to calm down so we can talk. Just talk to me!" Minho says, noticing that you're in a state of panic.
For a split second, you see his eyes flash like those belonging to feline creatures, gleaming like two marbles in the dark. You can feel cold sweat on your back as you slump down against the wall until you're sitting down on the floor.
He squats down in front of you and reaches for your head but you're quick to dodge away from it.
"You know, we have got to work together," he assures you.
It's not fair that he has a face that came from your imagination, it gives you a sense of familiarity that lures you to give in. However, you're not sure if you should be giving in to him.
You bang the back of your head to the wall, close your eyes, and repeatedly chant like it's a mantra, "You're not real. You're not real. You're not real."
But that is not enough to expel him. You open your eyes and still find him there. hand and a grin.
"Like I said, we have got to work together," he tells you again.
To give you the space to gather your thoughts, he walks around the studio while talking, "You marked the talisman. I don't make the rules."
With the lights turning back on, your eyes can easily follow his figure going around the room and looking at the sculpture you're working on.
His fingers slowly graze the rough surface of the carved stone and then he turns his head at you.
"Basically, we need to deliver three human sacrifices by next Friday or else it's..." he informs you again as if you haven't heard him the first time, "burning skies time."
You can feel anxiety rising inside you and your throat is closing up, making it harder for you to breathe.
"I sense you need convincing. Uh..." Minho walks up to you again and offers his hands to you.
You look at his hands for a moment before letting him help you to get up from the floor. You imagine your hands reaching for fragments of your imagination but instead of that, you feel his warm skin and firm grip as he hoists you up until you're standing on your feet.
If he's not real then how can you hold him?
He looks at you for a second to make sure you're okay then nods, "Let me show you how this will play out, alright? What will happen if we don't succeed," he says.
He walks to stand behind you and puts a hand in front of your eyes, "You ready?" He asks, his hot breath fans your neck as he speaks.
You're not sure what he's asking you to get ready for. You're not even sure if you're living the reality right now.
"Ready?" He asks again and once again his breath tickles your ear.
"3, 2, 1!"
As if you're being transported to another time and place, you open your eyes to see fire. It's the studio but it is on fire.
"This is what we're dealing with!" Minho says but you can't see him anywhere.
Fire is everywhere and you can feel the heat of it burning your skin and thick smoke filling your lungs that you start coughing, retching for air.
"Scorching wall of flame. It's agonizing death for all and so on," he continues.
You're flailing around to get air, walking to the window to open it only to find it hot to touch and you see that the whole city burns with you. You hear people screaming and sirens blaring everywhere but anywhere you look, it's just blazing fire.
You get away from the window until your back hits the table behind you and snaps you back to reality. Your head turns to the side and see Minho there, leaning against the table next to you.
"See, burning people they smell like... a burnt slice of meat on a griddle. It's better if you dissociate from it," he coyly says.
The images are so vivid that you feel the need to escape it, run away from here and so you do. You make a run to the door and he's already standing there next to it.
"If we're being honest, I don't want the apocalypse to come about any more than you do," he says.
You turn the knob and open it, running through the hall that leads to the exit door. Yet Minho is already there too.
"So let's stop it happening, you and me, mmh?" He says to you.
"All we have to do is deliver three sacrifices in seven days," he pops at the end of the hall.
You yank the door open and find him standing outside the door.
"It's only three killings," he says with a malicious laugh.
You rush to climb down the steps trying to escape what you know is like trying to get out of your head, it's inescapable.
"Animals don't count. You have to do humans," Minho informs at the base of the stairs.
You hurriedly unlock the iron gate and pull it open, running into the street in the middle of the night but of course, he's already there too.
"We can do like one kill a day but I'm good with one kill in two days and—"
You decide to go the other way from where Minho is standing and just aimlessly walking to avoid him. You know the neighborhood but not as good as when it's at night.
You walk down the stairs that lead to the riverbank, feeling more afraid of Minho instead of being mugged at night.
"That is fewer people than die falling off ladders in the same time period," Minho magically appears on the stairs, leaning against the railing.
"You'd be less lethal than a ladder," he adds with a sly smirk.
Your eyes are watery either from the cold wind or the anxiety taking over you. You sniffle before talking to him, "If I talk to you, you're real so I'm not going—"
You walk away before you can finish your sentence and walk along the riverbank, hugging yourself.
"Well, we started conversing already so that ship has sailed."
You can't believe that he's still following you when he knows exactly why you are trying to get away.
"No, it hasn't," you persist when you know he's right.
"Oh, oh yes it has," he talks back with a mocking tone.
You stop on your track and grunt in frustration, bending down to pick whatever is close to you.
Minho stops walking as well and says, "Don't worry. We're a team. I'm on your side, you know?"
He takes a step forward and keeps talking, ignoring that he's the reason why you're so frustrated.
"Let's just get kill number one under your belt, mmh?" He says in a softer tone.
You turn at him, your finger pointing right at his sharp nose and sternly tell him, "You can stop it because I am not killing anyone!"
You take a deep breath to calm yourself down and try to face him again, "You're not real so I don't why you keep talking to me," you snarl.
Minho coyly smiles at you and calmly responds, "That's what I'm here for. Moral support!"
He takes even a closer step to you and lowers his voice, "So, just hold on to that rock and hit someone with it!"
You get confused by what he said, "What rock?"
He eyes your hand on your side, "The one in your hand, love!" He answers.
You don't even realize you've been holding it until he pointed it out. The moment you know, you can feel its weight in your hand.
You gasp in surprise and glare at Minho, "I'm not doing what you say."
You hear footsteps coming from under the bridge and turn around to see a middle-aged man, "Are you alright, Miss?"
But Minho sees it as an opportunity, he stands and looms behind you, whispering evil things into your head.
"Mmmh... yeah," he hums in victory.
"He's perfect. No witnesses. Talk about beginner's luck," he whispers to you so close that it feels like he's living inside your head.
You feel his hand resting on your shoulder as he further persuades you, "Just one quick pop to the head and you're done."
For a second, you wanted to do what he said just so he could stop bothering you. However, the conscience in you is talking you out of it.
You walk toward the man and try to seek help from him, "Please, make him stop!" You say, gesturing to Minho who's standing right next to you.
The man looks confused by what you said and asks, "Make who stop?"
Disoriented by what's real or not, you keep looking back at Minho, then at the man, getting pushed to where you hit your limit.
The man walks up to you, feeling more concerned for you that he asks again, "Is everything alright?"
The relentless demon he is, Minho stands close next to you and whispers, "Would it help if I told you I can see into this man's soul and he absolutely deserves to die?"
This time you know it's his way to get what he wants, to get you to do the deed. You look away and hastily shout, "Shut up!"
Yet Minho keeps talking about the man as he's giving you a stare, one that you're way too familiar with, and convinces you that he thinks you're crazy.
"He has a wife and a daughter, you want to know what he does to them?" Minho's words hold intense hatred in them like you can feel the bitterness of it on your tongue.
You look at him to see if he's just tricking you to kill the man, "Don't trust me? Well, get a load of this!"
Minho covers your eyes with his hand again and this time, images of the man abusing his wife and daughter over and over again that you can't bear to watch anymore.
He snaps you back to reality again and says, "You'll save them both from years of pain, shame, and guilt."
Fueled by the rage from what you've seen through Minho's vision, you launch yourself at the man and hit him hard on the head, sending him tumbling to the side and into the river.
You stand there watching his body sinking into the water until the air stops bubbling to the surface of water and that's when you're certain that he's dead.
The man is dead.
Despite the shock, you manage to walk away while still carrying the rock in your hand, and once you realize you've been holding to it long enough. You throw it into the river then break into a run back to the studio.
You vomit everything into the toilet bowl once you're back in the studio, retching nothing but saliva and air.
Minho is standing at the doorway of the bathroom as he says, "It takes some used to but a couple more of that and I'll be out of your hair," he says.
You flush the toilet and sit on the bathroom floor, looking at him with teary eyes and the shock that hasn't left your body yet.
He pulls out the pocket watch and shows you that the Roman number written inside has gone one line, "See? One line has gone which means one sacrifice registered. Two to go."
You get up from the floor and drag yourself to the couch, feeling so drained by whatever has driven you to do unimaginable things, one that you thought you'd never done in your life.
-
Morning has passed but you can't find the energy to live for the day.
You're lying down on the couch watching the sky turn brighter with every hour passed. It hasn't sunk in yet what you did last night. It feels like a dream but at the same time, you can still feel the weight of the rock in your hand.
Minho has been quiet but you know he's lurking in the room and he decides to interfere by standing in front of you.
He tips his head to the side and asks, "How long are you going to stay like this?"
He then sits on the other end of the couch and says, "Well, you have to, at least, do whatever it is you do as a sculptor. You can't have people getting suspicious."
How come he takes it lightly? How did he get so calm after telling you to kill a man and watch you doing it?
"Fucking shut up!" You shout at him.
Talking to him makes everything unbearably real and it makes you recollect what happened last night. The guilt, the disgust you feel for yourself, the blood on your hands, you can see everything now under the daylight.
"I killed a man," you croak, saying it hurts that tears start to crawl out of you.
"I've killed someone," you meekly say with a tear rolling down from the corner of your eyes.
"Yeah, but that was hours ago," Minho nonchalantly says.
"I keep feeling the crack of his skull on the rock," you pause to sniffle and turn to look at Minho, "I did that."
But he wouldn't get what you feel because he's not a human in the first place. Minho is a demon.
"It's your fault. You're not even—" You stop talking because it's no use to talk to an entity that knows no compassion.
You brush your hair to the back and deeply sigh. Turning your head at Minho again to ask, "Why is this happening to me?"
You use the heel of your hand to press on your eye to stop crying, "I'm not a bad person."
"No, no, no," Minho quickly denies.
He moves to stand behind the couch and leans close to you, "It wouldn't work if you were. It has to be someone corruptible," he explains.
Your forehead wrinkles and forms a questioning look on your face, trying to make sense of what he said.
"If you think about it, what's happening here, it reflects really well on your character," he says with a smile.
What he said only assures you that you are a bad person. What you did is the reflection of what you truly are, a bad person.
You nod and wipe your wet cheek with the back of your hand. You get up to sit on the couch and grab your purse, rummaging inside to pull out your phone.
"What are you doing?" Minho asks with a panicked voice.
You dial the police line on your phone and show it to him, "Calling the police."
He jolts on his feet and sits next to you on the couch as you hit the call button.
"But why?" He asks.
You can hear the dialing tone ringing so close to your ear, "So they'll arrest me," you simply answer.
Minho nervously chuckles, "Then you won't be able to do the other sacrifices," he reminds you to rethink your choices.
"Good!" You shortly respond, trying to stay in your right mind this time.
"Then the Apocalypse will happen and billions will die. I know, I know, I get it. You don't want blood on your hand but if it saves billions..." He's babbling, desperately trying to stop you from turning yourself in.
The way he puts it that way, he makes you choose the lesser between the two evils.
"Hello, police department, may I help you?" The operator speaks on the phone.
Kill three people who deserve it or save billions of innocent people?
You find yourself hanging up the call and putting your phone away, once again failing to do the right thing.
"See? You're a good person!" Minho says as he exhales in relief.
To be honest, you don't know what's good or bad, right or wrong anymore. It's one big blur to you.
You feel frustrated once again, you feel like a failure but on the bigger picture, you're trying to stop the world from ending.
But can you really save everyone?
-
You can't wait to dwell on everything in the comfort of your apartment. Before you can do all that, you need to set boundaries with him. You face him and look him right in the eyes, "I have six days to kill two more so please, give me a break for now."
Minho gets quiet for a moment before nodding in agreement, "That's fair."
Feeling the need to wash yourself from whatever it is clinging to your body, you get a shower and take your meds to help you decompress while sitting on the end of your bed in your bathrobe.
"I don't know why you take those pills," Minho says as he enters your room.
You quietly sigh at him and say, "Can you at least give me a few minutes until it's working?"
"Want to wash it down with wine?" He offers, showing the bottle of red in his hand.
You shake your head, "I can't drink alcohol after taking antidepressants," you answer, not sure why bother answering him.
"That sucks!" He says and puts the wine bottle down on top of your dresser, "I was thinking we could celebrate our first kill."
You feel a little faint at the mention of the word kill and celebrate being put in one sentence. You climb onto the bed and pull your duvet, "I need to rest."
Minho appears at the end of your bed, looking down at you with his dark, wide eyes, "That's right. We have a lot to do tomorrow."
"Can you turn the lights out for me?"
"Certainly."
The room turns dark but you get a newfound comfort in it.
"Goodnight," Minho's voice caresses your ears like a spring breeze.
You don't want to get used to this but you feel inexplicably at ease that there's someone else with you in this vast emptiness.
"Goodnight, Minho."
-
SIX DAYS TO THE END OF THE WORLD
You jolt awake to the sounds of your phone ringing on your bedside table and you know who it is without having to look at the contact name. Your fingers are tapping the phone screen as you squint your eyes to make sure you hit the accept call button.
"Yeah?" You ask as you put the phone on the side of your face while you're lying on your side with your eyes closed.
"You're still sleeping?" Kim asks, noticing the sleep in your voice.
"Mm-mmh," you hum in answer.
"You know what time it is?"
"I don't know. Nine or ten?" You wildly guess by how badly you want to go back to sleep.
You hear her sighing from the other line of the call, "It's almost 2 in the afternoon," she says.
You force your eyes to open to check the time yourself and see that it is indeed two in the afternoon.
"Oh?" You innocently gasp.
Realizing that may piss her off, you hurried to shift the conversation elsewhere, "Yeah, uh... why are you calling again?"
You fear that she's going to be mad about you abruptly leaving the exhibition or worse if she knew about Nick. You hold your breath, anticipating her answer.
"Oh, yes, I have good news," she says with a smile that you can feel from your end of the line.
"You sold four sculptures, darling!" She squeals.
That's exciting news but you don't have it in you to participate in that excitement, yet you feel relieved you can properly breathe at ease.
"That's... That's great!" You meekly say while raking your hair to the back with your fingers.
"I've been calling you since yesterday, you know that?"
"Oh? I, uhm..." You take a moment to think of an answer.
Summoned a demon? Found out that you have seven days to the end of the world? Killed someone to stop it?
"I needed—"
"Never mind!" She rudely cuts you off, "Guessing from how tired you sounded, you must be going straight back to work, huh?"
The sculpture is still a chunk of unshapen stone but yeah, you worked on it just a bit. Well, a work is a work.
"Yeah, I-I did," you sputter your answer yet thankful that all of her guesses are off the mark.
"I'll come with the paperwork tomorrow. For now, you can rest now or work some more, knock yourself out," she says, couldn't care less about what you're doing now that you've made money and she got to feed on a few percent of it.
"Thanks, Kim!" You say, because it's better to always be on her good side.
"Oh, come on! We both working hard," she kindly refuses but you know she feels entitled to this.
"Let's have a dinner to celebrate," she suggests.
"Yeah, yeah," you half-heartedly answer.
"Talk to you later, okay?"
"Okay."
"Bye!"
You don't even bother to say it back knowing that she'll hang up right after she said her bye. Since you've woken up already, you sit up on the bed and pull your knees up, hugging your feet as you gather your thoughts.
In your peripheral vision, you see a flash of red from the doorway of your room. You turn to look and see Minho standing with the side of his body leaning against the doorframe.
The all-black outfit he's wearing makes his honey skin glow and his hair look like a blazing fire under the sunlight. He smiles once he notices your eyes are on him.
"Morning, sunshine!" He sweetly greets you with a smile that is a little unsettling but a whole lot attractive.
He crosses his arms in front of him, exposing the veins coiling his forearms, "Oh, wait, it's way past noon," he says with a grin.
Looking at him only reminds you of the responsibility you're carrying on your shoulders: saving billions of people from being incinerated.
"Are you always like this or...?" Minho asks, breaking the silence that hung in the room as you think of the dire situation you're in.
Minho approaches you and stands at the end of the bed, "You can't stay in all day. We only have five and a half days left," he reminds you of the time-sensitive quest you're in.
The only way to save those billions is by killing three people. That's the only thing on the pro list, there are just too many cons, mainly on the killing part. The only good thing that comes out of it so far is that you only need to do two more killings.
God! What have you become?
"What should I do?" You hopelessly ask him even though it's a bad idea to ask a demon such a question.
"Just carry on as usual so the people around you don't get spooked," he answers.
It's you and him, him and you, there's no one else you can seek help from.
Minho is right. You can't just sit here and watch the day goes by or else the thing you've done would come to a waste.
You slowly scoot over to sit on the edge of the bed and rub the sleep of your eyes, not ready to face the day when you know you only have six days left to stop the end of the world.
"And while we're going on about the day we can decide who to kill next," Minho adds.
The devilish grin looks beautiful on his sculpted face but everything he says sending a chill down your spine.
-
"Oh, an old lady!" Minho exclaims as an elderly lady enters the elevator.
You silently watch as he scoots closer to her and smells her head, "She smells like... oh! She's sweet."
You silently groan in the corner watching what he's doing.
He places his hand on the lady's shoulder and says, "She can't stop thinking about the end though. She can't wait for it to come."
He looks at you with that wild grin plastered on his face, "You'd be doing her a favor."
You lightly shake your head at him to make him stop playing around the poor lady but he doesn't get the clues.
"She dreams of death. Even now—"
"Shut up!" You say through your gritted teeth.
The old lady turns to look at you, "What is it, my dear?"
You quickly put on a smile for her, "Oh, nothing," you politely say.
Minho walks up to stand next to you again and whispers in your ear, "Just do it. No one will miss her."
"Shut up!" You whisper back while throwing daggers with your eyes at him.
"She's nearly dead already!"
Thankfully, the elevator dings open and shoots his idea down as you step out of the elevator.
"We need to start to pick someone!" He persists as he follows you walking in the lobby.
Minho is such a nuisance.
It's hard to ignore him when he keeps talking, making remarks about everyone he sees, and constantly around you the whole time.
It's when you're working on your sculpture that you get to immerse yourself in your work and disassociate from reality.
All you hear is the slamming sound of your hammer on the chisel and pieces of stone falling onto the floor. Looking down at the mess you made, you spot one particular piece of stone lying close to your feet. You stare at it for too long you get the recollection of that night.
The weight of the rock in your hand, how you bashed someone's head with it, and the splashing sound of the man falling into the water, all of that vividly playing in the back of your head.
You stagger backward and drop your chisel onto the floor, the clattering sound echoing in the spacious studio.
"I've been meaning to tell you this," Minho appears from behind the sculpture, startling you.
"We should order food," he suggests.
You put away your hammer and take off your mask, walking to the mini fridge to get a bottle of water.
"You're a demon. You feed on..." You think for a moment to finish your sentence as you unscrew the cap of the bottle.
He snatches the flyer stuck to the fridge door and asks, "Pizza?"
You close the fridge and walk over to the couch, plopping yourself down before chugging some water into your system.
"You need to eat so you can—"
"Kill?" You finish his sentence.
Minho scrunches his nose and sits on the armrest of the couch next to you, "I was about to say think but yeah, that too," he says.
You untie your pinafore and throw it aside, he isn't wrong to say that you need to eat. What's the point of saving the world if you're going to die of starvation?
You let out a sigh and grab the flyer from his hand, typing the numbers on your phone screen.
"Cheese pizza, please? With a lot of pepperoni!"
How can you believe that he's a demon when his choice of pizza topping is like a toddler's?
-
"Good evening, Miss!" The concierge greets you as he sees you enter the door.
"Hi," you greet back, impatiently wanting to get back to your apartment to dwell on your fate again.
"Miss Kim came by and dropped something for you," he informs, taking out a big envelope from your mailing box.
There's a faint sound coming from the small TV tuned to a news broadcast when you come to the desk to collect it.
"Here it is, Miss," he slides the big brown envelope across the shiny surface of the desk. There's a note on top of it which you immediately recognize as Kim's.
You open to do a quick check on what's inside when you hear a glimpse of the news from the TV.
"...man found dead in the river has been identified as Ben Watson, a financial officer of a bank company, leaving a wife and a seven-year-old daughter who has been notified about his tragic death..."
You glance at the small screen and see the photograph of the man you killed that night. You can't possibly be wrong about this when you remember the horror on his face as you lifted the rock before swinging it hard to his head.
"Is there anything wrong, Miss?" The concierge asks.
You snap yourself out of your daze and put the envelope close to your chest as if someone about to steal it from you.
"No, no," your voice is quivering in panic at the sight of the man you killed.
"Thank you," you abruptly the conversation with gratitude and walking fast to the elevator.
The warm water doesn't work to calm you down when you're tainted inside. You feel filthy, inside and out. You feel sick seeing your reflection in the mirror.
You've been holding your medicine in your hand but you need something stronger, you ditch the pill and run to the kitchen.
You pull out the wine you have in the kitchen cabinet and drink it straight from the bottle, chugging it like it's water. You gasp when you stop drinking, taking the bottle with you as you sit on the sofa while you're still in your bathrobe.
"This is how you're going to end the day?" Minho asks, taking the bottle of wine from you to take a sip.
"Can you stop talking about killing for just—" You choke on air as anger bubbles up inside you.
Minho holds his hands up in defeat and leans back on the sofa next to you, "I'm just saying..." he meekly says.
The silence only resides for a minute until he speaks again, "Look, the earlier you get it done—" he stops talking when you shoot him a glare.
You take the bottle of wine from him and take a long gulp, a drop of wine escapes the corner of your mouth, dripping down your chin.
You aggressively wipe it with the sleeve of your bathrobe and recline on the sofa, looking out at the city lights that look like pinpricks in the dark of the night.
"I'm crazy..." you sadly remark.
Those words remind you of a sobering fact that what people think of you: crazy.
Ever since you were still an art student, people often found you talking to yourself in class, always in your little world with your imaginary friend. That leads you to this solitary life because normal people avoid crazy.
"People are right about me. I'm crazy," you state again, and saying it out loud makes your heart aches.
Minho turns his head and looks at you with his dark eyes that weirdly provide you warmth, "You're not crazy."
But why would a normal person kill a person because a demon told him to? You don't even know if he's real and not a product of your imagination.
"I'm a murderer..." you say with a heavy sigh and an even heavier heart.
He scoots closer until he sits close next to you, his shoulder bumps with yours on the big sofa that could fit five people. He looks at you and gently says, "Yeah, but not a crazy one."
Minho has a way of looking at bad things positively. You chuckle at the irony of his words. You can't tell if you should be happy that you're not crazy or sad that you're indeed a murderer.
He slumps down on the sofa to be on the same level as you, also turning his head to look at the view, "Want to know something?"
Instead of answering, you take a sip of the wine. You know he'll keep talking even if you refuse him.
"This is actually my first assignment," he shares.
He drops his hand on the space on the sofa, merely inches away from yours, "It's more of an initiation, sort of earning my wings."
You look at him and get a little taken aback by the proximity you can see yourself in his eyes. You almost forget what you were trying to say to him, "What are you trying to say?"
You look away because he looks exactly like the one you envisioned on your sculpture, divinely beautiful that it's hard to comprehend.
"I'm saying that I'm new to this too," he answers.
Again, you can't tell if you should be happy or sad to know that. Strangely though, you find comfort in his words.
You look at his hand splayed so close to yours and it evokes the curiosity in you that needs to be fed. You gently flip over his hand and gently slip your fingers on the spaces between his fingers, you can feel the warmth and the roughness of his finger pads on each finger.
Minho is real, he's real, you perpetually assure yourself.
You glance at him and he's looking at you, your eyes meet in a tender gaze.
"Are you real, Minho?"
You're aware of how much that question weighs. If the answer is no, you know the insurmountable pain you brought onto yourself.
He slowly blinks and you can see his dark lashes fanning out so beautifully. His crimson-red lips open and says, "I'm as real as you want me to be."
Words aren't enough to convince you. With the despair filling your heart, you lean in and innocently put your lips on his. It's a kiss that feels more than just a physical act, one that you didn't know you needed.
After getting the reassurance that you need, you pull away. However, the hand lingering on your jaw tells otherwise. He touches your face with just his fingertips yet it's enough to send a tingle inside.
Slowly, he leans in to kiss your closed eyelids ever so softly and before you know it, he brings your face closer to place a tender kiss on your lips.
And for the first time in your life, you feel the warmth no one has ever given you.
-
FIVE DAYS TO THE END OF THE WORLD
"You wake up early!" Minho says as you dress up to get ready for the day.
You ignore his words, continue collecting your things around the room, and put them into your bag.
"Are you trying to match your clothes with me?" He says, looking at your all-black outfit while sitting on the headrest of the sofa.
This morning, you woke up on the sofa still in your bathrobe and a blanket covered your body. The first thing you remember is you kissed him last night and somehow, it convinces you to keep going with the quest.
However, you still feel conflicted with what you do. You need to make sure of one thing.
"How about this handsome fucker?" Minho asks, pointing to the other person riding the elevator with you.
The man looks indeed handsome, he dressed so impeccably when it's only ten in the morning. He catches you looking and smiles at you.
You politely smile back and look away only to face Minho who's standing on the other corner of the elevator.
"He'll be losing his hair at the age of 32 and spends the next 29 years taking it out on his wife," he whispers even though no one can hear him but you.
The taxi ride to the hospital only takes fifteen minutes and you know where to go right away from the array of flower arrangements outside the separate building from the main hospital.
"Please tell me you're not doing what I'm thinking?" Minho asks in a concerned voice.
You wish to be able to shut him up for a few minutes until you can find what you're looking for. The hall is packed with people in black attire to what you can safely assume are the guests of the mourning family on the two funeral services being held by two different families.
You read the sign that leads to the Watson family yet pretend to be the one visiting the other family. Before you can sneak into their funeral service, you see someone taking the daughter outside.
"This is a bad idea!" Minho panickly says.
It's kind of alarming to hear because it's the first time he sounded genuinely concerned. You follow where the little girl is being taken and turns out, she's being taken to the park outside, probably to avoid her feeling overwhelmed.
"You're not a relative. People will get suspicious of you!" Minho nervously whispers.
You come over to the two men chatting and kindly ask for a cigarette even though you don't smoke. You stand at the other side of the door and take a drag of the smoke to be seen convincing.
"I know you're worried..." Minho sighs.
He stands next to you with his head hovering close to your ear. He takes a breath before talking, "She's not in mourning. She's not not mourning," he says as you both quietly watch the girl sitting on the bench and drinking a juice box.
"Happy that it's finished but sad that he's dead. But it has finished!" He emphasizes the last word.
You take another drag and accidentally do it excessively, sending you into a coughing fit.
"You spared her another five years of it. A lifetime of therapy," Minho explains, "a lifetime!"
You look at him to see if he meant what he said. He's a demon after all, the vision he forced you to see could be misleading, a trick to make you do what he says.
He looks back at you and smiles, "She's a mom at 29. A nan at 57," he shares.
See? He knows how to comfort you even though you don't ask for it. You give up on pretending to smoke and stab the cigarette butts onto the big ashtray. You shove your hands into the pocket of your jacket and start walking away to the parking lot.
"Why are you telling me this?" You curiously ask.
He nonchalantly shrugs as he walks next to you, "I just thought you'd like to know."
-
"Did you see that?" Minho shouts as he leisurely watches TV with his feet up on the couch.
You pretend not to hear him and continue sculpting, hitting the hammer harder, louder to drown out his voice. As if he read your mind, he appears behind you and places both of his hands on your shoulders.
"You should see this!" He insists, steering your body and making you watch the TV.
It's a broadcast of night news about climate change and he magically changes the channel to show news about nuclear testing.
"It's manifesting. Do you understand?"
Minho keeps switching the channel to show you every bad there is happening in the world, everything that shows the sign that the world is close to ending.
You lightly shrug him off and say, "We got this kind of news a few years ago but—"
Minho holds you by the shoulders and shakes you awake, "This is real. We don't have much time and you're the only one who can stop it!" He reminds you of the harsh truth.
Somehow that only makes you question why you have to be the one to bear such responsibility. Billions of people on earth and they chose you?
"I'm not ready yet. I'm—"
"Don't you want to see that little girl live her peaceful future?" Minho asks.
This is where you know he's being the demon he is, using your weakness to his advantage and making you give in to the temptation.
It's not so much a temptation when you have no other options, it's killing or being engulfed in flames on Friday. You muster up your courage and think of something to do.
The first killing was what Minho said it was: a beginner's luck, the man happened to be there and an abusive bastard, even in his grave, he shall not rest in peace.
This time, you plan to do it meticulously and without mistakes. You walk to the kitchen and pull open the drawer, taking out a knife you occasionally use to cut your sandwiches.
Minho shakes his head in disapproval of your choice of weapon, "You're not a knife person," he concludes.
You look at him, demanding an explanation behind that haste conclusion.
"It's messy. You could hurt yourself," he explains.
That sounds right. You put the knife back into the drawer and look around the studio to find potential killing weapons.
Minho leans into your side and whispers, "Let's choose something that is more you!"
You look at him and see that he's eyeing the table full of your sculpting tools.
You pick up the medium chisel and show it to him to seek his approval. You meet another disapproval as he strongly shakes his head.
"It's too specific. They'll know it's you. You're the only sculptor living in the area," he gives you an insight into how the devil's mind works.
You must admit that he just saved you from making a mistake. You pick another weapon that you're familiar with but also gives you the upper hand to do the killing. You pick up the hammer and turn around to show him.
A smile rises on his face as he nods in approval, "That's you! You're a basher!"
You bring the hammer close and observe it, it feels good around your hand since it's a tool that you work with most of your life.
"You've had the practice now. It'll be easier this time," Minho says with a sinister smile.
You want to believe his words so much but the nerves get to you. Your breathing becomes erratic once you realize what you're going to do with the hammer.
Minho puts his hand on the small of your back and holds you steady, "Liquor courage! That's what you need! Booze!" He suggests.
"I don't keep any alcohol in the studio," you meekly say.
Considering that sculpting involves a lot of sharp objects, it's wise to not keep anything that would dull your focus.
"Also, I just took an antidepressant an hour ago," you inform him.
"Oh, shit!" He curses and leans his body to the back, against the table.
Minho crosses his arms in front of him, then rubs his chin as he thinks of something. He then leers at you with a smirk dancing on his face, "Well, do you want a drink?"
-
There's a bar a few blocks away from your studio.
You got here in need of liquid courage and there's plenty of them here. You plan to only consume enough alcohol just to calm the nerves but not too much to lose your focus.
It gets you anxious to step into a new environment. You decide to go straight to order drinks.
"Whiskey, please?" You say to the bartender with a handlebar mustache.
Bartenders tend to remember the faces they have seen and yours must not have registered into his memory bank. He puts away the cloth he's holding.
"You want ice with it?" He asks.
"I'll have it dry," you answer since you came here for the alcohol, not for refreshment.
"Easy, love. We have work to do," Minho reminds as he props a hand against the countertop.
Knowing that one drink wouldn't be enough and you don't want to bother the bartender again for a drink, you decide to double.
"Make that two, please!" You hurriedly say before the bartender starts making your order.
"You don't have to get one for me," Minho grins at you.
The bartender takes another glass with him to finally fill them with your choice of potion.
"I didn't," you whisper back at him.
You immediately pay for it and bring your drinks with you to the empty spot in the corner of the bar, hidden behind the pool table.
You slowly sip your drink and feel it running through your system, stripping a layer of senses off of you, making you less aware of your surroundings.
"Okay, you see anyone tasty?" Minho asks as he sits next to you.
He cranes his neck looking for the next human sacrifice among the people who are enjoying their concoctions. His finger points to the guy with a beanie and drinking a pint of beer.
"Oh, that one perfect!" He exclaims.
He stacks his hands on top of the table and leans forward as he further speaks, "Burglaries. Mostly target the elderly. What do you reckon?" He turns to you for opinions.
The alcohol is not quite there yet so you take a longer sip. You feel the alcohol burns your throat and you wince from the bitter aftertaste.
"No?" He asks as he looks at you.
You know he's asking about the human sacrifice, not the alcohol but the answer is the same, "No."
Minho moves on. His eyes are pacing around the room to study people and check their backgrounds with his evil power.
He taps your shoulder as he finds his next candidate, "See that girl with the pints?"
You can easily spot the girl with curly hair, carrying two pints of beer in her hands.
Minho leans in close to your ear to give his intel, "She went on holiday when she was 12 years old and saw her sister drown in a swimming pool."
He suddenly lowers his voice as he tells you the rest of the story, "She could have pulled her out but she just stood there and watched."
Maybe it's true that people are the scariest.
They may look ordinary and good and all yet inside, lies this darkness that they buried deep inside them. If Minho hadn't told you, you would have taken her as a pretty girl with a nice smile and nothing more.
Minho pulls at the sleeve of your shirt and points to another guy, talking to his friend by the pool table. You're about to wave him off again until the guy turns his head and you know who it is.
"How about him? He likes to secretly film girls by drug them and once he—"
"Sent a girl into overdose," you finish his sentence.
Everyone knows who Tim Shaw other than a student in our faculty and more importantly, people know what he likes to do to innocent girls yet no one dares to make him take responsibility for what he did.
Until one night, he drugged a girl and left her on the cold floor of a club, unconscious. There's no evidence that he drugged her or it was he drugged, ended up with him getting dropped off of all charges.
You have one more drink to finish and you gulp it in one go, wanting to use this opportunity to get back for what he did to that poor, innocent girl.
Minho triumphantly smiles, knowing that you have set a target on Tim's head.
"I think we have a contender," he concludes.
-
Tim is exiting the bar and you take it as an advantage.
You don't need to lure him out, you wait a minute before you follow him outside to not seem conspicuous. Once you're outside, you look side to side to see where Tim is going.
"Perfect location. No witnesses," Minho answers as you both find him turning to the back of the bar.
Tim seems to hear your rushed footsteps and turns around to see you. He seems to be taken aback and you doubt that he'll recognize you. Being crazy has its advantages, you're off the asshole's radar.
You nervously laugh as he looks at you. You quickly think of something to say, "Oh, my God! It's really you, Tim!" You say with fake enthusiasm.
"I'm sorry but who..." he gets all defensive.
"I'm—" You don't know how to explain yourself other than 'the insane one from art school'.
"Oh, wait, you're that girl, the sculptor, the... uh," he brakes before he can say the infamous title of yours.
"The freaky one?" You playfully say.
He bursts into laughter and nods, "Hey, don't get me wrong. I like freaky," he says.
Minho points to the carts of empty bottles and gestures for you to use them instead of the hammer inside your bag that weighs your shoulder the longer you're carrying it.
"I was just getting a drink but it doesn't feel good drinking alone," you lie even though that's how you prefer to enjoy your poison.
"Yeah, I bet," he says with a grin that showcases his whitened teeth and malicious intent.
"How about drinking at my place?" He offers.
"Home turf. Even better," Minho comments, appearing behind you.
You don't want to seem desperate to be with Tim because honestly, you're just stalling to find the perfect opportunity to kill him. It's time to put what you learned from Kim into practice.
"I, uhm..." you rub the back of your neck and shyly smile at him, "I don't think that's..."
As you pretend to consider his offer, he's secretly checking you out. His eyes travel up and down your body, you bet he thinks of lewd things even though you're dressed like a bible salesman with the same outfit you wore to the funeral service.
He takes a step forward and smiles at you, "I live not far from here. You can easily crawl back here if you think I'm a bad drinking partner," he seduces.
Tim must have thought you were as gullible as the other. Oh, he has no idea the surprise you have for him!
"If you don't mind, yeah," you say with a low giggle.
"Okay," he says with a triumphant smile.
His house is indeed only two blocks away from the bar and he keeps boasting about how he owns a house from his inheritance and the rising price of property these days.
"Please, come in!" He lets you into his house.
You step on a crumpled beer can as you enter the living room and are horrified at the amount of trash littering the place.
"A few friends and I watched a football match last night," he concisely explains.
He takes off his jacket and hangs it on the coat rack, "How about we drink in my room?"
You uneasily glance at Minho and he nods. You look back at Tim then put on a fake smile for him, "Yes."
He leads the way up the stairs and you follow him, climbing the steps with the hammer getting heavier and heavier inside your bag.
Tim turns around and sees you being hesitant, "There's no need to be shy now," he says with a lopsided grin.
You respond with a smile, keeping your head tilted up, and continue climbing up the stairs.
"Now!" Minho orders.
"Hit him with the hammer now!" He says again so close to your ear.
Your head snaps in his direction and hisses through your gritted teeth, "Shut the fuck up!"
Tim catches you talking and looks over his shoulder, "What's that?"
"Can't wait to see the bedroom!" You lie and add a giggle to sound convincing.
He smirks at you before pushing the door to his bedroom, "Come on in!"
His room is less messy than his living room in which he helplessly tries to make it seem tidy by flattening the pile of his duvet.
"You can sit down here," he says, patting the space next to him on the bed.
"You're not really going to have sex with him, are you?" Minho asks as he quietly watches you from across the bed.
A deadly glare is enough to answer him and he immediately refrains from pressuring you.
"I was just checking," he adds.
It's when you're in his bedroom that you start to fear Tim, not when you know what he is capable of. But at the same time, it fuels your hate fire, it reminds you of the reason why you need to eliminate scum like him.
"You keep your alcohol in your room?" You ask.
It's obvious that he took you here for different intention. He's taking you here for the sole reason that is to ruin your life.
"Oh, yeah, the drinks," he smacks his lips together and awkwardly paces in the room.
He reaches for the portable speaker on top of his dresser and turns it on, "You can wait for the drinks while listening to music," he says.
You nod, "That sounds nice!"
He gets out of his bedroom and heads back downstairs. While he's doing what you believe is spiking your drink with substance, you think of a plan on how you're going to kill him.
First, you take the hammer out of your bag and practice your swing. You get panicked with each second passed and haven't found a way to catch him off guard.
The footsteps on the stairs signal you that he's on his way here. You decide to do the classic way by hiding in the back of the door, planning to strike him from behind.
You see his figure entering the room, carrying two glasses of drinks in his hands, "It's your lucky day because I found a bottle of—"
Without thinking, you swing your hammer hard and hit him right on the side of the head. It's a weak blow and you can see that from how he's staggering backward, still conscious.
There's no turning back now that you have done it. You come charging at him, attacking him while he's still disoriented from the first blow.
He collapses onto the bed and not giving him time to recover, you keep hitting his head with the hammer with blood splattering the bed and wall with every swing of the hammer going onto his head.
You whimper as blood gets on your face and see that Tim is lying cold on the bed, dead. However, you land another blow just to make sure you've done it and leave no room for mistakes.
"You're good, you're good," Minho says from across the room.
That's when you stop and take a step back. It feels like your soul has left your body, you suddenly feel drained and the hammer drops onto the floor.
You look at the mess you made, the bloody mess and dead body, your life that is once far from all of it. Your throat suddenly closes up and you find it hard to breathe.
After a moment, Minho gets to your side to say, "You can't have that lying around," he's eyeing the bloody hammer lying on the floor.
With your mouth gaping for air, you bend down to pick it up and shove it back into your bag.
"Cleans anything you touched," Minho instructed.
You take a handkerchief from inside your jacket and use it to wipe surfaces you probably made contact with even though you're sure there aren't any.
You leave the bedroom after wiping the handle of the door and make a turn to the stairs when you hear the front door creak open.
You peek from the top of the stairs and someone is turning the lights in the kitchen.
"Get out before he sees you," Minho whispers.
It's bad when he needs to whisper like that even though no one can hear or see him, but you. The adrenaline is still pumping and you make the most of it by bracing yourself to make a run down the stairs and to the front door that is only a few meters away.
You take a deep breath before quietly descending the stairs without making any noise. You can feel your heart beating in your ear yet you keep going as the door is only a reach away.
You successfully land on the base of the stairs when your bag accidentally hits a flower pot, sending it breaking into pieces on the floor.
"Tim?" The man calls.
He looks at you with confusion drawn on his face, "Who are you?"
It's too late for you to break into a run as he sees your face and officially makes him an eyewitness. You can't leave an eyewitness, at least, not until you've done all three human sacrifices.
Is it necessary to kill him though?
You can think and consider as much as you want but it all comes down to the one question: kill or end the world?
-
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Yandere Mom!Wanda trying to kidnap Reader from another universe, because she misses her baby pleaseeee
I love that!
Baby Mine (Yandere Mom!Wanda Maximoff x Reader) (Potential MoM spoilers ahead! Read at your own discretion!)
*Not my GIF
Summary: Wanda had long accepted that she wouldn't be able to get her children back, yet she refused to accept having no one to love.
You had long accepted that you would always be the outcast of your family, yet you refused to accept that there was no hope.
What happens when she spies you whilst viewing other universes?
(CW: Potential ableism, (I'd like to make it autistic and non-autistic inclusive if I can. It could be read as the reader being autistic, having severe trauma, or both because quite a few trauma symptoms overlap with some autism symptoms) self-harm, abuse, yelling, angst, hurt/comfort, mentions of death, MoM spoilers, (sorry, I forgot to put this as a content warning, please don’t hate me am fragile nugget)
Author's Note: Someone wrote a reply to my "Wanda's your next door neighbor" imagine that they "totally haven't reread it a concerning amount of times." And it makes me realize just how many of us use fanfics to fill the voids in our lives....(fuck, now I'm tearing up) So while yandere fics aren't usually supposed to be a good thing, I think taking the reader from an abusive family to give them the love they deserve may be the exception.
I'm also bringing in another character or two.
“Baby mine, don't you cry
Baby mine, dry your eyes
Rest your head close to my heart
Never to part, baby of mine.”
Wanda wakes up in her little cabin, alone as always. Her face is stained with tear tracks. Billy and Tommy had appeared in her dreams again, and while she missed them terribly, she'd given up her search.
"Know that they'll be loved..."
She knows.....yet it doesn't fill the hole in her heart.
After spending some more time in bed, she gets up and gets dressed before making herself some tea with her breakfast. Everyday just seems to drag on now that she's resigned herself to this fate. And yet, there's still this little spark of hope that she may find something or someone to love, someone that she won't lose.
With that little spark of hope, she goes about her day until she decides to use some magic to view other universes. It's not necessarily dream-walking, it's more like just being an observer without leaving the universe you're in.
For some time, she comes up empty-handed. But suddenly, she spies....someone.
===========
"Ah!"
You cry out as your mother confronts you with your report card.
"What is this?" she snaps, practically punching it with her finger.
You look to see that B+ in Science, sticking out of the sea of As like a sore thumb.
"It's....it's a B+," you say.
"Yeah, a B+."
"It's.....it's still passing...." you defend weakly.
"It's barely passing!" she snaps. "You're not applying yourself. You need to stop being so lazy and actually try for once in your life!"
"But....but I--"
"SHUT UP!"
You wince as her voice punches your ear drums.
"I didn't raise you to be a lazy brat! Are you even studying?"
"I-I am....but I still don't understand--"
"I don't want to hear your excuses."
She huffs.
"I give you a roof over your head, clothes to wear, food to eat, and all I ask is for you to do well in school and help out around the house. I don't think that's too much to ask, but how do you repay me? By sitting on your ass all day doing fuck-all! Do you know how hard I work to raise you all by myself?! And where were you?! You didn't come home on the normal bus!"
"I-I was staying back to get help for Science," you reply meekly.
"Liar!" Your mother snaps. "You were out with some punks, weren't you?"
"No! I wasn't, I promise."
"Likely story."
Suddenly your mother pinches down on your ear and yanks you up to your room.
"Ungrateful, useless brat! Stop that whimpering or else I'll give you something to cry about."
She drags you to your bedroom and pushes you inside to the ground before throwing your backpack at you as well, hitting you in the back. The textbook corner in your backpack hammers on your spine and you wince.
"Stay in here and study, you stupid bitch."
She loudly slams the door shut before you hear a click. She's locked you in. After a few minutes, you sit up weakly and sit on your floor. The tears fall silently as you bite down on your arm.
"Every day...." you squeak as you rock on the floor. "Every day I hope for someone to take me away from this hell hole....I don't know how much longer I can take this....someone....please help me...."
=======================
Wanda's heart breaks and the tears fall down her face at the sight of you. A poor, sweet child who wants to love and be loved only for that wretched woman to degrade and abuse you. She doesn't deserve you. In that moment, Wanda's mind is made up. But unfortunately you're in another universe.
She'll need to call in some back-up. And she knows just who to summon.
=======================
America Chavez has her eyes on a fellow sorceress in Kamar Taj, distracting her from her studies. Her heart flutters at the girl's smile, her stomach fills with butterflies at the song that is her laugh. And this is the first time she's actually felt a bit shy, something completely new to her. She's never been shy.
But today's the day she's gonna talk to her.
"Okay, America," she whispers to herself. "You can do this. Just go up to her and start a conversation. It's not that complicated."
She takes a deep breath before approaching her.
"Um, hey," she says, trying her damnedest to push down her nerves. "I....I've seen you in lessons before and, uh, I'm-I'm America Chavez."
The girl smiles at America.
"Oh yeah, I've seen you too. I'm Titania Phillips, like the fairy queen in A Midsummer Night's Dream."
The two of them just stand there for a bit in silence.
"Say something, America!" her mind snaps at her. "You can do this."
"So, uh," she begins. "Do you like.....stuff?"
Titania giggles.
"Yes, I do in fact like stuff. What sort of stuff are you referring to?"
"Girls?"
It just....bursts out of America's mouth, causing her cheeks to turn scarlet.
"Oh, you're lesbian too?" Titania asks. "I thought it was just me."
"Score!" America squeals internally as she nods. "Okay, now just ask her if she wants to eat lunch or something."
"Umm...." Titania says. "You can stop nodding."
America realizes that she's become a human bobble head and grasps the sides of her head to stop herself.
"Sorry," she chuckles. "So, um, you maybe wanna get lunch or some--?"
Her words are cut off by a grip on her mind. A few seconds later, she finds herself in an unfamiliar house. Something closes behind her and she turns around just in time to see a star-shaped portal close completely.
"Seriously?!" she exclaims.
"America."
A voice hits her ears, one she hasn't heard in a while. She turns to see the last person she'd expect to see.
"W-Wanda?!" she exclaims. "I-I thought you---."
The Scarlet Witch chuckles bitterly.
"You really think it’d happen so easily?"
America blinks a bit.
"What even happened?" she asks. "I was trying to talk to a girl in Kamar Taj."
"And how was that going for you?" Wanda asks, almost knowingly.
"....I was dorky as hell," the teen lesbian mumbles under her breath, glancing down at the floor.
Hearing this Wanda giggles.
"Don’t worry, you’ll get more confident around her. Maybe she'll even be your first kiss."
"Okay, pushing my love life aside, how and why did you bring me here?"
"I had to take control of you for a moment, make you summon a portal to me."
"You...you're not gonna....are you?" America begins to panic.
"No, I'm not," Wanda assures her. "I brought you here in desperate need of your assistance."
"With....what?"
Wanda takes a deep breath.
"Follow me."
She takes America to her universe-viewing room and conjures up what she saw earlier.
"I found a child."
"I thought you gave up on finding the twins."
"I have," she confirms. "But this one's different. Take a look."
She replays the footage and America feels her heart break.
"Holy shit...." she gasps. "What kind of monster treats a kid like that?!"
"Apparently that child's mother. They're in another universe, though. That's where you come in. I need you to make a portal to their universe."
"You're taking them from their family?!"
Wanda nods.
"It's for the best. No child deserves that sort of barbaric and cruel treatment."
Hearing this, the teen is torn. On one hand, she saw how you were being treated, but on the other hand, that's your family. And yet she heard you say how it's an every day occurrence. She can only imagine how little you have to hang onto.
With this thought in mind, she nods.
"Okay, I'll help you. When should we go get them?"
"When it's nighttime in their universe," Wanda answers. "I'll need for you to just wait around a few hours."
"But...Titania..." she whimpers.
"You can talk to her all you like when this is over. Now would you like me to make you some tea?"
"Um....I'm good, thanks." America shivers at the memory.
"I'm really gonna need therapy for that."
=========
It's now 12 am in your universe and your eyes are stinging from all of the studying, but you're so scared that your mother is gonna burst into the room and yell at you some more. And yet....you feel like that's what you deserve.
You hear your stomach grumble and feel the immense ache. You didn't get dinner that evening. How could you when your momster locked you in your own bedroom?
"What's the point?" you sigh as you throw down your textbook, not realizing how loud it is. "I'm never gonna be good enough....I should just sleep on it."
You put on some worn and scratchy PJs and get ready to tuck yourself in your uncomfortable bed when you hear the click of the lock. You begin to panic as the door slams open loudly.
"What are you doing?!" Your mother snaps. "I didn't tell you you could stop studying."
"I need sleep," you tell her.
"Don't you dare talk back to me!"
"But--"
"I said don't talk back!"
You put your hands over your ears and begin rocking, scrunching your eyes shut. Not a moment later, your hands are yanked away from your ears and pinned down.
"Don't you dare ignore me! Look me in the eyes when I'm talking to you, you worthless mistake!"
Pinning down both hands with one, she raises her free hand, ready to smack you. You can't take this anymore and at that moment, you scream out in agony.
"SOMEBODY SAVE ME PLEASE!"
All of a sudden, your mom lets go of your hand and you hear her cry out before a loud bang reaches your ears. You open your eyes to see your mom on the floor with her back against the wall.
"Get your hands off of that child." A voice you don't recognize, one with an accent, growls at her.
Your mother is too stunned to speak. You look over to see a woman with red hair in a red and black outfit. Next to her is a girl with black hair wearing a denim jacket. The red-haired woman nods to the girl and the girl approaches you while the red-haired woman goes over to your mom.
"C'mon," she tells you. "We're here to get you out of here."
You're extremely hesitant, but the girl insists.
"We're not gonna hurt you, we promise."
All of a sudden, you hear your mother scream in fear. Looking over, you only just see her eyes glow red before she curls up in the fetal position in fear. The red-haired woman approaches you.
"It’s going to be alright, sweetie," she tells you. "We promise we won't hurt you."
You're still very hesitant and the red-haired woman sighs, as if she knew this was how you would react, but it's not in an impatient way. All of a sudden, a red wisp seems to emerge from her hand and enters through your ear. You see a brief flash of red before you fall asleep.
==============================
The first thing you notice when you come to is softness. Softness all around you.
Opening your eyes, you find yourself somewhere unfamiliar and you get a bit anxious.
"Hey, it's okay, sweetie."
You hear a gentle voice near you. Looking up, you see the red-haired woman sitting on the edge of the bed next to you. She’s now in casual clothes. You panic a bit.
"Please...don't hurt me..." you whimper.
"I would never hurt you," she assures you. "Never."
She reaches out her hand to you and you flinch.
“You don’t have to, if you don’t want to,” she says to you softly.
“Are....are you gonna hit me?” you stammer.
“Never,” she tells you. “I promise I will never hit you.”
You’re silent for a bit, tentatively taking ahold of her hand after several minutes. She gently rubs the back of yours with her thumb.
“Where....where am I?” you ask.
“You’re in my house,” she tells you.
“How did I get here?”
“It’s a long story.”
“And why am I here?”
You hear her sigh again.
“I-I’m sorry,” you whimper.
“You have nothing to apologize for, sweetie,” she assures you. “It’s just, it’s difficult to explain without startling you. The important thing is that I brought you here because I heard your pleas to be taken away from that place. No child should ever be treated like that. You deserve love and kindness.”
“N-no I don’t.”
“....I know it’s difficult to believe considering how long the abuse has been happening for, but I promise it’s true. You deserve to be loved, and that’s why you’re here. I want to be your mother.”
You hear this and you’re in disbelief.
“H-huh? Is...is this a dream?” you ask.
She smiles softly.
“No, it’s not a dream. It’s very real, sweetie. I truly want to be your mother. I want to love you and take care of you.”
Your eyes begin to water.
“I....I don’t have to go back there, right?”
She shakes her head.
“No, never. This is your home now, you’ll always be loved here.”
You let a small squeak escape your throat and your lip quivers before you weep. You lean forward and hug your new mother.
“Thank you....” you cry, feeling a wave of relief. “Thank you....mom...”
It feels odd, and yet comforting, to say that.
She hugs you in return and rubs your back gently.
“It’s okay, sweetie. Just let it out. It’s okay to cry,” she assures you. “I’m here. Mommy’s here.”
Her love for you grows the longer you two hug. It’s been so long since she’s had someone to care for, and now she has you. You’ve given her a reason to keep going, just by being with her. You truly are a sweet child, now her sweet child; so loving and kind and hopeful.
And Wanda wants nothing more than for you to stay that way.
See....what you don’t know is that you aren’t the only person/thing Wanda had America help retrieve. Unbeknownst to her, Wanda had her retrieve an extremely-powerful elixir; a single dose stops aging, assures complete immortality, and fully protects from all deadly diseases and injuries. She injected a dose into you while you were asleep before injecting herself with a dose.
Not only that, but she’s also placed a barrier around the island. Just enough for you to explore, but not stray so far from her. On top of that, she’s placed an enchantment on America and made sure to disguise it, in case Strange and Wong notice something’s up; it’s to summon her back in case she needs something for you. She’s not going to take her powers, no, but she still wants to make sure that she has what she needs to take care of you.
Yes, you; her precious child.
She won’t let anything or anyone hurt you.
All you’ll know is love from now on.
And no one will ever take you away from her.
She’s made certain of that....
“From your head to your toes (Baby mine)
You're so sweet, goodness knows (Baby mine)
You are so precious to me
Cute as can be
Baby of mine
Baby mine
Baby mine.”
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