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#and why he wants the status quo and laments that he ''wants his life to be simple and doesn't wanna live in a maze''
sunnykeysmash · 11 months
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something we have discussed is how dennis was the only one who could understand mac and that's great but can we also discuss how it must feel for mac that no one can understand him
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this seems to be accentuated by how off he keeps being about things (offering of war/dennis being shot being "awesome"/being unable to read subtext both with dennis ["figure of speech"] and donald) and how much he's looking for a sense of meaning that he used to find in his identity until s15 made him realize how pointless it was (in a way that reminds me of his crisis in goes to hell 2...), but legacy, history, money and prizes are worth nothing if your heart is not in it.
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and in a way I think dennis is coming to the same conclusion which is why he's the only one who can understand mac.
dennis "you're just being honest about how you feel" reynolds, so concerned with authenticity and upset by the perceived lies when it's just his own denial making it that way. that's building the biggest lie of all.
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if we're looking for the Point, then the point is to have fun and embrace feelings. Big Mo already showed this.
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it's interesting to me how it seems that mac and dennis are working off of each other in the way sunny works as a whole. because if mac is the structure and the text, and dennis is the subtext and the jokes (it's how he's trying to communicate in inflates but it's also the whole reason he comes with mac in madbu), they kinda NEED to be working together for the show to work... they need to find their harmonies, they can't just one or the other lead, they gotta have each other's back.
and also like, a small coda. this season deals so much with nostalgia vs how the past really was, there's so many flashbacks.
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becoming aware of denial and reality can feel really upsetting but ultimately it's a positive development.
if "the hair is a lie" chopping off the head isn't the answer, that was the old way of doing things (in times of war... murder, betrayal, beheadings... "we figured out what works a long time ago"), but now we're looking for peace. basically, death isn't the answer. building your legacy doesn't have to be like pulling teeth. "this doesn't have to be a scam"
it's a good thing if we start seeing things for what they actually are, because it means less denial.
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jinjeriffic · 2 months
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DPxDC and OOC
I've had a couple of posts cross my dash recently where people lament that a lot of the dpxdc fandom writes characters very OOC and how we're proliferating these characterizations among each other. I figured I'd add my own two cents.
I think the fundamental discrepancy comes from trying to reconcile two canons with vastly different tones.
Danny Phantom is a comedy superhero show operating on cartoon logic. Why do ghost experts Jack and Maddie never realize their own kid is a ghost? Why is the status quo restored at the end of every episode? Why does Danny shoot an ectoblast out of his butt that one time? Because it's funny. It's cartoony action fun where the plot is resolved in 22 minutes, there's never any lasting consequences and it's aimed at kids.
DC meanwhile wants to be taken Seriously. Heroes get beaten within an inch of their life, traumatized, killed and even the good guys do messed up things (often to each other). Yes there's action and puns, but also horrific violence, actions have consequences and it's (mostly) aimed at adults. When a main character dies the comics show their family and friends mourning and things are very dramatic. Even though at this point we, the audience can pretty much expect every death to be undone within 2-5 years of publishing, but I digress.
So how do we, the fanfic/fanart creators reconcile these differences when we make our crossovers? We either make DP more serious and somber, or we make DC more comedic.
Suddenly we have a DP verse where the Fentons' bumbling obliviousness is elevated to serious neglect or outright abuse. The GiW are no longer a minor annoyance, they are a serious threat with genocidal plans and a desire to vivisect the protagonist. When actions have consequences, we imagine Danny as dealing with serious PTSD from having to be a solo superhero and witnessing his family's death that one time (and maybe also getting vivisected). Danny is not just a teen superhero, he's now the Ghost King with serious responsibility on his shoulders.
On the flipside, if we make DC more comedic we tend to exaggerate character traits for comedic effect, focus more on the interpersonal dynamics (especially the Batfam) and have the characters act more casual and silly. Suddenly the Batfam goes from a group of seriously messed up individuals who have trouble communicating with each other and fight all the time to Batdad "Kids if you don't stop killing criminals you won't get dessert ffs" Bruce. Violence is played for laughs instead of taken seriously. Yeah they fight, but they still Love Each Other.
And THIS IS PERFECTLY FINE. It's transformative work! And trying to reconcile these disparate fandoms is hard! Fandom is a labor of love. We do it for free. We do it for our own entertainment. And no one is forcing you to read fics you don't like. DLDR and all that.
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mxtxfanatic · 1 year
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Another pro-reader tip for mxtx novels: they are all stories with clear-cut good guys and bad guys and a strong moral message, BUT you have to actually read what the story has to say about characters without taking anything at face value, relying on genre tropes, or using identities and statuses as shorthand to your understanding of the moral system and themes of the story. So no, most characters in her stories are not morally gray (though some are, most can be definitively categorized as either morally good or bad, and ALL of her main characters are definitively morally good), and no she does not write morally gray plots where “morality is just subjective!” If anything, the term I think people are looking for is “morally neutral” (meaning that the thing is not assigned a morality in and of itself) in many cases.
An mxtx character is never designated as good or bad based off their backgrounds or class: Wei Wuxian, Jin Guangyao, Shen Jiu, and Mu Qing all grow up outside of the elite class, but Mu Qing (eventually) and Wei Wuxian are unquestionably good guys while Jin Guangyao and Shen Jiu are unquestionable villains. Shen Yuan, Lan Wangji, and Xie Lian all grow up within the gentry class but are all good guys while Jiang Cheng, Jun Wu, and The Old Palace Master are bad. Likewise, life circumstances or tools don’t determine morality. In mdzs, the sword path (which is the orthodox one) is used to commit genocide by the general cultivation world just as easily as Lan Wangji wields it to protect the forsaken commoners. Wei Wuxian’s ghost path was created to protect himself before being used to protect others, but Xue Yang and the Jin Clan pervert it to cause mass destruction for their own wishes. In tgcf, Xie Lian uses his god powers to attempt to help the Yong’an people while the other gods simply collect worshippers to increase their power and oppress lesser gods. Every character I’ve listed minus the Old Palace Master has experienced intense trauma that has informed their lives and colors their morality, but it does not define why they have chosen to take on certain moral stances.
(This is not to say that mxtx doesn’t have certain tropes she dislikes, as she clearly hates the “dedicate their whole existence completely to another person” trope. Su She, a villain dedicated to Jin Guangyao, dies. Zhuzhi-lang, a sympathetic antagonist dedicated to Tianlang-jun, dies. Hua Cheng, A WHOLE LOVE INTEREST dedicated to the literal main character, dies a whopping three (3) times before he learns his lesson.)
Mxtx does not condemn those who stray from orthodoxy. In fact, every story she’s (currently) written is about the dangers of entrenched and unquestioned hierarchy and status quo giving way to corruption every time. She wants you to question the dominant narrative of the benevolent group who descend from on high to “save the ignorant masses.” She wants you to question the idea that the only people with the right of choice are those at the top of the hierarchy. She wants you to question the idea that even the smallest decision of “powerless” people does not matter in “the grand scheme of things.” She wants you to actually think about the story conventions that you accept as infallible and question whether or not it would make for good shorthand by which to understand well-written characters and story arcs (and also, hopefully, how society is structured at large). So if you find yourself reading an mxtx novel and siding with the mob characters or lamenting how x character was locked into making certain choices “against their will” or being unable to reconcile how a recognized trope led to an unexpected conclusion because “that’s not how it’s supposed to go,” then it may do you some good to stop and ask yourself “was this idea supported by the narrative that I read in the book, or is this an idea I’ve come to entirely from my own preconceived notions of how I wanted the story to turn out based on how other, similar stories have panned out?”
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muzzleroars · 1 year
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i'm fucking. whagshjqgdjshdb first of all i'm obsessed with ur supercomputer au it's SO sick!! but second, now that p5r has been ported to pc i've been able to play it again n i've been LAMENTING how little the actual game did with yaldabaoth? but it's inspired me to do as i do n create ocs to remedy lack of character exploration lmao n i've settled on this idea to create a kind of "daughter" for yaldabaoth? the gist of it is that he created her by separating part of himself into its own being, n she comes from the distorted desires of humans who essentially know things are wrong n have the desire to change them but are still afraid of rocking the status quo? she's essentially another variable in his "game," as well as a way for him to attempt to quell any feelings of regret or remorse within him (since. a being created from human desires shouldn't be able to separate himself from them, but). n ultimately, his plan for her is to reabsorb her into himself at the culmination of his power, to prove that humanity's desire for change is still too weak to challenge him, but she ends up defying him n their resolution is that he regrets the way everything played out n the ultimate culmination is that even though he is a "god", bc he is born from humanity he could never completely rid himself of things that make up human psyche. also i wanted to explore the possibility for him to genuinely care about humanity through her; since she's technically a piece of him, n it's just got me thinking about everything n the fact that like. in canon he pushed akira so hard n the ultimate conclusion of the game to be like. "well, anyways!" after everything was SOO frustrating bc there was literally no reason for him to orchestrate things the way he did if there wasn't also So Much More To It
HOOTIN AND HOLLERIN...YEA!!!! YOU GET IT!!
i totally also 100% believe there just...HAD to be more when it came to yaldabaoth and i think he was cheated out of getting his development, esp when you consider his relationship with akira as well as the similarities the two of them share. they develop a social link together that culminates in yaldabaoth offering a place by his side, and how they reflect one another is actually interesting: they're both of the fool arcana, they both have a shapeshifter and faceless motif, and akira's ultimate persona is yaldabaoth's son. generally speaking, the big bad god isn't so deeply connected to the main character so like. what happened!!! he's also built up as such a major presence in akira's life, he's his guiding adult figure, and they've created a bond as deep as the ones akira shares with his closest friends. it's such a fantastic setup, to have the protagonist so unwittingly close with the final antagonist and then????? THEY DO NOTHING WITH IT??????? it's honestly so bizarre that how personal this all is is NEVER addressed by the narrative whatsoever since what's the point otherwise???
BUT to get back on track, it really would have been SO nice for yaldabaoth to have more of a connection to the human consciousness. i’m bringing it up again i know, but that’s why i really loved how the anime had him refer to himself as “us” and “we” in his grail form - i think there’s a yaldabaoth that is individual (god) and a yaldabaoth that is collective (grail), with the collective sort of being his base form. he becomes something else with a sense of identity, but yal is ultimately forged from the desires of humanity and he responds to it. i really wish there would have been more acknowledgement of his situation, where he has grown into a god only because it was wished for - he is an amalgamation of desire and so many people were being crushed under the weight of societal pressure that he became a god to answer prayers. and yaldabaoth has disdain for humanity, but imo his solution isn’t meant to be a punishment, it’s just what he believes is the best way to solve the problem. ALL THAT TO SAY...i would love for him to be able to play off of a character that represents all of that for him skdfhdg like to acknowledge that he obviously has feelings about all of this and he’s not at all divorced from it would add a lot...and i esp like the idea for her character because yaldabaoth admits that there are good people out there, but so many of them do nothing or are otherwise looked over, and i just think that line isn’t talked about enough!!! ALSO also i just like thinking that she’d be a character throughout the game...and the reveal would be really good aaaa!!!
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the-single-element · 2 years
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Good morning.
Today, we hear from "a cloud of witnesses", as the Hebrews essayist puts it, about the tendency for bold messages of truth and justice to be... controversial.
Not that we needed to be told that! It feels like, in our increasingly interconnected world, there's a baffling controversy blowing in off Twitter almost every week... often over something that seems like it should be painfully straightforward.
But that means this week's message is especially relevant to our era, because it discusses, not just the phenomenon, but the end state beyond it, and the path that gets us there.
Jeremiah was famous for his preaching in the final years before the Babylonian Exile. His main concern was preventing it - trying to get the kingdoms of Israel and Judah to change their ways so as to avoid being conquered by Babylon, and preaching against the sins of their leaders.
But by the time of this excerpt from the story of Jeremiah, that was a lost cause. So he wasn't being told to preach against anyone in Jerusalem. His message was simpler: "the Babylonians are going to capture the city; if you surrender, at least you'll survive."
Why was this so offensive to Zedekiah's courtiers? It's not like they would have lost their cushy positions if they'd willingly accepted Babylonian rule; that might have been the easiest way to keep them. But they saw Jeremiah's preaching as a threat nonetheless. They saw him as an enemy, because he was "demoralizing". Because he was saying that Jerusalem would fall.
In other words, his message emphasized a change of the status quo - whether willingly, or unwillingly and with great sorrow.
I think this isn't a coincidence. Isn't it the same in our own era? Even if the message would look, to an imaginary "unbiased" observer, like plain common sense... there is no message that is so intrinsically controversial as one about a change to the status quo.
People get used to their way of life. People automatically react with suspicion when someone says they have to drop that and live in a different way instead, or even predicts that the change is coming.
And that's... not necessarily a bad impulse, right? It makes sense that we'd learn it. If your way of life seems to be working, if it has worked long enough for it to become second nature, then which is more likely: that a message about it suddenly changing is accurate, or that it's some kind of elaborate trick or scam?
There's that old aphorism, after all, about not having such an open mind that your brain falls out.
Maybe Zedekiah's courtiers, unable to conceive of a world where the Kingdom of Judah was no longer independent, couldn't help but see Jeremiah's message as a Babylonian propaganda trap, rather than the emergency evacuation alarm that it was.
Jesus, too, was preaching a message that stood against the status quo. Not only was it a message that stood against the logic of money and unquestionable power in the first great Eurasian age of coin and empire, but it was a message that called for a personal change of heart and habit as well. Is it such a surprise, then, that Jesus expected his message would, at first, bring not peace, but rather bitter division between those able to accept it and those who (unable to swallow the fundamental paradigm shift it described) could only attribute it to enemy action, like Zedekiah's court did long ago?
So when Jesus ponders this bitter division, how does he frame it? What is he hoping for?
He describes a fire.
He describes an outdoor fire, a fire "upon the earth" - like a forest fire, which grows from a spark into something impossible to quench.
If you have a message that you want to catch on and proliferate, to "go viral" as we say these days, that's the metaphor you often see, after all. "Spread this like wildfire." And you can't hide it spreading. It's obvious, blatant, something people can't help but notice.
Jesus wishes it were "already blazing", and laments the strife that will happen until it is.
But there's another thing that's important about fire: it spreads by acting upon the world, by transforming it. That's the nature, after all, of the Holy Spirit, who descended "like tongues of flame" upon the Apostles at Pentecost, the ultimate defense attorney. There's an implication here, isn't there? That in cases like this, words are spread by actions. That if "authority is service" then service is what can secure the authority for the message to be believed.
That was always Paul's strategy, for example: having squandered his authority as a violent zealot, he regained it by his work within the communities in which he preached.
We, too, when spreading an important but disruptive message, must be careful to show its truth by the outcomes it produces - by walking the talk so that people can see where the walk will get them, just like Jesus advised in Matthew's transcript of the Sermon on the Mount.
And the flipside of this is that, if we really believe in what we're saying... we have to be prepared, at least emotionally, for the controversy. We have to expect that if we're saying another world is possible, people who have only ever lived in this world will scoff that this is the only world that can exist - will, as is only natural, see the message as foolishness at best and a scam at worst. We should be prepared for this pushback to cause us trouble. Probably not as much as the early Christians, and certainly not as much as Jesus himself faced; even in his time, the Hebrews essayist scolded that impulse to inflate any minor slight into being equivalent to martyrdom and persecution.
But we should be assured that, if we are saying what needs to be said, and doing what needs to be done to show that message in action and the fruit it bears... then the difficulty of that controversy won't be in vain.
Jeremiah, after all, saved at least some.
And the Hebrews essayist urged his community to focus not on the troubles they were facing but on what those troubles were buying them.
And Jesus - whose job was the hardest, and who was, when he gave this sermon, on his way to Jerusalem to carry it out - was already looking forward to the future where the fire will have spread to cover the whole earth.
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bangteamhyuk · 3 years
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Seesaw (II)
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Genre: Mature/Smut, Strangers to Lovers, Neighbors with benefits/Fuck buddies, Producer! Min Yoongi, Fuck girl! OC Y/N, Neighbors AU (a Spin-Off to “Moving On”)
Warning: (NSFW! 18+) Car fingering while Yoongi drives, handjob, blowjob, cum licking/ spitting, Producer! Min Yoongi practicing SAFE SEX and ya’ll kids should do it too, mentions of bullying, suggestive abuse of power/ office boss being a d*ck, alcohol drinking and getting hammered, mention of sexist remarks, Seokjin being damn handsome AF just by walking in OC Y/N’s life like it’s okay because clearly it isn’t (I’m Jimin bias btw, I know you aren’t asking but I’m serving still) OC Y/N basically being unapologetically herself (living life in debauchery) and Yoongi knowing exactly what he needs in his damn life and he isn’t taking no for an answer.
Word count: 10,977k
SYNOPSIS: For months, you’ve been trying to hide your little crush on your neighbor who lives on the 18th floor. Until one night, you saw him drunk on the elevator with an empty bottle of Scotch, you asked if he maybe wants to have more of those in your place. And he did more than just agreeing.
Also thank you to these wonderful people: @flowerblu00​ @milkyshoooky​ @sugaaddiction​ 
“Of course, I’d love to….” you spoke low while taking a glass of water to drink. From the rims of the glass, you swore you could see Yoongi trying his best not to smile, playing it cool by pretending to struggle in picking the cooked meat from the grill. You bit the chopsticks to fight a smile, you must admit, that was pretty cute.
--
But Rush Hour. Of all the days you two choose to get laid was on Friday evening—a time where, unfortunately by default, everyone collectively decides to get laid as well. Thus, getting stuck in a sea of red lights. Needless to say, you two were bummed.
The traffic was so terrible, that it sucked you dry… literally. It’s as if a Dementor went around Yoongi’s car, found its way in, and unfashionably sucking you from underneath your seat. (Which by the way doesn’t look sexy at all. Seriously, who gets turned-on from that idea? Clearly not you) You were damn fine damp a minute ago, and now it felt uneventfully dry.
“You know what? This is ridiculous. I can see a motel nearby, why don’t we go there in the meantime?” you dramatically lamented from your seat. Yoongi, who was drinking iced coffee, almost choked to hear you declare your frustration so casually.
“Well, um…” he peered through the windshield “I can see the cars are moving in the next lane…”
“The motel is right over there” you pointed, emphasizing the short distance between the car and the building to his left.
He gulped “I uh-- I don’t like to take you to some sleazy motel. Besides, we have our own place” he starts counting by the finger “One, we don’t have to lie down on dirty sheets. Two, won’t clearly hear people moaning next door, and lastly no one’s gonna charge us by the hour…” facing you and concern
“Tell that to your friend who’s waning by the minute…” you pursed your lip pointing in his nether region. He instinctively closed his legs at your retort and chuckled “It’s fine, we’ll be fine… thanks for the genuine concern. Oh look, the light turned green! See, we’re moving?  I think the next lane is pretty lax...”
You can only huff as your dry reply.
As much as he wanted to leave with you right away and get to the nearest subway station the very moment you agreed, he couldn’t.  Because of all the days he decided to feel horny, he chose to go out with his car. He shut his eyes and dropped his head on the steering wheel to express his blowing resentment towards the cars, gradually becoming stationary on the said next lane. Thus, extinguishing any glimpse of hope that you two would arrive at his place, at an earlier time.
With an aching face, he wished that he could turn back the time and just to leave his damn car at the apartment building. Just so he could save his own balls from turning blue by the minute.
It was obvious that he was frustrated too, like you. Who wouldn’t? Being jammed in almost half an hour already? Still on the city street, barely moving? You had to deal with it.
Then it hit you: Yeah, why not deal with it?
However, you quickly realized that this may be a hit or miss. Not all people share the same interest or kink, but you were dying to have your back scratched, and so is he. So fuck it, you’re doing it.
You began to move your legs, slowly brushing it against Yoongi’s hand which was resting on the gear. He reacted, naturally. In fact, when the traffic light changed colors from red to green, he accidentally stepped on the gas pretty abruptly which partly shoved you down from your seat “Sorry…” furrowing his eyebrow apologetically, deep enough to find your pardon.
“It’s okay” fixing your hair from the center, and tucking it securely on your ears. Thankfully, you didn’t forget to put on a seatbelt, or else the plan you had in mind would have backfired. He sighed in relief, grateful that you accepted his apology.
Uncontented, you then pressed your hand on top of his. His hands suddenly turned cold as he tightened his grip on the gear, right before your touch. While you were certain that most men reacted positively to it, being open to a semi-public tryst, your expectations were not met. Instead, he cleared his throat and held your hands... held your damn hands.
He gently hit the brake as he approached another mob of halted cars on the next lane. Obviously flustered, he quickly moved his head to the side taking glimpses of whatever there was on his side mirror while withholding his smile. He momentarily pulled his hands away from you to shift his gear to neutral, then held your hands back. He even pushed his own finger in between its gaps and locked it. Locked your damn hands.
Slowly you closed your eyes and took one deep breath, not because your heart started to flutter, but because of your utmost disappointment at his response. This is clearly different from what you wanted to happen.
You took a mental note of the events and Yoongi’s actions, concluding that he was clearly a man who disliked beating around the bush. So, for the sake of being clear on your intention, you aggressively pulled his hand, opened his palms and let it slowly brush the skin hiding underneath your skirt.
He froze. Now you got his attention.
Nervously, he coughed on impulse. While his one hand remained clutched on the steering wheel and his eyes still focused on the road, the other hand was busy grazing your inner thigh. Surprisingly, he didn’t budge. He lets you take control, directing him where you want him to be while touching you gently. You then took his wrist, and guided his fingertips towards where you wanted it from the very beginning.
“Y/N, I just think it’s better if we wai---” for a moment, he had forgotten what he wanted to say to you next, because suddenly he felt his finger move to a place where he is afraid you'll lead it to-- your wet slit.
He swallowed, his mouth left ajar and brows lifted in absolute surprise. “Oh shit” was the only thing he could say.
Whining softly from your seat, he reluctantly moved his head to watch you introduce his fingers to the pleasure of your flesh. You then extended your arms, cautiously reaching for his legs and caressed it intently. His eyes blinked rapidly, as he turned his head back to face the road, refusing to look back. His mouth is still hanging from the air, as his head floats in uncertainty mixed with pure ecstacy.
No one asked but, really, this is what you meant by taking matters into your own hand.
It took him a minute to process what was happening, and as such, he began to return the favor. Now free from your control, he started pressing his finger on your sensitive bud and stroked it gently. He bit his lip right after he heard you moaned, “...Yoongi”
“Fuck” he suddenly saw the traffic light turn red to green. He slowly stepped on the gas pedal,  careful enough to prevent you being thrown from your seat again. He was now steering the wheel with one hand as he flicked your clit with the other at a steady pace. As acknowledgement on being gratified, you opened your legs wider.
He was game.
Yoongi briefly pulled his hands away from you to maneuver the car smoothly on the highway. He grunted at the view of another sight of flooded red lights. He wanted to get home so bad. All he could think of was to get on the bed with you with his cock finally warmed. But the highway had led this poor man’s dreams down in an instant.
Though, you refused to concede to the situation. You are willing to put up a fight against the status quo, ready to deny the world from preventing yours and Yoongi’s happiness from dying each second. Thus, like a good employee of this capitalistic world, you turn this deplorable event from liability to an asset: making this a great opportunity for you and Yoongi to bond closer. (Albeit, a different kind of bonding, that is)
As soon as he stepped on the brakes, you pulled out your seatbelt and moved towards his direction “Your car is heavily tinted right?” you asked while probing the cars around you from your window.
“Yeah, why?” He asked while putting back his hands to your slit, continuing to flick your bud, now significantly fast. You decided to turn it up a notch as you reached for the button of his pants. Slowly, unbuttoning it and pulling his zipper down. He started to pant, nervous to hear you reply.
“Safety first…” You then helped him shift the gear to neutral, and began pulling his pants and boxer roughly half way.
He groaned as he watched you grasp his stiff length, stroking it slow. “Is this what you meant when you asked if my car is tinted?” he quickly jerked his head up to check if the vicinity is safe, then briefly saw you nod your head to a ‘Yes’.
He choked when he sensed his tip poke on to your lips. It didn’t take a while for you to hear him moan when he felt his tip finally pressed the entrance of your mouth, gradually moving down on your tongue and on to your inner cheek. The warmth and wetness you’re giving him puts him in immediate joy.
He hissed at the sight of you taking him whole, and helped you fix your hair by putting it to the side, letting you breathe easy while you bob your head “Nngh… Y/N”
“Like that?” you part a bit and kissed his tip.
“Why do you keep asking the obvious?” he faintly chuckled as he tossed his head from his seat, right when he felt your tongue move from the bottom shaft and up to its head. Then quickly downed on him entirely again. His eyebrow creased automatically, as if contemplating today’s wisdom from the universe that all ‘good things come to those who wait’. He concentrated on that note like a mantra, as he shut his eyes tight.
Even when you were giving him a head, he was still kind enough to help you keep your hair away from your face. Holding it fairly light, trying not to pull. If this isn’t a gentleman thing to do, then I do not know what is.
“Y/N” He began sliding his two fingers in, which left you half giggling and panting at the immediate contact.
“Mm, you are doing me good hm?” you asked while stroking him slowly and watching his eyes closed, barely breathing as he mentally called to thank the universe for being blessed by you “You can add another finger if you want…”
“Damn, you are so hot…” His eyes then lit up, biting his lip and grinning with pride, thus displaying his perfect gummy smile that takes you to greater heights every time he does. “Yeah… I really appreciate your honesty, thank you for telling me you are horny” he replied as he prods his fingers in, progressively fast. Candidly making you clench and moan his name at the same time.
And like a good co-worker, you went back to hustle. Starting from the bottom to his top.
The tightness of your mouth in his shaft, the smell of your sweet perfume, the sound of his fingers squelching inside your very core, and the sight of you taking him whole, like a prized lollipop. Oh, and the fact that he pulled his (now) three fingers out from you to have a little taste…Yes, he nodded to himself. Licking every side of his fingers as if eating at KFC. Indeed, ‘it is finger licking good’.
It became apparent that all his senses were being satisfied when you finally felt him start to shiver. Everything was met, everything was good, everything became so overwhelming for Yoongi that even with his lids close, he can still see the light shine from heaven.
He gasped, leaving him marveled at your greatness by giving him a very good head. In fact, he found it so admirable that you start to feel him throb. Evidently, he is coming.
You were so good, that he barely withholds himself from coming. Along with the fact that he became unaware that his elbow accidentally hit the switch to dwindle down the window. “Fuck!” he writhed, thrusting his hip up spurting hard in your mouth.
“Yo, Casanova! Your windows are down!” The driver on the other side shouted.
His eyes widened, still sporadically shuddering from his high. “Shit!” He quickly pushed the button to raise his windows while his other hand pulled his pants and boxers up (at the least he managed to put his boxers up while in hurry, now 80% covering his ass) only it was too late.
Resisting to swallow his cum, you began to pull yourself up from your seat and look for a tissue stashed somewhere inside your bag. Upon seeing your head pop from below though, it didn’t take long for the other driver to discern what just happened.
“Nasty” was the last thing Yoongi heard from the grinning stranger before he finally put his window back up. Now completely shielded from his embarrassment.
Just then the traffic light turned red to green. Yoongi quickly hit the gas. Staying in this traffic was definitely the last thing he wanted to be in. He then thoughtfully swore to be mindful of his surroundings next time when another opportunity like this came, or maybe he would never (It’s too soon to decide)
But one thing is for sure, he swore he can never drive and see this road the same way ever again. Thanks to you.
--
A lilac lacy bra resting on his lampshade, matched silken panty hanging on the side of his headboard, black pants stuck in the middle of his bedroom door, an empty packet of condom on the edge of the bed, and his brief dangling, which managed somehow to reach on top his his TV.
Sitting with his legs crossed, his back resting on a pile of pillows with his hands supporting your weight. He happily watched you grind on him with great effort for a full whole blown minute. “Y/N” humming your name, in between his grunt.
“Yoongi” you recited his name in return like litany, hands gripping on his bare shoulders as you tossed your head back in trance.
“Fuck…” he began to propel his hips against you, meeting your every movement. One of his hands sneaked its way to your breasts cupping each and kneading it gently.
“Yoongi” you repeated, calling his name, spreading your legs wider to find your balance and continuing to roll your hips in synchrony with his. For a moment, the sound of slapping skin was all you could hear until it syncopated by his heavy breathing. He pushed himself close to you, hands now reaching towards your clit. Stroking and flicking it concurrently in full earnest.  
His head suddenly fell on to your shoulder, his gasp becoming audibly clear sending you into utter frenzy. In response, you pulled yourself back and began nibbling his ear, light and soft. He moaned. Yes, the kind that reverberates, delivering you to the edge. Thus reaching your high.
He snickered after hearing you whimper “For someone who initiated everything, I honestly thought you could last. I didn’t know just the sound of me moaning can send you to peak?”
With your mouth still open, you grimaced at his snide remark “Lie down, why don’t you? Let’s see if I can take you with me?”
“No need to, I’ll come any time soon” he tilts his head to the side and kisses you, simultaneously thrusting in haste. His sudden reflex jolts you in another course of delirium. As his movements became erratic, you held on tight to his shoulders taking it as a cue to give each other one final push to reach both your climax.
“Y/N…” He gagged as he squinted his eyes hard. Together, you both curse at the sensation, and deeply sighing together after hitting the zenith. You both lie down at the same time, panting. For a while it was silent, as if both of you were taking time to ponder on life in general like a hermit sage.
“…. Is this going to be a regular thing?” he suddenly asked, shifting on his bed to face the ceiling. Finally, he was asking the important question.
“Sure. You mean no strings attached right?” moving your body to face him.
He then pursed his lip to say something but quickly retracted. He figured he needed to ask it, so he just let it roll. A necessary query, he thought. “Is this going to be exclusive or….”
“Let’s not kid ourselves and make things easier for us, so no. Exclusive is quite foreign territory for me. Although I can still be monogamous, that is if you want it to… but don’t push okay? I can only go for a short period” you stretched your arm and rolled to the edge, taking the liberty to take his bottled water from the bedside table and drink.
“No, no, it’s okay. As long as we keep using protection, I guess that’s fine. We can see other people on the side, while we keep in touch? I think it’s a pretty fair deal…”
“It’s a good deal” you pointed out as he nodded in agreement.
“But what if one of us isn’t up for it any longer? Do we tell or do we not tell? Because honestly I’ll hope you’d pick the forme-- ”
“Latter” you quickly replied before he finished the word ‘Former’
He chuckled, and shook his head in disbelief with your reply.
“Fine, I can adjust. I totally understand that this isn’t just about me, so in all fairness, I’ll agree to your demands. But you have to agree with mine”
“That is?” He sat back up and pulled out his soiled condom, knotted it first before throwing it in the trash bin.
“Give me your number” you opened your palm to his direction
“Well, I thought you’d never ask” he picked up his cellphone he left from the edge of his bed, while you combed down on the floor to find yours. You two then exchange phones and enter each other’s number, and return it back. “That was easy” he raised one eyebrow smirking at you.
“With that, we can um… reach each other wherever, whenever” you pressed your lips together and gave him a smile.
He nodded “Sure, but only if you wanted”
“Only if you wanted it too” you replied, cordially mimicking his head.
“Everything sound’s good to me” he shrugged “So, Deal?” he stuck his hand out to you and you took it. “Deal” you both shook it, sealing the agreement.
--
Seesaw. It is one of your favorite playground activities. You enjoy the momentary high and the unpredictability of being dropped down. Although more than anything, you adore the power play. You get the euphoria from being intrigued, guessing each time who gets to take the upper hand.
You love taking predictions, you love calculating, but above all you love to wager. You wanted a brief scare from losing, only to shift the leverage to your favor. For you, Seesaw is a game of dominance. And in the game of dominance, of course you like to be the one in control.
Even when you were little you were so engrossed at that thought, obsessing to declare yourself to be the winner. You were so competitive, that it made you fall on a sandbox one time, when you were playing with your next-door neighbor, Hee-joon.
Seeing from afar, your father quickly ran to you and held you close for comfort. Although when he was dressing your bruises, you remember vividly how he warns you not to cry in front of boys, because little boys always relish seeing a weak girl cry. You always have to emerge as the victor at all times. Hence, you never did. Even now as an adult. You fight back, you always do.
That’s why Hee-joon grew up hating you, because the last time you two played Seesaw again, you managed to put him up above and watched him revel in the air. Until he realized you refused to put him back down, not until he cried. You watched him weep and plead above you. Only then you decided to put him down when his mother came. To say the least, your mother was upset with your action, but your father felt proud.
Seesaw is the game that taught you how to take the highs and lows, but more than anything, it taught you how to be the one in supreme.
Every time you deal with men, you remember every word your father told you. As such, when you reached the epiphany that love is nothing but just an illusion, you decided to take things to the sheets instead. You’d rather be engulfed with pleasure rather than unnecessary emotions under the guise of romance.
And yet, somehow deep within you, you were too scared to admit the rationale why you vehemently refuse to lose. Because at the time when you fell and your father ran to you, you saw it in his eyes. He was looking at you, fearful to see someone he loves dearly be in so much pain. He was terrified to let you know how far the depths of a wound can go, until you can no longer feel… and you’re afraid to know it too.
It is the precise reason why, right now, you are watching Yoongi cover his face on a Sunday morning. Leading him to his high, watching him revel in absolute bliss, under him… literally. Yoongi pleaded for you to stop giving him another god-tier head, and let him breathe easy, before you could deliver him any further to his overdrive. While you indeed followed his plea by halting, you decided to tease him a little by pulling yourself up from the covers and went on top of him. You took his wrist and pressed his palms against your bare chest.
“Wait” he paused as he sat up and furtively looked for a condom in his drawer. “Thank God, we still have one last…” he pulled out the shiny foil packet. You took it from his hand and helped him put the rubber on.
And just like that, Yoongi again was on a roll. For the past few weeks, neither of you resisted sex. Monday night? On your couch. Wednesday? On his kitchen counter. Friday after work? Inside his car on a dark alleyway. Saturday night? Inside his shower. Now Sunday, back on his bed.
Sex with Yoongi is great, but you already expect that.
But just like a play of Seesaw, you know that this kind of arrangement will definitely have some highs and lows. You know that one day, you and Yoongi’s sex drive will decline, frequent calls will become rare, until it’s gone. So, keep them coming right? Not that you are worried, but really what is there to lose? Especially if the sex is good and you two are on an equilibrium, like that in the game.
Well, not until Friday.
---
“Hey, good work!” someone tapped your shoulder lightly after closing the meeting room, you turned around to see who it was.
“Oh, Hoseok. Thanks!” you grinned, happy to see one of your best friends attend your team’s presentation for a Cereal Company. You’ve known Hoseok since college, and even worked with him on your first job. Even if both of you left and went to a different company now, you two still find time to catch up. It just so happens that you two are now working on the same project.
Dipping your head a little low, you whispered to his direction “I was genuinely surprised to know you work for this company, I thought you hated their cereals?”
“Unfortunately, beggars can’t choose” he replied softly as you nodded in agreement, while walking with him on the office hallway towards the elevator lobby “Great to know they promoted you as the Event’s Manager huh?”
“As long as they pay me well, I can manage whatever shit the world throws at me,” you said, twitching your lip to the side and shrugging, making Hoseok hysterical.
“Cheers to being a slave for money”
“Cheers” you both tossed an imaginary goblet from each of your hands when suddenly, you heard your phone buzzing, so did his. Both of you stopped from the elevator lobby to read the message. You rolled your eyes “Seems your boss and my boss are going to announce their engagement?”
He chuckled, “I’m pretty sure they’re straight, Y/N. But I can’t come to this ‘Night After-Work Drink’…” he put his phone back in his pocket after reading it.
“Aw, C’mon it’s going to be the weekend tomorrow! Plus, I’m going to introduce you to my colleagues, we’ll have fun! Just come, let’s go Hoseok! Don’t leave me alone, please?” you whined before him, trying your hardest to convince one of your closest friends to come by using your pleading charm.
Hoseok just stared at you and breathed.
“Why? Have you not forgiven me for that time I accidentally left my hairbrush on your car and your ex thought you were cheating on her? Hence, leaving me now on my own to suffer?”
You stepped forward to face Hoseok before he could enter the elevator with you.
He rolls his eyes “Still dramatic as always. I told you, that’s been long forgotten. Besides, I am dating someone new”
“Oh” you said inaudibly, finding Hoseok slightly displeased with your overly critical reaction.
“Hey, I know that face!” he narrowed his eyes while expressing his distaste to see your silent retort “And no, I have no plans in introducing you to her… Yet! Not until we’ve established whatever we are” he continued while pressing the elevator to the ground floor.
“Hm, still sounds trouble to me”
“We’ve only known each other for a week, Y/N. Give her some slack.”
“Then why are you cancelling extra working hours? When can you drink to your heart's content, hm? Beer will taste good, especially if you’re not the one paying” you bobbed your brows and smug “Just admit it Hoseok, she got you wrapped around her fingers. I told you, you can’t do this on a regular. Women like a little chase…”
“First of all, we’re not paid to kiss ass. Second, you also hated the idea of having to go there too and third, she’s not like you…”
You opened your mouth, clearly taken aback to hear his remark. Hoseok quickly clarified “I meant to say, you’re frighteningly the almost perfect girl…but she’s not the fooling type.”
“That’s what we all say, that’s what we all want you to believe Hoseok...” You retort incredulously “it’s better be uncompromising forthright than give you false hope. Go choose!”
Hoseok sighed deeply “Look, one day you are going to meet someone who will probably prove to you that not all men are shit.” he said while crossing his arms and stared at you, admonishingly.
“I already did. I have you” you pouted. The elevator stopped as Hoseok waited for you to step out first then followed.
“Besides me” leading you now to his car in the parking lot. His eyes flickered as he remembered something… or someone “Know what? there’s Seokjin-hyung”
“Oh, you mean Seokjin the half-god from the Film Department, in our Uni? Seokjin is infinitely out of question. Have you seen his latest drama on TV? Park Bo-gum even sent a coffee truck to congratulate him” You sighed resentfully.
“How’d you know?”
“Instagram. Okay don’t judge”
Hoseok chuckled, stopping at his car to turn it open with his car keys “I clearly am doing it right now”
“Technically, he is untouchable. You’ve seen how the girls reacted then when they saw me and him together on a couch? When we were literally just talking about Chinese Philosophy class during that frat party. And like some teen-romcom movie, rumors started to fly the next day and they multiplied by the hour” You opened the door to his passenger seat and secured yourself with a seatbelt.
“Easy A. It’s Easy A.” He stressed as he entered and adjusted the side mirror’s on the driver’s seat .
“The difference between you and Seokjin are that we’re friends… and he and I just happened to be in one class”
He starts the engine of his car, offering to drive you all the way to the bar where your team is having this week’s celebration “My point is… theoretically speaking, that there are men who are as nice, like he is. Plus, he knows those nasty rumors weren’t true. Won’t you forgive those girls?”
“They’re basically my creators? Shouldn’t this present slut thank them instead?”
“You and I both know you were once a college prude, and you never slept with any of those rumored men… Seokjin-hyung knows the truth. Even if he was conscripted to the list, unlike other men who took advantage of that, he fervently denied”
“Because that’s the truth. We never slept, Hoseok. Above every one, you know I didn’t have the guts. Wow, I am still not sure whether to feel offended or happy about it. Am I not worth it?”
“Y/N, seriously? Seokjin’s a true gentleman, that’s it. That’s the tea. I can even swear he was into you that time, until her groupies held an emergency meeting to evilly conspire against you… I’m actually glad they’ve been dealt with. This is why we can’t have nice things”
“Hoseok, okay, granted that he and I ended up dating each other back then… It is still going to fail because lov-- ”
He started to turn on the radio, loudly “What? I can’t hear you! Know what? Have a talk with your pessimism when you get to the bar. Here, I’ll even give you extra money so you could offer it a few more drinks” he pulled a few coins from his pocket and handed it over to you.
You chuckled, batting your eyes to his direction “Aw, ever the romantic Hoseok. Well, keep them I’ll collect it soon enough”
“She is going to be great, Y/N. Don’t jinx it!”
--
“Fuck capitalism!” your boss shouted.
“Fuck capitalism!” you all repeated and shouted it while drinking another shot all together.
“Y/N! Lara! Do that soju bomb thing together!” Your boss suddenly made his way to sourpuss the night by ordering you two to do a party trick which is gravely against your will.
Lara gave you a look and you just shrugged, telepathically and ironically accepting defeat from capitalism itself, by giving in at your boss’s request. You two were compelled to act normal as if nothing happened. Honestly, no one really needs to know about you, her, and canker Joe. As a matter of fact, you don’t want anyone to know that you tried to sleep with canker Joe from your office. Besides, didn’t Lara hide the fact that he was seeing Joe too? Maybe she was too embarrassed about him as well. Regardless, he is definitely a thing in the past and should be kept inside a box, six-feet underground for good.
“Hey!” Lara plastered a smile and handed you the glasses, as usual, to prepare both your famous tricks.
“Hey, hey!” you faked cheered as well as you helped her open more beers to spray on each glass, half filling the glass. Lara then filled each shot glass with a fair amount of soju, while you meticulously placed them strategically close so by the time you shove one, the other shot glass would follow like dominoes (dropping to beer glass like a bomb).
This never fails to amaze your boss for some reason, to see you two do it each time, much to you and Lara’s chagrin. Truthfully, if you’re being asked, you two would wish you weren’t forced to entertain anyone outside office just to have a favorable treatment by the day.
“Y/N” your boss called as he pulled out a newly opened bottle of soju to your direction, handing out your glass politely to him as a reflex. “You really did a great job with your presentation; I really like it! Don’t be too shy alright? You deserve to celebrate!”
“Thank you, sir,” you turned away from his direction and downed the alcohol in one go, respectfully showing everyone on the table that you’ve accepted the harsh reality of the need to kiss ass so you could get cash.
“Too bad, Hoseok’s not here. He’ll probably have fun” Hoseok’s boss, who joined your team, commented while watching you have another at your boss’s behest. You nodded to his direction, to feign agreement. Considering the amount of alcohol he could bear in a single night, of course not, he definitely would not have fun.
“Y/N” someone murmured on the table, after your boss moved his attention to the recently hired employees. You turned around and saw Lara staring at you “Y/N” she repeated.
“Yeah?” you raised an eyebrow clearly befuddled to hear her and have your attention.
“I know you can’t handle alcohol well, just gently decline next time he offers. He has more people to oppress now” she lowered herself so you could hear her clearer and puck her lips subtly to point at the poor new recruits.
“Oh, I thought you said you didn’t want to be friends with a slut like me? Are we also going to pretend I didn’t hear that too?” you whispered back
“Whatever, just don’t come hurling at everybody and then throw up”
“I’ll keep that in mind. Thank you”
She was right. She’s always right. By the time you downed an nth shot of soju or whatever it is they gave you (and add that fancy cocktail you wanted to try on their menu) your surroundings gradually revolve and appeared hazy. Somehow, you decided to take drunken shots of the bar and record random moments for you to post something on your social media account. Nothing too wild or nasty, just enough to flash for your friends online that you were having a great time on another Friday night.
“Y/N, is it okay if you come with me to the restroom and help with something?” Lara asked distinctly from her seat, loud enough to hear your superiors to cut you lose from drinking.
You nodded submissively, plopping down from the stool and followed Lara. By the time you two arrived at the girl’s restroom you quickly went into the nearest cubicle and threw yourself against the toilet and vomited.
“I told you so, even Hannah Montana can’t get the best of both worlds. Y/N, stop acting tough.” She crouched down and held your hair up while patting your back.
“I’m feeling fantastic Lara!” you deadpan reply while wiping your mouth with the back of your hand.
“Okay, you are welcome” she rolled her eyes while burrowing something from your bag, then you heard something thud. Suddenly everything went blank.
--
The smell of musk, leather and a little bit of smoke. The feeling of the heat of a skin nudging on your nose. Your hands pressed against someone else’s chest, and the air breezing under the soles of your feet, as if you were levitating. You blinked your eyes twice and opened it wide from your stupor… finding yourself in the middle of the busy street of Itaewon.
You shook your head a little and realized you were resting on someone’s back. “Don’t move too much, you are starting to get heavy?” said someone in a timbre filled with objection.
You knew that voice, and you knew that scent too well too “Yoongi?” you asked weakly.
“Are you gonna throw up? Just tell me…”
“Yoongi, why are you…” you shook your head, that wasn’t the right question “Why are we here?”
“You butt-dialled me, it’s been so long since you called so I thought you’d invite me over but I only heard random noises then it ended… Until you began sending me weird pictures in the dark. So, I was kind of worried and called… But it was your officemate who answered and just told me to come pick you up”
“My what?” you asked, trying to process everything you heard.
“Know what? You’re too drunk to have this conversation and so I’m just going to take you home. Don’t move too much, you are slipping” he paused for a moment while he jerked to keep him adjusted to the weight that he is carrying. “Cutie from the 18th floor huh?” you heard him snickered as he asked.
“You saw my phone?”
“No, your officemate told me. Actually she asked me if I was ‘Cutie from the 18th floor?’ She apologized instantly because she didn’t know how to address me when I came to the bar to pick you up”
“Okay, that’s it. Put me down!” you tried to shimmy your body away from him
“Are you sure about that? She took your shoes from you; said she’ll leave it on your desk tomorrow”
“God…Must be Lara…”
“Is she the best friend you told me about before?”
“Yeah…”
“She’s worried about you”
“Mmm. Right.” You shut your eyes from the blinding neon lights passing from your sight.
“…Hold on to me tight” he reminded, as you reluctantly wrapped your arms around him while he trudged with you on his back.
In clear disorientation, right in the midst of the crowd, you wonder—why above all things, he is carrying you home without any question. Slowly, you closed your eyes and sighed while clutching on his chest a little bit tighter. You rest your head again on his shoulder, burrowing your nose on the fabric of his shirt. (Not to be weird, but if someone demanded what you’re doing at a gun point you wouldn’t think twice confessing that he genuinely smells so good, and that’s the whole reason) Somehow, whatever this was, it made you feel at ease.
And he wasn’t complaining.
--
“Y/N…Y/N” Yoongi rouse you from your mini-slumber “We’re here, we’re at your front door” He gently put you down on the floor and help you stand upright, waiting for you to enter your apartment so he could drop you home with his conscience at peace.
You crouched down and narrowed your eyes while pressing on the numbers on your door lock, offering it with great effort.
‘Access Denied’ it buzzed.
“Shit!” cursing on your poor concentration to get it right.
Yoongi sighed “Whisper me the number code, and I’ll do it for you”
“What? And enter any time while I’m sleeping?” you replied while unnecessarily glaring at him.
“Okay, that’s it… I can leave you here or you can stay at my place…” he put his waist on each side of his waist, like an old lady giving you an ultimatum.
“Fine... it’s wait…” You pointed a finger to Yoongi and pulled out your phone, pressing down the number sequence on the screen but in full labor. Yoongi, who was losing the endmost ounce of his patience, finally pulled you up to drag you back to the elevator lobby of your floor.
“Okay, okay, it’s 5991!” you spoke harshly, demanding him to put you down. Yoongi quickly turned around, to see if anyone heard. Fortunately, no one was around your hallway to hear you blurt your code so casually. He then swiftly pressed the numbers and opened your door and pulled you in.
“Oh! I forgot my RFID is on my wallet” you raised your hand belatedly after being dragged by Yoongi inside your apartment “Wait, what? You could’ve told me this earlier!” he groaned in utmost frustration, while helping pull your blazer off and beginning to question his choices in life.
“Yoongi” you grin at him with your eyes barely open “it’s been a while yeah? I miss your cock! Let’s have sex!” you squeaked quite happily. He then dropped you pretty harshly on the bed, not that you mind since you were too inebriated to care. “Mmm. Are you into rough play tonight Mr. Hit-song Producer, sir?” You reached for him, tracing your fingers against his shirt.
“I’m not…” he replied directly, rejecting your advances while he turned away from you busily searching for something. “… unfortunately for you miss, I don’t get turned on with drunken girls on the bed. Scurry over and try to seat on your back on the head board”
Obediently, you followed his demands despite not making sense, or at least because you are too drunk to comprehend anything. You shut your eyes waiting for him to do something to you until you felt something damp on your face “Yoongi?” you slowly opened your eyes.
“I am taking the liberty…Close your eyes” he asked sternly. It was beginning to make sense now.
“Are you helping me clean up?” you asked, feeling him gently brush your eyes with a damp facial cotton. “How’d you know which one is a makeup remover?”
“I’m not dumb, Y/N. I can read” he adjusted himself to mildly take your mascara off you. Flustered, you begin to turn your head slightly away from him. As if in a snap, the effect of alcohol was beginning to wane. Just because of the thought that Yoongi was doing things for you that you never expected. “Y/N, look I’m trying!” he clicked his tongue by pressing his thumb and index finger on your chin, securing you steadily “I heard, it’s not good to sleep with a makeup on… there’s a good chance you’ll turn blind from bacteria build-up if this is left unclean for hours”
“Says, who?” trying to dissipate the towering feeling of being embarrassed. “Your ex?”
“No, the idols I get to work with who came in late. They were trying to justify their tardiness because of their face after a night of drinking. Honestly, who cares? They have a lot of fans who love them”
“It’s a girl thing, you’ll never understand”
Smoothing another batch of damp cotton on your cheeks, he finished the conversation by telling you “Well, I do. You are pretty even without it…” he said while dabbing one last time on the side of your lips until you felt his thumb pressed on the edge of your lips.
Yoongi froze, did he just? He started to wonder. You slowly opened your eyes to see his face close to yours, just a few inches away from each other's lips. He cleared his throat and immediately shifted himself away from you again, keeping distance. “Good night, Y/N”
You watched him turn his back and dimmed the lights off your room, leaving only with a soft glimmer from your bedside lamp. Feeling stunned at the chain of events, you cowered down to see your clothes still on and your chest beating heavily. You jerked and shook your head reminding yourself that ‘No, we refuse to be your victim, Yoongi’. Then you felt it, clearly your body is still jaded, realizing on its own that you still had too much alcohol in your system. So, you tried to hurry over to your bathroom, only to find your face falling flat on the floor.
Gratefully, Yoongi hasn’t completely left you yet. When he heard, he abruptly went to check on you in your room. “Just how many have you had?” he helped you up and hiked you over to the toilet. You immediately hurled yourself to it and threw whatever you had in you. He groaned mournfully, while patting your back. He knew the answer to his queries, he’s going to need to stay by your place for the night.
And he did, but on your couch. He thought, it would be awkward to be placing himself beside you on your bed if you two are not having sex. Thankfully, your couch had enough space for him to lie down, yet he couldn’t seem to find his sleep. Not when he began questioning himself as to why you had him worried for the night, he shifts to the side staring blankly on your ceiling deeply sighing at the thought. He wished he knew.
--
The sound of fizzle, the touch of your dried lips, and the scent of butter, emanating from the kitchen towards your room. All of those, woke your senses. You looked at your phone and find it’s 7am on Saturday. Normally, Hoseok would gladly walk into your apartment to send you over hung-over foods, but guessing at the fact that he’d be with a lady friend you assumed he’d be unavailable for you in a time of need…. And cooking? Hoseok cooking? For the longest time you two had been together as friends, he never once attempted to put himself in the kitchen. So what changes?
You took your satin robe and swiftly wrapped it around to see who it was in your kitchen. You ran out of your room with a pillow on your hand and shrieked at the familiar figure. It was Yoongi cooking in your kitchen
He pulled out his airpods and asked “What, were you calling me?”
“No, I just… I didn’t expect you’d still... be here…Are you cooking?”
“Um, yeah, why are you always asking the obvious?” he knitted his brows, eyes darting from left to right, perplexed to even answer your query. “Look, why don’t you sit down and let Chef Min do the cooking for today”
You silently sat on your island stool and watched him prepare food. “Is this what you do to everyone you sleep with?”
He stifled a smile and pursed his lips to think. “I wish I did. Unfortunately, no. Just you, for now”
You folded your arm and poked your tongue from the inside of your cheek “Well you can’t do this…”
“Huh?” He asked with his back to you, busily chopping more onions and garlic then mixing it to the cooking pan.
“Rules.”
“Rules? What part of the agreement is cooking prohibited? If my memory serves me right, you failed to mention it, so I guess this is pretty legal”
“Okay, fair point. Then why are you doing this? On my apartment, on my kitchen, on my food? Is it all for me?”
Yoongi was taken aback, but he needed to answer promptly “What, you think I’m starting to like you more than a neighbor… with benefits?” he scoffed “Such confidence, woman” he turned around to snicker, playfully flailing his arm with a cooking chopstick on hand.
“I’m sorry but I can’t help it” you merrily bemoan in retrospect and shrugged. “Didn’t you say you’ve always fancied me?”
“Naked, I fancied you naked” he corrected.
“I don’t know, sounds the same to me” You watched him perfectly toss the food while cooking, like a pro. “Hmm, impressive. Are you trying to make me weak on my knees?”
“Well, are you?” he asked stoically, as he turned the stove off and finally served you a hung-over breakfast he made out from the ingredients available in your refrigerator.
“Almost, but not quite” you playfully bite your lip, fretfully eating your smile.
“You’re welcome for the breakfast Y/N” he winked, putting his share on a plate and sat on a stool right in front of you.
“Thank you, Chef Min Yoongi” you ducked your head, to tamper down whatever you were feeling in the morning. You weren’t a prayerful person but today you decided to whisper one from your seat. You needed it, a whole of it, before chowing down your freshly cooked food made by the Chef himself in front of you. Testing you by the minute.
He watched you while you shut your eyes and chant something inaudibly, and without you knowing-- he smiled.
--
“Min PD nim?” one of the staff knocked on his door. Yoongi, as usual, was busy listening to the tracks he made from last week now that it is back to being Monday again.
“Han Young-woo-ssi said he wanted to talk to you sir…”
“Oh, what about?” He abruptly stopped and turned to face her.
“It sounded like it’s a personal matter sir… so I didn’t ask him any further. He is waiting outside your office sir, would you like me to tell him to come back after lunch?”
He shook his head “No-no, it’s fine. I am a little bit stressed too, I was just looking for the right lyrics to the melody but maybe talking to him might help” he went out from his seat and decided to see his visitor from the same company but in the Accounting department. Was it about his demands against the company for paying for his daily coffee needs? Or was it about denying his request to fund him for another set stereos?
“Yoongi! My friend!” Young-woo delightedly extends his arm to give him a quick hug and pat on his back.
“Hey Han!” he sat on the couch and Young-woo followed, sitting on a chair adjacent to Yoongi.
“What brings you here?”
“Well, I saw you last Saturday night in the streets of Itaewon”
He chuckled “Yeah, I decided to do some carrying as part of my daily workout routine”
Young-woo nods solemnly “I know the person you were carrying. She’s bad news…”
He furrowed his eyebrows, pausing for a moment to comprehend the sudden change of his tone.
“I knew her from college, she’s been sleeping with a lot of men... maybe until now. Just avoid her if you can. She might give you STDs or something… Just stop Yoongi. I don’t know if it’s because she slept with Seokjin? Which probably made her impertinently bold and decides to slut around”
Yoongi thwarted him from finishing his sentence. “Seokjin? You mean Kim Seokjin?”
“Yes, your high school best friend and my frat brother, Seokjin. Did he never tell you about her?”
“He mentioned a few girls, but I don’t remember her being mentioned at all.”
“Well, I guess it’s because she’s not worth mentioning”
Yoongi pressed his fingers on his temple “Do you really see girls that way, Young-woo?”
Young-woo was left fazed at his question “I-Uh…”
“Cut to the chase Young-woo, I have a lot of things on my table. It’s not my cup of tea to entertain sexist conversation especially during working hours…”
“I’m just warning you. As friend, that’s it”
“Well, if that’s all there is” He stood up and tilted his head, locking his gaze against Young-woo fervently “I’m an adult who knows exactly what I’m doing. It’s none of your business who I want to deal with day and night, unless it’s about work. I appreciate you being worried and all, but clearly at the end of the day I’ll be responsible with who and when I’ll be fucked and who gets to fuck me over.”
Young-woo conceded and sighs from his seat “I love your tenacity, my friend. But she is different from the girls you used to date, especially your ex” he stood up and walked towards the hallway
Yoongi just nodded. “Okay, but that’s the whole point, isn’t it? Past remains in the past. Live in the present brother, worry about your future... not mine. Well there goes the exit door, if that’s really all you have to say to me. I don’t like entertaining sexism as a visitor” he points him through the exit door as he watches Young-woo leave.
He rolled his eyes, regretting the fact that he gave Young-woo his precious time so conveniently, just to listen to a back story he was clearly uninterested in. What’s the point really? If everyone is living now in the present, what’s there to huddle over in the past? One thing’s for sure, he’s going to spend a few more minutes at the receiving area to look at his phone and find some inspiration over his social media.
Randomly scrolling, he ended up in Seokjin’s profile, entertaining himself with his random pictures with witty captions, illustrations of cute alpacas and his daily dad jokes on his Instagram stories. His eyes suddenly widened when he shifted it to the next photograph and saw a familiar face from Seokjin’s story.
“Was it true?” he breathed.
--
“Yeah, that sounds about right, I assure you Madame Song. Tomorrow is going to be epic” you nodded.
“I’m looking forward to it Ms. Y/N” she giggled, standing up from her seat, ready to leave.
You did the same and bowed before your client, displaying your gratitude and respect. You took a quick glance from the window beside the seat and saw the sun glaring hard on the pavement “Are you sure, is it really okay if you leave right now? Didn’t you say you just had your facial? The sun is pretty hard. Do you at least have an umbrella?”
“Oh, do you? Sorry I forgot mine, can I borrow? I promise to return it to you tomorrow” she asked a bit warily. Of course, they never do.
“Sure” you pulled out your foldable umbrella from your bag and handed it to her.
“Thanks dear. Oh, if you must, bring your plus one” she winked.
You dropped your head and chuckled “C’mon Madame Song, you know I don’t do plus one. I’ll ask Lara to cover that for me instead”
She paused. Her attention was momentarily stolen by something, or someone in front of the cafe window “Well, why don’t you go ask him?” she puckered her lips and pointed out towards the man entering inside the café from its door way.
“What?” you chuckled in disbelief “I can’t just go ask a random stranger and tell-- ” you turned around to see who she was referring to, until you stopped mid-sentence choking on your words.
A man in black shirt, black leather jacket, and a black baseball cap? It must be….
“Seokjin?”
He turned around to see who was calling him “Y/N?” He raised both his brows in genuine surprise.
“Mm...Seems, everything’s pretty planned out now don’t you think?” Madame Song whispered to you close before leaving you on your own. Grinning from ear to ear, knowing she made a lucky guess to find you a prospect date, who isn’t after all a stranger.
“Hey, it’s been so long! It’s nice to see you here!”
“Must be cupid’s work, huh?” Madame Song winked at you both as she left the cafe with your umbrella. You shook your head a little, embarrassed to hear her tease. Then faced the half-god handsome man before you.
You sat back on your chair and offered Seokjin the vacant seat on the front.
“Hm, I honestly don’t know what to say to that, are you working? Was she a client?” he watched you write something down on your planner for a moment.
“Yeah, and we just finished” you clicked the pen and threw your arms up to stretch “and now I can relax. What’s up Kim?”
“Ikseon-dong is where I usually take my walk for coffee and look for inspiration.I like it here, it’s traditional and yet still a very relevant place” he turned around to look at the menu board, attached above on the counter.
“Ah, I see you’re working too…” you nodded. “You know their dirty chai latte is pretty good.” You pointed it out. “So, how’s your agency treating you? I’ve seen you in TDN channel the other night, and got to the scene where you were crying after being left by Park Shin Hye… that was pretty moving”
He laughed with his eyes wrinkling, charming as always. “It was hard convincing myself to cry over a fictional argument revolving over me leaving a Peanut Butter open for long...”
“In her defense, she thought you were cheating on her over Yoon Eun Hye. But before replying to that, tell me who you will end up with, is it her or Yoon Eun Hye? Because if you asked me Yoon Eun Hye might be evil, but I totally understand where she's coming from. So yeah, I’m Team Yoon Eun Hye all the way!” You lowered yourself on the table and leaned towards him.
He squints his eyes and went forward “Not if you watch until the last episode, or you could bribe me with the most expensive thing on the menu”
You shot at him and sighed “Fine, you leave me no choice Mister Celebrity, sir. One Eggs Benedict and House Coffee, on me” he chuckled, knowing fully that those were the cheapest on the menu.
“It’s nice to know you didn’t change at all, Y/N” he gulped and smiled at you.
“Oh yeah? Don’t be disappointed if you found it to be untrue.” You stood up and ordered something for your old flame, well almost… or so you would like to think, if it wasn’t for his groupies who extinguished before it even began.
You two tried to catch on a lot of things, while taking a few photos together. Seokjin has an insane amount of following, compared to the number he had back in college (but was still considerably huge). Yet he wasn’t bothered at all, he still posted whatever he pleased.
Although he was now hyper-aware of everything online, especially the fact that some things might get him in trouble or even getting others into trouble. He made sure to explain things about what was happening in his caption before posting anything. Just to spare them from unnecessary and unfounded hate from his fans.
“Fancy bumping to a college friend *insert smiley emoji*” he said out loud while mindlessly typing it as he hit the post button.
“Why didn’t you put a sticker on my face?”
“Why should I? I already spare you from being tagged. That way, you can still keep your identity hidden, but this face?” He pouts “Too pretty to be kept away”
You blushed, abruptly shaking your head ready to say something as your defense retorted “Is this your way to get in my pants, now that you’re some big shot?”
He folds his arms and twitches his lips to the corner “You thought so lowly of me, I could’ve dated you. Should’ve asked you out 11 years ago, but I didn’t because I was afraid you’d get in to trouble because of me… yet, still you did”
You paused for a moment. “Seokjin. I—”
He batted his eyes and smiled “That night at the frat party, I was about to ask you... but chickened out last minute. I should be the one saying sorry, Y/N. I wish I was there for you; I could only imagine what your college life might have been. How are you holding it?”
You croaked, left momentarily speechless at the sudden revelation that was gradually unfolding before you “I—I’m fine. Thanks to Hoseok, my life from there became bearable. I’m sure he’s the one who shut all the people who were spreading rumors, he just wouldn’t tell”
He nods. “What if he truly wasn’t? Like maybe, somebody other than Hoseok did it for you?”
“You?” you opened your mouth in disbelief.
“It’s the least I could do. Besides, I’m partly to blame '' His phone suddenly buzzed as he pointed a finger to excuse himself for a moment to receive it. “Hey baby, yeah. I’m just here in Ikseon-dong? I’m in “Flower Yard Cafe” Meet? Where?... Okay. I love you, see you in a bit”
You lump on your lips, suppressing a chuckle. For a moment you thought you had a chance with Mr. WorldWide Handsome himself, but man you were eons late. Certainly, there are many times you want to hurl yourself over him regardless if he actually wants you too.
You were then so close to not giving any more damn to the ladies who would build a fort to push any of his prospects away. Yet maybe that’s how the world works, maybe you don’t deserve all the nice things because that’s how you were designed to live your life… or maybe it’s how the world chastises you for choosing to live a life in debauchery. Either way, You and Seokjin will never happen. That’s pretty much engraved in your destiny, if that’s not obvious enough.
“I’m sorry I got to go, my girlfriend’s having a fit”
“Hm, maybe you should delete your post about us?”
“Girl, you think I’m doing this for you? I want to annoy the girls who shit on my chance with you…”
You laughed. “Hm. Openly flirting with me still? You are playing on dangerous water, sir… How about we try next life Kim, yeah?”
“Ofcourse, just don’t get swoon with my face alone when that happens.”
You nodded in between chuckles as you bid goodbye and watched him leave the cafe. You began fixing your things and putting everything on your handbag when suddenly you heard the sound of drizzle.
“Ugh, should’ve known! That blaring sun definitely looks like it’s gonna invite rain soon... I gave my umbrella to Mrs. Song!” you complained to no one, whining softly from your seat.
Not wanting to spend another hour inside, especially when you needed to send a few paperwork to your boss for a report, you decided to just throw yourselves over the harsh rain “Know what? Fuck it, let’s just run and get wet again” you pushed the door away from you, ready to run while holding on to your handbag that was barely covering your head.
As the door swiveled far, you began to notice that the rain that was supposed to be falling over your head wasn’t just…there. You turned around and found Yoongi. His arms extended to you, holding an umbrella for you. You watched him smile despite slightly getting showered.
“Yoongi?”
“Why are you always asking the obvious? Hey Y/N” He scooted over inside the umbrella, arms pressing and pulling you close to him. His free hand held on to the handle slightly tilted, making sure you remained dry than he is. You stood there, completely frozen. Too stunned to see him at a time when you needed someone.
“You certainly like to get wet often, huh?” he snickered, trying to diffuse the momentary silence.
“It depends on the situation… I-uh… what are you doing here?”
“I was just having a walk. The weather looks good” he subtly gulped, eating his lie. After seeing you on Seokjin’s instagram, he immediately called and asked where he was. Seokjin, knowing Yoongi fully for years, did not bother to ask any more questions as he simply answered where he is currently located.
“Oh yeah?” you tilt your head to look at the dark sky.
“Well, it was, until it suddenly started to rain. Where are you headed?”
“Back in my office, just a few blocks from here. You?”
“What a coincidence, I am too”
“You also work there?” you chuckled
He rolled his eyes and sighed “Okay you got me, just let me take you there unscathed. I’ll go back to strolling around the city  looking for inspiration for the song I am working on. But until then, I have to see you get there, so that I could put myself at ease knowing you went to your work completely dry.”
“Aw, that is so gentleman of you. You better credit me when you find that inspiration you were saying” you playfully teased, knowing fully well you’ll give zero contribution to his work.
He chuckled. Making you suck an air to see another gummy smile from him, which he is very frugal of him to do.
“Perhaps I will,” he shrugged, smiling weakly as he faced the street. You swiftly turn to face him, bewildered to see his sincere intent. Will he really? Thoughts were starting to run around your head.
Clearly, when was the last time you’ve been held by a man? Was it yesterday during sex with Jinyoung a fellow regular from the cafe next to your office? Or was it during a dodgeball game during 8th grade where Taecyeon, your crush pulled you away from getting hit by a ball? Or perhaps the time when your father took you in his arms when you got bruised? You could no longer remember, because right in the middle of the rain, underneath the transparent umbrella, you watched the rain fall while Yoongi was there holding you in his arms…and that was all you could think.
For the very first time, you felt safe and secured. It was warm and seemed full of ardent affection. You failed to put words into what you were feeling, because evidently you had nothing on it from your catalog for inner feelings. Yoongi remains to hold onto you close, while continuing to walk on the streets under the heavy rain... And you yielded unto him.
The feeling was so foreign and novel that you were starting to feel scared. You are so afraid of the feeling of this unfamiliarity, and perhaps the thought of it that it might one day become … too familiar.
Suddenly it dawned on you, in this seemingly game of feelings like seesaw, he was now taking the leverage because you were starting to get your high.
And for the first time in years, you were unsure how this would turn out.
A/N: Ahhhh THANK YOU SO MUCH FOR GIVING TIME! I can finally share my song inspo for this  chapter. I know the lyrics isn’t appropriate to the story, but I was just vibing to this while I was watching this video when I was doing my cardio on a machine. I quickly thought of THAT scene and I was all too UwU the whole time. Anyway, hope you all have a great day! THANKING MY BETA READER FOR GIVING HER PRECIOUS TIME FOR THIS 🙃 love you! you know who you are 😉
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onionjulius · 4 years
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Sean Illing: The issue here is something you call “political hobbyism,” an approach to politics that has become dominant. Explain what that is.
Eitan Hersh: Political hobbyist is a catchall term for the person who spends a lot of time consuming news or signing online petitions or engaging online with people about this or that issue. They mistake this for actual politics, but it’s not because it doesn’t contribute to power-building.
Sean Illing: Why not?
Eitan Hersh: When you’re a hobbyist, you’re learning the wrong information and practicing the wrong skills. You are typically learning about big national news items, and oftentimes it’s just drama. So a hobbyist might learn all the details of the Mueller report and feel that’s important to know and will spend hours and hours on it.
But then if you asked him how he could get involved on some issues of importance in his local community or in his state, or where the pressure points are in his community to influence government, he has no idea. He’s just caught up in the national news cycle and he’s not actually improving anything.
The hobbyist is also learning the wrong political skills. Online politics is all about provocation and signaling outrage. But changing people’s minds, turning your vote into many votes, requires empathy and face-to-face engagement. Not only are you not doing this online or when watching cable news, you’re learning exactly the wrong skill set.
Sean Illing: Why are white, college-educated liberals most likely to engage in political hobbyism?
Eitan Hersh: There are a few reasons. College-educated white people are likely to be in a social setting where they feel it’s a civic duty to participate in politics and to stay informed. They might find learning political facts to be intellectually gratifying. At the same time, the status quo for white, college-educated Americans is pretty good. They have good jobs. They aren’t being conscripted into military service like past generations.
So as much as they might lament polarization or despise this or that politician, they aren’t willing to roll up their sleeves and build political power. It’s only if you don’t need more power than you already have that you could possibly conceive of politics as an at-home leisure activity.
No one is spending more time learning facts and consuming news than college-educated white men. But research on real engagement — volunteering for groups and campaigns — shows it’s overwhelmingly women and disproportionately blacks and Latinos who are doing the real work of politics. Comfort with the status quo among college-educated whites, especially men, seems like the most likely explanation.
As to why this is more of a liberal problem than a conservative one, right now the white college-educated population is much more Democratic than Republican. Of course, there’s plenty of hobbyism on both sides, but right now this group tends to lean Democratic.
Sean Illing: What do political hobbyists get out of this kind of superficial engagement with politics? Emotional satisfaction? Is it about signaling who we are to other people?
Eitan Hersh: It’s a shortcut to engagement. You get to feel connected to a sense of community and a sense of mission without doing any heavy lifting, which is partly why online engagement is emotion-driven. If you feel angry at something from your couch, you feel somehow connected to it, even if you haven’t done anything.
Sean Illing: You’re preaching boots-on-the-ground activism and face-to-face interaction, especially with people on the other side. What do you say to people who are cynical about the possibilities of persuasion, who feel like the chasm is so deep that it’s no longer possible to engage with political opponents?
Eitan Hersh: I guess I would say that they’re wrong. Most of the people you engage with in real life are not at all like the caricatures in your head or online. Most of the people you’ll encounter in your neighborhood or in a community group aren’t raving Alex Jones followers. In reality, most people simply aren’t that invested and don’t have deeply held positions, and they’re open to persuasion if you’re open to being kind to them.
Sean Illing: The right seems to understand power better than the left, or perhaps there’s something about the nature of conservatism that lends itself to the sort of politics you’re advocating.
Eitan Hersh: I think you’re onto something there. A bottom-up approach to political change that focuses on the local stuff or the local institutions, like churches or gun clubs, is just more common on the right. We used to think more about grassroots organizing focused on unions, for example, but unions have collapsed while churches have gotten disproportionately Republican.
Again, some of the key demographics of the left, like college-educated white people, don’t attend any religious services at the same rate of people on the right, and so there’s less community engagement. And some of the paramount issues for the left, like race or climate change, feel like non-local problems, and that itself is a deterrent.
Sean Illing: What’s your advice for people who want to get involved and help build political power?
Eitan Hersh: I think they get started by building a cell of friends to do it with them locally, and they should be thinking about how they can dedicate at least one night a week to this, or a certain number of hours. The mindset is not “How can I influence the next election?” The mindset has to be “I’m entitled to my own vote, but how many more can I influence?”
I profile lots of people in the book who are taking this kind of approach and accomplishing amazing things. They’re showing that if you can get 100 or 200 or 1,000 people to share your values and to cast a ballot or show up to an advocacy meeting, you really can make a huge difference.
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I present a Literary Analysis of “The Hairbrush Song” or “Oh, Where is my Hairbrush?”
2020 continues to suck so bad and so I am canceling all discourse. No more. I’m done. From now on we talk only about how Veggietales’ classic Silly Song “Oh, Where is my Hairbrush?” is the greatest operetta of our time. It has everything: intrigue, distress, hope, identity crisis, betrayal, charity, friendship, grief, loss, acceptance. Renewed lease on life. 
Intrigue: We start act 1 with the titular question: where is Larry’s hairbrush? Why is it not in the bathroom where Larry believes he ostensibly left it? Who might have taken it? Why? Where might Larry have left it without remembering? Larry’s distress is palpable in this timeless anthem of wonder and sorrow, quoted by myself and countless others every time we ourselves have been unable to locate our own hairbrushes. 
Act 1 concludes with hope as Pa Grape enters and informs Larry that he “thought [he] saw a hairbrush back there!” This news elates Larry, and begins the theme of pure, enduring friendship we see throughout the operetta. Fresh from his bath or shower, Larry is in a towel. But his cries attract the attention of his friends, who rush to his aid, and though there is awkwardness abounding as they encounter Larry in a towel, his friends push through this embarrassment in order to give Larry their messages, as they want to help their friend no matter how awkward the situation. The news that his hairbrush may soon be located fills Larry with joy. 
But his joy is short lived. Act two begins with the arrival of Junior Asparagus, who attempts to help in his own way, by asking the question that the entire audience has been thinking, but has not yet had reason to voice, captivated as they are by the emotion of Larry’s predicament: what does Larry, a bald cucumber, even need a hairbrush for anyway? Larry is shaken! Taken aback! Identity crisis ensues as Larry bemoans his lack of hair, and therefore his lack of need of a hairbrush, and wonders what this will mean for him and his hairbrush. His search for his hairbrush has been given new dimension. He has never before asked himself this question. Never before wondered how this might affect his beloved hairbrush! (And we could go deeper here as well. Why does Larry own a hairbrush? Was it a gift from someone he loves? Perhaps his Great-Aunt Ruth, who has a beard, gifted it to him in case Larry too one day grew a beard. Or maybe Larry once had hair for his hairbrush? Is Larry a compulsive shopper or even a hoarder who purchased this hairbrush on a whim, unable to resist a sale, even though it was for an item he had no need of?)
Act 3. A guilt-ridden Bob the tomato enters and makes his startling admission: he has given Larry’s hairbrush to the Peach, who has hair. After all, Larry doesn’t need his hairbrush. In fact, he does not use it! (Why then, has he been searching for it? He is emotionally attached to it. It is old, he has had it for awhile, according to Bob. We could use these clues to ascertain why exactly Larry has the hairbrush to begin with, or what he was intending to do with it once he found it, but the truth is that it doesn’t really matter. It goes beyond suspension of disbelief. Veggietales has masterfully crafted a tale where the audience is too swept up in the emotion of the protagonist and his love for his missing hairbrush to care about the base inconsistency of a bald character owning a hairbrush!) 
Bob and Larry are the best of friends. Despite their banter and bickering on occasion, they are clearly the very best of friends. And yet Bob has betrayed his friend’s trust by giving away his hairbrush! The play reaches its darkest moment. Though Bob has apologized, Larry is not yet ready to forgive. “Not fair! Oh my hairbrush!” Larry laments, anger in his eyes and voice. His hairbrush is not just missing, it has been taken! Given away! And why? Because the peach has hair, and he doesn’t? Not fair! Larry speeds past denial, as Bob would never lie about something like this. He has no time for bargaining, he dwells on anger and skips to depression. His hairbrush is gone, and he is left with only anger at his friend and sadness at the loss of his hairbrush. 
Act 4 commences with Larry in the midst of his grief, which is interrupted by the arrival of none other than the Peach himself! As they are both in towels, the status quo of the scene is shaken up. For the first time an intruder has made Larry feel shocked and slightly embarrassed, throwing him out of his angst, and presenting an emotional palate-cleanser to the scene. This restart is essential, as it pulls Larry out of his sorrow and anger and allows him to feel the emotions elicited by the Peach’s words: “Thanks for the hairbrush.” 
Everything changes. It was one thing for Bob to explain that he gave the hairbrush to someone who needed it and would use it more than Larry; it is another for Larry to meet face to face with the recipient of his hairbrush; to see for himself the truly epic head of hair the Peach possesses. This is a head of hair truly worthy of his hairbrush! Furthermore, though it was Bob who gave the Peach the hairbrush, he had made it clear who the hairbrush came from, and Larry is clearly touched by the Peach’s gratitude. He silently forgives Bob. He reaches acceptance. He acknowledges the charity of the situation. He still loves his hairbrush, but he has accepted that it has gone on to a better life with one who needs it. But because he still loves it, he finishes the show by calling out to the retreating Peach, imploring him to take care of the hairbrush. He circles back through the emotional journey he has been on in his final verse, showing succinctly where he has been and where he has arrived. “Take care” The hairbrush is valued, please take care of it. Just because he is letting it go does not mean he does not still care about its wellbeing.  “Nice hair” at heart Larry is still a good person and he will of course compliment the Peach’s hair. There is no bitterness against the Peach here; Larry has let go of his anger and found peace with the situation. “No fair” echoing his earlier angry “no fair”s about Bob giving away his hairbrush, now Larry says the phrase to himself, following his compliment of the Peach’s hair, acknowledging that he does not have nice hair like the Peach, and therefore has no need of a hairbrush, and that’s kind of no fair, but also not that big a deal, as long as, of course, the Peach “Take[s] caaaaaaaaaaare! Of my hairbrush!” 
The Larry who turns to bow is a happy one. He has survived his tribulation, solved the mystery of the missing hairbrush, and found peace with his own self, his emotional attachment to things, and his relationships with other people in his life. He is a happy cucumber ready for the new day.
A theatrical masterpiece, all taking place beginning to end in 3 minutes, 6 seconds, counting introduction and outro. 
Thank you for coming to my TED talk. 
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⭐️ for whatever fic you’d like!
okay SO gonna use this as an excuse to talk about my pretentious Riverdale soulmate fic!! 
the whole thing was inspired by this post about how Riverdale is a soulmate AU dystopia where characters form genuine connections with one another only to say somewhere down the line that they can’t be together because they aren’t endgame and sadly return to their assigned lovers. it’s a quality of the show that I hadn’t been able to put into words, but had bothered me since somewhere around mid-season 2. like, a big part of Archie Comics is the love triangle between Archie, Betty, and Veronica, but the show doesn’t allow itself to explore different relationships for too long and insists on maintaining Bughead and Varchie as the status quo, presumably only because the amount of hate comments on RAS’s posts spike whenever those two couples aren’t together (insert post that’s been stewing in my brain about social media bringing about the end of organic media since showrunners and directors are letting easily accessible fan opinions directly influence their works more than ever before). there’s multiple scenes in the show proper where characters lament the fact that they can’t date someone because they’re “supposed” to be with someone else (side note, pour one out for my man Reggie, he deserved better than Veronica just casting him aside once Archie came back) so I wanted to take that a step further and push the concept to include cosmic signs of approval. 
(putting the rest under a cut because this got LONG)
I think a quote from the fic that really hits the core of all my feelings on soulmate AU’s is this one:
Besides, people settled down with people who weren’t their soulmates all the time. The universe could be cruel, and sometimes, it simply wasn’t practical to spend your whole life searching for someone you may never find.
one of the first things I always think about when it comes to soulmate AU’s or just a universe with soulmates in general is how impractical it would be in practice. what if your soulmate is on the other side of the world and you never get the chance to meet because you’re never in the same place at the same time? would the universe make accommodations for that? what if you meet your soulmate after you’ve already fallen in love with someone else? the last concept is one I enjoyed playing with quite a lot in this fic, using Betty’s love for Archie as the basis to discuss what happens when the person you’re in love with finds their soulmate and it’s not you. 
aside from the tumblr post, the texts I read this semester in my English class (particularly Notes From Underground and The Secret History) really kicked my brain into high gear. with both of those texts, my class had been talking a lot about the realities of a deterministic universe, which is what a universe with soulmates would be. one of the concepts we discussed at length was how if you’re given all the right answers on how to live a perfect life, then the only way you can make an impactful choice is to make the wrong choice (this was connected to a discussion on how choice making defines us as human, and that without choice, we have nothing to set us apart from machinery). we also discussed how for something to be beautiful, you have to be able to lose it, or it must be something that can’t be undone. in this case, I used the Barchie car kiss and how Betty fell for Veronica over the summer to link the two ideas.
Now this, this was terrifying. They had teetered on the edge of a ravine and dove right in with no reservations. It was beautiful, really. The ultimate act of free will in a world of predetermined outcomes and correct answers.
choosing to express love for someone other than your soulmate once you are aware of them would be the ultimate wrong choice in this world, so it would also be the most beautiful act in the world since it would be irreversible and could destroy the universe-approved relationships that those involved were a part of.
one thing that I was lowkey proud of was the imagery I associated with each of the characters; Jughead as the ocean, Archie as a fire, and Veronica as a field of lavender. honestly I don’t have precise explanations for why I chose what I chose to represent them, I just went with what my gut said Betty would associate them all with. if I was pressed to give explanations, I think that it’s because Jughead seems calm and predictable, but is prone to fits of rage and random bouts of unrest that can throw everyone else off course; Archie is the most passionate of the core four and is often expected by others to blaze trails and lead them through the dark; Veronica appears gentle and smells sweet, but could be concealing any number of snakes and other dangerous creatures. (I know it’s gonna seem like I actually *did* think of these previously and lied earlier in the paragraph but I swear, these just came to me. this is why I analyze my own work, even if it’s silly little soulmate AU fanfiction.)
another concept I LOVED working with was that of one knowing that they love someone else more than their soulmate, but deciding to go back to their soulmate because it’s safer. I think this next passage is my favorite exchange in the whole fic:
“Did she love you?”
“I don’t know,” Betty answered truthfully. “I hope she didn’t.”
“Because if she did-”
“That would mean she gave up love for fate.”
“Comfort and certainty over the terrifying unknown.”
like...we all like to think we’d be strong enough to choose our own path in a world that explicitly deterministic. but would we really? would we be willing to risk not only our own happiness and safety, but also that of our soulmate’s? would abandoning your soulmate for another love be seen as the most selfish of actions? would there be any situations where soulmates who knew each other would mutually agree not to be together? would they question the decision for the rest of their life and come to regret it? hence this passage from the end:
“I think we’re going to be just fine,” Archie said. “Who knows what might happen next.”
Betty knew. She knew that this was a temporary lapse on his part and that he’d go right back to believing in fate and the universe. He’d remember that she wasn’t his soulmate and that he couldn’t love her. Veronica would be convinced of the same and fall right back into him. That would leave her and Jughead, unmoored, searching for a sign. Something else would bring them back together; whether it be a case or the paper or simple boredom. They’d live out the rest of their days in comfort, forgetting free will and falling into what was always meant to be. They’d tuck away all of their questions and live in willful ignorance until the day they died, when all of the questions would come spilling out and they’d have regrets again.
in this universe, you can’t win, no matter what you do. you either settle down with your soulmate, give up your humanity via giving up your ability to make meaningful choice, and regret not taking chances OR you create your own future for yourself through choice, deal with the hardships and guilt associated with blazing your own path, and regret not settling down and living what could have been the perfect predetermined life. 
this was A LOT of words about the CW’s Riverdale of all things. what can I say, I’m a sucker for the accidental moral quandaries and dilemmas that incompetent showrunners put in their work. fluffy soulmate AU’s are out, soulmate AU’s that examine the horrifying implications of the universes they take place in are in.
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hijitae · 3 years
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This was an ask I received on my main blog from a few years ago. I never got around to answering it at the time since I had gone on indefinite hiatus. I thought I would answer it here, now that a side blog exists for HijiTae purposes. The original Anon may not frequent Tumblr anymore, but here is a reply. My apologies for such a long delay. HijiTae was/is the only ship I discuss publicly on my main blog (due to its rare pair status), so it was okay to ask at that time.
Your message was a delight to receive. I’m always happy to hear from and learn that people started to consider Hijikata x Tae as a possibility because of my analyses, meta posts, and general rambling about them. 2021 marks my 14th year of shipping HijiTae, so I’ve seen a lot and done as much promotion for them as I could (hence this “retirement” blog), and I gained new friends as a result.
Now, onto the rest of your message:
In the old days of shipping, people were much more open-minded about multi-shipping and understood that just because you shipped one ship didn’t mean you were closed off to another. Today, not so much, I find - people’s feathers get easily ruffled at anyone who dares to ship against majority or consider different and new possibilities. For a series that promotes diversity and kindness, large parts of its fandom certainly engage a lot in rigorous gatekeeping against those who possess different viewpoints. It’s why I stayed away from fandom at large for more than a decade.
I think there is some distinction to make between viewing Hijikata as a “loner” vs “lonely.” I can get on board with Hijikata being a loner for the rest of his life in the romance department. It certainly fits the whole tragic romance trope with the survivor deciding not to love again; that they would only ever love that one person. For me, that works on some characters (across other series), but for Hijikata - well, I started shipping him with Tae from episode 18′s filler material and the Yagyuu arc’s canon moments. I shipped HijiTae before the Mitsuba Arc even aired, so I was already on board with them before I had been introduced to Mitsuba. I can just as easily see Hijikata by himself as I can see him with Tae for the remainder of his life. That’s the beauty of being free to imagine all kinds of possibilities.
I’m not going to speak too much of HijiMitsu here (especially since it would be a very unpopular opinion), but I didn’t really take to that ship - not because I was already shipping HijiTae but rather those kinds of ships aren’t as interesting to me as others. Usually in ships where one partner dies or is deceased already, people mourn over how they should’ve been together or say no one else can be with the surviving partner. Constantly lamenting over the tragedy of it all is just not for me. Also, the Stern Samurai x Yamato Nadeshiko type is a conventional ship that has been done many times over. It’s just not appealing to me within the context of Gintama. (Apologies to HijiMitsu fans, but hey, it’s a free fandom life, we all like and think differently.)
Mitsuba is a good soul, who should have received more spotlight, but Sorachi chose to use her only for Okita and Hijikata’s development as characters, and then the story never mentions her again except through a couple of subtle nods. I’ve nothing against her, and I don’t have a problem with people who ship HijiMitsu. That’s their preference. It only becomes a problem when people start drifting out of their lane to come into mine and tell me how I shouldn’t have my own preference but theirs only.
Anyway, this leads me to the “lonely” aspect and why I ship HijiTae. Hijikata is one of my most favourite characters, and I’d rather not envision him as feeling sad and lonely for the rest of his life. While Sorachi doesn’t delve into it, I like to think that Hijikata has come to terms with Mitsuba’s passing, his lack of action and communication, and general regrets over how he handled that situation. He’s a different person now, able to make better choices that won’t end with him regretting that he didn’t say or do enough. Mitsuba is so kind that I’m sure she already forgave him - back then and before the end. She’d want him to live on happily, regardless of what form that happiness takes. In the long run, I believe Hijikata would be able to let go of that regret, forgive himself in the process, and face the future more optimistically.
That’s where the shipping aspect comes in - Hijikata unexpectedly finding his second love in Tae (for many reasons I’ve outlined in past posts). Falling in love again is not a bad thing and it doesn’t mean one forgets or cares less for their first love. Sometimes the unexpected happens in life. Like I said, I can picture Hijikata living out the rest of his days alone and content with it AND I can also picture Hijikata sharing his life with Tae, likewise content at being granted a second chance at love (also, Togoro!). This is why HijiTae is a ship that challenges status quo; it promotes growth, moving forward, and letting your heart - after all the pain it has been through - love again. And I love that kind of ship best.
This post has been focused mostly on Hijikata because of the second half of your message, but there will be a series of posts on this blog regarding Tae and her half of this ship in which I address counterarguments and misconceptions for both.
Thank you once more for your message, although you probably might not see this reply! Again, sorry about that.
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norahastuff · 4 years
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Have I mentioned before how much I love Meredith Glynn? I mean of course I have but it always bears repeating. Her episodes balance interesting plot developments with explorations of the characters’ emotional states so well. 15x06 was no exception. 
Fishing is something that comes up quite often in Supernatural, and it’s often linked to feeling closer to humanity. Last season when Jack found out he was dying, he knew how he wanted to spend his final days:
Since I've been alive, everyone assumed. I would be this special "person" who goes on forever. Only now it looks like forever might be a couple of weeks, so -- We don't know that. What I do know is I'm done being special. Before my life is over, I want to live it. I-I just want a chance to… get a tan...to see a hockey game...get a parking ticket......get bored... and when it's all over...die.
Jack knew he wasn’t this all powerful immortal being anymore. He was essentially human. So how did he wish to live out the rest of his life? Doing human things. Being normal. And Dean granted him his wish. He took him for fast food, taught him how to drive but the one activity that was Jack’s choice? Fishing with Dean.
There was also 10x01. When Cas and Hannah were looking for the angels that did not want to return to heaven, they found them fishing and waxing lyrical about how much they valued humanity and free will.
Cas: Daniel. What are you fishing for?
Daniel: Trout, mostly. They do love a good curlytail grub. Trick is to find that special spot just outside the run, where the big ones -- the smart ones -- are holding low.
Cas: Do they -- do they put up much of a fight?
Daniel: The ones who truly want to be free? They do.
The metaphor was pretty obvious, the fish were the angels, yearning to live on earth, free and enjoy the things that humans did. 
In 15x06, Cas continues the fishing metaphor
Andy: What can I do for ya? Bait working out good?
Cas: Oh, yeah. The... bait's good. I think it's the fish. They've begun to anticipate me. Andy: Yeah fish can be smart. I’d switch up spots.
There are different kinds of fish, sure some are very resistant to learning poetry, as Cas has lamented in the past, but some are very smart. Now that Sam, Dean and Cas know all about Chuck and his machinations, they too have begun to anticipate him. Or is it that he can’t anticipate them anymore? The metaphor is starting to become jumbled because so is the status quo, as is Chuck’s place at the top. I don’t think it’s exactly breaking news that we’re most likely going see major changes to the scale of power by the time this story draws to a close.
And then there’s the Dean of it all. It’s interesting because Dean and Cas start the episode in similar emotional places. Sam has already resolved to fight God and has been spending his time trying to track him down. Dean and Cas however...well they’re not quite there. They’re trying to distract themselves from all of the awful things; Dean by watching the cartoons and eating the food that brought him comfort as a child, and Cas by trying to do the things Dean told him were relaxing. It’s not like Cas really has much experience in taking some time for himself to de-stress, and he has always taken his cues on human things from Dean. I’m using this point as an excuse to add one of my favourite *camera pans to Dean moments of the series. 
Cas: There’s seemingly nothing but chaos, but not all bad comes from it. Art, hope, love, dreams. 
Hannah: But those are human things.
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(I still laugh at this every time!)
Anyway, both Cas and Dean are looking to escape, but by the end of the episode, while Dean may be in the same hopeless place, Cas has gotten some of his resolve back. As Melly told him:
taking yourself out of the game doesn't really change the game.
Facing off against the sheriff, yet another crappy Chuck knock off, Cas realises how right Melly was. He’s not going to let entitled selfish men like Chuck break him. He’s going to fight. Because he has value. He can make a difference.
If I stay, nothing changes. It’s time for me to get back in the game. 
Meeting Melly and her son, fighting the Djinn and ending his reign of terror on the small town, Cas was reminded of why he fought. Dean can’t see that right now. He can’t see a reason for fighting, for believing. He’ll get there. He just needs to find some hope again. 
And just one extra thing, even after Cas struggles to heal Caleb, showing how depleted his powers are, he still vows to get back in the game to defeat Chuck. Because it’s not about his powers. It’s about him or to quote Cas quoting Dean, 
I had something else that was extremely helpful. I had myself. Just the basic me, as, uh...as Dean would say, without all the bells and whistles.
That was how Cas described how he felt, to Jack, back when he lost his powers and became human. It seems he’s starting to remember that again.
After Melly sees Cas shrug off the bullets (amazing scene) and heal Caleb, she’s awestruck and asks him 
That’s a...miracle. Were you sent by God?
Cas doesn’t refute her claim. One, because he doesn’t want to shatter her worldview by telling her that God is a cruel egotistical dick, but also because...well he was. He had his role to play in the original plan, but also God sent him back, after Raphael killed him, after Lucifer did, even after the Leviathans. But Cas never did whatever God sent him back to do. He repeatedly ripped up whatever script God/angels/anyone really tried to get him to play by and forged his own path. He’s never played the role Chuck wrote for him to play, and I think Chuck forgetting that isn’t going to work out particularly well for him in the end.
(Okay I guess that was two extra things)
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Persona 5 The Royal - Ryuji and Kamoshida's Palace
This contains only very tangential and minor spoilers, nothing said about Ryuji in it is a spoiler but more a lack of a spoiler honestly. But I do just want to make a reader aware that there are two very minor spoilers below (though one of these was outright already shown by the game's trailers so it's only really one).
I was hoping we'd see an expansion of Ryuji's stake in the Kamoshida Palace. I've said before that though I do still consider Kamoshida-Madarame to be the game's high point in terms of writing, the Kamoshida Palace does rub me the wrong way because despite being the only Palace of import to Ryuji and despite being a Palace where Ryuji does have a very strong personal connection to it his stake in it is largely erased following his Awakening,
I understand partly why; Shiho and Ann's story is thrust into the spotlight for obvious reasons, and that's not a problem. But it was always disappointing that whilst every other Phantom Thief (barring Haru) largely has an extensive focus throughout their Palace and, importantly, a chance for characters to sympathize with them, Ryuji...doesn't. Indeed from how the game is framed it's unclear anyone but Ren/Akira, Morgana and later Yusuke are ever even aware of his suffering at Kamoshida's hands. Ann makes no mention of it, Kamoshida offers no apology to Ryuji and even Makoto, went lamenting her failures, focuses only on Ann and Shiho, never even mentions Ryuji or his incident.
In many ways it connects to how the game almost seems to, by implication, suggest that what happened to Ann and Shiho is, rightfully, a travesty but what happened to Ryuji...wasn't. 
So I was hoping that we'd see perhaps a bit of a course correction in The Royal. After all the trailer revealed we'd get a Cognitive Mishima in there and SPOILERS: we now know there is a disgusting Cognitive Playboy Bunny Shiho there...which honestly just makes her entire rape situation even more repulsive for the allusions being made with her Cognitive form and I seriously wish that if they're going to do THAT to Shiho they actually give her a Confidant and don't just shunt the woman off-screen to be voiceless (Positive note: Ryuji's reaction to the Cognitive Shiho is in-line with his Kamoshida-Madarame level writing of no ogling at all and simple outrage and disgust at Kamoshida).
But there is no cognitive Ryuji. There is no Ryuji/Kamoshida interplay post Ryuji's Awakening. His Awakening does not change. There is, up to the end of Kamoshida's Palace, no interaction by any staff or student at Shujin in relation to Ryuji's accusations of Kamoshida all turning out to be founded and true. The students still specifically gather to apologize to Ann but not Ryuji. 
All in all: nothing has changed for Ryuji. The game still decides that even after Kamoshida is outed literally the entire staff and student body sans Ren/Akira and Ann decide Ryuji still deserves what he got and to be ostracized and treated as a Pariah.
This is...depressing again. There is nothing much I can say because this isn't a new development it's just...the depressing status quo remains unchanged. The game just decides that Ryuji's suffering, his pain...doesn't count. Doesn't matter. 
That's the worst part of it. At least when other characters in the game have pain it can be handled clumsily and poorly (boy can it be handled clumsily and poorly!) but the game DOES put focus on it and have characters react to it: Ann throughout the Kamoshida Palace Arc and then later from Makoto during the Kaneshiro Palace Arc, Yusuke from the entire core PT's during the Madarame Palace Arc, Makoto courtesy of Ryuji, then Ann, during the Kaneshiro Palace Arc and then again, later, courtesy of Ryuji then others during the Sae Palace Arc, Futaba throughout her own entire Palace and the missions afterwards to socialize her, Haru throughout her entire Palace and then in the aftermath of her father dying, Akechi also gets, at his ending, a scene of almost every Phantom Thief expressing sympathy with him and, when confronting Shido, both Ryuj and Ann invoke his suffering as a motivation against Shido.
But Ryuji? He gets one line. Morgana sadly going: “Ryuji,” and that is it. It doesn't change that Morgana will, once the Madarame Palace Arc is over, begin insulting Ryuji almost constantly for being stupid. Even when Ryuji, at the hotpot, reveals that he personally believes he is no-good and nothing but a burden to his mother the game will not allow you as the player to disagree with him and neither Yusuke or Morgana will either.
I just...I hate how completely, consistently, Ryuji reveals he believes himself to be nothing but a burden to people he cares about, how he is the quickest of the Phantom Thieves always to literally just throw his life into danger with no care for his own well-being, these clear, evident, signs of his worrying lack of self-worth and his willingness to martyr himself because he believes all the people in his life have more value than he does...and the game just basically has everyone accept this without any complaint or critique.
How I WISH there was a scene of Makoto taking Ryuji to task about jumping in front of speeding cars for the sake of strangers to explain that though heroic his friends don't want him to get hurt anymore than he wants to see her get hurt, or the Ship Scene being played as almost anything but what it was. 
My only hope now is that maybe in his discussions with Maruki something more is explained about Ryuji. It's a pity that, still, the core PT's will never express sympathy or compassion for Ryuji's situation with regards to Kamoshida but...at this point I suppose I must take what I can.
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blackbatpurplecat · 4 years
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Catwoman 80th Anniversary
In 1940, one of the now most popular comic book heroes of all time got his very first solo run. It would become a milestone in comic book history. But he wasn’t the only one who had a chance to shine. In that premiere issue, even TWO of his most famous antagonists would be introduced: The man who laughs and the woman who steals.
That woman was intended to become the love of the hero’s life. The good guy and the naughty girl, the appeal was palpable. However, she wasn’t just a love interest or a generic thief or only another villain in the ever growing gallery of rogues the hero would face over decades to come, no - she was quite the character.
Her first alias was “The Cat” which would ultimately become Catwoman. Selina Kyle, the best thief in the world, a literal cat burglar, a classy seductress and queen of sass. And fans loved her so much that over time, she grew to become just as famous as the hero.
Her story has had its ups and downs. Mostly ups. ;) Going from the pages of the comics to the little and the big screen in the 60s, then she disappeared for a while, then made a comeback. She married the hero and had a child, though that marriage was later rebooted and was followed by a depressing origin story a sexist author made up for her in the 80s.
The 90s then turned out to be her decade! She found herself on the TV screen again, animated this time. She was portrayed by a Golden Globe winner on the big screen again. And she finally got her very own solo run in comics.
Her solo title was successful enough to run for over 20 years, a time in which her development from antagonist to anti-heroine would pan out. She would be a member of several teams, dance on both sides of the law, and even have another child. The screen called her back in form of a movie and a tv show. In one she was a thief with a love for killing, in the other a teenager. And we already know that her movie career will soon continue with two more projects.
In 2016, DC rebooted their entire universe. Catwoman’s origin story was changed, her relationships were lost, her solo run got canceled. No one knew what was real anymore - and fans didn’t like it. Only a year later, a retcon followed in a pathetic attempt to restore a status quo fans were familiar with and approved of. Even her solo run came back and today, in June 2020, we celebrate her 80th anniversary!
Catwoman is my favorite DC character ever. She’s clever, she’s funny, she’s stubborn, she’s classy, she’s confident, she plays by her own rules. When written right, she is such an entertaining character, unpredictable and fun.
In 80 years, there have been countless appearances, so many incarnations and interpretations of her - sure, I didn’t like all of them but you can say there’s something for each one of us. You don’t like her in the 2010s? Check out the 90s. You don’t like her in the 40s? Check out the 80s. There’s a version of Catwoman for many different tastes. She never goes out of fashion.
So to celebrate one of DC’s most famous women, they published a collection of 10 stories in total, written and drawn by people who have had touched her character over the past years.
Did Catwoman 80th Anniversary - Celebrating Eight Decades of Beauty and Burglary do her justice?
Warning: Spoilers!
Let’s check out each story and see what the writers came up with for this very special occasion. Except for one, none of these are meant to be canon, it’s just a collection of shorts meant to emphasise why Catwoman is so good. Something I noticed was that each writer had not picked any Catwoman to write but “their” Catwoman. A nice detail. Consistency, why not? Write what you feel comfortable and familiar with. This can only help with the quality of the stories, right? ... Right? ...
Strap in folks, this is going to be a LOOOOONG post!
Story #1: Skin the Cat by Paul Dini
Selina’s just living her normal life with her cats, occasionally stealing some money and jewels. Hey, a girl’s gotta eat. ;) What catches her attention are news reports about stolen big cats. I’m a cat lover myself and this series of crimes would worry me just as much as it worries Selina. She deduces where in Gotham someone could hide those wild cats, breaks in, and is welcomed by an eerie voice - as well as the taxidermied cats. Fucking bastard... The villain Taxidermist, quelle surprise, is behind the cat murders. He now intends to gas Selina and add her to his cat collection but Selina reveals that she’d already turned off the gas before breaking in. She escapes his long knives and watches as three big cats she had brought with her attack and kill him.
What an intro! A story about Selina’s love for cats and her strategic thinking. I really liked the first half! But once the Taxidermist shows up, it loses itself in drawn out exposition. Selina goes on a long monologue to explain to the reader who the Taxidermist is, how she knew it was him, how she turned off the gas, and how she replaced three of the dead cats with alive ones. I would have preferred to actually SEE her preparations for the face-off in flashback panels instead of having to read it. It didn’t feel natural at all. Also how the fuck did she bring 3 wild cats and switch them for the stuffed ones?! How?! And when?! I’m also quite sad that she didn’t get to save the cats. That was a bummer. So all she basically did was bring 3 big cats to kill a killer.
The art’s gorgeous, nothing else to say here!
6/10
Story #2: Now You See Me by Ann Nocenti
Ann Nocenti’s name immediately made me go uh-oh... Her bad and convoluted writing style made readers drop the Catwoman books which eventually lead to the solo run’s cancelation so you can understand why I was concerned.
So Catwoman is hiding a little pouch in a pigeon loft on a roof while pondering who to sell her stolen goods to - as well as where to vacation afterwards. She then notices a surveillance camera. The scene cuts to two cops on surveillance duty. They’re both bored as hell so when one spots Selina, he quickly distracts his colleague and leaves to find her. He takes the pouch out of the pigeon loft and a fight between him and Catwoman ensues. He reveals that he wants to become her partner. He wants to feed her any intel he can see on his screens so she could steal and sells some goods, and they’d split the money. When Selina refuses, he tries to blackmail her into complying. Selina presses a button on a little device and whatever’s in the pouch the cop sacked, explodes, sending him over the edge. Luckily, he lands on an umbrella Penguin had sent off apparently because we see him in one panel, angered that his plan was foiled. I’m not entirely sure what his “brilliant plan” was supposed to be. Something with gas tanks that were strapped to the umbrella I assume? I have no idea.
This one is missing too much context for my taste. What was in the pouch? Did the explosion kill the guy? What was Penguin doing there? What was his plan? Why did we need the second cop? For a super obvious but unnecessary parallel between Catwoman vs. corrupt cop and random woman vs. random man on one of the surveillance screens? Why give Catwoman so little “screen time” and so little dialogue? Is this short story referencing anything from Nocenti’s awful run and I just forgot? To quote Val Kilmer Batman: “It just raises too many questions.”
The art’s okay, nothing too special.
3/10
Story #3: Helena by Tom King
Oh boy. This is the big one. The one everyone’s been waiting for, I guess. The man who not so long ago had promised us a BatCat wedding just to shove a huge middle finger in our faces, promised us a pregnant Selina this time. I was skeptical of course. Also other readers were convinced he’d just let Selina have a miscarriage. Well, the good news is it wasn’t a miscarriage. The bad news is he almost makes Selina seem like she would have preferred a miscarriage.
The story goes like this: Selina hasn’t been feeling well so instead of going to a doctor like a normal person, Bruce scans her head and checks her vitals and blood (I can only assume because we’re not shown). Selina’s convinced that she’s seriously ill but a gentle, hopeful smile on Bruce’s face reveals the actual truth: She is pregnant. And her first reaction is shock and denial. We cut to BatCat fighting Tweedledum and Tweedledee (I think, you can’t really see them but the two men they knock out look identical). Selina then bends over and says that she’s about to throw up. Followed by a Batbucket joke. I’m getting so tired of all the forced self-awareness, guys. We cut to Catwoman, now sporting a baby bump underneath the skin-tight leather, sitting on a roof. She prepares a glass of wine while telling the baby that it is just like Bruce and it’s such a dick for taking away her freedom. After one sip, she chucks the glass away and curses. We’re then treated to a montage of BatCat fighting several rogues while Selina’s belly grows with each panel until it’s an 8, maybe 9 months along belly. I... I have no words. Except for yes, this was written by a man. BatCat are then standing on a roof and Selina laments that she’s a thief, not a mother, and the baby will derail her life and plans. The scene switches to Bruce and Selina in bed, arguing because she’s in labor. Bruce is ready to roll while Selina is STILL in denial, crying that she’s not a mother, that she’s not a hero or a good and brave person like him. Bruce tells her she didn’t run off so that means she’s a good person and they agree that it’s time to have the baby. Another cut to Selina having to take care of a crying baby Helena, asking why she’s crying when it’s Selina’s turn to stay at home and not Bruce’s. Selina talks to Helena, saying she’s luckier than Selina was because Selina’s mom ran off. She fucking FINALLY says something nice about her own child (”You’re a cute little kitten.”) and wonders what they’re going to do with her. The last page is old Selina and grownup Helena after Bruce’s death. Selina’s complaining about the pretty cemetery while Helena likes it. Her daughter’s ability to not shit on just everything and not be a total killjoy all the time causes Selina to say again that Helena is like Bruce. Upon Helena’s question if she’s anything like her mother, Selina answers that she’s just as stubborn as her. If she wants something, she steals it. Helena asks what she ever stole and Selina delivers the last predictable cliche of the story: “You stole my heart.”
Ugh. King’s Selina is just such a boring read. She’s not charming or interesting or sympathetic. Maybe I’m too used to a fun Selina but this one’s just a drag. A heavily pregnant Catwoman fighting Joker, yeah sure, totally not absolute bullshit. And the way Selina keeps distancing herself from the child inside her? For over 9 months?! Is she going out in that ridiculous catsuit because she wants to cause a miscarriage, is that it? So she doesn’t have to make a decision like abortion, adoption or leaving the baby with Bruce? Her constant cussing over the situation and crying and whining turns the pregnancy of my favorite DC couple into such a depressing ordeal.
The art is very pretty! Thank God.
4/10
Story #4: The Catwoman of Earth by Jeff Parker
After the depressing pregnancy of Catwoman, we switch to the wacky 60s version of her. Catwoman and her henchmen are robbing a science fair when suddenly, a UFO arrives. WTF?! Four aliens and a robot are beamed down to the surface and the group’s leader, an arrogant jock-like guy proclaims that they will take over the planet and enslave humanity. Catwoman angrily stands up to him. Turns out the evil aliens are sexist too when the male one tells Catwoman females have to ask for permission to speak and the female alien in the group unhappily agrees. The jock alien tells the muscly male alien to dispose of Catwoman but she’s not easy to dispose of! She fights off the brawler, she cuts the tentacles off the tentacle alien (someone WILL jerk off to that one panel), dodges the jock’s laser gun, steals the laser gun with her whip, shoots the robot to bits, and lets the police take the males away. The female alien seems much happier now and invites Catwoman to a flight around the world in the UFO. Catwoman suggests a trip to Paris so she can loot the Louvre.
Aliens and Catwoman don’t mix. I didn’t really care for this story. I mean it’s great to see Catwoman in action and taking down four guys on her own but... aliens and Catwoman just don’t mix. It was a bit jarring to me. Also the aliens’ designs weren’t super interesting. They were basically pink elves.
The art is beautiful. Catwoman looks like Julie Newmar and the entire color scheme is very 60s.
4/10
Story #5: A Cat of Nine Tales by Liam Sharp
Catwoman’s caught stealing a diamond necklace by an armed security guard. He seems a bit scared of her but knows it’s his job to stop her. She’s not engaging in a fight - of course not, he has a gun pointed at her! So instead, Catwoman relies on her talking skills. And intimidation skills. She tells the guard that there are 9 ways their situation could play out: 1. The guard lets her tie him up and escape with the necklace. 2. She beats his ass. 3. He kills her. 4. She scratches his eyes out. 5. He slips and gets knocked out. 6. He fires his gun, misses her, and the bullet ricochets until it kills him.  7. They team up. 8. She gives up. 9. She kills him. However, the story ends with the guard fainting because Catwoman’s just so damn scary.
Very short, very simple. Even the art is simple, on one page there are 3 very similar panels with only minor changes. Nothing memorable but not too bad. It shows how Catwoman can take someone out even without touching them. It’s okay.
The art reminds me of a comic from the 80s or maybe 90s. Hard to describe why. Guess you have to see it. Again, it’s okay.
5/10
Story #6: Little Bird by Mindy Newell
Selina learns from a news report that a priceless mezuzah has been found at a flea market. It’s currently at the Jewish Museum of Gotham City and Selina immediately steals it. Later, Batman shows up at her place and asks why she wants the mezuzah. She doesn’t give him much of an answer so he leaves. Pretty pointless scene I would say. A flashback reveals that a young Selina used to live with a Jewish lady. I dunno, I guess she’s a foster mother? And the woman liked Selina so much and considered her family so she gave her that mezuzah to pass it on to her own kids one day (even though Selina doesn’t want kids, is not related to the lady, and isn’t Jewish). Back to the present, Selina’s punishing a client. That prostitute background made an unwanted comeback for this story because Selina’s resisting and denying herself love so she’s “whoring”, to prove to herself how despicable she is. Okay...? There’s an inner turmoil going on, she’s torn between selling the artefact or not. Eventually, she decides to bring the mezuzah back to the lady she used to live with. The lady’s grown old and demented, lives in a home and is at the verge of dying. Selina places an envelop between the lady’s hands and leaves. The home’s director finds the envelop which contains the mezuzah, an official document which basically ensures that the lady will be taken care of before and after her death, and a poetic note from Selina.
My least favorite story out of them all - and that is quite an accomplishment when there are King and Nocenti in the same book! It had that Frank “I’m an insane sexist racist asshole” Miller prostitute bullshit in it and Selina hating herself again. This time, the “whoring” (and this word is not me, it’s from the actual story) is used as a way of self-punishment. Because it’s disgusting and wrong and Selina only does it to torture herself. Dunno if that’s the right message you wanna send here... The Jewish lady was kinda random to me because Selina’s not Jewish and never has been Jewish. This is not a negative point, it’s just so random. And the Batman scene was pointless, I have no idea what purpose it served. Except for showing us Batman pay Selina like a john and having Selina make jokes about “whoring.” Ugh.
The art was great, very clean.
1/10
Story #7: Born to Kiln by Chuck Dixon
Going from my least favorite to my favorite story in this book!
Catwoman knows there’s a diamond in a safe on a boat that is set to leave the harbour in the morning. So she climbs aboard at night to steal the gem. She finds several dead sailors and they’re all covered in mud. Who could have done this? Yes, you guessed right - it’s Clayface! He’s already at the safe, opens it, and retrieves the big stone. Catwoman reveals herself and aims a fire hose at him. Her confidence, however, dies the moment the hose doesn’t work. Clayface swallows the diamond and starts chasing after her. There’s apparently a machine to spray-paint cars on the boat so she lures him inside, activates the paint to blind him, and the hot lamps for the drying process immobilise the big pile of mud. Now that he’s nothing more than hard clay, Catwoman takes a wrench to him and takes the freed diamond.
FINALLY a story I really, really like from beginning to end! First off, IT’S PURPLE CATWOMAN!!! Selina is wearing my favorite costume, the iconic Jim Balent suit from her 90s solo run in this story - and I LOVE IT!!! Yeah, her boobs are quite loose in it and sometimes dangle in strange ways but fuck it! LOL I prefer hanging boobs over a tight corset that should reduce her agility or a back breaking pose anytime! We get sneaky Selina, we get playful Selina, we get over confident Selina who has to think fast and run even faster, and she gets what she wants in the end without killing anyone.
The art is gorgeous! It’s very fluid and alive. I also absolutely adore the cute facial expressions on Kitten’s face, especially when she locks Clayface in. I miss Catwoman being fun. In this, she’s just adorable and not sexualised at all.
8/10
Story #8: Conventional Wisdom by Will Pfeifer
Selina finds herself at a Bat Con and is supposed to give autographs. The whole scenario seems weird and confusing to her, she doesn’t remember how she got there or what is going on. Bruce, Joker, Riddler, and Two-Face being there with her to give autographs is even weirder. And why does no one except for her react to that unconscious, bloody man on the floor?! On her way to her panel, she runs into several cosplayers which is basically only fan service. But you will find the male, dark-skinned version of me at her panel, asking when the fuck she will finally put that 90s suit back on!!! The dialogues keep breaking the fourth wall, pointing out that this story is about to end. One of the panel’s attendees looks like Marvel’s Taskmaster and another is Selina herself in her Catwoman suit. Selina slowly remembers what happened: The Taskmaster dude is Doctor Destiny, she broke into his lair and stole his reality distorter, a little machine she’s been carrying around for the entire story. She smashes the machine to wake up back in the lair and cracks her knuckles, ready to take down Doctor Destiny and his goons.
And it was all a dream! That twist has never been a favorite of mine. Even though it’s not really a twist; you know immediately that it’s a dream. We don’t learn anything new about Selina or see anything Catwoman-y in this. It’s really basically fan service. They wanted Selina to see and interact with real life fans of hers so they made it happen. She also comments on various versions of her costume. It’s cute but kinda forgettable.
The art is good, it’s rare to see light and bright colors in a Catwoman book so it was a nice change. And the cosplayers looked nice. But they could have used different body types to make the fans more diverse and visually appealing.
3/10
Story #9: Addicted to Trouble by Ram V
And here we are, the premiere of the duo that will take over Catwoman’s current solo run from #23 onward. We get a first taste of the writing and art and I must say it’s a good taste.
This short story serves as a continuation of Joelle Jones’ #21 issue where at the end of the arc, Selina and her sister Maggie left Gotham in a purple car. So we see a short recap of how they got the car and where they were headed but unfortunately, the engine dies. They hitchhike to Memphis. Selina’s frustrated that Maggie doesn’t talk to her. They get drunk and start a fight at a bar. The cops show up and arrest them. While sitting in the back of the cop car, the girls start laughing together and steal the car. They leave behind their luggage which only contains stuff they won’t miss - including Selina’s cat funeral dress. They drive back to Gotham, Selina steals food and drinks on the way, and they cuddle on a rooftop overlooking the city. The story cuts to Selina and Leandro, a character I would know if I had continued the Jones run. She tells him she wants to lay low for a while and stay out of trouble. When he asks “Oh? Really?”, Selina throws a naughty smile towards the reader. Yeah yeah, lay low my ass. :D
First off, I have no idea what happened before the road trip, I don’t know why they took it or why Maggie doesn’t talk or what the purpose of all of this was because all they do is get drunk, fight an entire bar, and go back. No idea what that accomplished. And I feel sorry for the car because it was so gorgeous. Anyway, I am happy to say that Ram V has a great writing style! He gave a good voice to Selina, it sounded very natural and like a human would talk, no forced exposition or fake deepness.
The art was good, there were a few expressive faces and the bar fight was well executed.
5/10 (because I don’t know the context)
Story #10: The Art of Picking A Lock by Ed Brubaker
Instead of ending with a transition to the next Catwoman issue (which I would have preferred), the collection offers one more story and it’s written by the man who successfully handled the second half of Selina’s first solo run. He turned her stories more into the film noir direction and gave her sidekicks. The run also gave her a fugly suit and made her have sex with old men and Brubaker wanted to kill her off and have her not know who the father to her unborn child was so... yeah, I’m torn about that guy.
The last story shows us Catwoman breaking into a warehouse full of Joker goons while thinking about the thrill of breaking locks and how she learned how to do it when she was at a juvenile detention center. She beats them all up and demands to know where “he” is. Later, her friend Holly is on a motorcycle chasing after a cab while Catwoman is riding on top of a subway. Both reach Gotham’s harbor. We see that the cab is filled with Joker gas and the driver is laughing maniacally. Holly can’t reach the cab in time and it drives off into the water. Catwoman swings down and jumps after it. She breaks the trunk open and reveals a handcuffed Slam Bradley. Cut to the three back on dry land. Holly chides him for going after Joker alone and not waiting for backup. He admits that it was dumb, then shares intel on where Joker will strike and Selina should tell “her friend.” She says she will and Slam ends the book with the words that he could really use a cigarette. NO, this book was not that good that it would warrant a cigarette at the end!
This short obviously takes place during the second half of the first solo run. We see Catwoman in action, that’s cool. Taking down almost a dozen of armed Joker henchmen, that’s pretty badass! And a woman saves the man damsel in distress at the end, that’s a nice ending as well. However, I don’t care about the costume so the visual appeal wasn’t there and I really don’t care about Slam Bradley so the reveal at the end was pretty ugh to me.
The art is great! It’s like a modernised/smoother version of Darwyn Cooke’s style, the artist Brubaker worked on the Catwoman title in the 00s with. So that gives it a pretty nostalgic feel. 
5/10
In addition to the 10 stories we’ve now covered, there are pages to show off the Catwoman costumes of each decade as well as pinups. The costume pages are designed in the decade’s style (the 40s are black and white, the 60s psychedelic etc). But what I don’t get about the 90s one: It’s purple Catwoman grayed out in the background and gray BTAS Catwoman in color in the foreground - why make the purple outfit gray when you have an already gray outfit?! Just switch them! Also who put together the 70s one, couldn’t they find better costume examples?!
The seven pinups are pretty, unfortunately the majority feature the black outfits. I was surprised that even Tim Sale drew the black costume and not the purple one from his Long Halloween series. We get one of the gray BTAS costume and Jim Balent thankfully gives us BatCat with his purple creation. Nice!
Well, looking back at my personal scores for this collection of stories, Catwoman’s anniversary issue reached a total of 44/100 points in my book. Wow. That’s... not that good.
Most of the stories ranged from average to bad. Nothing spectacular, nothing memorable. There’s a lack of witty dialogue, Catwoman’s rarely fun to watch. In six stories she’s seen fighting, in three she’s seen being chased so I’m missing the variety here. I would assume you can do more with Catwoman than that. She often rather fights instead of using her wits and smarts. And actual cats are only featured in two stories but in one they die and in the other, Selina says she should drown them. -_- 
A collection of 10 new stories was a great idea but celebrating the character this is not. I’m happy that the next writer for Catwoman left a positive impression on me and the story feat. Balent’s Catwoman was a delight. However, the writers didn’t really bring their “A” game for this anniversary issue which is disappointing.
Would I recommend it? Hmmm. It pains me to say: not really, no. You don’t miss much by skipping it. You don’t miss sassy lines or breathtaking art, you don’t miss out on funny scenes or emotional depth. This anniversary issue is merely average and I highly doubt I’ll go back to reread it.
(a huge THANK YOU to everyone who read this entire, way too long post! i highly appreciate it 💜you’re a real trooper!)
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theredhairedmonkey · 4 years
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A few people had some feedback for my meta on Claudia here. Instead of reblogging the meta over and over again, I’d rather address the arguments raised by @silverspetz​ here and @atreefullofstars​ here.
So... neither of these posts seem all that enthusiastic with either (1) my treatment of Dark Magic nor (2) my assessment of Claudia. I’ll do my best to break down both of these arguments as well as possible.
From @silverspetz​:
I don’t really believe in the “power corrupts” thing in the first place, but even if I did it wouldn’t change the fact that primal magic users also have elevated power and the only reason you can give for why dark magic would be more tempting is because it makes things “too” easy. If you were actually honest with this argument you would be insisting that the true evil is that magic exists at all and not just that dark magic is arbitrarily “too powerful”. 
Let's break down these forms of magic. For Primal Magic, in order to take full advantage of all that it can offer you, a mage has to have an arcanum (or an uber-rare Primal Stone). An arcanum requires a deep, fundamental understanding of the Primal Source, and far more so; there’s a reason only a rare few elves even become mages, and why even sky mages can’t automatically learn to grow mage wings. There’s a lot of internal mental discipline and legwork that’s involved--the reason why Lujanne can cast spells, but Runaan and Rayla can’t. While Callum is an exception, canonically it usually takes years if not decades to master this kind of magic.
Dark Magic doesn’t require any of this. If you have the materials and the incantation words, that’s enough. No deep understanding or internal channeling of magic is required. That’s what makes it so easy. And this is canon; this is what Aaron and Justin describe as the difference between Primal and Dark Magic when it comes to ease.
But being easy does not in of itself make Dark Magic bad. It’s why it’s tempting (Callum catches on to this, even when Viren and Claudia do not). The fact that there is no limit to what you can do with Dark Magic, combined with the fact that everything you could ever need or want could just be a single spell away is what makes this dangerous. Again, unlike Primal Magic, Dark Magic is characterized as unlimited power. That’s what makes this a toxic combination.
Primal Magic simply doesn’t operate this way. It’s a naturally occuring phenomenon that can be tapped into. There are limits as to what can be done; Primal Energy needs to be nearby, and many spells, such as aspiro and mage wings, are limited by what the mage can physically exert.
The Primal Mages that we’ve seen demonstrate a separate issue with Primal Magic, but I’ll talk about that below. 
Sure, it is nice that you at least admit that Xadia probably exiled humans to preserve the status quo, but you are still insisting that dark magic is the only kind with inherently corrupting influence and acting as if being born with an inherent power isn’t already playing life at easy mode. You don’t ask the question “how long before elves decide to do the easy thing instead of the right thing” even though they have already done far worse things than any dark mage on the show. It is all so very reminicent of all the arguments you hear from the majority whenever a minority tries to assert itself. “No, you can’t fight oppression your way, that’s wrong and bad. Do it on our terms”. The show’s thesis is basically that “reverse racism” is worse than actual racism, and the fandom largely agrees. You can save your “is dark magic too powerful” concerns until humanity as a whole has been given even a modicum of the power they actually deserve.
The show definitely doesn’t pull its punches when it comes to dragons and elves. Sol Regem quite nearly wipes out a city, while the ethnic cleansing of humans had been compared to the Trail of Tears by the show’s creators. And the thing is, there are issues with the way elven mages and dragons use their magic, even though that’s beyond the scope of my meta on Claudia. But just because a group is oppressed or marginalized doesn’t mean any attempt to gain, as you say, a “modicum of the power they actually deserve” is justified. In fact, that’s all very reminiscent of real-life formerly oppressed groups who either gained that “modicum of power” through exploiting others or taking advantage of their newfound power to settle the score with their former oppressors, which just perpetuates a cycle of hatred and violence...which kinda sounds like the point the first three seasons of the show was trying to push!
To your question “how long before elves decide to do the easy thing instead of the right thing,” we already have an answer. There is an elf who isn’t bothered by questions of doing the right thing.
Who only really cares about increasing his own power in the quickest way possible, regardless of who he harms, corrupts or kills along the way.
And it’s this guy:
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In spite of mastering all six Primal Sources, he still turns to Dark Magic as a means to get what he wants. Which does give us the answer to your question--when an elven doesn’t care about the right thing, merely the easy thing, they too turn to Dark Magic. That’s the corrupting influence of this branch of magic. Aaravos should have had all the power he needed, but he wanted more.
And what does he do with his power once he has it? He eclipses the Sun Nexus, creating perpetual night over Lux Auera and quite possibly wiping out the city. That should drive home what “unlimited power” means with regard to Dark Magic--you can quite possibly destroy Primal Sources at will. You can’t do that with Primal Magic.
But Primal Mages, at least who we’ve seen, don’t particularly care to bolster their own power over the lives of others because, honestly, they’re kinda indifferent to them. And that’s their flaw--not power-lust, but apathy to the plight or struggles of people.
Keep in mind, they’re not unkind or callous toward others. Lujanne, for instance, is nice and will help Team Zym...when they ask her to. It’s why she simultaneously tells the group that “dark forces are pursuing you” while still being willing to show Callum around and letting the team drag their heals. Rayla was quite indignant at that (”I thought you were on my side!”). 
Or, she helps Ez get to Xadia because Soren asks her to, then wanders off to fuck around with other humans, while a war for the future of the world is fought. 
Ibis is similar--he suggests to Callum that the group simply leaves with Zym rather than make their stand, thus giving Viren the opportunity to gain power. He helps out in finding dragons to fight alongside them, but we never see him take part in the battle itself. Just like Lujanne, he helps the group with their goals but doesn’t engage directly with any threats.
The differences between Dark and Primal Mages are similar to the Sith and the Jedi in the Prequel Trilogy. The Sith are power-hungry, perhaps beginning their fall to the Dark Side out of a goal to protect their loved ones or a similar aim before being corrupted by their desire for power and domination. The Jedi, however, are “keepers of the peace,” and will get involved when that peace is disrupted...and turn a blind eye to slavery on worlds like Tatooine. They’ll preserve the status quo, but don’t do much else, which is why the Separatist Crisis was started in the first place; countless worlds were irate that the Republic, and by extension, the Jedi Council, ignored their problems and struggles.
Primal Mages are the Jedi in this situation. From what we could ascertain, they didn’t do much of anything to help the humans before they were desperate enough to turn to Dark Magic.  The fact that a human learning an arcanum was so surprising just shows how little anyone tried to help humanity before dismissing them as a lost cause. 
This is also why Callum is such a standout example of a mage. He rejects the temptation of Dark Magic while also deciding to stay and fight to defend Zym. He’s chosen who he wants to be, and he’s not going to make the same mistakes that mages from either camp have made.
Primal Magic has its flaws, but to say that Dark Magic and Primal Magic both represent power and share the same temptations misses the larger point.
As for Claudia supposedly being “selfish”, yeah, this is where you are absolutely being dishonest to demonize Claudia. Soren was not willing to accept his condition. It was blatantly obvious that he was just having a breakdown and trying to find silver-linings whereever he could. Even his first poem was basically him lamenting his new situation. And he was very obviously happy when Claudia fixed his spine. 
You would have a point had Claudia actually obtained Soren’s consent. The fact that she didn’t even bother to ask his permission violated his agency. Even after she was done, Soren never found out what it cost for him to be healed. 
All of this is extremely problematic. It’s not a small thing that medical practitioners seek out consent from their patients, even when the treatment is painless, simple, and safe. The autonomy that people have over their own bodies is of utmost importance, something that can’t be dismissed with a simple “Oh well he was unhappy anyway, he would have said yes if I asked.”
I think that, deep down, even now, Claudia is a good person. She thinks what she’s choosing to do with her magic is ultimately the right thing. It’s just that, in her mind, other people don’t get to choose.
 So forgive me if I think that meta about primal magic you plan to write is going to be a bunch of drivel that admits elves wen’t too far in commiting genocide but ultimately doesn’t see how being born with the power to crush armies might make you at least as tempted to solve all your problems with sheer force as the ability to turn chains into snakes.
Hopefully, the little that I wrote about Primal Magic assuaged your worries somewhat. There’s a lot more to write about this form of magic, most of which can’t fit here.
And it’s not like creatures with Primal Magic never use sheer force to try and solve their problems (that’s exactly what Sol Regem attempts to do). But when you look at what you can do with Primal Magic versus what you can do with Dark Magic, the former simply doesn’t compare. This isn’t an apples to apples comparison in terms of raw power.
For @atreefullofstars​:
And miss me with “dark magic is easy and dark mages don’t sacrifice anything so everything they do is selfish.” Yeah, characters in the show–the ones who already don’t like dark magic–have said that a few times. But what’s shown on screen is dark mages collapsing, falling ill, panting, and turning corpselike and clearly unhealthy from using it, when nothing like that happens to primal mages. What is “Claudia doesn’t lose anything other than a streak of black hair” supposed to mean? She didn’t make a magical trade, her hair color for Soren’s spine; if that were the case she wouldn’t have needed the deer. She did something so difficult, that put so much physical strain on her body, that it turned some of her hair white. When that happens in real life, there are physiological consequences way beyond hair color; the hair is just a clear visual representation of how badly that strained her body.
Lets set aside whether Dark Mages never sacrifice anything for their magic (Ziard, for instance, sacrificed his life to save Elarion; Callum fell into a coma). What I’m talking about is in this particular case--Claudia momentarily collapses from using a lot of Dark Magic...then proceeds to get back up again and is none the worse for wear in the next scene. That’s all I’m trying to say. Claudia does not “sacrifice her own well-being” to save her brother when there are no long-term side effects to her other than that one streak (it’s not from the physical strain either; stress-induced grayness doesn’t just come up in one spot and it certainly doesn’t friggin turn already black hair white!).
The streak isn’t supposed to visually represent the strain on her body that was clearly temporary. It visually represents how Dark Magic is slowly starting to change Claudia. One might say it’s corrupting her.
And if that just isn’t enough, if she should have to give up more because she’s supposedly being selfish, well, it’s still more than primal mages sacrifice. What did Callum sacrifice to save Rayla? What did it cost him, what did he lose? Is it selfish that he used his magic to rescue her from falling, because he loves her and doesn’t want his life to change by losing her? What did he give up when he cast Fulminus to selfishly override Ibis’s objections to teaching him? What did it cost him to cast Aspiro and blow Zym up into the air to block out the sun, saving him and Rayla? Every primal spell in the show is “selfish” when you view it through a lens determined to show it that way, and not one of them has a cost. Every good deed anyone has EVER done could be construed as selfish because it made them feel good to do it; even if it was difficult or uncomfortable, they were obviously still satisfying some other principle they value more and getting net benefit.
I think you’re missing the point if you think that the issue with Dark Magic is that it doesn’t come with enough personal sacrifice. Me arguing that Claudia didn’t sacrifice her well-being for Soren isn’t me arguing that she should have.
But as for whether primal mages are selfish...Callum quite nearly falls to his death in a long-shot attempt to save Rayla. And keep in mind, he isn’t trying to save an idea of her, or the portrait of a perfect relationship, or something that he simply desires for himself. He’s trying to save her. And unlike with Claudia, it doesn’t come at anyone else’s expense--just, potentially, himself. 
Before that, he puts himself between Zym/Rayla and scores of enhanced soldiers. He risks his life just to protect them. Before that, he crushes a moon opal to learn the truth about Rayla’s parents, so she can feel free to make her own choice (and this was the epitome of selflessness; he didn’t attempt to convince her to leave with them. If she wanted to stay, fight and die, Callum was willing to accept that. Think about that when you say that every primal spell in the show is somehow selfish).
And before that, he uses Fulminis to get Ibis’s attention so he could learn magic...so that he could protect Zym and his friends from Viren’s army. Throughout all of Season 3, Callum does magic primarily to help others and never just for himself. It doesn’t come at the expense of anyone else’s life or anyone’s agency. That’s the difference between Callum and Claudia--to reduce all of that to just “well any choice is selfish when you think about it” is just pure nihilism.
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quakerjoe · 4 years
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You do realize that one of two people will be the President of the United States on January 20, 2021–yes? Either the incumbent or the Democratic nominee will hold the office, and that’s a legacy as old as Jefferson and Hamilton. If you can not stop trashing both aspirants to the office may I suggest that you pursue the acquisition of a passport as well as some means of leaving the country? Your laments are so doleful as to finally become comedy.
You know what’s really funny? Everything about YOU. I’ll tell you why, since you bothered to ask. I at least owe you that much since you didn’t ask anon.
I get this sort of banter every now and again so I thought I’d display it and answer the question at hand.
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First off, this “#Murica, love it or leave it!” horseshit has two facets to it in response.
ONE: “Go fuck yourself. If you’re so willing to lie down and take it in the ass for one of the parties constantly screwing you, you’re pretty useless. Why don’t YOU leave since you’ve clearly given up the fight? “Life, Liberty and the Pursuit of Happiness” comes at a price, sometimes a high one, and you have to FIGHT for it. If you’re willing to just bend over and take an elbow deep fist in your ass from the Democrats so it can jerk off the GOP while its dick is constantly forced down your throat, then perhaps YOU are the one who needs to pack up and fuck off to Saudi Arabia or North Korea. Maybe Russia or China are more your speed.
 TWO: Are YOU going to pay my way if I decide to give up on America and abandon my home and the nation that I love? I may not love your precious politicians, but I’m still proud to be an American. I served, am a vet, but THIS is not the nation I signed up to defend. This era of US history is the Big Sellout, and you, dumbass, are a part of that.
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 You people had chances and opportunities to make this a better place than when you found it, but over the five decades I’ve been alive all I’ve seen is people fighting to get in line to buy the government snake oil like it’s a Cabbage Patch Kid or the new iPhone. It’s pathetic how much the US lacks vision or has any real pride or dignity worth talking about. We’re not #1 at fuck-all anything worth bragging about unless it’s how bad the education system has gotten or that we’re the TOP nation in the world for incarcerated citizens per capita and it’s mostly geared towards men who happen to have a dark complexion.
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 The rich and powerful exist here because WE ALLOW it. People  like you, you defunct Fox “News” fan, are either a cheering fan for the status quo of yesteryear with Biden who wants to turn back the calendar to a time that BROUGHT US TRUMP in the first place OR you’re a trump fan who has NO IDEA… well, no ideas or thoughts about anything. Trump’s shown us who we really as a nation apparently- deluded, self-centered, selfish assholes, and the WORLD can see it. Not all of us, granted, but as a generalization, we truly suck. Such a waste of enormous potential, especially given all the resources we’ve had over the years.
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 As a result, we’re being overwhelmed by a virus that’s killing us by the thousands and perhaps millions some day. But, since we no longer believe in or do science anymore, nothing much is coming to save us. If/When the time comes that its run its course and should we find a vaccine, there are still anti-vaxxers who’d rather die than take a cure. Then there are the religious zealots who think Jesus will protect them. You know; the ones who are dropping like flies these days? Those assholes; the hypocrites who think they’re part of ‘the faithful’ who, if you believe in that sort of thing, do Satan’s bidding more than Jesus’.
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 If you’re not boiling mad at the GOP for literally doing everything they can to go out of their way to keep the US a hateful, racist, peddler of death nation bent on keeping its citizens poor and undereducated, you’re not a part of the solution. If your fucked-up solution is to have those not happy with the butt-hurt they peddle move to another country, it shows you’ve got no pride or respect for your country or yourself. You’re weak, ignorant, selfish and stupid all rolled into a big burrito of go fuck yourself.
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If you’re not making a fist so tight that your nails are digging into your palms when you hear that the Democrats are literally forcing us to choose one racist sexual predator that can’t hold a thought or form sentences as the “champion” to replace the incumbent one, you’re DEFINITELY not a part of the solution. Also, you’re an idiot, an asshole, and totally a Biden Bro.
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 What will it take for YOU to open your window and shout out “I’m mad as hell and I’m not going to take it anymore!” eh? You people rolling over for Biden are pathetic weaklings who sold out women and #MeToo and sold your souls to #MeTooExceptBiden, allowing the bar to be set to the same, low, cesspool standard that the GOP glorifies in. You sold out party, country, woman, minorities, and everything that was once even remotely good about the party that allegedly represented the working class so that the party leaders can keep their cash flow from Big Pharma, the Insurance lobby, Big Oil and the Military Industrial Complex. You’ve turned the Democratic party into yesterdays feckless, weak and worthless GOP while the current GOP drags the country even FURTHER to the fucking right. You’re aiding and abetting the foulest elements of the nation’s existence.
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Your attitude has cost us our place on the world stage and most of our allies while we crawl under the covers with bedfellows we once considered enemies because they treat their people like shit. Now WE are one of those shithole countries you people used to rant about… AND YOU’RE PROUD OF IT and unwilling to stand up and fix it. Instead, you prefer those who are willing to do your job FOR you to just move elsewhere. Loser. Listen, if you’re too much of a wuss to stand up to the establishment that’s using your tax dollars to bail out the rich while pissing table scraps down upon you, that’s on you. You’re too stupid to know better. I get it. But until YOU get off YOUR ASS and hold your government accountable, you’ve got no room to criticize those who ARE doing it.
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We’re in the middle of a pandemic and the ONE GUY who has been fighting for his decades-long career for UNIVERSAL health care was someone YOU opted out. American apparently hasn’t suffered enough to grow a pair of whatever motivates it to stand up to the wealth inequality. The US idolizes the rich and instead of fighting for a chance to live at least a DECENT life without having to worry about going tits-up and pear-shape because of hospital bills or job losses, they’d rather just piss away their fortunes and futures so that people with more money than they can spend in a lifetime of ten could possibly spend, all while THEY pay little to ZERO taxes, leaving YOU stuck with the bill. That’s on YOU if you’re willing to bend over and just take it in the ass and take it dry; no kiss, no lube, not so much as a feel-around. That’s YOU.
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You, sir, are the problem. Clearly, with people like you, the US is simply BEGGING for 4 more years of trumplefuckery. Perhaps you even deserve it. I wouldn’t wish it on anyone, but who am I? I’m just one of the few willing to call anyone out on their bullshit, from the GOP overall to Pelosi’s feckless approach, to Schumer’s “kid who gets beaten on the schoolyard daily” approach to trying to appear useful. I’ll shit on Liz Warren for not backing a Progressive approach and getting behind Sanders EARLY; screwing her friend and ally AGAIN like in 2016. I’ll call out all the other “candidates” who say one thing while their track records show that they’re pretty full of shit. I’ll DEMAND that we have a party that’s transparent and willing to fight to drag us BACK to the Left instead of the “oh, let’s settle for plutocracy and oligarchy because it’s better than fascism” route. Fuck that, fuck them, and of course fuck you too. Thought I forgot about you? Oh, this is all about you, you spineless goon.
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 So let me know if you and your ilk are willing to throw your precious few dollars into a GO FUND ME to finance my move to another country. This includes my family, all our belongings, and of course a home once we get there. Naturally, you’ll be finding us ALL gainful employment there and the costs for the passports, visas, and whatnot and you’ll of course be lining us ALL up with jobs. I’ve got a big family, so it’s going to be pretty goddamn expensive. Shit, just ME moving is going to cost more than you’d be willing to cough up.
 In the mean time, I’m going to remain here, giving the finger to the GOP, the Establishment/Corporate owned Democrats, and people like you. Seriously, you’re an idiot.
@ imall4frogs He’s talking about people like YOU.
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isuzukuretsuki · 4 years
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Alright I finished Crimson Flower and after letting my thoughts marinate for a bit, I decided to do a very long write up on my thoughts. Despite the fact that I made a beeline for black eagles the moment I got the game because I had an extreme feverish passion for El at first, my thoughts on this route are unfortunately mostly negative. This is the first and only route I played so far, and I know very little about the events that transpire in the other routes.
Five thousand disclaimers that these are just my opinions that may or may not change when I play the other routes and it’s not meant to discredit folks who like Crimson Flower. Also there will be spoilers.
For starters, I think the story does a terrible job at convincing you that Edelgard’s actions are justified or even necessary. This route felt less like fighting to change the world for the better and more like a savage conquest with every chapter being El going like “we gotta kill this guy now” and I’m like “but why” and El’s like “WE JUST GOTTA”. I guess the right way to say it is that El’s route lacked emotional impact. I could not celebrate her victories with her because my only reaction was “was that really necessary” and “buddy why”. It ultimately felt like El was simply solving problems by creating more problems.
Instead of just saying “I want to uproot a societal system from its core so I have to overthrow the Church”, the story opts for El to give incredibly vague and wishy washy reasons on why the Church Is Bad. Something something, they’re not really humans and twist history??? The story forces you to do some crazy mental gymnastics to try and see El’s side of the story when everything just boils down to “Crests are Bad = Church is Bad”.
In Part 1, there was a lot of build up of the church’s obvious corruption and how they’re not to be trusted, but the build up falls flat because the story tries to make the reveal of Rhea’s beast form be the damning thing to convince the player that the church is so terrible that they have to be stopped even at the cost of thousands of lives... and well... in a franchise where almost everyone is secretly a dragon, that just did not sell me. 
We’ve been knew that Crests Are Bad but does that justify sacrificing thousands of lives to upheave the church? I dunno man..................................... the story doesn’t really put much effort to convince you that this is the Only Way and it doesn’t feel like El has put much thought into trying alternative solutions before jumping straight to murder because it was the easiest solution. Which sucks because I think exploring El’s methods and mindset would definitely make for an interesting conflict. The whole idea of if war is never justifiable, is it better to let everyone remain suffering under the status quo forever? El’s belief that nothing will change unless she takes direct action has validity to it, but the game just expects you to agree with her from the get go so El never truly has to stand firm and defend her values.
Edelgard’s decision to unify Fodlan is something I really, really side eye. She’s straight up invading sovereign lands and putting them under her own rule of her own volition. While yes, Church Is Bad, barging into someone else’s land uninvited to dictate how they rule their government and “fix their society” is ultimately something I find incredibly self righteous and arrogant. This idea of “fighting for peace” through not just instigating a war, but going on a violent conquest just seems... disingenuous to me? How does she plan on dealing with the lingering resentment from the folks whose land were conquered? She’s just replacing the crest system with an Empire who will murder anyone who stands against them which... makes her literally no different from what Rhea was.
The above point is mainly due to her whole tirade into the alliance which just felt extremely unnecessary, especially when Claude was trying to keep the alliance in a neutral stance. El’s reasoning for conquering the alliance because “some of the nobles oppose me” was really flimsy like... maybe they wouldn’t oppose you if you just left them alone instead of making them choose between handing over their independence or having their land burnt to the ground. 
Her dialogue with and about Dimitri is ridiculous because she criticizes him for being consumed by hatred and obsession and “losing his path as a king” but...... bruh, you’re STILL invading his country, so even if Dimitri wasn’t a raging murder man, he’d still oppose you because did you just expect a king to simply Hand Over His Land and not defend himself????? 
The absolute worst, worst part of CF isn’t even Edelgard herself but how the other students react to her. It feels like none of the beagles and especially the other house characters except Lysithea have any real reason to side with her, and even if they did (which wouldn’t be surprising because we see how the crests ruined so many lives), these valid reasons are never brought up and it’s overshadowed by almost everyone lamenting “is this bloodshed even necessary?” (news flash: probably not). But why the FUCK are you guys even siding with her in the first place if you're gonna regret it afterwards or don’t actually agree with her? You don’t just side with an instigator of war with half baked resolves, and the convictions of these characters aren’t even quarter baked. 
This wouldn’t be too bad if not for the fact that the beagle kids themselves also seem to have more reasons to turn on El than to fight for her. Especially when Edelgard has done nothing to ever prove herself trust worthy. Hell, CF is kicked off with Edelgard betraying everyone and revealing herself to be the Flame Emperor, which is literal admittance to her association with the slithers. Yet no one seems to put two and two together and just decides to blindly trust and follow her without second thought because... why? Who knows!!! As Sothis so eloquently puts it, they’re all boulders just rolling down whatever hill they’re on, and I could not stand how little agency and independent thought that the other characters showed. It felt like El was the driver while everyone else was just strapped into the passenger seat, mindlessly going along with the ride. No questions, no thoughts, no challenges, and to top it off, it doesn’t even feel like any of them truly believe in what they’re fighting for because they never bring up the validity of El’s ideals or the consequences of her actions. 
The beagles had the group dynamic of a wet paper bag. Lysithea is the one of the only characters who actively shows any real agency for fighting for Edelgard and firmly voices how El’s goals compare to her personal values, which is a stark difference to everyone else who has a "¯\_(ツ)_/¯ I guess this is my life now” type attitude to an infuriating degree. 
Byleth siding with El also has me doing extreme shifty eyes. I can get behind them making an emotionally charged decision to defend her from Rhea but holy crap I saved you from Rhea because I didn’t want you to die, but that doesn’t mean I’m giving you the okay to murder all your classmates!! The game expects the player to take a huge leap of faith when siding with Edelgard, thinking “she has to have a proper explanation for this” and cue.... no explanation ever, until like... five years later. El’s relationship with the beagles felt disingenuous because she actively breaches the trust of others, lies to others, hides crucial information from others (slithers, anyone?), and nobody cares. She straight up lies about the church nuking Arianrhod and it’s never addressed.
The issue with the slithers and Byleth’s dad is even worse because it is never addressed until well into the route, and it’s brought up by not El, but fucking Hubert. Not to mention El is giant jackass to Byleth after their dad died even though he died because of her damn accomplices. We’re supposed to just lie down and accept the slithers’ presence because “well they’re necessary for our plans” even though we curb stomped the entire continent by ourselves, so I dunno why we can’t just shank them now. The slithers literally did nothing aside from chill around, maybe blow up a city or two to spite El. It’s ridiculous how the organization who is directly responsible for El’s abuse and trauma has no on screen resolution when frankly, I think the slithers deserve El’s animosity far more than the church. 
Despite my extreme criticism towards El, I want to stress that I don’t hate El. In fact, I love her character a lot and I think she’s really fascinating. However, I think CF really shot her characterization in the foot because it doesn’t feel like El really grew or developed or changed. She stubbornly believed that her actions were right at the beginning and by the end of the game, she still believes her actions were right because the story doesn’t really bother to try and prove her otherwise. I just think she’s much more suited as an antagonist, and I’m excited to see her portrayal in the other routes. Sorry El, I love you, but I would never in a million years side with you.
To end this salt fest on a positive note, I will say the route had three things I enjoyed: the ending, Mercedes and Jeritza’s support, and Edelgard and Lysithea’s support. Seriously, I would not have so many complaints if the rest of the route had the same amount of emotional tension and feeling as El and Lysithea’s support. I enjoyed the ending fairly much; the final battle in the burning city was epic as hell and so was the final cutscene. The scene where El sobs in Byleth’s chest after Byleth’s heart beat returns was extremely touching to me. So because I liked the ending enough, at the very least I was able to finish the play through on a somewhat content note. Also random side note but Edelgard’s seiyuu is amazing.
Anyway my order from favourite to least favourite beagle kids are Dorothea > Edelgard > Ferdie > Bernie > Linhardt > Petra > Hubert > Caspar.
tldr: my experience with crimson flower
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